#can yaman icons

[hel-dolunay]

Icons Can Yaman.

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[bolatserkan]

—  E R K E N C I K U S

you are my albatross who is flying past me all the time, but you couldn't find me anywhere because I was in ashes and the only fire who can burn me into life was you - Sanem Aydin.

[thatsness]

If you use it pls like/reblog and use the credits. 🙏🥰

Can Yaman - icons

[tnishadi]

Random Actors

[beevean]

Castlevania: Aria of Sorrow

Can’t Wait Until Night

[odorareicons]

[fleetwoodmar]

can yaman gif pack !

click HERE to find #269 gifs of can yaman in erkenci kuş ( episode 4 and 150 ). all gifs were made by me from scratch. if you want to make them into gif icons, you can as long as you credit me by @’ing me and don’t make them smaller than 100px. don’t claim as your own. don’t use these for taboo plots. feel free to give this a like or reblog if you found this useful, and enjoy! content warning: hospital

[absolutebl]

so, i really enjoyed earthmix in moonlight chicken and i get the vibe gmmtv wanted to build on that and give them another 'mature gays' type series/ie at least sth non-school based. im all for that on principle but sadly ossan's love sounds like.. not my cup of tea at all (unless they go slice of life/serious on it i suppose). my question is: which jbl in the vein of older/messy queers would you have handed to earthmix instead (if forced lol)?

Which JBL IP should EarthMix have gotten?

Double Mints?

HA! I kill me.

Cherry Magic?

snerk.

Lemme think.

Fujimi Orchestra

Honestly? They's be fucking BRILLIANT in this one. OMG it suits them so well. But Thailand doesn't really have it in them to do a full orchestra BL so they'd need to move it into an office or something. Not sure if that would work for this IP.

But the personalities and the egos and the battle of wits and talent and ANGST = chef's kiss!

Candy and Kiss

This is a lot softer, but the setting is fun and Thailand (the land of malls) has yet to do a BL set in a mall.

Just take over Icon Siam... you know you wanna GMMTV.

The product placement opportunities ALONE.

However, you wanted messy?

Jack o'Frost

But it's not my style. Still EarthMix would have a ton of fun with it.

Can I pick a manga?

The Finder Series (#1 = Target in the Finder) by Ayano Yamane.

Kinky and graphic (so actually it's more Domundi's style than GMMTV but EarthMix could hack it)

Mafia boss with very questionable morals and lots of fetiches picks up a student photographer and for various reasons, a lot of them involving handcuffs and rope, they end up dating.

Honestly, you know what I'd REALLY love?

A Thai take, with a happy ending, staring EarthMix of Taiwan's brilliant but super flawed Dark Blue and Moonlight.

How's that for a long pull?

On a different note can I PLEASE hand over:

Silhouette of Your Voice AKA Hidamari ga Kikoeru

better known as:

I Hear the Sunspot

To Gem4?

Pretty please?

They would be utterly amazing and it would be brilliant and I am gutted that Mix-up was given to them when this BRILLIANT little IP is just LANGUISHING.

Who's with me?

[alexstudyjapanese]

Godzilla

Coming into Godzilla, I was expecting an outdated and less engaging monster film. Luckily, I was wrong about both of those things. Having recently watched Godzilla vs. Kong (2019), I can say this was by far the more entertaining film of the two, packing in an emotionally engaging plot and underlying themes and messages relevant to the world at that time period especially.

A major thing that was done better in this film than Godzilla vs. Kong was the emphasis on the impact on each individual. Families scrambled to find out information on their missing loved ones. A single home is destroyed, and people are shown grieving their lost loved ones. Compare this to Godzilla vs. Kong’s final battle, where countless buildings were destroyed and seemingly hundreds of thousands perished, yet the impact on citizens of Hong Kong was largely ignored. I had more emotional investment in Serizawa’s death, for example, than the entire Godzilla vs. Kong.

This humanity centered approach has some parallels with the bombing of Japan during WW2 just a decade prior. The way hospitals filled up reminded me of a short story I read recently detailing the experience of a survivor of the Hiroshima bombing. To add to this, some patients had measurable levels of radiation poisoning. Perhaps this film served as a way to cope with the tragedy that was the atomic bombings in Japan, and form it into a cultural icon.

