#can this game stop fucking me i'm here for the hahas
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mocchii-writes · 16 hours ago
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Hiiii! Could you do a Thanos x reader where the reader has a really shitty ex who’s in the games and is being cruel to her and Thanos just straight up wipes the floor with him?
Bonus points if he also gets him eliminated in the next game haha
In the Storm, I Stay Clear
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Paring: Choi Su-bong (Thanos) x fem!reader
Summary: After your ex is unfortunately in the games, but Thanos doesn't hesitate to do you a favor.
Words: uhh a few
Warnings: Swearing, bullying :<
A/n: Grr, I know this is short, but I have a lot of req rn. I'm sorry ˚ʚ♡ɞ˚
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You really thought your day couldn't get any worse. You were practically kidnapped, stripped of your belongings, and thrown into a concrete cage with hundreds of other people. But luck had decided to leave you in the dust, apparently. You had survived the Six-Legged Pentathalon with little to no struggle, though it was totally jarring. You're trying to relax when you hear a chilling sound.
"I didn't know there was a rat problem here. Though I wouldn't put it past this place." It calls. You freeze. Why was your ex here? Your mind flows a tsunami of thoughts through you before you organize them and respond.
"Get lost, I don't want to talk to you." You think it seems direct enough that he'll scoff and leave, but that's really your mistake.
"Why so aggressive? The past is the past! C'mon, ease up!" By now, he's walked around to look at you. You simply continue eating your food, easily ignoring what he says and sniffling a laugh. "Hey!" He snaps, dropping his cocky demeanor. "Who the fuck do you think you are?"
You can't catch yourself when you let your guard down for a second. He swipes his hand across your tray, knocking the food down and onto the floor. It rattles with a loud clank that turns eyes to you two. He smirks and looks back at you.
"This isn't over, bitch. Do you think you can just run away from your problems?" He steps closer, lowering his voice as you keep your face stone. "I'll make sure you know what it feels to be hurt." He says. It's a stupid threat. It's much too vague to be taken seriously, and he looks really dumb at this angle. You snicker at him, which is a mistake, apparently.
You hear the gasps before the stinging on your face, but you're not surprised. He winds up to slap you again, but he's jerked by something. You finally lift your head back up to see him, but it's not him you see.
It was Thanos, though that's probably not his name. He had made himself quite popular, and you wouldn't deny the fact he had the face for fame. He's holding your ex by the collar, pulling him to look at his face. He mutters something you can't hear, and swiftly lands a punch straight to his jaw.
Unsurprisingly, your ex stumbles to the ground, rubbing his jaw as he starts to get up. He's stopped, though, by a hard kick to his gut. He groans in pain as Thanos stomps onto his hand. Thanos pulls him back up.
"You clearly never learned how to treat women, no?" He says lowly, the boy shaking his head quickly, muttering apologies. "Don't apologize to me, bitch." Thanos twists your ex's shoulders around and you're face to face with him again, only this time he's pathetic.
"I'm... sorry..." He whispers, looking down at his hands, bruising quickly. This was a sight you would surely never forget. You smile, tilting your head.
"I can't hear you." You coo, laughing at his state as he mutters another louder apology. Thanos throws him back to the ground before fixing his hair and approaching you.
"Senorita, you know I'd never treat you like that if you were mine, yeah?" He says, looking at you with a new tint in his eyes.
"I admire your effort, but you gotta give it a moment." You smile, bringing your hands to his forearms. "Thank you." You say, quieter. You can tell his attitude softens, though you're unsure what shows it. His eyes remain confident, and he nods at you, smiling.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Mingle? It sounded simple enough to you, but that's not in practice. You haven't made a lot of friends here, so you'll have to hope for a pity party or a desperate group. You're jerked out of your thoughts by the circular platform you're standing on suddenly begining to spin. Eerily cheerful children's music begins to echo through the area, and a number is called out.
"Five."
Well, that's four too many, as your luck would bring it. Seemingly for your ex, too, as he comes running to you immediately. He's got a busted lip, and he's pleading with you about something, but you're not listening, tracking your eyes to search for people.
You feel a hand on your arm pull you backwards, but your ex has a string hand on your arm. You outstretched your arms, turning to look at the person on your other side. To no surprise, it's Thanos. He has 4 people behind him, and they're all looking at you. You try to run, but your ex is really not letting up his grip. Okay, now you're panicking. You glance to the large red clock.
00:08
You're not going to make it unless something is done about your situation you're frozen in. Lucky for you, a kick is heaved to the chest of your ex, sending him backward as you're dragged away before you can process it. The door is quickly sut behind you, and you turn to Thanos, his hand still holding your wrist.
"Thank you." You whisper. He smirks cockily, but you let it slide. He pulls his hand from your wrist to your hand as you hear gunshots echo. One less problem for you, I guess.
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Idk if I like this, but it was pretty fun to write ♡
~🍡🍡
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spectrum-core · 21 hours ago
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Fuck
Well, I saw this coming from miles away becaude of course the gacha game will throw any semblance of artistic integrity through the window if they can make cheap fanservice, hence why I made the og post in advance, I didn't want to elaborate more on it when it happened because whatever, people were already dicks about me making the initial post anyway lol
But a guy began bugging me about how the comparison made sense, actually, and I felt the need to elaborate with a final point about why I feel the comparison absolutely misses the point of what full stop is and represents and everything that made them special to me.
Ok, so this guy has been analyzing limbus ids for a while and trying to figure out common themes among them, his conclusion for sinclair ids was, simply put, these are people who are either extremely good at what they do but cant fully see it or arent proud of it (blade lineage, cinq), or people who are slow and trailing behind compared to their peers while also having the potential to be absurdly good at their line of work if they were given the proper support (molar office).
According to him, stephan would be the second case, a guy who is very bad at what he does but could be amazing at it with the proper motivation. The issue is that… if you look at stephan and i mean you really look at him instead of forcing him in a haha funny meme fandom archetype or mold him into whatever can fit the power fantasy of the month that'd be a limbus character, he's really not that.
That's not to say stephan lacks any talent at all, his pessimist and cautious personality makes me imagine he is probably a great planner, coming up with escape plans or alternatives if the team gets cornered or overwhelmed in any non color-fixer-chasing-them-with-killing-intent situation, his physical strength is also there, and i think he'd be at least half decent at unarmed one on one combat because of it, and i feel he appreciates this and the people around him do as well, he has talents and they are in plain sight, and he makes full use of them when the situation requires him to.
But the thing is… everything from his dice ranges to his card names to his passive name are very clear in one thing: he's fucking terrible at aiming and firing a gun, the very thing he's supposed to do and excel at if he doesn't want to lose money. Maybe he's nearsighted, maybe he has astigmatism, maybe he pulls the trigger too fast before being sure he's even aiming at a target, maybe his anxiety is so bad he's shaking and sweating constantly and his fine motor skills are shit because of that, maybe even all of these at the same time.
And it's not just stephan who has this going on either, liwei's keypage wouldn't be talking about "this is what people normally think and what i know i'm supposed to want but i simply can't see the point of all of it" (<- this is autism coding if you're delusional like me but i digress) if he was a "proper fixer", tamaki wouldn't be losing her cool regularly every time stephan begins to complain if she was a "proper fixer", everyone here is notoriously bad at their job one way or another due to things that are quite directly part of who they are so there's no "actually stephan would be a shi section 1 fixer if he wore glasses" or "liwei could become a color if he got rid of his gun and started fighting with a sword instead" for any of them, not without them losing who they are in the way as opposed to the character growth that represents sinclair.
For me these are average people, with average talents which can only take them so far, in a world where most people in their line of work has superhuman skills, and to make matters worse they're focusing their strengths in the wrong things, these aren't the people who will wake up one day and awaken whatever specialest boy ever superpower project moon comes up with next time and become the strongest people who ever lived in the city. Even if they decided to drop everything suddenly and start with something else, there's absolutely nothing they'd excel at.
And that's precisely the thing, they won't just drop everything and suddenly do something they are better at, because the sunk cost fallacy is a fucking bitch when you're risking bankrupcy with every job you take, and that's why the full stop office is to me, the tragedy of people who invested too much and worked for too long in the wrong thing and now they don't have the resources, time or evergy to reinvent themselves anymore even if it'd be better for them in the long run.
I wanted to write a cool conclusion or something but i dont have the energy so just take this instead
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STEPHCLAIR IS BAD AND YOU SHOULD FEEL BAD
Alternative title: a very angry (and tired) Full Stop fan's thesis.
ok, so me being the stephan/sinclair comparison's strongest hater is a bit i really like to lean into, but for the sake of keeping things semi-serious i will try to keep the actual essay content as free of me ranting my frustrations as humanly possible (which i mean commitement to the bit aside this will be hard bc it is frustrating to see people calling them both the same character, at best it shows a very surface level understanding of either character and at worst it shows just reducing them to cookie cutter meme fandom archetypes neither character actually fits into, so bear with me if i slip up and make unserious comments from time to time)
so before i start the actual essay let me say this: this essay doesnt even scratch the surface of how much i hate this comparison you guys cant even possibly fucking imagine ive been obssessed and i mean OBSSESSED with the full stop office since 2021 and im glad i wasnt in the limbus prerelease fanbase because if i had to see people comparing my beautiful boy and beloved best friend to a guy we had no info about other than "hes based of the guy from demian" i would have turned into the joker this is not even about saving my own mental health this is about sparing the entire pjm fandom of the monster i would have turned into
spoilers for ruina and limbus, universe terminology heavy and surface level references and interpretations of demian by herman hesse because imma keep it real with you guys the first and only time i read that book i was still in high school and i barely remember shit.
Table of contents:
Stephan - a summary
Sinclair - a summary 2.1. Emil Sinclair in Demian (1919) 2.2. Emil Sinclair in Limbus Company (2023)
Addressing common arguments
1.- Stephan - a summary
And of course I will start with Stephan, because I love him very much, just like Liwei he's one of my favorite pjm characters (yeah i like him more than your favorite popular character don't ask) so it's not surprising that i have A Lot to say about him, right?
And of course, I do.
As I said in the serrated duo post, a core part of my perception of the Full Stop office depends on the fact that they are poor. Mentions of money are common all across many factions in the game, yes, but the Full Stops are extremely constant about money, how taking a wrong turn means losing more than they can afford, how they can't afford to drop their weapons because they were too expensive, how even getting the permissions to be able to buy and wield these weapons was ridiculously expensive and so on. Of course, Stephan is the one talking about this the most (something I will elaborate on later), but Liwei and Tamaki also make a few ocassional mentions to it in their dialogue and keypages and considering this is a shared business it just makes sense that this is something that affects all of them.
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These are just some few of the callbacks to money that Stephan alone does in his dialogue, without focusing in keypage text or what Liwei and Tamaki have to say about it.
And idk man, at least to me the difference between social classes is an important aspect for their characterization, specially because of how constant the concern with money is for Stephan. From this point alone comparing them feels like erasing a core aspect of Stephan's characterization, a lot about Stephan (and the Full Stop office as a whole, let's be real here) starts making more sense once you read the office as lower-middle class (and I'm saying lower middle class because they can afford some place to live and their weapons, but to me these guys are the types who precisely because of their need to keep bullets at all times can't pay for water or electricity all the time and sometimes they simply can't afford food or if they do they can spend a week straight eating nothing but unsalted pasta).
Now, going back to Stephan being the most outward about his complaints with money, he is in general the most outward about all problems the office is facing, to the point in which he doesn't mind inconveniencing everyone else with his rants, being one of the few guests who interrupt Angela's introductory speech and getting into Tamaki's nerves (something he's well aware he's doing, as these two know each other) at least two times through the course of their pre-battle cutscene, even Roland comments after the reception on how he wishes he would always have been as open about his problems as Stephan was.
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However, it's worth nothing that he doesn't spend the entire cutscene crying about his miseries, and he only starts losing hope at three key moments: when they can't kill Eileen inmediately (making them waste more bullets than needed), when Argalia shows up (forcing them to retreat and making them fail their mission, meaning they won't get paid for this after they already lost a ton of money, as well as turning the situation into something much more dangerous than what they had signed up for) and once they enter the Library (an Urban Plague grade threat they have little to no information about, when him and Tamaki are almost out of bullets so Liwei is essentially the only fixer with some chance of putting up a fight and, you know, making it out alive).
Now, while it's true that Stephan is someone who dislikes danger, he isn't someone who isn't used to seeing gruesome events, his instinctive reaction to seeing a guy getting his head put into a meat grinder was cracking jokes and calling the concept of thought gears "a load of horseshit", which is something that falls in line with him being a somewhat experienced Fixer (sure, grade 5 isn't amazing but we can assume it's still either in the higher side of average or barely above average, and for someone specialized in firearms, which are far from the best weapon in the city, getting that high means he must have some experience and skill, right? more so considering he's been at this for 5 years at most) who has seen a fair share of horrid shit and can be unfazed by (most of) it as long as his own safety isn't on the line.
Another point is... he dislikes danger and is always wary about money and expenses, to the point in which he enjoys checking his bank account (or at least he believes so, if we go for the theory of the artbook profiles being more a mix of what the characters perceive themseves as/would describe themselves as to others, which is a theory i go by, I see him as someone who's convinced he does that for fun instead as out of desperation), but this seems to be more a generalized feeling of impending doom at everything rather than something that can be traced back to a particular traumatic event (anything can be dangerous, anything can cost him money), dude's from the backstreets after all, he's seen shit and he's used to assuming the worst. How I see Stephan, he's a guy who already expects bad things to happen but once things go wrong he starts freaking out about how this time They're Screwed For Real, but he never really tricks himself into believing "maybe things will turn out just fine this time?" or who thinks "well, we've done this before, surely we can handle it again."
