#can you believe they were going to kill him????

[lay-z]

cotton candy clouds | 4

Synopsis: Due to his rank, status, and many combat achievements, Lieutenant Riley is assigned an emotional support hybrid by the brass; whether he likes it or not.

Pairing: handler!Simon ‘Ghost’ Riley x dog!hybrid!fem!Reader

Warnings/Info: 18+ MDNI | Reader is a purebred Samojede (dog)hybrid. Despite ears, tails, and their adapted nature/instincts and personalities, hybrids have human features. | bimbo!Reader; hypersexuality; slow-burnish; heavy smut; tw: past (sexual) abuse/manipulation; cussing; fluff/domesticity; humour; angst; hurt/comfort; eventual romance; strangers to lovers; dub-con elements (Mind the warnings for each chapter!)

☁ ccc; masterlist

Whenever Simon spares you a glance to remind himself that this new and strange arrangement is real, he finds you staring right back at him somehow.

Always making eye contact; holding his unwavering gaze with a silent expectation that makes his chest feel tight and his brain go numb, grappling for answers. Multiple times he's caught himself biting the tip of his tongue harshly to refrain himself from barking “What?” at you, demanding an answer in exchange for his cluelessness: What do you want from me?

He's building a mountain of expectations in his mind involuntarily while lacking the gear and a strategy in how to climb it properly. It's too high, and he knows he can never reach the top unscathed.

How can he possibly take care of you if he can barely take care of himself outside of what is required of him? He keeps himself fit, alive, able to function, always ready to follow an order and go in for the kill. That’s what he knows, what he’s comfortable with, but this?

Simon doesn't play house, doesn't know how to handle something so... domestic and delicate. He never experienced it growing up, never witnessed normalcy. If he would care about such things now, he’d have a wife or something akin to one, but he doesn’t–never even had a partner before, never bothered to believe himself fit for dating, for letting someone in like this.

Even the soft clothes you're wearing make him recoil; pastel colours having the opposite effect of red to a bull–so odd and out of place to him, and he knows the callouses on his fingers would simply catch on the fabric if he were ever to reach out to you for whatever reason, like a sheep’s fine wool catching on a thorn brush, scratching and tearing.

“What would you like for dinner?”

Simon blinks twice, thrice, before the question comes through his thick skull, vision slowly clearing despite him having stared at you for the past minutes while you were sitting on his couch patiently the whole time, eager as ever now that he willingly took you back to his flat again.

Why did you even sign the handlership without knowing him at all beforehand? Are you really that oblivious? That naïve? Or did the brass coax you into signing it?

“Simon?”

The way you keep saying his name so casually, makes his chest ache, makes him inhale sharply each time. What would he like for dinner? It should be such a simple question, but it seems like a puzzle to him–a thousand pieces, all in the same bloody colour.

“Why? Ya offering to cook for me, lass?” He snorts humourlessly. It's ridiculous. No one cooks for him unless he goes to the mess hall to get some grub.

“Of course, I'd love to!” You answer immediately, flashing a genuine smile. His eyes flicker to your tail when it starts to wag again and he curls his lips under his mask. Isn't he supposed to take care of you? What even is this bloody handlership? His brows draw together quizzically, making that deep crease reappear between them. Perhaps he should’ve read it before putting his signature on the damn paper.

Then he sighs in resignation. “Do whatever you want, just stay out of my room,” he replies and makes a half-hearted gesture towards the kitchen. “Not sure wha’s in the fridge. Been a few days since I went to the store,” he admits begrudgingly, kissing his teeth in annoyance when his stomach grumbles.

“Well then,” you say tentatively, tail stilling on the couch, “–why don't we go shopping for groceries?”

It’s already late afternoon, when Simon pulls up to the parking lot in front of the local supermarket in town with a truck he borrowed, deciding it’s better for his own nerves to take you somewhere else but the stores they have on base.

He just can’t bring himself to keep you on a leash around his peers, to parade you around wearing a pink collar around your neck with his rank and military ID number stitched into its leather–a ‘gift’ from the bloody gift basket Price had delivered to his flat along with the initial shock of your presence.

And, by god, he wants to drop the leash and run in the other direction as soon as the automatic sliding doors swoosh open and his boots step foot into the store with you in tow–a red shopping basket clutched in his other hand.

What an absurd picture it must be to other shopgoers–a behemoth with a skull mask and cargo pants buying veggies and snacks with a gorgeous hybrid woman on a pink leash and matching collar. Kinky, he muses unintentionally and grits his teeth, cringing at his own stupid thought. It’s then and there Simon decides to murder Price next chance he gets.

“Mummy, look!” A toddler exclaims, pointing at you as he peeks his head into the produce aisle. Simon’s eyebrow raises beneath his mask as the little boy approaches shyly, his wide eyes fixated on you. Civilians, especially kids and women, usually avoid him like the plague whenever he’s out and about in public, looking like, well–himself.

“Hello there,” you coo at the toddler, crouching down to his level while Simon keeps as much distance as the leash allows him to, knowing better than to interfere. “Are you looking for your mama?” You ask attentively, ears twitching as you look past the boy, already searching for his parents.

The boy shakes his head with a big smile, rocking on his feet. “Nu-uh, she’s–”

“Noah!” The frantic voice of a woman calls out. “I told you to stay by–” Her eyes widen, steps faltering briefly as she catches sight of Simon, who has already anticipated the reaction, slumping his shoulders to try and make himself look smaller, less threatening.

“He’s okay,” you chime in swiftly, straightening up to be on eye-level with Noah’s mother. “We were about to help him look for you, madam,” you assure her, and the boy giggles when you ruffle his brown unruly curls briefly. “Isn’t that right, big man?”

The conversation fades into the background just like Simon’s whole presence seemingly does as you go on to hold a friendly and effortless conversation with the mother and her son. Meanwhile, Simon doesn’t quite remember the last time someone approached him so casually and jovially, and he gets lost in his own rotten mind with flashbacks of the past again–seeing the ghosts of Beth and Joseph in these strangers in front of him, and his heart is gripped by icy tendrils of grief and melancholy until your laugh breaks through the vision, pulling him back to reality at once.

“Oh, no worries! I’m sure it is strange to see someone like me in a quaint town like this,” you chuckle softly, giving a small wave with your hand while Simon’s pale lashes flutter as he tries to follow the conversation once more after what he’s missed. He notices how the toddler is giggling, petting and hugging your fluffy tail while you continue talking to his mum like it’s nothing unordinary. “But working for the military has brought me to the strangest places where hybrids are either a common occurrence or completely rare and more like a myth,” you explain patiently.

And the woman smiles coyly, already smitten with your charms. “Well, you certainly are a looker if I dare say so, miss.”

Once Alice, as she'd introduced herself, and Noah go about their own shopping, Simon catches the odd look on your face, something akin to sadness or longing hidden behind your smile, before you rapidly blink it away as a grumpy-looking elderly man approaches you, asking for help as if you'd know your way around while Simon groans internally, already despising all the attention.

You really do turn heads in a rather positive way if you manage to make the most grumpy old geezer smile in a heartbeat.

“You always this chipper?” He gruffs as he watches you add a pound of butter and coffee creamer to the overflowing basket, not that he'd care about that. You've been nothing but mindful of prices and proper nourishment while strolling through the aisles.

“Hm?” Simon snorts, in amusement this time. There's no way you didn't hear him; he saw your plush left ear swivel in his direction. “Ya heard me jus’ fine, lass.” He mutters, grabbing a box of his favourite biscuits as he walks past them and shoving them in between the other goodies, feeling like a child sneaking candy into their parent's shopping cart.

“Oh, yeah,” you chuckle, keeping your eyes trained on the shelves with different brands of toast before grabbing a packaged loaf. “I guess I am.” Then you stop, glancing up at him over your shoulder, and Simon nearly bumps into you. “You don't like people coming up to us to chat?”

Simon's brows furrow. Us? “They wanna talk you, not me. 'm basically–” He shrugs, making a vague gesture at himself as the leash clinks in his hand.

“A Ghost?” You quip, beaming at your little joke while your tail swishes proudly.

“Right,” Simon huffs quietly. “Smooth.”

He's rather thankful for his balaclava as he continues trotting after you through the store, hiding the tiniest crack of a smile underneath the black cloth.

There’s a match on the telly, an ice cold bottle of his favourite ale on the coffee table on a coaster he didn’t even know he owned, though all Simon can really focus on is this bizarre situation he finds himself watching as you go about doing your own thing in his kitchen.

It’s almost mesmerizing, the way you rummage through the cupboards and drawers, taking out pots and bowls to your liking as if you own the place already, preparing a side salad while the steaks sizzle in the pan–all while you’re wearing that frilly, pale pink apron that you’d fetched from your suitcase earlier, the one that makes Simon wonder if one of your previous handlers is responsible for your peculiar wardrobe, or if pink simply happens to be your favourite colour.

He takes an absentminded sip of his drink when another thought pops into his head: What if you wear all of this hyper-feminine bollocks because people forced you to like it? What if they manipulated you into enjoying stuff to state their own perverted fantasies? Would you rather wear something else?

And Simon imagines it briefly–you wearing something cosy, perhaps one of his hoodies that would most likely swallow you whole. He takes another swing of ale and his nose wrinkles, though it’s not the bitterness making him squinch.

“Dinner is ready in five,” you croon suddenly, popping your head into the living room from the kitchen as the savoury aroma of steak and chips wafts through the flat, engulfing the usually sparse space like a warm, comforting blanket.

With a soft groan and a cracking knee, Simon gets up from his seat on the couch. The least he can do is set the table.

@lucienofthelakes @kakashiislut @jggykhug09090 @edgarapoecolouredglasses @kerst666 @whos-fran @d1zzy-r1v3rs @userinaliel666 @annoyingstrawberryballoon @vmaxis @tessakate @dneicjefx @sushiumex @yourfavreggie @cmbghost @brokexintroverted @mysterygrl555 @bunnybeaches @fmlmf @teapartydreams @nachofriess @slut-lmao @sweetnanah @kodzukenwhore @thefutureastronaut @arael-asuka @oliver-1270

[razette]

Point #3 especially bothers me. There is another post going around that allegedly quotes things people have gleefully said to disqualify themselves as a jury candidate. Im not sure those quotes were real, and it doesn't actually matter. The general consensus was, "Look at me stick it to the man, yeehaw!" The sort of stuff tumblr loves, so it's relatively popular.

Not that I think anyone on tumblr was a candidate themselves either, by and large, but that shit always rubbed me the wrong way. If the general you believes that jury has power-- and the general you DOES believe this, thats why they keep bringing up point #4!!!-- then those sort of quotes should be the LAST thing you want to hear people saying.

By pulling stunts like that (and they are stunts) you are removing the ONLY person you can be sure would voice everything you think needs to be talked about before a fair conclusion can be made. YOURSELF. YOU. that person is you.

If we want jury nullification (or even just the fever dream that seems to be a fair trial in our punitive justice system) if we want there to even the barest chance of a just outcome... we need to know how the system works and what to do if we find ourselves part of it in anyway

THIS IS WHY jury duty is everyone's civic duty. And I know we dont live in a perfect world. there are 100,000 reasons any one person might not be able to serve as juror, not least is which is the lack of pay for the time. I get it.

but the "i think hes so guilty id just kill him now if I could" jury dodgers and the "i think he is innocent and the real killer should shoot more ceos" jury dodgers.... they arent "sticking it" to anyone. They arent a moneky wrench in the machine, theyre just part of the calibration process. The machine is gonna run.

BEGGING so many of yall to read some amount of Actual Criminal Case Law before making statements about the disposition of Luigi Mangione's court case. that case is not getting thrown out despite what tumblr armchair experts tell you.

[doppel-doodles]

A normal post a about Kevin Barnes from Poppy Playtime.

I genuinely feel so bad for Kevin…

Like that was a kid who clearly had a lot of issues from the start, instead of getting the help he needed all that happened was him being marked off as a „problem child“.

And then he was turned into a toy:/

Read more of my full thoughts and a sorta character analysis/ramblings below cut!

Like honestly no wonder he is seething if he wasn’t troubled before he definitely is now-

Obviously he has no trust in anyone, almost every adult he ever knew screwed him over in some way, hell even the kids he shares a body with would go against what he would do.

(Great example: When Doey chases us in his monster form, it's the arms of Matthew and Jack that are trying to keep his mouth from biting us, Kevin's are trying to grab for us.)

He was hurt over and over again, clearly he wasn’t aggressive just because he wanted to be but because this was his only way of making sure he wouldn’t get hurt.

It was how he had a semblance of control, a sense of protection.

But of course the irony is: That coping mechanism brought him more pain, it was what got him killed.

Sure, maybe he could've just "calmed down", but why would he? He was hurt again, he lost everything AGAIN.

All because he listened to their judgement over his own. Kevin could've killed the player and Poppy on sight, clearly his emotions easily overpowered the other two, but he didn't.

Instead he agreed to trust them as well.

He was still willing to do that, surely if he were just a mindless monster he wouldn't be.

And you know what? I believe he blames himself just as much if not more for what happened than he blames us and Poppy and projects it tenfold.

Because maybe, JUST MAYBE-

If he didn't allow himself to trust again, then everyone would still be alive.

But he did...now see what that got him?

In his mind he's proven right.

So what's an emotionally unstable child to do? After being hurt AGAIN?

That's right.

He lashes out at the first thing he sees that had something to do with his pain:

Us.

Is he in the right? Hell nah- bro we didn't mean for that to happen! But do you seriously think this kid is thinking rationally right now??? NO! He is seeing red right now, he is in fight mode! All emotions and must I reiterate that the only way he knows how to express them is through anger and violence?

There is NO reasoning with wrath try as you might! And that hurts because yeah maybe you could've dealt with that if he was still a gradeschooler but he isn't! He is 900 pounds of living dough with a thirst for blood!

It's either our life or his now. And we already know what the outcome of that is.

Honestly I think it's better that we only hear Matthew and Jack apologise for what happened, I do not think Kevin would even if he did feel bad for what he had done.

Because why would someone who has been scorned so many times be vulnerable all of the sudden? When his main character trait is biting at those who bark at him?Why would all that rage suddenly disappear? If anything the stress of dying only causes him to lash out more.

You don't need an apology from him to feel bad for him.

He is hurting anyone with two eyes can see that and for what it's worth, I do believe deep down he knew what he was doing was wrong but it was too late for him to see any other alternatives and even if he didn't and thought he was right for doing what he did it doesn't take away from the fact that he was fucked over by life.

Kevin is not the worst part of Doey, he is just a part of him.

And that part is not just a violent hunk of playdough.

It’s a scared, confused little boy that cared just as much about every toy in safe haven as his other two components did.

Because if he didn’t why would he get so angry about their death?

Anyway thanks for coming to my ted talk-

Also feel free to agree or disagree with my take, those are just my thoughts so let me hear yours, I like discussions:}

[essektheylyss]

I am certain that this has been said before, by myself and others, but because we're talking about it, let's look at the Trent situation in some depth, shall we?

I will admit, I was among those who was of the opinion that there might be another arc of campaign 2 to deal with the Assembly, since they were positioned as the entity pulling strings in Wildemount, they had been tangentially associated earlier with a plot to release Tharizdun, and because they were of minor to major interest with regard to character backstories, not least with multiple members being involved in the Aeor arc (and when it was still believed that Veth might've had some relationship to Doolan Tversky). Nevertheless, in hindsight, I don't feel that there's any issue with the positioning of the Assembly by the end of the campaign. They are a problematic entity that continues to exist in the world as grounding, because such entities are not generally one-note villains to be killed and destroyed; they are generally systemic and entrenched, and require sustained and systematic collaboration to dismantle. The same can be said of the Clasp, or the Myriad. And indeed, Caleb will be focused on this dismantling for at least the next six years.

