#can’t describe it exactly but i’ve put more thought into side characters and general worldbuilding | Explore Tumblr posts and blogs

miss-m-calling · 4 years ago

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Chocolate Box 2021 letter

Dear writer,

Hello and thank you for writing for me!

I’m Miss_M on AO3. For all requests, I am asking for fic.

My requests this year are: American Gods (TV), The Marvelous Mrs. Maisel (TV), Starred Up (2013 movie), Witchblade (TV), and Бeсa ǀ Besa (TV)

General likes:

-pre-canon, canon, post-canon, canon-divergent, and missing-scene stories

-character-driven as well as plot-driven stories

-fics which mix humor and angst/serious business (when this fits the canon)

-characters at work and play

-group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too

-irony, snark, humor, angst -- all arising from the characters rather than the plot crowbaring it in

-linear, non-linear, and 5+1 stories

-hopeful endings, happy endings, bittersweet endings, “everything is awful but you’re here and maybe I don’t entirely hate that” endings

-worldbuilding

-spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, tough characters with (maybe not so well) hidden vulnerabilities, characters who are their own worst enemies, characters who manage to get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other, characters who may not be exactly friends and may well irritate one another but manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise/reluctance/discomfort), characters who just cannot get along with each other or find common ground

-workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters get to be competent

Shippy and smutty likes:

-(where it fits the characters) banter

-competitiveness or antagonism shading into attraction (this tension need not be resolved)

-”oh god why did it have to be you what did I do to deserve this“

-”come here and say it to my face/do that again/kiss me, you motherfucker”

-bickering yet loving couples

-characters who are serious about their romantic interests

-characters who think they are much better at flirtation than they actually are

-characters forced to work together only to prove much more compatible than they initially assumed

-fics which mix an exploration of characters’ professional and everyday lives with shipping

-characters who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, or there has been betrayal!!!), and while they love and/or want each other, they’re not willing to change sides or abandon/compromise their identity/beliefs for the other’s benefit

-I don’t know how better to phrase this than: smut which fits the characters; how does their canon dynamics spill over into hubba hubba stuff?

-sexual scenarios that subvert expectations a little and surprise the characters themselves

-sexual scenarios that contain an element of competition or antagonism

-"this is a bad idea but we’re going for it hammer and tongs”

-not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not

-characters getting way more into the sex or being more affected by it than they thought they would

-quick and intense sex, slow and intense sex, rough yet willing sex (when it fits the characters), unexpectedly emotional and/or tender sex

-masturbation while thinking of the other half of the ship (or not wanting to think about them only oops there they are in the fantasy!)

-first time sex

-established relationship, we-know-each-other-so-well sex

-”we’ve both wanted this and now we both know it so here we go diving in headfirst” sex

-for het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) -- all is good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

Ship/smut DNWs:

MPREG, A/B/O, knotting D/s, formalized BDSM, painful sex, hard kinks (holding someone down playfully, hair pulling and such like, the odd spank are a-OK) scat, watersports knife/gun/blood play incest deaging/infantilization, mommy/daddy kink under-16yos in sexual situations humiliation body distortion/horror (feeding/weight kink, come inflation, vore, etc.) unrequested ships/pairings soulmates and soul marks pregnancy and children (can be mentioned if canon, just don’t make the whole fic about them) wedding setting/theme secondary characters shipping the main pair like it’s their job xeno, tentacles, bestiality noncon/dubcon

Other DNWs:

torture and abuse (this and noncon/dubcon can be mentioned, but please don’t dwell on it in loving detail or subject any of my requested characters to it) descriptions of vomit, shit, and piss (”He pissed up against a tree” and the like is fine), toilet humor lots of gore/blood (mention it, yes; lovingly describe it, no), cannibalism, serious illness or injury character bashing genderswap/genderbent characters, characters as kids/young teens issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons death of requested characters hopeless, unrelenting gloom/angst/horror RL holiday setting/theme, RL religions as a major theme (invented fictional holidays and rituals are fine) reference to RL current events 1st and 2nd person POV unrequested crossovers or fusions AUs which have nothing to do with canon fic written in lapslock

FANDOMS:

American Gods (TV)

Laura Moon/Mad Sweeney

I ship it. Yes I do. They had me at “gimme-my-coin-dead-wife”-flicks-him-into-wall. The snarky road trip was the best thing I never knew I wanted until it happened, and I adored every second of it, not to mention the upped shippiness in S2. They’re both such assholes and so fascinating, even if they start to mellow toward each other a bit, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Also I love love love how their dynamic is about equal parts spikiness, pathos, and humor (they’re funny! and the canon doesn’t shy away from putting them in ludicrous situations), and it weaves seamlessly between those three. Plus she’s half his size yet can and does beat him up with literally one finger, and then there’s the angst of he having killed her, feeling really guilty about it, and then bringing her back. And the way that their New Orleans adventure makes clear they have feelings for each other but neither wants to admit it. And and and… yeah, I just love them.

Even if some of my prompts are about stuff that’s addressed or hinted at in canon, feel free to diverge – canon divergences and canon-adjacent stories are my jam, as are missing scenes and post-canon stories! Also, I’ve read the book, so feel free to riff on that if you want.

Canon-specific DNWs: Laura as Essie or Sweeney's wife's reincarnation/descendant or lots of comparing her to them, Sweeney staying dead, any S3 spoilers.

Exception to blanket DNW about blood/gore/bodily fluids: describing the physical decay of the living undead (undead? there but for the grace of magic coins dead?) is fine!

Prompts:

-Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident – whatever happens next, some punching may be involved.

-Wednesday’s big war finally comes, and “don’t you dare die on me [again], you asshole” is a line either Sweeney or Laura (or both) might say to each other.

-Laura asked “What does Wednesday have to lose?” and the answer is…? (Yes, give me that sweet poetic justice. One possibility, though not remotely the only one, but as of S2E3 Laura is technically a god-killer...) Or later when she straight-up says she’s going to kill Wednesday, but is warned to bring power with her when she does, how does that work? How else might she damage Wednesday or ruin his plans, just in case she can’t actually kill him?

-At the end of S2, Laura hoists Sweeney’s dead body over her shoulders and strides off, seemingly leaving Cairo, Shadow, and all of it behind. Tell me what happens then – does she use Baron Samedi’s potion to bring him back, and whose is the blood filled with love she uses (does she still bleed? You could get creative here, worldbuilding is also my jam)? Does her/his coin play a part – and how come the coin still “powers” Laura despite Sweeney’s death? Does she bring him back another way, maybe figuring out how to keep herself around and be able to give Sweeney back his coin? Does he come back like she did, more undead than alive, or does his godhead, however depleted, help with that? That still leaves Laura to be fully resurrected too… Or does something completely out of left field happen – surprise me!

-Possible divergences from “Treasure of the Sun”: Sweeney manages to kill Wednesday, and then Laura rolls up, and then…? Or Laura rolls up and makes like Mama-Ji told her – destroys some motherfuckers? Or Sweeney gets killed temporarily but Laura brings him back, or brings herself back, or does something else with the Baron’s potion, and is Sweeney’s blood the one filled with love, or can we interpret voodoo spells in a non-literal way? Or what happens with Gungnir hidden in Sweeney’s hoard? And definitely how do they deal with each other once they meet up in Cairo, given how they parted in New Orleans?

-Or how about a wild divergence from the last several episodes of S2? Sweeney and Laura manage to settle their differences (ahem, more fucking, on this plane of reality, might help) and don’t part ways before leaving NOLA. Or they roll up in Cairo separately but at the same time, and confront Wednesday together, and neither of them die (or die more, in her case). Or they’re there together when the police nearly raid the house. Or they have Wednesday (the ultimate cause of Laura’s death) and Ibis (a death deity) and Bilquis (a love/death/life deity) on hand, surely they can concoct some kind of resurrection thingamajig for Laura, and if they have to twist some divine arms then so be it. Or or or…?

-Wednesday told that luckless cop that Sweeney had been against the big gods’ war from the start, and while Wednesday lies, what if Sweeney decided much sooner to say to hell with Grimnir and his war and his having Sweeney kill random people? I’m guessing Sweeney too drank three glasses of mead so he can’t back out without dire consequence – but he does have a fierce, dead woman in his corner.

-They go to some as-yet-unnamed old god (feel free to bring in whatever mythology you want) in order to bring Laura back to life. Between Sweeney’s mouth and temper, and Laura’s mouth and temper, it doesn’t go well. Now one or both of them are in big magical trouble with a pissed-off deity and have to get themselves/each other out of it. Speaking of other deities, I really enjoyed their brief canon interactions with Ostara, Anansi, and Mama-Ji, and I’d like to see more of that, especially Ostara’s polite yet over-it attitude, Anansi very obvious over-it attitude and his dramatic flair, or Mama-Ji being one of the few capable of giving Laura pause.

