#can yaman icons
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Icons Can Yaman.
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— E R K E N C I K U S
you are my albatross who is flying past me all the time, but you couldn't find me anywhere because I was in ashes and the only fire who can burn me into life was you - Sanem Aydin.
#erkenci kus#erkenci kuş#sanem aydin#can divit#demet ozdemir#can yaman#erkenci kus icons#canem#canem icons#otp
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If you use it pls like/reblog and use the credits. 🙏🥰
Can Yaman - icons
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Random Actors
#icons#200x200#actors#matt damon#Paul Newman#Jason Statham#Ryan Kwanten#Tyler Hoechlin#Jared Padalecki#Can Yaman#Ian Somerhalder#Vin Diesel
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Castlevania: Aria of Sorrow
Can’t Wait Until Night
#Castlevania#castlevania music#aria of sorrow#music of the day#the theme that made me realize that heart of fire actually slaps a lot#i think yamane liked the music from haunted castle lol#anyway what can be said about this iconic theme#i wish it had a better soundfont and even better gba guitars but that's the only nitpick#how cool is that this is the entrance theme in julius mode <3
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can yaman gif pack !
click HERE to find #269 gifs of can yaman in erkenci kuş ( episode 4 and 150 ). all gifs were made by me from scratch. if you want to make them into gif icons, you can as long as you credit me by @’ing me and don’t make them smaller than 100px. don’t claim as your own. don’t use these for taboo plots. feel free to give this a like or reblog if you found this useful, and enjoy! content warning: hospital
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so, i really enjoyed earthmix in moonlight chicken and i get the vibe gmmtv wanted to build on that and give them another 'mature gays' type series/ie at least sth non-school based. im all for that on principle but sadly ossan's love sounds like.. not my cup of tea at all (unless they go slice of life/serious on it i suppose). my question is: which jbl in the vein of older/messy queers would you have handed to earthmix instead (if forced lol)?
Which JBL IP should EarthMix have gotten?
Double Mints?
HA! I kill me.
Cherry Magic?
snerk.
Lemme think.
Fujimi Orchestra
Honestly? They's be fucking BRILLIANT in this one. OMG it suits them so well. But Thailand doesn't really have it in them to do a full orchestra BL so they'd need to move it into an office or something. Not sure if that would work for this IP.
But the personalities and the egos and the battle of wits and talent and ANGST = chef's kiss!
Candy and Kiss
This is a lot softer, but the setting is fun and Thailand (the land of malls) has yet to do a BL set in a mall.
Just take over Icon Siam... you know you wanna GMMTV.
The product placement opportunities ALONE.
However, you wanted messy?
Jack o'Frost
But it's not my style. Still EarthMix would have a ton of fun with it.
Can I pick a manga?
The Finder Series (#1 = Target in the Finder) by Ayano Yamane.
Kinky and graphic (so actually it's more Domundi's style than GMMTV but EarthMix could hack it)
Mafia boss with very questionable morals and lots of fetiches picks up a student photographer and for various reasons, a lot of them involving handcuffs and rope, they end up dating.
Honestly, you know what I'd REALLY love?
A Thai take, with a happy ending, staring EarthMix of Taiwan's brilliant but super flawed Dark Blue and Moonlight.
How's that for a long pull?
On a different note can I PLEASE hand over:
Silhouette of Your Voice AKA Hidamari ga Kikoeru
better known as:
I Hear the Sunspot
To Gem4?
Pretty please?
They would be utterly amazing and it would be brilliant and I am gutted that Mix-up was given to them when this BRILLIANT little IP is just LANGUISHING.
Who's with me?
#asked and answered#Target in the Finder#ABL gets obscure with bl#Japan failed give it to EarthMix#Fujimi Orchestra#Candy and Kiss#Ayano Yamane#GMMTV#Silhouette of Your Voice#gem4#geminifourth#Hidamari ga Kikoeru#I Hear the Sunspot
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Not having a fun time work-wise so I'm gonna keep my sanity here by giving my last-minute Survivor predictions for the Castlevania chapter in Dead by Daylight.
My serious predictions for the Survivor: Alucard and/or Richter Belmont
It's gotta be one of them. Alucard is iconic and, like... THE Castlevania character. And Richter was in multiple games, one of which with Alucard, and is in the current Netflix show. The DBD license is specifically for the games alone, but I think the Netflix boost indirectly also makes him likely.
