#can i just hand that in as my comment on his characterisation
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rest in peace don quijote you would have loved dnd
#don quixote#don quijote de la mancha#can i just hand that in as my comment on his characterisation#don quijote#i forgot its spelled different in english#embarrassing
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Show me where it hurts (part 1)
Miguel O'Hara x spiderwoman!reader
(AO3 Mirror), Part 2, Main Masterlist
summary: Miguel's acting weird, and you make it your mission to find out exactly what's going on.
warnings: no warnings for this chap, pg-13, swearing and canon level violence. smut next chapter xoxo
a/n: this is a combination of 2 asks and this post I saw on here a while ago: flirty/ snarky fem reader, Miguel during a ""rut"" (I don't know if it counts as a rut really, but its to do with his animal instincts/DNA) and Lyla playing matchmaker. I had so much fun writing this, enjoy :D
(i wrote this pre seeing spiderverse 2, so i think characterisation is a little off, esp for Lyla, apologies! I'll fix it in my upcoming fics)
edit: I use the term "bichita" which I have been informed can be read not as I intended in Spanish. I'm not a native speaker so I want to apologise in advance. I'm doing more research for my future fics and leaving this up as a testament to my stupidity. Spanish speakers, feel free to correct me / clown my ass in the comments. My bad guys :(
wc: 3.6k
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You think Miguel is avoiding you.
One of your closest friends, giving you the runaround for months, it seems. Calling the two of you close friends is a little extreme, sure. You've only known O'Hara for two years, and been in love with him for slightly less than that, thank you very much. And yes, he refuses to call you by anything but your last name. And the last time you saw him he wouldn't so much as look at you, but that was besides the point.
"..the point," You tell Lyla, in between exasperated bites of cereal, "... is that aren't elite forces of spiderpeople supposed to, you know, have some spiderpeople kick ass once in a while? And where exactly is our fearless leader? I haven't seen O'Hara's scary ass in weeks, and I'm starting to miss it."
She gives you a look, one that says this isn't what I'm programmed for , but you pointedly ignore it.
"His ass, by the way." You clarify. "I very specifically miss his ass. Remind me to get his routine. I know girls that would kill for…"
"How the fuck did you get in here?" A voice croaks. You turn behind you and see Miguel, not in his suit, but wrapped up in a blanket like he's just woken up. And he looks rough, like a train ran him over on the way here: puffy eyes, splotchy skin, tension kneaded into his brow.
"Wow." Your spoon drops into the milk. "You look like shit.."
He furrows his brow even deeper, if that was possible. " Mierda. You shouldn't be here."
"This isn't quite the welcome party I was expecting, man. I'm the only one to actually turn up to one of your meetings, and this is what I get?"
"I thought I told Lyla to cancel," He mutters, pinching the bridge of his nose.
"Cancel? Since when do you miss a chance to talk about rules and protocol?"
"I don't have time for this-"
"-and I'm not leaving without a proper explanation. Is everything okay?"
"It's actually way worse now you're here." He deadpans.
"Haha ." You turn to Lyla. "You drop everything to travel halfway across the multiverse and this asshole won't even say thanks."
"Thanks, but this asshole needs you to leave. Now."
This is the most he's spoken to you in forever, and you hate that you like it. You just want his attention, however it comes. If that means dragging this out so maybe he acknowledges you, touches you, looks at you - then so be it. Squinting, you get closer to him. You scan his face for anything to latch onto. You put a hand on his shoulder, still searching.
"You sure you're alright? You know you can tell me if-"
"Si, si." He grits his teeth, looking away. "M'just fine. I'll explain…. later."
"...because I'm your right hand man?" You grin, poking at his brow. "Stop frowning so much Miguel, you're gonna ruin that pretty face of yours."
He flushes, nervous, and swats you away. "-what? N-No. You're not my right hand man and I like my face just the way it is. Now, leave. "
Making your way to the door, you tap your nose teasingly. "You know where to find me!"
When the door closes with a click, you make your way down the corridor, and stop in your tracks when you hear it. It's muffled, but with the strain of your supersenses you can make out Miguel's voice just beyond the wall.
"I just…. don't want her to see me like this… Lyla, it's not happening… I can't tell her…." Tell her what, exactly?
Resolutely, you make up your mind. Miguel O'Hara's got a secret. And before you leave for home, you're gonna do everything in your God given power to wear him down and find out.
~~~
Despite his insistence otherwise, you liked to think of yourself as O'Hara's right hand man - and most of the other spiderpeople thought so too. You were one of the very first he recruited, after crash landing onto your earth like a spiderman-shaped meteor; the two of you were inseparable. Miguel was stubborn and headstrong and thought he was right all the time. Infuriatingly, he was, but that didn't stop you from telling him to get his head out of his own ass when his ego grew too big.
He was different around you, you think. Softer, sometimes. Harsher, other times. He told you what you needed to hear whether you wanted to or not; the result of mutual respect and agonising persistence. Slowly, you had chipped away his hard exterior; the one he built because he thought he needed to push people away. In that regard, you were similar, but this need manifested in you like a weed - an awful, awful compulsion to joke and laugh at your own expense, to keep others at an arm's length. You had spent your whole life picking and pruning away at yourself, looking for perfection. Even after all this, multiverse-hopping and fighting alongside people who were the closest things you had to friends , it wasn't enough. There was still something missing.
Ironically, Miguel had told you something similar the one of the last times you had spoken. You had fucked up a mission, well and truly. In the aftermath, all you can remember is coming back to base, limping on Jessica's arm.
"She's hurt!" She cries out. Lyla materialises and leads you both to the med bay, inspecting any visible wounds. There's a deep laceration, sticky with blood, at the base of your stomach. You shift onto the bed and hiss with pain.
Miguel is quick to follow, face twisted with confusion, pain, sadness. Even in your haze, you feel the tension radiating off of him as he drags over a cart of supplies.
"What happened?" He strains.
"I don't even… it happened so fast. We got ambushed, and all of a sudden I'm on the ground. I wasn't thinking straight and… " She sobs. "...she jumped in front of me. God, she saved my life-"
"-wasn't your fault, Jess." You croak, trying to sit up. "And I'm fine. Just need to walk it off…"
"Sit, bichita," His nickname makes you frown, despite yourself, and you settle back down. "Lyla, what's the damage?"
Your vision goes spotty, and Lyla's voice barely registers. All you can feel is searing pain in your side, but Miguel is warm, oh so warm. You clutch his arms, and force him to look you in the eye.
"M'ready, Miguel." He nods weakly, but you don't think he understands. "I mean it . I can lead, j-just need another chance and I won't let you down… Jess, tell him that I can-"
"It's okay. I believe you. You just need to relax for me, hmm?" He clutches at your hand, tight, and it's like you're the only two people in the world. "You did good. I promise."
Faintly, you nod. You feel a pinch at your arm, and Jessica's there, with an empty vial of something in her hands. The pain washes over you, and you fight to keep your eyes open. In those last few moments of light, you swear you feel a shaky kiss pressed to your temple.
"Sleep, mi bichito amoroso. Sleep."
When you come to, you're still in the medbay, moonlight streaming through. Well, artificial moonlight. Time worked a little differently here, something Miguel explained to you a while ago - God knows what about dilation and quantum interference. It makes you smile now, remembering his frustration as he tried to explain to no avail. You were the only spiderman this side of the multiverse without a degree in quantum tech, you had said with a lopsided smile.
You move to sit, and pain shoots up your side. Groaning, you push through it, determined to get out of this bed and find the others. As if on cue, Miguel walks in, almost leaping towards you.
"You should… mierda ! You should be resting in bed."
You pout as you stumble into his chest. He hooks an arm around you and leads you back. You clamber in, sighing. "M'fine, O'Hara."
"Your guts were halfway out of your body less than 24 hours ago. So stay put, or you might give me another heart attack."
You scoff, incredulous. "You were worried?"
He shrugs. " 'Course I was."
"Why? You know I'm practically indestructible." You give him a shit eating grin, and poke the frown appearing at his brow. He doesn't bat you away like he usually does.
"Famous last words, bichita." He sighs. You can't speak a lick of Spanish, but you know he only calls you that word when you've frustrated him to his limit. So you take it as a win, for now.
He drops into the chair next to you. "How are you feeling?"
"Just peachy, dollface." You wink, and he doesn't so much as groan.
"I'm being serious. You went through something pretty traumatic…"
"You want me to tell you it hurts, so, so bad, daddy? " You pout and flutter your eyelashes mockingly. Miguel shifts in his seat, unable to make eye contact.
"That's not what I meant."
"What did you mean, O'Hara? I feel fine. And in a couple of days, I'll feel even better, and I'll be up and about. I can finish what we started and-"
"-no, absolutely not." He frowns. "A couple of days? I'm sending you home-"
"You can't do that! On whose fucking authority?"
"On the authority of you almost fucking died ! Keeping you safe is our priority right now-"
"God, is this my punishment? This is a low blow, O'Hara. You know how hard I've worked for this: months of surveillance and intel a-and I did everything by the book, just like you told me to." You croak. "I fucked up . I know that, and I feel terrible. Give me a chance to make things right; that's all I'm asking. I can do it, I know it. "
He looks at you for a moment, something heavy in his expression. His face contorted, he strips you down to the bone with just his gaze. His voice is so quiet, you almost miss it.
"....you're still trying to prove yourself, aren't you?"
Honestly, it catches you off guard. You don't even know what the fuck that means, let alone why he said it.
"I don't… I d-don't…?"
"They all love you. Respect you. More than me I think, sometimes." He chuckles at that. "You're good at what you do. The best . What else are you trying to prove? What else do you need ?"
Your throat goes dry. You couldn't speak if you wanted to.
"I'm not punishing you. You made a mistake, but you don't need to be crucified for it. I just want to keep you safe. I can't… we can't lose you."
"Miguel-"
"-this isn't a discussion. And I'm not trying to argue, although I know how much you like to argue." He inches closer, cupping your face gently. You try to move away, blinking back tears. But his hands are steady and he strokes your jaw with so much tenderness you think you hear your heart break. He's pretty, so pretty. You don't deserve him, you think. "There'll be time to fight, bichita. Rest. That's your mission right now."
"C-can't sleep." You breathe. "It hurts."
Miguel pauses, head tilted like he's thinking. He taps your shoulder. "Scoot over."
You do as he says, and he slips into the bed with you. It's a tight fit, but he manages, placing you on his chest with an arm gently around your shoulders. You bury your face in his hoodie, sniffling and hoping he doesn't notice you choking back sobs. Absentmindedly, he settles into a rhythm, gentle breathing and playing with your hair, soothing you softly. He pretends he can't hear the tears.
"M'gonna stay here until you're asleep. For as long as you need."
You nod, unable to speak for fear of breaking down.
~~~
The days after felt like a blur. You woke up to Miguel gone, and an ache in your heart. Jess visits as much as she can, and Ben calls you a couple times, to see if you're okay. Peter B brings Mayday, and she clambers all over your bed, bringing some life into the room. Miguel doesn't visit per se - you hear whispers of him, Lyla visiting in his stead for comprehensive status updates. Once, you wake up in the night to see him on the adjacent chair, head lolling in deep sleep. He looks peaceful, calm - one of the first times you haven't seen his brow furrowed with worry. Of course, he's gone by the morning.
The very last time you saw him, he opened the portal home. It was weird, after everything, but if Miguel felt the same you wouldn't know. Talking at a thousand miles a minute, he alternates between assuring you they'll be fine without you and situation reports from spider people all across the multiverse. Things you'd missed whilst bedbound, asking for advice before you left. He trusted your judgement and the thought warmed your heart, almost making you forget that he completely brushed past the previous nights before.
You still remember the last thing he had said to you, which would've been weeks ago, now.
"...and if you need anything, and I mean anything, you call me directly. Not Jess, not Ben, and certainly not Peter B. Call me, and I'll answer, I promise. You need help, you need advice, you just need someone to talk to, then-"
"-I call you. I get it, O'Hara. Will do." He opens the portal, watching as you walk towards it. He can't take his eyes off of you, even though you can't see him. At the last moment you turn, and run towards him. You almost knock him over with a hug. Burying his head in the crook of your shoulder, he hugs you back, ever careful of your injury. Separating, your smile almost knocks him over again. Weakly, he smiles back as you head through the portal, back home.
You're left with that feeling, of his arms around your body - warm, so warm - as you putter about by the switchboard. After careful deliberation (you were really, really bored ) you'd taken to manage the Multi Modal Multiversal Switchboard - as aptly named by Miguel. Everyone else called it the Big Red Phone of course, but he had insisted on calling it by its proper name . Every. Time.
The thought makes you chuckle as you call up Peter B. His icon flashes on the screen in front of you. With a click, he picks up the call, his face materialising holographically in front you. A little hand reaches up and tugs at his ear.
"Ow… ouch … Dad's on the phone, honey."
"Aww! How's my favourite Parker doing?"
"Not bad, actually! MJ just made us probably the best burger this side of New York-"
"-sorry, Peter? Me and May are trying to have a conversation." You hear her giggle in the background. Her gap toothed grin pops into frame and she babbles excitedly. "...yeah, exactly May. That's literally what I said."
"Okay, okay, that's enough." He puts the toddler down and watches her scurry away. "You're feeling better, I see."
"Yeah, back in action. Thought I'd check in."
"All good here." He squints, trying to take in your surroundings. "You're at HQ?"
You hum.
"Could've sworn Lyla cancelled…"
"Yeah, didn't get the memo. But I think something's wrong with O'Hara."
He gives you a weird look. "Uhhh, what makes you think that?"
"He won't even look at me. Was it something I said? Something I did?" Your eyes narrow. "...what do you know, Peter?"
"Nothing! Absolutely nothing!" He scoffs, a little too quickly, clutching his chest like you've offended him. He's stared down some of the scariest villains around, but the look you give him is truly chilling. "Just… uhhh. You didn't hear this from me."
"Naturally…"
"We tracked 'em down, the guys that ambushed you and Jessica."
"The Sinister Six? From Earth-215?"
"Yeah, but by the time we got there, it was just Kraven and some of his goons. Miguel got there first, and…." He gulps. "He was pissed. Trashed the whole place looking for the rest of 'em. Beat Kraven half to death and we had to pull him off."
"Shit."
"Yeah, it was pretty rough. Never seen him like that before. And just generally? He'd been weirdly quiet, a little grumpy, more aggressive on missions. I don't know what's gotten into him."
"Hmmm. Thanks, Pete."
"No problem, sweetheart. And if the big guy asks… "
"...this didn't come from you, I know." Weakly, you smile. "Say hi to my favourite Parkers, for me."
" 'Course I will. We should celebrate, if you're back officially. Mine and MJ's is always open."
"Good to know. I'll see you around."
He waves goodbye, and the hologram clicks off. Sighing, you try to piece together what you've just heard.
Miguel: acting weird. Well, you knew that already. Aggressive was new. And Lyla? She had canceled, but not for you, for some reason. An honest mistake, perhaps. But Lyla doesn't make mistakes…
You stew for a couple of hours, puttering about the switchboard, twiddling your thumbs. Something's wrong, and for some reason you're afraid to see him. To have him look straight through you, again, when you ask to do the same. Show me where it hurts. Tell me how to make it better.
On the way there, you chew your lip in anticipation. In the corridor, you're outside the door to his place, hand hovering above the door. To knock, to call. In the harsh fluorescent light, you hesitate.
"Lyla?" Nervously, you sink down onto the floor. It's hard to explain, but you don't expect her to actually come; to materialise in front of you.
"How can I assist you?" She says with a ding.
"Uhh… hi. Just wanted to talk." You pause, clicking your tongue. "Can you be honest with me?"
"I can only be honest with you. It is not in my programming to lie, unless specified by my owner."
"Sure. Cool. It's about him, actually. Is Miguel okay?"
She tilts her head, as if processing your request. "Okay is a subjective term. Is Mr O'Hara alive? Yes. Is Mr O'Hara physically well? Yes. By those terms, he is okay ."
Too vague for your own liking. "I guess I meant more… his emotional state. To the best of your knowledge… in your opinion , Lyla: is Miguel okay?"
"...I believe Mr O'Hara is experiencing some emotional turmoil."
You frown. "Oh. Do you know why?"
"Mr O'Hara has instructed me not to disclose that information with you."
"Fair enough. But you don't have to tell me… I could just ask questions?"
She nods. "There is nothing in my programming that prevents me from answering some questions within certain parameters."
"Did I do something? Not just today but… last time I was here. Did I say something to hurt or upset him? Is that why he's acting weird?"
"No." She says blankly. "And yes. I suppose it is… complicated." She gestures around that word.
"I'm a little confused, Lyla."
She sits next to you, on the cool tile. Not that she could feel it, but it feels more intimate - like two friends talking. The extent of Lyla's consciousness, you weren't sure of. Was she alive? To you, she might as well be. Could she think, feel, emote? Maybe, maybe not. You weren't smart enough to understand the nuances of her programming. But you were human enough to see it in her - something glittering beyond the surface.
It could be projection, but you swear her voice is softer. "He has a name for you. When he speaks about you, and to you. I have it logged in my memory database. Do you know what that is?" You shake your head.
Lyla opens up her palm and projects videos and images - little Miguel's popping up in her palm, tinny and gruff voices ringing through the hallway. They say your name, shout your name, whisper it. Some say other things in Spanish. Curse words had always been your assumption, and he had given you no reason to think otherwise. Now, having it played back to you, you hear a tenderness in his voice you would've missed. Words and phrases that come up again and again…
"Bichita." She repeats. "Bichito del amor. Mi bichito amoroso. "
You shake your head, still confounded. "...I don't speak Spanish, Lyla."
"Little bug. Sweetheart. Lovebug. My little lovebug." She clears her throat. "I believe they are terms of endearment."
Steadfast, she directs you towards her palm. Another small Miguel appears, and you think it's him from this morning.
"I thought I told you not to let anyone in, Lyla?"
"I did not let her in. She let herself in using the code you previously gave her, Mr O'Hara."
"Yeah, for emergencies. Fuck. Mi bichita, too smart for her own good."
"...If you are in distress, I believe she would understand, Mr O'Hara."
"I just think it's too much. I don't want her to see me like this."
"According to Alchemax files, previous subjects showing this kind of aggression benefitted from-"
"Lyla, it's not happening, no chance. I can't tell her."
The figure blinks out of her palm. "Mr O'Hara has forbid me from telling you about certain things."
"...but not from showing me." Your eyes meet hers. You give her a watery smile. "Thank you."
With a hint of a smile, she nods and is gone from the corridor. You are left alone, with nothing but your thoughts of little lovebugs rattling around in your brain.
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#miguel o hara x reader#miguel o'hara x reader#miguel o'hara#spiderman 2099#spiderman 2099 x reader#across the spiderverse#kat_writes😼#this gif is fucking crazy btw
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Regarding Donna Beneviento and her characterisation in the fandom, I think it's important to note that she really isn't the shy awkward adorable blushing mess that everyone depicts her as being.
This got long but I did a mildly extensive read on her character under the break! :)
Here are the notes I took a screencap of, written by Mother Miranda, which talks about the suitability of Donna being a vessel for Eva:
There's the evidence you need that she is severely mentally ill, so babying her just feels... wrong anyway, all things considered.
Note - "and has divided her Cadou among her dolls in order to control them from a distance." While I'm on my 3rd replay of re8 I still don't fully get how the Cadou works, but what I think is essentially happening is Donna is literally splitting off parts of herself and putting them in her dolls.
The main one being Angie, of course.
I always used to consider Angie a separate character entirely but she's linked deeply to Donna on a very personal level. Considering what she's like and what all the other dolls are like - loud, funny, sarcastic, rude, etc - and how Donna is literally the one directly controlling Angie (that's the only way she moves lol, because Donna is carrying her places. Which is also why, when you kill Angie, the illusion melts away to reveal that you've actually killed Donna), I think it's safe to say that's what her actual personality is like.
Also, her only spoken line of dialogue? Please listen to it. For those who are hard of hearing, like me, she says: "don't leave... I can't let you."
Bearing in mind the way she speaks? Her tone? She sounds confident imo. Determined. And perhaps even a little angry at Ethan for thinking he can escape her.