-All the petty, ridiculous ways in which Sweeney’s bad luck manifests itself make me laugh (can’t help it, won’t even try), and I’m down for more variations on that theme.

-Sweeney and Laura fighting together, like they did on Mr. Town’s train of torture. Whether it’s a bar fight of their own making, or the big gods’ war they find themselves embroiled in, or something else entirely.

-Things happen and Laura finds herself in the position to throw Sweeney under the bus but also help/save him, and while he knows it’s only karma (he did kill her way back when), he can still be pissed off about it – how do they navigate this?

-Related to that, the Baron said: “In death is her true love, but she betrays him also.” If that meant Sweeney, or can mean Sweeney in the future (I don’t like destiny-wills-it stories, and they’re definitely not there yet, but they could maybe get there at some future point, and even then It Would Be Complicated), was the betrayal Laura rejecting him after the loa ‘fuck them,’ or is it something that hasn’t happened yet, and if so, what?

-Laura gets fully alive again, but traces of her (un)dead state remain – what are they, how does she cope, what price did she/he/they have to pay for her resurrection, and how does their relationship change? I’d especially be curious how it would work if they’re already a sorta-maybe-item and then she’s alive again and it’s weird in a new way.

-For reasons I’ll leave up to you, Sweeney and Laura have to stay put in a single place for a while and end up essentially cohabiting, regardless of what their relationship is at that point. Take “cohabiting” as literally or as creatively as you want – in any case, I’m sure it will be marvelously disastrous and amazing. If the place they have to stay happens to be NOLA, all the better, I find everything about that city fascinating. Or, if you wanted to use book canon, Laura and Sweeney (rather than Shadow) are the ones who have to spend time living in Lakeside and deal with its creepy Norman Rockwell-ness and with Hinzelmann.

-Slight or major AU from the opening of “The Ways of the Dead”: Laura has hitchhiked with Sweeney instead of going off in a huff with Wednesday, or she otherwise gets to New Orleans sooner, and she and Sweeney tear up the town together. Maybe they even cross the paths of some loa and it doesn’t get all angsty. They were actually getting along nicely in those first couple of scenes in NOLA, only ribbing each other a little while still being their grouchy selves, before they got to Le Coq Noir. I wouldn’t have minded seeing some more of that.

-AU from the end of “The Ways of the Dead”: they still have their big fight (which was amazing as well as painful) or some variation thereof, but they don’t split up. (Maybe the reason is as mundane as Sweeney refusing to get left behind or they have a shared ride out of town, or maybe the more time passes the less Sweeney can afford to be far from his coin – or maybe the coin needs him close by to work at full capacity.) And then what?

-All the old gods hide their true appearance to an extent. A situation arises in which Laura sees Sweeney’s true, or at least old, self. Or Wednesday’s war ends in victory, meaning the old gods again get belief, worship, and sacrifices. How does Laura, the ultimate skeptic even when she’s on the other side of the mirror, react? How does this new knowledge and new reality change her opinion of/attitude to Sweeney? Or to flip that around, if Sweeney were again relevant and believed-in, would that actually change his bad attitude and fix his issues (my guess is it would be complicated)? On that note, Sweeney’s decline from Lugh to king to leprechaun was more sketched in than really explored in canon, ditto I didn’t really get why he couldn’t seem to remember his own history except in snatches (the curse that made him a bird/madman of the woods?) – I’d love to see more about it and his (not) dealing with it, or with a reversal of that decline. Eorann told him long ago to adapt and change with the times – but what does that mean after humpteen centuries in a rut and becoming used to always feeling angry and unappreciated?

-The power of names, since they never use each other’s in canon: for all his “dead wifeing,” there comes a time when Sweeney (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is not his actual name, and true names have great magical power and so must be kept secret; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Or, Sweeney gets to say “cunt” in a situation (sexual or otherwise) where, not only does Laura not peel his lips from his gums, but she finds that she can’t object, even though she knows that he knows that he’s getting away with it.

-They’re both so complicated and contradictory and spiky, but they also start to care and rely on each other - and react really badly when they (think the other one) betrayed them. I would like to see those nuances explored some more and/or to see Laura and Sweeney get to a point where they trust each other and rely on each other, and know it and accept it, however difficult the getting there and being there may be for them.

-Sweeney and Laura get drunk and wake up married. Or some sex and/or blood resurrection spell results in basically an unbreakable marriage bond, whether it also secures resurrection or not. Or marrying the dead keeps them (sorta) alive. Or being married makes it possible for them to share magical/supernatural abilities. They’re both pissed about it, but secretly having to make it work may not be the worst thing that’s ever happened...

-My perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So yessiree I’d be down for porn, including “it’s technically necrophilia/zombiesex” porn, including a canon-divergent first time, or their second time, or all the later times after they had their first time in NOLA in canon.

-If you wanted to throw in some worldbuilding, maybe something exploring living death. Magical bargains. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have – or have left from when he was Lugh? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? What even are the rules governing and the limits of different beings’ magical abilities? For example, why can’t Sweeney just take his coin back, or why does Laura gain super-strength as part of her undead package deal? Is the hoard in the same space as the behind-the-scenes accessed through the merry-go-round, or it’s a different place? Why does the coin seem to start to “run down” the longer Laura has it? Why did Wednesday need Laura to kill Argus when he killed Vulcan himself just fine? What happens with Gungnir now it’s in the hoard – can only Sweeney get to it, has it been transformed somehow (it’s now the treasure of the sun), etc.?

The Marvelous Mrs. Maisel (TV)

Lenny Bruce/Miriam “Midge” Maisel/Susie Myerson

Lenny Bruce & Miriam “Midge” Maisel & Susie Myerson

Lenny Bruce/Miriam “Midge” Maisel & Miriam “Midge” Maisel/Susie Myerson

I’m here for Midge’s adventures in the intoxicating, foul-mouthed, and often-frustrating world of comedy, so her dynamic with Susie and Lenny is where it’s at. Shippy or platonic, I just love the interactions between these three, and between every pair combination among them: Midge and Susie bantering and swearing and tits-upping even when they irritate each other, Midge and Lenny bringing the pathos as well as the humor, and Lenny and Susie both being hardened old pros with still a little glimmer of starry eyes. I am good with L/M/S or L&M&S or L/M & M/S – so, if you go the shippy route, either a V-shaped triad or hey, Susie (whom I absolutely read as gay) might find a way to be good with a full-on triangle… If you want to keep it platonic, True Companions all the way, always there for each other, even when they want to strangle each other. And as much as I like the comedy inherent in the characters, I also love that they’re all three, each in their own way, messed up people and dysfunctional to various degrees. So yeah, I just want Midge to hand the kids over to her parents, ditch Joel once and for all, marry (interpret that as literally or as loosely as you want) both Susie and Lenny, and for the three of them to ride off into the sunset to make comedy history.

Canon-specific DNWs: explicit sex (so nothing above M rating for sex), pairing any two as a / couple with the third as a & hanger-on, Lenny can still be his RL messed-up, drugged-up self – albeit the gentler version the show gives us – but I don’t want him dying if your fic is set in 1966 or after.

Prompts (most of these are from before S3 dropped, feel free to work with canon or diverge however you see fit -- I am all caught up with S3):

-Does Susie manage them both? Does Midge open for Lenny on tour? Does he open for her??? Or they become equal stars on the comedy circuit?

-Maybe Lenny joins Shy Baldwin’s tour, or they run into him while touring Europe or the US, or after Shy fires Midge, Midge and Susie cobble together a Midge-only tour of America and keep crossing Lenny’s own touring path, and they all tool around, and yes I would love as much period detail and geography porn as you can throw at me. And while Lenny and Midge have seen the world, Susie hasn’t – her reaction to different foods, languages, customs, landscapes would be spectacular to witness. Especially if “different” is someplace as close to New York as Jersey or Connecticut, or someplace as far away and different as, say, Japan.

-If they do go to Europe, somehow or other they also tour the Soviet Bloc. Cue culture clashes, getting followed (or thinking they’re being followed) by the secret police, getting hammered on vodka and herring and pickles, and then when they get back to the States, the Feds grill them. It’s all dead serious, and Midge and Lenny refuse to take it as seriously as they should, while Susie is trying but the whole thing is really pissing her off…

-Lenny’s burned out, and Midge is just getting started. This dissonance may or may not find some sort of resolution. One thing’s for sure: Susie has limited patience for both Lenny’s depression and Midge’s need to make everything pretty.

-Instead of going to Joel for a no-way-is-that-closure fling after the Steve Allen Show taping, Midge goes to have a drink or seven with the two people who have, in their own ways, always been there for her and never let her down.

-Midge goes on TV again, this time as the star: longer set, prime time slot, dressing room, the works. She’s dying of nerves. Lenny and Susie coach her through it.