Looking at Trent in particular, though, requires considering Caleb's narrative arc in full, and in particular, the shift that he undergoes from the beginning to the end. He begins the campaign specifying that he is seeking to take down Trent, "among other things", which we know from his later wishes entails turning back time and undoing his parents' deaths—though, given he doesn't give details on the matter at the time, we can't say then whether or not his plan entailed attempting to leave the timeline unaltered, essentially leaving his younger self to succumb to the guilt and subsequent trauma of the Asylum. It's possible that he had considered that then, and it was simply a pragmatic attempt to preserve the timeline and prevent a paradox, but it's also possible that that element only came later, when Caleb found that he was capable of forgiving himself.

By the time he gets to the point of telling the whole group about his history, before they have dinner with Trent, he specifies that his intent was to atone, but "that idea has evolved quite a bit over time, and I'm not sure what the exact answer is. But I mean to atone." It is worth noting that in this conversation also is the exchange with Caduceus about the goal being no more kids on the pyre. This also only comes after the Nein have shifted from their early extreme murder hobo mercenary tendencies to a group with diplomatic ties who have already navigated a minimum of two governments to end a war, so their methods have changed and their options have expanded, not only in terms of their personal abilities but their social influence as well.

At this point, we know, he has not let go of the potential to turn back time—he admits to Essek later that he doesn't know what he would choose if the thing that he wanted was placed in front of him (incidentally, mere hours before it was). Which means that his idea of atonement has shifted in other ways. In that first conversation with Beau and Nott, Beau says that, "There are two options here: you can selfishly try and go after this guy for your own vendetta, or you can use your motives to keep others from getting hurt in a very similar way," and Caleb admits in response that both are appealing. We must infer then, based upon this information, that what has shifted over ninety episodes later in his idea of atonement is that he is no longer motivated by a selfish dedication to his personal vendetta.

In fact, he seems to slip back into that vendetta later, if not in the asylum (where it is unclear how much he is acting out of necessity than due to a regression, but I would suggest it is a bit of both) then when he attempts to convince the Nein and then Essek that they should invite Trent and the scourgers to join them in Aeor, in an effort to eliminate Trent beyond the view of the rest of the Assembly or the Empire. Even as they prepare to go to the asylum, he admits that he wants Trent dead for ruining his life, though only after extensive pressing from Veth as to whether he is avoiding confronting Trent out of fear, and he adds that he does not want to risk the rest of the Nein in the pursuit of it. I've argued previously that Caleb realized when Essek challenged him on it that he was willing to jeopardize their true mission—to prevent Cognouza from wreaking havoc on Exandria in Lucien's hands—in pursuit of this goal, and this was truly his final wake-up call about the dangers of the path he had been on.

The Assembly has a habit of distancing themselves from the responsibilities of their fellow members; the Assembly as a whole turned on Delilah the moment she ran afoul of the law, Ludinus and Vess both distanced themselves from Trent, and later Astrid distances herself from Ludinus, even though we know she is part of the reason he remained untouchable through the trials against Trent. When members are expelled or eliminated, they are framed as fringe criminals, whose actions and activities were unsanctioned by the Assembly and therefore beyond the control of the others, regardless of the truth of that.

Caleb recognizes that there is plenty of evidence to tie Trent's activities to the Assembly, but likely also understands that Trent will not be tried or convicted in death, and as such the scourger program will not come to the attention of the Empire's legal system if he takes revenge before he gets justice. And by this point, what he wants is justice, because only with justice can he prevent further harm. He admits to Essek that, "I know what it means to have other people complicate your desires and wishes," and frames this as not only a good thing, but indeed the only thing that might save either of them. He ultimately neither kills Trent nor returns to the past, and this is what allows him to move forward out from under the weight of his sins and sorrows.

So by the end of the campaign, what Caleb has attained is this: a reorientation of his priorities, a commitment to his own future, and the means to not only gain justice for himself but to ensure that what happened to him will not happen, in this manner at least, again in a manner that is sanctioned by the Assembly.

To argue that the "Assembly plot" was not wrapped up by the end of campaign 2 is to fundamentally misunderstand both the nature of the campaign, which was one driven by character interests and histories rather than external plot, and to additionally further misinterpret Caleb's actual goals. There was no Assembly plot in campaign 2; there was only Caleb's plot. The end state of that plot is determined not by the elimination of one unchanging villain (though it does, technically speaking, still satisfy that requirement, the Solstice blast notwithstanding), but by reaching a point at which Caleb can begin to recognize that he can live with himself and the efforts he is undertaking—but also, more fundamentally, to recognize that he can live.

[dellamortethelesser]

The Wigmaker Job

Notes and Thoughts - Part 1

pt1 | pt2 | pt3 | pt4

This quickly grew out of hand so this is only covering the first scene lol. This is my attempt to organize my thoughts nearly line-by-line as I go through and analyze the relationship between Lucanis and Illario. These are my personal opinions and I'm open to discussion about any points I present here.

From the first time we are introduced to Illario from Lucanis's perspective, it is… almost derogatory? (dressed how an Antivan would think a Vint would dress). i thought you trusted him to handle this job at a party?

"it's a job" / "a party at a job" / "any excuse to primp" ← This back and forth feels natural between siblings (or those who have a sibling relationship) but with wider context feels… a little icky

Already, Illario is disparaging himself in relation to Lucanis ("Only 'the Great Lucanis Dellamorte' could refuse a summons from the First Talon") and even he says he's only here because Lucanis asked him to be. why bring him if you ostensibly don't trust him to handle the job? Lucanis's inner pov is different from how he speaks to and acts with Illario.

of course Illario is generally thick-skinned until it comes to Caterina. so are you. she's abused you both and treats Illario undoubtedly worse because he's not the favorite.

re: Caterina's abuse as listed. no food or water. beat them with her cane until their backs were scarred for 'letting their guard down' or 'fumbling footwork'. Lucanis says she "beat into him his commitment to his contracts" (re: veilguard banter where he didn't kill that 14 year old. lying? or proof of further favoritism?)

"For years, he'd hated her…" and then goes on to say that he'd learned that her cruelty was her way of ensuring their survival. Notably this isn't forgiveness but an acknowledgment of what she'd done and how it benefited them as assassins, which I would argue that it did. Child abuse is bad but I think she did prepare them both for the world they were being raised into as assassins.

"Beneath the bitterness in Illario's tone was something rotten." ← KEY LINE TO ME. Why point out how rotten it is unless he… already suspected Illario's resentment? Jealousy? He can identify the bitterness bc Caterina won't step aside, but also. ROTTEN.

"your time will come" / "will it?" ← Lucanis watching Illario watch him in the mirror. Really interesting moment because this is where Illario reminds him that Lucanis is the favorite. Lucanis goes on to say that he KNOWS this and has HEARD the rumors and still tries to assure Illario that his time would come.

"So, if she named you heir to House Dellamorte, you'd refuse?" ← really interesting thing to note here is that Illario is asking about being named as HEIR. Lucanis doesn't answer, they're interrupted, but "heir" doesn't hold the same weight as 'first talon".

they're not arguing who gets the role, they're arguing over who is even in line for it? so you mean to tell me that Caterina has been stringing them along like this… the whole time? Just name a fucking heir for fucks sake. the older one at least! if this was set up from childhood there would be way less room for jealousy and competition, or it would at least be clear WHO would be in line.. that being said I do believe she either did this on purpose. There's just no other excuse. Caterina what if you died the next day. they'd still have to fucking fight it out! (or maybe Lucanis would finally feel brave enough to absolve himself).

maybe that's it though? it's a test right? this whole fucking thing…. man.

"Illario's pretty-boy mask slipped as a coldness flooded his features." ← would have loved to see more of this in Veilguard. Regardless of whether you think Illario's writing is consistent between the books and the game, you're kidding yourself if you tell me he wasn't written operatically obvious in Veilguard. here there is more of a level of calculation and concealment? unless you want me to believe that his behavior was obvious to everyone except Lucanis… not discounting that reading of their relationship, just disagreeing with it personally.

Skipping ahead in to the fight scene, we see that Lucanis is living up to his name as the Mage-Killer as he pretty handily dispatches their assailant. Illario takes on more of the charmer role, tying up the mage—but then Lucanis immediately kills him. Why even let Illario do all of that work if you're just going to kill him?!

He even comments on it. "If I'd known you were just going to kill him, I wouldn't've put so much effort into the knots." ← Lucanis tells him after this to check his pockets and finds a note that does, admittedly, reveal the Venatori allegiance. That being said… you still could've killed him and got the same note. Unless it was just because he was a mage? But he was already dazed at that point. Why waste the time?! It's so maddening. This is the first of many instances where Lucanis sort of… bulldozes over Illario.

As Lucanis is removing the blade—"Careful, remember the tanner job? You ruined my best shirt." Kind of prissy behavior (Illario takes two steps back away from the blood), but when his cousin protests, Lucanis just… smirks and continues to extract the blade. If I'm reading this generously it could be simple sibling-esque banter, but Lucanis is not the sort to be readily endearing himself to Illario at any point.

Illario remarks that the Venatori's fanaticism re: nationalism and theology regarding the Black City isn't "worth it" (so he doesn't like the Venatori much either, mark that down?).

Lucanis says that it's because Illario isn't "a true believer—except when it comes to coin". My first thought is to think of Zara Renata's corpse conversation in Veilguard when she remarks that what Illario wanted, he wanted more than power, family, coin, etc etc.

So Lucanis's perception is that Illario is the sort of man who'd do anything for money (as the House of Crows is KNOWN TO DO, YOU KILL PEOPLE. FOR MONEY), and it matches up with his opinions previously established in regards to Illario's dress, motivations, mannerisms, etc. That Illario is… kind of a pretty-boy charmer who is only worried about coin and good clothes.

Hm. All bodes well on the Cain & Abel front.

RE: the true believer statement. Worth pointing out that the House of Crows was first established by Andrastian monks in the hills outside of Treviso; they assassinated a duke. Would love to have learned more as to whether there was more religious influences in the guild at any point.

Quotes are either paraphrased or taken directly from The Wigmaker Job, written by Courtney Woods.

[ts-janus-rp-blog]

The younger ones cries started dying down. Oh? What's going... Oh, his cries were soon replaced by a loud snore. He had fallen asleep. Well, can you blame him? I'm sure it's been a long day for the three of them and-

Beep! Beep! Beep!

The three of them jumped when the alarm started going off. The older one jumped so badly that his head slammed against the table. The younger one woke up and whimpered he shoved his hands over his ears. The middle one jumped away from Emile and ended up slamming his back against the table chair. Ow.

"What?!" Remus practically yelled into the phone, he couldn't believe what he was hearing. "You actually fucking believe that?! Virgil, when we would go somewhere, nobody wanted him! Nobody, except you! You're the reason why I haven't let him go yet! You're the reason why I'm planning on sending him away! It's all you! Nobody else wants him! Why do you think he clings so much to me? Because he's fucking scared of you and you only!" Remus snarled, "Oh? And what sort of threat is that? I doubt you have it in you to kill him, so how will I lose him?"

Patton knocked desperately at the strangers door, praying someone, anyone was home. His heart beat as fast and loud as the rain thundering against the sidewalk. He was sure he was being followed, they were going to catch him. They were going to drag him back. He wasn't sure if whoever lived here might be worse, but he was willing to risk it at this point. Anything to escape.

{@moralpuppylover2}

Janus didn't know who would be at the door. It was late, but his master won't surely be home at this time. He normally doesn't get home until the sun starts to come up.

So, as the dog hybrid walked up to the door and opened it, he wondered who it could be. And if he should open it at all... Who knows, he may get in trouble with his master for opening the door. But, his curiosity was getting the better of him-

He stopped when he saw the soaking wet cat standing at the doorway. He could tell that this cat needed help almost immediately. Well, if his poor state of clothes were anything to go by. His eyes flickered up and down the sidewalk before he grabbed pattons arm and pulled him inside.

"are you alright?" Janus nervously asked as he grabbed a towel from the mud room. "Well, that's a stupid question, of course you're not alright! Are you...running away from your owners?" As Janus walked, the collar around his neck would jingle loudly. And even though it was cold outside and even in the house, he only had a pair of boxers on. Because of that, Patton would be able to see the numerous large scars that covered his body...and the countless amounts of fresh bruises.

@moralpuppylover2

[marsdql]

yandere!jay headcanons!

Yandere!Jay who will pepper you with love—gentle kisses all over your face, soft whispers about how much he adores you, arms wrapped around you so tight it’s almost suffocating. He treats you like you’re the most precious thing in the world, like he can’t believe you’re his. “I love you so much, you know that? You’re my everything.” But the second he finds out you went out without telling him? That sweetness fades instantly. His jaw tightens, his smile drops, and his eyes darken. “Oh? You thought that was okay?” His voice is eerily calm, but the tension in the air is suffocating.

Yandere!Jay who suddenly gets cold and distant, leaving you to sit in uncomfortable silence as he processes the fact that you dared to go somewhere without his permission. His usual affectionate nature disappears, replaced by something much more dangerous.

Yandere!Jay who grabs your wrist just a little too tight, pulling you closer so you can see the sharp glint in his eyes. “Tell me, sweetheart. Who were you with?” He asks, his tone dripping with fake sweetness. The way he tilts his head would be charming—if it weren’t for the jealousy radiating off him.

Yandere!Jay who plays mind games, making you feel guilty for ‘hurting him.’ He sighs dramatically, running a hand through his hair as if he’s deeply wounded by your actions. “I just worry about you, you know? What if something happened? What if someone tried to take you from me?”

Yandere!Jay who won’t let this slide easily. If you don’t apologize properly, expect him to ignore you, leaving you desperate for his warmth again. And once you do apologize? He pulls you into his arms, pressing a kiss to your forehead. “Just don’t do it again, okay? I don’t like being mad at you.” But the warning in his voice is crystal clear—he won’t be so forgiving next time.

Yandere!Jay who spoils you like a princess—buying you expensive gifts, cooking your favorite food, and whispering sweet nothings in your ear while he holds you close. He loves seeing you happy… but only when it’s because of him.

Yandere!Jay who completely switches up the moment he finds out you went out without telling him. His fingers tighten around his phone as he reads your text. "Oh, so you went out?" His jaw clenches, and suddenly, his whole mood darkens.

Yandere!Jay who calls you immediately—his voice is eerily calm, but you can feel the tension through the phone. “Where are you? Who are you with?” His usual sweet tone is gone, replaced with something much colder.

Yandere!Jay who doesn’t believe your excuses. “You forgot to tell me? That’s cute. Try again.” His chuckle is low and humorless. He’s pissed, but he’s not going to explode just yet. No, he wants to see you squirm first.

Yandere!Jay who tells you to come home immediately. He doesn’t care if you’re in the middle of something—he wants you back where you belong. And if you take too long? Expect him to come get you himself.

Yandere!Jay who waits for you at the door, arms crossed, expression unreadable. The moment you step inside, he grabs your chin, forcing you to look at him. “You must really enjoy testing me, huh?” His voice is low, his fingers just barely digging into your skin.

Yandere!Jay who suddenly pulls you into a suffocating hug—but it’s not comforting. It’s possessive. His lips brush against your ear as he whispers, “Do you have any idea how much I hate being away from you? How much it kills me when I don’t know where you are?”

Yandere!Jay who makes sure you learn your lesson. Maybe it’s keeping you trapped in his arms for hours, refusing to let go. Maybe it’s taking away your phone for the night so you “won’t be distracted.” Or maybe… it’s a quiet, lingering punishment. He won’t kiss you, won’t touch you—he’ll make you beg for his affection again.

Yandere!Jay who eventually forgives you—but not without a warning. He tilts your chin up, forcing you to meet his eyes. “You’re mine. You know that, right?” His lips ghost over yours before he finally kisses you, slow and deep, reminding you exactly who you belong to.

Yandere!Jay who smirks when you nod, pleased that you understand. “Good girl. Don’t make me do this again.” His tone is playful, but you know better. It’s not a request—it’s a threat wrapped in sugar.