Just a last addition as well, can I say that her abilities as one of the Four Lourds is genuinely evil? Everyone else has physical intimidation - Alcina has her height and her claws and mutation, Heisenberg has his ability to control magnetic fields and metal, and Moreau can mutate into that huge fish-with-legs thing that vomits something akin to acid? Oh yeah and he can swallow you whole too.
Donna, on the other hand, doesn't have physical intimidation like that. She only has the threat of psychological damage (which makes sense considering she's severely mentally unwell). When Ethan goes through her gardens and has to solve the puzzles in the house, she makes him hallucinate about his wife whom he thinks is dead, and about his baby who is somewhere in this unknown country with a bunch of mutants who only have bad intentions.
It's even worse in the Shadows of Rose DLC imo. As Rose, Donna makes her hallucinate the bullies from back home, being called a freak and a weirdo, made to relive the worst moments of her life. And the puzzles too? Hell. Having to actually recreate the scenes of her bullying with wooden fucking dolls. I remember feeling really sorry for Rose while playing through that part.
And yet Donna is still "the uwu baby" because what? I don't know. People love to declaw female villains just because they're attractive (looking at Lady Dimitrescu here). They love to reduce the characters down to their looks and not consider their actual lore or background or the role they play in the franchise (looking at Leon especially...)
Which, ya know, of course people are allowed their headcanons for characters and Donna doesn't get enough screentime to really have her personality even thought of, let alone to be made canon. But I think it's fair to say that Angie and Donna are basically one and the same because they're literally the same Cadou.
This is a quick reminder that you are, of course, allowed to disagree with me. Everyone has their own opinions and that's fine. If you would like to politely debate about this in my comments or in my DMs, or even in my asks, then you're more than welcome to! Please remember debating and arguing are two different things though.
If it really irks you that bad then please scroll, it's not hard. If you don't want to do that then feel free to block me - the button is free of charge after all and should be used more to cultivate your feed to your liking.
#resident evil#resident evil village#resident evil 8#re village#re8#donna beneviento#resident evil donna#re8 donna
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Hello! Writing first to thank you for such an extraordinary creation - as a piece of writing and even more so in performance. Every episode manages to somehow build on and outdo the last; you navigated that transition from a smaller scale story of grisly mysteries and personal crises of faith to a grand scale of war, revolution and political satire with absolute aplomb, and never lost that throughline of exceptional characterisation and sharp writing, always steering to the most interesting conflicts. You are always very humble in your public comments, but I hope you allow yourself a little pride, because this is absolutely top notch stuff.
I was struck by Paige's final words, that she hopes what they left would be found 'flawed, inadequate, yearning'. As the show went on, I was surprised - in a good way - that the show's politics gradually crystalised into a full-on nihilist anarchism, something perhaps even along the lines of Monsieur Dupont. (Muna used the 'a' word in one of the Q&As but it was pretty evident even before that). Taking these gods as a metaphor for ideologies and social systems, the scope of it becomes pretty universal - and unsparing. And, equally, hard to answer.
I wondered when the Many Below/Wound Tree was introduced what answers they would find: what political movement could truly resist cooption or becoming its own horrible self-sustaining egregore. And in the end the answer you express I suppose is a negative one: that even Paige's god of victims is a tool, one that must eventually be discarded to go into some unknown place beyond it all (to walk away from Omelas), towards something that narrative fiction - as a form of the 'endless words' that are derided so much in the third season - can no longer address. Which I respect - to pose the question is vital, even if the tools can't reach any answers if they even exist.
I think this struggle exists in many stories that address themes of making a break from the rapacious society that created them (and take it seriously) - your Baru Cormorants and Mononoke-himes. We can describe the problem vividly, but since we do not have a counterexample to hand, any story we tell about ~what is to be done~ and what it will look like when it is feels like it will be just as hollow as the spins and angles and parasitic fantasies that so many characters advance in the Silt Verses. (How could there possibly be a time where it finally works out, after we have seen all this? But then, what are we living for?)
To try to make this a question and not a ramble, I wanted to ask - what do you see as the role of fiction in addressing the horrible machinery of this world? Is it enough to pose the question particularly sharply, skewer the bad and inadequate answers, and leave the readers/listeners to figure out how to make the killing of gods concrete? How do we punch through the bounds of it all being Content, another product to be bought and sold? What does it mean to sit here and fantasise about people making that revolutionary break when there is no revolution to be had?
I don't know what answer I'm hoping for here, but given the themes of the show, I feel like this must be a kind of thing you've thought about, and probably have a far more developed line of thought than I do. And if this is a bit too much to drop in your inbox on a Saturday morning, I will say again thank you for writing this story and all the actors for making it so strikingly concrete - it truly means a lot, and I will treasure it.
Hi, and thank you for listening and for a beautifully written and thoughtful ask! ('Horrible machinery of the world' stopped me dead in my tracks.) And I am very proud, genuinely.
I don't have a good enough answer to your questions, and for me a lot of TSV is very much about trying to figure those answers out, but let me try and sum up my perspective bit by bit.
Is it enough for fiction to pose the question, without also proposing the answer?
I don't think it's enough for fiction as a collective body of work.
I'd argue there's probably a tendency towards open-endedness and irresolution in these individual narratives simply because it feels like a more honest acknowledgement that in real life, the foe has yet to take a real body blow and will not go down easy; that the foe, in fact, is the marketplace for the work itself and ironically profits from the popularity of stories with easy heroic victories over villains who represent capitalism. That these stories inevitably become a pleasant consumable that serves our complacency within the belly of the beast, a kind of daily tonic to reassure us that good always triumphs and regular people always come out on top.
I also think that the sheer scale and scope of the topic creates its own challenges; you probably can't engage thoroughly enough with both the dystopian question and your ideas for a utopian answer all in a single story, without ultimately turning the latter into that false reassurance, a quick handwave of a happy ending.
You mention Omelas, and I think we could illustrate the problem by looking at how LeGuin handles her two successive masterpieces:
The Ones Who Walk Away From Omelas, which gives us the titular resource-rich u(dys)topia built on invisible suffering, and the dissidents who turn their backs on that world and walk out into the inhospitable wilderness in search of something better.
The Dispossessed, which as its premise gives us Anarres, an imperfect but sympathetic anarchist society whose adherents turned their backs on a neighbouring world of capitalist plenty to live out in the inhospitable wilderness in search of something better.
Anarres can very reasonably be viewed as LeGuin's direct answer to the question posed by Omelas, and she would have likely had it in her mind already as she wrote Omelas. But if the short story had ended with 'I hear that against all odds, the ones who walk away have successfully founded an anarchist utopia where hardship is everywhere but it's shared as equitably as possible. THE END', the amount of lazy shorthand and empty comfort involved in that happier ending would inevitably make it a dishonest and unserious offering.
Instead, Anarres is a starting premise to be interrogated at length over the course of a separate story, rather than a happy ending to simply reassure the reader that better things are possible - and even at the end of the novel LeGuin's unresolved questions are still very similar to the ones that we're left with in Omelas (and the same questions that I feel like we were knocking about in The Silt Verses, and which I guess you could argue are all lingering concerns at the end of Mononoke, as well): how and where can we find space to create and sustain a genuine alternative when the narrative environment of capitalism is so powerfully all-subsuming and constantly growing to fill the space? Do we need to disconnect entirely, vanishing as if dead? If we disconnect, how can we possibly survive and what inhumanities or ethical compromises will be required of us? If we do survive, is our isolationism a dereliction of human responsibility to those left behind?
All of which is to say that I think present-day fiction absolutely can make the attempt to meaningfully explore potential alternative-utopian solutions in more depth and with far more tangibility than we attempted with TSV - but that dystopian fiction like ours which concludes with the unexplored promise of a revolutionary utopia and the vague reassurance that the irrepressible human spirit will figure things out from here on out (Chewbacca gets a medal, everyone's in the streets wearing a Guy Fawkes mask) doesn't do much more than dramatically undermine its own goal of disrupting the audience's comfort.
That said, one of my big regrets this season was that we didn't succeed in more engagingly exploring and articulating the Woundtree camp's development into a flawed but functioning society in Dispossessed fashion ahead of the ending. That was my intention, but what quickly became clear was that in a dramatic format, with a limited cast, it was just endless static meeting-room scenes with Paige and Elgin discussing difficult responses to impossible challenges, while everyone else was out having dynamic and exciting adventures with lots of fun and exciting gods. Dystopias remain too entertaining for utopias' own good.
What do you see as the role of fiction in addressing the horrible machinery of this world?
I believe that absurdist horror fiction specifically, founded on the principle of 'people in a world that makes no sense, deluding themselves that it definitely does make sense' can play a very powerful role in that stated purpose.
Many horror traditions carry the baggage of inbuilt or inadvertent conservatism - the concept of a peaceable, passive, safe, middle-class Normality which is then disrupted by a terrifying outside threat (alien, ultra-foreign, ultra-low-class, underworldly, wild, etc). But absurdist horror very directly identifies Normality as the true source of our terror and very directly confronts our human response to it. It creates the right environment for us to ask all of the good questions. Isn't this an unsustainable nightmare we're living in? Why are we expending so much energy pretending it isn't? How do we get out and what do we do if we can't?
Probably the only listener reaction that's genuinely frustrated me about both of our shows is the folks who come away turning their noses up at the bluntness of that approach and acting like they've Solved The Art simply for figuring out where our broad sympathies lie. "Hm, just listened to The Silt Verses and I understood it at once; it's clearly trying to say that capitalism is bad. A little heavy-handed in its messaging for my liking, hm-hm!"
Not to go full Garth Marenghi, but for me the directness of the provocation and the obvious outrageousness of the nightmare is the point; it then allows us to go to places that other genres (or more understated critiques) generally can't.
How do we punch through the bounds of it all being Content, another product to be bought and sold? What does it mean to sit here and fantasise about people making that revolutionary break when there is no revolution to be had?
God, I don't know.
Maybe it means nothing; maybe we can't punch through; maybe there is no story unruly enough to be truly unco-optable, and therefore even the most radical fiction ultimately serves as a distraction, a placebo, a reassurance (that we are not alone, that better things are possible) which will impact the wider world more by keeping us subscribed to the Kindle app than by any action we might feel inspired to take.
Amazon is paying Boots Riley to make TV shows. Disney won much praise for delivering a revolutionary fantasy in a Star Wars shell. Apple is funding excellent, discomfiting and furious corporate satires about how we happily ignore invisible worker abuses for the sake of our own lifestyles, but they also cannot be considered accountable for the deaths of Congolese child-labourers in the global cobalt supply chain. The Dispossessed is in development as a limited series and the LeGuin estate are closely involved.
The master doesn't just own the tools, he's been buying up the guillotines as well.
What if, as with the unknowable nothingness outside of Omelas, the only art that cannot be reduced to product in net service of the status quo is the art that's so invisible and inaccessible and disconnected as to not exist at all? Does being relatively small and ramshackle really lend us any ideological purity, any genuine detachment? You can listen to The Silt Verses on Apple and Spotify and Amazon Music. Brought to you by Acast.
Chapter 36 with Dev and Seb was to a large extent intended as an articulation of that worry. To what extent can we still trust in the integrity of a sincere love story (one that we want to believe in) it if takes place in an insincere and predatory environment? Can any meaningful story be told honestly within such a space?
This stuff really worries me. I think it's probably right to worry. I don't know the answer. I do know that there are some folks for whom the show has made a tangible difference in terms of their life's direction, and that's a huge comfort to me.
There was someone who said it helped them find their faith, strangely and wonderfully. Someone else who said it contributed to their decision not to go down a more lucrative career path within what they view as an exploitative industry. (I hope they don't regret that decision; I hope it makes them happy.)
So there's something there. Maybe.
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The Ainur | With A Short Reader
Request: Can I make a request for headcanons for how the Ainur would be with a short human reader? Around 5 foot tall? Like an elf of about 6 feet would only reach up to some of their chest or lower still, considering they’re like 7-9 foot tall. Would they be cute, teasing, protective, frustrated by the height difference? P.s. I love the way you characterise all the Ainur, it really feels like their personality, you do a fantastic job. - anon
A/N: Happy to fulfil this request and learn that you enjoy my characterisations of them anon. I tend to envision the Ainur as nothing less than nine feet since they are deities and display their power through their heights. So you’re going to appear super short next to them. Nonetheless, Enjoy!
๋࣭ ⭑⚝ Manwë
The bird was too stunned to speak. Are you a child or dwarf, certainly that could not be your final height at the end of your growth? Unfortunately, it is your complete height which makes you appear as a little bird before the great King. Now his nickname ‘little bird’ makes more sense.
He cannot fathom how you can be the same size as a bean and packed with all that sass whenever he mentions how tiny you are. You require a ladder if you ever reach his head for a ‘level-headed’ talk.
Has no issue picking you up with one hand and carrying you around like his personal comfort toy when he’s having a bad day. Anyone commenting or teasing gets a look that speaks about them receiving a bolt of lightning.
Let us not forget his avian side which is going to fawn over how adorable you are. You’re tiny and squishy, perfect for belonging in his nest where he can shower you in affection all day long.
The size difference is outstanding. Just picture a baby lying in their parents' bed, looking like a little nugget among the pillows…that’s what you appear like anytime you snuggle in his bed. On numerous occasions, he didn’t see you and almost squished you under the sheets.
With your size, it means wearing his robes and marching around his room or Ilmarin pretending to be him while he silently watches from afar. You are drowning in his robes, don’t even wear his shirt, it’s a gown on you.
๋࣭ ⭑⚝ Irmo
Your size doesn’t change the way he’s going to shower you with ultimate love and affection. Apart from the minor teasing he’ll conduct for the fun of the situation, Irmo loves you the same way if you are tall.
A gentleman who enjoys using the opportunities when granted to lift you over puddles or streams so he can fawn over how you fit in his arms. He (and the others) can lift you with his pinkie and has done it before.
You are authorised to always sleep on his chest—you look like a kitten sleeping on his chest in his eyes—mainly because you like to roll and so does he and nothing good has arisen from you both rolling together.
Gets lost in crowds and he panics. He’ll be walking around asking if anyone has seen his little lover and he will give descriptions. “They’re about 5 feet, this short and very tiny. They look like an elfling…”
Saw children’s clothing on a walk with you in a boutique, did not know they were for children and excitedly stated, “Oh look! I believe these would look lovely on you! They even have your colours.”
Do not be upset with him, he didn’t know that it was children’s clothing. Irmo only wished to share the moment of shopping with you. But worry not, he gathers the best seamstresses and tailors to fashion you the finest wear that looks nothing like children’s clothes.
๋࣭ ⭑⚝ Námo
Has a smile on his face anytime you take the lead and walk in front of him, hence his reason for always telling you to lead the way. He’s a simple Vala, he wants to watch as you waddle like a duck with your short legs as you take him to Eru knows where.
Pretends to complain when you ‘borrow’ his robes because you missed him, but gushes mentally at the sight of how you’re drowning in his forever monochromatic black robes.
His viridian eyes were soft at the sight of you walking around, dragging his robes all over. The idea of complaining about getting them dirty has disappeared, and all he is thinking about is how you look like a penguin.
Your feet running across his halls are the equivalent of tiny pitter-patter and it’s how he can easily distinguish your presence; just listen for the tiny footsteps. But it never works out well when you’re among elves and lost in a crowd.
The first time you met his brother, Irmo mistook you for a child Námo adopted and congratulated his brother on softening up to the idea of children. To make matters worse, you played along—much to Námo’s annoyance—and clung to his arm, calling him ‘atar/daddy’.
Irmo was elated, you were dying of laughter and Námo was contemplating his life. He couldn’t believe this was the humour he signed up for the moment he fell in love with someone shorter than most individuals.
๋࣭ ⭑⚝ Ulmo
Mistook you for the child wandering the shores the first time he saw you in the distance and scolded you for playing in the deep waters without parental supervision. That was until he learned you weren’t a child and your permanent height for a lifetime.
‘Pebble’ was the most suitable nickname he gifted you since pebbles were small and cute…like you. Plus, he brings you pebbles, seashells and pearls from the ocean floor as a token of affection.
Because you’re smaller, your strokes as you swim alongside him are slower, so he’ll call the seals, dolphins or whales to swim alongside you for assistance. You’re even allowed to ride them anytime you two are swimming out in the depths.
Since Ulmo’s true form is staggering, he opts to appear around the same height as you are anytime he has to walk the earth. His favourite place to have walks would be the beach obviously.
Hand holding while watching the sunset and he’s quietly staring at your short fingers holding his larger hand. He loves holding your hand to fawn over the size. He would even slip on a cute ring with a pearl one day.
Because Ulmo is known for having no resting place as he wanders the waters of the world, he enjoys visiting your home. It’s even better if you live near a lake for him to have easier access to seeing you frequently. Cue Ulmo marvels at how small your household items are as he picks them up.
๋࣭ ⭑⚝ Oromë
Congratulations, you are the perfect size to sit on all of his creatures (and him) to ride through the forest with him. He cannot get over your tiny figure because he knows that you’re about the same size as an elfling and all his creatures are larger than you.
Roughhousing is a thing that occurs between you both and he gets caught up in the experience to forget how easily he can send you on a trip to Estë for healing…because it has happened multiple times.
Picks you up like a sack of potatoes and slings you over his shoulder when he has to carry you somewhere and you’re being troublesome, or he wants to randomly surprise you. You’re as light as a feather as he runs with you through the forest.
Swinging from his muscular arms anytime he flexes his muscles for you? Yes, yes you do, and he loves it. Fuels his ego to know that he’s strong and his lover can climb him like a tree. Clinging to his muscular physique and probably biting him? Yes, you do that he calls you a tiny beast who needs to be tamed.
Not the type to underestimate the size of a creature you can ride because of your size but is also cautious at the same time. Wanted to gift you a Shetland pony because you were small enough to ride one, but back out last minute knowing that he would receive an earful. Gave you a giant-sized tiger or dog as a companion.
You wear his pelts and pretend to act like him, attempting to wield his bow—sweetheart, you couldn’t even draw the strings—as though you were hunting.
๋࣭ ⭑⚝ Tulkas
No different from Oromë and will playfight with you using the strength in his pinkie finger and you’d still have to bandage some body parts because accidents happen all the time. No worries though, he praises your injuries and makes you feel as though you fought a great battle with him.
He has no doubts, dismisses your strengths and associates them with your size having seen many great warriors display outstanding strengths and feats despite their size. Instead, he encourages you to take pride in your size and all the greatness you can accomplish.
You got a workout buddy, or rather he got a new dumbbell to lift or someone to sit on his back for push-ups. Your weight is inconsequential, but it doesn’t stop you from enjoying the fun in the moment.
Also picks you up like a sack of potatoes and carries you around the place, introducing you to all his close friends and elves. Anytime you need to speak ‘eye-level’ with him, instead of going to lengths to climb tables or a tree, he’ll kneel to your level.
๋࣭ ⭑⚝ Melkor
Getting called dwarf, child, or both the first time you meet will result in him changing the names and calling you a critter if you attempt to attack him for calling you short. Probably ‘ankle biter’ might be your new name because he denoted that small things have the most rage.
You’re a ferocious ankle-biter in his eyes whose nerves he enjoys getting on because your responses are hilarious. It’s all in jest…or maybe not.
Nothing of his will ever fit you, that also means trying to wear his crown with the Silmarils. It’s currently sitting on your neck as we speak. All you can do is make versions of his outfits tailored to your size.
You’re smaller, so his hands can cover your entire face. Know what that means? Squish your cheeks as you speak to admire how soft and dough-like they are. “Hm, ankle biter, you have remarkably soft cheeks,” he says while squishing your face.
There’s nothing you can climb on to meet his height because he makes sure that there isn’t anything around. He wants you to break your neck looking up at him (bite his ankles and he’ll reach your height).
๋࣭ ⭑⚝ Eönwë
“You’re like a hummingbird minus the speed,” he chuckled upon the first sight of your tiny figure. You were lucky he didn’t consider you a lost child who wandered before him in search of help because he was ready to call you ‘child’.
