#campbell eliot icons

[aaronstveit]

read in 2023!

i did a reading thread last year and really enjoyed it so i am doing another one this year!! as always, you can find me on goodreads and my askbox is always open!

The Adventures of Tom Bombadil and Other Verses from the Red Book by J.R.R. Tolkien (★★★★☆)

Ninth House by Leigh Bardugo* (★★★★★)

Beowulf by Unknown, translated by Seamus Heaney (★★★★☆)

The Rise of Kyoshi by F.C. Lee (★★★★☆)

Hell Bent by Leigh Bardugo (★★★★★)

Her Body and Other Parties: Stories by Carmen Maria Machado (★★★★☆)

The Importance of Being Earnest by Oscar Wilde (★★★★★)

The Shadow of Kyoshi by F.C. Lee (★★★★☆)

The Black Flamingo by Dean Atta (★★★★★)

Nine Liars by Maureen Johnson (★★☆☆☆)

Sharks in the Rivers by Ada Limón (★★★☆☆)

Babel, Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R.F. Kuang (★★★★★)

Firekeeper’s Daughter by Angeline Boulley (★★★★★)

Paper Girls, Volume 1 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)

Paper Girls, Volume 2 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)

There Are Trans People Here by H. Melt (★★★★★)

Everyone in My Family Has Killed Someone by Benjamin Stevenson (★★★★☆)

Paper Girls, Volume 3 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)

Paper Girls, Volume 4 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)

Howl’s Moving Castle by Diana Wynne Jones (★★★★☆)

Paper Girls, Volume 5 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)

The Guest List by Lucy Foley (★★☆☆☆)

Paper Girls, Volume 6 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)

The Princess Bride by William Goldman (★★★★☆)

Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha (★★★★★)

Daisy Jones and the Six by Taylor Jenkins Reid* (★★★★★)

Goldie Vance, Volume 1 by Hope Larson, Brittney Williams

Hell Followed With Us by Andrew Joseph White (★★★★☆)

The Inheritance Games by Jennifer Lynn Barnes (★★★★☆)

The Hawthorne Legacy by Jennifer Lynn Barnes (★★★☆☆)

Are Prisons Obsolete? by Angela Y. Davis (★★★★★)

The Final Gambit by Jennifer Lynn Barnes (★★★☆☆)

Who Goes There? by John W. Campbell Jr. (★★☆☆☆)

The Left Hand of Darkness by Ursula K. Le Guin (★★★★★)

Going Dark by Melissa de la Cruz (★★★☆☆)

Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie by Ellen Cassedy (★★★★☆)

Why Didn't They Ask Evans? by Agatha Christie (★★★★☆)

The Murder on the Links by Agatha Christie (★★★★☆)

The Waste Land and Other Poems by T.S. Eliot

The Mostly True Story of Tanner and Louise by Colleen Oakley (★★★★☆)

Hollow by Shannon Watters, Branden Boyer-White, and Berenice Nelle (★★★★☆)

Heavy Vinyl, Volume 1: Riot on the Radio by Nina Vakueva and Carly Usdin (★★★★☆)

Burn Down, Rise Up by Vincent Tirado (★★★☆☆)

Heavy Vinyl, Volume 2: Y2K-O! by Nina Vakueva and Carly Usdin (★★★★☆)

Simon vs. the Homo Sapiens Agenda by Becky Albertalli (★★★★☆)

Five Little Pigs by Agatha Christie (★★★★☆)

Malibu Rising by Taylor Jenkins Reid (★★★★★)

Last Night at the Telegraph Club by Malinda Lo (★★★★★)

The Backstagers, Vol 1: Rebels Without Applause by James Tynion IV, Rian Sygh, and Walter Baiamonte (★★★☆☆)

The Odyssey by Homer, translated by Emily Wilson (★★★★☆)

The Backstagers, Vol 2: The Show Must Go On by James Tynion IV, Rian Sygh, and Walter Baiamonte (★★★☆☆)

A Midsummer Night's Dream by William Shakespeare (★★★★☆)

Happy Place by Emily Henry (★★★★★)

After Dark with Roxie Clark by Brooke Lauren Davis (★★★☆☆)

Night of the Mannequins by Stephen Graham Jones (★★★☆☆)

Lord of the Flies by William Golding (★★★★☆)

