#can you believe? and it took just 1 person rting it
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not aimed at anyone in particular but if you like some art please reblog it, give the artist some reach
#i've noticed that a few things i've rb'd on here get a ton of likes but barely any rbs#hey if it's a good post it'll be great if you could rb it#still remember when i rt'd a friend's art on twt#i was their first like/rt after hours of posting#and from me it spread and finally it was at over 1k rts#can you believe? and it took just 1 person rting it#sorry to sound preachy u_u
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LT2 masterpost
If it was up to me, we would get an autumn or winter EP. Since it’s not up to me at all, here, enjoy this post with everything we know so far of LT2, which is to say, not much at all. Everything here is hypothetical. I’ll be updating every time I see something relevant. A little disclaimer that while this is a masterpost (kinda), it could be read as discourse (duh, it’s also a theory), AND it’s also by me, and you shouldn’t expect me to be serious at this point.
Due to me restraining myself, there’s no reference to any of the times he’s mentioned his guitar skills and him improving but I hope you know I cried every single time.
I’m also linking my old pinned here. It was written before AFHF and around the free merch thing that didn’t lead to much, but I still think I made some good points.
Possible tracks:
Copy of a Copy of a Copy
Change
Faith in the future??
369??
Possible names:
369
Faith in the future
When is the album coming out?
Your guess is as good as mine
Friday 28th of January 2022. Almost two years after Walls. It’s a Friday. It’s a 28th. What else can I say?
Here you can find @want-to-be-loved timelines for every month.
Here you can find @berlinini’s timeline of what Louis has been up to this year (2021).
The rest is under the cut. And here you can find a PDF version where Tumblr can't tell me how many pictures I can add.
2020
He said back on May 2th 2020 he wasn’t writing anything new yet.
(x)(x)(x)
Interestingly enough, he’s said many times after that that the album’s not ready cause he has no new experiences to drawn from. I won’t call him out because he does it himself.
May 4th. He liked a tweet from DMA’s Johnny Took saying they had to go write together again. Louis has been credited as an influence for them and (kind of) participated in their previous record, so I’m assuming he meant for their music and not his, but you never know.
Nothing(literally nothing??? how did we survive) until 11th of July. We all know what happened that day. We all celebrated it. Nonetheless, that’s not what I’m talking about here.
(x) So, by the beginning of July 2020 he was working on concepts and ideas for the new album. That was fifteen months ago. I know perfection takes time but…
Brief summary of important things that happened from then until the next mention of new music:
Louis left Syco!!!! 10 days later he rescheduled the tour for the first time. He followed Matt Vines on Twitter, probably so we could publicly shame him into doing something. Also, the 10thanniversary. He followed more people I wish he hadn’t.
Then more nothing until September. Not even a single tweet. The first merch drop was on the 28th of August but he just RT’ed the tweet. He first mentioned Free my Meal on the 25th of September. Then on October 1st Walls hit #1 on a lot of countries and Louis was incredibly happy and excited about it ^^
And then, that same day, October 1st, 2020, he dropped this bomb:
(x)
He also said it was too soon to be sharing new lyrics with us (x)
And, obviously, this tweet which is actually what made me start this whole post. I would hope you know mate.
(x)
He also told us he was cooking "banger after banger" and that he was incorporating more social themes into his music (x)(x) (I believe any social issue is a political issue but that’s not the point rn).
COPY OF A COPY OF A COPY?!?!
These next paragraphs are brought to you by my mind not remembering things and me not having any links. I’m assuming COACOAC came from those writing sessions that supposedly happened in October. Or in LA but I have no idea if he actually was in LA at any point other than a Daily Mail article putting him there on December which would have been too late, but I do remember that someone said he was in the studio in LA last autumn???? A rumor. Maybe. IDK. Did I mention already all of this is very hypothetical?? Well, this is it. I can’t even remember if this was October or November or what. So, take this with a grain of salt.
I’m also… taking the liberty to assume, if you must, that Copy wasn’t meant to be a Walls reject because it sounds more mature and darker and it has a vastly different tone that Walls songs. I know he’s said that song probably isn’t getting into the album, but I want to have faith (in the future) that I’m getting a studio version. (But also, Louis, if you’re reading this, first of all GET OUT OF MY BLOG second of all, please don’t ever feel pressured again to add a song to the album because we have already heard it before. It’s your art and it should always be under your own terms).
So yeah, I believe that Copy is either one of those four songs (then imagine the other three??!!) or was written around the 1st of October date.
---End of the Intermission---
Then not much important (other than sharing more about Marcus Rashford fight against food poverty and the 2nd merch drop) until he announced the livestream on the 24th of November. (x)
It wasn’t until a few days before the livestream date we even thought again about new music (jk, I know we’re always thinking about new Louis’ music). So, December 9th/10th, 2020. Nine months ago. We got our first taste of new music!