I have to say, Eӧnwё is the best person to try the same ‘daddy’ prank on when you’re walking through the streets of Valimar but clinging to him and acting like a child for the elves to fawn over how adorable the interaction is. There is always an elf who inquires for you to look them in the eye and say, “This is my atya!”
His avian side adores your tininess; and makes you all the more delicate and squishable. You are never again going to leave the nest…just joking, but his protective side goes up a notch because you are TINY.
I mean, he loses you in a crowd easily and you can’t even jump high enough to show your location. You can climb a table or chair but still have to get past the sea of heads before Eӧnwё spots you.
Gets you the smaller version of everything so you don’t have to struggle with holding the larger objects. He once watched as you climbed a chair as if it were a mountain or fought with a glass of wine because the glass was too big to hold.
At least going on flights doesn’t change whether you’re extra small or bigger. Visits in the morning and takes you to watch the sunrise over the mountain from a bird’s eye view.
๋࣭ ⭑⚝ Tilion
Doesn’t matter if you’re tiny or tall, you still look the same from his view in the sky as he guides the moon. But he does melt at the sight of you looking up at the moon.
You are forever his ‘little deer’ even though you’re probably feisty and love to bite or nibble on his arms all the time. Similar to Oromë, carries you around like a sack of potatoes over his shoulder, but more for the fun of watching your short legs dangle.
Doesn’t alter the size of any furniture so he can observe your legs dangling over the edges and sway, or the size difference between you and the table designed for a nine-foot entity.
Roughhousing is a constant must-have between you both because he adores pinning your smaller body under his and making you fight back. Tilion just wants to watch you struggle and wiggle like a worm. Bite him.
Puts you to sleep on top of him because it is the safest option unless you want to be crushed under a giant nine-foot Maia, and you look like a tiny kitten curled up on his chest. The only thing he hasn’t done is pick you up by your scruff.
He’s such a tease when it comes to you both riding through the forest. Tilion will purposefully place you behind him so you can’t see a thing and then tease you about being too small. But it’s all in jest because he’ll have you ride an elk or reindeer or even a pony that was handpicked to match your size.
๋࣭ ⭑⚝ Mairon
He also assumed you’re an ankle biter as well because he called you short and you were ready to attack. Please, do not release him from your tyranny because he will make fun of your height and pat your head or rest his arm atop your head when he’s resting. Again, bite him.
Complains about your short legs and how slow you are when you’re walking side-by-side but comes to you later to ask for assistance because some tool of his fell into a small hole and you’re tiny enough to get it.
Tells you that he’ll feed you to his wolves if you don’t stop clinging to him when in truth, he loves it. You’re small enough to not be a distraction as he moves about his forge or the fortress, but it’s just Mairon being a tsundere.
Doesn’t see you lying in his bed because his bed is huge and you’re extra small, so he almost lies atop your body. It’s turned into a staring match like how children stare you down without blinking.
Has a tendency to carry you around, for funsies, by holding onto your belt or grabbing the back of your clothes so you dangle as he powers through the corridors until he arrives at his Lord holding you like a briefcase.
Deep down, as much as he teases your size, he enjoys the differences. Watching you fight to lift an object made for his size or dress in his clothes—if you’re brave enough to try this—is entertaining.
Masterlist
Taglist: @ranhanabi777 @lilmelily @mysticmoomin @rain-on-my-umbrella @asianbutnotjapanese @batsyforyou @mcwentfandomtraveling @involuntaryspasms @stormchaser819 @aconstructofamind @addaigio @lamemaster
#ainur#mairon x reader#tilion x reader#eonwe x reader#melkor x reader#tulkas x reader#orome x reader#ulmo x reader#namo x reader#irmo x reader#manwe x reader#silmarillion x reader#silmarillion headcanons#silmarillion imagine#middle earth x reader#middle earth headcanon#middle earth imagine#mairon headcanon#tilion headcanon#eonwe headcanon#melkor headcanon#tulkas headcanon#orome headcanon#ulmo headcanon#namo headcanon#irmo headcanon#manwe headcanon#x reader insert#x reader fluff#doodlepops writings ✨
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head, heart, hand. {Felix Catton/Reader/Oliver Quick}
Part 8.
Summary: The fallout of arguing with Oliver, not fighting with Farleigh, Felix hooks up with your not-girlfriend, and so you provide comfort to his sort-of-ex.
{ masterpost }
Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.
Warnings: someone makes a move on the reader while they're very very drunk and the reader is far more sober, but it doesn't go past kissing, if that's something you're possibly concerned about.
A/N: 5424 words. welcome back. this one goes many different places in the span of one night. the farleigh of it all. the annabel of it all. im worried this one might feel OOC so id really like to hear if there's anywhere i could improve on my characterisation, what worked, what didn't?? as always unedited, and as we're nearing the end of the term (in the fic) we only have a few chapters left at oxford before we get to go to saltburn!! LOVE YOU ENJOY!!
TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)
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"Didn't have to do that," Felix sighed from his desk, head bent low over his textbook. It's the first thing he'd said since Oliver left. You, still on his bed, picking through a textbook for a class you both share, found half-shoved under his bed, look up.
"Do what?"
"That thing with Michael What's-His-Name's file," it almost sounds like guilt in his voice, but he still isn't listening to you, "you could get in real trouble for having that."
In swift movements he stands, and you catch the sight of his scowl despite how he doesn't turn it upon you. Once again he's sitting on the floor, back to the foot of the bed, lighting up another cigarette, legs crossed in front of him.
"I'll put it back tomorrow." You're not used to Felix disapproving of you, it's a kind of discomfort you want to shake as quickly as you're able to. After a moment you add, "I know it's not really Ollie's fault, I shouldn't have -"
"I don't want to talk about Ollie right now." He's focused on balancing his ash tray on his knee, watching it with such intensity it's as if he's trying to define life's secrets from it.
"Should I go?" Murmured, almost like you're afraid of anyone hearing it, even Felix. It hangs, golden in the hazy heat of the afternoon.
"'m not the boss of you," Felix mumbles softly, head low, again his words coloured almost with guilt. You know he will never shake the quiet shame he sometimes is hit with when he remembers the way people often perceive the relationship you two share; too close, too loyal, too imbalanced.
But you've never cared; you will never treat him differently, never want for anything but his happiness, never beat the canine allegations. One day you hope you'll convince him that's okay.
So instead of leaving, you close the textbook and stretch yourself out across his bed, laying the on your belly with your head resting at the foot, by his. Your hand rests on his head, running your fingers through his hair.
Felix breathes out a lung full of smoke. He doesn't look at you. He leans into your touch and closes his eyes. The moment is a quiet one, tension thick and choking and full of things neither of you can talk about.
It's the strangest afternoon you share in a long while, one full of silence and the slow, mind numbing sound of pages being turned and the scratch of pen against paper.
"I'm gonna get ready to go out tonight," you say softly, finally breaking the silence when the courtyard outside is every shade of gold and orange in the sunset. Felix just hums in acknowledgement from his desk, "Fi?"
"Yeah," he huffs, dismissively, still looking at his notes. You've got the file in one hand, doing up the buttons of the shirt you'd forgone in the afternoon heat of his dorm room, but had to wear back to your own.
"You want me to text Oli?" You watch him grow tense at the name alone.
"Yeah, maybe, I don't know," he mumbles, almost forcibly nonchalant, despite the hard line of his shoulders that hadn't been there moments ago. Then, as if to clear the moment, he sits up straighter, turning to you in his desk chair with a look of determination in his eyes, "India still into me do you think?"
"I know India's still into you," you can't help but snort, like it's the most obvious thing in the world.
"Would you be totally cut up if I -" he doesn't even need to finish before you're rolling your eyes.
"She'd be thrilled," but your smile softens a little, even as you shake your head with exasperation, "she's all yours, Fi."
Perhaps it's the fondness with which you acquiesces to his arguably selfish request that makes him take in the full exchange that had just passed. Felix takes a moment, tension and expression dropping as he turns pensive for a moment, unable to look you in the eyes. After a beat, you turn to the door, fully intending on letting the moment pass, but you hear Felix stand.
He doesn't say anything as he approaches you, still wearing that rather grim, thoughtful expression, but he wraps you up in a hug. He holds you as close as he's able, and after a beat of surprise, you gently drop the file to wrap your arms around him in return.
I love you. I'm sorry. All the tension from the afternoon drains away in this hug, in him pressed against you, leaning into you, breathing deep and even and steady. Pressing your face against his shoulder, you give him a brief kiss against his warm, golden skin, and hope he can feel your smile too.
The hug breaks, but still he holds your face for a long moment. He's smiling again. I love you. Thank you. He kisses your cheek quickly.
"I'll catch you at the King's Arms, yeah?"
"'course, Fi," you assure him with a warm smile of your own.
Back in your own dorm, that single moment of warmth unfortunately can't overwrite the entire afternoon of sickly tension. Looking at Oliver's name in your contacts, you frown. You should text him, invite him, Felix told him he would -
"Yeah, maybe, I don't know."
You don't text Oliver.
Annabel also isn't at the King's Arms that night. Of course you know why, the answer sits across from you with his arm around your not-girlfriend, but part of you still kind of feels bad for if the sweet redhead ever finds out.
"What are you sulking about?" Farleigh's smug voice in your ear, Farleigh's arm around your shoulder, Farleigh's cigarettes you keep stealing, Farleigh who you've tucked yourself up against for the night.
"'m not," you try insisting, frowning at the lighter that's clearly out of fluid and refusing to relight your cigarette. He gives your shoulder a squeeze.
"You sure, Peter Pan? Where's your shadow?"
"You don't give a shit about Oliver," you snap a little too quickly, both frustrated by the situation you're trying to ignore, and the useless lighter, but Farleigh reads right through it and practically cackles. Still, he wraps his other arm around you and squeezes you against his side with glee, even as you try to protest.
"Ooh~" Farleigh teases, poking your side with a wide, fond smile, "trouble in pauper's paradise?"
"That's fucking mean," you rib him none too gently, but he actually snorts with laughter. The lighter still won't bloody well start.
"I feel like you're fucking edging me with that lighter, fuck," Benji, from Farleigh's other side, smacks your lighter out of your hands and holds out his perfectly working one.
"Thank you, Benny, that was pissing me off," Farleigh says with a satisfied smile, his laughter having died down. You, finally take a draught on your cigarette, grateful for the warmth, and the nicotine as it hits.
"Could kiss you, Benj," you finally let yourself smile, "someone remind me to get a new lighter," you add, leaning across Farleigh without hesitation to plant a kiss squarely on Benji's lips after he'd wiggled his eyebrows suggestively, teasingly at you at your comment.
"We'd fascinate psychologists," Farleigh chuckled, but his voice is warm and fond, and Benji turns back to his conversation with Alicia and Jake on his other side once the moment had passed.
"Probably," comes out distracted, however as your teasing mood drops and you look to your phone. Should I have called Oliver? But when you look up, across the table, you see warmth and fondness in the way Felix looks at India, enraptured by whatever story she's telling. With one arm around her shoulders, he lets her distractedly play with his other hand, leaning into her, all attention on her. Making her feel like the centre of the universe, the way only Felix knows how to do. India glows in a way you've never seen before, lighting up under his direct affection, beautiful and elated, maybe even a little bit flustered.
There's not even a hint of jealousy at the sight of them. All you know is how much you love your friends, and how happy and beautiful they look together in this moment. There is contentment, satisfaction, like a job well done... Farleigh might have a point about the psychologists.
Speaking of - Farleigh grabs your chin and tilts your face to look at him. Immediately you smack his hand away.
"Stop that! What is that? What are you doing?" You squawk at him immediately. Again, he grabs your chin, frowning, intent upon gazing intensely into your eyes. This time you let him.
"I'm figuring out what this is," he mutters like he's deep in thought. You let your gaze roam for a moment, hoping he gets whatever this is out of his system. You wiggle your chin in his grip, and it's enough to prompt more of an explanation, "if you're not sulking, then I don't know this -" rolling your eyes, you smack his hand away.
"Fuck man, I'm not sulking," you insist, remembering your cigarette and taking another puff, glad it hadn't gone out.
"You've been weird lately; angry - ranting," Farleigh made sure to stick to your cover story despite having seen through it the minute you'd tried out the other week, "you and Felix have had some weird vibes," he takes the cigarette from you, and you settle yourself against him further.
"Fi and I always have weird vibes," you pointed out with a little smirk, keeping your voice as low as he was, glad he didn't feel the need to publicise this discussion too broadly. Farleigh snorted, but shook his head.
"You, sure," Farleigh conceded, handing back the cigarette, "but," he leans in, leans into your with a knowing, dangerously sharp smile, his hand coming to rest on your thigh, "Felix has been weird about you," his voice slides along the word weird as his hand slides up your thigh, as if to prove a point, before sitting back. Giving you a moment to recover, Farleigh sits back up like nothing happened, letting go of your thigh and taking a drink. He gives you a squeeze, arm still around your shoulders, "or hadn't you noticed?" Back at regular conversation levels like it was the most normal thing in the world.
Across the circle of your friend group, Felix's gaze momentarily flicks to you as India's in the middle of some kind of enthusiastically rambling. Gaze briefly passing to Farleigh, he then looks back and raises an amused eyebrow in silent question. The smile you give him is instinctive and warm, a silent answer. He mirrors the smile for the briefest moment before his attention returns to India.
Of course you'd noticed the change.
"Of course I've noticed." Your gaze dips; you become fascinated with your drink for the moment, trying to brace yourself for whatever comment you knew Farleigh had coming.
"Surprised he hadn't put you on a leash."
You elbow him hard in the ribs. He retaliates by flicking you repeatedly in the forehead. Its a blurry mess of frustration and elbows after that, pulling hair and wet fingers in ears and trying to sink nails into each other's soft sides, all squabbling and cursing and insults not made for polite society.
"- you put your fingers near my mouth I'll bite them off!" You holler even when he's got his arm around your neck in a kind of choke hold, which is around the time the two of you are pulled away from each other.
The rest of the table is staring at you both, while you and Farleigh straighten yourselves up, a little flustered at the many incredulous stares you were getting.
"The fuck was that about?" Felix, of course, is the one to voice the question the others all had. You look to Farleigh, his expression mirroring yours; no malice, no frustration, like nothing had happened.
"Bit of horseplay," you shrugged easily, meeting Felix's eyes, tone bright and chipper. He looked unconvinced.
"Just two dudes being guys," Farleigh's tone was light and breezy as he settled back into the booth, and you alongside him, letting him once more sling an arm around your shoulders.
"Guys bein' pals," you agreed with a nod. Farleigh pats your head for emphasis. The group thankfully decides that they've had enough of the weird moment to go back to their own conversations. Felix was the last to focus back on the conversation he'd been having with India and Alicia, narrowing his eyes as he looked between you and Farleigh.
Before turning his attention entirely away, his gaze fixes on you. There, in the very slight tilt of his head, the look in his eyes, the way his jaw tightens, you see his concern for you. You lean your head back on Farleigh's shoulder and let yourself relax, let yourself give him a genuine, reassuring smile. It's enough.
Farleigh clears his throat.
"It was either that or tell him you said that," you explained under your breath, to which Farleigh nodded in understanding, hand running up and down your shoulder idly as he reached across the table for the communal fries, bringing the basket closer to you both.
"And you don't want to tell him because you know I'm right," Farleigh is back to smug, but at least this time you can join him in his amusement.
"No, but I'm humouring you because I'd like to talk about how good I'd look in a collar," picking up a chip, you eat it with a grin as Farleigh rolls his eyes. After a moment, however, he comes back with this contemplative look, still amused, but eyes narrowed and searching like they had been earlier. You eat another chip and tell him to put his eyeballs back in his head, "seriously, quit looking at me like that, Farleigh -"
"He has been weird-weird," Farleigh says like he's agreeing, though you tell him you have no idea what the fuck he means. Taking a deep breath like he was ramping up to something, Farleigh looks across the group to Felix, before looking back at you with a kind of put-upon smile, "I say this only as someone who's know you for like, more of my life than I'd like to admit -"
"I love you too, go on."
"- so I kind of think that it might not look that different to anyone else, like they don't know it's not your usual brand of weirdness," he wets his lips, giving you a look like he's not even sure if he's meant to be saying this, like he might be letting you in on a secret you're not supposed to know, "he's been really hot and cold with you."
Of course you'd noticed.
"I slept with Oliver."
Beside you, Farleigh appears to go through all five stages of grief at once.
"You make it very hard to be friends with you sometimes," he says, shaking his head. You, however, are focusing on how many chips you can eat in a rush rather than think too much about the topic at hand.
"That mean," you tell him flatly, mouth full of potatoes, "you're being mean again."
"You chose to sleep with Oliver, that is a choice you made; I'm gonna be mean about it, you've earned it, you know you have -"
"Remember," you gave him a shit-eating grin, "how the next time we went drinking after that costume party, you spent a full half hour in the beer garden ranting about how stupid you thought Ollie's costume was," you ate another chip while Farleigh narrowed his eyes at you with barely concealed contempt, but you powered on, "and it turned out that you thought the costume didn't do him justice, which then -" your grin grew wider, "became you ranting about how his eyes are too blue, and why does he dress like that when we can all see his arms, imagine if he wore a shirt that fit!" You gleefully recounted, even as Farleigh's mouth flattened into a thin line, like he's bitten on a lemon, but he couldn't look you in the eyes.
"Hey, that's not what I -"
"And then -!" You spoke over him, "you forgot where you were and tried to take an angry nap in the bushes."
"I don't -" a flustered Farleigh squirms for a moment in his seat, unable to look at you, "remember that, and," he turned a faux serious look upon you, "if you tell anyone I said that, I'll tell them you're lying."
"I'm just saying," you shrugged, "don't act like you don't know part of the reason why I slept with him."
"Fine," Farleigh rolled his eyes, allowing his flustered frustration to ease. After a moment of contemplation, of watching Felix, he hums quietly, thoughtfully, "that can't be it, right?"
"What can't be it?"
"If Felix was going to start being jealous it wouldn't be over Oliver."
"See, that's what I thought."
"So he is jealous?"
"I don't know," you say quietly, still not quite sure how to feel about it; Felix had taken the news fine when you'd told him, he hadn't seemed any different, but of course there'd been a change. Why now?
"That's really stupid of him," Farleigh finally says, dismissively.
"It is, isn't it?" As you try and laugh, your heart's not in it. You look at your phone again, another wave of that strange discomfort that you'd been feeling lately washing over you again. You can't stay.
Everyone's surprised by your early departure as you say your goodbyes. You cite the need to study hard tomorrow, giving hugs and kisses as you start the short journey back to your dorm. Felix murmurs that he loves you and a cheeky thanks in your ear and you know he's talking about India. You kiss his cheek, and then you head off.
Nothing had seemed off when you'd told Felix.
"You look like you're about to burst into song; what happened to you?"
"Something happened!"
"Am I meant to guess?"
"No, no- I mean, like how nothing happened between me and Ollie a few months ago; something happened!"
"Something happened between you and Ollie?"
"The something that didn't happen last time -"
"I don't remember last time, Y/N, you're being so cryptic, I love that you're excited but -"
"Yes, Ollie and I slept together. Finally!"
"Oh."
"Oh?"
"No, good 'oh', promise!"
"Didn't sound like a good 'oh', Fi; is everything alright?"
"Yeah, of course, sorry Y/N, I promise, I'm just... I don't remember you being this excited about a hook up... and I don't think I was excepting it to be Ollie, you know? Was he really that good?"
"Let me put it this way, it was the kind of good that none of our other friends would believe if I told them."
"Fancy that, Ollie knows what he's doing; good for you."
"Great for me."
It wasn't particularly vulgar or explicit, you'd had far more in depth conversations about your various hook ups, Felix had seemed as happy for you as he always did with these kinds of stories. But he'd started looking at Oliver different, you'd noticed it. That too is when he became the clingiest. Farleigh was right; on nights out with Oliver around, Felix threw out any pretence of subtlety or person space. Felix acted like your boyfriend.
But then, any other night, any other group situation, it was like any other day. Sometimes he'd barely even glance at you. Hot and cold.
You're so in your head on the walk home that you barely register someone sitting at your door until you all but trip over them.