A Little Bit Country by Brian D. Kennedy (★★★★☆)

Built From the Fire: The Epic Story of Tulsa’s Greenwood District, America’s Black Wall Street by Victor Luckerson (★★★★★)

Cheer Up!: Love and Pompoms by Crystal Frasier, Oscar O. Jupiter, and Val Wise (★★★★★)

All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages by assorted authors, edited by Saundra Mitchell (★★★★☆)

Gwen and Art Are Not in Love by Lex Croucher** (★★★★☆)

St. Juniper's Folly by Alex Crespo** (★★★★★)

The Last Girls Standing by Jennifer Dugan** (★★☆☆☆)

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann (★★★★★)

Where Echoes Die by Courtney Gould** (★★★★☆)

Your Lonely Nights Are Over by Adam Sass** (★★★★★)

Princess Princess Ever After by Kay O’Neill (★★★☆☆)

Thieves' Gambit by Kayvion Lewis** (★★★☆☆)

The Secret Adversary by Agatha Christie (★★★★☆)

You’re Not Supposed to Die Tonight by Kalynn Bayron (★★★☆☆)

Our Wives Under the Sea by Julia Armfield (★★★★☆)

Devotions by Mary Oliver (★★★★★)

The Lightning Thief by Rick Riordan* (★★★★☆)

The Sea of Monsters by Rick Riordan* (★★★★☆)

The Titan’s Curse by Rick Riordan* (★★★★★)

The Battle of the Labyrinth by Rick Riordan (★★★★★)

The Last Olympian by Rick Riordan (★★★★★)

Suddenly a Murder by Lauren Muñoz** (★★★★☆)

The Demigod Files by Rick Riordan (★★★★☆)

Big Little Lies by Liane Moriarty (★★★★★)

All That’s Left to Say by Emery Lord (★★★★★)

The Lost Hero by Rick Riordan (★★★★☆)

Who's Afraid of Virginia Woolf? by Edward Albee (★★★☆☆)

The Son of Neptune by Rick Riordan (★★★★☆)

The Spirit Bares Its Teeth by Joseph Andrew White (★★★★★)

Hallowe’en Party by Agatha Christie (★★★★☆)

M Is for Monster by Talia Dutton (★★★★☆)

The Mark of Athena by Rick Riordan (★★★★★)

Our Shadows Have Claws: 15 Latin American Monster Stories by assorted authors, edited by Yamile Saied Méndez and Amparo Ortiz (★★★★☆)

These Fleeting Shadows by Kate Alice Marshall (★★★★☆)

Northanger Abbey by Jane Austen (★★★★★)

The Hunger Games by Suzanne Collins* (★★★★★)

The Dead Romantics by Ashley Poston (★★★★☆)

Catching Fire by Suzanne Collins* (★★★★★)

The October Country by Ray Bradbury (★★★★☆)

Hamlet by William Shakespeare (★★★★☆)

The Legend of Sleepy Hollow by Washington Irving (★★★★☆)

Mockingjay by Suzanne Collins* (★★★★★)

The Appeal by Janice Hallett (★★★★☆)

The Westing Game by Ellen Raskin (★★★★☆)

The Carrying: Poems by Ada Limón (★★★★★)

The Hundred Years’ War on Palestine: A History of Settler-Colonial Conquest and Resistance, 1917-2017 by Rashid Khalidi (★★★★★)

Born to Run by Bruce Springsteen (★★★★★)

The Ballad of Songbirds and Snakes by Suzanne Collins* (★★★★★)

Know My Name by Chanel Miller (★★★★★)

Rifqa by Mohammed El-Kurd (★★★★★)

Bloodchild and Other Stories by Octavia E. Butler (★★★★☆)

The Witch Haven by Sasha Peyton Smith* (★★★★★)

The Moving Finger by Agatha Christie (★★★★☆)

The Essential Calvin and Hobbes by Bill Watterson (★★★★★)

A Murder is Announced by Agatha Christie (★★★★☆)

The World Keeps Ending, and the World Goes On by Franny Choi (★★★★★)

The Witch Hunt by Sasha Peyton Smith (★★★★☆)

That’s Not My Name by Megan Lally** (★★★★☆)

The Princess Diarist by Carrie Fisher (★★★★☆)