He made sure we knew Copy of a Copy of a Copy isn't a cover! (x) (x)
(x)
Ok, so that’s it for 2020. (I feel like I’m missing something from September 17th because tweet was deleted but maybe he was still talking about cucumbers. We might never know. Unless I understand how Tumblr tags work). Expected, cause Walls was released in 2020. We needed to let it sit for a while.
2021
Another Summary: Louis third tweet of the year was telling the UK government off. So was the fifth. What a good beginning. On the 26th of January, he said he prefers pancakes over waffles. I hope he meant pancakes other than his own. More importantly, he tweeted the infamous “you lot read into things too much”. Don’t get me started, Tomlinson. Don’t. Then the 31st came around and Walls was one. He tweeted this. How wise. And Project Defenceless happened!!
15th of February!! Who cares about Valentine Day when the next day we got this? ♥
(x)
(x)
So…AN EP?? AN EP?? PLEASE RELEASE AN EP.
“I’m sure I will have something out this year but unlikely that will be the album”. Unlikely but not impossible. Also. A single would be good. This is the second time he mentions releasing something in 2021 and he sounds surer about it than the first time around.
He also said that he isn’t sure we will get a studio version of Copy. And that the best bridges from Walls to LT2 are Walls, OTB, KMM and Copy. Can’t wait!
Then we jump to March 6th when he announced he was going to create his own management company. “Sometimes action is needed first to encourage the motivation and belief”. As we can tell he was already manifesting some stuff which will lead us to the numerology stuff/Tesla… kidding. Or not. We might never know.
On the 22nd of March he answered some questions:
He told us music was still his main focus ♥ mwha. (x) I included this tweet to guilt-trip him into giving us music in case he’s reading this even after I told him to leave. ILY.
(x) I’d love to get a visual EP this autumn. Just saying. It sounds like a lovely concept.
(x)
…next (I will get into it, I promise. I’m just mad).
On the 25th he left for Mexico until April 10th. You could assume it was just for the documentary where we got ten seconds of footage or admit the obvious: LT2 its a Mexican baby!!
On the 26th (so, not so far apart from that first 369) we got the first Faith in the Future mention: (x)
Back then we were innocent people who had no idea what was coming upon us. We still have no idea because what the fuck does he mean with these. Please explain. I have one braincell and I don’t use it enough for this. I’m linking some theories.
On the 30th of March he confirmed he was already working on the documentary. So AFHF was already on the works. Will it take this long for us to get the Veeps numbers? We also got this tweet: "Got a decent chorus idea down" (x).
Same person that got the “something out this year” exclusive. If you know something share with the class. Also. Is this Change? I feel like this could be Change but I also assume he wrote Change after hanging out with his friends or being in Doncaster. But who knows.
(x) And the second mention to 369.
(x) 15th of April. The second "Faith in the future".
On the 19th of April he announced that he had something BIG for us later on the year which turned out to be the Away From Home Festival ♥♥ (x) I love him so much.
Then on the 28th he announced the 369 merch drop (which it’s probably the Walls drop? Except that the TOU and KMM ones were “drop 1 and drop 2” and this was drop 369 which, again, makes no sense) but we still don’t know what 369 means.
Into May’ 21 we go.
He rescheduled tour again. And dropped another bomb (x).
He announced he has signed with BMG as an independent artist by RTing this tweet on May 10th. The article also says that he’s already working on writing and recording LT2. The timing… we don’t know. What this deal involves… we don’t know either. Bear with me here because I have a lot to say about this.
I think the deal is only a distribution one, but that BMG are interested in Louis and what he (us) could bring to the table. They were either present at the festival or watching it, but officially they had no involvement at all with it (everything is credited either to Louis own company, 78 Productions, or Charlie Lightening’s company). That’s the case for both giveaways too; the vinyl one and the tickets for the festival.
I think it would be an unbelievably bad move not to test the waters with BMG now or soon-ish. At least a single, to see how it performs. Due to the circumstances, it’s obvious there’re certain limitations on place but I want to see how they push it, whether the radio play exist this time around and if the song is playlisted and promoted and all that… I would also love to know, since it says he signed with BMG UK, but it also states it’s a global deal, how things are going to go on the US and other countries.
Yes, yes. I know those are all questions and no answers. But I know the same as you, sadly. If any of you know more than you’re letting on… again, share with the class.
Where was I? Yes, on the 25th of May Louis had a great day writing (x). Since the first time he had mentioned he was officially writing to this date there’s almost eight months. And I believe he was writing before October’ 20.
He followed Robert Harvey that day and, on the 28th of May (why is it always the 28th???) he was spotted at the studio for the first time.