The film also provides important commentary on the dangers of the thirst for power. Godzilla only emerges as a result of H-bomb testing, a government’s thirst for destructive power. A similar thirst for power is seen in the militaristic approach to find a way to kill Godzilla. Even Dr. Yamane says “all they can think about is killing Godzilla,” suggesting approaches other than violence should be considered as well. In the end, a miracle invention is able to stop Godzilla, but Dr. Yamane again has a powerful line, stating that if H-bomb testing continues, another Godzilla will emerge again. Godzilla in this sense serves as a metaphor for any unforeseen catastrophic results of H-bomb testing and other actions taken for the sake of power struggle.

Although in the end a weapon of mass destruction was used to kill Godzilla, the movie makes it a good point to highlight the responsibility that goes into using such a weapon. Serizawa knows that if his research reaches political hands, it will be used to gain power on the international stage and only continue the cycle of A-bomb, H-bomb, next powerful weapon of mass destruction. His sacrifice at the end of the movie, holding to his ideals, was powerful. Not only did he sacrifice his life, but also his life’s research and a chance at finding a way for his discovery to benefit humanity (other than killing Godzilla).

Although it can be seen that smaller models and perspective were used for many visual effects in this movie, it never gets in the way of my enjoyment and I think it was quite brilliantly done overall. Very good movie.

[loath3d]

independent & selective multimuse (canon & original character), run by manon (she/they; 28 y/o).

fandoms include: the x-files, hannibal, underworld, hill house, marvel, acotar, the empyrean, etc. beta editor ONLY. please read rules before interacting, though i'm quite chill and they're pretty basic. icons used here are all my own, though the template was made by the lovely @villainsrph (he has also made a majority of the graphics used on this blog, as a whole), and the psd used can be found HERE by @elitepsds with some edits by me.

carrd | ask

mobile muse list below! last updated 05/05/2024

BEDELIA DU MAURIER. primary. canon - hannibal (nbc). gillian anderson

ELEANOR CRAIN. primary. canon - haunting of hill house. victoria pedretti

OLIVIA CRAIN. secondary. canon - haunting of hill house. carla gugino

TONY STARK. primary. canon divergent - mcu. robert downey jr

PEPPER POTTS. primary. canon divergent - mcu. elizabeth mitchell / gwyneth paltrow

MARIA STARK. secondary. canon divergent - mcu. marion cotillard

SELENE. primary. canon - underworld series. kate beckinsale

SONJA. secondary. canon - underworld series. rhona mitra

JESSIE BURLINGAME. secondary. canon - wrong turn (2003). eliza dushku

DANA SCULLY. secondary. .canon - x files. gillian anderson

ROSALIE HALE. primary. canon - twilight saga. nikki reed

XADEN RIORSON. primary. canon - the empyrean. jan luis castellanos

RHYSAND. primary. canon - acotar. emin günenç

FEYRE ARCHERON. secondary. canon - acotar. danielle campbell

CASSIAN. primary. canon - acotar. can yaman

MORRIGAN. secondary. canon - acotar. gracie dzienny

AZRIEL. secondary. canon - acotar. fc tbd

VIOLET SORRENGAIL. secondary. canon - the empyrean. fc tbd

LUCY GRAY BAIRD. secondary. canon - tbosas & thg. rachel zegler

[andrewtverylegitimateblog]

Godzilla (1954)

Bring out the big lizard right now- George Lucas

Did George Lucas actually say this? Probably. Can I prove it in any way that's meaningful or scholarly. No. Even if he did it wouldn't even be close to the most impressive thing about this film. Godzilla is a cultural icon of immense renown. Spawning multiple films and inspiring the Kaiju film genre as a whole the very first Godzilla film is unique in its political message that would be lost over time as the focus in subsequent films shifted more to spectacle and Kaiju wrestling each other in Tokyo Bay. I'm something of a fan of Godzilla and feel that there's a lot to be admired about the original from the thrilling score that punctuates every film in which the eponymous manifestation of man's hubris appears or that the man who played Godzilla, Haruo Nakajima, could only film scenes for roughly three minutes at a time because the original Godzilla suit weighed over 200 ibs and very poorly ventilated. What I'll be focusing on though is not the things I already know about Godzilla but what I feel I noticed now after a second viewing after my time spent studying Japanese film.

If Godzilla asked a single question of it's audience I feel it's this: What is a monster?