The House of Hades by Rick Riordan (★★★★☆)

Dark Tales by Shirley Jackson (★★★★☆)

Pageboy by Elliot Page (★★★★★)

All This and Snoopy, Too by Charles M. Schultz (★★★★☆)

The Blood of Olympus by Rick Riordan (★★★★☆)

Murder in the Family by Cara Hunter (★★★★☆)

The Mystery Writer by Sulari Gentill** (★★☆☆☆)

Comfort Me With Apples by Catherynne M. Valente (★★★★☆)

The Deep Sky by Yume Kitasei (★���★★☆)

Spell on Wheels Vol. 1 by Kate Leth, Megan Levens, and Marissa Louise (★★★★☆)

Spell on Wheels Vol. 2: Just to Get to You by Kate Leth, Megan Levens, and Marissa Louise (★★★★☆)

Freedom is a Constant Struggle by Angela Y. Davis (★★★★☆)

Kindred by Octavia E. Butler (★★★★☆)

The Christmas Appeal by Janice Hallett (★★★★☆)

So Far So Good: Final Poems: 2014 - 2018 by Ursula K. Le Guin (★★★★☆)

Murder on the Christmas Express by Alexandra Benedict (★☆☆☆☆)

Midwinter Murder: Fireside Tales from the Queen of Mystery by Agatha Christie (★★★★☆)

Mother-Daughter Murder Night by Nina Simon (★★★★☆)

Hercule Poirot’s Christmas by Agatha Christie (★★★★☆)

Wuthering Heights by Emily Brontë (★★★★★)

The Twelve Days of Murder by Andreina Cordani (★★★★☆)

The Christmas Guest by Peter Swanson (★★★★☆)

The Sittaford Mystery by Agatha Christie (★★★★☆)

The Twenty-Ninth Year by Hala Alyan (★★★☆☆)

Christmas Presents by Lisa Unger (★★★☆☆)

Letters From Father Christmas by J.R.R. Tolkien

Bellweather Rhapsody by Kate Racculia (★★★★☆)

An asterisk (*) indicates a reread. A double asterisk (**) indicates an ARC.

[milsedits]

♡ if u save

[vinaliax]

campbell eliot. ♡

[yvonneedits]

the society icons

please, like or reblog if you save or use it

credit to tw acc @ yvonnedits

do not redistribute and claim as your own

request are open

[smoakgenius]

the society icons.

like or reblog if you save.

[searchicons]

like if you save

[oblivioninsworld]

The Society Icons

[kathrynaspoodles]

Campbell Eliot / Toby Wallace lockscreen

like or reblog if you save/use

instagram: @kathrynaspoodles

[brokehorrorfan]

New Release Review: X

Six years removed from his last feature (during which he's been working steadily in television), underground horror favorite writer-director Ti West returns to his roots with X. Having faithfully emulated the early '80s aesthetic in 2009's The House of the Devil, X dials the clock back to 1979 with great aplomb. Turning the "sex = death" horror trope on its head, X is a familiar yet exciting sex-positive slasher.

The film follows a group of Houstonites to rural Texas, where they've rented a boarding house to shoot an adult film. There's Maxine (Mia Goth, Suspiria), a self-proclaimed sex symbol who yearns for fame; Wayne (Martin Henderson, The Ring), her producer boyfriend; RJ (Owen Campbell, Super Dark Times), a pretentious director; Lorraine (Jenna Ortega, Scream), his boom-holding girlfriend who's new to the porn industry; Bobby-Lynne (Brittany Snow, Prom Night), a brazen performer; and Jackson (rapper Scott "Kid Cudi" Mescudi), a performer who enjoys his job. The property is secluded except for the home of its owners, elderly couple Howard (Stephen Ure, The Lord of the Rings) and Pearl (Goth under old-age prosthetics).

While X owes a debt to the golden age of slashers and exploitation cinema - it's impossible not to evoke The Texas Chain Saw Massacre when depicting horrors in bucolic 1970s Texas, while the creepy old couple are reminiscent of The Visit - it doesn't comes off as derivative. X never loses sight of what it is; West takes the subject matter seriously without having to resort to dour trauma. The way it delicately straddles the line between suspenseful and fun brings to mind classic slashers like Halloween and Friday the 13th: The Final Chapter and modern favorite You're Next (in which West coincidentally has a small role).