Annabel.
She'd been crying.
"Fuck you." Is how she greets you.
"What are you doing here?" A twinge of pity, a twinge of guilt, to see her obviously distraught at your doorstep. She gets unsteadily to her feet, swearing at you again. Reaching out to steady her, she surprises you by lunging at you, grabbing you.
"You were there, weren't you? With the rest of them," Annabel's gripping your collar, makeup smeared with tears and eyes red-rimmed, "with him," lips still inches from yours, her gaze unfocused but searching, "I can fucking smell it on you- you- you and rich boy-" but she stops for a moment, expression falling to confusion, "Farleigh?"
"Annabel -" you ease her hands off of your collar, partly confused, but mostly pitying.
"Why do you smell like Farleigh?" She sounds almost like a lost child, refusing to let go of your hand as you pulled out your keys. God she looks so helpless, tears still welling in her eyes, vodka bottle mostly empty by her feet.
"Why are you so good at telling what Farleigh smells like?" You countered with, swinging the door open. At this, some of the righteous indignation fires up in her again, flouncing into your room.
"You all went to the same boarding school, you've all got these same habits, and same but different scents you cling to," she's scowling at your dresser as you picked up the vodka bottle and brought it into your room, shutting your door. You watch her for a long moment, see how she analyses everything you have there, perfumes, colognes, makeup, skin care, little bits of paper rubbish - she picks up a bottle and flicks off the lid, not caring where it landed amongst the rest of the things there. When she sprays it, she seems to almost relax amongst it's mist. Of course. It's Felix's favourite, Felix's scent as she'd so aptly described it, for when he'd spend the night.
"Of course you have his too," she says faintly, almost derisively.
Allowing your attention to finally drift from her, you start getting ready for bed, heading to your closet to hang up your jacket.
"You all need to mark your territory," she spits, out of your peripheries, you see her move away from your dresser and pick up her vodka again, "need everyone to know who you own, who we all belong to -"
"Anna, that's not -" you sighed, unsure of where any of this was going, but not liking it either way. As you search your drawers for pyjamas, you felt her gentle hands on your hips. Jumping at the sudden touch, when you spin she braces herself against the drawers with hands either side of you, while your hands become trapped, the last bit of resistance between her chest and yours.
"I smelled like you both for weeks," she murmurs, gaze roaming your body, almost hungry, landing back on your lips, "you remember that? I should- I should- should have been fucking sickened," she admits, voice a low whisper, the hunger turning needy, turning into almost a whimper, "the things I want you both to do to me make me sick to my stomach," her lips inch closer to yours, shared breath, heat in the air, "of course I know what the fuck you all choose to smell like, I can't get it out of my fucking head," you should lean away but there's something intoxicating about her rage, her desperation, her desire, "Our Annabel, that's what he'd called me, what you'd -" and she kisses you, vodka still wicked and bitter on her tongue, all but panting into your mouth as her hands find your hips again.
But it can't continue, you can't let this go on. As you lean back to free your arms, to hold her back, she takes advantage of the opportunity to slide her hands beneath your shirt, cold and nimble against your belly -
"Could've been my Felix -" she mumbles, as if in a trance, eyes hazy and full of both tears, like she was looking into a memory. The minute her fingers find your fly you grab her hands firmly. It takes you a moment to regain your composure, to remind yourself that she wasn't in her right state of mind, that she probably didn't even know what she was doing or saying -
My Felix flares bright and hot and possessive in your mind. My Felix.
"Ow," Annabel's noise of pain brings you back to reality, but thankfully it seems the shock to her system brought her back too. Looking down at your vice-like grip on her wrists, she looks back at you as you let her go, embarrassment in her eyes as she perhaps realises some of what she'd been doing.
"I'm not sleeping with you tonight, Anna," still, your voice is gentle. She huffs an embarrassed little laugh, starting to sniffle again. Again, you remind yourself that this poor girl just got her heart broken by your best friend, and decided to deal with that by drinking an entire bottle of vodka. You'd committed to showing her some compassion tonight.
"I know." The tension drops, and she just leans her head forward to rest her forehead on your shoulder. You can't help but hug her, feeling the heavy way she sighs as you're giving her a reassuring pat on the back. The two of you stay like that for a very long few minutes until you hear her start crying again.
"Do you wanna borrow some pyjamas?" You ask softly, and feel her nod.
The rest of the night is quiet after that, taking care of this distraught young woman who got her heart broken by your best friend. It reminds you of nights you'd spend with Venetia back at Saltburn.
Annabel sits on your bathroom counter patiently, ankles crossed, watching the way you focus as you wipe off her makeup with meticulous care. When you take off her necklace, you coil it delicately on top of the nice clothes she'd been wearing, now sitting on top of her shoes by your door. At first she tries to wave you off when you offer to brush out her hair -
"There's -" she hiccups; the full bottle of vodka has finally hit her, but still she tries to shake her head, "too much hairspray, it'll be a hassle -"
"I'll be gentle," you told her softly, assurance in your eyes and a warm smile on your lips, "if you'll let me." Annabel melts under that gaze, sitting in borrowed pyjamas, face clean, cross-legged on your bed in the lamp light. You treat her with the gentlest care, brushing out her hair while you can still hear her occasional sniffles; she sits as primly as she's able, only apologising once at the start for it's length. You assured her it's fine.
"You scare me sometimes," Annabel mutters into the quiet, voice watery. For a moment, you pause.
"Me?"
"Both- both of you. You and Felix," she sniffles again, "and Farleigh too now, I guess," you can tell she swallows thickly, voice catching in her throat. When she tries to dip her head, she can feel the way you're still holding gently, still working, and she apologises faintly. Carefully, quietly, giving her space to organise her tipsy, upset thoughts, you continue to brush out her hair.
"Never met anyone like you, you know? Didn't think people like you guys existed. You're always everything; the most without even trying," she takes a deep breath, but it's undercut by a faint sob that's almost a chuckle, "I kind of think you don't even know what I mean- you especially, you know?" You... don't.
You brush, only giving a faint apology, but all she does is fidget, the words spilling unrehearsed from her, things she's clearly been bottling for far too long -
"Felix is everything everyone wants, and you're everything everyone wants him to be," she says it so forlornly, "the sun and it's fucking warmth," then, almost disgusted as she spits it under her breath, "I think about how he's never going to fuck me the way he looks at you while he's shitfaced, how sick is that?"
With a few more strokes her hair is brushed out, and without even thinking you start to braid it. Annabel's dissolved into tears again, her face in her hands, but you're just careful not to tug on her hair too hard as her whole body shakes with them.
"He never gave a proper shit about me, did he?" Annabel sobs as you're tying off the braid. The minute it's done, she turns and throws herself into your arms, sobbing against your chest, "I'm just another fucking girl to him!"
"He still loves you as a friend, I'm sure; you know how Fi is-" you pet her shoulder carefully as she clutches your shirt for dear life.
"I don't wanna be his fucking friend! I gave him my fucking heart and now he's probably got his dick in that slag India, who said she was my friend!" Spitting her words with fury, with venom, she looks up, but only sees a look of pitying apology in your eyes; she's probably right. Lip curling, she throws herself back on your bed, hands covering her face once more, "he doesn't fucking care," she groaned, fury turning poisonous with resignation, "I know he doesn't care; if I thought he truly cared I would have fucked Oliver -"
"What?"
"- Felix is so fucking fickle, god, seems like he doesn't even care about Oliver anymore, I should have- should have -" she continues on, but breaks down crying again. Getting off the bed, you leave for the common room for half a moment, filling it with water.
"Drink this," you instruct, sitting next to Annabel on the edge of the bed. She scowls, but follows your orders easily, even if she can't properly look you in the eye. The water seemed to have at least helped, as her crying quiets down as you refill the glass in your bathroom sink.
"I feel like shit," she mumbles, watching you come back into the room and place the cup on her bedside.
"Well you look pretty," you tell her teasingly, trying to lighten the mood even a little as you gently pinched her cheek. She does not appear to find the humour in the moment. Still, you turn off your lamp and climb over her into the bed, "please don't throw up in my bed or on my floor."
"I know where your bathroom is."
The two of you kick off the neat duvet but pull the thin, luxurious sheet over you both.
"Thank you..." it sounds begrudging as she says it. You tell her it's no stress, sitting up for a moment in order to open your window a crack, let a breeze in overnight, but still hear her when she says, "you're a bad friend."
Still sitting, you take a deep breath, sighing as a silhouette in the moonlight.
Annabel is more astute than you possibly gave her credit for in this state; amongst all her felt injustices, she'd never once asked about how you felt about Felix fucking India, your well established not-girlfriend. Because somehow she knew, perhaps even that you gave your blessing. You'd never been a cruel person as long as you could help it, but you'd made peace with your priorities too long ago to start apologising for them now. So yes, you'd taken Annabel in for the night, but she knew in her heart that you were partially at fault for her despair in the first place. You both knew.
Enabling Felix was never really about making anyone else happy.
"I know."
Something about your admission seems to be enough for Annabel, however. When you lay back down beside her, she curls up against you, tucks herself all along your side, arm around you, head on your chest.
The next morning, Annabel moves silently around your dorm. When you wake up, all that's even left of her presence is the empty cup of water on your bedside. No kind of note, no text, she'd made sure she didn't even wake you before leaving.
Fucking Christ, what a bloody week did yesterday feel like, is all you can think as the mid-morning sun slashes through your barely parted curtains and paints your chest with light.
You consider sleeping in, consider that you'd definitely earned it after yesterday, but then your phone starts ringing. It's Felix. He sounds grim.
"Hey, can you get over here? We need you."
#felix catton x reader x oliver quick#saltburn x reader#saltburn imagine#felix catton x reader#felix catton imagine#oliver quick x reader#oliver quick imagine#felix catton x y/n#oliver quick x you#oliver quick x y/n#felix catton x you#felix catton x you x oliver quick#head heart hand fic#manic writer
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Tortise Media has posted episode 5 in which two more women came forward to tell their stories. The audio is not working on their website, but it is working on Spotify.
The synopsis posted by Tortise Media is behind the Read More cut.
(I tried to add against to the ongoing discussion thread however it is very long, and it was not showing up under the tag.)
The two new accounts — published today in a new episode of ‘Master: the allegations against Neil Gaiman’ — have been corroborated through documents, emails, and messages seen by Tortoise as well as through interviews with friends and family who the women confided in. Gaiman did not provide any on-the-record response to multiple detailed requests for comment on either set of allegations.
Caroline Wallner lived in a house on Gaiman’s property in Woodstock, New York between 2014 and 2021 with her three young daughters and, until 2017, her husband. Alongside her work as a ceramic artist in a studio in a barn on the property, Wallner and her husband worked for Gaiman and his then wife Amanda Palmer, including doing property maintenance, gardening, and grocery shopping. Gaiman had moved to the area to teach at Bard College.
Around the time Wallner’s marriage ended in 2017, which she said devastated her emotionally, Gaiman told her ex-husband that there was no more work for him on the property, which had provided the family’s main income. Wallner and her daughters were now dependent on Gaiman for work and housing. While she was in this situation, Wallner, then 55, said that Gaiman began pressuring her for sex.
Wallner said: “There were little hints of, ‘we’re going to need the house’. And I remember saying, let’s talk about it. Let’s figure it out. That’s when he would just come to my studio and make me give him a blowjob”. There is no suggestion of physical force, but rather of coercion in light of her housing and family situation. Wallner said: “And he can say it was consensual. But why would I do that? It was because I was scared of losing my place”, characterising Gaiman’s treatment of her as “sexual abuse.”
The UN defines sexual abuse as actual or threatened sexual contact by force or coercive conditions. The UN’s refugee agency, where Gaiman is a goodwill ambassador, has described the allegations against him published by Tortoise as “very serious”, adding that it is “assessing the detailed reporting”.
During Gaiman’s oral sex with Wallner, she said “he used to say to me ‘Call me your master. Tell me you want it. Tell me you want it.’ He would choke me sometimes.” Wallner recalled one incident where she had fallen asleep reading in bed: “When I woke up, Neil was in the bed and he put my hand on his cock.”
Wallner said that whenever she resisted his sexual advances, Gaiman would tell her Palmer wanted the house back where she lived with her three daughters, as well as the studio she worked in. Wallner recalled one occasion when she said Gaiman told her: ‘‘but you take care of me and I’ll take care of you”, understanding it to be a reference to what she called the “sexual trade”.
Gaiman’s position is that his relationship with Wallner was entirely consensual and denies any wrongdoing with her. His account is that their sexual encounters were instigated by her.
Palmer did not respond to multiple requests for comment.
When Gaiman left the Woodstock property during the Covid pandemic, Wallner said she felt “so, so relieved”. But then Gaiman began sending her sexually explicit photos and videos of himself, asking her to send him ones of herself. After Wallner stopped answering Gaiman’s sexual video calls, in June 2021, she said his business manager told her to vacate the property by December that year.
Gaiman’s position is that this request was always a possibility, as Wallner had been living there with her family rent-free for the preceding six years. This position does not acknowledge Wallner and her ex-husband’s work for Gaiman and Palmer while she lived on the property.
Gaiman’s business manager initially offered Wallner $5,000 as compensation for leaving the property, requesting that she sign a confidentiality agreement. The area saw the highest house price growth of any US metropolitan region during the pandemic, so Wallner asked for more time to find affordable housing for her and her daughters.
Wallner said she was treated for depression and post-traumatic stress during this period with the financial support of a friend. After finishing her stay at a therapy centre, Wallner emailed Gaiman’s representatives on 9 December 2021, saying she had tried “to come up with an amount that I feel justifies signing a release that in essence takes away my agency to speak freely about what I went through. 300K is what I came up with. 150 for the real estate issues and 150 for the sexual ‘trade’ issue – something that I am trying to come to terms with. Therapy alone is costing a fortune.”
Gaiman settled with Wallner for $275,000 and a non-disclosure agreement less than two weeks later. The NDA “disputes and denies that Wallner has sustained any losses, damages, or injuries for which Gaiman is legally responsible.” Gaiman’s position is that he settled with her to avoid expensive and protracted litigation.
The NDA prohibits Wallner from talking about Gaiman with “family members, friends, associates” and from filing, reporting, or prosecuting any action or proceeding in “any court, governmental agency, or before any tribunal whatsoever or wheresoever”. If Wallner is asked to make disclosures by a “valid legal process”, the NDA says she must give Gaiman 20 days notice and help him resist disclosure.
New York courts have voided NDAs that sought to frustrate official investigations and, across the US, NDAs are void when they attempt to limit reporting of criminal allegations by an alleged witness or alleged victim.
Gaiman’s position is that his NDA with Wallner makes no reference to law enforcement and that there is nothing to report anyhow. His position is that the NDA used language that was deemed appropriate to both parties’ experienced lawyers.
Andrew Brettler, who has acted for Russell Brand, Danny Masterson, and Prince Andrew, represented Gaiman. Wallner said she is looking for new legal representation.
She said she wanted to speak out against feelings of “fear and shame – those feelings don’t belong to me”. She said she wanted to tell her story to support the first two women who came forward, adding “the fact they were the same age as my daughters now was painful to hear.” Wallner said that the trait she shared with the two women wasn’t age, but vulnerability. “Saying ‘yes’ to an exchange with a powerful, wealthy man when you are vulnerable and fearful is never simple or clear,” she said. “Even if it’s seemingly consensual.”
***
Julia Hobsbawm OBE was a 22-year-old book publicist when in 1986 she was with Gaiman, then 25, at her studio flat in Chalk Farm, London. Hobsbawm said: “I literally have no memory of how he came to be back there. What I’m totally certain about is that romance was not on the cards, not for me. And I did not believe it was on the cards for him.”
In what Hobsbawm said was “an aggressive, unwanted pass”, Gaiman “jumped” on her “out of the blue”, forced his tongue into her mouth, and pushed her onto her sofa, before she wriggled free. Hobsbawm said she then cut off contact with Gaiman. She says she now wished she had called Gaiman out back then as she is plagued by the incident to this day and worries that she enabled his alleged misconduct to continue.
Gaiman’s account is that when he realised Hobsbawm wasn’t receptive to his attempt to kiss her, he stopped. His position is that it was no more than a young man misreading a situation, adding that its inclusion alongside criminal allegations – from Tortoise’s earlier reporting – would mischaracterise it.
While Hobsbawm’s allegation might appear less serious than other allegations against Gaiman, English criminal law defines sexual assault as one person intentionally and sexually touching another without their consent, and that there is no reasonable belief by the alleged perpetrator in the other person’s consent. It does not necessarily involve violence, but it can cause severe emotional distress, which is why authorities treat it seriously – and why Hobsbawm said she remembers the incident.
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i need to post my smtv rambles on here instead of keeping them to twitter but was replaying CoC and i find the scene after the Surt boss fight how Dazai comments on Koshimizu's willingness to listen to other people's opinions as a sign of poor confidence in his own leaderships. I feel like it really informs you on what dazai views as a "strong leader"...
like, in CoC Koshimizu is anything but uncertain about his leadership. He's definitely confident and assured in his choices, but he's also willing to encourage his subordinates to develop their own thoughts and opinions on their situation (which aligns with his whole Myriad Gods ambition). To many people that's actually a sign of a strong leader, but for Dazai to think the opposite is a really good characterisation point for him.
At the start of the game he makes a throwaway comment about how he's always caught between his parents who dislike each other, and how he can never make the right choice, as whoever he sides with will always end up with the other parent angry at him. He doesn't trust himself to ever make a right decision, and he'd rather have someone who's driven and self-assured make the choice for him. He's not at risk of upsetting people then, because it's not him who's deciding, it's someone else - someone strong who will brush away any protests.
Dazai wants to be in the "right" for once. He wants to be absolutely right and beyond reproach, and Abdiel offers him that because she is so certain that she is always right and absolute. He doesn't want someone telling him to think about his decision and decide for himself if it's right or wrong - he wants someone to decide for him to take the responsibility out of his own hands.
I'm rambling, really, but I just found it funny that Dazai of all people accused Koshimizu of "lacking confidence", and it sent me down a thinky rabbit hole. I know its a meme to dunk on Dazai (and for good reason, That Scene alone from CoC is fucking hilarious despite it trying to be serious), but I genuinely do like Dazai as a character and think he's a really good Law rep bc:
He represents the kind of person who's craving for guidance, and that desperation and fear of being hated or looked down upon for never picking the right choice makes him so easy to be swept up in Abdiel's wake. Idk. I just think it's cool.
#shin megami tensei 5#shin megami tensei v#smtvv#smtv#smt5#ichiro dazai#character analysis#when we only had vanilla to go off of#i spent so long thinking about the characters with what crumbs we had when writing mortal gods#but dazai was a p solid character (compared to yuzuru “tsukuyomi's sexy lamp” atsuta)#if you could look past the comical sucker hats scene you could see why he ended up like that#og smtv just kinda speedran it bc it felt like they ran out of time or budget or smth#and missed another area or smth to expand on that#scene
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For any fandom(s): 12, 15, 16, 19, 23! 💌
As always, you spoil me! 💌
12. Compliment someone else in your fandom
GOD I HAVE TOO MANY FRIENDS TO COMPLIMENT
@beezonia comes up with the coolest AUs and designs. I’m always blown away by their Pokémon team compositions — they’re spot on to the point I consider it its own form of character analysis!
@purplecatghostposts is the genius who showed up out of the blue and took us all by surprise with their amazing prose. Soap, reminder that the reference to Copycat in consider the spare legally binds you to pay for my therapy.
@trishacollins is single-handedly remediating to the lack of platonic bedsharing between the cousins and I can’t thank her enough! She’s also one of the chillest and most approachable people I know.
@luckychatons is our favourite entrepunpurr and constantly lifts our mood with the cutest, most joy-filled sketches! Patting her OCs on the back because they sure need it.
@graythegreyt is such an awesome artist you’d almost forget they’re also one hell of a poet who wields mythological references like Odysseus wields his bow. Did you know they wrote me a poem inspired by God Games? I think everyone should know they wrote me a poem inspired by God Games.