June was an interesting month for the fandom ♥. Lots of LHL content which I will love and cherish for the rest of times. On June 4th, June 9th, and June 10th he was spotted at the studio, but I believe he was there more days.
(x)
This was posted on June 6th and captioned Studio. Charlie also shared it with “Mega tunes being put down, can’t wait for this @louist91 #louistomlinson #LT2” as the caption. This gives me 2019 (Elton-Joint) vibes. I like it. Feels like we’re getting closer to something.
He added the Milano date on the 9th too which I’m mentioning because I’m going alone. Anyone wanna go with me please? I’m nice and I never eat anything before a concert so you can have my food. On other news. It didn’t come home.
During July he was at the studio at least three days too. Probably more. Feels like more with all the fan pictures we got. Or was that June? Anyway, July 1st and 9th we got some videos from Robert Harvey and wearesuperhi, which is who Louis has been working with the most, that we know of. I don’t know for sure they’re from that day. And on July 5th we got an article and lots of pictures of Louis looking really good outside the studio.
On the 12th of July the first fans started getting the free, 369 bucket hat and print. We still don’t know what the purpose was other than to thanks fans. Maybe that was it. I want answers and I still think it relates to a future project (see theories above), but it could also just be a bridge with the Walls breaking.
He didn’t tweet about anything interesting for a while, mostly because he lost his phone (he either throwed it in the air or smashed it who knows). Then on the 29th of July he announced the festival!
I’m glossing over it because there’s already been a lot of talk about it (rightfully) and while it was a wonderful thing, it doesn’t have much to do with LT2.
Let’s talk Change!
On August 3rd he tweeted this about the setlist.
(x)
And this (x) on the 28th! I can’t stand him.
We didn’t get it, obviously. Because who was going to get that. But we read too much into things. Alright.
On the 16thof August Dave Gibson shared this post tagged #LT2 with the eyes emojis 👀👀👀. I believe this has to do both with Change but also with whatever else came out of that Mexico trip.
(x) Last relevant tweet related to LT2 is this one.
So, on the 30th of August we got Change and we cried, and we know that Change is going in the new album. He said it. With those exact words. He also said he was “getting a feeling for it”. This has to meant he already has a general idea of the vibe of the new album and what’s going in it!!!!!! (Right? RIGHT?).
Anyway, let’s go back a few weeks because some other things happened on August. He was at the studio a few more times. Or it was suggested that he was there. On the 17th and the 18th. (Why was it so time-pressing to be at the studio instead of rehearsing for the festival? There was no studio at all on the documentary. Which makes sense, but again, then why?).
On the day of the festival we got another mention of Faith in The Future that made me feel part of a cult ngl. The words were flashing on the screen for less than a second. Okay.
And then he tweeted those words again after watching the livestream/documentary on the 4th of September (x). This is what makes me suspect it's either the name of the album or of the single.
On the same day, we got some interesting quotes about LT2 on the documentary.
“Soon I’ll have to think about me second album, which in my head I’ll get the tour out of the way and then I’ll address that. So, I hadn’t really given it much thought, to be honest”.
“When every day is the same is hard to feel creative and it’s hard to have any kind of proper inspiration”.
“As season started to come back, I started writing again and it was great and some of these songs turned out alright”.
And I think this is it. I might be overlooking some important details but that’s what we know and what we don’t know.
So. Conclusions. That’s what you missed on Glee. I do believe the album is, if not mostly done, partially there. And yes, this post is pointless and never-ending but it’s all in here if you need to tell Louis “Hey, you said this, mate”.
#LT2#Louis Tomlinson#Faith in The future#369#Louis#LT#new music#idk what this is#but it's long#pinned
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Orion D. Black -They/Them · @DungeonCommandr
4th Jul 2020 from TwitLonger
my statement
"It's July 3th and I no longer work for Wizards of the Coast. I no longer work on D&D, the little that I did. This is going to be a long thread and my last for quite a while, so bear with me.
I took the job for two reasons. The first was for the dream. To escape poverty doing what I love, writing and making games. The second was to make D&D welcoming to the millions who are scorned by it.
A lot of people had hope for D&D that they carried with me. While some people were upset to see me work for a corporation that overshadows indie, others hoped that I would be able to make real change. I tried. I failed. And I lost a lot.
Liking a tweet or post, RTing, or even following people who speak ill of WotC can lose you your job in an instant. That's why you never see it happen. @Zbeg is 100% correct. It's a silencing tool. I can say more now.
Kindness doesn't replace respect. Working within your comfort zone doesnt support change. Most people in that group were not ready for me to be there, a nonbinary Black person who would actually critique their problems. Idk what they expected.