This is not very related to Stephan as a character in terms of personality but I think it's still an important point to make as it is particularly related to body mods, his physical condition and his body shape.
So we can easily say that Stephan is a strong dude, at least if compared to real world standards without the fancy and insane body mods we see people in the city have access to. He carries that huge rifle around with his bare hands, something that Tamaki doesn't do and that not even Stephan himself in earlier iterations of his dessign did, and his main talent (which based of my theories is something that can be assumed as "something he's proud enough of to consider it the thing he does best") is physical labor.
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Pictured, Tamaki's talksprite, carrying a rifle almost as long as she is tall with a strap supporting the weight on her shoulders, like a normal person.
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Also pictured, an earlier iteration of Stephan's dessign, carrying the same rifle his current version does, but also holding it with the help of a similar strap supporting the weight on his shoulders.
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And finally, Stephan's current dessign, holding that shit with his bare fucking hands in an exhibition of his brute animal strength, what the fuck is wrong with this man (affectionate)
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And Stephan's artbook profile, the important part here is his speciality being physical labor, not only he's strong but he aknowledges this.
However, I made a point about the Full Stop office being poor, right? Even Roland says that "giving a whole office augmentation procedures is cheaper than keeping a decent supply of bullets in stock" (not the exact phrasing).
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At least personally, I see this as Roland essentially saying "it would be cheaper (and more efficient) to get body mods for everyone in the office and buy another (cheaper) type of weaponry instead", but as things stand, the Full Stops can afford to either buy more ammunition and maintain their weapons, OR to get body mods, and since their whole deal is firearms... well, they can't really Stop investing in them, meaning they have no body mods At All and they got their grades purely out of their own physical strength.
Similarly, Stephan makes a similar point about how body augmentations are required for people to be able to run while carrying their weapons around (specifically talking about the rifles he and Tamaki use).
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And... you know, the whole point is that they couldn't run carrying their weapons because they were too heavy, Argalia mocked them for that, Liwei urged them to drop their weapons, something they refused to do because of the prices.
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Lastly on this point, while it's true that Ruina talksprites have a very bad case of Long Anime Legs (to the point in which how Roland's legs take about 2/3 of his height is a common joke), if we focus only on his head and torso, Stephan looks pretty Wide, and not only because he's wearing thick, fluffy and multilayered clothing, as other characters wearing similar clothing styles still look thinner than him.
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This is all to say: I don't think this guy is a twink, or thin at all. He's a prime example of the strongman build to me and this is yet another hill I'm willing to die on watch project moon turn him into a beanpole once he inevitably shows up in limbus and me turning into the first real world distortion as a consequence.
Finally, Stephan is very notoriously the most informal member of the office, not only being the only one who doesn't wear any sort of formal clothing fully prioritizing comfort and practicality over looks but also completely disregarding formalities with his attitude at work (again, he interrupts Angela's introductory monologue, and again, his first two lines when being introduced are him cracking jokes), being the only member of the office to swear on screen and using several informal expressions and metaphors through both the reception dialogue and his keypage story.
And for good measure, he's a compilation of Stephan being the creature he is.
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The literal introduction of the characters, also known as the moment in which Stephan became one of my favorite characters because he's Just Like Me Fr
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Very normal behavior for someone who hates blood and violence and isn't used to seeing it. This man is more than capable (and willing, assuming money is involved) to murder kill.
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Which, I mean, this attitude is very different from what we see from Sinclair.
2.- Sinclair, a summary
In retrospect I probably should have made this one first because I'm gonna be honest with you, Sinclair is one of the sinners I care about the least (I still like him and think he's pretty cool mind you I just don't vibe too much with most of the tropes making up the character) so what I have to say about him is less me grasping for straws and subtext because I don't care enough about him to be bothered with a super serious and in depth analysis like I did with Stephan and more things we can explicitly see about him in game and things that happen in the novel Demian.
And if I can have a small parenthesis here, people saying that one of my favorite pjm guys Ever is in any way similar to a guy who despite being pretty cool is just Not the type of character I fully vibe with... really, it gets annoying fast. Anyway back to the serious analysis now.
2.1- Emil Sinclair in Demian (1919)
To be able to understand Sinclair as he is depicted in Limbus Company, it is important to first be familiar with the source material of the original iteration of the character, that's it we're doing your high school homework by compiling several literary analysis of a symbolic psychological early 20th century autobiographical novel i hope you guys signed up for this (and if you didn't, though luck! i will do this anyway, I love literary analysis).
In the novel, young Emil finds himself torn between the worlds of light (which can be equated to the Garden of Eden, but it's more tangible meaning for our protagonist is his childhood home and family, a serene and well structure/organized space where he can be innocent, untainted by the evils of the outside world) and darkness (basically all the scary shit that goes on outside, where people do evil things for the sake of it), he finds himself tempted by the violence of the outside world, particularly through the actions of his classmate Franz Kromer, which eventually leads him to consider that due to being exposed to this tainted world of evil he no longer can return to the world of good and innocence.
Here, the character of Demian acts as a guide, someone who helps Sinclair to trascend this binary perception of good vs evil and to see himself as someone worthy of happiness because him witnessing the world of evil didn't taint him as a person but rather merely showed him another face of the world, Demian here mentions the Mark of Cain as a symbol of mental strenght and freedom, considering that bearers of this mark are capable of making their own choices and should be able to go beyond their assigned roles, being able to embody aspects of both worlds. This is to say that Demian's view is less focused on good vs evil, instead taking a more order vs chaos approach (without giving an explicit moral character to either).
In the book, the symbol of a bird breaking out of the egg is frequently used to represent Emil's personal growth, the egg represents safety and innocence, but a bird must eventually leave the egg or it will die, and getting out of the egg is a process than can be seen as violent, as a bird must fight to get out of the egg, and getting out of the egg represents birth but also an irreversible change, it can be seen as breaking out of the world of light and getting permanently in the world of darkness since a broken shell can't be fixed, but it can also mean achieving the enlightment and personal balance to not feel permanently bound to a condition, place or state of being and therefore growing as a person by learning to see himself as a whole human instead of supressing his "evil side" by only forcing the "good side" to surface.
Max Demian is here to show this second meaning of growth/self improvement (while also explaining that Sinclair is permamently growing and must always keep this balance between all the parts conforming the whole being that is himself rather that trying to make parts of himself antagonize each other). This idea of personal growth being one of the core themes of the book.
2.2- Emil Sinclair in Limbus Company (2023)
With Sinclair's source media analyzed (at a very surface level, mind you), we now can start talking about the depiction of Sinclair in Limbus Company, how it parallels the book, why the book symbolism is important for this instance of Sinclair and so on.
When we are first introduced to Sinclair in the game he's clearly nervous, he doesn't know what he's supposed to do as he hasn't worked for a similar company before and he isn't used to the gruesome sight of the bus eating people, this does fit inmediately in the motif of a naive person with limited experience about the world (well, to be fair to him most people won't be seeing man-eating buses at a regular basis, but the average backstreets dweller would be familiar with equally violent situations).
With this said, despite Sinclair's obviously nervous behavior... he isn't really a pessimist like Stephan was, in fact, almost every chapter (counting cantos, intervallos and the short mini chapters such as the Dante's notes update episode) have at least one key moment with him trying to rationalize horrible stuff as something much less violent, or simply going "but I thought this thing didn't work like this..." when confronted with the more horrible realities in the city. He thought the G corp veterans were really going to let them pass without a fight, he thought the people being controlled by headhens were just actors wearing mascot costumes, he thought mermaids were the beautiful half-woman half-fish creatures he heard about in fairy tales, and there's more examples but I don't really feel like looking for The Entire Fucking Plot Because This Guy Is An Actual Protagonist Instead Of A Background Guy Like Stephan Was to make my point clearer than it already is. And it's only when he realizes that the real world doesn't fit his expectations that he panics.
Well, there is one exception to this pattern: his own canto. Here, he panics inmediately as soon as K corp's nest is mentioned and spends the first half of the chapter pleading to turn back while saying that they are going to get killed. So what is different here with the rest of the plot?
Obviously, the fact that is related to his very own very personal very specific trauma. That is to say, unlike Stephan who is wary of anything that can put him on danger or cost him more money than it should, Sinclair has a very specific traumatic event that makes him act Like That (sure, he gets scared and nervous outside that, but these are more normal "I'm unfamiliar with this and I don't fully know how to react, this is normal behavior in a human being" reactions than outright "I am Actually Terrified due to being reminded of an actual traumatic event, this reaction is a textbook definition of post-traumatic stress disorder").
HOWEVER, Sinclair being someone who's deeply traumatized and kind of a scaredy cat when it comes to violence and unfamiliar situations... it doesn't mean that he's incompetent or a bad fighter. Almost all of his identities are terrifyingly good fighters (at least in their lore), Los Mariachis fear jefe Sinclair, Cinq director Sinclair is someone most association members are terrified to duel even during training, Blade Lineage Sinclair is considered a talented killer (it's also worth noting that save maybe for the mariachi one, in none of these mirror worlds Sinclair is precisely happy of being recognized as "the guy who's very scary when he fights people", unlike Stephan who I don't think he particularly likes killing but has a more "as long as I get paid..." mentality about it), the only "not very good at this" Sinclair id I can think of is the molar boatworks id where he's more a mechanic than a fighter so he fears he's lagging behind in that aspect. Hell, even the Canon Timeline so to speak (which is to say: his base identity) has him carrying that huge halberd, going on a frenzy attacking some already mutilated inquisitor's corpse, piercing through Guido's armor and dealing a fatal blow that finally killed him for real. To compare, Stephan is good at physical work, but we don't know about his close combat capacities other than the fact that he dislikes it, for Sinclair however we know he's terrifyingly good at physical combat.
Now, I've seen a lot of people call Sinclair a twink and while it's one of these words that nobody agrees on what it means, let's give it the benefit of doubt and say "alright, for the duration of this analysis let's settle on a twink being a young looking (regardless of actual age), thin man with almost no facial/body hair".
Since Sinclair is a rich guy (not just Any Rich Guy though, we're talking of someone whose family had ties to a Wing, probably not some elite guy like Daniel or Hong Lu, but not a self perceived "mediocre" nest dweller like Samjo either), and pressumably not very experienced in combat in most mirror worlds (we know he has no prior experience in the base one where he joined Limbus, at least), let's say that he has enough body mods for him to be much stronger than he looks like despite being thin, he does look thin and young and much to my dissapointment he also has no facial hair, so yeah, under this very broad definition of the term he is a twink.
However if you start adding personality archetypes to the definition he stops being one almost inmediately, as we've been shown time after time that his "submissive" attitude is mostly a result of him not knowing too well how to impose himself and just going along with what the rest say or do, but he's starting to grow tired of that ever since Hell's Chicken (even if he clearly still isn't great at that), as it should be more than obvious for anyone who even just googled "demian herman hesse literary analysis", Sinclair is undergoing a lot of changes even now, and the game is doing a good job at portraying that.
Honestly I also think he'd be hotter with a sleeper build but really, I don't care enough about him to argue about that.
And for the last point, precisely due to his upbringing as a rich guy AND his traumatic experience with Kromer, Sinclair is not only a very polite and mild mannered guy (again, unlike resident creature Stephan), but also he tries to take as little space as possible, both literally and metaphorically, as Dante notices near the end of canto 3 when they finally comment on how Sinclair never talks about his own problems until it's too late because he doesn't want to bother the others as they probably have it worse (again, unlike Stephan "i don't mind loweing team morale and making everyone in the room uncomfortable as long as i get to vent" Full Stop office).
3.- Adressing common arguments
Alright, now that I talked about each character, let's see some of the most common arguments I've seen people use to compare them.
"They look the same!" No, they don't. The only thing they have in common is being blonde but even their hairstyles are different with Sinclair having a simple bowl-ish cut with slightly wavy hair and Stephan having curlier hair (not to mention the whole point I made about body types because I'm the sort of lunatic who cares about that stuff). I won't even bother with this argument.
"They have the same personalities!" Again, they don't. Stephan is very cynical with a lot of his attitude being clearly derivated from him coming from a poor background and having stayed there his whole life, he also doesn't care about his cynism getting in the way and bothering everyone else. On the other hand, Sinclair is someone who could almost be described as naive due to having lived a sheltered childhood and only having his experiences with Kromer and his time at Limbus as moments of realizing that the rest of the world is Not Like His Childhood House, still believing that the world is a binary of good vs evil and expecting things to turn out fine or be much better than they actually are, just to be hit with the reality of the city Not being a nice place where people are nice and polite and not trying to kill him, this is not to say he doesn't have his own issues but even Dante notices during his Canto that Sinclair makes a point to avoid bothering everyone else with his personal problems, keeping them to himself even if that makes things worse on the long run.
"Both are opposed and harmed by a lunatic!" This is an argument I've seen a lot and is incredibly filmsy at best, half of the city's population are lunatics and the other half are people who got opposed by them some way or another. Will you say that Ishmael and the rest of the Pequod crew can be compared to the Full Stop office (or really, even mention the other Full Stop fixers instead of just focusing on Stephan because he happens to be blonde and can be compared to Sinclair) because of their situations with Ahab? Or the W Corp crew who got their train targetted by Jae-heon and Elena (or, you know, the train passengers who were turned into Love townspeople or puppets)? What about the Vermillion Cross who got killed by the Reverb Ensemble? Or the Cane office fixers? or the Zwei association section 6 who got beaten to death by Gyeong-mi just because he felt like doing so? Or the Liu association section 1 who had to deal with Argalia taking Philip away? Or the Kurokumo clan members when they were attacked by Tanya? You aren't comparing them to either Stephan or Sinclair, right? Not to mention that in her weird and fucked up perception of things, Kromer was less opposed to Sinclair as she was trying to lead him to join her and her cause, even the last things she says before getting killed are her calling him to follow her.