They also both have several cosmetics options to go for. Alucard can have SotN, CV3 (lol), Judgment, the Genya Arikado disguise (LOVE that one ❤️), etc. Richter has his very 80s headband from Rondo of Blood, the longhair look from SotN, and (my favorite) the Dracula X Chronicles look that is kinda the most similar to the Netflix show design.
I could also see Richter + Maria (SotN specifically) as a Survivor pair, if the chapter comes with two Survivors like the Resident Evil ones did. In that case, Alucard would work well as a Legendary skin and it'd be the whole SotN crew.
Soma Cruz is a darkhorse pick here too though! He starred in two games, one of which is widely considered a close second best of the Metroidvanias to SotN, is very memorable given his connection to Dracula, and has a modern aesthetic that might fit DBD best. I'd be very happy with him getting in as well.
...I just hope it's NOT Simon Belmont. Yeah, he's the original Belmont (as far as game releases go, not chronologically in-universe), but who really cares about him lol. Also I'm shallow and hate the barbarian design he has in the old games and Smash Bros. At least give him the BDSM redhead look from Castlevania Chronicles or something if it has to be him. But he'd be literally the single most disappointing-yet-realistic pick for me.
Now, for my less-realistic, personal wishes for the Survivors? I looooooove Leon Belmont, and his design is so fantastic, god I love him.
He's the chronological first Belmont and even got a little nod in the Netflix show, so I think he maaaaaaybe could have a chance as a Legendary skin at least? I'm a big Lament of Innocence fan (2nd favorite Castlevania), I would go so nuts for that.
And my other dream picks (that are less likely) would be Jonathan Morris and Charlotte Aulin as a Survivor pair! Portrait of Ruin is my #1 favorite Castlevania and I played the hell out of that game. Loved those two and their dynamic, they were such a fun little pair. And I like the red/blue color palette they bring (and Charlotte has one of my favorite designs in video games tbh, she has such a cute outfit).
They could also have some new Teamwork perks (or whatever the Thalita and Renato ones are called; I kinda forget because nobody uses them lmao). And lobby lines for each other of "Jonathan!" "Charlotte!" because those little voice clips are seared into my brain forever.
Not really much they could do cosmetic-wise though, unless they had alt costumes in whatever that one iOS-only mobile game is. I guess they could do a wedding dress for Charlotte (from the one unlockable armor set in that game, even if it didn't change her sprite) and maybe Jonathan could get an outfit inspired by his dad's in Castlevania: Bloodlines?
Dracula is obviously going to be the Killer so I'm not gonna speculate on that. I do wonder what his chase and terror radius music will be like, though! Will they get Michiru Yamane to do the music like they got Akira Yamaoka to do the music for Pyramid Head? Hopefully it's good, like... you've GOTTA have good Castlevania music, it's like a staple of the series.
#me: i can't focus to write :(#also me: anyway here's word vomit about dead by daylight speculation and hopes and a thinly-veiled excuse to talk about CV faves#h.text#h.VaniaVomit
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Godzilla
Coming into Godzilla, I was expecting an outdated and less engaging monster film. Luckily, I was wrong about both of those things. Having recently watched Godzilla vs. Kong (2019), I can say this was by far the more entertaining film of the two, packing in an emotionally engaging plot and underlying themes and messages relevant to the world at that time period especially.
A major thing that was done better in this film than Godzilla vs. Kong was the emphasis on the impact on each individual. Families scrambled to find out information on their missing loved ones. A single home is destroyed, and people are shown grieving their lost loved ones. Compare this to Godzilla vs. Kong’s final battle, where countless buildings were destroyed and seemingly hundreds of thousands perished, yet the impact on citizens of Hong Kong was largely ignored. I had more emotional investment in Serizawa’s death, for example, than the entire Godzilla vs. Kong.
This humanity centered approach has some parallels with the bombing of Japan during WW2 just a decade prior. The way hospitals filled up reminded me of a short story I read recently detailing the experience of a survivor of the Hiroshima bombing. To add to this, some patients had measurable levels of radiation poisoning. Perhaps this film served as a way to cope with the tragedy that was the atomic bombings in Japan, and form it into a cultural icon.
The film also provides important commentary on the dangers of the thirst for power. Godzilla only emerges as a result of H-bomb testing, a government’s thirst for destructive power. A similar thirst for power is seen in the militaristic approach to find a way to kill Godzilla. Even Dr. Yamane says “all they can think about is killing Godzilla,” suggesting approaches other than violence should be considered as well. In the end, a miracle invention is able to stop Godzilla, but Dr. Yamane again has a powerful line, stating that if H-bomb testing continues, another Godzilla will emerge again. Godzilla in this sense serves as a metaphor for any unforeseen catastrophic results of H-bomb testing and other actions taken for the sake of power struggle.