-More radio work to make ends meet in between gigs: hilaribad period ads, hilaribad radio drama, running all over town to be on time, getting paid in all kinds of dubious merch…

-Midge and Susie head out west to make it big and stay with Lenny once they’re in Los Angeles, and it’s marvelous (ha ha) and disastrous in equal measure.

-More of Susie being the hypercompetent manager we saw especially in S3! (And please don’t dwell on her gambling problem, I was not a fan.)

-They all three get drunk, maybe with a hint of sadness if it’s the holidays (you can ignore my DNW about holidays, but please let that be just the background, not the lynchpin of the story) or someone’s birthday, and there’s a bar fight, running from the cops, eating greasy food at ass o’clock, and possibly kissing, not necessarily in that order.

-One or two or all three of them get arrested/have court appearances all over America and have to bail each other out, or find someone to bail them all out, or secure legal counsel – you get the drift. Or all three of them are trying to explain to a single lawyer what happened, talking over each other, the two pros not being able to resist landing zingers and Susie not being far behind, and the lawyer just getting more and more confused.

-They get in trouble some other way – offended patrons, surly management, shitty hotels, tour bus breaks down in the middle of Wyoming – and have to have each other’s backs because no one else will.

-Three-person road trip or tour, and only Susie knows how to drive. So Midge decides to learn, right then and there. And Lenny… Lenny may or may not be too lazy/hungover/lying about not knowing how. There’s supposed to be a rotation so everyone gets to stretch out on the back seat for equal lengths of time, but you know the system doesn’t work too well in practice. Also, they play games in the car to while away the time, and they do it their own way of course: I spy, cows on my side, yellow car, never have I ever, 20 questions, or riffing on whatever’s playing on the radio…

-They sit down to watch the moon landing (you can move it up a bit so it’s not happening a whole decade after S2) – by which I mean, Midge is all gung-ho about the moon landing, and Lenny and Susie are like whatever – and things don’t quite go to plan, but a good time is eventually had by all.

-It’s Yom Kippur again, and Midge wants to do the whole production: synagogue, breaking fast, the lot. Lenny and Susie would rather eat glass. Midge gets her way, of course. Does she decide to bring Susie and Lenny home to meet – or meet properly – her parents??? I bet Abe and Rose’s reactions would be something to see. (This too is an exception to my DNW about holiday settings – I just want stuff to get as crazy as it did the two times we saw Yom Kippur celebrated on the show, and for everything to still somehow turn out relatively OK.)

-Midge and Lenny have cheered each other up when the going got extra rough. I want for Susie to be especially down in the dumps – maybe her boozehound of a mother died and Susie took it worse than she does in canon, maybe some asshole told her she’s a shit manager and got her right in her insecurities – and Midge to rope Lenny into trying to cheer her up. And for Susie to fight them every step of the way but still be glad they care enough to try.

-Inspired by Susie’s brother looking just like her, by which I mean she and he and their sister look nothing alike, and by Lenny’s “she’s my mother” quip about Midge at the TV studio and then his “let me introduce my wife or maybe my sister” in Miami – Midge, Susie, and Lenny pretend to all be blood relatives, or mafiosi, or spies, or something else they’re not, while out in public, say in a restaurant. Just to be assholes and see how long they can keep it going before they break character or people figure them out, or call the cops, or something. There’s totally a bet on who corpses and breaks character first. Or, nice hotels ca. 1960 weren’t very big on letting unmarried couples, let alone threesomes stay in rooms together – pretending to be family might make that easier; forgetting what they’re meant to be to each other, or mixing up their backstories might make it harder. This could also work platonically, if they’re trying to save money by only getting one room, there only being one free room in the hotel, or for any other screwball reason you can invent.

-Lenny and Midge do a (comeback) tour of the Borscht Belt, and all the Steiner Mountain Resort guests (especially the gossipy old hens from the beauty salon) and staff go to see them – and heckle.

-Stuff happens and they end up performing at some hole in the wall place where no one knows who they are (or no one believes it’s really those people they’ve seen on TV) – tough crowd, but a good workout for the two comics, and if Susie gets to threaten to rip off someone’s head, all the better.

-Lenny and Midge honing their routines – and maybe developing a double act – and Susie being all “oh my fucking god, what the fuck!!! … They’re actually good. I’m so proud.”

-Sharing a bed with two other people is an ongoing project: who sleeps (or refuses to sleep) in the middle? Who gets up during the night and why? Who starfishes across most of the bed? Who snores, and how does this get handled? If alcohol or pot have happened, how does that affect the sleeping arrangements? Also, Susie and Lenny witness and react to Midge’s beauty routine, ‘nuff said. Or, for various reasons one person after another ends up decamping to another room/bed/couch, but it doesn’t help them get much sleep or even stay there very long (this is inspired by my love of Shirley Jackson and her short story/humorous essay “The Night We All Had Grippe”). If you prefer to keep it platonic, most of this would work if they’re just sharing a double bedroom on tour (I leave the reason for why Lenny is bunking with the women up to you).

Starred Up (2013 movie)

Oliver Baumer/Eric Love

Yes I do ship it, I do, I do!

Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell - yowza!

Exception to blanket DNW: dubcon is a-okay! If you decide to go there, my preferred flavors of dubcon for this canon are: power differential makes it a bad idea but they do it anyway; “I know you want this”; “if the answer’s no/you’re only doing this for a dare or to prove a point, then why are you enjoying this so much [as am I]?”; no no yes a.k.a. starts as dubcon (or one of them thinks they’re dubconning the other), becomes enthusiastic consent.

Also, if this is relevant or makes you nervous about writing for me, Eric would be 18-19, and Oliver is maybe 10-12 years older – and I like it!!! (The actors were 22 and 31 when the movie was made, FWIW.)

Prompts:

-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.

-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.

-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.

-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.

-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.

-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.

-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.

-Or how about this: Eric gets out, relationship happens or is in the process of being negotiated, and while physical intimacy is a whooooole neeeeeew woooorld, you know what else would be cool? Phone sex. Yep. Or even, Eric gets himself one of those secret prison burner phones (preferably hidden somewhere that’s not someone’s arse), and… phone sex after lights-out and lock-down. Maybe nothing (much) has happened physically (yet), so phone sex can be a building block to that or one facet of that deepening intimacy.

Witchblade (TV) Sara Pezzini/Danny Woo

Sara Pezzini & Danny Woo

I used to love this show back in the day, and loved it again in all its hokey gloriousness when I rewatched it recently. Sara figuring things out and being a principled badass, but maybe out of her depth with the Witchblade, and her dynamic with Danny, whether he's a ghost or alive, it’s all catnip to me. Sara is not extremely quippy, she has a job to do dammit! and don’t look at her vulnerable side, just don’t look at it!, and I love that about her (she’s much harsher in S1, after Danny’s death, than in S2); ditto that Danny is somewhat softer than she is, but still can hold his own thanksverymuch (well, when the plot doesn’t require him to get nabbed by bad guys) and has a bit of a deadpan snarker side too. I’d love something that plays around with their canon dynamic from either season, or uses canon as just a starting point. Gen is good, shippy (incl. porny) is good. Some of my prompts lean dark or horror-y, so don’t be shy about going there; I’d also enjoy a story in which the Witchblade itself ends up not being very significant (say, they start to investigate a possibly mystical case and then nope, plain murder). BTW I really like Conchobar too, so if you want to include him (that means also Conchobar Lives AUs), his relationship (current or past) with Sara, or his canonical death somehow, go for it!

Canon-specific DNWs: Irons and any version of Nottingham appearing (you can mention them if you need to).

Exception to blanket DNW: dubcon is fine (see first prompt).

Prompts:

-The Witchblade is more parasitic than symbiotic, and instead of Sara learning to control it, its feeding on Sara affects her more and more over time. Or, the visions and dreams ramp up into full-blown paranoia and/or disassociation. The Witchblade's POV, maybe (it is sentient)? Asking for help is the hardest thing for someone like Sara, but what are (more than) friends for? I’d also enjoy a dubcon scenario where Sara really shouldn’t be having sex when her head is all messed up by the Witchblade’s influence, but… well… they do. The Witchblade canonically enjoys violence and bloodshed perpetrated by its wearers, so it stands to reason that it might lower other inhibitions too.

-Witchblade v. mythological monsters. In S1, even with everything else that's going on, Sara absolutely scoffs at the possibility of vampires. So of course I want: Witchblade v. vampires! The scarier and more feral, the better. Or, it's implied that the Witchblade was forged from a meteorite, so it's basically an eldritch artefact from outer space. Yes, please lean all the way into the Lovecraftian tropes! (The moon is turning red, the Old Ones are back, it’s the end of the world as we know it, but Sara’s got her partner by her side.) Or something from Chinese mythology, so Danny can kick extra ass. Or, for a silly take on Chinese culture: Sara and Danny in the world of Big Trouble in Little China (another old fave of mine, the entire plot of which revolves around… a woman with green eyes and an unwanted connection to the supernatural).