"Both are compared to birds!" Oh, right, because I forgot that a very directed symbolic comparison to a baby bird breaking out of it's shell as a symbol of rebirth, learning about the nuances of the world and self improvement/liberation that is consistently used in the source material Sinclair comes from is exactly the same as one (1) throwaway line the big bad guy uses to mock not only Stephan but the whole Full Stop gang, right. And if you want to say "but Tamaki compares him to a bird once too", yeah she calls him a parrot because he keeps repeating the same complaints over and over, it's still not the same as a consistent metaphor.
"Both are sad blonde twinks! They're essentially the same guy." Sad? Yeah, everyone in the city is sad but their ways to be sad are polar opposites, and neither of them is the pure cinnamon roll uwu crybaby archetype people tend to lump both into, Stephan was merely having a bad day and people decided to make that his whole personality (when honestly we get more insight on his actual personality before Argalia shows up, when he's making sarcastic remarks and getting impatient because they weren't starting killing people fast enough) but he's still perfectly capable (and willing) to murder people, and Sinclair is just... someone who lacks experience about the real world and how it works and has a tendency to get nervous because of this, but he can adapt quickly to situations once he understands them. Blonde? Yeah, but I guess if that's a point to draw a comparison then we should also compare them to Don Quixote, the Tiphereths, Lenny, Yun, Lulu, Olga, every single npc, librarian, and agent who comes with blonde hair from the generator... Twinks? Stephan absolutely isn't one, Sinclair depends on how you define twink as nobody seems to get to an agreement with that, if you define it as merely "young looking thin man with almost no visible body hair" then yeah he is one, but if you go for any more specific definition than that he stops fitting into the definition almost instantly.
In conclusion: if I see anyone else comparing them I'll start blocking people liberally bc I'm sick of seeing that shit (I do that already tbh but just so you know), now scram
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misledmiseries · 9 months ago
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the fact that you can say the same things harry fucking said to jean to kim is fucking up my shit brooooooooo i hate it here  
don't talk to me the funny game is messing me upppp
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impactrueno · 2 months ago
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Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?
i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????
this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.
i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball
edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.
let's review their first encounter from his point of view:
you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.
after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.
someone walks in looking for adam and barbara. don't they know they're dead?
"are you a ghost too?"
"i'm the ghost with the most, babe."
hold on a sec, who's even—
...well hey. it's the girl.
the girl who can see ghosts, and she's talking to you.
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target acquired. this one's your ticket out of this hellhole.
"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.
"i want to get in," she says.
whoa there.
what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.
"...why?"
she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.
after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT
adam and barbara walk in because of course they do. womp womp
ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.
wait why are they moving the model— where are they taking it—
ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.
these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.
of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.
the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.
despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.
she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.
well well well.
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look who came crawling back.
she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.
once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.
she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.
the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.
she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.
Beetlejuice........Beetlejuice...........Beetlejuice.
it's showtime.
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this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.
you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.
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"shall we?"
there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.
witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.
you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.
almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"
a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.
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you're sent back to the afterlife waiting room.
not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.
a long time sitting here it is, then.
movie ends, credits roll.
for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.
36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.
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jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)
in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.
AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"
so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.
lydia deetz, the young girl who told him she wanted to die.
...
is she alright?
i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.
much much much to think about for mr. juice.
after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.
he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.
at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.
that's nice. very sweet. good to know.
maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.
oh well. curiosity sated! and beetlejuice goes back home and doesn't return.
until the next time he returns.
and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.
he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!
before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.
maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?
the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.
then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."
then lydia, at her most vulnerable, meets rory.
beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.
he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.
but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?
he needs to bring that back. he's the only one who can.
in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.
sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.
it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you
the end
don't trick me into writing a fanfic again
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petew21-blog · 5 months ago
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Revenge possession, part 2
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"So what is this game called again?" I asked out loud with Devon's voice.
Devon in the back of our mind:"Dead by daylight. You play either as a survivor or the killer. Depending on the role you have to escape or kill all the survivors."
I chuckled a bit:"You don't see how that's ironic?"
Devon was silent. "I'm so sorry, man. Jesus, I didn't think this through. Haha. Well... you should be good in this game right?"
Me:"Not really. I kinda didn't even know I was being hunted. Your parents just picked me up and then tortured me in the woods. I didn't have much of a chance to even run."
Devon:"Oh... I'm so sorry for that, man. My parents are horrible people."
Me:"Yeah. And I know they killed much more people than just me. That's why it needs to stop"
Devon:"So are you sure that killing them would be the best revenge for all these years of their murder spree?"
Me:"What else can I do? It's not like I had much of a choice. Few days ago I didn't even have a body. Now I co-share yours. Yeah, stealing their sons body is good revenge too, but you're a good person. And I don't want to take over your life."
Devon:"Not what I was aiming for. I honestly love having you here with me. You're like a second voice/brother/best friend inside of me. Oh shit. I just figured. I keep calling you bro. What's your real name?"
Me:"Paul. Took you long to ask, man. Not cool"
Devon:"Sorry, haha. So... Paul. You're like 40 now, right?"
Me:"I would be if your parents didn't kill me. But I died when I was 21 like you are now. So my mind basically stayed 21 I suppose. Except for roaming the country I didn't have much fun through all these years. These past few days as you, just chilling here, playing video games, jerking off and talking to you is the most fun I had over these 20 years."
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Devon took control over his body to let go of the controler and to flex his biceps. The sweat hitting his nose.
Me:"What are you doing? I thought we were gonna play?"
Devon:"Nah, just reminding you what body you're in"
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Devon:"Look at me man. I have beautiful abs, massive arms. These thighs could crush a melon between them. I appreciate that you picked me and that you like my body, but you gotta do something about this. We gotta go have fun. With another living being."
Me:"Devon... I really am happy how you treat me in your body, but... I don't think we have the same type of dating pool"
Devon:"I don't care whoever you fuck. I'm straight, or atleast I think I am, but very accepting. And if my man inside of me wants to fuck some handsome man, I will be more than happy to help you out. Bros gotta help each other"
Me:"But it's gonna be your body, man."
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Devon:"So? You could do much worse with my body and you didn't. Getting fucked or fucking someone in the ass is not so bad."
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Me:"Ok? So what place do you suggest?"
Devon:"Gym. We can show everyone what this body can do. Lot of people observe me there, so you can pick whoever you desire"
We arrived to the gym. So many hot and sexy people in sight. Devon took control to do his normal routine. It sucks that I could also have a body like this, but back in the day I wanted to see the world. I wanted to be myself in a world that hates my kind. Twenty years later, the world is so much more accepting. It's not ideal, but wow. How things gave changed
I still can't believe that Devon let's me stay in his body. I mean, look at him. He could be anything, have anyone. And yet this hot piece of meat is depressed with his easy life, being alone most of the time. I guess that's what happens when your serial killer parents move your family every now and then. You don't have any friends and those that you did might already be dead by their hand. How horrible... I honestly can't wait to see them. To look them in their face. With their son's face and to kill them. I hope Devon will forgive me. I know he says he wants to stop them, but it's his parents. I just have to make sure that he will not stop me when the time comes
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Devon was just finishing up, when a cute twink approached us.
The guy:"Hey, I hope you don't mind that I was watching you"
Devon:"Nah, it's ok man. You need a hand with lifting?"
The guy smiled. "Oh I do need a hand, I just don't know If I asked the right person"
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Devon sat down, looking all confused:"That depends if..."
I stopped Devon mid sentence. "I think that's a cue for me to take over, ok?"
Devon now in the back of my mind:"Sorry man, I usually don't respond to guys hitting on me. Go on. Have fun"
I smiled at the guy and casually finished the sentence
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We headed to the showers. The owners must be probably sick with all these guys hooking up here. But we didn't care. We made out passionately. The twins was all over my muscles, as I would be in his place too. He was a bit smaller. That gave me a sense of dominating him.
I stopped and smiled at the guy. "I... just gotta let you know that I am a virgin"
Devon:"What!!! Dude, you never had sex with anyone?"
The guy looked at me from top to bottom. "You? If good looking people like you are virgins, then I have no idea how world works."
I chuckled nervously. It was true. I was 21 when I died, but back then it was much harder to date a find gay guy. Now you can just download Grindr and in a few minutes you got yourself a guy in your bedroom
Twink:"Well in that case we can go to your place and have some fun there. This isn't a very nice place to have your first time, don't you think"
I just smiled and nodded in approval
We were now in Devon's messy room. The guy was really shocked to see such a straight man cave, but didn't say a word. We made out. He took off my shirt soaked in sweat from gym. His lips now kissed my neck and went to over my pecs, down the middle to my waist band. He took my hard dick into his hand, squeezed hard and looked me deep into my eyes. His look was so full of lust, yet I could tell it was superficial. This guy isn't looking for romance. He just wants to be fucked hard. So let's give it to him
I took a bit of control of the moment. I grabbed him by the neck. Turned him around and pressed him against the wall. He was now moaning in pleasure as I was rubbing my hard dick hidden beneath the layers of my clothes against his ass. I was still holding him, choking him.
I pulled of my shorts and his just low enough to get my dick in there. I wanted to push it right in there. As hard as I could
Devon suddenly screamed out from the back of his mind:"Condom dude!!!"
I left the guy, moanjng against the wall, reaching out to the condom on the shelf. I was struggling to find which side to pick to put it on my dick
Twink:"Wait. Let me" it was obvious he jas done it a few times. The condor was on in a matters of seconds. "Do you have any lube?"
Devon intervened again:"Top drawer. Give him more attention, man. You're making it all about yourself"
"Shut up" I said out loud as a response to Devon, but the guy looked confused. "Oh sorry, not you. I'm just nervous. I have lube right here."
The guy went on Devon's bed on his back. His clothes were now gone and his ass was welcoming my dick. His legs wide open.
I pressed lightly my dick with a ridiculous ammount of lube on top.
It went smoothly so I tried to went all the way. This seemed to hurt the twins. "Hold your horses. I'm good, but not that good. A bit slower, cowboy."
I went in slowly. The pleasure got to Devon too. The way this guys ass was tight around the head of our dick was sending our minds to heaven.
I picked up the pace. The twink was moaning in pleasure and in pain at the same time. I grabbed him by the next to choke him. My other arm pressing his thigh.
Twink:"Harder!" I thought I was going as hard as possible, but I didn't think he could take it much more
Twink:"Harder!!!"
Devon:"Oh, jesus. Let me do it" Devon took over. I was in the back of our mind again. Still feeling everything.
Devon was like a beast, but the twink was really enjoying it.
I could feel all the cum building up. Ooh there's gonna be tons of cum.
Devon was biting his lower líp and furiously pounding this guy's ass. Sure, "Straight" my ass.
Devon:"I'm cumming!!!"
Twink:"Fill me! I want it all"
Devon shot out the stream of cum into the condom. The wave of pleasure was so overwhelming. So much, that I lost control for a moment. I didn't know what was happening.
I opened my eyes. Still as Devon. Good. But I was back in control. But I was alone here. I couldn't feel Devon
"DEVON?!?"
Twink:"Right here. You pushed my soul out of my body, dude. If the guy here wasn't as welcoming you would have me erased or something"
Me:"I'm so sorry. I didn't think that would happen."
Devon:"It's fine. This guy's soul is asleep or maybe gone? I don't know. But I can't hear him now. Dude! I could feel my body's orgasm and his orgasm at the same time. I can assure you, that this is definitely the best I'll ever feel. So overwhelming."
Me:"Shit, dude. We gotta figure out how to get you put of there. Or you might be stuck"
Devon:"What if we wait for a bit? I kinda wanna try having sex with my body."
Me:"Kinky. You wanna get pounded too?"
Devon:"Guess I'm not so straight anymore, right?"
After our first fucking session, Devon passed out from all the sex. We still didn't know where this guy's soul was, but we would figure that out soon. I was just happy that I was finally alive. And I even have a boyfriend now? If that's what I can call Devon. Not to put labels on our relationship or anything
I grabbed the first pair of shorts from the floor I could find. Still sweaty from the sex, I headed to the kitchen to get myself a drink of water.
I was interrupted by a dark figure in the corner of the room
"Hello, son"
I was full of rage. But I can't fuck it up now. If I kill him, I won't know where his mom is and that would take me another decade to find her.
"Hey, dad. How was your holiday"
"Oh wonderful. Rome is your mother's favourite place to visit"
I tried to act as much as possible. Devon was in his room in a wrong body, so that wouldn't help me.
"Did you go to Colosseum this time?"
"Oh, we sure did." The father responded. But in the matter of seconds his expression changed. He was now holding a gun pointed at me
"What are you doing, dad?!"
"Devon knows we went to Bahamas"
Fuck. So he knew all along that I'm not Devon. But how?
"Me and my wife found out that the folk like you, who want to have your revenge for what we did, come back as ghosts to make our lives a living hell."
"So I'm not the first one?"
"Hahaha. Of course you're not. The first one came when Devon was 2 years old. Of course he doesn't remember, but that was a nasty one. All the paranormal stuff. We didn't know what we were dealing with back then. But now, oh we are used to deal with you. But possessing Devon is a first. Some possessed us and tried to kill us, but obviously failed."
"How can you tell that I'm not him? Besides the question."
"Oh it's an aura thing. Once you have the experience and a good guidance, you can just tell when a soul isn't in their rightful place."
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"Now, tell me. Did Devon put up a lot of fight? Your answer will change the course of your torture."
"Devon is ok. He's in the body of the guy downstairs. It was an accident"
"Sure it was. That would make sure that we couldn't kill you or him, right? We're not so stupid, mister. Although I will not enjoy killing my son, there is no other choice."