[ @teddybeartaetae]

[peace-hunter]

I wonder how the Primes feel about the fact that Megatron was the one who avenged them and Optimus was the one sacrificed his life to protect the guy who betrayed and murdered them.

uh. that is certainly a way to interpret what happened! incheresting.

from a personal perspective i guess i could see some of them getting a grim satisfaction from the fact sentinel died at the hands of one of the many people he hurt right after all his crimes were broadcasted for everyone to see. i don't think any of them would hold any love for him after he murdered them plus fifty cycles of betraying the world they died trying to protect and i do believe more than one grew bitter enough to enjoy the fact the bastard died like the coward he was.

on the other hand i also think they'd be mature and wise enough to understand their personal satisfaction cannot come before the good of cybertron. revenge, theirs or anyone else's, was not more important than the bigger picture, which in this case was the fact that cybertronian society was already about to go through an incredibly tumultuous time with lots of changes and like it or not, publicly executing someone without any sort of trial or accountability is Not A Good Idea when you're trying to begin a reform for an entire society.

i cannot stress this enough, as good as it may sound, murdering someone because you think they deserve it is not a good way to start a new government. i know it sucks, i know it's frustrating, i know we all cheer when a politician/ceo/guy-who-sucks gets murked, but it's still not a good basis for a society to (re)start with!

and from yet another more personal perspective, megatron's revenge, in their behalf or otherwise, was already tainted for them the moment it happened by orion's death. the fact an innocent, who only wanted to do the right thing (naively or self-righteously as it may look to some), died in the process automatically made it not worth it in their eyes.

they dearly wish orion hadn't died. much less for someone like sentinel. but they understand perfectly why he protested against megatron killing him like that. and him risking his life for what he thought was right for cybertron, even though it meant keeping the person who'd oppressed him his entire life alive, only makes him more worthy of the matrix and the responsibilities it carries as far as they're concerned.

they're... content knowing that the well-being of their people is in the hands of someone who can, has and will put the greater good above his own feelings of anger or desire of revenge.

tldr: megatron's revenge had too high a price to pay for it to be worth it in their eyes, no matter what personal satisfaction they could've gotten from it. and they understand that orion wasn't trying to protect sentinel because he cared for him, but because he was seeing the bigger picture and trying to do what was right for everyone and not just himself and d-16.

haunted au

[michaelwheelerdefiodental]

Jocks dynamics on Season 5 and comparing them to Henry Bowers gang from IT (and others iconic 80s villains):

This boy below with a blue shirt is the only one that didn't wear their jersey in season 4. I believe he wasn't part of the team at all in Season 4. My theory is that just like Lucas, he is just a black boy trying to fit in; he even did some research and helped them with Eddie's case, just like Lucas. He helped them find the house of that drug dealer named Rick. But he was never seen with them while they were going on a "mission", he just gave them tips and hanged out with them during parties, he doesn't appear in the basketball game, playing or even in the bench, if i remember correctly. His shirt is similar to Lucas blue shirt in episode 2 too, i think they were purposefully making parallels with these two.

We can see Andy and Chance on this paparazzi pic, and supposedly the same guy from season 4, but now he is wearing the jersey below his jacket (we can see the collar from the jersey they use, and some green color too).

Now we have a new jock, a blonde one, that not only resembles Jason (of course), but young Johnny Lawrence from Karate Kid too. This means he will be a big problem, the Duffer Brothers wouldn't cast someone similar to Johnny, a 80s iconic bully, to just make him a random weakling bully (the actor name is Deric Replogle).

He is following Dustin on the school grounds, so he is taking the lead against the actual symbol of the Hellfire Club. Meanwhile, Andy, Chase, and the new teammate are following Mike. When Dustin is at the cemetery, he is the one person more close to him; i think he will do the most damage to Dustin. Chance is there with him, the actor is shaking hands with one of the Duffers. There's no sign of Andy, maybe the actor is behind the camera, or he didn't participate in this scene.

Now i'll explain what i think their conflict will be. Andy is probably the leader now that Jason is dead, and we know he is way more crazy than him; Jason had a twisted idea of justice, but Andy seems to like to inflict pain on others. He made jokes about Chrissy being the one that was murdered, smiled while talking about hunting Eddie, and tackled Erica, a 11-year-old, while threatening to break her arm. Now this new blonde jock could be another violent and sadistic asshole, he looks like Johnny Lawrence, who is someone very dangerous to mess with, and he is the one most close to Dustin after they beat him; this can make both Andy and the blonde to try take the leadership for themselves. The blonde resembles Jason, and this would make Andy feel like an underdog again. I think he actually cared about Jason in some twisted way, but now that he is in a leader role, he won't let anyone take this from him.

We can compare this group with the four core. Andy would be Dustin, the blonde guy would be Mike; both Mike and Dustin are the ones to take the lead a lot of times, and some people tend to discuss who is the real leader of the four core, but they wouldn't care about it. On the other hand, Andy would definitely care about somebody taking him off his leader role, and this blonde jock can be the one. Chance would be Will; both are quieter guys, but Will actually has his own opinion about things and isn't always hiding them; Chance just followed Jason and Andy like a stray dog. The blue shirt guy would be Lucas, as i said. He just wants to find a way to fit in (there's a post here on Tumblr comparing the four core with the original jocks from season 4, but i couldn't find it, if you have it, send it to me so i can put the link right here).

After being challenged by the blonde too many times, Andy would end up killing him, and right after this, he would decide to kill the whole main characters gang for good, after the whole town turned into absolute chaos. He can be influenced by Vecna to do all of this, just like Henry Bowers from IT book and movies. And we know Stranger Things is heavily influenced by IT; Vecna is literally a mix of Pennywise and Freddy Krueger. Pennywise influenced Henry to kill his father, then he made the whole city of Derry be engulfed by a storm. Soon after this, he made Henry and his friends, Victor and Belch, go after the Losers Club. On IT, Henry's main target was Mike, a black kid, and it isn't a reach to say that Lucas, a black teenager, will be Andy's main target too, as he will probably think Lucas killed Jason.

After seeing all this crazy shit happening, the new boy (the one with the blue shirt on season 4, in case you have forgotten, lol) would be scared, as he didn't really want all this to happen, he just wanted to fit in, just like Lucas. Now there are two options that the writers can take, 1: he decides to get the hell out of this group just like Lucas on Season 4; 2: he can continue in this hellhole and die with Chance, just like Victor and Belch from IT, to show that not everybody is like Lucas, some people will decide to continue in a bad environment just to fit in; Andy would die later on after having an encounter with the main group, just like Henry Bowers.

Or: Andy could end up being someone like Patrick Hockstetter, a sadistic maniac that ends up having a premature death, then the blonde takes the role of Henry Bowers for himself. But i think the other way is more coherent; Andy is already established as a character (and there's always the chance of this blonde guy being just a random that don't even has lines, but i hope not don't think so, lol).

I think this would be a good way to implement some horror with human villains in the series. If you're going to make a high school bully a villain, make him terrifying, just like Henry Bowers. There's the military like Sullivan and Linda Hamilton character, but i ain't really scared of them; i just know they have resources like guns; they aren't scary at all for me.

I came up with this idea after seeing @will80sbyers posts about these paparazzi pics, thank you!

[cyberesc]

BEST ENEMY. (1/3)

ft. Prohero!Midoriya x Villain(?)Reader

synopsis: He's the Number One Hero, you're his greatest enemy, and yet no matter how much blood stains your hands, Izuku can't bring himself to stop loving you.

˖⁺‧₊˚ tags & warnings: heavy angst, mentions of blood/violence, mentions of alcoholism, morally grey themes, self-loathing, "if things were different" vibes, unresolved tension

note: I was in the mood for some angst, i wrote this drabble listening to //Ma Meilleure Ennemie// and was inspired by Ekko and Jinxs' relationship

part 2 | part 3

A melody plays in the background as Izuku polishes the armor of his suit, careful with each groove and scratch. His hands are methodical, just like they were the night before when they had closed around your throat.

He’s spent years mastering his self-control, but every time he fights you, it unravels. You make him reckless. Sloppy.

The melody plays on repeat in the dim silence of his apartment, a relic of simpler times. Homecoming. Your hand in his, guiding him through a dance neither of you were particularly good at, but it didn’t matter. You laughed at his awkward footwork, and he swore he’d never felt so warm.

He should stop listening to the song, stop scrubbing away phantom blood that will never truly wash off, stop thinking about the way you smiled at him as he nearly killed you.

You always did have a way of twisting a knife in his heart and making it feel like a lover’s embrace.

Izuku has been in love with you for as long as he’s known what love is.

It was an innocent thing, once. Snot-nosed kids whispering dreams in the dark, two outcasts clinging to each other like lifelines. He wanted to be a hero. You never did.

But you humored him.

You encouraged his dreams, smiled and cheered for him when no one else would, cleaned his wounds when Bakugo shoved him into the dirt. He thought, maybe, if he became strong enough, if he became the kind of hero you could believe in, you wouldn’t have to pretend anymore.

He was wrong.

He knows the way your mind works, the cynicism carved into your bones long before you had the words to explain it. Even as a child, you saw the cracks in the system, the hypocrisy in the heroes you were supposed to admire. He wonders if you ever truly believed in him, or if you just didn’t have the heart to tell him the truth.

He should hate you.

He wants to hate you.

But when you’re standing across from him, bloodied and grinning, taunting him, all he sees is the person who held him together when he was falling apart.

And that’s why it has to be him.

You both know it.

If you ever go down, it’ll be by his hands.

And if anyone is going to break him beyond repair, it’ll be by yours.

You tilt your head, watching him. He feels stripped bare under your gaze, as if you can see the cracks forming in his resolve.

“You tried to kill me.” Your grin widens, something cruel curling at the edges. “How does it feel?”

His stomach churns. You talk about your near death as if it was a good thing, like his fingers hadn’t trembled around your throat, like you hadn’t looked up at him with relief as he nearly ended you.

He turns on his heel.

“Running away so soon?” you call after him, voice laced with disappointment.

Izuku doesn’t answer. If he stays, he’ll do something reckless again. And he’s already drowning in enough guilt to kill him.

He drowns it the only way he knows how.

The burn of alcohol is nothing compared to the memory of you.

Izuku doesn’t drink often, not really. He knows it’s a bad habit, knows he’s letting you win every time he lets himself spiral. But after that night, after nearly killing you...

He needed something to shut you out.

His fingers tighten around his glass, knuckles white. He wonders, bitterly, if you’d laugh at him for this. If you’d be proud of yourself for breaking the Number One Hero down to this.

Somewhere between his third and fourth drink, he stops wondering.

The next morning, he wakes up with a stranger in his bed, someone whose eyes are the wrong color and hair the wrong shade. He feels bad waking them up but not bad enough to let them stay.

You meet again in the ruins of a battlefield, smoke curling in the air, blood staining the ground.

Izuku is breathing hard, hands shaking from exhaustion. You’re grinning like you haven’t just barely escaped death.

He should say something. Should demand answers, should beg you to stop this.

“I hate you,” he breathes instead.

You laugh, head tilting as if he just said something endearing. “I know."

His jaw clenches. “I wish I never met you.”

You hum in acknowledgment, cleaning your knifes on the ledge of the building.

Izuku stares at you with a raw ache in his chest. He should finish this. Right here, right now.

He stares at you for a few moments, watching your fingers clean the metal of your blade. A chill runs down his spine at the familiar routine.

He shouldn’t be happy that you’d kept an eye on him, that you couldn’t stay away even if you tried.

After a long pause of silence, you look up at him with furrowed brows at his inaction, mouth in a firm line. You were giving him a chance. He missed it, again.

You look down at the road below you, not bothering to spare him a glance as you jumped from the ledge.

“See you soon, hero.”

And then you’re gone, disappearing into the foggy night.

Izuku is left standing there, the weight of his own heart suffocating him.

He wants to hate you.

But he never will.

© property of cyberesc 2025. please refrain from plagiarizing any of my works and do not repost/copy onto any other sites.

[rainbow-neko-artblog]

Poppy Playtime chapter 4 truly was on another level. Being that Poppy wasn’t lying when she said it was hell. Unlike anything that was seen in the previous chapters. I feel that the prison is going to flip Angel’s world upside down. Angel truly is a pacifist, wanting to save everyone. But I don’t think any of the new experiments that were introduced can be saved.

Nightmare Critters : They’re irrelevant.

Pianosaurus : Mob did do him dirty, but even then in his canon lore, or at least the lore we were given about him, he was a massive failure. In its own prisoner profile it’s stated, “…temperament is like that of a rabid animal. It snaps at perceived motion, eats whatever fits in its mouth regardless of appetite, combats the conditioning staff, and it CANNOT even play its insipid piano rhythms in TUNE.” Plus, it’s does serve a function. Part of Doey’s introduction and showing us just how dangerous Doey can be.

Yarnaby : we have a lot of information on him, specifically from the ARG. Yarnaby is very strong physically, but he is very weak mentally. He seems fine emotionally though, being that he can form attachments to people. However, it was his emotional state that Dr. Sawyer took advantage of. Dr. Sawyer is Yarnaby’s entire world, with Yarnaby being Sawyer’s guard dog.

The prototype was Catnap’s entire world, however the difference between Catnap and Yarnaby is that Catnap does have a “head on his shoulders”, though it did take 50 tries to find the right words and right course of action to change his mind. But so far, from what I’ve seen, if Sawyer instructed Yarnaby to kill himself, he would do it in a heart beat, without a second thought.

The Doctor : Dr. Harley Sawyer is an evil man. Plain and simple. He deeply believes that his creations, everything he has ever worked on since working for playtime and becoming an experiment himself, will give humanity salvation. Nothing Angel says or does is going to change his mind.

Doey the Doegh Man : Doey with three minds in one body is very unstable. Jack, the youngest of the three, is absolutely terrified and just wants to go home with his mommy and daddy, I don’t even think Jack has processed that he killed his parents. Kevin, the most violent of the three, very quick to anger and refuses to listen to reason. Matthew, the eldest, is desperately trying to keep everything under control, trying to hold everyone and everything together. It was stated many times that one stray emotion can send Doey over the edge, turning on and lashing out on even those he trusts. During his boss fight, Doey is filled with nothing but regret, hatred, and sorrow. And Angel, just won’t be able to calm him down.

This idea of not being able to save the toys from the prison comes from the saying, “Anyone can change, but not everyone wants to.” And I feel that prison is really to take Angel by storm.

But of course these are just my thoughts.

I'll just say this: This is a fix it AU man. If you're not expecting me to bend the story to save ANYONE in chapter 4 you aren't going to enjoy the AU.

One nightmare critter will be saved, Pianosaurus isn't going to be permanent feature to the group but he's not going to die, Yarnaby is going to be saved, Doey is going to be saved, Sawyer is going to be forcefully removed from his position of power and "saved". (Really excited for that one.)

[no-phrogs-in-hats]

Death and the Fool

Chapter 2: The Ace of Pentacles--Upright

Agatha Harkness x fem!reader

Summary: Where the personification of Life believes she has no chance with Agatha Harkness after Death gets to her first

Spotify playlist here

Chapter 1

Taglist: @hannah-0730 @loveshineslikethesky

“The Ace of Pentacles–Upright: Opportunity, prosperity, new adventures.”

__________

October 2026

The first thought that comes to your mind is not good. 

The house that stands in front of you looks just shy of completely mangled. The door has been ripped off its hinges, splintered into a thousand pieces. Outside, the flower box holds crushed shrubbery and chrysanthemums and the roof drain pipe is half way from completely falling off. 

You take a few measured steps forward and notice the mailbox is overflowing with mail. You sigh, roll your eyes, and continue towards the house.

Stepping through the door, you’re met with piles of splintered wood, and as you try to watch your footing, your eyes lock onto something familiar. Your heart lurches when your fingers touch it. The Triple Goddess pendant was all too familiar. You had known Agatha for over 300 years and she never once went anywhere without it.