-The Witchblade has a reputation for abandoning its wearers just when they need it the most. True to form, it slips off of Sara’s fist, leaving her and Danny to save themselves with good old-fashioned guns, fisticuffs, martial arts, and of course having each other’s back.

-More of the psychedelic-ness in many of Sara’s fight scenes, where now she’s a woman in a leather jacket with a gauntlet on her arm, now she’s a knight in armor! Now her opponent is human, now he’s a wolf-shaped spirit of evil and hatred! Playing around with the characters’ senses and perceptions – yes!

-Instead of seeing only Danny and needing him to play intermediary for Sara to talk to other ghosts, the Witchblade makes Sara see ghosts all over the place, and it's getting to her. Ghost!Danny may or may not help with that. Or, ghost!Danny is basically always around, whether Sara can see him or not. He manifests when Sara is masturbating, and you can't really feel guilty if the ghost of your dead partner whom you’ve always had a thing for helps you out, and anyway you’re probably going crazy and none of this is real, so it doesn’t count anyway... right?

-Case fic/stakeouts and banter. Flirting/ribbing/joshing to pass the long and stressful days at work.

-Quick and guilty sex because Danny's married. Slow and intense sex if handwave he's not married but “oh noes we’re partners, we shouldn’t be doing this, but somehow we keep doing it anyway.” Hooking up in the car. I've always headcanoned that they had a thing pre-canon which ended for Reasons, but they both kinda wish it hadn't, hence the hand kissing, and the “I can’t even touch you,” and the coffee bringing/stealing, etc. So feel free to play around with that.

-Undercover as married, undercover as a gangster and his moll (LOL at Sara as a moll, or have Sara as the gangster and Danny as her arm candy), undercover as “they think we’re fucking, better fake it real good for the people listening in, oops shit got real fast, careful don’t say each other’s real name or you’ll blow your cover.”

-More timey-wimey shenanigans with the Witchblade. Maybe it allows Sara to manipulate time more than once. Maybe she starts doing it way too often, throwing the continuum out of whack (something non-linear would be very interesting). Maybe she and/or Danny remember some or all of what happened in S1. Something about all the multiverse versions of them, possibly splitting off from a dramatic moment. Time loops and feelings are a combustible mix.

-Apart from the pretty obvious shippiness, what I like about S1 especially is how Sara rolls with the weirdness the Witchblade has brought into her life, instead of reaching for rational explanations. More of that (I can't think of a better way to put it), and double extra brownie points if alive!Danny figures out at least some of what's going on with Sara's bracelet and somehow gets in on the action. Maybe a Danny saves the day divergence? Or how about a loophole that allows a man close to the Witchblade's wearer to wield it temporarily, but There Is a Price to Pay.

Бeсa ǀ Besa (TV)

Dardan Berisha/Petrit Koci

Skënder Berisha & Petrit Koci

Teuta Berisha/Petrit Koci

Divna Dukić/Petrit Koci

Petrit Koci/Marija Perić

Petrit Koci/Uroš Perić

My longest of long-shot requests! If you already know and like this canon, yeeees come sit with me. If you don’t know it, here’s a quick intro: this is a crime drama, one 12-episode season so far, produced in Serbia and created by Tony Jordan of “Hustle” fame. Set in (and with a cast including actors from) several ex-Yugoslav states, the story follows three main characters: a Serbian family man and regular joe who accidentally kills the daughter of a major Kosovar Albanian crime boss in a car accident; said Albanian crime boss who coerces his daughter’s unwitting killer to start working for him as an assassin; and a half-Albanian, half-Serbian Interpol agent (Petrit Koci) who’s after the crime boss but starts investigating the regular joe turned assassin as well.

The show has a twisty plot, gritty and handsome visuals, excellent performances, and a great through-line of deconstructing Balkan machismo and patriarchal culture. All three of the main characters have an image of themselves as MEN who Provide and/or Take Care of Business and Put Family First, each in their own way, and all three end up compromising on all their principles by season’s end. The women in the show’s ‘verse sometimes become collateral damage but also assert themselves in unexpected ways, which is great. The title refers to the Albanian (but more broadly, Balkan) cultural concept that one’s promise/vow/word of honor has to be kept and carried out no matter what, at peril of losing face, dishonoring both oneself and one’s family, even death. This gets deconstructed five ways from Sunday too, and it is awesome.

If you glance at the pairings I’m requesting, I think you can guess who my favorite character is. :-) Koci is so committed to being the “good sheriff” and carrying out his professional duty regardless of whom he has to piss off along the way, but is also often quite ineffectual because the local police forces with which he has to cooperate tend to resent both his attitude and his ethnic background – not to mention that when everyone’s corrupt and compromised, the man who refuses to play the game makes lots of enemies. He’s also a real hard-ass who made a conscious choice long ago to have nothing in his life but his work, is a bit of a bastard, has a huge blind spot about gender which comes back to bite him, and ultimately is driven by a desire for personal vendetta more than an abstract commitment to justice (I love a character who is super focused on their goal and presents themselves as invulnerable, yet whose insecurities and traumas are always just beneath the surface of what drives them). And yes, by the end of the season he’s presented with a Faustian bargain and gets a huge target on his back. There’s a lot to unpack there!

I will eat up any local color you want to throw in. Ditto, the canon is super intense, but if you find a way to bring in some vintage Balkan pitch-black humor, I’m here for it. If you wanted to include some dialogue or phrases or hey write the whole fic in any variation of what used to be called Serbo-Croatian, I’m here for that with bells on! (Unless you’re writing smut – I just can’t with E-rated prose in Slavic languages, sorry.) Alas, I do not read Albanian, but if you want to include dialogue/phrases in it, go for it, so long as you tell me (in parentheses, in footnotes, whatever works) what’s going on.

Canon-specific DNW: soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

Exceptions to blanket DNWs: RL current events being mentioned + dubcon *but* for M/F ships I want both characters to be motivated by anger/revenge/general existential bleakness/whathaveyou instead of or as well as lust, so just no M/f dubcon, please!

Prompts:

-Any of my requested pairings in any kind of casefic, either a divergence, something pre- or post-canon, or a side investigation spinning off from the canon’s central plot. Anything that requires Koci to again traipse all over former Yugoslavia, butt heads with everyone, interrogate people, and do that soft-spoken “you don’t want to give me what I want but you’ll do it anyway” thing he does along the way.

-Something that requires Koci to use his knowledge of Albanian language and culture even more than in canon. I love how the canon depicts the existential discomfort of never fully fitting into – or being accepted by – either of the cultures/communities to which one has a connection, and how a person can become antagonistic and volatile as a result. Leaning into that would be wonderful.

-Koci has devoted his whole life to bringing down the Berisha clan. With the help or hindrance of any of the other requested characters, he finally gets his wish. Now what?

-Maybe the other character has to turn to Interpol for help/becomes a material witness/gets arrested/enters witness protection, or otherwise has to do teeth-clenched teamwork with Koci. For / pairings, the shippiness doesn’t have to be overt -- antagonism, barely finding common ground, something that reads more like gen or shippy gen than explicit shippiness is fine! If the relationship turns porny, the antagonism (I keep using that word because it fits!) and complicated dynamics and maybe a reluctant recognition that they’re not so different would perpetuate themselves in the porn too, and I’m here for it.

-A few words about the other characters and how they (could) fit with Koci:

Uroš Perić – the regular joe turned assassin, who gets multiple chances in the course of the show to seek Koci’s help and doesn’t because he gets in deep and wants to be the guy that protects his family and takes care of everything himself. I keep thinking back to their very first scene, when Koci gives Perić his calling card and tells him to get in touch, and Perić could have done that before he committed his first murder but… didn’t. And then at the end, there’s that huge spoiler setting up S2. Despite becoming a murderer several times over, Perić is a much softer character than Koci, but he doesn’t like getting pushed around either. How would they work together, how would they clash?

Marija Perić – Uroš’s Croatian wife, who has the thankless role of being married to the guy who’s keeping her in the dark about major plot developments, but makes up for it with how she reacts to the hints she gets of Uroš’s continuing troubles as well as getting on Koci’s radar. She’s scared and out of her depth, but she’s also angry and, yep, antagonistic when she thinks Interpol is harassing her for no reason. I love the scene where Koci interrogates her and she lashes out and won’t give him an inch even when he blindsides her with evidence of her husband’s activities – more of that kind of thing, please! Or what if she decided to protect herself and her kids by cooperating with Interpol, or maybe thought she could help Uroš by turning on him?