"If you kill me, I will go after you even more. I have for the past 20 years and I will even after you die. My soul will not rest until you burn in hell"
"Sure you can do that, but it will take you some time to get out of this thing."
He was holding a wooden object with symbols
"What is that thing?"
"That mister, is your prison. It will bind you inside, until it breaks, or someone opens it on purpose. Which happens rarely if you ask me."
"You're doing a big mistake. Devon is in his room in a different body. Let him atleast get his body back."
"I can't take that chance. Me and my wife have a life to live up to and we won't stop just because our son got himself in some trouble and can't handle it."
"It's your son! You would kill him just so you can continue your killing spree?"
"Oh, definitely. Having a child is a great thing, but taking a life. That's something you won't ever forget about. The control it gives you."
"You're sick. No parent would ever do this to their child"
From the hallway a second voice spoke:"Oh these two are a chatty couple, right honey? So chatty chatty. But we need to hurry up, so get on with this" the mother said towards her husband
I could feel a horrible pain in my chest. Feelings very similar to the ones I felt 20 years ago. This couple was killing me again
"Sorry Devon. We couldn't have done anything" father said
"Devon hates you too!" I screamed out
"You're talking too much" and then nothing.
I don't know for how long this continued. I don't even know what they did with Devon's beautiful body. How they got rid of it.
Soon I started to feel walls around me. Walls? As a ghost I wouldn't be able to. Except if this is their prison that they were talking about.
I opened my eyes. There was only darkness. Nothing else. I looked around and on the other side of my prison was someone sitting, crying.
I got up to approach this person. He looked up
It was Devon. He was crying
"Paul! They killed me. My own mother slit my throat. I told her it's me. But she just killed me and trapped me into thus thing."
"I'm so so sorry, Devon. I never wanted any of this. I wanted revenge for them. But they were ready. They knew. Your father didn't listen to me too. He didn't care. I told him about your soul. But they are more sadistic then I thought"
"Paul, I'm dead. My parents killed me. My OWN PARENTS!"
"Devon, they are horrible people. And we will get our lives back. Maybe not our old lives, but we will. But first we have to get out of here. We're gonna get through this together. Ok?"
Devon collapsed into my arms. I was just glad that I could hold someone even if I was a ghost now. We were gonna get out of here, but I had no idea how
Outside of the ghost trap, the world went by.
Devon's father held the trap tightly as he watched his old house burn. His wife held her head on his shoulder.
"Ahhh, I think I might miss Devon. He gave our life some order"
"He limited us. We couldn't ve ourselves all the time. Now we can. What do you say we go pick up some hitchhiker?"
"Ohhhh, that's a lovely idea. Get rid of that box, it gives me the creeps"
And as the two of them were laughing while leaving, the box was sinking deeply into the river below the bridge until some human would find it.
If Paul and Devon would know what was happening to then right now, they would be devastated.
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sunshine-jesse · 1 year ago
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Control: The Strange Dynamics of Andy and Leyley or
The Incest End Is Not The Fucking Bad End, Stop Coping
EDIT:
Hey guys! This post is blowing the fuck up, but this was my first essay on this game, and I think I've had many more insightful things to say since then. Here's a link to a masterpost with all of my essays, which I'd definitely suggest reading after this one:
Anyways, without further adieu...
I heard a lot about this game going in. I knew the general story beats and the funny haha incest memes. I knew it was about a toxic codependent relationship where Ashley, the sister, acted like your standard overly-controlling person who used various abuse techniques to keep someone in line. I expected Ashley to be a yandere-type character where she was borderline psychotic, irrational, and had a skewed perception of reality. I expected her to be a crazy bitch, and I love me some crazy bitches.
But then I actually played through the game. ...That is not what I got.
The game advertises Andrew as a doormat extraordinaire who is strung along by his Very Not Good sister and has no agency of his own' that he's just a henpecked abuse victim. But in practice, that doesn't seem to be the case. One of their first exchanges that in the story is when the occultist played his music and Ashley wanted them to check it out. He says 'no', sure, but then he smirks and says 'but I'll come along if you do.'
That is not the dialogue of someone who has no will of their own, that's the dialogue of someone who willingly gives up their own agency.
This is not, on its own, a sign of anything out of the ordinary. What caught my attention with it, though, is how it flew in the face of the common narrative surrounding their relationship dynamic. But that's not the first time I noticed it, it's just the first time, in retrospect, that their actual dynamic begins to show. The first time I personally noticed it is in the choking scene.
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There are a lot of ways to view this situation. But my own reading? This was not a crime of passion. This was not him trying to break free. This is him doing something he's thought about for a while. This is premeditated. In this scene, Andrew is done playing along with Ashley's shit. In this scene, I firmly believe Ashley is the victim.
Ashley is the more openly abusive of the two who seeks to do whatever she can to trap Andrew so he'll never leave her. That much is clear. But Andrew-
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-clearly has these same tendencies. He says this shortly after Ashley mentions putting her name up on a call girl's wall for money. There's protective brotherly instincts, and then there's this. This is not something you'd threaten a sister with, this is something that a man would threaten his wife with, which is directly brought attention to in the story.
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(hey look he accepts the framing of it being WIFE beating at face value, and says Ashley is the only one who makes him like that! HMMMMMMMMMM WONDER WHAT THAT IMPLIES???)
It also implies that this is not the first time physical force has been threatened! I mean, that much is obvious, because of the choking scene that happened before, but I more mean that this implies that Andrew either threatening or utilizing physical force is an established pattern of behavior. However, the Decay route implies that she never thought Andy would kill her (but Andrew would) which can either be for or against depending on one's perspective, so I don't hold to the idea that it's an established pattern too strongly.
Okay, so. Andrew has some controlling and possessive tendencies too. So what? Their relationship is codependent. It's advertised as such. What of it?
Well first of all, it pretty much blows the lid off of the idea that Ashley is the sole perpetrator of abuse in their relationship. I've seen a lot of people view Andrew's behavior as justified retaliation against abuse, but frankly, I don't believe that him threatening to strangle Ashley for violating boundaries by trying to hold him accountable for his actions (given the strangulation part happens after she brought up Nina's death and how Andrew was ultimately responsible) is justified. And I ESPECIALLY don't believe that him threatening to backhand Ashley for her transactional attitude towards sex is justified in ANY circumstance.
EDIT: This part was edited in from the original post for the sake of readability so they don't have to see the reblogs to see the updated version! This post gained more traction than I was expecting!
…But perhaps even more telling is what she DOESN'T do.
Pushing someone's boundaries until they lash out is a pretty common tactic in abusive relationships. It's easy to see why, too: It justifies prior behavior and paints them in a negative light to others. This can be an important aspect of using DARVO (deny, attack, and reverse victim and offender) against someone, although the two ideas aren't necessarily linked.
It's pretty easy to argue that this is what Ashley does, but if you look at the one time her boundary pushing DID go too far, when Andrew lashes out with physical violence… she doesn't do that. She doesn't blame him. She doesn't paint herself as the victim. She doesn't even try to give a reason as to why she shouldn't be killed outside of the comfort she gives him. Why is this notable?
Because the mom does, in fact, engage in what could be considered DARVO against Ashley:
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(i will elaborate more on this screenshot in particular below)
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Ashley is directly compared to Mrs. Graves by Andrew, and yet she crucially displays none of the habits that Mrs. Graves does. Mrs. Graves lays the blame on Ashley, but Ashley doesn't lay the blame on Andrew. Mrs. Graves tends to paint herself as the victim of Ashley, but Ashley does no such thing to Andrew. The mom denies her culpability at every turn; Ashley doesn't. Ashley tries to hold Andrew accountable for his role in Nina's death, which could be considered a kind of DARVO. But she never denies that she had a role to play in it. She just mentions that he was the one who pulled the trigger. And he was.
(and the point was more that she DIDN'T engage in it when threatened with physical violence; the perfect chance to)
In Mrs. Graves' mind, she is the victim of either Ashley, or society as a whole. In Ashley's mind, she knows what she is, what she does, and what she's about. The only thing she's oblivious to- or doesn't acknowledge, at least- is the threat Andrew poses to her. In her mind, she's the bad guy. In Andrew's mind, Ashley is the bad guy. In official art, she is the bad guy:
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And yet, in the game itself, Andrew is the one holding the cleaver. Not her. Hm.
Ashley is the world's most convenient scapegoat. She allows people to mask their own worst habits and pretend they're better people than they are. She accepts this role. She embraces it. She doesn't try to deny it. But when that mask slips, people lash out at her. Both Mrs. Graves and Andy (NOT Andrew, crucially) predicate much of their self-perception on being what she's not.
But they're the ones who enabled her to become like this, every step of the way.
And that's what blew my fucking mind, and made me question just who the victim really is. She was never given a chance to be normal, because other people relied on her NOT being normal.
By the end of my second playthrough, I felt worse for Ashley than I did for Andrew, and I still do.
So. What am I getting at? What does this show me about the relationship between Ashley and Andrew?
(I also wanted to point out that Andrew does engage in DARVO too but I didn't want to distract from the behavior of the mother. Unlike what Andrew does, it doesn't require someone to reassess the narrative they have towards the game in order to realize the implications of it, whereas it's pretty easy to justify Andrew's words as not qualifying as DARVO if you buy into the narrative that he's the sole victim and/or that Ashley is the main perpetrator of abuse. A friend of mine pointed out that it's a pretty key part of the push/pull dynamic they have, and I completely agree.
However, the direct comparisons to the behavior of the mother can't be ignored no matter your narrative, so I felt as if I needed to highlight that more.)
EDIT OVER
It shows me that their relationship is all about control.
Specifically, the push and pull of who controls who in any given situation.
Andrew weaponizes his incompetence. He always looks to lay the blame on Ashley. This is drawn attention to several times, and said explicitly in the Decay route.
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He is always surrendering control to her, and yet he never HAS to. He could always just say no. He could always refuse. What are the consequences? Her being upset? Well, unfortunately, it's not that easy. That's not how abuse dynamics work. He probably feels like he has to, or rather, feels like there's no other option. That he's in too deep, and stuck with her no matter what. But personally, I think it's pretty clear from his willingness to surrender control to Ashley that he still feels like he has it at points, because the moment he feels like he's about to lose it, he either considers violence, even as a child-
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(the actual scene of slicing her finger is pretty sus too with this reading in mind)
-or resorts to it, outright, in both the choking scene and the vision in the Decay ending... when Ashley doesn't have enough bullets to defend herself (this will be important later!).
SO WHAT POINT AM I TRYING TO MAKE??? AM I JUST MAKING ABUSE APOLOGIA (the answer may surprise you)?
No. I don't think so.
Ashley is obviously very bad. She's controlling and uses pretty textbook abuse and entrapment tactics on Andrew whereas everything he does to her is inference, with Ashley too daft to realize just how much danger she's in until the vision in the Decay ending spells it out for her- and I don't know if a true abuse dynamic allows for one to be completely unaware of the consequences of breaking free. She could just let go of her desire for control and Andrew would be a much happier person.
And that's the point, because so would she.
I bring up control because that push and pull- that desire for control over each other- is exactly what's tearing their relationship apart, and this effect most obviously manifests in the two endings of episode 2. In the Decay ending, Ashley either tries to exert control over Andrew due to a lack of trust, or Andrew allows his feelings of entrapment to truly take root in his mind and guide his actions. In the Decay ending, Andrew becomes a true doormat with no will of his own, allowing his feelings of bitterness and resentment to fester and grow, eventually resulting in their deaths.
In the Burial ending, Andrew does the exact opposite. He takes control of the situation and does exactly what Ashley would do without much of a fuss. This eventually culminates in THAT scene (assuming you take the Questionable route), where his facial expression alone speaks volumes:
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Look at how fucking confident this man is. This is not the face of someone who's unsure of himself; this is the face of someone who knows exactly what he wants and takes it. He is absolutely in control of this situation, and everyone is happier for it.
And what does Ashley have to do to get this ending?
Let's go back to Decay for a moment. If Ashley has bullets in her gun, she has control over the situation. She, at any point, could put an end to Andrew and survive. And yet, at the very end of it all, she could choose not to. She could choose to surrender control to Andrew, allowing herself to die. And that ending, I believe so much of his life and willpower will have decayed that there's nothing left for him to take control of, leaving him no choice- or rather, no use for the control he now has- but to die with her.
And in the Burial ending, she has to let him out of his cage before it's too late. She has to surrender control to him, and when she does-
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-He will become everything she ever needed him to be.
It's all about her surrendering control, and it's all about him taking control. Because, no matter what, as long as that happens... the two of them will be together forever.
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In life...
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...or in death.
How romantic.
So no, the incest end is not the fucking bad end. They're going to be together forever in the end either way, so they might as well live through it.
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thankskenpenders · 5 months ago
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youtube
At long last, the trailer for Sonic movie 3 is here, giving us our first look at Shadow! It looks like a fun time, though my excitement is probably more tempered than a lot of peoples' due to a few things I have mixed feelings on. Here are my off-the-cuff thoughts about it.
Shadow
Yes, it does seem like they've really nailed Shadow here. Fowler's attachment to the character clearly shows. The action looks cool and really sells Shadow as a serious threat. He's got his bike, he's doing Chaos Control all over the place, it's great. Keanu is very much just doing his regular voice, but it fits well enough. The backstory from SA2 seems to mostly be there, though I'm sure some details will be adjusted. Mostly I'm still just amazed that we're getting a major tentpole blockbuster movie this Christmas starring Shadow the fucking Hedgehog that treats him as a serious character worthy of respect. We've come such a long way...
I mean, just... what an image to see on the big screen.