@hartwign is a talented translator and draws hair like no one else. Seriously. I want to run my hands through the cousins’ hair and nestle in there forever.
@phieillydinyia is the picture of dedication! Can’t recommend Candle In The Wind enough, it’s a roleswap rewrite of the Miraculous movie that includes the songs. How cool is that. Thank you for your regular comments on my fics, they always make my day!
@alexandriaellisart words cannot express how much I love your depiction of Feligami. Your writing has made me tear up so many times! AND YOUR ART LOOKS SO SOFT AND COLOURFUL. What a double threat!
@faiirygrahamdevanily we need more fics about the Sentiplot as a metaphor for othering experiences and you’re doing God’s… I mean, Duusu’s work with yours!
@bbutterflies did you know your piece for Sentitwin Week is the best characterisation I’ve ever seen of Felix? This is what people mean when they say a picture is worth a thousand words. And of course your Adrino is always brilliant!
@bittersweetresilience not only are you an extraordinary writer, but you’re constantly looking for new ways to express your love. Always GIFing and weaving and canonising tags and making AMVs and running zines… I can’t wait to see what you do next!
And there’s so many more people I’m forgetting! To say nothing of my friends outside the Miraculous bubble! People are amazing!!! 💖
15. The character that always makes you smile
At the end of the day, it’s all about Clive. He’s been my muse for nearly 15 years! 💙🕊️
16 was answered here! 💖
19. Your current fandom(s)
Professor Layton, forever and always. I can’t wait to share my Big Bang fic and the amazing art that I was blessed with! 💙💛
RWBY, even if I’m lurking more than participating… I love love love love RWBY, yet it doesn’t strike my creative and analytical chords the way Miraculous does. Sometimes you just need to let yourself be swept into a story, you know? Although, it did teach me a couple of writing tricks I’ve used for other fandoms!
EPIC! Wisdom Saga coming soon! 🩵🦉 It makes my little mythology nerd heart supremely happy. The music is a banger and you can feel the knowledge and passion of all the people involved in this project. Jorge in particular is always so excited to share his progress, engaging with creators, explaining his musical choices in a fun and pedagogical way… And the lyrics! It’s free real estate for a fanfic author looking for inspiration and/or titles!
I’d love to start Monte-Cristoposting like I’ve been Cyranoposting and Draculaposting, but I’m afraid of spoilers so for now I’m just screaming in your DMs. As you know. I’m also slowly getting into Honkai: Star Rail, and I’d like to pick up Pokémon Black and White again because a N character study would look great on my AO3 resume.
And of course, Miraculous! 💚💜❤️ It’s the most creative I’ve been in years and it’s all thanks to these sad beautiful silly genius kids. Heart emoji, peacock emoji, sob emoji, etc.
23 was answered here!
Thanks for the ask! 🖤🪶
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Chapter 9
Warnings: Fraphic mention of scars, blood, radiation poisoning, very little angst, suggestive text.
Not proof read so be warned.
A/N: im so fucking sorry it’s taken me this long to post this chapter. I have had absolutely 0 motivation to write and my assignment stress certainly isn’t helping. This chapter isn’t filled with action or smut but I still think it’s important for more characterisation. Be warned it’s not the best thing I’ve written. I deleted it and rewrote it at least 7 times.
Without further ado. Enjoy.
Series Masterlist
X—X—X—X—X
Chapter 9
Natasha knew she needed to be calm. She knew she needed to be prepared to use the lullaby incase Bruce hulked out.
But seeing your blood on the wall and you crumpled on the floor was enough to make her hulk out.
“What the fuck is wrong with you?” Nat yelled, rushing to your side.
The shock of what Nat said was enough for Bruce to start getting himself under control.
It struck him that he’d just laid hands on a teammate. But seeing you on top of Natasha just didn’t sit right with him.
Especially since he recently found out that Natasha was dating Wanda.
“That home-wrecker was trying to force herself on you. I was just trying to protect you” Bruce snapped, desperately trying to control his transformation but feeling it cloud his judgment.
The universe seemed to enjoy fucking Nat over because at that moment Steve, Tony, and Sam barged into the room on. They seemed to have heard what happened and merely looked confused.
Natasha got up and poked Bruce in the chest.
“Dont. Call. Her. That.” She fumed.
“Bruce I think you should go to your room. Now.” Steve said as he noticed the green hue in Bruce’s veins starts to increase slowly.
Bruce glared at you one last time and rushed to his room.
The moment Bruce left, Wanda entered holding a spatula as a weapon.
“What’s going on?” Wanda demanded.
Her hand dropped when she saw the small splatter of blood on the wall above you. You were forcing one eye closed through what was clearly a headache.
Wanda knelt beside you and cupped your cheek, letting out a small smile when you sighed at the contact.
“Nat, was Y/n forcing you to kiss her?”
Wanda’s head snapped up at the question, frowning in confusion.
“No. She wasn’t” Nat said gritting her teeth.
“But she was trying to kiss you?” Sam asked.
Natasha rolled her eyes and knelt next to you and planted a kiss your lips and then Wanda’s. Wanda smirked as she leaned forward and softly pecked your lips.
Both of the women’s eyes were on you who just looked dazed with a slight hint of a smile.
“Hot.” Sam commented.
Nat let out a disgusted ‘ugh’ and was about to comment but it seemed that Wanda had beaten her to it.
There was a sound of glass shattering as Sam was thrown out the glass door and into the pool.
Steve rushed outside just to see Sam getting out of the pool and walked back in, heading to his room. Everyone heard him grumble about how no one can take a joke anymore these days.
The moment he was gone, Steve began to lecture Wanda about hurting teammates and how it was an overreaction.
Unable to handle the drama, Tony cleared his throat.
“I have some news” he announced.
Everyone turned to look at him expectantly.
“Party tonight in celebration of y/n’s first successful mission”
Your eyes widened.
“You don’t have to do that-“
Tony was having none of that .“Nonsense. We’re having the party. Wear something nice.”
He walked out of the room, followed by Steve who went to prepare for training.
After a minute of you, Wanda, and Nat looking at each other in confusion, the three of you sighed and finally went to the kitchen where Wanda had made breakfast. Your mouth watered at the sight of the tower of pancakes in front of you.
Unable to hold yourself back anymore, you sat down and took some into your plate. Immediately drowning your pancakes in syrup and scarfing them down as fast as you can.
Nat and Wanda followed your lead, eyes filled with amusement.
You finally showed signs of slowing down after your 4th serving.
“Someone has an appetite” Nat teased.
You merely smiled at her, a little syrup dripped from the corner of your mouth.
Wanda immediately leaned forward and swiped the syrup from the corner your mouth with her thumb rubbing your lower lip in the process, immediately bringing it to her mouth.
When Wanda hummed at the taste, Nat grabbed her wrist and brought Wanda’s thumb to her mouth.
You gulped hard when you saw her cheeks hollow out. Eyes looking at you seductively.
The two merely smirked at your gaping face.
Nat noticed a thought cross your mind as you looked away for a moment, your energy seemed to have dropped noticeably. You shook your head and looked at them curiously.
“So.. does this mean.. um.. that the three of us are ‘together’ together? Like… publicly?” You asked hesitantly
Wanda smiled and nodded.
Nat couldn’t help but tease you. “I mean.. maybe? Depends on how nicely you as- OW”
Nat winced as Wanda kicked her foot.
You merely chuckled at the gesture. The three of you finished your breakfast with light conversation.
Nat stood up to stretch, exposing her midriff slightly. Both yours and Wanda’s eyes immediately went to her abs.
Damn. You were hungry again... this time though, not for food…
Nat merely smirked, well aware of the effect she had on the both of you.
“Wanda and I have training in an hour so we’re going to go prepare for that. Would you like to join us Detka?”
You snapped your open mouth shut and looked at her, processing what she said.
Eventually you shook your head. “I think I’m going to try sleeping. Healing so many people makes me really tired for a day or two”
Nat nodded and the two of them left.
You made your way to your room and within 10 minutes, passed out.
X—X
“Do you think y/n is okay?” Wanda asked as she ducked a punch the widow threw her way.
Nat sighed. “I’m not sure.. I wish I knew what was bothering her”
Pretty soon Nat had Wanda pinned to the ground and kissed her nose.
Wanda’s cute nose scrunch encouraged Nat to begin kissing all over her face.
Ms Hill is requesting Ms Y/l/n’s presence in the conference room. Came FRIDAY’s voice
The two of them froze, Wanda heard Nat’s jaw click shut.
Wanda confused simply asked FRIDAY why it didn’t tell you directly.
Ms. Y/l/n has disabled any and all announcements in her room.
Wanda and Nat took their time walking to your room with the intention of letting you rest as much as possible.
Upon entering your room they both smiled at your sleeping body sprawled over the bed.
There was a fresh earthy smell that gave the indication that you had watered your plants before you went to sleep.
They stood over your sleeping form, adorable little snores escaping you.
Nat gently laid her hand on your shoulder. “Wake up draga. You have a mission to go to”
Your eyes open partially at the sound of her voice, you let out a disgruntled ‘Nat?’.
You took her hand in yours and Natasha yelped as you pulled her in, smothering her with cuddles.
While Natasha certainly wasn’t expecting it, she was more surprised that this was the second time you got the upper hand and that you managed to flip her onto the bed.
She definitely wasn’t complaining, being in your arms felt so comfortable that she couldn’t help but let out a soft sigh and nuzzle further into you.
Meanwhile, Wanda found the situation entirely amusing. Not wanting to be left behind, she jumped into bed with the two you and huddled further into Natasha, throwing her legs over yours.
You let out a content hum and went back to sleep.
Wanda let you stay like that for another five minutes before kissing your forehead. “You have a mission, detka. You need to wake up now.”
You merely grumbled. “Five ‘more mins”
Wanda merely chuckled and straddled you, giving you the same treatment Natasha gave her when the ex-assassin had pinned her down.
Try as you may, you were unable to hold back your smile. Yet were determined not to open your eyes.
Wanda did not appreciate that at all. “If you don’t wake up right now, you’re not going to be touching Nat or I for a week.”
Nat’s eyes shot open and looked at Wanda incredulously
“What the fuck? Why am I a part of this??”
Wanda ignored Natasha’s thoughts and looked at you.
Huffing you got up abruptly, Wanda squeaked as she was thrown back on the bed.
You glared at Wanda who snorted at the look of your disheveled bed hair.
Muttering to yourself about how nobody plays nice anymore you went into the bathroom for a shower.
The two remaining women merely looked at each other and burst out laughing at your antics.
X—X
Seven minutes later the three of you entered the meeting room.
Maria Hill sat at the head of the table waiting, smirking when you entered. “Took you long enough. I see you have two new bodyguards.”
You just held their hands in return.
Maria raised her eyebrows, clearly impressed. “Congratulations. Anyway, we have an assignment for you. It’s urgent in nature so you will need to leave the moment the briefing is over”
You nodded, a little hesitant that you haven’t completely recovered from yesterday’s mission but didn’t want to let anyone down.”
Natasha wasn’t entirely convinced. “Who’s going with her?”
“Since Vision is on another mission, and Thor is off world she’s the only other person whose skill set is applicable”
You were about to as her to continue when something struck you. “Wait, what do you mean Thor is off world? We met him last night?”
Maria merely nodded. “As of this morning Thor met Doctor Strange and was informed about chaos in other worlds and sent there. ”
You gulped down the guilt of turning him down last night. If only you’d just agreed to help him.
Wanda, having heard your thoughts, squeezed your hand. “You can’t think like that draga, you weren’t feeling well enough to help him.”
You smiled in gratitude and focused on Maria. “What’s the mission?”
“A secret government facility was testing new forms of energy with the use of radiation. They created a special material which increases its radioactivity the more it’s exposed to its environment. Due to an accident the material’s container was compromised and it was opened. You’ll need to evacuate the survivors and put the material in the new container.”
You’d never healed someone else from radiation poisoning before but you knew it wouldn’t be pretty.
You grabbed the new container that was sitting on the table and turned around to see say bye to your girlfriends.
My girlfriends. The thought made your heart flutter.
Within moments, you were in a van heading to the site.
X—X
In order to occupy their time, Natasha and Wanda worked on writing their reports for yesterday’s mission. Once that was done, they decided to have an early lunch while watching some old James Bond films.
Neither said much as both were thinking about you. Despite knowing you for a few months, they had become far too attached to your presence.
Wanda felt.. empty. She had gotten so used to feeling your presence and now the lack of it felt.. wrong. It had only been a couple of hours since your departure but she desperately needed you to be okay and back with them.
Natasha was missing you far too much for her comfort. Being forced to forego all emotional bonds, the presence, or lack there of, of her partner filled her with feelings she wasn’t accustomed to handling.
Within minutes, the two found themselves in your bed. They decided to continue watching their movie in your room.
Once the movie had ended Wanda’s closed her eyes and drifted off to sleep, your scent on the pillows soothing her. Soon, Natasha followed.
X—X
The slight creak of the door opening woke Natasha from her nap, she sat up as she saw you slowly shuffle towards the bathroom.
“Y/n?”
When you didn’t answer she frowned, her eyes widened when she saw your hand when you went to open the door of the bathroom. It was red and raw, as if you had been severely sunburned.
Nat slowly got up and made her way to the bathroom, but before she could reach it you had locked the door.
Wanda sat up on the bed, frowning and rubbing her eyes. “Malyshka? What’s going on? Is that y/n”
Thud
Wanda was immediately by the bathroom door, knocking repeatedly. “Y/n are you okay? What’s going on?”
When she heard you groan she didn’t hesitate to use her magic to open the door. You were face down, one hand in the shower, the rest of the body shaking on the floor.
Nat immediately knelt next to you and turned you to face them and felt her heart drop.
Wanda couldn’t help but let out a shriek at the sight, your face was almost entirely red and raw. They almost looked like burns and rashes.
They figured you had them everywhere in your body, what they didn’t know was why you weren’t healing like you usually do.
Nat noticed you trying to speak but only incoherent gasps came out.
Having read your mind, Wanda knew what you needed. With Nat’s help she got you under the shower and turned it to the coldest setting possible.
Neither left your side despite how cold the water felt.
It took ten more minutes before they saw a noticeable difference, the raw burns had lost a lot of their colour.
Wanda let out a sigh of relief as she realised your body was healing itself, albeit slower than usual.
Eventually you started shivering.
Deciding it was time to stop, Natasha shut the water and helped you up.
You looked much better, the rashes were starting to fade away.
You attempted to walk but swayed dangerously. Your girlfriends were immediately by your side.
“We need to get you out of these clothes devochka. Can you please let us help you?” Nat said gently.
You turned to her, pain radiating off you in waves.
“Too.. many… scars.” You muttered softly, too in pain to form full sentences.
Wanda gently kissed your wet cheek. “You will never be ugly to us, draga. Your scars are a part of you. And let me tell you something. You. Are. Stunning.”
It took you a minute, but you nodded. Giving your consent as you went to remove your sweatshirt but were stopped by your girlfriends.
They slowly removed your sweatshirt and your sweatpants, followed by your sports bra, panties, and socks.
Wanda choked back a sob as she saw burned skin from your right shoulder down to the left side of your hip. It took up nearly 40% of your back. Your entire right tricep was burned and your feet were littered with deep scars.
Natasha walked over to your front, slowly looking down at your body. The front merely had cuts and gashes, except for a long white scar the went from underneath your right breast to your navel.
Natasha’s heart sank as she saw the broken expression on your face. You truly believed yourself to be anything but beautiful.. So Nat did the first thing that came to her mind, she removed all her clothes.
Wanda caught on to her intentions and stood beside Natasha and stripped too.
Your eyes widened and you looked up at the ceiling, knowing damn well that if you even glanced at them you would definitely have trouble looking them in the eye.
The two held back their amusement and enveloped you in a big hug. The sheer acceptance the two showed you was enough for you to break down.
You didn’t even notice that you were wearing a simple t-shirt and shorts, or that they had somehow manoeuvred you so that you were lying down in bed between the two of them.
Their gentle praises and whispers of affection helped you relax and slowly drift into the best sleep you’ve had in years.
They watched you go to sleep, nuzzling into Wanda’s neck while you essentially draped Natasha’s arm and leg over your body.
It didn’t take long for them to follow you back into the realm of dreams.
X—X
A gentle knock on your door woke Natasha up from her rest. Turns out during your nap. You managed to turn around and completely entangle your limbs with Natasha’s so that half of you was practically on top of her.
Despite being the world’s best assassin, she knew there was no way she could untangle her limbs from yours without you waking up.
Seeing as Wanda was not as entangled as Natasha was, she called for Wanda in her mind.
After a few seconds of screaming Wanda’s name in her mind, Wanda grumbled and shushed Nat by pressing her finger against Natasha’s lips. “You’re too loud”
“There’s someone at the door, devochka. Can you please see who it is?” Nat asked
Sighing in annoyance, Wanda gently moved out of your grasp and trudged to the door.
She opened the door to see Tony stand there in a fancy suit, a woman wearing semi-formal attire stood a little further away.
Tony looked at Wanda in surprise and smirked. “Guess I should get used to the three of you being in each other’s room.”
Wanda merely looked at him unimpressed. “Can I help you with something?”
Tony cleared his throat and nodded. “Yeah, I realised that y/n doesn’t really have anything to wear for the party tonight. I just need her measurements and preferences, and within half an hour my stylist will deliver something mind bogglingly stunning. I mean, it is her debut after all.”
Wanda frowned. “Tony, I don’t think y/n will be able-“
“I can do it.”
Wanda’s head snapped back to you. With Natasha’s help you were making your way to the door.
Tony’s eyes widened as he saw the scars on your feet but quickly looked up at your face. That didn’t help either. “What happened to you?”
You just smiled weakly. “Radiation poisoning is a bitch. But it doesn’t matter. I’m coming to the party.”
Tony left after the stylist took your measurements and asked you a couple questions.
She tried to inquire about your preferences but you simply said you didn’t care as long as it covered most of your body.
Other than Wanda and Natasha, you just weren’t comfortable showing your scars to anyone.
Once they left, you sat back down on the bed. Exhaustion evident on your face.
“Draga, are you sure you want to attend the party?” Natasha asked gently.
You nodded. “The visible injuries are almost completely gone and in another half an hour I should be completely fine”
Wanda moved to sit behind you, hugging your back and rested her chin on your shoulder.
You definitely didn’t feel breasts press against you. Nope. Not happening.
Your eyes flitted to Natasha who was just smirking. Honestly, you were 80% sure the assassin could read minds.
To make matters worse, she straddled your lap and rest her chin against your other shoulder.
Why the ever-loving fuck wasn’t anyone in this room wearing a bra?? And more importantly, why was it affecting you so much?
The more you thought about it the more you realised your arousal was pretty much a given since you were in a relationship with the two hottest people in the universe.
“The universe? Really?” You heard Wanda whisper in your ear teasingly.
The contact made your breath hitch.
“You’re too kind, milaya” Nat husked in your other ear.
Oh these two were going to get it for sure.
You froze when you felt Wanda lightly trail a finger down the burn on your arm.
“Does it hurt?” She asked gently.
You shook your head. “It’s just a little more sensitive than the rest of my skin”
Nat’s head perked up at that, she shifted to your other shoulder.
She tugged on your shirt, asking if you’d be comfortable removing it. You surprised yourself when you agreed immediately, up until today you hadn’t let anybody see you naked willingly. Always choosing to wear a hoodie or a sweatshirt when you spent the night with someone.
A kiss on your scarred shoulder brought you out of your thoughts, you jumped at the sensation.
“Wait” you said, slightly panicked.
The two stopped their gentle assault of kisses on your body and looked at you with such kindness and adoration that you were pretty sure you would have turned into a puddle if physically possible.
“Do- Don’t you find it… weird?” You asked hesitantly, unable to look either of them in the eye.
Nat frowned and took her finger to your chin, tilting it so you’d look at her. “Baby, there’s nothing weird about you. Your scars are proof that you did something most would not have been able to survive. You were a hero long before you got your powers.”
Your eyes fluttered when you felt Wanda cup your cheek. Unbeknownst to you she had moved to sit beside you.
You turned your head to look at her only to find her looking at you with teary eyes. “You are perfect, and I wouldn’t have you any other way. Please let me show you how much I cherish and love adore you.”