Divna Dukić – Koci’s Interpol colleague and maybe the only character that likes him. Their dynamic is both very professionally respectful and yet… “flirtatious” may be too strong a word. They pretty obviously have a little thing for each other but choose not to act on it for a whole mess of reasons (he’s an emotional disaster area, she has enough on her plate as a single mom with a shitty ex, they work together). Also, I have a theory that Divna, while seeming loyal, may take her marching orders from one of the criminal elements or maybe from the more corrupt parts of Interpol or the Serbian police. I would love any or all of that to get explored more.

Dardan Berisha – the grieving crime boss and main target of Koci’s obsession (even though it was actually Dardan’s old uncle Skënder who had Koci’s father killed decades earlier). They’re both such hard, intense men, in part because they’ve had to be, and the narrative sets them up as mirror images of each other (while Uroš Perić is more a study in how someone becomes hard when circumstances push them to it). Yet while their conflict underpins the whole show, they rarely share a scene. Put them together more; let them fight or y’know *waggles eyebrows*.

Teuta Berisha – Dardan’s wife, who first loses her daughter, and by the end of the season her family is totally blown to smithereens, in part because of how she chooses to assert her agency within the super-patriarchal context in which she lives. She was ambivalent about her marriage before we meet her, and I love how canon events bring out her anger, grief, and quiet steeliness. Also, that moment at her daughter’s funeral when Koci gives her his condolences really hit me – they know they are enemies, but there’s that moment of standoffish respect between them. What if somehow they had to work together? Or what if she took over as the head of either the Berisha or the Sokoli clan (or both!)? A divergence from the end or any part of S1 would be very welcome.

Skënder Berisha -- Dardan’s uncle who still wields enormous influence in the Berisha clan and was behind the assassination of Koci’s father decades earlier. I only want this as a & pairing, but the character dynamic is still one of difficult shared history, knee-jerk antagonism, goading humor, not being at all intimidated by each other, and yet recognizing something familiar in each other. One of my favorite scenes from the whole show is their conversation at the hospital, in which they cover both present troubles and the past. Skënder is one of the few characters who can and does consistently run rings around Koci, and I want more of that as much as I want the tables turned.

#chocolate box 2021 #chocolate box fic exchange #dear author letter

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i-am-the-entertainer · 6 years ago

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RevieWBY Volume 6, Chapter 8: “Dead End”

You know, in retrospect, it was kind of our own fault for hyping it up to be Winter. But good on them for not making this new character like a big reveal.

There’s really not that much to say about this episode overall. I think it’s along the lines of Chapter 2 and Chapter 4: it’s dealing with the aftermath of something and setting up for something much more major down the line, thus it can’t really stand on its own. But like with those two, there’s some interesting stuff going on in this episode that’s worth touching upon, especially when it comes to worldbuilding.

Oh, and fyi: some major fandom crtq at the end.

Such Wit! Such Tenacity! Much wow!

This chapter offers up a new perspective on the Atlas military: Caroline Cordovin and her nationalist, racist attitude. We’ve been told in the past that Atlas is the kind of modern military nation, acting without reason, being very self-centered, blah blah blah. The problem is, we haven’t really been shown that: the only real Atlas military characters have been Ironwood and Winter, and (being generous) they’re the good guys. Volume 4 kind of showed just how shitty Jacques Schnee and his circle of buddies can be, but it wasn’t really a perspective on the military: in fact, in the post-gala scene Ironwood, as the military’s representation, seemed the direct counterpoint to the rich assholes of Atlas. With this in mind, this volume has sort of run with the assumption that Atlas’s support will be a piece of cake, but Cordovin present a reasonable obstacle while also giving us more insight into the kind of people who actually make up the Atlas military.

Qrow v. Ruby

Based on his bit from this volume’s intro sequence, how he’s been reacting to the revelations regarding Ozpin, and some comments from Miles on this week’s RWBY Rewind about how he feels awful because Qrow is making all the wrong decisions, this is definitely the volume where Qrow is going to officially hit rock bottom (if he hasn’t hit it already). Whereas Team RWBY is willing to stick to their guns about getting to Atlas even after Jinn’s story and Brunswick Farms, Qrow has given up. Remember, he had possibly the strongest reaction to finding out Ozpin doesn’t have a plan, because he devoted his entire life to Ozpin’s supposed cause and lost so many friends and family along the way: another obstacle has kicked him down even further. After three seasons of Qrow being the drunk uncle who’s still a hero, we’re closing in on dark territory for him.

Ruby has always kind of just accepted Qrow’s alcoholism as one of his quirks, but with this volume’s events she realizes it’s an actual problem, offering a new angle on their relationship after it’s remained at a constant level since Volume 3. This arc is developing quite well: from cautious awareness in Chapter 5 to an attempt to reach out in Chapter 6 to complete frustration in this chapter. I’m curious as to where this will go: it’s the most development/insight into Ruby we’ve gotten that wasn’t straight up told to us.

Well, You’d Be Mad Too

With the previous episode, it vaguely seemed like JNR finding out the truth about Ozpin was about to get glossed over, but NOPE. Their reactions were exactly as they should be, if not strong enough. It’s important to remember that they lost one of their closest friends in the fight between good and evil, and they have essentially been told that her death was for nothing. It’s almost on par with Qrow’s reaction, especially when you take into account how much Qrow has lost from siding with Ozpin all this time. I’m not defending their actions, especially Jaune’s, but rationalizing them in the context of this show. They were not going to take this news lightly, and anything lighter would have been unrealistic.

Can I just add: sidelining JNR for half the volume was a good writing decision. Not only does it decrease the number of characters we need to pay attention to for a storyline that needs razor-sharp focus in order for it to be delivered well, it prevents the utter mess that would’ve occurred if they AND Qrow had been present for Jinn’s story. It also provides a counterpoint to Team RWBY’s perspective: besides having witnessed everything in person, they have had a few days and a traumatic experience to rationalize their next moves. JNR has had no such thing, and they’re going to have to deal with this differently.

Learning Is Fun

In an example of planting-payoff, we finally get some insight into the silver-eyed warriors, three years after we were even aware it was a concept, and three years since we knew anything new about it other than you could use it against Grimm. I like the wink at just how little Ruby (and by extension, the audience) knows about such an important power.

This is a moment where a lot of information we get comes from talking, which is why I think this episode may feel a little slow, comparable to some of Volume 4 and 5′s lower moments. That said, I think the show deserves some leeway on this because this volume so far has really stuck to show-don’t-tell, plus since this is much-desired information having it in the first place is useful no matter how it’s delivered. It can also be said it makes sense to have this story delivered through dialogue, as presumably that’s how Maria learned: it’s like sharing a legend orally, and emphasizing just how rare the silver-eyed warriors are and how dangerous being one can be.

There’s something interesting going on in this scene that a few people have touched upon: Ruby commenting that her silver eyes were activated when she saw Jaune and Cinder sparring, prompting Maria to suggest that perhaps there was something she wasn’t seeing. On first thought, it refers to the fact that Cinder has a Grimm arm. Except the thing is, there’s no point in framing it the way they do: it’s framed as though there’s something mysterious for the viewer to think about, but we all know Cinder’s arm is Grimm. What does this imply about Cinder? Well, we know the whole reason she got the Fall Maiden powers was because she cheated: she used what could be best described as a parasite Grimm. We also know from her “training” with Salem that the new arm is almost a separate entity from her, but she needs the ability to control it herself rather than the other way around. There appears to be a broader implication that Cinder’s connection to the Grimm may be stronger than just a supplement to her powers or a prosthetic to her lost arm: is she becoming a Grimm/Human hybrid along the lines of Salem?

But then again, I could be overthinking it, it could just be an acknowledgment/reminder that Ruby herself doesn’t know about Cinder’s arm. But I guess it’s something to keep an eye on for the rest of the volume.

Conclusions

This is another set-up episode, and it’s not a particularly exciting one at that. It’s hard to judge these on their own considering they’re designed to service a larger storyline, but overall I just thought “Okay, things are gonna be harder than they thought, they reacted as we thought they’d react, we finally got some insight into stuff, and we’ve got our next major arc.” So I’ll just accept this as it is: straightforward set-up, some insight into the show’s mythology. I didn’t hate it or love it, I didn’t dislike it or like it, it was just eh. And considering pretty much all the chapters last volume made me feel “eh” and most of the ones this volume haven’t, I’m still happy to call Volume 6 an improvement.

By the way...if you’ve been on the RWBY tag these past couple of days, you’ve probably noticed my posts about the highly entitled part of this fandom complaining about the sneak peek for the next chapter on RWBY Rewind having animation errors, and the more rwde part of this fandom once again shitting on Miles for calling out someone for being an asshole about it. I admit, I’m getting a little too worked up about this, but honestly this whole business has really made my blood boil over the past week, a week I’ve been trying to use to relax after school let out for break, so, rant time.