You slip your nail beneath the clasp of the pendant. Inside is another familiar sight and you smile bitterly at the piece of dark hair before closing it again and dropping it in your pocket.

You can't see her, but Agatha’s voice is clear and distinct, and your chest warms hearing it for the first time in decades.

“Fine, I’m driving.”

There’s no chance of reacting when she rounds the corner as soon as the words escape her mouth.

You’re both frozen, staring each other down, and the kid behind her looks between yourself and Agatha.

“Hi,” he smiles, attempting to hop towards you. When he makes eye contact, something feels off about him. You recognize every single soul that walks the Earth. You create them from nothing, yet form them into everything. But this one, you don’t recognize. 

“I’m–” His mouth is forced shut and it looks almost as if his own skin is stretched over his lips. When a black squiggle paints itself over where his lips would be, you narrow your eyes at him.

Agatha reaches for a pair of scissors and cuts the rope from around the boy’s wrists, handing them to him, “Cut the rest of yourself free,” she sneers, “and go outside, you’re driving.”

He struggles to hop between the two of you, stumbling briefly on the wood chips, but managing to catch himself before he leaves for the grassy front yard. 

“He has a sigil,” you point out, watching him carefully.

“Yep. I’ve been calling him ‘Teen’,” she says. “He’s pretty insistent on not being a kid.” 

You turn your head to look back at her. “Rio said she ‘stopped by’.” You pause and look around at all the damage in the house–broken glass and china in the kitchen and more concerningly, blood on the floor. “It seems she left out some parts of her story.”

Agatha purses her lips, “Like trying to kill me?”

“Oh, I’m sure you enjoyed that, Aggie,” you sigh, leaning against the wall. “You were never one to shy away from a fight.”

Agatha’s stiff and cold demeanor didn’t falter, even at the nickname. “Why are you here?” she asks.

She’s so different from the Agatha you originally knew. The Agatha that would laugh at the stupidest jokes you’d tell her. The Agatha that would climb up a tree to scare you and Rio and laugh with that mischievous glint in her eye. The Agatha that would sing lullabies. 

Oh, how you miss the Sun.

“Just checking in,” you shrug. “Where are you driving to?”

“The last time I saw you–”

“You told me I’m too pure,” you butt in, remembering the memory that you aren’t too fond of. “You told me that I’d be corrupted by your ways if I did not leave. But I’ll tell you the same thing I told you that night, Aggie–Unlike Rio, I can find any soul, anywhere, at any time without her necessary process. No amount of dark magic can hide you from me, Agatha, and you cannot corrupt me. You cannot corrupt Life.”

She’s quiet for some before she glances at Teen, who sits on the grass, clearly distracted by his phone. Agatha leans in closely, lowering her voice, “We’re walking the Road.”

You pull back, searching her eyes for any sign of farce, “You said you would stop with the Road bullshit, Agatha. What is he, sixteen?”

“Well that was before Wanda Maximoff drained me of everything and stole the Darkhold…besides, I’m just having him drive me around collecting witches for the coven,” she shrugs. Agatha grins as she watches you sigh, “Why don’t you join us, hon?”

“Excuse me?”

Agatha takes a pair of sunglasses and cleans them off with her shawl before slipping them over her eyes and smiling at you. “You’ll be here with Rio to collect their souls after I drain them anyway. Why don’t you have a bit of fun?”

You want to say no. You want to say no so badly, but you don’t. Instead, you groan. “Fine, but I’m not having that kid drive me around. I’ll stay here and…clean up.”

“Sounds good, doll,” she smiles–and, oh, how you love when she smiles, especially when it has that mischievous undertone. Agatha steps over pieces of the door and exits through the doorway. “We’ll be back soon!”

When the pair of them leave you’re left to your own devices. You look around the entire first floor, ending in the kitchen. You let out an exasperated sigh, Rio really did a number on this place.

By the time you finish cleaning the house, it’s three o’clock and Agatha and Teen still aren’t back. You aren’t usually the type to snoop around but you’re so curious as to how Agatha’s been living the last few years.

In the room off the left of the foyer is the sitting room Agatha came out of. Afternoon light creeps in through the curtains but the lamps provide a warm ambience as you take a lap around the room. 

You don’t recognize a single person in the framed pictures–there’s a bearded man with an older woman who looks to be his mother, a picture of three women, and a bigger picture with a huge group of people all wearing shirts that read “Bohner Family Reunion”. 

There are collections of records and Blu-Ray discs from the previous owner and you rifle through them–a colossal amount of classic rock and movies that you know a guy would try to man-splain to you when you tell him that you “just don’t get it”. 

On the partition wall separating the sitting room from the dining room, there are at least thirty pictures and pieces of paper covered in red ink. Upon further inspection, the pictures are nothing but daisies and patches of grass, and the ink on the papers are just random letters and scribbled lines. You think back to your conversation with Rio the previous night.

“She’s gone all true crime and thinks she’s trying to solve a murder. It’s kind of funny actually, I’ve been playing along.”

When you go upstairs that’s when you see the little touches of the real Agatha. The door to her bedroom is open and you amble in. Her bed is unmade and you’re not one bit surprised after having asked her decades ago why she doesn’t make it. 

“I’m gonna be sleeping in it again tonight, why the hell would I go through all that effort just to mess it up again?” she had replied.

On her nightstand is a ceramic bunny figurine. Closer to the bed is an empty wine glass with the smallest bit of dried red at the bottom, and beside that is a bottle of ibuprofen and a half-way read through book.

In her closet are all different decades of clothing–50’s, 60’s, 70’s, 80’s, 90’s, and the 2000’s. You find leg warmers and laugh to yourself, imagining Agatha Harkness wearing these brightly colored monstrosities over whatever workout fit she was wearing. Your favorite, however, is the 50’s and 60’s section. You can remember those years so vividly, going to diners with her and drive-in movies after she finished “walking the Road” again.

After closing the closet your attention is pulled to a chair across the room. You walk over to it and see there’s a pair of black boots, a folded white blouse with purple slacks, and a teal trench coat hanging over the back of the chair. On top of the neatly folded blouse is a small envelope with Rio’s familiar handwriting, reading, Agatha.

The sound of Agatha’s voice reaches your ears. You look at the clock and it’s almost four. You’re able to hear her voice clearly, snapping back a snarky remark when Teen asks her where she’s going. 

She’s in the doorway of her room quicker than you realize and when you turn around she has that sly smile that makes you weak in the knees each time. 

“The house looks good,” Agatha says, tossing her shawl and hat on the bed. 

“Thanks, who did you steal it from?” you tease.

“I don’t know,” she huffs. “Some guy named Ralph…or Randall? Robert? I don’t know. I–What the hell is that?” 

She walks quickly over to where you are and snatches the note from the folded clothes. After tearing it open, she scans the lines and rolls her eyes, balling the paper up and throwing it away in the bathroom.

“She does know your style!” you chuckle. You take the clothes from the chair and bring them to her, smiling softly when she glares at them. “Just put them on, Aggie. You want to look good when “walking the Witches’ Road”, don’t you?”

She looks at you, fighting herself before sighing, completely defeated. “Fine. But I’m not going to like it.”

“I don’t expect you to,” you smile, chuckling as she shuts the door in your face.

You have to remind yourself to breathe when Agatha steps out of the bathroom. She could wear a potato sack, a garbage bag, and she’d still be the most beautiful woman you’ve ever laid eyes on. 

“Right,” she huffs, looking at herself in a full length mirror. “How do I look?”

You could answer in a million ways. You could tell her that the way she has her hair pinned up makes you want to place a thousand kisses over the exposed skin. You could tell her that she looks so good you want to rip the blouse she’s wearing open and have her take you right there. That the way her hands adjust the collar of the jacket makes unspeakable thoughts fill your mind.

But you don’t say that.

“Good!” you say. 

She looks at you through the mirror, grins, and turns around. “Good?”

“Amazing!” you correct yourself.

“Amazing?” she repeats. “Hm…Thank you.”

You take a deep breath and let it out. “You’re missing something, though.” 

Under the curious eye of Agatha, you step closer to her and reach into your pocket. When you grasp the pendant of the necklace and pull it out she visibly tenses. But you don’t acknowledge it. Instead, you move closer and reach around her neck, clasping it in place and adjusting it to lay beneath the collar of her blouse. Your fingers straighten out the pendant before pulling away. 

It’s quiet. 

Your eyes meet and you can see something in her soften. 

“Where did you find it?” Agatha asks quietly.

“Amidst the pile of door that Rio left behind,” you answer, letting out a quiet hum. “You’re not you without it and I know how much it means to you.”

“Is his–”

“Yes,” you cut in. “It’s still in there.”

She gives you a subtle nod. “Thank you,” she murmurs.

“You’re welcome,” you whisper, and you can almost swear you saw her eyes glance down at your lips. “You should probably get downstairs. Who knows what Teen is getting up to?”

Agatha scoffs, “Not much probably. Teenagers these days are too soft.”

Downstairs, you see Teen, who has set out what he calls “Pre-Road appetizers”. Over the mantel, he’s taped up a sign that reads “Welcome Coven”.

“I think it’s cute,” you shrug, watching as Agatha tears it down and huffs.

“No, leave it up,” a voice behind you says. “Really sets the mood.”

Teen breaks out into a smile and beckons her in. “Please, come in! Right, Agatha?”

“I don’t care, I mean whatever…” she mutters. Agatha seems mildly annoyed at this situation and you’re finding it hard to reserve a smile.

When Teen offers the new witch a “pre-Road appetizer”, she declines just to be overshadowed by another woman behind her.

“I don’t mind a lapsed expiration date,” she chirps, taking a bite of the expired granola bar. She pauses as she looks at the witch beside her, “High Priestess.”

“Jennifer Kale, potions,” she says.

“Lilia Calderu, divination,” the second one says. She narrows her eyes. “You’re bound.”

“And you need a chemical peel,” Jen retorts, much to Lilia’s dismay.

Behind them, a third woman appears and sighs. “This is never going to work. Your front door is missing.”

“Alice!” Teen exclaims with a bright smile. “How did you find us?”

“I’m an ex-cop,” she shrugs. “That’s gonna be my answer to a lot of questions.”

Impatient, and completely over the introductions, Agatha sighs loudly and claps her hands. “Okay!” she chirps. “We’ve got everyone! Let’s go!”

“Um, what about the green witch?” Jennifer asks.

Agatha scoffs. “Oh, we don’t need one of those! Let’s g–”

“Yes, we do!” Lilia insists.

“Green magic is arguably the most important of the skill sets needed for the road,” Jen says.

After more bickering, Agatha finally relents and leaves the house to retrieve the “green witch”. An awkward silence falls over the room as you all wait for her to come back, and it felt longer than it actually was.

“Okay!” Agatha cheers. “I’ve got our green witch! This is Mrs. Hart.”

A small woman stands beside Agatha, smiling as she greets everyone. “Oh, actually, it’s Sharon!”

You can see Agatha becoming visibly frustrated at the revelry, but she hides it (and not well) with an overly cheery smile. “Alright, let’s go!”

You and Agatha stand together with Teen in between you. You watch as the coven takes in their surroundings. Lilia strolls around, nosing around in the boxes on the shelves while Sharon, Jennifer, and Alice stand there awkwardly.

“Do you think we’ll need another car?” Teen asks. “I don’t think everyone will fit in mine.”

Agatha sighs, “You don’t drive to the Road, Teen. The Road is conjured. In fact, why don’t you go upstairs.” She turns him around and despite his protests, keeps pushing him toward the stairs. “Yeah, let’s getcha up there. Let the adults handle this.”

When he leaves the basement, Agatha turns to you, “Go with him. Make sure he doesn’t come down here.”

The sun is almost completely set when you and Teen make it upstairs. The dim lighting leaves an eerie glow around the house and it’s almost unsettling as you watch Teen explore the living room. When he gasps and picks up Agatha’s rabbit, there’s a twinge in your chest and it feels like you’re seeing Nicky for the first time again.

But your thoughts are interrupted when Teen drops the rabbit and slowly walks outside. You follow closely behind him, “What are y–shit.” 

Agatha had made sure your priority was keeping him from going back down into the basement, but that priority had changed. Now, as you stare face to face with the Salem Seven, your priority has changed: protect Teen and make sure they never reach Agatha.

You pull Teen back, “Get inside, now!” 

You can hear the faint sound of the ballad below the floorboards as you cast a protection spell over the vacant doorway in an attempt to hold them off. Teen pulls the nearest couch over and blocks the entrance. He moves to another room and it’s quiet–and you know that means nothing good. 

Teen’s scream from the other room makes you react before you can even think. You run to him, pulling him behind you just before one of the Seven can reach him. You cast another spell, sending one of them flying into the wall before you turn and run to find Teen.

You can hear shouting below you and just like that, it stops. You know what that means. This wasn’t the first time you’ve witnessed it. 

Teen’s screaming echoes through the house and you can hear him running towards the basement. “Agatha!” he shrieks. “Agatha!”

You run after him, just on his tail as he makes it to the basement. “Teen! Wait!”

“Is this the Road?” you hear him shout. “Is this the Road, because we should really get going!”

And now you’re nothing but confused. 

Is this the Road? 

The Road? “The Road” should be three dead witches and Agatha’s neighbor.

And then you reach the bottom of the stairs. 

You pause and stare at Agatha. The air feels electric and the very thought of the Salem Seven leaves your mind, because when you look up from the hexagon door, your eyes meet and you both share the same questions:

Where did that come from? And why is it here?

[rwshfordgirl]

"SO, HAPPY VALENTINE'S DAY TO US."

all the images were taken from pinterest.

where after a long time without seeing each other, he appears at her house by surprise.

pairing: kenan yildiz x reader!

a/n: i don't have a honest opinion about everything i wrote here 💔 but I hope you like it!

𝐯𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞'𝐬 𝐝𝐚𝐲 𝐩𝐫𝐨𝐦𝐩𝐭𝐬

I just spent three hours of my life sitting in the uncomfortable chair in the college library, the only place where I can study in peace without being disturbed by my roommate.

Three hours disconnected from the world outside campus, without giving a sign of life to my family and boyfriend. I was five minutes from home when I picked up my cell phone to check messages, my parents sent photos of landscapes unknown to me and Kenan asked if I had arrived home yet. I sent hearts in response to my parents' photos and sent a photo of myself walking towards my house to Yildiz. This one, in turn, saw the message as soon as I sent  and sent a photo of himself in response. 

"Miss you so much, pretty boy." I sent an audio, holding back tears. I almost sat down on the sidewalk to make a video call with Yildiz and say that I would drop everything here just to go be with him. "I miss you too, aşk" I felt my heart melt after the audio he had just sent.

Three months without seeing Kenan. I feel my chest hurt all the time, I miss being at home with him, I miss his hugs, taking silly pictures with him, going out, watching him play in Turin, I miss everything that involves him. Seeing him every day on my cell phone screen is not enough, but I can't go to Italy right now and he can't come see me either.

I almost kicked a rock when I walked past a restaurant on the corner of my house and saw couples enjoying Valentine's Day. Oh shit, I wish Kenan was here right now.

I also wish I could describe everything I felt when I got close to my house and saw a figure sitting on the last step of the stairs, all dressed in black and with a hood over his head. I ran because I knew it was Kenan, I knew it was him, I think I would recognize him even if he had been completely disguised. He got up as soon as he heard my footsteps.

Yildiz wrapped his arms around me and spun me around. I felt my eyes fill with tears,,"Did you miss me?" he asked while still hugging me, his voice muffled by the urge of my hair. "You still ask? I was willing to get home and buy a ticket to Turin." Yildiz's hands left my back and stopped on on my cheeks. "Juventus gave us two days off, but I can only stay here until midday tomorrow." he explained.

Before responding to what he had just said, I made sure to place our lips together, a kiss of longing. Three months without it almost killed me. "Let's go in, I'll order something for us to eat! I just want to stay glued to you until it's time for you to leave."

I intertwined our hands and pulled him into the house, a note right at the entrance  indicated that my roommate would be spending the night out, I almost jumped for joy. instead I took my boyfriend to my room.