“Let us show you, draga” Nat interjected. “Let us make you feel good… Please?”
There was absolutely no way you were going to pass on the opportunity to let these goddesses please you. You simply nodded your head, not trusting your voice at the moment.
The two smiled in such a manner that you were pretty sure you’d need a towel for a certain situation down there.
Wanda leaned close to you, eyes solely fixated on your lips. You didn’t hesitate to meet them. Heart fluttering at the taste of her and feel of her soft lips.
You let out a gasp as you felt Nat place feather-light kisses on your back. You expected to freeze and ask them to stop but you couldn’t help it when your eyes fluttered shut, your breathing becoming shallow.
Nobody having ever done this to you seemed to make you extra sensitive.
When Wanda leaned her head down and bit your scarred shoulder gently you couldn’t help but let out a soft moan. Fingers gripping tightly against the witches arms.
“Just let go, darling” Nat whispered in your ear. “Just enjoy the sensations”
You felt shivers travel up and down your spine as you nodded without realising.
Wanda started to nibble and suck down your neck and further down your collarbone while Natasha continued to play featherlight kisses down your back, focusing on your scar. It felt reassuring and oh so good.
You couldn’t help yourself as small whimpers and soft moans left you.
Before things could escalate, there was a soft knock on the door.
You froze, your heart immediately pounding. Wanda knowing what you needed handed you your t-shirt.
You gave her a peck and walked to the door.
Upon opening it, you found Tony’s stylist standing there, holding a black cover that clearly had your outfit.
She left shortly after handing it to you, completely ignoring the gratitude you tried to extending.
Turning around you found your girlfriends entangled in each other, kissing passionately as Wanda let out free moans due to Natasha taking control of the kiss.
Within 20 minutes you had worn your outfit and and put on some light makeup that you thought suited your outfit.
You were checking the outfit in the mirror when you heard someone clear their throat behind you.
You turned around to find your girlfriends’s hungry looks on you.
They shot up and slowly made their way towards you as though you were their prey.
You shudder when the two started licking and sucking on opposite sides of your neck.
Unable to help yourself, you let out a moan when the two sucked at the sensitive spots on your neck. Hard.
When they stepped back, Wanda let out a groan while she continued to stare at your neck.
Before you could question her motive she latched on to your neck and sucked even harder. Biting when you let out a moan.
Stepping back the two looked at you and then looked at each other in frustration.
“Can either of you tell me what the fuck is going on?” You said as you tried to get your breathing under control.
Wanda huffed and looked away, a slight blush made its way to her cheek.
“We wanted to mark you with hickeys to let everyone know you’re take. But the FUCKING hickeys won’t stay and heal within seconds.” Nat huffed, equally annoyed by the phenomena.
Wanda’s eyes light up as an idea formed in her head. She turned to your vanity and picked up two lipsticks which only they knew matched their outfits.
She glanced at Nat and told her the plan mentally.
Smirking Nat took her lipstick and applied a heavy coat on her lips.
Once they both did that, they leaned towards you and placed a kiss on either side of your neck.
Chuckling you looked in the mirror and felt a sense of belonging as the two distinct lipstick marks that your girlfriends had made.
You chuckled to yourself.
For the first time in your life, you were looking forward to attending a party. Even if it was to show other who you belonged to.
This is going to be fun.
Taglist: @marvelwomen-simp @nothanksbye07 @jono723 @luadyjcmd @alexawynters @falloutboy-lover
#wanda maximoff#wanda maximoff x reader#natasha romanoff#natasha romanoff x reader#the white healer#wandanat x reader#wanda maximoff smut#marvel#mcu#wanda x reader#Natasha romanoff smut#wandanat smut#wandanat x y/n#wandanat
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Thoughts on Tracys
Well, I did dig into my fic folder and did find the ‘Thoughts on Tracy brothers’ fic and yeah, I left it at just Scott. Sorry. Must see if I can continue that one at some point now that I even know it exists.
But I did find something else. This is me in early 2020, before Covid hit, fortunately, as I had an infected foot at the time and could barely walk.
-o-o-o-
I was re-reading part of my Kermadec fic and encountered the bit where Scott comes across the hot spring and it occurred to me the difference between Scott and Virgil as to how they interpret their environment. This led me to thinking about characterisation and point of view and how you write a character to sound like themselves. Then, because I’m lying idle around the house with a mild headache and a bung foot, I pondered how each of the five brothers might interpret the same scene. I sat their idly constructing scenes in my head and how this might illustrate how a character thinks.
So, now because I’m still sitting around the house with a mild headache and a bung foot, I thought I’d give this exercise a go...cos actually writing one of my many wips would be far too logical ::headdesk::
Anyways, five brothers, same beach, same time of day. Let’s see if I can make them sound like themselves....and not end up writing another wip :D Note: these scenes are separate and unrelated to each other...just flotsam my brain threw up. Guess which brother is which?
-o-o-o-
His running shoes hit the sand hard, gouging holes in the pristine surface. The air was still and clear, the ocean quiet, his breathing drowning out the sound of the waves. This was his third lap, but his first step onto this beach. He usually avoided this patch of sand because it was Virgil’s favourite and often the place his brother came to be alone. But today was a day that wouldn’t see Virgil outside the villa. Not today, not tomorrow, not for some time at all.
His breathing lost its regular pace and he had to force himself to concentrate harder on his rhythm.
His feet hit the sand and he kept on running.
-o-o-o-
There were times being a brother of the commander of this outfit really sucked.
One foot after the other. Scott may feel exuberant at this time of the morning, but honestly, this time should not exist.
He was only awake because the smart ass had called a drill. God. He ran a hand through his hair and guzzled the coffee that was automatically poured into his face.
He swore Scott did it because of his comment about Thunderbird One’s erotic symbolism yesterday. But hey, he was the one who had compared Two to a pregnant turtle.
Turtles lay eggs, you idiot.
But that hadn’t been enough, so he’d resorted to a dick joke.
And had been dragged out of bed at 5am.
Ergh.
His staggering finally led him to the beach and the moment he stepped onto the sand, the breeze caught him and brushed away his frown.
A sigh fell from his lips and he closed his eyes.
The sounds of the ocean caressed his ears and washed away the aggravation. The calm seeped into his bones and his shoulders dropped.
But he kept his grip on his mug of coffee.
Another sip.
Another grateful sigh.
And a plan began to form.
-o-o-o-
Before he knew it the sun was peeking over the edge of the planet and the stars were fading.
His butt and back were damp from lying on the sand.
There was dry seaweed in his hair.
He reached up and untangled the mess, frowning as it caught and pulled. Ow.
It wasn’t often he used a beach for stargazing, but he hadn’t had the energy to climb the stairs to the observatory and to be honest, he wasn’t looking for a specific event, more just comfort in the familiar.
He had come out here in the early hours, his circadian rhythm still slightly off and done his best to connect with what he loved.
He had forgotten the inconveniences of sand, mosquitoes and was that a crab?
He shifted his leg out of reach and clambered to his feet.
The sun flashed everything gold, including him.
A sigh and he turned to walk back to the house.
-o-o-o-
One of the advantages of living on your own secret tropical island is that he could run around in whatever clothes he wanted and not have to worry about what the public might think.
A pair of flip flops and his swimwear, mostly because it was just after his morning laps. Specimen bags in hand, he headed down to the beach to check on the morning’s finds.
The ocean was still puking up stuff from the storm that passed to the south of the Island two weeks ago and he was making sure to check the beaches every morning to see what treasures might surface. One of the things about cyclones is that they churned the ocean as much as the land and often interesting things appeared with the tide as a result.
Fortunately the storm hadn’t actually hit the Island itself and the beach was on the protected side, otherwise there may have been no beach left to comb. This time the conditions were perfect and he wasn’t going to miss out on the opportunity.
Clambering around the Island in flip flops would probably earn him several frowns from several quarters, but to be honest he didn’t care.
From the moment his feet hit the sand, he was discovering and cataloguing. Three different types of sponge all seen before. A nasty chunk of the rare kelp from that isolated patch to the south, damn. An array of shells of which one he was unable to identify. He grabbed that one for identification purposes and one other simply because it was pretty and he knew a brother who might like it.
He found the waves tossing about a large chunk of broken coral and he swore. Damn. Cyclones were nasty to reefs and they took eons to repair.
The worst find was a relatively small mola mola. The young sunfish looked like it had been caught up in an argument between the surf and the volcanic rocks of the island.
He carefully picked it up and placed it in a bag, commemorative words for a life lost passing through his mind as he sealed it tight. Size and details would be sent to the NZ DoC south of their island for research purposes.
Reaching the end of the beach he turned back and trailed his feet in the water. A glance at the rising sun and he headed back.
-o-o-o-
He bounded onto the beach and kicked the sand with his foot. This was so unfair! Why couldn’t he do what everyone else was doing?
He stomped his feet into the sand and took some satisfaction in the deep divots his feet left behind.
The water was whispering as if to herald the rise of the sun.
He didn’t like it.
It mocked him.
Why? Why? Why?
The question bounced around his head and just fuelled his anger.
There was a roar and the island shook as behind him Thunderbird One leapt into the air. Further in the distance he heard the deeper rumble as Two ignited her rear thrusters and a moment later the great green ‘bird appeared over the palm trees and shot off into the distance, Thunderbird One darting down to escort her.
Both were lit up by the sun.
His heart was caught between pride at the sight, and the anger that he wasn’t with them.
As they disappeared in the sunrise, he glared after them.
-o-o-o-
Okay, that exercise did not go exactly the way I had planned, but I hope you enjoyed these little snippets. I hope you can tell which bro is which. I haven’t really gone to any effort to hide them and I’m kinda hoping it is obvious. Maybe take note of the bits of information that give it away?
Or which bros I’m better at writing, maybe :D
Fun to write. I hope they are fun to read.
::hugs you all::
Nutty
(Yeah, well, my brain is weird, I can’t help myself)
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Hey, i love your writing! Could you please write for
M!reader, a seemingly innocent guy, though appearances can be deceiving. Then there's Geto, who initially dropped subtle hints about having feelings for Reader. But frustration mounts as Geto's attempts go unnoticed, with Reader simply viewing their interactions as friendly. Eventually, Geto's patience wears thin, especially since Gojo and reader have been getting along well. As jealousy and frustration brew within Geto, he unknowingly directs it at reader through snarky and bratty comments. Reader, though patient, can only take so much. They finally snap, (Geto is surprised because reader is always so soft spoken and sweet) giving Geto a piece of their mind and putting him in his place.
Can i please be 👁️ anon?
welcome 👁️ anon! i forgot to actually write smut in this! so have a really long build-up and hopefully a part two in the future, holy shit. i am so sorry. (suguru's characterisation is also a bit weird here . i can't put a finger on it but my brain is not clicking rn. i am so sorry, 👁️ anon. i'll do better next time. please forgive me for this failure just this once.)
geto suguru was not an impatient man but you were an entirely different matter. you always had been.
there was something about you that drove your existence apart from all of the others— a steadiness in your presence, a constance in your friendship with him. you kept him grounded, an anchor and a light in the darkness that came with being a jujutsu sorcerer. had it not been for you, suguru thought he might have gone rogue so many times ago in the past.
"suguru."
ah, speak of the angel (yes, he knew that wasn't how the saying went, but you weren't the devil. how could you be, with your smile and your careful hands? you were an angel, sent from above to keep him from drowning), you slid into the seat next to him. as usual, you smiled at him, the corners of your eyes crinkling as you did, before you dug into your meal.
suguru let his gaze linger on you for a few short seconds before he turned his face to eat his meal, too.
lunch was a contented affair, filled with small talk and the occasional sound of your laughter. there was something domestic, suguru would like to think, about the way you stole his chicken and he snatched your meatballs in compensation. suguru could hardly think of a time he had ever been this comfortable with anyone but you. you had him lowering his guards without ever having to ask him at all, an inane talent he doubted you even noticed. but it was there, and you were a miracle worker that never failed to hold him through his worst and his best.
so, really, it shouldn't come as a surprise that suguru would have to share you with others, too.
specifically, one fucking annoying gojo satoru.
don't misunderstand him, he loved satoru. satoru was his best friend, his one and only, his steady companion. they had been through hell and back together, shoving each other to further heights and hauling one another out of the deepest pits. he cared for satoru, loved him in every way a man could love his best friend. suguru loved his friend.
but jesus christ, could satoru get on his nerves sometimes.
because the thing is. the thing is that satoru knew—he knew the way suguru looked at you, he knew the way suguru spoke about you, he knew the way suguru's heart beat and ached for you. satoru knew all about the depths of his affections for you, every single beautiful and ugly thing, because that was what you do with your best friend, right? you trust them.
backstabber, suguru thought bitterly, shoving a now-acrid tasting meatball into his mouth.
because there satoru was, his arms thrown around you in ways that suguru could never touch you, his jokes making you laugh in a way that left suguru feeling ripped between wanting to watch your smile and punch satoru in the face hard enough that he'd be bleeding for days for stealing that sight from you and leaving suguru nothing but the left-overs to pick after.
in spite of everything, suguru was hardly ever really envious of his best friend. yes, there were moments where he wished satoru would get off his high-horse and someone would knock some sense into him (and that responsibility, more often than not, fell on suguru's shoulders), but he was never really jealous of satoru. there was never a need for it, not when he knew the worst and the lows of being gojo satoru.
however, in that moment, watching satoru cling onto you and make you grin, suguru understood what it meant to truly be seething with jealousy. that should be me.
the rest of the day passed by in a hazy blur after that. suguru vaguely recollected leaving lunch early, reciting robotically that he had somewhere to be urgently and ignoring the knowing grin satoru shot his way or the downwards curl of your lips. he thought he might have given you the cold shoulder at some point or another, the words leaving his lips a little sharp and a little cruel, but he didn’t remember what he said. you might have recoiled, you might have not. suguru couldn’t remember.
(and he didn’t want to remember— he didn’t want to remember the way he had turned his face away when he heard the sound of your voice calling out his name. he didn’t want to remember the way his shoulders had knocked against yours a little too hard as you passed each other by in the hallways. he didn’t want to remember the way your face dropped when he took a seat on a table across the room from your usual one. he didn’t want to remember because if he did, then he would have to remember all the tiny ways he hurt you. papercuts still stung like a bitch, after all.)
then, one day became another, and another became a week, and a week became a month—
and the end of the month brought you.
a beautiful, brilliant, furious apparition of you—one that stormed up to him and, without warning or another word, grabbed him by the collar of his shirt and hauled him bodily after you. his feet dragged against the floor, his toes catching onto the heels of his own choes before he could struggle to right himself.
“what are you—” he began.
“shut up,” you interrupted him.
cleverly, suguru did.
he didn’t say a damn thing even as you slammed the door to your dormroom open, shoving him inside without another word. his lips parted in confusion when you began to lock the door behind you, but he still said nothing as you grabbed him by the wrist to direct him further into your room. he didn’t say a single word until you shoved him onto your bed, his back flat on the mattress.
“what?” he tried again.
“you’ll shut up and listen to me when i talk,” you said, your voice leaving no room for arguments. suddenly, you were looming over him, straddling his waist as your open palm pressed over his chest; right above his pounding heart. “do you understand?”
suguru swallowed thickly as he nodded. this was a side of you he hadn’t even known existed; rough and unafraid, your hands on him meant to firmly rule rather than to guide gently as you usually would. even in your anger, you had never been anything else but firm—steady and stubborn.
fuck, he thought wisely to himself. i'm in deep trouble.
but when your hand found the collar of his shirt, your fingers curling around the fabric of his shirt, he finds that he didn't mind it. not in the slightest.
because you had always been beautiful, but you were damningly ephemereal now, peering down at him with something burning carved into your irises; bold and brilliant, striking and inescapable. suguru had never felt so wonderfully trapped before, caught in your stare and unable to look away.
"satoru told me everything," you began, your assessing gaze never once leaving him. "i'm disappointed, suguru."
static clogged his head immediately, all thoughts clearing from his head into an unbearable haze. dirty little traitor. his throat felt tight, his heart stopping in his chest. excuses climbed up the back of his mouth, tasting like bile and the curses that he swallows, and every single little ugly thing that had ever crossed his mind. explanations defining his inner-most thoughts, apologies creasing into the space between his teeth. nothing came out, nothing but a strangled sound; caught between a whimper and a whine. weak, pathetic.
your head tilted at the noise, your gaze sharpening into something vicious. "you should have told me yourself," you said. "i never took you for a coward, suguru."
suguru couldn't help the weak, strangled thing that escaped his throat. he thought that it might have been a piece of his heart. "i'm sorry," he whispered, before he could think better of it.
the sigh that you let out was low, almost vicious in its nature. suguru hid his wince by turning his head, the side of his face half-buried into the sheets. before he could succeed, however, your hand caught his chin, forcing him to turn his gaze to meet your eyes once again.
"look at me when i'm talking to you, suguru." your voice sent a series of goosebumps rippling up his skin. he shuddered, trying to shake it off, but he couldn't when your grip on his face was firm. he still tried to nod a bit, wanting to appease you.
"i'm sorry," suguru rasped out once again.
"stop apologising."
all of a sudden, his forehead was flicked. the motion was so familiar in the face of such an unfamiliar circumstance that suguru couldn't help but blink, startled. for a moment, suguru couldn't think, couldn't do anything—much less suppress the faint smile that appeared on his lips. perhaps not much had changed after all. perhaps you could still have him as your friend, still care for him the way you cared for him before.
"so," he started slowly, "you're not angry at me?"
"i'm pissed at you," you told him bluntly.
before he could wilt, though, your grip on his chin became a gentle caress to his jaw, and suguru felt his whole world tilting upside down once again. your face was close to his, too close, and suguru felt like he couldn't breathe at the proximity.
"i am so, so angry at you, suguru. you should have told me everything sooner. i can't believe you made me wait so long just for this. all your attitude as of late, all your snark and sass, that was just a defence mechanism, wasn't it?" your voice was cutting as you picked apart his brain, dissecting all of his secret truths with all the precision of a surgeon's knife. "you got jealous—and instead of talking to me, you decided to push me away."
your voice was a low murmur, not meant to be anything seductive but still sending a sharp thrill up to suguru's monkey brain all the same. all he could think of was the curl of your smile—secretive, knowing, like you were in on some secret joke that he wasn't—and the way you were looking at him now—like a predator who had his hunt cornered—and how suguru couldn't do anything but take anything that you doled out.
fuck, that's so hot.
"i'm sorry," he said again, dutiful and polite.
and for a moment, simply a nanosecond, he caught a fissure in your exterior; that softness bleeding out for a moment before the cracks smoothened itself out. even so, that split-second was enough for suguru to realise oh. he's not actually angry at me. because all of this, he knew now, was part of the game that you were playing with him; a theatrical dramatic act to compensate for the weeks of silence you got from his end.
your head tilted slowly, dangerously, as if you're assessing him, and the newfound knowledge that you like were made a shiver run down his spine. because you wanted this, you wanted him too, even if you haven't said those words out loud. you craved him, and that single piece of knowledge was enough for suguru to feel like he was going to break himself apart and meld himself together until he fit all and every single one of your wishes; until he became perfect just for you.
suguru's smile was small, placating in the way he knew you hated it. "forgive me?" he asked, practically simpering.
you caught onto what he was trying to do—of course, you did, you always did—and you threw your head back in a sharp laugh. "i don't know, suguru." your smile was mean, dangerous, and suguru almost fainted on the spot. fuck. "do you think you deserve my forgiveness?"
all of suguru's bravado melted in that moment as he felt like a miserably delighted pile of limbs and bones and a beating heart that thumped and echoed and lived just for youyouyou. "no," he said, his voice coarse, rough with his own admission. his hand moved to rest on your knees, not reaching higher because he knew better than to touch you more at a time like this. he didn't deserve it yet. "but let me show you." let me deserve the taste of you, let me deserve to feel what it means to worship you.
your lips curled into a smirk, and suguru felt as if he was going to die right then and there. miraculously, he managed to stay alive just long enough to watch you crawl off of him, standing by the edge of the bed, your gaze still following him like you were going to eat him alive.
