#canceled too soon

[littleblackraincloudofcourse]

First Kill was like Buffy the Vampire Slayer meets True Blood in all the best ways. Action, romance, humor, drama and weird looking monsters plus an intro you can't get out of your head. I wish it had been given a real chance

[chocolate-apple7]

Sometimes I really hate Netflix. Shadow and Bone had a dedicated fanbase and solid viewing hours and yet it was still axed! They set up season 3 perfectly. Also not getting a Six of Crows spin off is equally, if not more, upsetting!

[tspoe-pods]

Just finished a binge watch of this 2011 short lived series. I watched it when it first aired, at least the first few episodes before NBC started preempting and juggling it around.

While the premier and first couple episodes aren’t the strongest, it turns into a really engaging series with good characters and some downright freaky and creepy villains!

Created before it’s time. This was better than much of what I saw on the CW this past decade.

Another show before its time and cut down before its prime.

I am officially a fan of “The Cape”!

[mrs-ronnie-reid]

The way he just shoves him💀😭

my favorite moment behind the scenes

[sophiathetrainwreck]

god i wished i lived in the timeline where companies respected animation

[princeyam]

finally posting my piece for @sheikzine ⭐️ i drew sheik from retro studios canceled sheik game!

[thedaythatwas]

I’m just thinking long and hard about the way Akiren and Akechi are written as foils for each other. Because of course, the game drives it home for us that the two are narrative foils: Akiren is the champion of free will who finds power through his friendships, Akechi represents the ways society binds us. He is chained by his desire to be wanted (importantly, by the wrong people– I’ll get to that).

At first glance, Akiren and Akechi’s point of divergence has to do with their relationships– Akiren has confidants, Akechi doesn’t, and this is the deciding factor in Akiren’s victory over Akechi on November 20th and in the engine room. Still, while this is certainly part of what makes their relationship important as a narrative device, it’s not the full picture. That, I think, has more to do with the fact that they both desperately want the very relationships that are used to foil them. They have common ground, and that’s what makes the emotional beats of their differences hit as hard as they do.

Even though Akechi doesn’t have the close bonds that Akiren does with his friends, he is defined as a character by his desire to belong. He wants to be praised and given everything he feels he was denied by Shido’s callous disregard for his mother and society’s unjust treatment of him after her death. He was a self-proclaimed “undesirable child” who spent his young adult life doing everything in his power to never feel unwanted again. He literally spells it out in his engine room monologue– “I was extremely particular about my life, my grades, my public image, so someone would want me around!”

Akiren, like Akechi, begins his character arc as a social outcast. Unlike Akechi, who appeals to systemic power to claim social clout and chase his own sense of belonging (the Shido revenge plot, which would, uhm, theoretically end with Shido acknowledging his son’s worth), Akiren finds family with other outcasts. All of the Phantom Thieves understand his struggle, and because of this they foster a sense of understanding and community that Akechi never gets to experience.

It is important to note that these bonds are deepened when Akiren helps those around him. While there’s absolutely nothing bad about doing things for the people you care about– in fact, most would argue that this is what makes a friendship a good one– we can take a reasonable guess that Akiren craves the love of those around him just a bit more than is healthy for him. He plays therapist for half of Tokyo– he stretches himself absurdly thin for the sake of his friends. That’s a bit much to ask of one person, but Akiren seems to demand it of himself. This is the nature of confidant routes as a game mechanic, of course, but hey, reading into game mechanics is important to getting a solid reading of who Akiren is behind the mask!

The crux of it is, Akiren and Akechi are both lonely characters. Their desire to be loved quite literally drives the narrative of the game, both in terms of plot and gameplay. What makes their foiling so tragic is the fact that Akechi so obviously wants what he has himself determined he can’t have. He says as much in the engine room when he questions why Akiren has things that he doesn’t, despite being (as he says) criminal trash living in an attic.

And yet, Akechi’s isolation is frankly the result of his own decisions. He is the one who chooses to work for Shido. He is the one who acts on a worldview that requires he keep his cards close to his chest to win— against Shido and against the world that wronged him— and to be considered desirable (even despite the fact that this mindset obviously works against satiating his hunger to be loved. He really needs to go to therapy, but I digress).

I don’t think Akechi even knows how to go about claiming what Akiren managed to. Akechi has agency in the actions he takes, absolutely– he would be furious about any suggestion to the contrary– but in many ways, the choices he feels himself able to make are constrained by his circumstances and the lessons imparted to him by his past.