IT WAS SO CLEARLY UNFINISHED, DID YOU SERIOUSLY THINK THEY WERE GONNA BROADCAST THE EPISODE WITH SUCH A BLATANT ERROR? It happened because they weren’t done with the episode before they sent the clip in for RWBY Rewind’s live broadcast. And don’t give me that bullshit about how you’re paying with a FIRST account for a 60 second sneak peek to be perfect, you’re paying 3 bucks a month so you can watch the episodes a week early, you know, like the rest of us with FIRST accounts are doing, never mind the hundreds of hours of exclusive content we get in that subscription! And shit, if you’re really on about those 60 seconds of a thirty minute RWBY aftershow needing to be perfect, you could’ve just watched the version that they put up online afterwards, which is so clearly the finished version not just because they fixed the compositing error but they added ambient effects and additional pedestrians in certain shots! I mean, I don’t even watch RWBY Rewind live half the time, most people don’t, I’ve just been paying to watch it starting the day after it’s recorded!

And god forbid Miles tell an asshole he’s being an asshole! I mean, how do you hold up A FUCKING 60 SECOND SNEAK PEEK as evidence of a drop in the show’s animation quality?! Have you been watching this fucking season? The animation is the best it’s been in ages. Like it’s actually absurd how much detail and attention they’ve put into shots, even non-fighting scenes! And don’t even get me started on how good the fights have been! Better sparingly used quality fights than overused often subpar fights (god, Volume 5 was a shitshow)!

You idiots go on and on about “Oh, I’m harsh on this show because I love it! They should listen to legitimate criticism no matter how I deliver it!” Newsflash: you don’t love this show. At this point you’re only criticizing it because you hate it. Because if you were actually criticizing it out of love for the show, you’d be pointing out actual issues this volume. You’d be saying something like “Oh, this kid of information should have been dropped earlier” or “This volume should not have set up Adam as a major player only to more or less not use him for the past 7 chapters.” Or, you know, point out actual problems with the show, even nitpicks like the weird fireplace effects at Brunswick Farms or some animation errors that popped up in Chapter 6. But the funny thing is, you’re not pointing that out. You’re pointing out a 60 second sneak peek that was clearly presented with no pretense of it being the final product and acting like you’ve found the ace in the hole, the proof that CRWBY is lazy and disrespecting of Monty’s legacy.

You don’t love this show. You love to pretend that you’re protecting the show from the very people that make it. But the fact is, it’s them who are in the writers’ rooms, it’s them who are sitting at the computers, it’s them who make the show you pretend to love. And if you’ve resigned yourself to just hating whatever it is they put out, then I’m sorry, but you’re not a fan of what the show is now. So you can either keep moaning about “Oh, Monty wouldn’t have done this,” or maybe accept the fact that there’s no way the show could do whatever it is Monty did because no one can do what Monty would do. They can only do what they do. It’s no longer just Monty’s show, it’s CRWBY’s show too. And if you’re just never gonna be satisfied with that, if every little thing they do and say is gonna make your blood boil, if every choice they make is completely against the show you’ve built up inside your head, then just don’t watch it. It would make all of us, including you, feel better.

#rwby #rwby6 #reviewby #crtq #rwby6 spoilers

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simkjrs · 7 years ago

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msa asks (chap. 4 & onwards)

masterpost of msa asks that have been piling up, starting from when chapter 4 was published. thanks for your patience everyone...

answered in chronological order (first sent to most recently sent). i might have missed a couple, sorry about that

Anonymous said: IT'S OUT IT'S OUT IT'S OUT IT'S OUT IT'S OUT IT'S OUT IT'S OUT IT'S OUT

Anonymous said: *INCOHERENT SCREECHING AND FLAILING*

ah, the halcyon days of innocence, before everyone finished reading the chapter

Anonymous said: *just finished chp4* uh Yeah about that what the fuck? simk whAT THE HELL DID YOU POUR GUNPOWDER ON YOUR PC? LOAD 14 BULLETS ON EVERY KEY ON YOUR KEYBOARD? SEND KILLER ZAPS TO ANYONE WHO SCROLLS UNTIL THE END OF THE CHAPTER? I WAS SO EXCITED ABT THE UPDATE THAT I COMPLETELY FORGOT THAT U WERE ACTUALLY A MURDERER IN DISGUISE? ANOTHER BEGINNERS MISTAKE, BECAUSE EVERYTHING U WRITE FUCKS ME UP ON EVERY FUCKING LEVEL? SO YEah what i wanted to say is that i love you

to date this is still one of the funniest asks i’ve ever gotten and it’s going in my testimonials

Anonymous said: me @ the new msa chapter:👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌there👌👌👌 right✔there ✔✔if i do ƽaү so my self 💯 i say so 💯 thats what im talking about right there right there (chorus: ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ) mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀 👀 👀 👌👌Good shit

thank you, i do my best

Anonymous said: OH MY GOD! YOU REALLY PUT THE SNAKE FASHION THING!! :DDD :OOO

it was too good to pass up!! if you want to message me w/ ur name or url so i can credit you for inspo/the prompt, feel free :p

Anonymous said: I actually thought in the middle of the chapter that temple-dog would help Izuku escape so he would get captured by the other side of the coin and now i'm just crying

fjdlfkjsldf im sorry im like this. i do this

Anonymous said: in just a few hours the comments went from 5 to flipping 23 25

yeah im very lucky to have so many people follow & support my writing!! im grateful to everyone who comments.

Anonymous said: I wonder how being sick works for MSA Izuku. In that odd state of not being as aware as usual and your mind being foggy, would he hear that star song easier or any other odd spirit shenanigans?

he’d just be kind of out of it and more susceptible to... things

Anonymous said: SCREAMS?? I LOVE YOUR WRITING SO MUCH AND THIS CHAPTER WAS ABSOLUTELY STELLAR, THANK YOU FOR IMMEDIATELY BRIGHTENING MY NIGHT! I HOPE YOU HAVE A FANTASTIC TIME!!

ahh im really glad you enjoyed chapter four that much!! thank you!!!

Anonymous said: IM HOLLERIN THE NEW CHAPTER WAS SO GOOD WTF??

fjldkfsldf thank you....

Anonymous said: When I first commented on Ao3 I felt like looking at the other comments and I noticed all of them (at the time) had a line along the lines of "he needs a break" so I ended up imagining him just sunbathing on some tropical beach (read deserted island) sipping coconut Juice and sighing happily with noone to bother him.

that would be ideal. i think izuku also would not know what to do with himself

Anonymous said: MSA Izuku ch.4 summary: Kirishima: Hey are you ok? Izuku, literally on fire: Why, what's wrong?

GHFLKDFJLSDF IM LAUGHING!!! YOURE NOT WRONG

Anonymous said: I just finished msa ch4 and im?? Its 0 dark 00 and I have a 7 hour shift later Toda but I had to put it down and gnash my teeth over how GORGEOUS and HEARTBREAKING this chapter was before picking it up and finishing it. God im so stoked that it came out. Alright my pal, I hope you have a good time period of indeterminate length; take care of yourself yo!!

thank you im so glad you enjoyed it!! and i hope things have been good for you!

Anonymous said: ffuuuUUUUCK THAT TEMPLE-DOG YO WHAT AN AWFUL ICKY THING TO DO

correct, although in its defense, if izuku had just been another spirit, their connection would not have had that kind of effect

Anonymous said: Uh, sorry if this bothering you, this has something to do with Msa Izuku, but not the new chapter (love it BTW, poor Izuku got captured by Overhaul. The cat is a new bar.).So, I would like to ask, just for fun, what would Izuku sees if he meets C/astiel face to face and how would the spirits react?

i think my worldbuilding and spn worldbuilding would conflict in so many terrible ways, but... izuku would prob be able to see c/astiel’s wings and true form? only for a bit before his eyes started getting itchy, and then started bleeding... dont think the spirits would like angels very much. spirits are a very prideful and arrogant bunch who don’t like to be intruded upon or interfered with

Anonymous said: who is Senshajou other than an amazing creature which I love already

senshajou is plato’s ideal cat. they are not exactly a spirit. they just are

Anonymous said: I'm suuuper curious about what the One for All spirit looks like in MSA, because my first thought is that it'd have to be this massive chimeric mutant due to the nature of it's creation and the fact it's been bonded to eight separate people.

coming back and reading this is incredibly funny because like. yeah. ofa is a chimera. not quite for the reasons you think, but yeah

Anonymous said: You know what I'm thinking right now? What of kiri and deku met in public after The Arrest™. The sheer chaos it would bring. The Confusion ™. I'm sure deku would just take one look at kiri and just. Book it. Also ch4 helped inspire me in my endavour to write about my etheral starlight dragon god for a original story i've been thinking up. You're really good at describing creatures beyond Imagination, you know.

you have correctly predicted this scenario.

also im glad ch4 was able to help you in your writing endeavors!! best of luck!!

