#canopic mystical doctrine

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A ROMAN LIMESTONE RELIEF CIRCA 3RD CENTURY A.D.

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“The first Ptolemaic king of Egypt, Ptolemy I Soter, created Serapis as a new divinity that would be accepted by both Egyptian and Greek populations. Serapis was especially popular among the Roman military until he was replaced by Mithras in the 3rd century CE.” - Photographed at the Walters Art Museum, Baltimore, Maryland.

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Solar Boat reliefs on the walls of the Temple of Horus in Edfu. Image credit The Nile Valley: Aswan and Nubia

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Fuxi and Nüwa, c.2,000 BCE with Square and Compass, conjoining as One

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Artist: Anonymous (Egypt) Title: High Clerk in the Cult of Serapis Date: circa 230 - 240 AD Medium: marble

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“Split a piece of wood, and I am there. Lift up the stone, and you will find me there.” - The Gospel of Thomas, verse 77, translated by Thomas O. Lambdin, Nag Hammadi Library (gnosis.org).

“When you make two one, you will become Sons of Man and if you say: ‘Mountain, move!’, it will move.” - The Gospel According to Thomas or The Secret Words of Jesus, from the Coptic, translated by Jean Doresse and Rev. Leonard Johnston; Chenoboskion, Codex X, circa AD 60.

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Christ On The Cross by Michelangelo Buonarroti (1541)

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Two scrolls from the Dead Sea Scrolls lie at their location in the Qumran Caves before being removed for scholarly examination by archaeologists.

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Both sides of the Narmer Palette

The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the Main Deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation.[1] The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".[2]

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Serapis

wsjr-ḥp

Σέραπις

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Dead Seas Scrolls Reveal that Noah's Ark Was Shaped Like a Pyramid

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Early Islamic (Sufi) alchemical diagram

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And he that taketh not his cross, and followeth after me, is not worthy of me. He that findeth his life shall lose it: and he that loseth his life for my sake shall find it. He that receiveth you receiveth me, and he that receiveth me receiveth him that sent me.

Matthew 10:38-40

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Gnostic Tessera (Bronze, 15x21 mm, 4.06 g), circa 2nd-4th century AD. Abrasax facing, with the head of a rooster and snakes for legs, holding a whip in his right hand and a shield with his left.

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Raising Lazarus using a magic wand. Catacombe de Via Anapo, Rome

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ATHOM or ATHOM-RE, was the Chief and Oldest Supreme God of Upper Egypt, worshipped at Thebes; the same as the OM or AUM of the Hindu's, whose name was unpronounceable, and who, like the BREHM of the latter People, was "The Being that was, and is, and is to come; the Great God, the Great Omnipotent, Omniscient, and Omnipresent One, the Greatest in the Universe, the Lord;" whose emblem was a perfect sphere, showing that He was first, last, midst, and without end; superior to all Nature-Gods, and all personifications of Powers, Elements, and Luminaries; symbolized by Light, the Principle of Life.

Albert Pike, Ch. XXVIII, Knight of The Sun in Morals and Dogma, [1871].