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I also really like the way they're setting Shadow up as a foil for movie Sonic, kind of his dark mirror image as a Mobian hedgehog whose family life on Earth ended in tragedy and turned him into a vengeful antagonist. It's pretty straightforward, but it works well.
Robotnik(s)
Welp. They put Jim Carrey in a fat suit. I suppose we knew this day would come eventually.
I guess a small part of me is glad that movie Eggman finally actually looks like Eggman in every way that matter, but they're completely playing it as a joke at his expense here. And, yeah, the Sonic franchise isn't immune to fat jokes, the early years of the franchise (particularly Western adaptations) gave Sonic tons and tons and tons of jabs about Eggman's weight. But I thought we'd moved past that. But here we are with a depressed movie Robotnik binge eating and gaining a lot of weight like Fat Thor and the other characters think he's so GROSS and look his clothes don't even fit him anymore, haha! There's so much of this crammed into the trailer. I can only pray they don't do this in every fucking scene he's in in the movie.
I do like the plot of Sonic reluctantly teaming up with Robotnik to try and stop Shadow, though. It's very different from SA2, but we knew it would be, and I think that gives the movie some potential for Sonic to have kind of a dark turn of his own that mirror's Shadow's. I have a feeling that Sonic will try to get back at Shadow for something he does - maybe hurting Tom or something like that - and in the end Sonic sympathizes with Shadow and decides they have to stop their cycle of revenge, teaming up to stop some final threat.
Oh, and, of course... Jim Carrey is also playing Professor Gerald. Who might still be alive? Or maybe it's a hallucination on Ivo's part? I don't know, but either way, I'm here for it. Everyone joked about them doing it and then they went and did it. Yes, it risks playing him as a joke character, but the shot of him and Shadow mourning Maria while surrounded by GUN soldiers makes me believe he won't be a total joke. I wouldn't be surprised if he was the true final antagonist of the film, which would diverge a lot from the games but would work as its own version of the story.
And again, WHAT an image to see on the big screen lmao
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Everyone else
The human cast is VERY downplayed in this trailer, but let's not forget that they're still going to get a lot of screentime one way or another. The Sonic 2 trailer barely showed anything from Hawaii. Where oh where is my best friend Wade?
Speaking of the Wade show, Knuckles... frankly still seems to be mostly a comic relief character heavily influenced by MCU Thor here, getting some jokes in the trailer but immediately getting Worfed by Shadow when it comes time to fight. Tails seems to be flying the gang around in a real-ass helicopter, and his big pilot's helmet is funny, but otherwise he doesn't really do anything here aside from getting stomped by Shadow. I really hope they don't get sidelined too hard, but frankly I fully expect them to, Tails especially.
And, of course... I can't help but think about who isn't here. Namely: the girls. Yes, three movies and one streaming miniseries into this film franchise, exactly zero of the female (animal) characters from the games have made the jump to live action. Please allow me to bitch about this.
Despite her being both 1) a main character in the game this movie is loosely adapting and 2) my fave, I suppose I can understand why Rouge isn't here. Paramount took one look at that bat cleavage and went "nope," cowards that they are. There was some speculation that Kristen Ritter could be playing Rouge, but we now know she's just playing someone at GUN. But, again, I at least get why they'd be hesitant to include her.
But Amy... Amy is such a glaring omission at this point. There's no excuse. She's the female lead of the franchise. She's one of Sonic's closest friends. (Honestly, these days it's more accurate to say Team Sonic is Sonic, Tails, and Amy, not Knuckles, especially in the comics.) And she's also a key player in Shadow's arc in the game. Shadow has his change of heart because Amy reminds him of Maria! And yet, she's nowhere to be seen. It sucks.
(I know some fans are still holding out hope for Amy, but the toys for the movie already leaked and she didn't get anything, so I have to assume she's not in it.)
It's not like I really expected either of them to be in this movie, but that doesn't make it less disappointing that they set up the film franchise in a way that makes it logistically difficult to include 90% of the characters and conveniently managed to leave all of the girls in the "low priority" pile. Yes, I know everyone points to how much Tails was downplayed in the third act of Sonic 2 as evidence that it's just so impossible to introduce more than one new Mobian character in each movie and give them the focus they deserve. Yes, I know having to come up with a story excuse to bring more characters over to Earth is an obstacle, especially when they're gonna have to devote time to Shadow's backstory. But these are excuses. It's a writer's job to figure out solutions to problems like this. They could make it work if they really wanted to. I'd take Amy having a suboptimal amount of screentime over her not being in it at all. It's just not a priority for them. That's what disappoints me. You can justify these absences from a logical perspective, but I just care way more about Amy and Rouge as characters than I do about Shadow, so there's no way for this to not sting.
But, at the end of the day, for what the movie is actually trying to do, it seems to be pulling it off well. Aside from the fat jokes. I don't like the fat jokes. But the Shadow stuff is good. As always, this live action version of the franchise is never going to be my ideal version of Sonic, but it's turned out far better than it had any right to, and I'll probably have fun when I go see this in theaters and hear Live and Learn.
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msgexymunson · 1 year ago
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Prettiest Bitch
Description: you and Eddie have a special way of showing each other you care.
A/N: this is a real life fucking story of me and my partner lmao. Please like and reblog if you enjoy it sweetheart. 
Warnings: 18+ MINORS DNI, established relationship, mean Eddie and mean reader but it's just fun and games, reader is AFAB, female oral receiving.
Masterlist
900 words
Laying on Eddie's sofa, you bask in the warm glow of being near him. Your legs were draped over his as you rifled through a book that you were barely paying attention to. Eddie's hand is up your loose pyjama pants, tracing soft circles on the  bare skin of your calf. 
"Eddie?" 
"Yeah sweets?" 
"You've always got to be touching me, don't you." 
"Suppose so."
You smirk, pulling his hand out of your pants. He whines like a child that just got his favourite toy confiscated. 
"Why?" 
"Dunno, I just want your skin."
Laughing loudly, you scoot closer on your knees, just shy of climbing onto his lap. 
"You want my skin? That sounds so fuckin' weird." 
Eddie drops his voice into an odd gravelly gasp, the one he reserves for goblin NPCs when he's DM. 
"Eddie wants it! Give Eddie your skin!" 
Before you can react he's pulling you onto his lap, hands wandering up your top and stroking hard at the exposed flesh. 
"You dumbass that tickles! Stop!" 
"Never!" He doubles down his efforts, lifting your t-shirt and blowing a wet raspberry on your stomach. You try to lean away but he has you trapped. 
Finally wiggling from his grasp in a fit of breathless giggles, your rump bumps heavily on the floor. 
"You're an idiot, Munson." 
"Yeah? Well you like me, so who's the idiot now?" 
"Still you!" You flip him the bird and he pokes his tongue out at you at the same time. 
Now eye level with the coffee table, a leaflet catches your eye. 
"What's this? Hawkins County fair?" 
Leafing through it, you hear Eddie's chuckle. 
"Yeah, just a bunch of farmers showing off the size of their pumpkins and shit, it's so stupid."
"But look!" You wave the ad in his face as he rolls his eyes. 
"Dog show Eddie! Dogs! Look, they've got categories and everything." 
He goes to steal it out of your hands but you hold firmly on, reeling off some of the different categories. 
"Senior dogs… there's one for puppies that's cute… oh haha look, prettiest bitch! I should enter." You nod at him and his gaze softens, sinking down to join you on the floor.
"Oh sweetheart" his thumb brushes your cheek as you melt under his gaze. 
"You're not pretty." 
Gasping, your eyes snap back open to see Eddie rolling on the floor gasping with fits of laughter. 
"Edward James Munson! Gonna make you regret that!" 
You straddle him, fingers digging bruises into his sides, trying desperately to find ticklish spots. 
"It was a joke! Come on sweets, you know I'm not ticklish there." 
Grinning devilishly, you straddle him backwards, clinging onto his legs like a koala.
"Nope, but you are here!" 
Your fingers tickle at his socked feet as he writhes beneath you. 
"Fuck, no fair! Stop!" 
"Never!" Your relentless onslaught continues.
"I will kick you in the head!" 
"Say I'm pretty!" 
"Fine! You're pretty, stop, stop!" 
You finally relinquish your hold and clamber off him still giggling triumphantly. 
"Am I forgiven?" 
"Nope. That was really mean Edward." You huff dramatically, folding your arms over your chest. 
"Kiss it better?" 
You both use that phrase. It started off with kissing your knee when you fell, then you used it to comfort him once when some jocks had been particularly mean to him, then it just melded into your day to day life. 
"OK." 
His smile is wicked as he pushes you to your back, fingers hooking into your pyjama pants. 
"The fuck are you doing?" Gazing down at him, he smiles sinfully as he pulls your pants down in one smooth motion. 
"Didn't say where, sweets." 
His tongue runs the full length of your pussy and runs around your clit in a smooth circle. 
"Fuck, Eddie!" Hands make their way into his unruly curls as he continues his apology, suckling at your clit. 
Thick fingers probe your entrance, gliding in to curl in that spot just like you like it. 
"Sweetheart, you're the prettiest girl in this trailer." 
Not giving in that easily, you pull his hair. 
"I'm the only girl in this trailer!" 
He laughs and sucks your clit again hard, making your back arch off the floor. 
"OK," he practically breathes into your cunt, "the prettiest girl in Hawkins?" 
"Better." 
"Fine, the prettiest girl in the fucking world." 
"OK, oh shit, oh you're forgiven!" Moans replace words as he fucks you hard with his fingers, bringing you closer and closer to release.
"Don't stop, don't stop, I'm gonna come, Eddie!" 
He presses the flat of his tongue against your clit hard as you ride his face into a searing wash of ecstasy. 
Releasing in a broken scream, you melt into a puddle. Moments later, a very smug Eddie hovers over you. 
"You are the prettiest bitch" He says, pressing a soft kiss to your nose. 
Too fucked out to argue, you pull him close and hold him. You'll get him back later. 
@munson-blurbs @roanniom @eddiesprincess86
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weebsinstash · 9 months ago
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People keep asking me if I have any 'yandere Alastor vs. yandere Lucifer fighting over Reader' ideas, and I gotta say one of my favorite ones is uh
Ok so I just am trying to kick myself in the ass to write this in of itself, but, I really like the idea of Alastor just straight up tricking you into giving him your soul. "Oh what if Reader takes a deal from him" no what if he makes a deal for your soul and you don't even fucking realize what you're doing and it's completely unintentional. I'm talking, my specific idea, is that after a prolonged series of events where you both gain and then lose Alastor's respect, he then approaches you when you're just like DRUNK DRUNK and, you're being all social and slurring and honestly he's embarrassed for you but at least you're talking to him, and, he sets his trap: making it seem like just an innocent little game, Alastor suggests you two have some kind of drinking game, and the winner can take ANY ONE THING from the other, and he's even all "oh, you don't even have to bother yourself with thinking about it! I could simply JUST TAKE IT and not even inform you, so then you wouldn't even have to worry yourself about whatever it is I decided to... acquire for myself :)"
And here's your drunken delusionally confident ass, thinking YOU'RE gonna pull one over on HIM, YOU trick ALASTOR "oh haha there's definitely nothing I have he wants lol, what would he do, take my cellphone or some of my shitty clothes or collectibles, lmao, I'm gonna win and I'm gonna ask him for some sort of special power or cool thing or gossip, this is low stakes high reward for sure"
Cue you like IMMEDIATELY losing his challenge, and even then, you're all smiles and laughs, "aww, I thought I had you there! So what are you taking?" And he just "Ohhhh, nothing :) actually I... even already took it from you!" And he starts LAUGHING laughing and you're just like "oh, you bastard, you got me! >u< more drinks, yay!"
I like the idea that Reader wakes up the next morning STILL in compete ignorance but uh, eventually you find out exactly how terrifying having someone else own your soul is when Alastor gives you some sort of command of something you REALLY do not want to do and you can't even control your own body to stop yourself from doing it anyways. Just the... violations of privacy, the loss of autonomy. He can force every thought and secret out of your mouth, your head, and move your body to the best of its abilities, and also just, PLUCK you to his location at will
So. Lucifer finds you just absolutely BROKEN in bed, like emotionally devastated, you are as close to suicidal as you can be for someone who cannot die, and, maybe you've even self-harmed. And after some gentle prodding from the Devil, you reveal what Alastor did, but, even more than that, how it made you FEEL. Alastor had approached you as some kind of friend, then started to want to exert some kind of ... control over you, commenting on your lifestyle choices, wanting you to do things with him in HIS way, and then when you resisted, he acted like you were a disappointment, even stopped spending time with you, and THEN, after you thought he was done with you, TRICKS YOU into giving him YOUR SOUL. It's just completely destroyed your psyche. It's reinforced horrible things you've thought about yourself your entire life. It made you feel alone, and now, you don't even have your soul anymore
So naturally Lucifer is like, "That's horrible! I'm so sorry he hurt you like that, I won't let him do this!" AND JUST FUCKING UNDOES IT. Contract WHAT? Radio Demon WHO? this is HELL and Lucifer is, you know, THE DEVIL FROM UH, THE BIBLE, and he's just snapping his fingers and you FEEL your soul come back to you and now you're breaking down crying for entirely different reasons while Lucifer holds you
MEANWHILE ALASTOR, who is fucking off elsewhere, may or may not be lovingly gazing at whatever form your soul is taking within his grasp, HAS IT RIPPED AWAY FROM HIM AND STARTS LOSING HIS MIND. Some "Wait, what just happened? Ffffuck." shit for real, he's, abruptly jerking out of his chair so hard it's sliding across the floor and he's racing back to the Hotel. Charlie stands up for him and shouts down her father that he has no right to ask the Radio Demon to leave, but, Charlie "attempts" to give Alastor "a stern talking to" about how "friends don't take other friend's souls, taking other people's souls is not how we get into Heaven" which, of course, falls on deaf ears, but Charlie isn't the Morningstar Alastor is wanting to concern himself with
And of course, there's Lucifer, making sure he's standing close to you, maybe even between you and Alastor, standing in front of you protectively, MAYBE EVEN HOLDING YOUR HAND TO COMFORT YOU. Alastor just immediately putting two and two together what happened and all but grinding his teeth into dust. Not only has Lucifer interfered and taken something IRREPLACEABLE from him(which was something he took from YOU lol), but, Lucifer has driven a wedge between you ans the Radio Demon. Alastor is watching you regard him with nothing but anger and sadness and fear while clinging to the tiny fallen angel and just, ohhhh, if looks could kill, the staredown these two are having with each other over you...