Godzilla is a creature of pre-historic origin who has continued their life since ancient times living in the deepest and most obscure crevices of the sea. They're a force of nature, not generally moving beyond the coast of Odo Island where they hadn't appeared for some time and became a thing of legends. Their life was however utterly disturbed during hydrogen bomb tests in the waters of their home which set them out on a trail of rampage. As characters debate how to respond to Godzilla and prospectively how to defeat him the focus often is brought to his creation through bomb testing. Godzilla is a direct product of the misuse of science. Dr. Yamane, a zoologist and one of the main cast, frequently emphasizes that Godzilla is after all things a living thing and is highly opposed to killing Godzilla insisting that there's much to be learned from studying him.

The character that I felt I was more drawn to on a second watching or perhaps who I could better contextualize was Dr. Serizawa. Much like Dr. Yamane, Serizawa is another scientist. Having spent weeks in seclusion it's revealed that he's discovered something incredibly deadly. Serizawa is aware of the danger his research poses to humanity and that if those in power were to be made aware of what he found it would not be long until it was transformed into a weapon so he dedicates all of his time for finding a way in which his discovered could be beneficial to humanity. Dr. Serizawa was compelling to me in a way now that he wasn't originally. Among all of the films we've seen up to this point in class Dr. Serizawa is the only character to take war time accountability. While he may not have been responsible for the creation of the atomic bomb it's use has made him aware of the power that scientists wield, that their discoveries can and will be used for destruction, and that as a scientist himself he is complicit if he allows his discoveries to be used to this end.

Serizawa uses his Oxygen Destroyer, the product of his research, to kill Godzilla and in the final scene Dr. Yamane laments "If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear". It was not Godzilla that was a monster, it was that which cast him from his home.

I feel very much that this is among the greatest films of all time. It's discourse on our relationship with the environment and our power to influence the world around us for better or worse is still and perhaps more than ever a very salient message. Even for the obvious technical limitations of the time the creativity and attention to detail involved in Godzilla is impressive. It's one of the greatest monster movies for a reason. The giant lizard is one of my favorite allegories for mans hubris.

[hel-dolunay]

Icons Can Yaman.

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[wanderingnork]

for end of the year book asks: 3 and 14 :)

3: Top five books of the year

Oh damn...that's TOUGH considering how much I read. Let me give it a shot. In no particular order!

Thick as Thieves: #5 in the Queen's Thief series. It's an amazing roadtrip story, full of beautiful invented mythology, wonderful character growth, lovely prose, nuanced worldbuilding, politics politics and more politics, and one of the best all-but-openly-stated romances I've ever read. The local himbo fights a lion barehanded...for really no good goddamn reason. Local nerd spends the entire book trying not to fall in love with said himbo and fails miserably. Mythological figures literally follow these two around. The book recontextualizes all FOUR of the previous books in the series, somehow. Absolutely buckwild and so much fun.

Tongues of Serpents: #6 in the Temeraire series. I really enjoyed the worldbuilding here, and I loved...getting to see the protagonists happy. The previous book was HARD to read, though of the best technical quality in the series so far, so I can't call it my favorite. In this one, we start to see the protagonists' character development come into focus and really inspire them to take meaningful action. The ending is peaceful. The prose is GORGEOUS. The backdrop of international politics is elegantly handled without overrunning the central storyline. Just a lovely read and a breather in a series prone to being very serious and complicated.

Never Home Alone: A nonfiction book discussing the tiny life that lives around us and on us and inside us. It covers the tiny biomes and webs of life that surround us even when we can't see it. From house crickets to viruses, it's a loving examination of things we consider creepy and often overlook. Did you know that your hot water heater more than likely contains bacteria of the same genus that live in hot springs like Yellowstone, because the conditions of a hot water heater so closely resemble those? What I TRULY loved about this book, though, is that it didn't condemn readers or offer hopeless proclamations. I read a lot of ecological nonfiction and those are things I see a lot. This book offered gentle, straightforward, and meaningful suggestions for people who may not have easy access to The Great Outdoors or the resources to take huge action. It encourages closer study of the things that share our homes, opening our windows to invite the outside in, and offering compassion to things that we find creepy--because they're part of our homes and lives and just as important to the health of our planet as the bigger, cuter, easier-to-see life.

Otherlands: This is a beautiful book that takes readers on a journey into deep time. It takes a narrative journey through a variety of pre-human places and times, starting with the plains of Alaska 20,000 years ago and ending in the Ediacaran seas 555 million years ago. It offers a glimpse of many lesser-known places and times around the world. Not just the iconic locations like the Burgess Shale or the Morrison Formation, but places where our understanding might be based on just a few small fossils--like fossil filaments from the Yaman Kasy sulfide deposits in the Ural Mountains of Russia. The author reconstructs an environment of the ancient life around hydrothermal vent deposits laid down 435 million years ago, in the Silurian period. It's a wonderful journey into the past. I could have done with a little more "what can we do to fight climate change" and hope toward the end of the book, but that's a personal quibble.