All this to say, Akechi and Akiren aren’t different because Akechi doesn’t want teammates, or even friends. He sincerely wants everything Akiren has. He tells us this in the engine room. He shoots himself in the foot by prioritizing approval from society and love from Shido above other relationships. But thinking from inside his shoes, what else was he going to do? Where else would he have thought to turn to find what he wanted? He was dealt a horrible hand and he played his cards according to the rule book he was given. If the world were just, Akiren and Akechi wouldn’t be foils. It’s the injustice implicit in that that really drives home the point I think P5 is trying to make when it foils Akiren and Akechi in the first place. It also, personally, has been making me want to scream all day.

On a related note, this is also the exact reason that Akechi being the one to bring up that things might have been different if only he met Akiren a few years sooner makes me want to throw things, but this post is long enough. I’ll save all that for later!

[kachnajs]

i miss it

why did i have to be reminded of this injustice?

Sam & Fred, Crashing (2)

[tangledstarlight]

been thinking a lot about shows that get cancelled to soon vs shows that go on for too long and like. is it better to get to see something play out in full even if it ends shitty and loses it's premise/heart but it's at least a complete story? or is it worse to know how something should go but never getting to see it be completed, but also not having to stress about it ending badly?

[luna-loveboop]

Yo

I'm gonna not post anything for linktober today or probably tomorrow bc I'm waiting on the right equipment- all my shiny things are dull and I also need new safety gloves- and the last time I cut myself cutting glass it got infected so. I want proper equipment before I continue :) I'll catch up probably! Or just skip a day or two, but the plan is to catch up. I'm having a lot of fun with this and appreciate all the support :P

[solo-ojo-jojo]

Of all the Matthew Parry shows I watched post-Friends (and I've seen all of them) Go On has a special place in my heart. I remember it fondly and I highly recommend it.

I am not emotionally prepared to watch it right now, but my recommendation stands just the same.

I know that a lot of us are re-watching Friends, but may I suggest adding the show Go On to your watchlist? The show is currently free to stream on Roku in the States. This is my favorite Matthew Perry's performance. He played a character who goes to group therapy after the lost of his wife and the friends he makes there. It's a show about grief and love and friendship and sympathy. It's silly and funny. It's about asking for help, and how powerful that can be. It's about your found family. It's a heartwarming show. The show is not perfect, and it was cancelled way too soon, but it is lovely and a great way for us to remember him by. <3

[triglycercule]

small leisurely moments like these mean more than expected

ok hi triglycergang. it's AUGUST?!?!?! ugh,,,, anyways here's my like once a month art piece because i am a slow ass artist. the mtt are supposed to be chatting at a park during sunset!!! also new au just dropped

you wonder why killer dust and horror are wearing those DISGUSTING outfits??? you wonder where killer's soul is??? well it's all gone in this au which is called uhhh.

jk fashion au... wooooo!!

first things first to know: this au is NOT my idea. it was originally someone on twitter's idea to dress sans aus up in nanchatte seifuku but i think their account got deleted/banned. and i cant find the account because it was a japanese account and probably has some random username. so just remember that this isn't my idea but i guess my own twist on it. i really wish i could find the og creator,,,,

second thing to know: what the fuck nanchatte seifuku/jk (just kidding) fashion even is. here's the link to read for yourself: https://aesthetics.fandom.com/wiki/Nanchatte_Seifuku. yeah that's jk fashion. i really loved this au when i found it originally because i myself dress up in jk and also i just really love soft fluffy things like this. this au isn't gonna be angsty or particularly elaborate or anything i just wanted cute things and women in my murder time trio. also this isn't gyaru btw

third thing: uhh my inspirations for this??? well my main one that i really wanna focus on is that feeling of happy sentimental melancholy. you know like after you finish a really fun day hanging out with your friends and youre on the drive home and look back at how fun the day was? that's what i wanna encapsulate :3 also i think that the day to day school life is really cute and sweet and i wanna make more designs for the other aus so my trio can have more people to hang out with

well uhhh i think that's it?? mayhaps i shall begin drafting up other designs for the other aus. i wanna make little mini comics for this too like 4koma because i love those short yet sweet comics!!! should i tag this? i think i should tag this perchance. also extra mtt notes/full designs below became i love these three they're my daughters

[nimbusalba]

Neil Gaiman, my thoughts and my love for good omens

I already said something about all this deal with Neil Gaiman yesterday in another blog. But I still have Things To Say, so here it comes (with links to all the info):

Here is the article (thank you @procrastiel)

Here is a link to the podcasts for free (thank you @queermarzipan)

Here is the Xitter post with the accusations podcast thingy (thank you @embracing-the-ineffable)

Here is the transcript of the first podcast episode.