"hands and knees, suguru," you said. "you better earn it."
geto suguru was not an impatient man but in order to satisfy you, no time in the world was ever enough.
#WHAT IS THIS HOT MESS#my head hurts . what is happening in this fic . i don't even have an explanation anymore . i am so sorry .#👁️ anon i swear i will do better next time#as my apology pls send in another request i'll be sure to treat it with proper care and reverence this time around im so sorry i'll vip you#HHGRHH I'M SO EMBARRASSED#geto suguru x reader#male reader#dom reader#sub geto suguru#there isn't even p*rn in this holy fuck#( thirsts. )#( asks. )#( 👁️ anon. )
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director’s commentary for like a knife in my throat? 🙏🙏
omggg thank you for asking!
like a knife in my throat — (F1 RPF, Nico/fem!Lewis, Rule 63, 2015 F1 Season, Pregnancy, messy vibes all around <3)
“I don’t need you to hand me a championship,” he snaps. Lewis doesn’t say: You’ve been handed everything else.
This was called BABYTRAPPING FIC in my scrivener for weeks which. is exactly what the fic is about. shoutout to @antspaul who had never watched a vroom vroom before I speedran brocedes lore in their DMs so I could be like “These are the vibes now help me brainstorm the het version 🙏”
This was technically a kinkmeme fill but the prompt was quite broad ("brocedes but one of them is a woman") so I pretty much had free reign. My reasoning for the vibes of the ship was just... given the RL lore, if it was het, it would absolutely be a codependent relationship since teenage years kind of scenario. Mildly claustrophobic sort of relationship where they've never really looked at anyone else, never took time to step back and reassess their life without the other, and their lives are so intertwined and when it's good it's great! When it's bad it's suffocating.
the reasoning for making it Nico/fem!Lewis instead of the other way around was that I really wanted to write rancid pregnancy fic and characterisation-wise this felt easier
also, it's a dynamic that lets me make more of their dysfunctionality internal and not external; it kind of compounds their existing privilege disparities instead of offsetting themselves. I'm not sure if I'm explaining myself well but like — in this scenario they can be together. They're not going against established norms (which I think would be the case with Lewis/f!Nico to some extent even if it's het.) ALL the drama is coming from inside the house :3
(There's a lot to be explored in f!Nico/Lewis hetcedes fic and maybe one day I'll write that too but it's a whole different vibe)
Speaking of compounding existing privilege disparities: the whole crux of this fic is that f!Lewis can not deal with the thought of Nico beating her.
The only thing she really has going for her above him is that she's the undisputed better driver. If that changes, even once, she wouldn't be able to live with herself while being in a relationship with him. But she doesn't want to give up that relationship not really because they belong to each other. Hand in unlovable hand!!! also beating him turns her on. Nico's side of this is that he's like. Extremely possessive in return. I can't beat you but I will have you. Nobody else gets to have that but me.
Anyway. BABYTRAPPING. The natural solution to all their dilemmas. Because I choose to believe they're the kind of couple who've lowkey talked about having children at some point in the distant future, it's just that they can't really do it now, and it was always a fond hypothetical (and Nico was always way more into it than Lewis, bc ofc he wasn't the one who'd have to get pregnant you know) and now Lewis decides to jump the gun in the most toxic possible way. She's like, THIS is what we're gonna do. You get to win but it's on my terms. She's giving Nico everything he's ever wanted buuut it comes with a side of mind games and yanking his chain.
However. It's very important for me to note that this is not unilateral. Nico DOES get everything he's ever wanted. They ARE both into this.
and in the sequel that lives in my head, and maybe one day I will write, he's going to be the most inconvenient possible wag, like, he's going to be AROUND. He's going to be Tashi Duncan. He's going to make sure people know he's Supporting Lewis (she was the one who wanted to keep their relationship secret). He's going to put a huge rock on her finger and be like, Oh I'm so lucky I get to have her and it's all very possessive and unhinged. I was actually surprised by how some comments were like "Oh f!Lewis is sooo cold she's got Nico exactly where he wants him" and I'm like, but he's also a bit nasty!!! It's very important to me that the rancid is twofold.
Fic title is from this verse by Sonya Vatomsky
When I finished writing this fic I had to to show Carp a lot of irl-Nico lore bc I felt bad for character assassinating him in the fanfictions. Like btw he's actually a #feministdad who respects the women in his life! And then unfortunately fell into the trap of finding a 40yo millionaire venture capitalist cute. I'm still there. Somebody rescue me
anyway thank u for letting me go on and on and on about this fic I genuinely loved writing it :D
[fanfic writers director’s cut meme!]
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head, heart, hand. {Felix Catton/Reader/Oliver Quick}
Part 21.
Summary: The morning after Oliver fucks around with Venetia, and he has the gall to act like he doesn't know why you and Felix are in such a bad mood. Unfortunately his lies about the event don't placate you the same way they do for Felix.
{ masterpost }
Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.
A/N: 5412 words. this chapter was meant to explain felix & eddie's relationship, but that got YEETED to several chapters in the future when this ended up over 5k as it was. if you're questioning my characterisation of the reader, just know that they're a complex individual and dont always make the most thoughtful choices. sorry it's late, i still love this and you, i will finish this fic or die trying. <3
TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)
----
The morning sun is a cruel mistress, you think as one of the maids - Emily? You're barely awake, you can't quite tell in the onslaught of sudden light - pulls the curtains back, announcing breakfast would be ready shortly. Felix groans, sounding exactly as enthusiastic about the prospect as you feel.
"I'm cancelling today," he muttered, muffled where he'd sunk further down into the bed and pulled the covers over his head, "it doesn't exist." Wriggling onto your side and desperately trying to ignore the brightness of the impending day, you hummed in agreement.
"Sounds good to me," you yawned, squeezing your eyes shut, as if attempting to will yourself back to sleep. But you both know it can't really last.
Felix is grumbling under his breath the entire time he's getting dressed - stupid bloody Saltburn, and it's stupid bloody rules, and stupid bloody Oliver, and stupid, bloody, goddamn Venetia; the nerve on her, honestly - while all you could do was yawn, and make faint, distracted noises of agreement. Both of you go quiet on your way to breakfast, keeping your frustrations bottled up to keep the peace in front of the rest of the family, but it still didn't make things easier.
They're eating outside that morning, taking advantage of the beautiful weather by the courtyard. Venetia's looking all kind of pretty and smug, her gaze trained on Oliver as you and Felix join the table, while Farleigh looks to you, cigarette poised and beautiful between his slender fingers, wearing a grim expression as he takes in the state of you and his cousin. When his gaze meets yours, for a second it darkens, and he quirks a single eyebrow in unspoken question. Despite the way you sit primly in your chair, trying to feign nonchalance, Felix slumps down on your other side, between you and his father, the furthest seat from Oliver he can manage. It's answer enough.
"You sleep well?" Oliver turns to both you and Felix. It's almost like you can hear stupid, bloody Oliver run through Felix's head before he answers.
"No, not really, mate," Felix has never been one to hide how he feels. Once, you'd told him as much, and though he hadn't taken it well at the time - he'd been in a mood, it was why the topic had come up at all - but he'd come back to you the next day saying that Venetia and his parents had always told him as much. It was one of the reasons he liked being around you, he'd said, not because you don't bring up his moods - obviously you did - but he said he could never stay in a bad mood for too long around you. In this moment, you were really wishing that was true, because this level of sulking was one you'd only seen in the weeks after Eddie had left.
Oliver looks concerned, the picture of an innocent, worried friend, like he has absolutely no idea why Felix was clearly unhappy. You try not to look at Oliver as much as you can help it. So you stand, press a kiss to the top of Felix's head as you pass him, and make your way to get the both of you breakfast as Sir James talks about the dinner being hosted the following night. Apparently one of the attendees - Sackfield, Sussex natives, if you recall rightly - had dropped out, leaving the guest list at thirty.
"God I forgot about fucking dinner," Felix groaned around a cigarette he'd already managed to light in the short space of time he'd been at the table.
"Wait, who is coming to dinner again?" Farleigh asks with a vague frown.
"The Henrys," Venetia announced cheerfully as Farleigh sighed his protests. The girl had no fucking shame; you fight the urge to flick a blueberry at her, mostly since you know you'd miss at this distance.
"Who are the Henrys?" Oliver enquired, as if trying to ignore the mood of almost a third of the table. If you'd turned, you'd see him looking to you; even now you were seen as a fountain of information about the formalities and events that went on here. If you'd turned, you still wouldn't have answered him.
"Dad's friends," Venetia answers instead, "they're all called Henry."
"Not all of them," Sir James rebuffed quickly from beside his son, looking up from his morning paper.
"Just most," you called back, as if out of habit alone.
"It'll be fun," Elspeth tried to insist, though Venetia was quick to chime in again, smug as always as you made your way back to the table.
"It'll be, being molested by Henry," Venetia's smugness at least dropped with that, adding as an aside to her mother, "you know which one."
"Well I'll put you next to Oliver, then," Elspeth sniped back, "he can molest you instead."
Unfortunately you return the table just in time to see the look Oliver gives to Venetia, and the little giggle she answers with. No-one in this house knows subtlety and you kind of hate them both. However it seems you're not the only one who notices, as Felix's eyes flick between Oliver and his sister, glowering at them both as you place a plate of fresh fruit in front of him. He's surly enough that he doesn't even thank you, but in this moment, you don't care; expressions mirroring each other in a way neither guilty party seems to notice as they focus on each other instead.
"Oh, Oliver," the moment is broken, however, by Elspeth, energised with a new thought, reaching out to Oliver sitting beside her, catching his attention, stealing it from Venetia for the time being, "I was going to say, we should do something fun for your birthday." She's insistent, though Oliver is confused. Right about now you regret informing her that Oliver's birthday would be occurring during the time he was at Saltburn, "a proper party, no Henrys," she's insistent, "something actually fun;" she glances at Sir James, hand still resting on Oliver's, "what do you think, darling?"
"If Oliver would like it, I think it's a splendid idea," Sir James agrees amicably. You begin to eat your breakfast, hoping your gaze doesn't burn a hole in the table like you think it might.
"I think Oliver looks like he'd rather throw himself out of window," Farleigh chimes in flatly, actually startling a laugh from you that you have to quickly cover with a cough. When you look up, he's levelling a cold smile at the man himself, but when his gaze flicks to you and how you're trying to hide your embarrassment in a glass of water, his gaze turns almost fond. Solidarity; for all the shit he'd said to you last night, you really did adore Farleigh.
"What kind of party?" Oliver turns back to Elspeth, and you go back to your food, only after glancing quickly at Felix. He's too caught up in his brooding to be amused by Farleigh's aside; he's too caught up in his brooding to do more than smoke and poke at his breakfast with his fork like it's offended him.
"I don't know, whatever you want," Elspeth offers, already planning in her head, knowing the matriarch and her love of events, "what do you think? About a hundred people?" Chin on her hand, she's looking through Oliver more than she's looking at him.
"A hundred?"
"Or two," Elspeth takes his shock the wrong way entirely, "it invariably ends up being two with this sort of thing, doesn't it?" She looks over to her husband, while Oliver looks to you and Felix, that look in his eyes like he's out of his depth at Saltburn once more, "invite whoever you want," Elspeth insists, returning her attention to him, "all your friends -"
"What friends?" Farleigh mutters cruelly, but this you don't find nearly as amusing. For a moment, there's a twinge of guilt in your chest, but Sir James provides a clean distraction as he excitedly suggests the party be fancy dress.
While Elspeth and Sir James are both enthused about the suggestion - Sir James is always looking for an opportunity to wear his suit of armour, he's almost embarrassingly proud of it - Oliver tries to reach out to you like he can tell you're upset too, like he's concerned. When you shift out of his reach subtly, Felix catches sight of the movement and follows it to Oliver's hand coming back to rest on the table. Expression flickering with irritation, Felix offers you his cigarette, and you take it, crossing one leg over the other as he starts on his own breakfast and you push yours away with your free hand. Both of you are decidedly focused on the table.
Venetia absconds from the table for reasons you can't bring yourself to even half care about as Elspeth settles on A Midsummer Night's Dream as the theme for the party. Usually you'd be all but matching her joy at the suggestion, or at least matching Farleigh and his amused aside about slutty fairies, but your stomach is turning all of a sudden.
Felix clears his throat quietly, and takes a quick sip of water, but it still draws your attention, if not anyone else's. The way he gives the barest gesture with his head would be missed by anyone but you, but you can read it for what it is.
Go if you need to go, don't feel like you have to stay here.
Immediately you stand, drawing all eyes but Felix's, not caring either way. Handing back his cigarette, or what was left of it, he mutters a thanks, but doesn't look up from where he's lazer focused on his food.
"Captain," Duncan's voice speaks into the sudden silence, "if you have finished with your breakfast -"
"I have."
"Then I'd appreciate a brief word with you."
Nodding jerkily, you follow him into the foyer to see a thick, yellow envelope on a little table by the door, topped with a thin piece of card. He hands you the envelope first, before holding the card up to show you it was a notice from the local post office, telling you there was some large items that arrived. They'd be the flowers you'd had flown in; they wouldn't last long in some storage facility. Damn, alright, you sighed, expression pinched as you wondered if it was worth it to even pick them up at this point.
"Have someone collect them and put them in the greenhouse for now -"
"The greenhouse?" Duncan sounds almost confused.
"I mean, check if they're the flowers I ordered, first, and if they are, have them unpacked and put into the greenhouse, I'll get to them," you waved your hand dismissively through the air, "eventually."
"Of course," he acquiesces, and you thank him quietly.
Already exhausted by the day, despite it not even being close to noon, you head to your study, weighty envelope of documents in your hand. Later this week, they'd said in the email, you thought you'd have more time. Huh, that seems to be a sentiment plaguing you often these past few days.
"Everything alright?" Felix, draped over the wicker sofa on his balcony, hears you come in and doesn't even get up. Giving nothing more than an irrate, dismissive noise, you throw yourself onto the bed, "yeah it's a bit like that, isn't it?" He muses loud enough for you to hear.
"It can't be that hard to be a parent," you snapped, rolling onto your back, leaving the envelope on the bed by your side.
"If it was easy, nannies and wet nurses wouldn't have a job," Felix offers, though has the grace to add, "but I know what you mean." Then, sitting up, if the squeaking of the wicker was anything to go by, he asks what's wrong, softer this time. Looking to him, you scowl, and flick your hand to smack the envelope, "they being assholes to you again?"
"Always," you sighed, before adding without much thought, "sometimes I'm tempted to marry you so I can tell people I have half-decent parents for the first time in my life."
"But you'd have Venetia as a sister-in-law," Felix offered with clear distaste, but it's enough to get you to laugh, to break your discomfort.
"Forgot that part; you think Farleigh being my cousin is enough to make up for it?"
And Felix, thankfully, is grinning too. It's him who suggests getting out of the sweltering house on this beautiful day, getting out of both your heads with some time spent down by the pool. Right now, you'd take anything to try distract you from the packet of paper by your side.
The last thing you do before you head to the pool, book in one hand and towel in the other, is toss the envelope onto the desk in your study for later. Later you'd deal with your parents. Later you'd deal with Oliver and possibly get him expelled from Oxford if you're feeling especially vindictive after some reading or a swim. But for now, out of sight, out of mind.
Except it doesn't work for long.
While you'd chosen one of the armchairs to curl up in while you were in the early chapters of a memoir your Marketing professor had recommended to you, which was keeping your thoughts at bay, Felix had said he'd wanted to swim. After getting in for all of five minutes, he'd spent the rest of the time drinking jack and cokes through a curly straw and getting lost in his own thoughts again as he sunbathed. He's been alternating between smoking and sweets, and you have decidedly not commented on his attitude.
Both of you are wearing very little, looking as though you're on your way to the pool or the lake, probably looking like the start of any number of fantasies Oliver may have had. At least, that's what crosses your mind when you catch sight of him, gazing at you both with quiet longing. The sight of him like this, his eyes on you both, so clearly wanting, would have delighted you even twenty-four hours ago. Except so much had happened in those twenty-four hours.
I want to know you. I want to love you. But there's something wrong with you.
And then he'd gone and messed around with Venetia after you'd explicitly warned him not to. Your gaze leaves Oliver as he approaches, instead frowning down at your book, irritation settling in your bones.
Felix notices your shift before he notices Oliver. But that's when Oliver makes himself known.
"Hey," he drapes himself across the sun lounge on Felix's other side, blue eyes boring holes into the side of your best friend's head, while Felix refuses to acknowledge him, "Felix," Oliver tries more insistently, but gets no response, "is everything okay?" Finally Oliver asks. You turn a page pointedly, but Felix still answers.
"Yes," his tone is anything but okay, "why?"
"You seem annoyed about something," Oliver says carefully, almost demurely, "you both do," he adds after a moment as Felix makes a face. You turn another page you have not read.
"I'm not annoyed about anything," Felix clearly lied, and though Oliver sounded unconvinced, he tried to take him at his word. Except Felix isn't done, "it's just slightly bad form, that's all."
"What's bad form?" Oliver asks flatly, as if he has no fucking idea.
"What do you think?" Thankfully Felix's tone is annoyed enough for the both of you.
"What do you think?" He scoffed, disbelieving at this little act Oliver was clearly putting on, "getting with Venetia, Ollie," he has to spell out to make sure Oliver doesn't weasel out of the accusation. Still, he tries - the audacity.
"What makes you think I got with Venetia?"
"Farleigh saw you two," Felix answered immediately, "told Y/N all about it -" finally you allow yourself to look up, to level a cold stare at Oliver, who seems almost surprised when he meets your gaze; you make a faint tsk sound, as if to confirm, and go back to look at your book as Felix goes on, indignant, "it's just fucking cringe, mate, I mean really," he huffed, "you're my friend, you're supposed to be here with me -"
"Look, I didn't want to embarrass Venetia," Oliver cuts him off suddenly. Both you and Felix turns to look at Oliver very slowly.
"What do you mean?" Already Felix's voice is softer, still unable to fully bring himself to look at Oliver, while you're fascinated by the panic in Oliver's eyes.
"Well I saw her- I saw her outside and I went down to see was she okay," Oliver can't look at either of you in this moment; you wonder if he's scared to look you in the eyes as he weaves this little story of his. Fascinating to watch, "and... I think she got the wrong end of the stick because..." he trailed off, but his gaze returned to Felix. So gentle, so eager to placate his friend's ego, "she tries to kiss me, and I politely steered her away." It sounds very believable.
"Farleigh said you two were practically eating each other," you finally find your voice, still wary, unlike Felix, who was quickly buying into this series of events. He wants to believe in Oliver so badly.
"Oh, and you believe him?" Oliver shoots off almost automatically, but the minute his gaze meets yours, he has to look away; you absolutely still believed Farleigh, and Oliver could see it in your eyes. But then he's almost scoffing - "me and Venetia? Come on."
"Well, why didn't you tell me?" Felix sounded softly betrayed, but clearly won over, and Oliver returns his attention to the safer of the two of you, gaze trained on Felix and his pout.
"I just..." he searches for a believable answer, something Felix wouldn't hate him for; Venetia was still his sister after all, "I thought it'd be nicer not to," he settles on, "she was hammered, probably doesn't remember," which was unfortunately in character for the eldest Catton sibling.
"She's so embarrassing," Felix finally groaned, and you know he's bought it, hook, line, and sinker. You go back to your book, "and fucking Farleigh, what a little shit-stirrer," he huffs, to which you add, carefully casual.
"He's always known how to get a rise out of me," you know Farleigh wasn't lying to you; Farleigh was a shit-stirrer, but after last Summer, he would never be so cruel as to joke about this. But you play along. Oliver's looking at you now, you can see it in your peripheries, you can almost feel it.
"Well someone has to entertain us all," Oliver offers, to which Felix faintly agrees, glancing at you with a faint question in his eyes, like you're the final piece left to solidify whether he believes. Giving a faint, exasperated smile, you echo him softly - right - and see him finally relax, "that's why we love him," Oliver adds, in what you know is an incredibly pointed move, considering his strained relationship with Farleigh himself.
Felix finally breathes a loud sigh of relief.