You've got one yandere who had your soul within his hands and had it taken back before he even got to enjoy having it, didn't get to DO anything with it, and another yandere who, quite understandably, feels that it isn't safe to let you leave from under his protective wing, and BOTH of them are convinced you have to be protected from the other while ALSO being super powerful
You know, the perfect combination of dangerous abilities and dangerous minds :) obviously our favorite Appletini is the more powerful one, but I think our Bambi could give him a good run for his money through sheer trickery alone. If you thought it was annoying getting pulled into antagonistic musicals BEFORE--
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ateez-himari · 3 months ago
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[241031] DORM LIVE
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● 여상 is live on POP now (11:29 PM)
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● 92,390 active viewers
[While two of the roommates introduce the furnished living room, their maknae walks in wearing her boyfriend's boxers and a loose sweater suspiciously identical to the one her brother left on his studio chair, waving to the camera while holding a box of Pepero]
H; [Signing to Yunho] "Do you need me to make dinner ? I think we have enough for sundubu jjigae and jjapaguri"
YH; [Signing back very slowly] "Sangie and I ordered some from the place down the street, we got you your favorite. I think it'll be here in about 15 minutes"
[With a nod she takes a seat on the couch while the oldest dormmate sets up the game console, resting her head on Yeosang's shoulder to read the comments]
H; I'm glad you guys like the furniture...I had to drag them out to get some because it was just empty space, a massage chair and protein powder
YS; Maybe if you used some of that protein powder you would've been able to lift the boxes by yourself...just saying
[She stares at him blankly before biting him, causing the phone to fall]
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[Yeosang flips the camera to his roommates as the vocalist sits in a rather strange position, legs kicked up against the back pillows of the couch and head hanging from the edge while watching the spiderman gameplay]
YS; What is even going on...are you a bat ? Are you trying to be Spiderman ?
[After registering that he was addressing her, Himari proceeds to make the character's hand gestures before gently throwing a pillow instead of a web, which unfortunately lands right on their friend's face]
YH; Can you turn off the camera for a second...I don't want Atiny to see this
[As Yeosang goes back to speaking with their fans, squeals can be heard in the background along with two pairs of feet running around the apartment]
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YS; This is ATEEZ in their natural habitat...well actually it's a rare sight to see in this dorm, usually Hima would be working on something
[Yunho is too concentrated on the game to hear what is going on around him and Himari is laying against his thigh, legs resting on Yeosang's while texting. Seconds later her finger slips on the sound button and a loud voice message of Jungkook screaming 'fuck' plays before she hurriedly cuts it off]
H;[Imitating Dr. Strange's hand movement]...Ah Dormammu
YH; Do you think the staff is watching our live this late- ?
H; I mean they can't fire me either way...right ? Everyone, it was Jeon Jungkook, my mouth would never utter such mean dirty words, he's a delinquent
[Yunho clears his throat very loudly, leading to the maknae slapping his thigh only for him to drop his controller and begin tickling her as Yeosang turns the camera back to himself, posing cutely to distract viewers from the chaos in front of him]
YS; Hahaha...we love each other very much Atiny, ATEEZ is always peaceful these two just have no idol image
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[Himari is on the phone with Hongjoong on speaker while she paints her nails and Yunho speaking to Atiny to let Yeosang braid her hair]
HJ; I'm gonna go out for dinner Himi, don't forget to do your rehabilitation exercises, I haven't seen you do them yet
H; Haha, you're stalking our live ? I'll do them in a bit, love you oppa, goodnight
HJ; Love you too, eat well alright ? I sent you some dessert
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[Himari is finishing up her rehabilitation exercises while talking to the fans as her roommates set up the freshly delivered food, something catching Yeosang's attention as she moves around slightly]
YS; Are you wearing underwear (boxers) instead of sleeping shorts ? Where did those come from ?
H; I dunno...I can ask Mingi where he bought them if you want, the brand might be on the waistband actually, let me check
[As she starts to pull the hem of the sweater up in order to see the boxers clearly, the two members stop her in a panic]
H; Oh but when you guys strip on stage it's fine huh-
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[After a rather filling dinner, the maknae lays down on Yunho's back as he scrolls on his phone, resting on his stomach and barely flinching at her weight]
YS; She's like a big cat, she can't be without physical touch for more than 10 seconds especially when she's tired. Apparently Yunho is subject to mattress testing today
[Letting out a loud yawn she turns towards him and points towards her ear void of a hearing aid in preparation for a sudden nap, a gesture understood by the man who quickly translated it through clumsy hand signs]
H; It's the advantage of having 8 other members...you never have to sleep on the ground, or even in your bed
YS; Or you can just fall asleep in your studio and have one of your 8 members come drive you home-
[After taking a little while to register what he said she lunges over to him, accidentally digging her foot into Yunho's backside in the process - both male members rushing to attack her with pillows]
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[The vocalist opted to lay on the tallest dancer's back once more, practically mimicking his position before turning her head to Yeosang]
H; [Signing while talking] "Sangie oppa, do you know when we're going back to Italy ?"
YS; [S] "I'm not sure...I think some time around January, why ?"
H; [S] "Hyunjin oppa just sent me a picture of this really pretty paintbrush set but apparently he only found it in Milan, so I wanted to go buy it...I have to buy some new scrolls and ink too but Seonghwa oppa is coming shopping with me tomorrow"
YH; You guys have no idea how much money she makes from royalties alone, and she has over 200, but she only spends it on art stuff...you should see her car, you'd never guess she gets paid that much
H; Are you dissing my car ?? You're just mad because your long legs don't fit in it
YH; [S] "At least they're not so short that I have to power walk just to keep up with our members, or have to wait for breakfast because I can't reach the cereal"
[Yeosang slowly zooms in on her offended face before she smothers his face in a pillow, causing the two to start play fighting yet again - a true cat/dog duo]
H; So NOW you're fluent in sign language huh ??
YS; I'm sure they'll work it out...
[Yunho can be heard screaming in the background as Himari jumps on him]
YS; They love each other so much-
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[Worn out from so much physical exercise after a work filled day, the maknae is fast asleep with her head on Yeosang's thigh, holding a plush previously taken from her room as ammunition. Surprisingly the dorm's oldest fell asleep quickly as well, head resting on the vocalist's side]
YS; Well Atiny that's it for today's live, I guess I should get some sleep too, bye bye
Translated by 9024subs
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21angryfrogs · 11 months ago
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Inscryption Act 2 Dashboard Simulator
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🔍 gadgetinspector Follow
i think we should all start unionizing actually.
🚬 shrimps.is.cards Follow
yer just mad cause ya didnt git a raise this month n i did.
#as the boss'd say: L + ratio
15 notes
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☁️ dyke-mage Follow
just found out that rebecha is 26??? she should be at the club...
🔧 trans.on.a.mission Follow
"the club" is a state of mind i'm in when clobbering whoever keeps breaking my bridge. woof.
#im serious #when i find you its on sight
1,905 notes
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🦦 iceekaycee Follow
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for those not caught up on the old man yaoi lore...
#that makes 3 this month... #what is wrong with them
21,039 notes
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🗝 wizstim Follow
⚠️ PSA!!!! ⚠️ guys you really need to stop telling people to k/ll themselves!! you never know what people are going through, and it can be really bad for people's mental health!!! 🍯 gooart Follow
^^^ SOME OF YOU SHOULD READ THIS OVER A FEW TIMES!
☁️ dyke-mage Follow
kys beam. get them, boys.
🕯the.melter.official Follow
kill yourself.
🚬 shrimps.is.cards Follow
kill yerself.
🎣 fishfearme Follow
krill self. now.
7,192 notes
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🕯the.melter.official Follow
currently living in a peaceful state of tumblr fame where i'm popular enough to have to add "official" to the end of my blog name but not popular enough to have an evil shadow clone of myself.
🌋 the.melted.official Follow
HELP ME SOMEONE PLEASE DEAR FUCKING GOD LET ME OUT OF HERE
🕯the.melter.official Follow
... haha... did anyone else hear that....?
2,071 notes
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🕸 wellitsgolly-deactivated277457
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🔍 gadgetinspector Follow
how did she say that
92,644 notes
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🦦 iceekaycee Follow
🍯 gooart Follow
does anyone else find it kind of troubling how many people are voting and campaigning against THEIR OWN EMPLOYERS?? i mean sure, sometimes they can be cruel, but we still owe a lot to them!!
☁️ dyke-mage Follow
grimora sweep.
🕯the.melter.official Follow
grimora sweep.
🪄 magikificus Follow
grimora sweep.
🔍 gadgetinspector Follow
grimora sweeHey Who Was That?
🦦 iceekaycee Follow
SCRYBES FOUND THE POST, EVERYONE SCATTER
#I DIDNT EVEN REALIZE THEY WERE ON THIS SITE??? #WHOOPS
276,651 notes
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💾 po.tothethird Follow
for april fools i'm deleting this entire game. sayonara you insubordinate shits.
1,263,333 notes
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candyskiez · 7 months ago
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thinks about teru again. he’s so funny and tragic to me. like. ok so he got targeted by a psychic terrorist organization that sent adults to try and kidnap him at a young age. and he rationalizes it by going “i am the Protagonist this is happening because i am the Main Character” and then lives his life by that idea bc it’s that or face the fact that he’s nothing, that he’s an average person and all these things happened to him for no reason. and then he meets mob and wants to befriend him, has questions he wants to ask- here is someone who might finally understand him. and then bc teru is thinking like a Main Character i think he goes “ok so if i defeat him then we’re friends otherwise we’re rivals” bc he’s still going off of tropes and cliches. and then shigeo fucking curbstomps him and he goes “oh ok i get it im not the main character 👍 KAGEYAMA’s the main character. so i must be The Rival Character then” but it’s just a way he can act as a friend without breaking the tropes he uses to rationalize his trauma
YEAH YOU GET IT! YOU UNDERSTAND! He's so horribly lonely but also literally everything about his mindset is directly standing in the way of giving him any connection. He holds people to such high standards that they're always going to disappoint him, so he spends time with none of them. He craves constant approval and affection but none of it is enough to satisfy the need for actual connection. So he just goes through shallow relationship after shallow relationship going Yep. This is great. I am happy. And I genuinely think he doesn't realize he's NOT happy because like. When you're in a shitty situation for your entire life you don't necessarily realize things can be Better. So Teru is not captured by claw when other people are, and he can do things that other people can't, so his situation is better than most! Nevermind the fact hey maybe there shouldn't be Claw. Maybe people shouldn't be attacking random kids. Maybe this is all insane. He's just like. Wow I'm so strong and smart for evading claw, because the idea that he just was Lucky would be terrifying and take away his entire sense of safety. He needs to be the smartest toughest guy that Has Ever Existed™ because if he's not, then suddenly he could get captured or die at any moment. And that's suddenly way less haha my life is so cool! The denial juice is strong here.
Literally everything about his introduction episodes is so damn telling. He tells the body improvement club everyone always underestimates him. But he conveniently leaves out how this makes him feel, or if he's offended. We see him lose his shit when Mob says he isn't able to hurt him, so clearly he's far more affected by it than he wants to admit. But he can't be upset by it. It's an Advantage in this Battle he's in. No one takes him seriously, and that means he can get away with more shit, and that means it's easier to beat them in battle! Nevermind the fact that he works his ass off, he is not upset at all, because that would be ridiculous. It's an Advantage. He wraps literally everything in his life that hurts him up in a bow of "Actually, this is good." He cannot admit that anything about him or his life is bad. He cannot admit that he isn't perfect, or that his life isn't just a fun challenge, or that he maybe misses his parents a little bit. He like...just fully submerges himself in the idea of being a character so he doesn't have to realize how easily he could die or have his life ruined. If his parents stop sending him money, he's fucked. If claw beats him, he's fucked. He doesn't have actual connections with people, because he views them too lowly to let them in at all, and he is fucking himself over so hard with it. He needs this to not be terrifying. And he also needs to be in the right, I think. I mean, he treats all of the fights at school like a game. It feeds his ego and it means he's safe. People can't touch him and it feels good to take out his anger (he's just angry that they disrespect him, he has nothing else whatsoever to have unresolved anger about, he is completely fine and is just enjoying being able to wipe that smug smile off that assholes face. He is so okay and well adjusted!) He's just. A mess of weird ass coping mechanisms. If he isn't right, which he definitely is!, suddenly he isn't the main character, suddenly he's not just Doing Whatever, suddenly he's just another asshole. Y'know. Do I make sense. He needs to be right because if he's not right it goes from a fun game to he was just an asshole for no reason and he didn't actually gain anything at all.