I worked hard for a very long time. I got a lot of smiles and vocal support, but it was followed by inaction and being ignored. My coworkers were frustrated for me, and still are now. I confided in them often, cried on shoulders on a few occasions.
I realized at one point that leadership had given me 2 assignments over about 5 months. It was mostly me asking project leads for work, searching out opportunities. Leadership didnt really care about me or my growth. I had to.
I firmly believe that I was a diversity hire. There was no expectation for me to do much of anything. I probably disrupted them by being vocal and following up. It didnt matter if I was supported by seniors and positive.
I think genuine people proposed me as an option and it was accepted because it would look like a radical positive change. It would help quiet vocal outrage. And because I had to stay silent, it was a safe bet.
I started to lose all of my confidence. I started to lose trust in myself. After finding out that I wasnt getting an extension or FTE, I resolved to just finish things out and take care of myself. To stop fighting and to just survive, quietly. But it just kept getting worse.
They would talk about how they're going to start working on treating staff better, retaining contractors, actually answering questions. How much they were invested in diversity and change even though they hired two cis white dudes into two big leadership positions during this. One of whom claimed that he doesnt know what he's doing. No shit. I never want to hear "maybe they just hire the best person for the job" again.
I found out that some of my work was stolen, which destroyed me. It lined up with a project they were going to do and I had sent it in to someone in leadership months ago. The project was announced and this person who contributed "forgot" that we had a meeting where I gave them my ideas, and then a follow up document the day after. I knew nothing was going to be done about it. Someone else told me that the person said sorry that they forgot. That's it.
I was really losing my ability to do much of anything. I have depression and anxiety and ADHD, all of which I manage pretty well. But those parts of me were under the pressure of being ignored, disrespected, "forgotten", and not being able to say a word to the world.
Then, as social unrest continued global due to BLM, the D&D team comes out with their statement. It was like a slap in the face. How much they care about people of color, how much changing things (that I and others had been pushing for months, if not longer) was just going to happen now. It took weeks of protesting across the globe to get D&D to do what people they hired have been already telling them to fix. You cannot, CANNOT say Black lives matter when you cannot respect the Black people who you exploit at 1/3rd your pay, for progressive ideas you pick apart until it's comfortable, for your millions of profit year over year. People of color can make art and freelance, but are never hired. D&D takes what they want from marginalized people, give them scraps, and claim progress.
I spent my time in that building worrying about how much people hated me for working there. I spent a lot of time thinking about how much it hurt to work there. I had and still have supporters, and many. Thanks to you all for being my voice and speaking out when I could not. But I felt so isolated and alone. If not for some coworkers who checked in on me, who were going through the same things? I would've quit. Every angry statement about D&D felt personal because I couldn't fix it. Because I failed, whether it was my fault or not. I felt like I was being trashed by everyone because I could not disconnect what I set as a personal responsibility from the state of the game. That part IS my fault.
But I wound up as I am now because of all of this and much, much more. I am depressed. I am unable to write. I constantly question if anything I create is worth anything. I feel like I let everyone down, and no matter how much people tell me I didnt, that doesnt change. I feel guilty for not being what y'all needed me to be, what I wanted to be, and betrayed for how I was treated at that company. It's an exceptionally kind place on the D&D team. People are very nice to each other in a very genuine way that I truly enjoyed. However, that doesnt replace respect. That doesnt delete how I was treated. It doesnt change the fact that I honestly never want to play a trpg again and am definitely not working in that field anymore.
I know that I'm probably losing a ton of opportunities writing elsewhere because of what I've said here, as well as what I've sent in internally. It may mean that I will return to poverty, which makes me feel like a failure to my race, my family, and my partner who I want to provide the world. But under all these things, I have my integrity. I worked my ass off. I did my best for as long as I could. And I didnt let them treat me like that without telling the world what needs to be said.
Trust actions, not words. Not "look at how much we freelance so and so", because freelancing is exploitation of diversity with no support for the freelancer. Not "here we finally did what we KNOW we should've done a long time ago", because they only care about how optics turn to dollars. EVERYTHING involving D&D will continue to farm marginalized people for the looks and never put them in leadership. They wont be put on staff. They will be held at arms length. I hope they prove me wrong.
A lot of BIPOC and other marginalized people are trying to make their way by using D&D. Dont shame them for that. Think about how much, and when you wield your anger, that it is done righteously.
That said, I dont recommend to anyone, working for the D&D department of Wizards of the Coast."
https://www.twitlonger.com/show/n_1sra9pq
#I'm done with them#i've been playing since Volo's was new#and i've been frustrated with their financial screwing over of players#and their continued cultural appropriation and stereotyping#I'm never touching their products again#wizards of the coast#wotc#dungeons & dragons#d&d#time to find some new systems to play
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