West effortlessly crafts tension, savoring the build-up - the first kill doesn't occur until an hour into the 105-minute runtime - and earning brutal payoffs. He embraces A24's artful approach to graphic content while inserting a fair share of well-placed levity. Re-teaming with cinematographer Eliot Rockett (The House of the Devil, The Innkeepers), the camerawork is always elegant, even when slipping into a voyeuristic point-of-view or presenting 16mm footage from the film shoot. West and co-editor David Kashevaroff (The Devil Below) make some thought-provoking editorial choices, while Tyler Bates (Guardians of the Galaxy, Halloween) provides an atmospheric score.

The ensemble is fully committed, unafraid to bear it all (literally and figuratively), but perhaps none more so than Goth. She's empowering as Maxine and frightening as Pearl. The old-age makeup is rather convincing, often shown in shadows or in the distance. Ortega lights up the screen. With X, Scream, and Studio 666 all releasing within a three-month span, plus her upcoming role as Wednesday Addams in Netflix's Wednesday, 2022 cements the 19-year-old actress as a full-blown genre icon. Campbell, as the pretentious film geek, and Snow, brimming with sass, each offer comedic relief.

It's great to see new entries in tried-and-true franchises like Halloween, Scream, and Texas Chainsaw Massacre thriving, but X is much-needed new blood that can help propel the slasher genre forward for a new generation. Until now, A24 has yet to explore horror franchise potential, and West's previous foray into franchises was a tumultuous one (he disowned Cabin Fever 2: Spring Fever after producers took it over). But with a secret prequel already in the can and West planning a sequel to complete the trilogy, X has the potential to be the next beloved slasher franchise.

X opens in theaters on March 18 via A24.

[the-al-chemist]

OC X OC friendships and love stories are so much fun – but tag another creator and tell me about their OC that you love who is NOT a close friend or partner of your own.

Happy FFWF 💛 oof, this is hard, because ALL my mutuals have such amazing and unique characters that it’s hard to pick!!! But here goes! (Anyone I’ve not included, please don’t be offended - it’s not that I don’t love you or your kids, I’m just scatterbrained and I know I’ve forgotten some of you and I’m sorry already)

@gaygryffindorgal - Verna Malinda - Gryff was my first follower and the first person to read my fic. I immediately dived into Verna’s stories and I loved them. Her sassy back-and-forth rivals to lovers thing with Merula is *chef’s kiss*

@samshogwarts - Sam is the cutest. I just love her.

@thatravenpuffwitch - Ellie Hopper - actually, Ellie might be the cutest. Oh, now I’m not sure.

@hogwartsmysteryho - Nolan Miller - Nolan isn’t cute. He’s an arse. In the best and most hilarious way.

@nevilles-top - Bibiana Malfoy - I still haven’t finished TGWV. But I will, because it’s amazing.

@official-weasley - Nova Blackwood - I will never be over TICW. Tollin’s final few chapters were just so moving and brave. I’m not a big crier, but I shed a tear. A couple, actually. And I love Nova and her blue hair.

@witchy-push - Eugene Hope - I don’t just love Eugene, although I do love her. However, I really love the way Witchy brings her to life in her artwork. You can just see her personality shining in her drawings.

@marmotish - Freyja Young - Freyja was the first HPHM MC I encountered on here, before I even made my own blog. Like Witchy, Marmo makes Freyja so real in everything she does. I’m in awe, honestly.

@night-rhea - Night Rhea - I love everything about Night, from their blue hair down to their combat boots. Night is so soft and lovely, but you just KNOW that they’d kick your arse if pushed. Epic. Also, Naz and Night are so great at educating people about issues facing the genderfluid and transsexual community. I’ve actually learnt a lot from them (both of them) and I’m really grateful for that.

@slytherindisaster - Frederick Lavigne - he’s so dark and edgy and I cannot wait to read about his and Eliot’s story

@cursebreakerfarrier - Galen Stagg - Galen is adorable. End of. I’d like to start a petition to have Galen Stagg protected at all costs, please?

@carewyncromwell - Ru Ollivander - the Kelpie storyline is so different and quirky and amazing. As is Ru himself.