"I think we should go out instead of eating here, what do you think?" he sat in my desk chair "Seriously? you want to go out instead of staying here with me?" I pouted and he nodded with a playful smile on his face "I'll be with you either way." he pulled me close, his legs were behind me and his hands were on my back. "I missed you so much, love" he said before taking my hand and kissing it. "You missed me and yet you want to go out instead of sleeping with me?" I joked with him "but I missed you too, baby boy."

"I brought you something." He said, taking a small box out of his jacket's inside pocket. "Happy Valentine's Day, love." He handed me the object. Inside the box was a necklace with a black circular pendant. "Look inside it." He said, and so I did. "I can't believe it, Kenan! How beautiful." I felt my eyes watering when I looked inside the pendant and saw a thumbnail of a photo we took together on our first date, surrounded by the phrase "I love you" written in several languages.

I hugged Kenan awkwardly due to the position we were in. "Thank you so much, love! I really loved it." I kissed his cheek before sitting at his feet. Kenan ran his hand through my hair and bent down to kiss my forehead. "Promise not to be mad at me? Your gift isn't here because I ordered it online and asked for it to be delivered to your house." He chuckled before answering me "Of course I won't be upset about that, silly!" Another kiss on the forehead "Do you want to know what it is?" He denied "I want it to be a surprise." We smiled together "So, happy Valentine's Day to us."

Kenan's chin was gently resting on my head and I knew he was smiling even without seeing it. "So, shall we go out to eat something? I'm starving." I asked, "You know what, do you want to go?" I rolled my eyes playfully, "Let's go, I know you want to."  I stood up and gave him my hand, intending to help him get out of the chair. "I promise I'll lie down with you watching all the movies you want, as soon as we get back." He hugged me as soon as he got up. "I don't want to watch movies, I want to lie down just admiring you." he gave me a little kiss.

[babsworlds]

I HATE YOU, I MISS YOU.

pairing. Sergei Kravinoff x fem! reader

synopsis. You are tired of your ex boyfriend and his visits.

warnings. possessive behavior towards reader, kinda giving toxic relationship, angst, Sergei being stalker, something like Stockholm syndrome?

THERE WERE SO MANY VALID REASONS FOR BREAKING UP WITH SERGEI. You two had started dating as teenagers, and yeah, it was great—typical teen love everyone wanted.

Until Sergei became a “hunter,” as he liked to call himself. He believed he was making “justice” by killing people like his father—ruthless killers.

How sad that Sergei potentially became one of them.

Your relationship with Sergei had once been full of innocence and youthful passion. The memories of your time together were filled with laughter, late-night conversations, and dreams of a future together. You had seen a future with him, filled with love and possibilities.

But as the years went by, things began to change. Sergei’s obsession with avenging his father's wrongdoings started to consume him. He became more secretive, driven by a dark sense of justice that led him down a dangerous path. You watched helplessly as the boy you once loved transformed into someone you barely recognized.

The love you had for Sergei was still there, but it was overshadowed by fear and concern. His actions became increasingly reckless, and you couldn’t ignore the toll it was taking on both of you. The once carefree days of your relationship were replaced with worry and tension.

You tried to reason with him, to bring him back from the brink, but it felt like you were losing him to a world you couldn’t understand. The realization that Sergei had become one of the very people he claimed to be fighting against was heartbreaking.

Breaking up with Sergei was one of the hardest decisions you had ever made. It wasn’t just about ending a relationship—it was about letting go of the dreams you had built together and accepting that the person you loved had changed in ways you couldn’t accept.

You can guess which was easier—to move on from the relationship or to move on from the fact that your boyfriend was killing human beings. For you, it was the first one.

But Sergei wasn’t the understanding type. He saw his own truth and didn’t want to hear anything else.

It didn’t take long before he became obsessed with you in a really unhealthy way. It was like you were his next prey.

He began to see you as the one thing he needed to protect at all costs, even if it meant resorting to extreme measures. The once sweet and innocent gestures of affection turned into acts of control and possessiveness. Sergei started monitoring your every move, his paranoia growing with each passing day.

You felt the walls closing in, your once free-spirited life now overshadowed by Sergei’s obsessive behavior. The fear that had initially been for his safety now became fear for your own. It was like living in a nightmare, constantly looking over your shoulder, not knowing what Sergei might do next.

The realization that Sergei had become a danger to you was heart-wrenching. Breaking up with him was no longer just about ending a relationship—it was about escaping a perilous situation that threatened your well-being.

You knew you had to make a clean break, to distance yourself from him completely. But Sergei’s relentless pursuit made it difficult. He wouldn’t accept the end of the relationship, his obsession blinding him to the reality that his actions were pushing you further away.

It was nights like this when Sergei would often come to surprise you at your apartment, letting himself in and waiting for you to come home. He would greet you with news from your life, updates on people you both knew, or just casual conversation as if everything was normal.

At first, his unannounced visits frightened you. The unexpected presence, the way he seemed to know your every move—it was unnerving. But over time, you grew accustomed to his appearances, knowing that eventually, he would leave.

Yet that very predictability scared you even more. The fear that his constant presence would wear you down, making you forget the reasons you had left him in the first place. The fear that you would forgive him and take him back, trapped in a cycle you couldn’t break.

You stepped into your apartment, a place you had waited all day to get back to. The past few weeks had been overwhelming, and it felt like your already broken life was falling apart even more.

Sergei smiled as he saw you walking in, sitting there in the dimly lit room. You spotted him and rolled your eyes. “Oh, it’s so nice to see you again, my scary obsessive ex who invited himself,” you said with the most sarcastic tone, letting him know you were not in the mood for these games tonight.

Before Sergei could say something, your sarcastic smile faded. “Get out before I call the police,” you said with an icy tone, your eyes narrowing.

Sergei stood up, his tall and muscular body towering over you. You weren’t scared, not anymore. Just fucking annoyed. “You know these things don’t work on me, Принцесса (princess),” he said with his thick Russian accent.

He reached for you, trying to rub your cheek with his thumb. “Don’t fucking touch me!” you pushed him away, your nerves on the edge.

“You don’t understand, I’m trying to protect you. I always did,” Sergei said in a possessive voice, stepping closer as you instinctively stepped back.

“No! You don’t understand!” you yelled, your voice echoing through the room. “You’re just an asshole who can’t admit it’s over!”

Sergei’s eyes darkened, his expression a mix of anger and desperation. “I can’t let you go,” he said, his voice trembling with intensity. “You’re the only thing that keeps me sane.”

“Sane?” You couldn’t help but laugh, the sound ringing out in the tense room. “You are far from a sane person.”

Sergei's expression tightened, his eyes narrowing at your words. “I’m doing what I have to,” he said, his voice strained with a mix of frustration and desperation.

“I never asked you for this protection or whatever you think you’re doing!” you screamed, your nerves stretched to the breaking point.

Sergei’s face twisted with a mix of anger and confusion. “I’m just trying to keep you safe,” he said, his voice rising in frustration.

“I fucking hate you!” you continued, the emotions pouring out uncontrollably. “You ruined my life!” Tears started to form in your eyes, blurring your vision.

Sergei reached out, his expression softening slightly as if he wanted to comfort you, but you stepped back, not wanting his touch.

You started smiling at the absurdity of the situation. It felt like you were in a twisted movie—a movie where the obsessed ex ends up killing his obsession, to be more specific.

With a wide, almost hysterical smile on your face, you looked at Sergei. “I wish I had never met you,” you said, the words dripping with a mix of bitterness and heartbreak. The tears continued streaming down your face, blurring your vision. You didn’t know what emotion to feel first—anger, fear, sadness, or perhaps even a twisted sense of relief.

Sergei's expression darkened, his jaw tightening as he absorbed your words. “You don’t mean that,” he said, his voice low and filled with a dangerous edge. “You’re just upset.”

“No, Sergei,” you replied, the smile fading from your lips but not from your eyes. “I mean every word. You’ve destroyed everything good in my life. You’ve turned it into a nightmare.”

For a moment, Sergei seemed to struggle with your words, the truth of your pain piercing through his delusions. The room fell into a heavy silence, the air thick with tension and unspoken emotions.

Sergei didn't say anything. He had no arguments left because deep down, he knew the truth—he was your nightmare. He knew that.

Instead of speaking, he stepped closer, and this time, you didn’t step back. Something had broken inside you, leaving you too tired to resist. Sergei put his strong arms around you, his large palm gently patting your hair.

You didn’t fight. What if you didn’t want to? You missed his tight hug. You missed him.

“I hate you...” you sobbed, your salty tears mixing with his scent.

“I know...” he sighed, his voice heavy with regret.

As you stood there, wrapped in his embrace, you felt a whirlwind of emotions. The anger, the sadness, the longing—all of it mixed together in a confusing, heartbreaking storm. You had loved Sergei once, and part of you still did, but the reality of who he had become overshadowed those feelings.

His arms felt familiar and safe, yet there was an underlying tension, a sense that this couldn’t last. You knew that this moment of vulnerability couldn’t erase the pain and fear he had caused. It was a temporary solace, a brief respite from the chaos.

“I can’t do this anymore,” you whispered, your voice barely audible. “I can’t keep living like this.”

Sergei tightened his grip slightly, as if trying to hold on to the last remnants of what you once had. “I don’t want to lose you,” he murmured, his voice filled with anguish.

“You already have,” you replied, pulling away from his embrace. “You need to let me go.”

The silence that followed was heavy, filled with unspoken words and unresolved emotions. Sergei’s eyes were filled with a mixture of sorrow and determination, but you knew that you had to stand your ground.

He looked at you with a look filled with something you couldn’t really recognize. Without another word, he turned around and left.

He really left.

The sudden urge to stop him washed over you like a tidal wave. Every fiber of your being screamed for you to run after him, to call his name, to reach out and hold on to the fragments of what once was. But your mind was stronger. Even though you needed to feel his touch again, his body against yours, you didn’t move from your place.

You stood there, paralyzed, as the reality of the situation began to sink in. The man who had once been your protector, your confidant, your lover, had become your nightmare. The twisted irony of it all made you almost want to laugh, but instead, a bitter smile formed on your lips.

Just imagine how pathetic you would be, you thought.

Stopping a man who had stalked you for months from finally leaving you alone.

He left you alone, which was all you wanted. So why did you feel sad and like you had lost something?

As you stood there in the silence of your apartment, the conflicting emotions swirled within you. Relief, fear, sadness, and a sense of loss all mixed together. You had fought so hard to break free from Sergei’s control, and now that he was finally gone, you felt a strange emptiness.

[hoo-n-i-ki]

Cold One. (Chapter 3)

Only when death looms do regrets surface.

PAIRING - Volturi!Riki x Cullen!fem!reader

GENRE - Twilight AU

CHAPTER WC - 7337

WARNINGS - Vampires, shapeshifters, graphic violence, cursing, plot heavy. Mentions of death + organized crime. Brief cameo of villain shapeshifter Enhypen. (This is a complete work of fiction and is in no way a representation of Riki or Enhypen).

☽✦✧†✧✦☾✦✧†✧✦☽✦✧†✧✦☾✦✧†✧✦☽✦✧†✧✦☾

Once the shock wears off, Misora lunges at her brother.

At the Mind Stealer. At the most devastating angel—despite the eyes of a demon.

You watch as your new best friend moves, driven by over a century of pain. She slams into him with all her inhuman strength, knocking him back, snarling like a feral creature.

And the Volturi guard? He stands as he is, and takes it, despite the likelihood that he could overpower her.

“You left us!” She roars, but her voice is ragged. “We thought you were dead! We thought the Yakuza killed you after you stole all that blood money and left it on our doorstep!”

“I’m sorry.” His apology drips with sincerity. But his words fall onto deaf ears.

“But in reality—this is where you were? Off playing assassin for those parasites? Do you know what you did to mom? If you thought she lost it when she lost her husband, you should’ve seen her when she lost her son.” She laughs bitterly, a cackle so loud it sends the birds flying off the treetops. “She used up part of the money you left us to throw you an elaborate sōshiki, to honor you, and even though there was no body, she cried at your memorial stone for weeks.

“Weeks, Puppeteer, weeks!”

Misora starts screaming. Actual, gut-wrenching screams.

And him? If vampires could cry…

“Jasper, how about you calm her down?” Carlisle whispers to him on your side of the clearing.

“Let them keep going,” Edward interrupts. “He deserves it for using his power against Bella 19 years ago. Any Volturi bastard deserves it.”

“But he’s with us, now.” Carlisle says.

“No he isn’t. He’s with Misora. And…” Edward throws a momentary glance at you, almost contemplative or confused. But he doesn’t finish his sentence.

“I only left to protect you from myself, I swear—“

She punches him, square in the stony jaw.

“Don’t you dare. Don’t you dare swear a single thing to me, because I’ll never believe you, anymore.” Her chest heaves. “You swore that our family would always be together. But guess what? You left. You’re not even the son our parents raised, anymore. Mom, dad, Konon, they’re all gone.” She lifts her arms in exasperation. “I was almost gone, and I was excited to finally see my big brother again, but I got hit with the curse that you so openly embrace.”

He kneels.

“Miso, please, hear me out.”

“I will never,” her voice breaks, “ever be your Miso again!”

She starts shouting in Japanese, but he simply watches with furrowed brows.

It’s like he… forgot his mother tongue during his time with the Volturi.

He lost his identity.

She keeps going. He keeps kneeling. The Cullens keep curiously watching.

And you keep wishing to intervene. But it’s not your place.

Until Misora’s voice tires, and finally stops. She stares at him for a while, heartbreak radiating off of her skin. She recognizes her brother, but she doesn’t know him at all.

She turns to re-enter the Cullen house, you follow her, and the Cullens follow you.

You turn to the angel one last time, and he’s still on his knees with his eyes cast downwards.

The family tries to calm down Misora by giving her a bag of O-.

“(Y/N)?” Esme turns to you with the second blood bag in hand.

You shake your head. You haven’t drank in a week. You feel weak, but you don’t wanna give in—not to human blood, at least.

There’s nothing wrong with you that you’re so unable to ingest animal blood, whereas the Cullens are able to.

Right?

“No, thank you. I wanna give animal blood a try again.”

Esme nods with a sympathetic smile. “Just drink this so you can be strong enough to hunt with us next time, then?”

You sigh and take it with a grateful nod.

A couple sips. Just a couple sips.

Hm.

It’s not as warm as it is fresh—straight from the source—but it still has the sweetness no deer or mountain lion can replicate.

Your fingers tighten around the bag and your fangs ache the more it floods every single one of your senses.

It’s an addiction, but you can control it. You can. You have to—because you refuse to relive that shame.

You tell yourself that this is just closure. Just one last drink. You certainly need it in more ways than one.

It’s just so easy.

But you’re (Y/N) (Y/L/N). You’ve never chosen the easy way out—so when you’re done, you force yourself to pull it away for the final time, even as your throat burns as though it’s upset at saying goodbye.

Misora turns to you. “You’re sure you can do the deers with the sliminess in their blood?”

You trade a glance, and the two of you burst into miserable laughter.

“I’m not sure about anything, anymore,” you scoff.

The two of you sit in a distracted silence whilst the Cullens split off—washing away the remnants of the morning. So you take the opportunity to slip outside.

You weave your way through the trees, feet silent against the damp earth. Something in your gut tells you he’s still here. It’s not logic—it’s instinct. A quiet pull in your chest that you don’t quite understand. You don’t know why you’re doing this. You don’t know him. His scent isn’t familiar like the Cullens’ or Misora’s—it doesn’t pull at any memories or feelings of safety.

And yet, there’s something about him. Something magnetic. Something that urges you forward, despite every rational part of you telling you to turn back.

And then you see him.

Riki kneels at a small creek’s edge, staring into the water like it might hold all the answers he’s lost. His reflection wavers, distorted by the gentle current, but he doesn’t move. He’s unnervingly still—too still, even for a vampire. And his cloak is discarded on the ground, beside him.