Although in the end a weapon of mass destruction was used to kill Godzilla, the movie makes it a good point to highlight the responsibility that goes into using such a weapon. Serizawa knows that if his research reaches political hands, it will be used to gain power on the international stage and only continue the cycle of A-bomb, H-bomb, next powerful weapon of mass destruction. His sacrifice at the end of the movie, holding to his ideals, was powerful. Not only did he sacrifice his life, but also his life’s research and a chance at finding a way for his discovery to benefit humanity (other than killing Godzilla).
Although it can be seen that smaller models and perspective were used for many visual effects in this movie, it never gets in the way of my enjoyment and I think it was quite brilliantly done overall. Very good movie.
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independent & selective multimuse (canon & original character), run by manon (she/they; 28 y/o).
fandoms include: the x-files, hannibal, underworld, hill house, marvel, acotar, the empyrean, etc. beta editor ONLY. please read rules before interacting, though i'm quite chill and they're pretty basic. icons used here are all my own, though the template was made by the lovely @villainsrph (he has also made a majority of the graphics used on this blog, as a whole), and the psd used can be found HERE by @elitepsds with some edits by me.
carrd | ask
mobile muse list below! last updated 05/05/2024
BEDELIA DU MAURIER. primary. canon - hannibal (nbc). gillian anderson
ELEANOR CRAIN. primary. canon - haunting of hill house. victoria pedretti
OLIVIA CRAIN. secondary. canon - haunting of hill house. carla gugino
TONY STARK. primary. canon divergent - mcu. robert downey jr
PEPPER POTTS. primary. canon divergent - mcu. elizabeth mitchell / gwyneth paltrow
MARIA STARK. secondary. canon divergent - mcu. marion cotillard
SELENE. primary. canon - underworld series. kate beckinsale
SONJA. secondary. canon - underworld series. rhona mitra
JESSIE BURLINGAME. secondary. canon - wrong turn (2003). eliza dushku
DANA SCULLY. secondary. .canon - x files. gillian anderson
ROSALIE HALE. primary. canon - twilight saga. nikki reed
XADEN RIORSON. primary. canon - the empyrean. jan luis castellanos
RHYSAND. primary. canon - acotar. emin günenç
FEYRE ARCHERON. secondary. canon - acotar. danielle campbell
CASSIAN. primary. canon - acotar. can yaman
MORRIGAN. secondary. canon - acotar. gracie dzienny
AZRIEL. secondary. canon - acotar. fc tbd
VIOLET SORRENGAIL. secondary. canon - the empyrean. fc tbd
LUCY GRAY BAIRD. secondary. canon - tbosas & thg. rachel zegler
#❛ out of character … cannibal mother.#credits for a majority of graphics goes to briar / villainsrph!#unless otherwise stated!
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Icons Can Yaman.
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Godzilla (1954)
Bring out the big lizard right now- George Lucas
Did George Lucas actually say this? Probably. Can I prove it in any way that's meaningful or scholarly. No. Even if he did it wouldn't even be close to the most impressive thing about this film. Godzilla is a cultural icon of immense renown. Spawning multiple films and inspiring the Kaiju film genre as a whole the very first Godzilla film is unique in its political message that would be lost over time as the focus in subsequent films shifted more to spectacle and Kaiju wrestling each other in Tokyo Bay. I'm something of a fan of Godzilla and feel that there's a lot to be admired about the original from the thrilling score that punctuates every film in which the eponymous manifestation of man's hubris appears or that the man who played Godzilla, Haruo Nakajima, could only film scenes for roughly three minutes at a time because the original Godzilla suit weighed over 200 ibs and very poorly ventilated. What I'll be focusing on though is not the things I already know about Godzilla but what I feel I noticed now after a second viewing after my time spent studying Japanese film.
If Godzilla asked a single question of it's audience I feel it's this: What is a monster?
Godzilla is a creature of pre-historic origin who has continued their life since ancient times living in the deepest and most obscure crevices of the sea. They're a force of nature, not generally moving beyond the coast of Odo Island where they hadn't appeared for some time and became a thing of legends. Their life was however utterly disturbed during hydrogen bomb tests in the waters of their home which set them out on a trail of rampage. As characters debate how to respond to Godzilla and prospectively how to defeat him the focus often is brought to his creation through bomb testing. Godzilla is a direct product of the misuse of science. Dr. Yamane, a zoologist and one of the main cast, frequently emphasizes that Godzilla is after all things a living thing and is highly opposed to killing Godzilla insisting that there's much to be learned from studying him.