"Thank god," he exclaims, like the weight of the world had been lifted from his shoulders, turning so casually to Oliver with an easy grin, "you know, I thought we had another Eddie situation," despite his casual mention of the past guest at Saltburn, you, several feet away, go perfectly still.
"Eddie?" Oliver asks carefully.
"Yeah, Eddie was my- um, he was my best friend at school," the way Felix stumbles over his wording momentarily is not lost to either you or Oliver, "and he came to stay with us," he continues as light as before, "and he kind of..." Felix makes an uncomfortable noise for a second, fidgeting at the memory, "developed a little thing for Venetia, and everything just got so awkward." Eddie broke Felix's fucking heart, your mind snarled defensively, though as he always has, since the initial betrayal had occurred, Felix retold a much lighter history, "yeah, it kind of ruined our... you know..."
"Ruined your friendship?" Oliver supplied, getting a noncommittal hum from Felix, who refused to elaborate further, "I can imagine," he quietly adds, sounding altogether empathetic to the situation.
Clearing his throat loudly, desperate to remove himself from the discomfort the memories had left him in, Felix declares his intentions to head back inside, not waiting for either Oliver or yourself before he collects his towel and absconds. At least, you find yourself thinking, he moves with far more ease, far less tension, than he'd arrived with. It eases something in you too, as you watch him go, able to smile at his retreating figure before remembering how you're still being watch by Oliver. Oliver who'd all but yelled at you last night because you hadn't told him about your mother. Oliver who you're almost certain definitely did fuck around with Venetia last night, despite what he'd said.
Sure, you could get over Oliver and Venetia being together for one night since he'd felt guilty for having betrayed Felix, and worked to create a lie that even absolved Venetia of anything other than being a predictable embarrassment to her brother. That you could forgive, even if you knew it was a lie.
But his words still haunt you from last night.
"You're still annoyed at me," Oliver moves to take Felix's seat the minute he figures Felix is out of earshot. You don't want to dignify the comment with a response; your sour look should be answer enough. But then his voice turns soft; "you didn't tell Felix what I said to you, did you?" It's not a real question; Oliver's watching you once more with a kind of anthropological fascination that you remember from back at Oxford. In an attempt to avoid his gaze, you bury your nose in your book.
"No idea what you mean."
There's something wrong with you.
"Can I be blunt for a moment?" Oliver asks with a surprising hesitancy. Oliver is often blunt, so the asking seems more and more like a performance than anything else. You turn the page of the book you're definitely not retaining a single word from.
"'m not going to stop you," you huffed momentarily. Oliver, for the long few seconds that follow, is quiet, is watching you. In this moment, his gaze is like a fucking scalpel; you wonder if he's going to ask if you realise believe him, or if he's realised how he hasn't even tried to apologise for what he'd said.
"Why 're you being good to me?"
"If what I am right now is your version of good, that's bloody tragic," you tell him airily, "what was I to you before, saint-like?" It comes out rather bitter, but thankfully Oliver doesn't seem deterred.
"You've always been good to me; all things considered I think this is the most saint-like I've ever seen you," and it sounds sincere enough that you lower your book, expression flat when you finally turn your attention to him. But his blue eyes are earnest, sitting on the edge of the chair far closer than before, all his attention, his focus on you, "you love me," he says quietly, almost awed by the words themselves, "even after all that stuff I said to you; you still love me enough to keep that from Felix -"
"Because how he feels about you shouldn't be effected by how you feel about me; it's not his business," you tried, feeling trapped by the truth of his words.
"You are his business," Oliver insists, and your mouth snaps closed; you kind of hate that he's right, "and you love him like nothing I've ever seen before," he wets his lips, eyes wide when he leans across the space towards you, hand coming to rest on your knee, "but you know he'd never give me another look if he heard about how I spoke to you -"
"I know," you agreed with an awkward little huff, finally, "so you could at least apologise to me," avoiding his eye contact, the silence spills from one moment to the next until you hear him take a deep breath.
"I'm sorry for prying about your mum," his thumb is gentle as he rubs small circles against your skin. The thing that lays unspoken between the two of you, the remainder of the apology, why it's lacking, is not a mystery; he's not sorry for the rest of his outburst because he believes it's true, and he knows you think so too.
Still, the apology itself has you relaxing, settling, feeling far more unburdened than before.
"What do you want me to say, Ollie?" Finally, you spoke. It's barely more than a sigh, book closed and head turned to the sky. When Oliver makes a confused noise, not quite sure about what you mean, you sighed, "if you meant what you said last night, about wanting to- to know me, to, you know -" love me, sits heavy on your tongue, unable to leave your lips, "what do you want to know, what do you want me to tell you, what can I say?"
It doesn't occur to you the way it does to Oliver, how starkly revealing your choice of words often is. Once again you find yourself acquiescing to others wants, to Oliver's implicit demand for your truth, taking the path of least resistance for yourself. Instead you're wondering why Oliver's hesitating now of all times, when finally being given what he'd apparently wanted; you don't understand his reluctance, how he feels as though he's coerced this offer from you, how he almost feels disgusted with himself for what he perceives to be your honesty under duress.
"What 're you reading?" He finds his voice finally, but it's surprisingly meek. This was not the question you'd been anticipating, and your eyes open, looking to him curiously. There's no coldness to your gaze anymore. Oliver's gone bashful and almost apologetic. Raising the book enough that you could show off the cover, you levelled a confused frown at him as he asks if it's good.
"It's dry," you tell him after a beat, "but it's modern, so it's not the worst of it's kind that I've slogged through." When you rise from your chair, he seems almost confused until you sit yourself down next to him, laying back on the sofa and coaxing him back to recline in the space by your side, as you'd done what feels like a million times over with Felix and Venetia. At first, Oliver is stiff, looking all too much like a timid deer, half pressed to you until you continue to explain, "a lot of biographies published by successful businessmen from pretty much any time before two-thousand will invariably have this weird undercurrent of biological essentialism and how the subject owes a lot of his confidence and intelligence and all that bullshit to the fact that he's a man, which is why I'm glad my professor had the good grace to recommend me this one, since that caveman-binary-bullshit is gross as hell."
Oliver nods where he's tucked up against your side, gazing at the book in your hand. You can feel him relax into the familiar contact.
"Is that really the most pressing question you had?" At least you sound far lighter than before when you asked it, almost teasing, and Oliver takes a deep breath, still looking at the biography and your finger stuck between the pages in leu of a bookmark.
"Why'd you go into business of all things to study?" His cheek presses against your shoulder, your arm around him warm and secure. A humourless laugh escapes you, and carefully you open the book with the one hand holding it.
"Because a failed lawyer makes a terrible CEO," you'd chuckled more to yourself than to Oliver. It takes you a moment to compose yourself and your thoughts before you give a proper explanation; "the only good thing about my father being in charge of my family's business is that he cares so little about it that he hasn't tried to interfere with it, and therefore hasn't run it into the ground, at least that's what Nan says." Then, wetting your lips, you give him an awkward smile, "you asked me a few days ago what my dad does; Andreas - that's my dad - he doesn't do anything," you admitted, "everyone thinks he runs the family business, but it's a vanity title. At best he's a trophy husband to Pearl - you met Pearl - and her artistic, philanthropy bullshit."
Oliver doesn't manage more than a quiet 'oh', but he settles himself against you, chin on your shoulder, arm warm when he drapes it over your middle. For a few, gentle moments you go back to reading, flipping back the few pages you'd skipped in your frustration with him earlier. There's comfort in the slow turning of pages, in the steady beat of Oliver's heartbeat pressed against your side, in the rhythm of your shared, quiet breaths.
"You still believe what Farleigh said, don't you?" Oliver's voice is so quiet in your ear, he actually sounds forlorn.
"Of course I do," you murmur back, trying to focus on the words in front of you.
"He's just trying to push your buttons."
"Farleigh doesn't have to try if he wants to menace me."
"Nothing I say will convince you, will it?"
Finally, you close your book, sighing faintly. Closing your eyes, allowing yourself to accept this conversation was happening now, you shake your head.
"You think I wanted to hurt Felix that badly that I'd fool around with Venetia?" Oliver tries again to convince you, but your tip your head to face him, expression unimpressed, but not unkind.
"Farleigh is a shit-stirrer, and I'd believe that Ven was drunk, but you, Oliver Quick, are neither as subtle as you think you are, nor as harmless as you want everyone to believe; I think I know that better than anyone," after a moment, you take a deep breath, "and trust me when I say that Farleigh wouldn't lie to me about this."
"If you believe that, why'd you let me lie to Felix?" Its as close to an omission of guilt as you'd get, but that's something about how Oliver apparently respects you enough to not outright deny it that brings you a strange comfort.
"You know why," voice softening once more, place your book down to free your hands. Holding his cheek gently, you can watch the faint guilt in his gaze before his eyes fall closed and he leans into your touch, "I know you won't do it again." His head tips until his forehead is pressed to yours, and you sit in this quiet moment for a long few seconds.
"I don't want to break Felix's heart," Oliver breathes, sounding, for the first time, genuinely remorseful. Hand moving from his cheek, you wrap him up in an embrace, "I do love him," he mumbled, voice barely above a whisper, adding, "and you."
"I know," you assured him, "our Ollie," you teased warmly, and though Oliver remains quiet, when you crack your eyes open you can see him turning red, fighting back a pleased smile, "you're very good at playing bashful, so I always find myself especially endeared in these moments between us when it's actually genuine," slips from your lips quite without you meaning it to, only causing Oliver's blush to deepen. But as soon as you've said it, seen his reaction, your grin widens and you double down, "catching you off guard always catches me off guard, I feel like you're always so deliberate -"
Oliver kisses you quick as you laugh, interrupting your teasing kind of analysis of him before you can get too far in. Another deliberate play, but this one you don't mind. Oliver pulls back from you, only a few inches, enough to once against rest his forehead against yours as you're still sharing this space, this single pool lounge together. He's grinning so brightly.
"At least there's one person here I can fool around with without my head getting bitten off because of it."
#felix catton x you#felix catton x y/n#oliver quick x reader#felix catton imagine#saltburn imagine#saltburn x reader#felix catton x reader#felix catton x reader x oliver quick#oliver quick imagine#oliver quick x y/n#oliver quick x you#head heart hand fic#manic writer
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sunsets and self doubt (and words left unspoken) - 2.
Main AO3 tags: Alternate Universe - Canon Divergence, 2024 Formula 1 Season
Sadie's Faceclaim: Maia Mitchell (but you can visualise her howver you want :) )
warnings: swearing, hints of romance (ugh).
comments: this is a bit of a filler chapter to characterise some things. enjoy :)
Max Verstappen was passing the Mercedes hospitality and chatting to GP, his race engineer, when someone caught his eye. Dark brown hair, round face, sharp nose and an aura that compared to no others.
“Wait- hang on. Lewis! Lewis!” The older man, who had been leaving his hospitality, looked over and his gaze followed Max’s pointed finger. “Mate, is that who I think it is?”
“Yeah man, I think so.” Lewis’ smile only grew as he agreed.
“Who are you pointing to?” GP asked.
Max hoped that there were no cameras around as he said, “the volunteer from Australia. The good one.”
He didn’t know how else to explain his respect for her in English; to him, she was good.
“It’ll be good to finally learn her name,” Lewis mused, scratching at his neat stubble.
“None of you know her name?” the engineer asked.
“No,” Lewis said. “I never had the chance to find her after the interviews.”
“I saw her the next day, I apologised for my behaviour to her,” Max commented. “But I forgot to ask her for her name.”
GP shook his head. “Alright well, I’ll see you in the garage. Don’t be long.”
Max nodded respectfully while Lewis said, “thank you.”
Then they both charged through the crowd towards the last place they saw the woman.
“Bets on her name?” Lewis asked, zipping his Mercedes suit around his hips.
“I don’t know. Something very Australian?”
“I feel like she’s a Layla or a Nira.”
"I think it's Sadie," came Lando's voice as he squished himself between the champions. "I asked Dave, one of the McLaren staff."
But when they reached the spot she had been, she'd vanished.
Max frowned and tried to use his height to see her but it was hopeless. Lewis pulled his phone out of nowhere and dialled a number. Lando just sat on the edge of a nearby pot plant and, as if by magic, Oscar appeared beside him in a matching McLaren t-shirt.
"Heya," Lewis said into his phone. "I'm gonna need a paddock pass for our garage."
A pause.
"No, ass. I haven't found someone for the weekend and I don't intend to. It's for the girl from Melbourne, the volunteer George told you about... Yes, I know Carmen wants to meet her, that's why I'm asking you for a paddock pass."
Lando laughed from his seat, something boisterous and loud that had surrounding staff glancing over. Oscar was smiling like he was the reason for Lando’s outburst. Max was glad to hear the McLaren driver’s laugh again, it had been too long since they had hung out.
"No, I don't know her last name. I haven't even confirmed her first name... I can't ask her, she's not in front of me... I don't know where she is, we saw her from a distance... Max, Lando and Oscar... Alright, fine. We'll find her."
Lewis hung up and sighed with a glance to the sky.
"They won't give you a pass?" Max guessed.
"They need her name first."
"Did you see who she was with?" Lando asked.
"Yeah," Lewis said. "Some paramedics. I recognised Mark, he's been the on-call medic for years."
Max mulled over the fact he hadn't noticed anyone around her. He also mulled over the excitement little Lando Norris was trying to squash.
"I know where the medic tent is." He almost leapt up from his perch.
Oscar gave Max a knowing smirk as they disappeared into the crowd.
——$——
Sadie had no idea the drivers had seen her. She was hoping that none of the drivers would remember her. She still hadn't seen their interviews from Melbourne and was clueless about the actions the FIA had taken to hand out penalties efficiently.
"Hungry?" Mark, a middle-aged paramedic with greying blonde hair and smile lines besides his eyes, asked.
"I am starving, please tell me there is somewhere I can get a decent sanga."
Mark frowned. "Sanga?"
"Sandwich," Sadie corrected. She was almost bouncing as she spotted the food trucks.
"You Australians are weird," Mark quipped but he couldn't hide his smile.
"And you English are uncultured," she returned.
She liked Mark, they'd met yesterday during practices and clicked. He was her supervisor during the free practice sessions and qualifying but she'd stuck by his side off track too. He didn't mind, he knew she was there, on the other side of the world, alone.
He'd told her at the volunteer's group dinner last night that she was living the dream he had wanted to at 20. He'd had a couple wines and would not shut up about how much his wife would love to meet her.
"Mark, what do you want?" she called over her shoulder as the reached the sandwich truck. When he didn't reply, she glanced behind her.
He was 100 metres back, talking to none other than Sir Lewis Hamilton. Sadie turned back around, remembering her interaction with the drivers in Melbourne.
Another body stepped up beside her, swathed in bright orange.
Correction: Papaya.
Sadie didn't turn, assuming it was a McLaren employee looking for some early lunch.
"It's a surprise to see you here." Lando Norris offered the icebreaker.
She turned at his voice and fought to keep her composure. His brown curls swished as he turned his head towards her. Oscar’s equally brown eyes warmed as he smiled and waved slightly from the otherside of Lando.
"I didn't think you'd remember me," she said truthfully. Sadie focused her eyes on the bridge of the older driver’s nose as she spoke, she didn't want to meet those ever-changing eyes. She'd already noted that they matched the day's grey sky.
"Most of us did." The driver shrugged. "Carmen, George's partner, wants to meet you. Lewis is trying to get you Mercedes paddock passes."
Sadie groaned at that, stepping closer to the food truck as the line moved forwards. "I'm not stepping near any of your garages unless I'm doing my job. Too many cameras, too many people."
Norris laughed. "Understandable, but Lewis is determined."
Sadie paused for a moment as the line moved again. "How about, I will come and meet Russell and Carmen after the race? I'll meet Carmen while Hamilton and Russell do their interviews and debriefs?"
The same brown curls swayed as Norris nodded. Piastri muttered, "I think they'll agree to that. All the cameras will be focused on the interviews and top three."
Sadie made an 'exactly' gesture and stepped up to the food truck with a goodbye wave.
By the time she had ordered her sandwich and Mark's signature wrap, the drivers had finished speaking with the paramedic.
He joined her while they waited.
"You never told me it was you who scolded Max in Melbourne," Mark noted.
Sadie muttered a curse. "I was hoping that everyone had forgotten about that. I lost my temper and I'm not proud of it."
"Lewis said that you stood up for yourself. Max doesn’t hold a grudge."
"I scolded him like a school teacher."
"You did call him a child."
"Angry, remember?"
"Sandwich and wrap for Sadie!" the food vendor shouted.
She stepped up, collected their food and handed her wrap to Mark.
"I didn't tell anyone about it because I don't like media attention," she told him, but she could feel her sweaty palms. "I hate how the media follows the drivers. They have to fight for a private life, and I hate that. Verstappen was angry, I was angry, and that interaction was something between the drivers and I. It had nothing to do with the fan's consumption of the race."
Mark hummed his agreement around his wrap. He hadn’t noted her shifting feet.
"The media circus doesn't know what happened, and they don't need to. His reaction was fair, and they don't need to be involved."
Sadie watched something pass over Mark's face but she couldn't place what it was. She devoured her sandwich instead.
Let me know what you think!
credits to saradika-graphics for the banner :)
Masterlist | Series Masterlist | AO3 link
Taglist: @snubug @cmleitora @izzy-marvel @aquangxl @morenofilm @viennakarma @simpingcorner @randomgirlnumber-13 @leilanixx @spookystitchery @itsjustkhaos
#f1#formula 1#f1 fic#formula one#lando norris#max verstappen#lewis hamilton#f1 x oc#f1 fanfic#f1 imagine#sunsets and self doubt#oscar piastri
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A Snowbaird Crack What-If lmao
Based on the previous post: A crack rewrite fic using the worst takes of Lucy Gray and Coryo, so Lucy Gray is 100% manipulative sly bitch and Coryo is a psychopath who absolutely doesn't care about her
Lucy Gray is not thrown into the Games because she has been set up by Mayfair. But because District 12 people simply DESPISE her ass. So she sings, "YOU CAN KISS MY AAAAASS!!!" and the Districts will be like "BOOOOOO, GO DIE, BITCH!" and throwing tomatoes.
Lucy Gray bows, grabs a tomato, and says, "Thank you for the lunch for the arena!" The Capitols see all that but Lucy Gray can still turn the table on the Capitols by turning it into a sob story to grab their sympathies.
Lucy Gray and Coryo just simply straightforwardly scheme through shit. And like @coryo says in the comment, they will be a great team, ironically. Fortunately she still sings SO GREAT. The Ballad of Lucy Gray Baird is just a 100% LIE tho. It's a sob story to manipulate the Capitol people.
Coryo kinda despises Lucy Gray, he thinks she's an absolute bitch he can't stand, but still kinda be attracted to her (because this Lucy Gray is a whirlwind he never saw in the Capitol), while maybe Lucy Gray will just flirt more 18+ version with the boy. Lucy Gray saves Coryo in the bombing just because she needs a scheming partner. By the power of the plot, she survives the rainbow snakes.
And then after that, Lucy Gray stays in the Capitol because D12 hates her anyway. She suits the Capitol life more and maybe she and Coryo will be a couple but no feelings just lust, but just AN ABSOLUTE MENACE DUO COUPLE who just schemes through for PEAK POWER. It's obvious for Coryo like @sadsongsandstories says Coryo will use his political power and Lucy Gray using her singer-songwriter/celebrity status to manipulate the Capitol, because parasocial celebrity/idol worship/cult is strong, guys, I'm sure you know.
(While sadsongsandstories says that these characterisation bad takes are valid reading because of the elements of selfishness and manipulation of them, imo, it's like chemistry, you know? Suzanne Collins put this certain percentage of Liquid X (selfishness + manipulation) and Y (love) and you get TBOSAS result. This crack is 100% Liquid X lol!)
But like @things-stronger-than-fear says they will bring Panem to the ground so soon and too soon, because I think in the end their power is TOO fragile.
Still, in the hand of a Snowbaird shipper (me), they still become a couple anyway LMAO Or maybe because they belong together no matter how fucked up they are sksksksk
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