The Main Thing I Have To Say:

We need to separate the author from his work (and with this I’m not speaking only about Neil Gaiman). While we might not agree with some things about the author's life or thoughts, that doesn't mean we can not keep enjoying their work, as long as that work is not morally unacceptable, obviously. Let’s take the example of one of my favorite tv shows of all time (other than good omens): Buffy The Vampire Slayer (and with this I’m showing my age here, ahem). Buffy is a magnificent show, a wonderful exponent of feminism (strong female protagonist and secondary characters), diversity (one of the main characters is a lesbian), critical thinking, death, love, inner strength, battling your own demons… As we all know, accusations of harassment against Joss Wheddon appeared in 2020 and a lot of his work was left behind. I agree that knowing that the creator of something you love is an abuser breaks your heart. But that doesn’t mean that you have to stop loving that show, that it stops being a great work of art or that you should feel bad for still liking it. Buffy the vampire slayer is still one of my favorite shows and I still rewatch it from time to time (not on loop as I do with good omens, but that’s another problem). And why? Simply because in that show a lot of very talented people worked very hard to make it great, not just Joss Wheddon. And I appreciate it even more now knowing that the actresses and actors (and rest of the crew)  in the series didn’t have as good a time filming it as they should have. 

My take on this story:

I’ve already said that my first impulse is always to side with the victims in these cases, because they rarely lie and the accusations tend to be proven true in the end. In this particular case, for the time being, I’m waiting for developments, as the information that has transpired is fishy, to say the least. I’m not defending Neil Gaiman either, mind you. Maybe tomorrow we will find another 20 people accusing him of abuse. I don’t know him nor pretend to know what he’s done in his life. For the time being, as I said yesterday, this looks to me like consensual sex between consenting adults. That shouldn’t be news to anyone, even if the practices in themselves are not your kind of kink. It’s not on to have sex with someone who is working for you, of course, but still in this particular case that’s not exactly what’s happened. The woman in question (Scarlett) was a friend of the family, not strictly a worker. They already had a friendship relationship before turning it into a sexual relationship and a working relationship on top of that. With this I’m only trying to say that it doesn’t look like she felt forced to have sex with him in order to keep her job and she has said that the sex was consensual. The other victim has also said that even if she didn’t particularly enjoy the sex it was also consensual. 

It looks like both victims were pretty young when the relationships took place. It's true that younger people can have problems when it comes to place boundaries, and an older or more experienced partner could take advantage of that. It is also true that later in life, when that person is more experienced or has had time to think about things, they can think about what they did and feel uncomfortable with it, even though it didn’t feel wrong in the heat of the moment and they said nothing then. But, as far as I know, that's not sexual assault.

This looks to me as something that’s been designed to hurt Neil Gaiman’s public image. Maybe he’ll come out of it without any criminal charges, as he has already offered his help to the New Zealand police and they have refused to interrogate him for the time being, apparently because of lack of proof yet. But his public image has been tainted, not only because of the accusations, but because anyone who has their sexual life exposed and discussed publicly suffers a great deal of humiliation, even more so if their sexual practices are not exactly mainstream. With this I’m not implying that BDSM or any other kink is wrong, as long as it is being played by consenting adults. No judgment here, everyone has their own kink, and I don’t care as long as they don’t harm anyone (or if they want to be lightly harmed).

Keep also in mind that one is innocent until proven guilty and in this case there is not a lot of proof yet and the place the news is coming from is suspicious, to say the least. Wait for developments (and see).

Conclusion

So keep loving good omens, I know I still do, keep enjoying it, writing fanfic, drawing amazing art, writing metas and discussing about it. Because this show is still a brilliant show, in which a lot of very talented people worked very hard to make it the wonderful work of art that it still is and we shouldn’t dismiss all that work because someone wants to hurt one of the authors. 

(Edited because of wording)

[raylasgf]

idk if starting to lose hope is a good reaction but i really am starting to think all hope is lost

[outlying-hyppocrate]

well. did you fucking miss me.