For a moment, you just watch.

It’s strange, isn’t it? That you followed him here. That your feet carried you straight to him. You shouldn’t be here. He was sent to kill you, wasn’t he? And now, with Jane and Alec gone, the Volturi will come for him.

And that should scare you. It does scare you.

But you don’t turn away. Instead, you step closer.

“This place… it reminds me of home. There’s a creek behind our old neighborhood in Okayama. My sisters and I used to play there—before everything changed.”

He exhales sharply, gaze still fixed on the water.

He heard you… or maybe he felt your presence, the way you did his.

“Volterra isn’t like this. It’s stone and shadow. Cold. The only water runs through the underground tunnels, and it reeks of death.”

The sound of his voice settles into your bones the more he speaks—a deep, rich tenor that seems to hum through the air itself, and it lingers even after his words have faded.

Yet, when he speaks now, there’s a quietness to it, a vulnerability beneath the depth of his tone.

It shouldn’t be so mesmerizing. He shouldn’t be so mesmerizing.

But the way his voice brushes against your senses—it’s like gravity itself shifts, pulling you closer.

You smile softly as you near his side. “Misora never talked about her old life.”

He shrugs. “It was a tough life, I don’t blame her. And pretty sure I only ended up making it worse, no matter how much I thought I was doing good at the time.” He looks down for a couple of seconds, then back at the water. “I never spoke about it either.”

“Well, pretty sure the company you kept isn’t the type where you sit in a circle sharing secrets while you braid each other’s hair.”

He laughs.

It’s quiet at first—just a short exhale through his nose, like he’s caught off guard by the amusement creeping in. But then it deepens, a low, rich chuckle that rumbles from his chest and melts into the evening air. It’s unpolished, like he isn’t used to laughing anymore, like the sound itself has been buried beneath years of blood and duty.

And it’s… warm. Unexpectedly warm, considering everything about him should be cold. You shouldn’t be wondering how someone who has done such terrible things could sound so human when he laughs.

But you do.

He quiets down and continues. “Not just that. I didn’t want to remember, because I knew that the memories would never stop haunting me if I let myself dwell on the past. It worked… even though it was at the expense of everything I’d ever held dear to me. Until now.” He sticks a tongue in his cheek. “And now? It feels like I’m drowning in everything.”

You hesitate for a moment, studying him as he stares into the water, lost in something only he can see. His words hang between you, heavy and raw, like he’s only just realizing the weight of them himself.

And then, before you can stop yourself, you ask, “Why are you telling me this?”

His jaw flexes. For a second, you think he won’t answer. That maybe he regrets saying anything at all. But then, he exhales sharply through his nose and finally turns to look at you.

His eyes—so red, so beautiful, so unreadable—search yours like he’s trying to find the answer in them before he even speaks.

“I don’t know,” he admits, voice quieter now. “Maybe because you’re the only one who doesn’t look at me like I’m already damned.”

You nod thoughtfully, and turn to gaze at the waters, trying to see what he’s seeing.

If he was truly damned, he wouldn’t have betrayed the kings for the sake of love.

There’s humanity in there, somewhere. Perhaps you’ll be lucky enough to get to slowly uncover it as you uncover your own.

The silence you share is not awkward. It’s peace.

“You were right, by the way. I did hesitate. And maybe that cost me everything. But it feels like I gained something, instead.” He scoffs. “I definitely didn’t gain Misora back. Hell, I deserve everything she threw at me—because I don’t even know how to be a brother anymore. I just…”

You turn to face him fully, the weight of his words pressing into you. You can see the conflict in the tense set of his shoulders, the way his hands rest loosely at his sides, as if he’s unsure how to move forward.

“You got some closure?”

For a long moment, he doesn’t speak, doesn’t even move. His eyes flicker to yours, and when rubies meet bloodstains, there’s an intensity—something raw and searching.

His gaze holds you captive, and you’re not sure if you’re the one who’s getting pulled in or if it’s him. Maybe it’s both. It’s like the world itself has narrowed down to just the two of you.

“Maybe I’m just trying to figure out how to be someone who’s worth trusting again.”

You give him a tight-lipped smile. “She’ll come around. You just have to prove to her that she can trust you again. And hey, you have all the time in the world to do that, right?”

He chuckles dryly. “If Aro doesn’t kill me by tomorrow.” He shrugs. “I’m not sure she’ll be able to look past the past 200 years, though.”

“You might’ve known the Misora from back then, but I know the Misora now. I genuinely do believe she’ll forgive you one day. She might be cynical and great at holding a grudge, but she is crazy loyal. Just try to live long enough to see her loyalty, okay?” You try to laugh.

He smiles with those plump lips. “I was sent here to kill you. Why would you want me to live?”

You pause. Why indeed. “Because it would make my best friend happy, and you didn’t kill me, now did you?”

“Is that it?”

You both fall into a charged silence, and for a fleeting moment, the world feels like it’s holding its breath.

Something stirs inside you. Maybe it’s the lingering threat of danger, or maybe it’s the unspoken understanding between you two that you don’t know how to name.

You can’t hold his gaze for long. The intensity is too much, like it’s pulling you into some unknown abyss. Had you still had a beating heart, the pulse would thumping in your ears.

“I don’t know,” you finally say, your voice barely above a whisper. The truth.

He nods slowly, eyes never leaving yours, and it’s as if he understands—like he knew you didn’t have an answer, but he needed to hear you say it. For a moment, there’s nothing but the rustling of leaves in the breeze and the soft gurgle of the creek before you.

Then, you both get the urge to move at the same time. As you do, your hand brushes against his, and it’s a fleeting touch, but it’s enough to send a jolt of electricity up your spine.

You don’t pull away immediately. Your eyes flicker down to where your fingers are lightly grazing against his skin. Riki’s eyes shift to your hand, then back to your face, his expression curious. But there’s something in the way his lips twitch upward, just slightly.

You pull your hand back, awkwardly, but it doesn’t seem to matter. The connection remains, thick in the air, heavy with unspoken words.

You both start walking, and you try to fill the silence, trying to let your mind wander away from the ending conversation you just had, but it keeps coming back.

“So,” you ask, breaking the quiet, “you planning to stick around at the Cullens’ place for a while?”

Riki scoffs, his hands stuffed in his pockets as he walks beside you. “Highly doubt Carlisle would let a Volturi into his home, even if his daughter does vouch for him.”

You laugh, shaking your head. “I’m not his daughter.”

The words are out before you even think about them. But then they land heavier than you expect. You hadn’t really thought about what it meant to not have parents ever since you entered your… current state.

You slow your step, the sudden weight of the memory crashing into you. Your parents. Their deaths. The vampires who took them from you. What would they think of you now? What would they think of where you are, who you’ve become—who you’re standing next to?

The thought is suffocating, and it almost stops you in your tracks.

Riki’s footsteps falter slightly beside you, and when you glance at him, his gaze is far off, focused on nothing in particular. His brow furrows in quiet thought.

“You know,” he murmurs, “I can’t help but wonder what my parents would think of me. If they could see me now…” His voice trails off, and for a moment, it’s just the two of you once again. You’re sharing something, without ever having to say it.

You understand that neither of you can change the past, can undo what’s been done. But you both have to keep going.

You force yourself to shake off the dark thought and turn your attention back to Riki, the smile creeping back onto your lips. “Don’t worry about it. Carlisle’s good with lost causes. You’ll fit right in.”

He glances at you, that same quiet amusement flickering in his gaze.

But it falls once you step up to the edge of the property. You follow his gaze—to where his sister sits in the living room, exposed by the floor-to-ceiling windows.

“On second thought, I’ll go occupy myself with something else.” He gulps. “Thank you for your… kindness.”

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Riki walks away, and he doesn’t stop until the lights of the Cullen house disappear behind the trees.

It’s better this way—that’s what he tells himself.

But the weight in his chest doesn’t agree.

He tells himself Misora is safer without him, that she’s better off not facing the repercussions of what he’s done. He tells himself he didn’t leave because he was afraid of her reaction to seeing him again.

But that’s a lie.

He is afraid.

He saw the way she looked at him. That uncertain betrayal, like she was trying to make sense of the person in front of her. Like she didn’t recognize him.

Maybe she doesn’t. Maybe she never will again.

Because the brother she remembers—the one who looked out for her, protected her, stayed by her side—he doesn’t exist anymore.

The person standing here now?

He’s a murderer.

The words taste like blood, metallic and bitter.

He doesn’t regret it. Alec and Jane deserved to die.

But the Volturi won’t see it that way, because they don’t care the way he does. The members of the Volturi all have their mates with them, and that’s all that matters to them.

He’s never had a mate… but today struck him with the loneliness and seclusion he’s been in for 200 years, and when faced with impending death, he wishes he went about everything differently.

They’ll come for him. That much is certain. Maybe not tomorrow. Maybe not next week. But eventually.

No one kills the Guard and walks away unscathed. Not even the Volturi’s most prized possession. In fact, they’ll probably be more eager to kill him, considering his position.

He knows too much.

So why does he still feel like he lost something else, tonight, besides his life?

He exhales sharply, shaking his head.

Misora will be fine. The Cullens will protect her.

And (Y/N)…

His steps falter.

Her face flashes through his mind—eyes steady, voice unyielding. She spoke to him like he’s a person. Not just the boogie monster of vampires. He’s been somebody else for centuries, now, but for a moment… he felt like Riki Nishimura.

He laughed.

She looked at him like he was more than just his sins. Like there was still something left worth saving.

Stupid.

He scoffs under his breath, pressing forward. She’s just a reckless newborn. She doesn’t know what she’s doing. She doesn’t know him.

And yet, that brief moment with her is the only thing that doesn’t feel tainted by the rest of tonight.

His fingers twitch at his sides.

Stupid, reckless, exquisite newborn.

But none of it matters.

Not her. Not Misora. Not this useless ache in his chest.

Because soon, the Volturi will come for him.

And when they do, there won’t be anything left of him to mourn.

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Morning light filters through the trees outside, casting soft, shifting patterns on the Cullen house’s pristine walls. The peace feels deceptive—something you haven’t had since turning.

And then Rosalie, standing by the door, lets out a sharp breath.

“You’re going to want to see this,” she says, unfolding a piece of parchment.

It’s the blood-red V emblem imprinted into the wax seal. It’s the same logo on the letter itself.

You’ve seen it before, months ago in Carlisle’s office.

Back then, it was a warning about the tiger shifters. A very vague warning, because there’s nothing actually in it for them. It wouldn’t have affected them or their authority if the Cullens were killed by the Baekho clan.

This letter, though, leaves no room for interpretation.

“To the Cullen Family,

It has come to our attention that one of our own has chosen to defy us. Riki, a member of the Volturi Guard, has committed an unforgivable transgression. The breach of our laws cannot go unpunished.

We understand that he may be under your protection, but we warn you—this is not a matter to be taken lightly. His actions will have consequences, and we demand that you return him to us.

Bring us the boy.

Failure to comply will result in actions that will not be limited to just the one who defies us. You may believe yourselves untouchable, but know this: the Volturi do not make threats. We make promises.

Consider your next steps carefully.”

You’ve barely read the words before Misora’s exhale, barely more than a whisper, breaks the silence. “Riki…”.

She’s already on her feet before anyone can react, moving toward the door like she’s running on instinct.

“Where are you going?” Jasper asks, stepping into her path.

“To find him.”

You speak before you even realize it. “I’ll go with you.”

Misora hesitates for only a second before nodding.

Once outside, the cold air bites at your skin—not that you mind. You don’t speak at first, just move quickly through the trees.

But where would he go? Misora seems to be as aimless as you are.

Then you remember him at the creek. Quiet, lost in thought. So water is nostalgic to him.

“Should we try the Goldstream River?”

Misora shakes her head. “No. That doesn’t make sense. Riki isn’t… he isn’t that person anymore.”

“Then where would we find him in this entire town?”

Misora doesn’t have an answer, but this is the only idea, the only lead you’ve got.

So you run.

The forest blurs around you as you race toward the river, branches whipping past, footsteps quiet against the undergrowth. And then, finally—

There he is, in all his shimmery glory.

Riki stands at the water’s edge, arms crossed, gaze fixed on the slow-moving current. His expression is unreadable, but something about the way he holds himself—shoulders stiff, jaw tight—tells you that brain of his has not quieted down.

Misora exhales sharply, and glances at you, then back to him.

You just watch him for a moment. Misora doesn’t think he’s the same person she used to know, the brother that played with her by the water. But this is where he always finds himself.

Misora freezes, and she can’t bring herself to move closer. He’s noticing, though. You can see the red of his irises in the corner of his eyes watching, waiting, hoping.

Well, you hope that you’re enough.

“Riki,” you start, stepping forward. “You need to hear this.”

He doesn’t turn, doesn’t shift from where he stands. But you see the way his fingers twitch at his sides. He’s listening.

“The Volturi sent a letter,” you continue. “They’re demanding that we hand you over.”

Misora flinches beside you, but Riki… he just smiles. It’s small, barely there. A resigned kind of thing.

“Of course they did.” He finally turns his head to glance at you. “It was only a matter of time.”

Something about how calm he is unsettles you. There’s no panic, no urgency—just this quiet acceptance, like he’s already laid himself at the Volturi’s feet in his mind. Like he’s been waiting for this moment all along.

“You don’t have to do this,” you tell him, stepping closer. “The Cullens—Misora and I—we’re not going to let them take you.”

His gaze flickers, but he shakes his head. “You don’t understand. This isn’t a fight you can win.”

“That’s not your decision to make.” Your voice is steady, firm, and that surprises even you.

He looks at you then—really looks at you. Eyes scanning, searching, trying to figure out what the hell you’re doing standing here, offering him something no one ever has.

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“Absolutely not.”

The words hit the air like a slap, and Riki flinches, though he doesn’t show it. Edward stands rigid, his gold eyes dark with what Riki knows is a mix of disbelief and fury.

“You can’t seriously think we’re going to risk everything for you,” Edward continues, voice low and harsh. “I don’t care how much we owe Misora or care about (Y/N). We’re not going to stand by you when you’ve already made it clear how little you think of us,” Edward spits out, the words laced with a sharp edge. “All you’ve done is hurt people, Riki. You were there when the Volturi wanted to kill Renesmee. You don’t get to walk in here and expect us to fight for you.”

Expect them?

He never expected a single thing. The only thing he’s expecting is death.

It’s just that (Y/N) let him hope. He really should’ve known better.

His guardian angel who for some reason decides to speak up. “If he dies, it doesn’t change what he did. It won’t undo the blood on his hands.” She narrows her red eyes at her gold-eyed family. Because the way they stand together? This really is a family—regardless of whether or she accepts it.

And he… is envious.

“But this isn’t about the past. It’s about the present,” she continues. “I thought you guys don’t leave someone behind, not someone who needs us!”

Carlisle, who had been quiet up until now, finally speaks. “The moment that letter arrived, we were already implicated. The Volturi made that clear—we’re in this, whether we like it or not.”

The words settle over the room like a cold realization.

Still, Misora doesn’t move. She hasn’t said a single word since they returned, standing with her arms crossed, watching it all unfold. But now, finally, she steps forward.

“Why should I fight for you?” Her voice is quiet, but the bitterness in it is unmistakable. “You never fought for me during this life.”

Riki exhales slowly, his expression unreadable. “Misora…”

“You stood by and let me believe I was abandoned,” she continues, the edge to her voice sharp. “I fought to keep myself alive. I’ve already done more than I needed to by deciding to warn you.”

She laughs bitterly, but there isn’t a single glint in those crimson eyes of hers. The eyes that used to hold nothing but mischief are now all sorrow, and it’s his fault.

But like she said, she did warn him. Does she want him to live long enough to make things right?

Carlisle exhales. “I understand why none of you want to fight, and I’m not asking anyone to put themselves in danger.” His gaze lingers on Riki before moving to the others. “But that doesn’t mean we do nothing.”