God. I need to rewatch EP five, because it's insane and also tells you so much about Teru, I'm sure it's even better on a rewatch. I need to rewatch this show soon or I'll die. But like. God. He takes the idea of the only other natural esper his age he's ever met being different than him SO personally. Because he's right. He is doing everything exactly the way he is supposed to. Clearly this guy is an idiot and weak. That's why he's afraid to fight him. Clearly. He can't comprehend that maybe Mob just straight up doesn't want to hurt him. Mob thinks he's better than him. Mob needs to be taken down a peg. And then he can't hurt Mob. Then he can't break his fucking barrier. Hes fought espers before. He knows how to fight espers. He is perfectly capable of it. He has literally everything he needs to beat him and for the first time he very suddenly Can't. And this person is so different and is treating him like he's having a temper tantrum and isn't following his rules that he's formed his entire life around. Can I interest you in autistic Teru. Can I please interest you in the fact Teru has autism. Please ma'am I just want a minute of your time.
I also feel like. The fact he Needed to idolize Mob is very telling. Mob defeated him so CLEARLY he's so powerful and perfect and amazing. He still can't let go of Being Amazing, of the idea he can't fail for no good reason. He needs Mob to be special or else he means nothing. Or else he's worthless. He needs to mean something. His entire identity is hinged around Mob now which. No pressure. He needs Mob to be perfect or else he's worth Nothing. So he puts him on a huge pedestal so he doesn't have to do any reflecting and now he can have the added bonus of a friend and it's Fine! It is totally fine. He is not affected by the fact he almost killed a man on accident. He is not affected by the fact he may have severely injured several people. He is not affected by the fact Mob could've killed him. He is not affected by the fact he was wrong. None of this affects him at all. He is So Fine.
And then he switched the narrative around to haha I was the one who needed to be taken down a peg. This is fine. My world view is not in shambles. I don't need to reassess anything. Everything that happened to me is still cool and fine and I still matter because I'm in the main characters life. So it's fine. He goes from nothing matters except Me to nothing matters except Kageyama, but at first he's done absolutely zero reconfiguring.
Also like. He romanticized that fight so much. Can we please talk about that. God. Hi. This fucking kid. Someone please like. Get him a therapist and maybe a Capri Sun.
I'm too tired to write more right now and think I should probably go ahead and post but like. Yeah. God. This show. Teru makes way too much damn sense. I want to shake him. What is his problem (just spent several paragraphs analyzing his problem.)
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strangersteddierthings · 2 years ago
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Bad News First, Eddie
Part One 🦇 Part Two🦇Part Three🦇FInal Part
This was getting longer than both Steve and Wayne's parts combined, so I'm gonna break it into 2 parts. Posting part 1 now, and part 2 should be up within a day. Thank you everyone for the wonderful replies/reblogs. I screenshot them cause they keep me going haha.
Trigger Warning: Child abuse referenced, as well as one scene of a child being slapped. Use of slurs in a derogatory manner.
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Bad news first, Eddie thinks to himself as he swings the trash can lid turned shield, this is a fuckton of bats. Good news, Dustin is safe.
The bats are overwhelming but he's holding his own. He can do this. He can buy them more time. He's done running away from the things that scare him.
-
Bad news, Eddie thinks, watching Dustin sob above him, I'm gonna die here.
-
Eddie dies. He knows this because all the hurt stops. The world has faded into itself, dimming to a blackness deeper than Eddie's ever known.
The afterlife is a bit disappointing if he's honest. He's not sure what he was expecting, but it wasn't nothing. Endless, unfathomable nothing.
He kinda hoped he'd see his mom or something, but that's delusional. If the afterlife was heaven or hell, he wouldn't end up in the one his mom went to, that's for sure. Too many sins under his belt for that.
Death is pretty boring though.
-
Time is impossible to track. He's tried a few times, counting seconds to make minutes but that's so boring he loses his train of thought. Ends up humming some tune or another before repeating the process.
The day he finds himself humming a Wham! song has Eddie a little panicked. He doesn't listen to Top 40 stations. He spent a good deal of time avoiding learning any Wham! songs, actually, so now that he's somehow gotten one such in his head...
This has got to be capital H Hell.
Well. Everyone in town thought he was on the road straight to it. Laugh it up, Hawkins. You were right. The Freak went straight down.
-
Eddie misses Wayne. He can't remember the last thing he'd said to him. When did he last tell his uncle he loved him? Wayne knew it though. He had to know it. They didn't say it out loud but they didn't need to. Right?
-
In the distance, Eddie sees something. A light? He's not sure what it is but it's something new. Something different.
The light leads him back into the Upside Down. The bats are swarming and he just crashed the bike- fuck fuck fuck, run. Run, Eddie, get the fuck out of here!
He's screaming at himself to run but instead his body stops. Turns. Pulls the shield and spear from his back and screams at the bats.
Eddie rips himself back, away. Crumples to the ground, folding into himself. Not that. Anything but that again.
-
A soft humming sound. Gentle, warm.
Loving.
Eddie unfolds himself to see what it is.
His mom smiles down at him, reaches out to ruffle his hair as she hums. Eddie knows the danger has passed and he is safe now because Mamma only hums that when it's safe.
"There's my handsome boy," she moves the hand from his hair to boop the tip of his nose. "How about we play a little game, hmm? The floor is lava!"
She scoops him up and plops him on the kitchen table. There is a crunching sound beneath her feet as she moves. Lava sounds an awful lot like Dad's broken beer bottles but if Mamma wants to play pretend then Eddie can do that for her.
-
His mother is beautiful. The most beautiful woman in the world. He takes after her in a lot of ways. Matching curly locks, the same face scrunch when they're angry, their noses, big brown doe eyes. Eddie even shares her voice, just a different pitch. The point is, Eddie's mom is beautiful and he's got enough ego left at four years old to think of himself as beautiful, too.
The problem, then, is that Eddie makes the mistake of saying it in front of his Dad. 'As pretty as Mamma,' he'd said. They'd, he and Mamma that is, were sitting crosslegged on the floor in the living room. Dad had been in the kitchen, Eddie could hear him puttering about. Mamma had booped his nose and called him the best looking kid in all of America.
Eddie nodded fiercly, "yeah! As pretty at Mamma."
It used to be a fuzzy memory, what happens next. A flurry of movement and shouting. Now he's witnessing it with terrible clarity. His dad's hand curling around his upper arm and yanking him into the air, crushing hard enough to bruise. His dad's shouting at him. He remembers not remembering the words but now they hit him like the slap his dad delivered to his face. "No son of mine is going to be a fuckin' fag, thinkin' he's some pretty little girl. Is that what you want, you little shit? To be a little girl?"
"Stop it! Stop it! Let him go, he didn't mean anything like that!" he hears his Mamma plead but his Dad won't stop shaking him and screaming. He bursts into tears because it hurts and he's confused and his Dad's never hit him before- "Hit me! Hit me! If you're gonna hit someone, hit me!"
Eddie gets tossed aside. He lands on back and sees as his Dad does exactly as his Mamma demanded. Eddie's never been so scared in his life, he can't watch. He scampers down the hall as fast as he can and crawls under his bed to hide.
-
If Eddie had to guess, that's the memory that ingrained his need to run.
-
He's reliving his memories. He's a little embarrassed how long it takes him to figure that out. They say your life flashes before your eyes when you die. They don't tell you that the quote flash unquote takes a really fuckin' long time. Like, you know, your whole life long time.
It's so strange to witness, too. Like he's both watching the memories as an outsider, but also through his own eyes. He has both the knowledge that he had when he died, and also no experience beyond what he's seeing in the memory.
-
He watches his Dad beat his Mamma, beat him, but also watches his Dad push him on the swings and slow dance around the kitchen with his Mamma. And that's the worst part, he thinks. That his Dad could have been an awesome one. If he'd stayed sober like he kept promising. He didn't though, couldn't. Hell, maybe it's even a wouldn't. He watchs Wyatt fucking Munson pick beer and drugs over him and his Mamma time and time again.
Couldn't even put them down long enough to be there when Mamma got sick.
-
Eddie is seven. He's just had his head shaved, bald as his Mamma now. He regrets doing it as soon as he sees his Mamma's smile falter when Uncle Wayne drops him off at the hospital.
"We match, Mamma," Eddie says shyly, eyes downcast. "I wanted to match..."
"Oh, baby, come here," and she's scooping him into a hug, genuinly smiling again, "I love that we match. So long as it was your decision to cut your hair."
Eddie realizes now why her smile had faltered. She thought Dad had shaved his head against his will, probably because long hair was for woman, as he liked to say. Eddie in the memory didn't know that, though, so he just cuddles closer and says, "Yeah. Uncle Wayne did it for me, so it would be nice and even, he said. Wanna hear what we did in school today?"
-
There is something looming at the edges of his vision. Eddie can't seem to make whatever it is come into focus. It's not a memory because those always focus. It's something else. Something new.
-
His dad teaches him to hot wire a car. Makes him learn how to pick the lock on car doors and handcuffs. When he sees how easily Eddie took to lockpicking, he makes him learn other locks, too.
Eddie misses out on school because his dad can't be bother to enroll him and Eddie doesn't know how to do it himself. He's too scared to, anyway. Afraid his dad will start swinging and won't stop until he's dead.
-
When Eddie is eleven, a lot happens. It was a pivitol age for him. He got his first crush (a boy named Jimmy) and a first kiss (a boy named Jeramiah). Eddie also ends up in the hospital because his Dad caught him kissing Jeramiah.
It's not his Dad that picks him up from the hospital, though.
Eleven is the age he is the day his Uncle Wayne moves him to Hawkins, Indiana.
He's also eleven the first time he hears Black Sabbath.
Eddie is also eleven years old when he decides that he wants good news delivered last. To end with something good.
-
He relives becoming himself.
Catching up in school because he's not stupid, but falling behind because he is kinda dumb (schoolwork never seemed as imporant as hanging out with friends, or starting a band, or playing dungeons and dragon, or any other number of things).
The relief he feels the first time he meets another person like him, learns there's another word besides faggot for what he is. Gay. The immense pleasure of feeling truly seen the first time he says that out loud to someone (it's his best friend, Jeff) "Bad news, Jeff. You might hate me for this. Good news, I'm gay."
Good, good news. Jeff doesn't hate him!
There's a fear that Wayne might be like his Dad regarding all this, so he can't tell him; won't tell him.
But then Wayne comes home unexpectedly when Eddie is a freshman and catches him with another boy's tongue in his mouth. Eddie has a panic attack that winds up with him in the hospital.
He remembers the paralizing fear when Wayne came to pick him up upon his release. Eddie had walked to the pickup numb and afraid. He climbed in, buckled the seatbelt, and waited for the worst.
Wayne climbed in and started the pickup but didn't put it in gear. Instead, he spoke, "Life is gonna be rough for you, boy. Rougher than it should be."
Eddie cannot make words form to reply. Can't do anything but shake.
"Eddie," Wayne says and he feels the seat move as Wayne shifts to turn towards him, "the bad news is, life is gonna be rough, but the good news? Living under my roof isn't. Won't be. Eddie, my boy, I love you. And nothing, absolutely nothing, will change that."
Eddie breaks, like a puppet with its strings cut, sags in the seat and sobs. Never, never had Eddie ever bothered to entertain the idea that this might be Wayne's response.
-
Eddie is a sophomore the first time he notices Steve Harrington. It's fucking awful. It's also amazing.
Because noticing Steve Harrington means noticing Steve Harrington. He's immidiately popular because he's good looking and good at sports.
Eddie's not gonna claim to know Steve, he doesn't. There's just these little clues that King Steve isn't a default jerk. For one, Steve doesn't partake in bullying. He stays silent. Lets it happen.
But Eddie's also been witness to two times when Stever did step in; both times when it was escalating to be a phycical altercation.
"Hey, Tommy, don't," Steve had said, not quite stepping between Tommy and the other kid, but enough to be within Tommy's line of sight. "The game is tomorrow. You throw that punch and your hand is gonna hurt like a bitch through the whole game. And I swear to God if we lose this game because you can't handle it-" Steve didn't finish the sentence, didn't have to. Tommy lowered his arm and scoffed. Walked away mutter about how the kid wasn't worth it anyway.
The other time, it had been Jeff he'd defended. Jeff hadn't even been doing anything. Just stumbled into some asshole from the basketball team and knocked him over. Eddie had been the one who'd shoved Jeff (because Jeff was teasing him) and he was ready to place himself in the way when Steve had beat him to it.
"Fucking relax, it was an accident," Steve stood face to face with Roger. Eddie and Jeff just stared at the back of Steve's head. "It's not Jeff's fault that barely tapping you knocked you down like a house of cards. Right, Jeff?"
Eddie and Jeff blinked at each other in a sort of stunned silence because since when does King Steve know either of their names? Steve turned to look over his shoulder, one eyebrow raised. Jeff stammered out, "R-right. It was an accident. Sorry, man."
"See, he's even sorry."
Eddie reached out, wrapped his hand around Jeff's wrist, and tugged him away. He could not stay here and witness anymore of Hero Steve or he was going to embarrass himself infront of the entire cafeteria in the worst way possible.
-
That was the tipping point for Eddie. When he finally had to admit he wasn't just noticing Steve Harrington. He had a full blown crush on the dude.
Fuck.
-
Watching his memories play, Eddie realizes he spent far too much time in high school trying to get Steve's attention. Bumping into him on purpose, being antagonistic to his friends just get a response, or trying his best to use Jedi mind powers to make teachers pair them together for projects in the rare few classes they shared (this never worked; teachers liked Steve too much and hated Eddie).
Steve changes between junior and senior year and still doesn't notice Eddie. Eddie's kinda bitter about it.
Then Steve graduates, but doesn't leave. He's always hanging around, bothering the freshman Eddie's taken under his wing. He's not jealous that Dustin Henderson thinks Steve hung the moon. He's not. (he is).
Anyway, the bad news. Steve graduates but doesn't leave and Eddie can't get over his stupid crush. Good news, he and Steve share a mutual friend in one obnoxiously lovable freshman, so that's like one step closer to Eddie being Steve's friend, right?