The character that I felt I was more drawn to on a second watching or perhaps who I could better contextualize was Dr. Serizawa. Much like Dr. Yamane, Serizawa is another scientist. Having spent weeks in seclusion it's revealed that he's discovered something incredibly deadly. Serizawa is aware of the danger his research poses to humanity and that if those in power were to be made aware of what he found it would not be long until it was transformed into a weapon so he dedicates all of his time for finding a way in which his discovered could be beneficial to humanity. Dr. Serizawa was compelling to me in a way now that he wasn't originally. Among all of the films we've seen up to this point in class Dr. Serizawa is the only character to take war time accountability. While he may not have been responsible for the creation of the atomic bomb it's use has made him aware of the power that scientists wield, that their discoveries can and will be used for destruction, and that as a scientist himself he is complicit if he allows his discoveries to be used to this end.
Serizawa uses his Oxygen Destroyer, the product of his research, to kill Godzilla and in the final scene Dr. Yamane laments "If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear". It was not Godzilla that was a monster, it was that which cast him from his home.
I feel very much that this is among the greatest films of all time. It's discourse on our relationship with the environment and our power to influence the world around us for better or worse is still and perhaps more than ever a very salient message. Even for the obvious technical limitations of the time the creativity and attention to detail involved in Godzilla is impressive. It's one of the greatest monster movies for a reason. The giant lizard is one of my favorite allegories for mans hubris.
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If you use it pls like/reblog and use the credits. 🙏🥰
Can Yaman - icons
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🔥 for Castlevania
Aside from the obvious "NFCV is a failure both as an adaptation and as its own work and no interpretation of the character can match the original (Dracula comes close but ehh)"...
PoR is the best DS game and probably my second favorite 2D Igavania. It's fun and cute and charming and well designed :D
CoTM is not a fun game, and its famed difficulty is mostly fake and frustrating. OoE did the "hard as balls Igavania" thing better.
Speaking of OoE, the linear levels were IMO not the best idea to shake up the formula. I far preferred Dracula's Castle to the entirety of the main game.
HoD is not nearly as bad as people say, not even in the presentation department. Yes, I like how THE COLORS FEELS SO RIGHT it looks, and I like how the environments make no sense - while SoTN's castle is iconic in how it feels like a real place, HoD's take on the "creature of Chaos" is also fascinating. Also I like most of the OST, precisely for how eerie it feels.
AoS has my least favorite OST, and it's mostly due to how muffled it sounds - no way this comes from a 2003 game, same as this! (also it has some tracks I really find unmemorable, which is shocking coming from Yamane-san)
I never got much into the Sorrow's story and characters. I like Soma well enough, but I feel AoS's plot is very boring and didn't do enough to make me like the characters. DoS is... a bit of a special case lol, you can tell they didn't quite know how to write a sequel to a very conclusive game like AoS. And yes, this means I find Julius lowkey overrated.
I never found SCIV that impressive, perhaps because it was my first or second CV game at all. The one thing I remember from it, aside from the huge graphical flexes lol, is how indecisive the difficulty is. Bloodlines is the superior title IMO.
Belmont's Revenge is legit one of the best Classicvanias and it deserves more love. Absolute slapper of an OST too.
CoD is superior to LoI in almost every way. The latter has absolutely the better art direction and environments, but it has so many odd gameplay choices like the lack of a leveling up system, the quick menu to pick up items, and the non-existent depth perception. A CoD remake that only touches up the graphics and the running speed would be nearly perfect to me, while a LoI remake would need a lot more to be on the same level IMO.
I don't know what counts as unpopular regarding C2 nowadays... it feels like it's getting more recognition now? My opinion is that, while the concept of racing against the clock to save Simon from a curse that is rotting him from the inside out is great and the final section is surprisingly chilling, no amount of ambition can redeem all the flaws that come from a Zelda 2-esque game made in an era where you were expected to buy Nintendo Power.
I think I covered nearly every game I played :P nothing unpopular to say about the others.
#castlevania#castlevania 2#super castlevania iv#circle of the moon#harmony of dissonance#aria of sorrow#lament of innocence#portrait of ruin#order of ecclesia
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