“So, what?” Rosalie crosses her arms. “We just watch from the sidelines?”

“If that’s what it takes.”

Silence stretches, thick with tension.

Alice shifts, arms wrapped around herself. She looks at Riki, then at Edward, then finally at Carlisle. “I’ll try to see what Aro’s planning,” she says, closing her eyes.

Riki watches the crease form between the psychic’s brows. Her fingers twitch at her sides. Seconds pass.

Then Alice’s entire body tenses.

“I… I don’t see anything.” Her voice is barely above a whisper. Her hands curl into fists as her golden eyes snap open, wide with disbelief. “It’s blank.”

The words freeze the room.

Riki stands with his body taut, trying to plaster on that mask of indifference he had screwed onto his face back in Volterra. It would be easier to block everything out—to feel nothing and not care that no one is willing to fight for him. He wishes his sister’s bitterness didn’t pierce so hard, and didn’t remind him of all the years he let slip away. The numbness was so much safer—it prevented him from disappointments. But now? With Alice’s vision going blank? He realizes that it’s all too late.

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A week passes. A whole week, and still—nothing.

The Volturi don’t come. There’s no sign of them, no whispers of their approach, no ominous figures in the distance. Just silence.

It’s like the entire purpose of the letter was to put everyone on edge. And it worked. Even Alice, who has spent the past few days trying and failing to see anything, looks unnerved. Every conversation in the Cullen house circles back to the same thing: Why haven’t they come yet?

You don’t have an answer. No one does.

But in the meantime, you force yourself to focus on something you can control.

The animal blood still doesn’t taste right. It never will. Even the hunt doesn’t fill you with the adrenaline rush you used to chase for three whole months. But you drink it anyway, pushing past the revulsion, the longing for something richer, warmer, stronger. Every time you force it down, you remind yourself why.

You lost your way and became the very creature you resented your entire life. You let yourself forget that when you woke up with red eyes, let yourself believe the hunger was all that mattered. Even now, part of you still wonders if it’s too late—if you’ve already crossed a line that no amount of restraint can erase.

But if you can’t bring back the lives you’ve stolen, then maybe this is the least you can do.

Still, you miss it. The chase, the thrill—the way Misora used to grin at you right before the hunt began, sharp and wicked. But you hunt with the Cullens now.

Misora still chooses human blood, but she doesn’t hunt here. The Cullens made their treaty with the tiger shifters clear: no human blood within Victoria. So she vanishes for hours at a time, returning only when the hunger is sated, and you don’t ask where she goes, so that it doesn’t trigger your cravings.

Riki, on the other hand, appears to be too… dejected to hunt. He’s only drank a single blood bag so far, courtesy of Carlisle, just enough for his eyes to not turn black. But he did try out a coyote that Emmett dragged back to the lot a couple of days ago, and he didn’t look as disgusted as you’re certain you still do.

You’re perched on the back steps of the Cullen house, staring at the trees beneath the grey clouds when you hear him approach.

“You’re changing,” Riki says. His voice is quiet, not quite neutral, but close.

You glance at him. He’s standing a few feet away, hands in his pockets, eyes unreadable as they flicker over your face.

“What?”

He gestures vaguely. “Your eyes. They’re not as red as before.”

You blink, momentarily thrown off, before realization settles in. He noticed something so little. You lower your gaze, staring at your hands.

“Well.” You shrug. “I never liked the red much, to begin with.”

Riki doesn’t respond right away, and for a moment, there’s only silence between you. It’s not uncomfortable, not really. It’s just how things have been. He doesn’t seek you out, but he doesn’t avoid you either. There’s a strange in-between that you’ve both settled into—where he doesn’t push, and you don’t pry.

But now, he stays.

You glance at him from the corner of your eye. He looks as beautiful as always—messy dark hair, sharp features. And yet, something is different. Maybe it’s the way his shoulders don’t hold the same rigid tension, or how his expression isn’t completely closed off.

He almost looks… lost.

You watch as he shifts his weight, debating sitting down next to you.

Until he does.

“Is it a you hating vampirism kind of situation?” He asks calmly.

“I hate… what it reminds me of.”

You tell him everything.

Your memory of your parents’ death. The rampage you went on up until a month ago. All the while, he doesn’t judge. Certainly not the way you’d expect red-eyed royalty to—or at least, the direct subordinate of royalty. He just takes in what you have to say, the red of his eyes warm.

After a moment, he runs a hand through his soft hair. “I get it,” he says, voice quieter than before. “The whole… hating what you are thing.”

You blink, caught off guard.

He doesn’t elaborate immediately. Instead, he leans forward, resting his forearms on his knees, gaze fixed on the woods ahead. “Back in Volterra, I used to tell myself it didn’t matter. That I’d already lost everything, so what was the point of feeling bad about it?” His jaw tightens. “But then, at some point, I stopped having to tell myself. It just… was.”

“So what changed?” you ask, because clearly, something did.

He hesitates. Then, his lips curve into something that isn’t quite a smirk, isn’t quite a frown. “I saw the very reason I begged to be turned, again. I was killed, and then I was almost drained, but I begged the vampire I woke up to to save me somehow. I just wasn’t aware that by being saved, I would end up having to leave everything behind.”

You look at him, but he doesn’t meet your eyes. It’s not avoidance, exactly—it’s something else. Like he’s letting you in, just a little, but not enough to be exposed.

Little does he know, you were in a very similar position. Except you didn’t have a family to leave behind, you just had to let your career go… but in turn, you gained a family.

“I don’t wanna leave people behind, anymore, as long as they’ll have me.”

Instead, you huff a soft breath, nudging his arm. “Careful, Riki. That almost sounded sentimental.”

That earns you a glance, a glimmer of amusement in his expression. “Guess your coven rubbing off on me.”

“You wish.”

The corners of his full mouth twitch, just slightly. And you notice. You always notice. And you can’t help but stare.

But your gaze drags his to your lips, as well.

Until the creak of the door breaks you apart, so you re-enter the house.

Carlisle steps in, his footsteps a lot more… guarded than usual.

And in behind him comes Dr. Park.

You haven’t seen him in months. Since that night.

“(Y/N),” Carlisle starts, his lifted eyebrows almost telling you to be wary. “Dr. Park here wanted to check on how you were doing.”

Riki gets the hint and walks away, away from the brown-eyed man.

“Dr. (Y/L/N), how lovely it is to see you!” His tone is cheerful, but his eyes flicking between your blood orange ones are uncomfortable. Assessing.

“How are you holding up?” he asks, in a tone that suggests he’s genuinely curious—but something about it feels calculated. He gives you a sympathetic smile, but you’re in no position to trust it. “I can only imagine what a change it’s been for you, adjusting to this… new lifestyle.”

You tense, but you force a smile. “I’m managing.”

Dr. Park shifts, and though he’s trying to act casual, his body remains rigid. “I must apologize again for what happened that night… with the tiger shifters.” He holds up a hand, as if to stop you from interrupting. “I know it wasn’t just a simple accident. It was my responsibility, and I—” He pauses, then looks at you like he’s about to offer a kind gesture. “I never intended for any human to be hurt.”

He doesn’t regret attempting to kill Carlisle. He regrets the outcome.

“I’m sure you’ve been through a lot, with… everything you’ve had to give up,” Dr. Park adds, his gaze flicking to your hands briefly. “Family, friends, everything that you once were.” His words are soft, almost too soft. “But you should know that as soon as you build up your self control , if you ever want to come back…” His voice trails off, leaving a silence in the air.

Riki, standing off to the side, frowns slightly. You catch the flash of annoyance in his expression, but he says nothing. Misora, too, watches from the living room—her similar expression making her appear more like Riki’s twin than just his sister.

Carlisle steps in. “She’s doing fine, Dr. Park.”

“Of course, of course.” His smile falters for just a moment before it returns to its practiced warmth. “I just thought I’d offer my assistance.”

He turns toward the door, clearly not wanting to overstay his welcome. But his gaze lingers near the living room for a second longer than necessary.

But you might have hallucinated it.

Just like how the next day, when night falls, you start hallucinating a tiger’s roar. Because there’s no way Dr. Park would violate the treaty for no reason, right? Right?

You, the Cullens who aren’t out hunting, and Riki all share curious glances.

They heard it too.

A low, rumbling growl that wouldn’t belong to any vampire or human. It carries through the trees, deep and guttural, setting every nerve in your body on edge.

Riki hears it too. You see it in the way he tilts his head slightly, listening—then in the sharp flicker of his gaze toward the door. The two of you move almost at the same time, stepping outside alongside Carlisle and the others.

And that’s when you see them.

The tigers.

Your entire body locks up before you can stop it. The world narrows, sharpens—too bright, too loud, too familiar. The way they stand, the way their muscles coil like they’re ready—

It’s just like that night.

Your fingers curl into fists at your sides, nails biting into your skin. You try to force yourself to stay still, to ignore the way your throat tightens—but then Riki shifts.

At first, you think it’s just him moving closer to get a better look. But then, without a word, he steps in front of you.

It’s subtle. Casual, even. He doesn’t bare his teeth, doesn’t snarl like he’s challenging them—he just exists between you and them, a silent blockade.

“What is this, James?” Carlisle calls out to the woods. The man isn’t actually around, but who else could be commanding the shifters?

The amber-eyed tiger steps forward. You remember him—Jay, Dr. Park’s son. The one with icy eyes, Sunghoon. The largest, Heeseung.

And the one who attacked you, the one currently standing at the back but is the fastest, regardless. Jake.

Then shadows shift behind the tigers.

“Ah, how lovely to see you all again. I do hope we aren’t intruding.”

A voice that’s all warmth and poison.

A man you’ve never seen before steps out, with his long, brown hair and black and red coat, followed by a taller man with similarly dark hair and a blonde man.

Gasps ring out near you. Riki tenses in front of you. And you know his name right away.

Aro.

The one Misora once told you is the worst of them all. Thank goodness for her that she’s currently away from Victoria, hunting.

Alice takes a hesitant step forward, flanked by Jasper, her anchor. “So that’s why I couldn’t see you coming,” her voice shakes. “You were hiding behind shifters.”

Aro’s smile widens at that, his eyes gleaming with amusement. “Ah, dear Alice,” he muses, tilting his head slightly. “You always have been quite the gifted one. But yes, it seems our little allies here have provided quite the convenient cover.”

His gaze flickers toward the tigers, then back to you. His expression is unreadable, but the way he looks at Riki, and then you behind him—like he’s peeling back your layers, examining you from the inside out—makes your stomach churn.

The tigers remain silent, their eyes fixed on you. And you truly wish that Edward is here to read their thoughts. It’s clear they don’t like standing alongside the Volturi, but they’re tolerating it. A temporary truce.

“We have a truce with the Baekho clan.” Carlisle’s eyes flicker from the shifters to the Volturi.

“Your treaty was nullified the moment you allowed the boy and his sister to stay in your town,” Caius growls.

“And so,” Aro’s quietly delighted voice rings, “we formed our own treaty with them. Kill the red-eyed, and they’ll never have to see us in Victoria again.”

A slow, creeping chill settles into your bones.

Aro watches you carefully, but there’s something particularly pleased in the way his gaze drifts to Riki, his fascination clear.

“How curious,” Aro muses, almost to himself. “That the very one who was sent to eliminate you is now your shield.” His gaze flickers between the two of you, lingering on the way Riki’s posture remains stiff, unwavering.

Riki doesn’t move. He doesn’t react. But you can feel the tension rolling off him in waves.

Aro’s fingers twitch at his side, as if the urge to reach out and confirm what he’s seeing is almost unbearable. “Riki, Riki, Riki,” he sighs, tilting his head. “I must say, you continue to surprise me. First, you slaughter my dear Jane and Alec. Then, you desert us. And now?” His eyes gleam, lips curling upward. “You protect the very newborn you were sent to destroy.”

His voice is almost admiring, like Riki’s betrayal is nothing more than an interesting puzzle to solve.

Riki shifts slightly, but he still doesn’t move away from you. “Not my problem if you sent me on a job I didn’t finish,” he mutters. “Guess you should’ve picked someone else.”

Beside Aro, Caius stiffens, and Marcus—who has remained silent this entire time—finally lifts his gaze, watching with interest.

Aro, however, just laughs. Soft, entertained, yet there’s something razor-sharp underneath it.

“Oh, Riki,” he sighs, almost fondly. “You misunderstand.”

He takes a small step forward. Riki doesn’t back away, but you can feel the way his muscles tense.

“You didn’t just fail your assignment,” Aro continues, his voice dropping into something softer, silkier. “You abandoned your family—your true family that has been with you for centuries. You took the lives of our own.” He claps his hands together gently, though the sound is eerily hollow. “That is not something we can simply forgive.”

The threat lingers in the air like poison.

Riki still doesn’t move.

Aro hums, his gaze flickering back to you. But I must know—” His head tilts slightly, eyes narrowing in thought. “Where is your accomplice? His lovely sister?”

You keep your expression carefully neutral. You cannot let him see an ounce of concern.

Aro studies you for a moment longer, then sighs. “Ah, well. No matter. We’ll find her in time.”

His focus shifts back to Riki. And this time, the amusement slips, leaving something far colder in its place.

“You do understand, my dear boy,” Aro murmurs, voice quiet but unyielding, “that deserting the Volturi is a crime punishable by death?”

The moment Aro speaks, the air changes.

It’s subtle at first—a shift in the atmosphere, the way the trees seem to stand still, listening.

For the snarl. Low and rumbling.

The tigers move first.

Jay lunges, a blur of muscle and fur aimed straight for Riki. Thanks to his vampiric speed, he’s able to shift his weight, sending them both tumbling.

You stumble back just as Sunghoon and Jake launch forward. Jasper intercepts Sunghoon, the impact sending shockwaves through the ground, while Jake barrels toward you.

For half a second, you freeze.

Not again. Not again.

The memory punches through you—Jake lunging in the dark, his weight crushing you, claws digging in.

But then—

Riki.

He rips himself free from Jay’s grasp, and in a blink, he’s in front of you again. His fingers twitch at his sides, and the tiger freezes in the air, until he falls backwards. The massive body jerks like it’s being pulled by invisible strings, and Jake snarls, trying his hardest to to break free.

But the Puppeteer is far too practiced.

And then the Volturi join.

Caius moves first, aiming for Carlisle. He’s fast—but Carlisle sidesteps him, forcing him off balance just long enough for Alice to charge in. Jasper and Sunghoon are locked in a brutal exchange of claws and limbs, neither gaining the upper hand.

Riki is facing both Jay and Jake at once, switching between combat and his own power, since it appears two minds are his limit.

And you move.

The heavily striped one, Jungwon, comes at you, but this time, you react. He lunges, and you drop low at the last second, sweeping your leg out to knock his balance. He stumbles, and before he can recover, you slam your palm into his ribs, sending him skidding backwards.

Your hands shake, but you refuse to stop.

Until movement flickers in your periphery. Aro.

You whirl just in time to see him standing perfectly still amid the chaos, watching you, studying you.

Like he’s waiting.

You feel it before you see it. The shadow moving behind you. The air shifting.

You turn too late.

And cold fingers wrap around your throat.

☽✦✧†✧✦☾✦✧†✧✦☽✦✧†✧✦☾✦✧†✧✦☽✦✧†✧✦☾

Comment if you’d like to be tagged on the last chapter!:)

Prologue | Chapter 1 | Chapter 2 | Chapter 3

@angelengene3011 @opheliaas-stuff @lizzygrantwrld @meyinyin @melzonly

[widebrimmedhatsblog]

I’d love to hear your thoughts on the ending!!

I'm soooo sorry nonny. This took 5ever. For some reason, I mentally decided that the completion of this ask would be the end of my Onyx Storm era, and then I didn't want to go near it because I didn't want the book to be done :(. However, I was brave, and I did it. This got insanely obscenely long, so you're getting Xaden's chapter 65 now, and then I'll reblog with Vi's LAST chapter some other time.