Anonymous said: whenever i read msa i always picture izuku wearing like, some kind of grey cloak, with the hood always up and shadowing his eyes no matter the context/location/surrounding temperature. It doesn't make any sense given the general fashion in bnha but I can't help it- msa!izuku is a cloak kinda guy imo

you’re right but msa izuku would also hate the attention that would come with wearing a cloak. he is definitely a hood-up kind of guy

Anonymous said: msa au in which Deku escapes the villain alliance, breaks into Kirishima's home, and just, fucking collapses on the couch. Kirishima gets up the next morning to see the fucking cryptid he'd hunted for days just, sleeping on his couch like a giant cat. What the fuck. What the fuck.

hold that thought

Anonymous said: So I'm reading ch 4 and listening to "I appear missing" by queens of the stone age and it works ridiculously well ngl (also like gd this chapter is so good the hype is real👍👍)

thank you!! this is a p cool song

Anonymous said: In MSA does everyone have a spirit? Have people always had spirits? Do you know how quirks started? Do even quirkless people have spirits? Why don't they have quirks? Could Izuku open their channel, or is the quirk canceling bullets different from quirkless people? So many questions!

most everyone has a spirit but not everyone, people have not always had guardian spirits, i do know how quirks started, quirkless people have spirits, they don’t have quirks because their bodies have not adapted to channel their spirit’s energy adequately, and izuku can try something with unlocking quirks, but it depends on what there is to work with already. quirk cancelling bullets rewind the bond between spirit and human but they don’t erase the adaptations to the body. quirkless people dont have that adaptation in the first place... hope that makes sense

Anonymous said: dunno if this's been mentioned/acknowledged or asked about before, but wheres izuku's guardian spirit?

he ain’t got one. but why...

Anonymous said: CHOO CHOO IT'S THE UNRESOLVED EMOTIONAL ISSUES TRAIN COMING IN AT 242379 MILES AN HOUR THERE ARE NO STOPS THERE ARE NO BRAKES WE DIE LIKE MEN ON THE HELL EXPRESS ~bakugous spirit

this is a joke but actually, yes. actually, this is very applicable to msa izuku himself, and so many characters i write, actually. this is an icnredibly funny ask and i love the phrases you use and i would not be surprised if i subconsciously absorb this phrase and accidentally use it in the future. thank you for this

Anonymous said: question: if msa izuku and kirishima were in a dangerous situation and izuku almost got hurt very badly/died but he managed to escape. BUT kirishima didnt see him escape and didnt know he was okay. how would kirishima react

in typical kirishima fashion he would be very worried about izuku and would probably try to figure out a way to rescue him

Anonymous said: im ppl have been talkig abt izu's guardian spirit lately, but wht abt allm's? i like to imagine that when shimura died, she became toshi's guardian spirit

shes not allm’s guardian spirit but shes Around

Anonymous said: ok but the part where msa izuku says release it rly reminded me of cardcaptor sakura just sayin

never watched cardcaptor sakura but thats p cool

Anonymous said: I'd like to think if MSA. Izu/ku got hit with a quirk erasing bullet it wouldn't kill him, just like knock him out for a good day or so until he wakes back up through spite and the universe just hating him and being like "man thanks for the nap gun guys gotta get me one of those"

Anonymous said: I had a dream that msa!izu/ku was standing in his cell and staring at a nearby guard and the guard is wondering wtf why is he staring like that but actually he was just really tired and fell asleep. Standing up. W/eyes open.

HEY THIS IS INCREDIBLE AND INCREDIBLY FUNNY AND IF SOMEONE WROTE A SNIPPET WITH IZUKU DOING THIS I WOULD ABSOLUTELY BELIEVE IT

Anonymous said: I'm sorry but I have to tell you “Would you like to sit?” “No.” is the funniest interaction I have ever experienced in my life I woke up my grandmother at 3 am cause I was laughing so hard and she's doesn't even live on the same floor as me

im so glad that izuku being a bullheaded and troubled teenager can bring some amusement and laughter to your day

Anonymous said: i guess you could say that in the lastest chapter, msa izuku is kicking ass... /and taking names/ BA DUM TSHHHHHHH

HGJDFKJSDLGSDF IM LAUGHING!!!! STOP THIS

Anonymous said: In the MSA verse when someone doesn't like their quirk for example like your OC Mitoki and they don't use their quirk how does that affect their spirit?

doesn’t really affect their spirit except like, psychologically or emotionally, because they would Like for their charge to be able to use their powers in order to defend themselves, but their charge Is Not

Anonymous said: What would Mitoki think of MSA Izuku?

msa izuku: says Anything msa izuku: pulls Those Stunts msa izuku: does stuff of gray legality without bothering to explain himself, ever msa izuku: also is grudgingly a good person mitoki: this guy is hilarious and a fucking RIOT, i have to adopt him immediately

Anonymous said: i imagine after hearing the music of the universe msa izuku doesn't like human music anymore, huh?

i think he isn’t very fond of any music that reminds him of that experience, and how he nearly lost sight of his sense of self. normal, mundane music with absolutely nothing out of the ordinary is probably a relief

Anonymous said: Just wanted to drop in and say that I really love MSA!!! It's a super refreshing read, and I LOVE how you write everyone. I'm so hooked, you have no idea. Thank you so much for all the work you put into it!!

thank you for dropping in and letting me know!! i love feedback like this, makes me happy to keep writing and sharing stuff. i hope you enjoy the next chapter!

Anonymous said: someone: *gives izuku positive attention* izuku: you come into MY HOUSE

yeah that’s pretty much exactly it

Anonymous said: This might be a little weird and specific, but how would MSA Izuku react to someone who does similar stuff to him? Meaning, constantly does weird eldritch shit while sassing away any attempts to figure it out. And also assuming that they keep crossing paths no matter how either party feels about it.

probably kind of uncomfortable, but if this person is reacting to said eldritch stuff the way msa izuku reacts to spirit stuff, i think he’d just recognize this person as someone else who’s going through a lot of stuff and just wants to be left alone, and then msa izuku would proceed to leave them alone. maybe quietly give them a coffee if they look like they need it, then leave.

if this person was enjoying eldritch stuff, i think msa izuku would be kind of envious of them, and resentful, because hey, this person gets a way better deal than me in terms of eldritch mysteries, why do i get stuck with all the bad stuff?

either way i don’t think msa izuku would spend a lot of time with them, he has a lot of his own stuff to deal with.

Anonymous said: Holy hell. Did Izuku, like, frickin ABSORB afo or some shit??

Anonymous said: Did izu/ku discover afo's spirit's name? And then proceed to destroy afo

Anonymous said: If I was Aizawa, or any other clever member of the hero crew, my assumption would probably be that Izuku is the product of a quirk that makes physical manifestations of other people's quirks. The person with said quirk probably used it on themselves, thus Izuku. It would reasonably explain why he's so dodgy about his identity, can fix/alter quirks, talks strangely to nothing, and is so effected by the eraser quirk. (It's fun manufacturing wrong but reasonable theories!)

oh thats a really interesting theory!! hmm yeah... it could work, but if i was aizawa i would wonder why izuku didn’t just disappear if he was just a temporary manifestation of a quirk. i’ll deffo consider this though and if it proves useful to the story i hope you won’t mind if i use it?

thank you for writing in!

Anonymous said: Goodness, I love your work. A part of me silently lives for the day when MSA!Izu and All Might spend time together and AM's just?? Immune to all of Izu's snark, while still being such a dad. Like "Deku my boy, where's the hoodie I gave you? It's getting cold out."/"Based on the trajectory of the moon and sun, in a garbage bin somewhere."/"Oh! Well it *was* my old highschool hoodie. It was probably getting too old to wear anyway"/*Cue frustrated-mortified screams of the little cryptid child*

frankly i don’t think msa izuku would be able to handle someone knowing About Him and genuinely looking after him at the same time, he’s only ever had one or the other at a time, if all might did this msa izuku would short circuit and have a minor crisis because he doesn’t know how to accept affection from someone who accepts him for who he is. this thought hurts me and i regret thinking about this. really good ask, thanks for sending it in

Anonymous said: Your fic ‘know what i’ve made by the marks on my hands’ is a power move in of itself.

fndlfksldkf THANKS, im putting this in my testimonials

Anonymous said: Ever since the beggining of MSA I can't get rid of a certain though. Bakugou's Quirk something horibly adorable and comepletely enamored with Izuku. Like, the moment it sees him, it just jumps at him with hugs and kisses, possibly some purrs. Izuku avoiding the duo because he's so done and tired of the vilent love and explosive heatred mixture.