Empire of Ants: A book about ants and why we should love them. It talks about the unique life cycles of different species, the diversity of ants, the wonderful complexity of their lives. Sheer adoration just shines out of every word in this book. We learn about how entomologists actually study ants, hear anecdotes about collection and study, and what experiments can look like and why we care about them. The author, though, freely admits she just loves ants for the sake of ants. Ever since reading this book, I've felt nothing but affection for the little insects. I find myself looking down more often and studying the ants I see. After learning about how leafcutter ants have an almost janitorial class in their nests to maintain their fungal farms, I--as a janitor by profession--have started calling leafcutter ants my professional colleagues. It's not entirely a joke: their industriousness and care of their colonies genuinely inspires me. That wouldn't have happened without this book.

14: What books do you want to finish before the year is over?

Due to personal events right now, I'm not actively reading any new books. But!!! I've started a reread of the early Legend of Drizzt books, since my love of Forgotten Realms and specifically the Underdark has been reawakened by Baldur's Gate 3, and I'll be reading those through the end of the year. It's not taking in something new; it's reacquainting myself with old and cherished friends. It's been a long time since I read them, and I'm definitely looking with new eyes. I haven't lost any affection for them, but...I can definitely say that my style has outgrown these early books. I could do without some of the weirder aspects of drow society and I can see ways to alter or do away with them *without* destroying the overall plot of the books or Drizzt's character and narrative. But the descriptions of the eerie, monster-filled-yet-wondrous Underdark, the fantastical city of Menzoberranzan, and the marvelous monsters...yeah. Those still hold up and ring true.

Also, I can really see where I got my style writing fight scenes. I have no objections to that. They're good.

[thatsness]

If you use it pls like/reblog and use the credits. 🙏🥰

Can Yaman - icons

[tnishadi]

Can Yaman

[beevean]

🔥 for Castlevania

Aside from the obvious "NFCV is a failure both as an adaptation and as its own work and no interpretation of the character can match the original (Dracula comes close but ehh)"...

PoR is the best DS game and probably my second favorite 2D Igavania. It's fun and cute and charming and well designed :D

CoTM is not a fun game, and its famed difficulty is mostly fake and frustrating. OoE did the "hard as balls Igavania" thing better.

Speaking of OoE, the linear levels were IMO not the best idea to shake up the formula. I far preferred Dracula's Castle to the entirety of the main game.

HoD is not nearly as bad as people say, not even in the presentation department. Yes, I like how THE COLORS FEELS SO RIGHT it looks, and I like how the environments make no sense - while SoTN's castle is iconic in how it feels like a real place, HoD's take on the "creature of Chaos" is also fascinating. Also I like most of the OST, precisely for how eerie it feels.

AoS has my least favorite OST, and it's mostly due to how muffled it sounds - no way this comes from a 2003 game, same as this! (also it has some tracks I really find unmemorable, which is shocking coming from Yamane-san)

I never got much into the Sorrow's story and characters. I like Soma well enough, but I feel AoS's plot is very boring and didn't do enough to make me like the characters. DoS is... a bit of a special case lol, you can tell they didn't quite know how to write a sequel to a very conclusive game like AoS. And yes, this means I find Julius lowkey overrated.

I never found SCIV that impressive, perhaps because it was my first or second CV game at all. The one thing I remember from it, aside from the huge graphical flexes lol, is how indecisive the difficulty is. Bloodlines is the superior title IMO.

Belmont's Revenge is legit one of the best Classicvanias and it deserves more love. Absolute slapper of an OST too.

CoD is superior to LoI in almost every way. The latter has absolutely the better art direction and environments, but it has so many odd gameplay choices like the lack of a leveling up system, the quick menu to pick up items, and the non-existent depth perception. A CoD remake that only touches up the graphics and the running speed would be nearly perfect to me, while a LoI remake would need a lot more to be on the same level IMO.

I don't know what counts as unpopular regarding C2 nowadays... it feels like it's getting more recognition now? My opinion is that, while the concept of racing against the clock to save Simon from a curse that is rotting him from the inside out is great and the final section is surprisingly chilling, no amount of ambition can redeem all the flaws that come from a Zelda 2-esque game made in an era where you were expected to buy Nintendo Power.

I think I covered nearly every game I played :P nothing unpopular to say about the others.