-
The thing that's looming finally comes into view when his most recent memories come up. Or, more accurately, it -she- makes herself seen.
He's holding a broken bottle to Steve's neck demanding to know what he's doing here and then the scene pulls away from him until he's watching himself threaten Steve. The memory moves in slow motion.
"Eddie?"
He screams because Jesus H Christ nothing else in the afterlife has ever spoken to him.
"I am sorry. I did not mean to scare you," she says. Eddie can see her now. She doesn't look like either an angel or a demon. She just looks like a regular person, a girl with shoulder length brown hair, wearing jeans and a yellow shirt that looks too big for her.
"Uh, it's fine?" Eddie says, because what else is he going to say? "Who're.. who are- what are you?"
"I am Eleven. It has been difficult to reach you, Eddie. Had to try, though."
"What?"
Eleven nods, like someone has said something he can't hear. There is a long pause before she speaks again. "Do you want to wake up, Eddie?"
"What do you mean wake up?" Eddie feels like he might start having a panic attack.
"I am not good with words. Not delicate, Mike would say," Eleven says, "so I will be frank. You are alive. Can be alive. Doctor Owens says you retreated into yourself. To protect yourself. But it's safe now. It is all safe. The Upside Down cannot hurt you again."
Eddie feels the panic set in almost instantly at those words. The memory explodes into black and the girl vanishes.
-
The more Eleven shows up, the more aware of other things Eddie becomes. Occasionally the sound of conversation drifts in but it's far away, muffled. He can taste food on his tongue that he had not eaten. Feel a brush get stuck in his hair.
They don't really talk, he and Eleven. She takes her queues from him and since he's got no idea what's happening he doesn't know what queues to give.
"So, you're not here to like... send me on, or something?" He asks. They're sitting cross-legged in front of each other. Eddie in the outfit he died in and Eleven in shorts, a crop top, and an oversized jacket.
"Where would I send you?"
"Y'know. Like... Hell or wherever."
Eleven is silent a long time before she says, "I don't want to send you anywhere. I want to bring you back."
Back. He can go back? That doesn't seem right. That doesn't seem like it should be an option. "You mean like, back to Hawkins?"
"Eventually."
Eddie's not sure what to make of that. Is he gonna be a ghost? Because if it's Hell or being a ghost, the latter sounds infinity more fun. Plus, as a ghost he could probably check in on Wayne.
"Alright. You win, Eleven. Take me back."
Eleven stands up immediately, offering a hand to help Eddie up. "You have to want it."
"Want to be a ghost?"
"No. You have to want to be alive."
That makes sense, Eddie supposes. Wanting to be alive is probably what makes ghosts be able to like, be ghosts. "OK. OK. I can do this." He does a full body shake, dancing from one foot to another to pump himself up. "Alive. Alive. I want that. I want to live. I want to see my uncle again. Want to give Hawkins a big fuck you for thinking I'd end up in Hell. I want to see Jeff and Gareth! I want to haunt the fuck out of Dustin Henderson for trying to follow me! I want to know if Robin, Steve, and Nancy won! I want to know if they made Vecna pay!"
He is yelling by the end of it, and Eleven is beaming at him like she's proud of him.
"Yes! Yes! Now, wake up!"
-
Eddie does wake up. Sort of. He's already awake, sitting in what appears to be someone's living room. He blinks several times before exhaustion washes over him and he sags back into the chair he's sitting in. "Wh-" he tried to speak but his vocal chords don't seem to want to work.
"Holy shit." A voice says off to his side. It's vaguely familiar. Like a distant memory. "Call Owens! Call Owens right fucking now!"
-
Bad news is this. He's been stuck in his own head for several years. His fucking body has been moving around without him yet the amount of physical therapy he has to do is torture. Fucking Owens won't let him contact anyone until he gets the all clear from his new therapist. Oh, and his uncle believes he's dead.
Good news is this. He's alive.
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worstvideogamesong-poll · 9 months ago
Text
Worst Video Game Song Tournament Semifinals Match 1
This is Where You Are Caucasian Destination Boy - Project Sekai: Colorful Stage! feat. Hatsune Miku
youtube
VERSUS
Main Theme - Beverly Hills Cop (PC)
youtube
FIGHT!
I would recommend listening to as much as you can of each song before voting, but how you choose is up to you! Remember to be civil in the tags and replies!
Propaganda under cut:
This is Where You Are Caucasian Destination Boy:
"holy shit this song was suppossed to be what vivid bad squad (one of the bands in the game) was trying to surpass their entire first story arc. also this song was pulled out right after taiga (guy singing this song) told them that their idol is dead. and then they lost to Caucasion Destination Boy. jesus christ."
"[This is Where You Are Caucasian Destination Boy] is so bad lyrically it's funny. Like, truly a monsterpiece."
"#I'M SORRY THAT'S THE SONG VBS IS TRYING TO SURPASS???? 💀"
"#I KEEP FORGETTING ABT THIS 'SONG' #same energy as im in the house like carpet"
"#HAHA YES IM SO HAPPY CAUCAISAN DESTINATION IS ON HERE #NO WONDER TOYA’S DAD HATES MODERN MUSIC 🔥🔥🔥"
"#HOLY SHIT THIS IS WHERE YOU ARE CAUCASIAN ON THE DASH #AHHHHHAHAHAHAHAHAAAAAAAAAAA #EVERYONE LOSING THEIR SHIT OVER THAT SONG WHEN IT DROPPED WAS SO FUNNY"
"#[This is Where You Are Caucasian Destination Boy] brought me to tears"
#i thought the title of [This is Where You Are Caucasian Destination Boy] was a joke until i played it
"#LETS GO CAUCASIAN #TIME TO THROW YOUR FURB"
"#oh god [This is Where You Are Caucasian Destination Boy] sounds like if imagine dragons had a lobotomy"
"#THIS IS WHERE YOU ARE CAUCASION DESTINATION BALLING SWEEP"
"#dude This Is Where Youre Caucasian is just so bad"
Beverly Hills Cop Theme:
"Hyper compressed and sounds like a dying ice cream truck. Awful to the point where it wraps back around to being good."
"Not going to mention in the propaganda that its the crazy frog song ??"
"#god I fucking love Axel F if it sounded like a crashed GBA so much it's atrocious #and the random stops mid-song"
"#[Beverly Hills Cop Theme] felt like i was listening to my computer have a seizure and die #yup. that video game song sure can bad"
"#yknow beverly hills cop theme is the best rendition of axel f i ever heard #purely because it sounds like getting an mri and i love mris <3"
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lowkeyrobin · 8 months ago
Note
hiii I was wondering if I could request a sorry boys x reader? (Totally understand if not tho! Just Tommy, ranboo, Charlie, and Philza (: )
but the reader is like a streamer who just does art streams? I like to think of it as crumb-like streams? Anyway, the reader also has an idea for a possible indie show or comic or whatever they wanna make one day and they sometimes draw or animated stuff for that?
(also do you mind if I be the ⚠️ anon?)
oooo yeah of course! ; and welcome to the hotel ⚠️! love the reference haha ; anyways thank you for requesting, hope you enjoy! ; again, apologizing for how short this is
SORRY BOYS ; auti-artistic
summary ; youre an art streamer chilling with the sorry boys
warnings ; language
word count ; 504
masterlist
Tumblr media
You were currently live with Tommy and Phil at your sides, watching you draw. You usually streamed when you were working out the blocks for your upcoming comic, wanting to get some outside opinions from friends and chat as you worked.
Charlie and Ranboo's voices hung in your head over the Discord call, where you'd repeat their words to Tommy and Phil as they talked. Those two were streaming some weird simulation game, so you were listening to them babble with your volume on 10 as you worked, more so listening to Phil and Tommy. The blondes were giving you suggestions, compliments, and were talking about some movie they'd recently watched together.
You place your pen back down on the iPad screen, coloring in the blocks as you worked. You had numerous amounts of pallettes to make sure all the colors were correct, plus it made life easier in the long run.
"No, no, no!" Tommy waves his finger dangerously close in front of Phil's face, "That movie sucked. The dad can kiss my ass!"
"The dad was trying to save his kids, Tom!"
"By shooting their mum?!"
You slowly look up at your webcam, your jaw slightly agape, eyebrows furrowed. You listen as they both blabber on and on, talking about whatever plot there was to this random apocolypse movie that they'd seen.
"What are you talking about...?" You finally ask, looking slightly back and up at Tommy.
"Explaining to Phil about how he's wrong!"
"Okay, pal"
You turn back down to your iPad, continuing to color in the boxes as you had been. You flinch and push yourself back in your desk, hearing Charlie and Ranboo both scream into your ears.
"Jesus fuck, why are you screaming?!" You exclaim, bringing your mic closer to you to become louder.
"Charlie!-"
"No, that was your fault!"
You look over at chat, seeing some users explaining why you just got jumpscared with screams. Tommy and Phil had quieted down, looking at chat as well.
"No way you got that scared over a game." You deadpan at your webcam, knowing one of them had your stream up.
"Don't give me that look!" Charlie exclaims, "These ghosts are fucking scary, Y/n!"
"That's not my problem." You joke before deafening. The Discord ping rings in your ears before you're greeted by silence.
Tommy blinks before looking down at you. "So, like, what happened?"
"Some ghost scared them." You shrug, twirling your digital pencil in your fingers.
You glance at chat, seeing Charlie's green username and VIP star tag pop up. "tell ranboo to stop sumging them HLP ME"
You slowly nod, seeing that he was clearly typing in a rush. "Have fun with that, my guy"
Tommy chuckles, "Is he that desperate?"
"Guess so" Phil shrugs, "What are they even playing? I thought they were playing some stupid simulator game"
"No idea" You shrug, "But that gives me an idea for this comic-"
"Here we go again"
"Tommy, be supportive"
"I am supportive, I'm a fifth gay!"
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buubonita · 30 days ago
Note
budbonita. fellow horrortale connoisseur. opinions on the horrortale game that came out this jolly holly eve,,,,,,, me personally i am very calm and relaxed (eye twitch) 🙂
Hello, Tryglybud! Its good to see you again in my ask box :3c okay lets het to the point shall we?
THERE IS SPOILERS ON THIS, so have that on mind before READING!!!
WARNING FOR child death mention, decapitation mention.
That said (rubs my little fly hands)
If there's one thing I really liked about Horrortale is that SAS takes elements from the original game and re-routes them to fit the story. The charm of Horrortale is that it's precisely an alternate timeline that you can believe will happen without problems. A neutral route that turns into the living hell of monsters.
Anyway, now to point out the little things I liked.
The dark twist of Sans' Iceezs puzzle! In the original the joke is that you can't find any of the words that are written (the fucking puzzle is not doing the puzzle if you want to pass it. It's literally doing nothing lol) but here you literally HAVE to find the words to advance. I found it funny because if you've played UT your first instinctive action is to do nothing! It's like that Papyrus puzzle and the colored tiles that you don't expect to be relevant and then it turns out that it was! Just cute, thanks SAS.
The music! the overall atmosphere is super eerie and ominous, the opening song for waterfall is simple and sounds like still water. It gives you the feeling that you're in dead ground. Like the genocidal route in waterfall and its theme, but again, SAS USES the game's foundations and directs them into their own story YYYYYY OUAGHAHA I LOVE IT! Do you think Aliza inhales the dust in the air while walking?
Goner Kid!'s dialogue is literally a reversal of what one of Gaster's followers says about living in a world where everything is exactly the same but you don't exist in it. In this case, SAS AGAIN redirects and gives new meaning to phrases and details from the game for Horrortale.
The underground would probably have been saved if Sans didn't exist, that is, if Sans had decided to die for all of them! AAAAAAAAAAAAHHH I'M REALLY SMILING LIKE A LUNATIC. I love, LOVE the importance SAS gives to the source material considering Horrortale is a timeline and not an AU! It adds another layer of depth and reinforces the plot a lot; you who played the game and knew the story and grew fond of these characters are now witnessing the suffering that YOU as a player caused in one of your games!
Onion san submerged in that pit of black water was scary, I really expected him to come out of there to kill me when I first saw him (and I wanted that to happen, for him to jump out and kill us why not? >:3). His exchange with Aliza is sweet and adorable considering how scary he managed to look at the beginning haha. Horrortale is still a sad story even though it has scary elements.
The painting on the wall of waterfall reminded me of that thing Alphys created to rip out Horror's magic eye, although the description says it seems to be from a creature. It's probably ambiguous on purpose.
Aliza's deaths are brutal. I died with River Person for the first time and I felt bad for Aliza, poor thing was stripped down to the bone! A gruesome death. The rabid Temmies! I loved that they were included, their dialogue is simple but works well and feels in character. She was decapitated, MY POOR GIRL! Devored, impaled, drowned, this girl wont stop going through the most horrorific DEATHS!
And that's another thing with Horrortale, they all feel in character just like their original versions! Sans is still a joker, only his psychosis has made him more violent, more sadistic and prone to darker humor (I'd eat Horrortale's little black humor animated shorts with fries). He also keeps the tendency to beat up children, his character is consistent and that's why he's my favorite.
There's such a thick and obvious parallel with Aliza and Horror when he says "how much do you think your life is worth?" I mean, if he's on her case maybe it's because he wasn't in her shoes for long (although Aliza doesn't wear shoes!)
And I'm not saying Killer or Dust aren't, they're also wonderful in their own way but they're maybe very different approaches, but they work (and I love them too, believe me).
My only complaint with this little game is that it's very short once you figure out all the puzzles! But I can't complain when we get more of the comic in JANUARY (my birthday month!!). I look forward to more story and seeing more characters soon. This was a little treat i will treasure with all my heart.
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