izuku hates it because both of them are giving him some form of attention and he just wants them to forget about him and be done with it

Anonymous said: Idk whether this was asked but how do names come across in the second intonation?? Like if izuku was saying senshajou (?) would the name come out in japanese or does the second intonation have a way of saying names without actually saying them? Basically would listening in on their conversation reveal a bunch of static and then just "carwash" in the middle of the sentence??

intonations aren’t a new language, just a manner of speaking, where the fourth intonation takes the most energy and the first intonation (normal speech) takes the least. effectively, izuku and all the spirits are speaking japanese, but the intonation they speak in will take their words to a different energy level. if that makes sense. so, no, ‘carwash’ would not show up in the middle of a sentence

Anonymous said: SIMK IM CHOKING!!!!!! YOUR ART LEFT ME SPEECHLESS ITS SO GOOOOD!!!!

thank you so much!!! this is very flattering, and makes me very happy as well

Anonymous said: Hey have you ever played OFF?? Idk the first pic you drew for MSA rly reminds me of it

i have not! but i love the art i’ve seen for it

Anonymous said: so are the guardian spirits in msa bound to their humans in a distance sense? like can they just wander off to somewhere far away from their human or would they hit a boundary somewhere?

yes, spirits are basically bound by proximity! they can leave their charges behind and go gallivanting to another continent but it’s Not A Good Idea for a few reasons and becomes very unpractical. they can travel pretty far from their charges if the necessity arises, though.

Anonymous said: there is a lot of things i could say about your my spirit academia art but the first thing that i thought of was "wow izuku looks good with nail polish"

fjdlkfjsldf

everyone looks great with nail polish!

Anonymous said: msa!izuku's flirting: you're slightly less terrible than everything else happening in this situation right now

izuku says this stiffly and without looking at the other person because expressing emotion and vulnerability is difficult for him

Anonymous said: Honestly msa!izuku is the most relatable au Izuku. I too wish I could just fade from everyone’s collective knowledge and become the local ghost story middle schoolers dare each other to test. *izuku gets ding-dong-ditched but only because local children are too terrified to stay to see the beast that lives in that apartment*

Wait what does Izuku do for halloween anyways?

i accidentally deleted the second half of your question so that’s just a paraphrase sorry!! but yeah, i’ve infused msa izuku with some of my more cryptid-longing tendencies, i find it hilarious that this has carried through. i love the proposed scenario. it’s incredibly funny and absolutely something that would happen to izuku

i dont think halloween is very widely celebrated in japan? but if it was, izuku would probably just shut himself in his room for the night because he doesn’t want to deal with any aspect of the holiday

Anonymous said: heya!! i just read your msa fic and i absolutely adore it! the whole idea is just awesome in the every sense of the word and ive found myself already completely immersed in it! your writing of izu/ku is very relatable for me and it only makes me love the fic more?? ahh im just head over heels for it!!!!

ahhh im really glad to hear that!!! i hope you continue to enjoy future chapters, as we explore more of izuku’s character, and possibly, his past :^)

Anonymous said: u have probs already gotten this question before, but was msa izuku (or his soul) merged with his guardian spirit at birth? Cause izuku basically says that something went terribly wrong at his birth... so I'm thinking he somehow merged with his spirit????

something like that! there was spirit fuckery involved.

Anonymous said: I cant help but think prototype!izu/ku's hair would match msa izu/ku v well

im laughing because ive actually drawn msa izuku with a hairstyle DISTRESSINGLY similar to prototype izuku’s hair. msa izuku has got that unhappy, emo vibe about him that just naturally attracts the kinds of vibes that prototype izuku’s hair gives off

Anonymous said: is izu/ku's guardian spirit like nessie or bigfoot or something? cause i swear to fuck he's such a cryptid omg

HRNGLDFLKSDF IM LAUGHING

nah, izuku doesn’t have a guardian spirit. only... himself

Anonymous said: Did All Might give Mirio One For All in MSA?

no idea, haven’t thought about it, won’t figure it out until i actually need to address it

Anonymous said: I just wanna say that I love msa and kirishima is trying

kirishima *is* trying and we are all loving and supporting him for the amazing work he does

Anonymous said: Say, would Shinsou’s quirk work on MSA!Izuku?

you will find that out in, sports festival msa au, wherein msa izuku accidentally takes his canon counterpart’s place right after he’s finished the obstacle course event in the sports festival. i need to get through the end of the sports festival before im satisfied with publishing it... but i’ve finished the shinsou fight. so! you’ll see :p

Anonymous said: Hey I sent you an ask a while ago but idk if you saw it or not, but I just wanted to say that I really liked your latest chapter of msa! The music that you described in the chapter was really amazing and it made me think of this song called “the heaven’s flock” sang by the Texas all state choir. Obviously it won’t be anything close to the ethereal other-worldly music that you describe in the chapter, but it’s what came to mind while I was reading it. You can find it on YouTube, hope you like it!

hey im super glad!! i spent a lot of time editing those paragraphs for Maximum Spiritness, it’s always gratifying to know someone enjoyed them. and yes, i checked out the song on youtube, and it’s pretty cool! choral pieces usually don’t interest me a lot but this one was fun. thanks for telling me about it!

Anonymous said: i just found your ff and I love them! Tired(tm) Midoriya is great and I love him.

thank you!! izuku who is tired of this bullshit and calls it out when he sees it is definitely very fun.

Anonymous said: where is msa!izuku's physique in comparison to the cannon timeline? is he closer to how he was at the very start of series, or while he was training with All Might before he got One for All?

he’s pretty lean and wiry with plenty of stamina, so i’d say he’s about on par with canon izuku after training with all might pre-yuuei. he probably doesn’t have as much raw strength but i think he has more stamina

Anonymous said: Msa izu/ku escapes from the Precepts' clutches and starts booking it around the tunnels and just. Stumbles upon Eri. Stops and takes the time to fuckin wrangle her spirit to stop it from unexisting him and just books it with her "I'm taking her now bye"

this is hilariously close

Anonymous said: you used a lyric from meet me in the woods for the 4th chapter of msa and god thinking about it that song fits the au?? at least as much as i've seen about it.

thank you!! and yeah, i’ve actually got that song on my msa playlist. specifically, my msa kiri/deku playlist, because it fits so well. [sips that heart hurting juice] im happy someone caught the reference!

Anonymous said: just read the quote from Morrison 'she utilised violence in a purely feminine way' by chucking hot pokers at people and all I can think of is msa!izu/ku being so done with everything and being violent 'in a purely deadpan way', chucking his collection of spray paint cans/ art supplies/ occasional chair at the spirits because he's just so done and LET HIM SLEEP OR AT LEAST TURN UP WITH COFFEE GODDAMIT.

you are not, wrong

thats what his scripts are for!

Anonymous said: Msa! Izu/ku's laugh sounding like a dead rustling/ raspy monotone that is simultaneously eerie and extremely concerning to the point you want to wrap him in marshmallows.

msa izuku’s laugh sounds very, very tired, which is arguably the same thing

@iamlikecain said: Hi ! I juste wanted to say that I love your fic My spirit academia and sassy Izuku is what I now live for. Btw, he doesn’t deserve to suffer omg that poor baby and uuugg I hope he’ll be happy ;—-;

haha thank you!! i’m glad you like msa izuku’s shenanigans!! and yeah. he really doesn’t deserve any of this. things will, hopefully, look up for him soon! i am not setting out to write a pessimistic story, eventually things will get better

Anonymous said: Your my hero academia spirit AU is super frigging interesting??? Im dying to read more :DDD

thank you! im super glad you enjoyed it

Anonymous said: What are your favorite msu!izuku headcannons?

just the fact of him existing in this unrestrained, unintentionally chaotic state of being wherein he does what he needs to and may even do what you want him to, but in a way that makes him and you and everyone else involved feel like you’re all just a bunch of clowns. heres a couple more facts about him though

his goal in life is to become a famous reclusive calligrapher who has retired to the isolated countryside to do calligraphy, where no one can bother him

secretly still really passionate about heroics but kind of embarrassed about it so if you find out or bring it up he WILL try to kill you

messy and not very good at cooking, but doing his best

knows some kind of weird trivia that you wouldn’t really expect

Anonymous said: b r u h what would inko's quirk spirit creature look like?? soft and playful and curious about all sorts of smol trinkets/objects??? would they be combative w izuku too??? ;-; or reach some sort of grudging acceptance of their presence??? smol green abomination belongs to my beloved human, so no fighting little abomination

honestly i haven’t given a lot of thought to inko’s guardian spirit, other than that it’s probably pretty small and not one of the most powerful spirits out there. it’s kind of distant from izuku, bc izuku makes it uneasy, but it cares about izuku in its own way.

#some of these asks are incredibly funny to read after writing & planning ch5 #ask compilation #ask #msa stuff

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