Chapter 65: Xaden

Veninism: I think the first thing that comes up in this chapter is the insight into the venin mindset. Xaden's significantly more intense (both than earlier in the book, and in his previous POV chapters). At first, I wasn't a huge fan of the "ice" thing, because I missed the part where he explains it (perks of reading till 5 in the morning) and I thought it was some anachronistic hockey reference. (Fun fact: I wrote this out before Rebecca gave that interview revealing that, yes, it WAS an anachronistic hockey reference. I know that lady WELL.) HOWEVER! The way it's explained here, (essay below the cut)

"Wrath courses like a current under the ice I willingly skate onto, cutting my emotions like the burdens they are so I can be the weapon she needs." (Yarros, 520)

reminds me a lot of a PTSD flashback/trauma event. Not only does this make significantly more sense with the metaphor at hand, but it makes a lot more sense with Rebecca's body of work. I know she's made addiction comparisons, and I can see some lines, but, frankly, I think it's a much more intricate web than a 1-1 metaphor. Especially with the use of the word "triggered" to describe what happens to him when he is "on the ice" as it were, I think (if anything) it's about using an addiction to cope with PTSD-type trauma.

Bond Fuckery: After revealing that Xaden cannot kill the sage himself, he goes on to say,

"I could no more raise a blade to his throat than I could Violet. The bond between Violence and me is the kind of magic that has no explanation." (Yarros, 521)

Which....is weird! Given that we have a precise explanation for said bond in Fourth Wing, maybe something else is going on? #the power of love?? I'm not trying to say they're soul mates in any real tangible way because this is not that kind of story, but I do think it means something. I just don't know what yet.

Further bond fuckery themes are found earlier in the book. There's the entire situation with Andarna leaving, in which Leothan says,

"Bonds are merely magical ties. You are irid. You are magic. Bend it, shape it, break it as you see fit." (Yarros, 443)

I've definitely seem some people floating the idea that perhaps Andarna broke Tairn and Sgaeyl's mating bond, re: Tairn's suspicious period of rest on page 526, (I personally thought he was tired from killing some dragons!) and I definitely think that's a possibility. However, I think it's really interesting that, specifically, Leothan also says bend it and shape it. I know we're supposed to finish the book thinking that Andarna/Leothan severed Violet's bond with Andarna, and then re-forged said bond mid-battle. To me...that doesn't really make sense? There was no real moment where you can say, okay, bond re-forged. It just kind of happens? Which I suppose is also how it happens at threshing, so maybe I'm the problem. Still, I think the idea that perhaps Andarna (or another irid??? given her 1 week of training???) bent or reshaped Tairn and Sgaeyl's mating bond (in order to protect Xaden/Xaden's mission/Violet from the consequences of Xaden's mission) is worth considering.

There's also the entire element of modern AU no magic isles. I know a lot of people thought that entire quest section of the book was filler, but I disagree. I definitely think that insertion was meant to demonstrate that the bonds are not as infallible as we've been led to believe, to show their importance to Xaden and Violet, and to further show just how much Andarna is not like other dragons, and therefore able to do shit with the bond.

Xaden's new brother! Xaden starts off describing the new venin by saying,

"and now that my sage has a new sibling he can use against me...I'm screwed." (Yarros, 521)

Then, he goes on to add:

"...my new brother and the unconscious dragon lying in the valley...how could he do this? Choose this after watching me stumble and fall over the last five months. How could he willingly walk the path I've fought like hell to leave? He's the last person I ever would have expected to turn, and yet here we are." (Yarros, 521)

My money's on Bodhi! There's a lot of "brother" mentions surrounding Bodhi, given the repeated descriptions of how similar he and Xaden look. He's "the closest thing (Xaden) has to a brother since Liam." Garrick even thought Theophanie called Bodhi his brother beforehand! It's Bodhi. Further nuance to Bodhi turning is found, in my opinion, in his frustration with Xaden's over-protection at the end of Onyx Storm. This feeling of impotence combined with something potentially happening to Cuir (re: unconcious dragon lying in the valley/Bodhi puking his guts up wherever that quote is) gives him a reason to turn.

I know @skyfallscotland thinks Xaden's new brother is actually Aaric, which is also super intriguing. Specifically, Amy suggested a scenario where Aaric knows he needs to be venin in order to win the war, and is willing to do whatever it takes to get to the future he sees. I do lean more towards Bodhi than Aaric, if only because of the element of knowing for 5 months (which Aaric does not--even if he finds out about Xaden's veninism from his signet, RY has confirmed Aaric didn't manifest in IF, and therefore it cannot have been five months prior to Battle of Draithus), Xaden really seems to care about this new brother. I know he says he has a "complicated sort of loyalty" to Aaric, but I don't think he and Aaric at the friendship level where Aaric can be used against him in the same way Bodhi can. There's also the whole having to give Vi Tyrrendor ordeal. I know some people think Xaden may have had a change of heart and decided to listen to Bodhi in regards to not forcing him to lead Tyrrendor in his stead, and/or Xaden just felt giving Vi the province directly (what a wedding gift!) was the best possible way to protect her. Who knows, not me. I think of Xaden as someone not particularly inclined to listening to people when he doesn't feel like it, but I also know he'll prioritize Vi regardless, so it could go either way.

Slayer! This is just for the one line mention of Berwyn killing the dragons with the alloy dagger. For one thing, I think this draws parallels between the venin and the dragons (which have been a theme the entire series). For another, I think this is how Xaden, Vi, and co. go about killing the dragons and elders in order to get to the eggs. Seems a lot less messy!

Everything, Everywhere, All At Once: Throughout the text, there's a couple mentions of individuals inability to be everywhere all at once. Theophanie, in chapter 60, for example: (from my Kindle copy, so no page numbers, sorryyyy)

"You're just another lightning wielder, mortally incapable of being everywhere at once."

Or, the slightly different take from Mira in Chapter 23:

"Even if he did, we can't be in two places at once."

I have no idea why this got me so bad, but every time I read it, my spidey-senses tingled. I really feel like it means something. Xaden then wraps things up with saying he IS everywhere at once, on page 522 in regards to the veninism amplifying his shadow powers.

Do I know what this means? No! Of course not! At first, I thought it was a papa sorrengail is venin hint, but I don't actually believe in that. I have been holding out hope that perhaps Vi is somehow venin from Lilith (this is why I think papa sorrengail had her dedicated. it doesn't really make sense to me for Rebecca to write her with a real disability, and then have that real disability be a birth defect when it isn't one in real life. that just seems odd?) and I think this COULD be a hint there. Although, as always, who knows.

What is a soul if not love? Some of you may know, I've been getting a wee bit heated about the implications of the corporeal soul. I get a bit gagged by this because it makes no sense. I ask @maethologies probably once a day, what IS a soul? And to that question, I raise you this: what is a soul if not love?

page 523 has this:

""I love you.' Violet's voice cracks the cold, and a silken thread of warmth wedges itself in the opening before it seals shut, locking it in place. No. Wait. I grab for that thread with desperate hands, clawing to keep her as more of my pieces are blown away, lost to the void. She is warmth and light and air and love."

For starters, I think "she is warmth and light and air and love" is my favorite quote from the entire series. It makes me want to cry!!! There's definitely something to the fact that being venin makes Xaden colder, and Violet only seems to get warmer in this book (her lightning being hot enough to blister, for example). But really, my focus here is that he's so aggressively in love with her. I genuinely do not know how people read this line, or the rest of the novel, and somehow thought Xaden was just going to go join up with the venin. Genuinely! I am REALLY not trying to be mean, it just makes no sense to me.

I'm going to go a bit out of order here to further contextualize, but other Xaden Riorson bangers include:

"What even am I? Hers." (Yarros, 524)

And, far earlier in the text, when Courtlyn asks to whom Xaden swears his fealty:

"Violet. (...) My loyalty is to Violet first above everything, everyone else." (this is a Kindle page number because I don't want to find it in my book, LMAO, but it's 326 in that format!)

Again, he's constantly making it as clear as humanly possible that SHE comes first for him. He is not going to spontaneously gain venin loyalty. Whatever soul-fuckery is going on here, it doesn't make him incapable of love. If anything, the presence of love is what is going to continue to save him. In the chapter 48 epigraph, in which a scenario is described wherein a venin returns to their village, desiccating an entire village except for her husband and two children. Clearly, the theme here is that the feeling of love helps venin gain control of themselves when lost to the thrall of power, if you will.

Frankly, there's a LOT of issues with venin as a concept and how willing the fan base is to accept the characterization of the entire "enemy" as evil, soulless, and incapable of feeling and love. Just on the most basic level, think about the real world implications of that ideology for about ten seconds. If you can't do that, think about it in-universe. The entire point of books one and two were that Navarre's government perpetuated a narrative of dehumanization in regards to the Poromish people so that Navarrians could see them as the enemy. This tactic of dehumanization is then DIRECTLY applied to the venin. The narrative on the surface-level is: These people ARE human, but these other guys are the REAL monsters. Please kill THEM instead. I cannot tell you how many times I've seen people say "Violet's never killed anyone in the series, she only kills venin!" The very fact of saying these people aren't human; therefore they can die...do you see what I see? I know I'm a bit more thematically minded than the average romantasy reader, but it's really VERY in your face here.

The most obvious narrative purpose for Xaden choosing to turn is that it gives Violet and the reader a way to humanize the venin, just like working with the gryphon fliers in part two allowed us all to humanize them. After I finished IF, there was not a doubt in my mind that this was where Rebecca was going.

And she went there...a little bit? She's about halfway there, I'd say. Violet has started to internally reconcile with the fact that Xaden being a venin makes it impossible for her to generalize venin any further, but there's definitely still an undercurrent of "he's not like other venin!!" I think this COULD be a logical progression of the story, and, partially, I think it makes sense for it to take a minute for her thought processes to shift. However, I think it needs to be better layered? And I think that when you have a book like this one with such a low barrier to entry, you need to do a bit more thematic hand-holding if you want people to really get things.

Anyway, this was all to say: Xaden loves her, and so, his soul is fine. HE's fine. He's not evil, he didn't marry her just to leave, he's not "team venin". Etc! I could go on about this further, and I think before book 4 I'll be pushed over the edge and do so. But, for now, I do think the direction Rebecca is pushing for is the "cure" being the power of love et. al.

Mommy Issues: We come back to Sgaeyl! I know some people think Sgaeyl breaks the bond with Xaden as part of his 12 hour plan, and again, I ask: literally how.

Basically, unlike his mother, Sgaeyl isn't leaving Xaden. When he breaks through the pulling from the earth haze, he asks Sgaeyl if she forsakes him, and she says:

"'What is there left of you to forsake?' Sgaeyl lowers her head and steam gusts down the canyon, reminding me of the moment she found me in the forest at threshing. (Yarros, 523)

My direct annotation here is : threshing! Threshing = choice. And I'm right! Threshing does equal choice. She has the option to forsake him, and she doesn't! Case closed. I will say, just as a side note, the idea that she'd leave him for being extra venin is wack as hell when he became extra venin for her. I don't think she was that heated about him being venin in the first place: the focus of her ire at the end of IF was that he "picked" Violet. "You cannot! I chose you!/ But Violet chose me too." She's just a pick me dragon at heart.

Quest Squad (Xaden's Version) I touched on this in response to my other ask about the ending, but now we're gonna go beat by beat.

Xaden starts what I call the quest intro by responding to Sgaeyl's threshing part 2 with:

"'You tell me.' I lower the ice and let her in."

Clearly, this is Xaden showing Sgaeyl whatever plan he's been concocting in his head.

Sgaeyl's response:

"Her next breath is laced with sulfur, and her eyes widen. 'You cannot mean to--'"

Now, this is just needlessly vague to make sure we buy the next book. Like we weren't going to anyway. Thank you for extorting me, Red Tower. However, at the very least, it reveals that his plan is, shall we say, problematic? Controversial? Illegal?

Then, we have (from Xaden)

"'You saw what happened. It is the only way.' She glances over her shoulder. 'And you think she'll help?' 'She loves me.' 'Tairn does not, and you haven't looked in a mirror yet. The red veins branching from your eyes look like her lightning.' 'She'll help.' It comes out with a hell of a lot more certainty than I feel. 'She promised.'"

Line by line time!

"it is the only way" is mad interesting from Xaden "the right way isn't the only way" Riorson. It could just be the influence of being venin on his psyche---everything feels more serious now, and he himself is more intense. But it's such an interesting switch, especially since Violet's assumed his way of thinking from FW.

At first I thought the pronoun fuckery in SHE'll help/SHE loves me was meant to indicate that the she in question was not actually Violet, but I don't think so anymore. I do think it's intentionally misleading! Again, for the money. But, more than that, I think Sgaeyl is glancing over her shoulder AT Violet and Tairn to indicate who they're yapping about.

Now, how will she help? I think this is a separate quandary than the marriage (hence where I broke up the text). Personally, I think this is him saying Vi goes with him to get the eggs/kill the dragons/etc.

The veins branching from his eyes are intriguing. I know he says he's no longer an initiate on this page, but I don't think he's an Asim either? According to Mr. Drake Cordella's venin compendium, Asim's veins distend only when riled, but Sage's veins are perpetually distended. (Iron Flame chapter 47 epigraph). I guess we'll see? I don't know, it would make sense to me if he was a sage, but who knows.

And, finally, what the hell did she promise?

WAY earlier on in the book, Xaden says:

"Swear you'll sound the alarm if I go too far, that you'll keep it safe, even if it's from me." (Yarros, 58)

This is what I think he's referring to! I know @hockeyspiral23 thinks the 'it' in question is actually the sword of Tyrrendor (correct me if I'm wrong!!) and not Tyrrendor itself. I definitely think there's something to that theory.

A few pages later, Xaden says:

"I'll use Tyrrendor to protect you, not you to protect Tyrrendor." (Yarros, 102)

Not to be a broken record, but again: Intentionally! Misleading! Content! I think you're SUPPOSED to interpret the promise as Violet saying she'll protect Tyrrendor from Xaden, and Xaden saying he's "gone too far". But when you actually look at the text, there's no way that's what he's saying. First of all, why would Sgaeyl think THAT plan wouldn't work with Tairn? Tairn does NOT fuck with Xaden right now. And then, why would Xaden Riorson, president and CEO of the Violet Sorrengail fan club, prioritize Tyrrendor over Violet? He cares about Tyrrendor, sure, but in the face of VIOLET? It doesn't compare. It just doesn't! ("I love you more than this city. Do not die defending it.") He's not winning any king of the year awards with those priorities, but that doesn't make it any less true. I basically already have a post ranting about this, (here! If you're curious) so I'm going to cut myself off here. Basically, we have to remember who Xaden actually is when we try to contextualize this vague ass chapter.

And then, wedding bells!

"'Even if she agrees, no one will--'

'Someone owes me a favor.'" (Yarros, 524)

This is the part of the quest that I think is more directly the marriage issue. This has already been covered elsewhere, but the Priestess from Dunne's temple says she owes Xaden a favor earlier on. She goes on to officiate their marriage. I just think the wording makes it clear that this is a multi-step plan. (How can Violet "help" with her own marriage?)

I already quoted the absolute banger "What even am I? Hers." But I'm going to bring it up again! His loyalty, primarily, is to Violet. Whatever quest he's going on, it's FOR HER. He steals the eggs FOR HER. He''s taking them somewhere FOR HER. I don't know how to make that any clearer, but if I keep seeing people misinterpret it, I'll probably try again.

Agency!

The final bit I'm going to pull is Sgaeyl saying:

"And her decision will determine our fate." (Yarros, 524).

I think this just really succinctly makes clear my 573938503 argument above. Violet gets final say on Quest Squad (Xaden's Version) but whatever he does do, he's doing it with Sgaeyl. I know there's some good bits Rebecca's said throughout the tour that support this interpretation, but I don't think I need them quite yet. Maybe next time!

For now, that's all. I'll see y'all back here with Violet's chapter in a bit!