@whatwouldvalerydo and @that-scouse-wizard - Leila Hellebore and Reuben Willows - I love these two. I’ve put them as a pair because their love story is just to die for, but honestly they’re brilliant characters separately. And when they’re together they are the epitome of the whole being greater than the sum of its parts (which is saying something, when Reuben and Leila are the parts)

@madelineorionswan - Madie Orionswan - aww, Madie playing the guitar with Rowan is so heart melting

@amerrymystery - Robbie Donovan - One word: Daywood. That will be all. Also, I stan a beatlemaniac.

In the Rockstar AU, Artemis encounters a few OCs that she doesn’t know in canon, so it’s a cheat, but I’m including them as well!

@lifeofkaze - Ava Campbell - Ava is so complex and so unlike Lizzie. She is scheming, she is tough, and she’s not wholly likeable. Which is why I like her.

@that-scouse-wizard - David Willows and Amelia Booth - David is just cool. He’s a dude. And Amelia is the feminist icon I never knew I needed.

@whatwouldvalerydo - Talia Hayes - I love how sarky and vicious Talia can be. She’s just great.

@kc-and-oc - Katriona Cassiopeia - Finally, your own girl KC. KC is so funny and witty, she is able to both deal with Murphy’s B.S. and keep him in check whilst being a truly loving partner. And she’s fierce and independent. I love that.

[randomestfandoms]

Who We Were Then: a The Society fanfiction

The people of West Ham often forgot that Allie Pressman and Sam Eliot were cousins. Actually, the people of West Ham usually forgot about them period. If they did think about them, it was only ever as Cassandra’s sister and the deaf kid, not as actual people. But Sam and Allie had grown up together, they were cousins, they understood each other in a way that no one else could. Sam knew how Allie both loved and hated the relative safety of Cassandra’s shadow, knew how easily her parents overlooked her in favour of their perfect, and sick, eldest daughter. Allie knew how Sam felt like his parents never saw beyond his deafness and sexuality, and just how terrified of his brother he really was. But they weren’t just cousins — after all, Cassandra and Campbell were their cousins too. No, Sam and Allie were best friends and had been for their entire lives and that? That changes everything.

Welcome to my The Society fic series, City Is A Graveyard! Who We Were Then is the first of five fics in the series, and it’s a pre-canon AU in which Sam and Allie are best friends as well as cousins! Basically, it was born from me going (and I quote) “Listen you’d can’t give me a traumatized teenager with sibling issues and imposter syndrome and a traumatized teenager who’s gay and deaf and have them be family and expect me to care about anything else ever”, especially when you throw in Lord Of The Flies on top of that!

Rest assured, Becca is still the iconic best friend we know and love (to both Sam & Allie), Will is still one of Allie’s closest friends, Grizz is always everyone’s favourite, and we’ll still have plenty of pre-Hallie goodness (leading into full Hallie in later fics), but I was disappointed by how few fics I could find that really explored the Pressman-Eliot family, so here we are!

I will eventually make introductions for each fic in the series (and hopefully I’ll get to writing it soon), but here’s a breakdown of the plan for anyone who’s interested

Who We Were Then — pre-New Ham, some of Sam and Allie’s childhood but mostly focused on their junior year leading up to getting on the busses in 1x01; pre-Hallie & Grizzam

Fear Can’t Hurt You Anymore Than A Dream — no New Ham AU, where the students come back from a camping trip and the world is exactly as they left it, will follow the end of their junior year into senior year; eventual Hallie & Grizzam

Maybe There Is A Beast (Maybe It’s Only Us) — canon AU, the kids get off the busses in New Ham, exploring how a closer bond between Allie & Sam (and how that changed their junior year) would change the events of the show; still eventual Hallie & Grizzam

It Sounds Better Than It Is, This Business Of Surviving — post canon, the kids make it back to West Ham and have to find a way to return to ‘normal’ after everything they’ve been through; Hallie & Grizzam

We Are The Kids That You Can Never Kill — post canon, the kids make it back to West Ham only to find that everyone who died in New Ham woke up back in West Ham at their exact time of death, now they all have to return to ‘normal’ surrounded by people they’d mourned and people they’d killed; Hallie & Grizzam

I’m very excited about this project and will definitely be trying to make more edits & posts about it (and hopefully writing it lmao) so if you’d like to be tagged in anything for it, feel free to let me know!

[love-bean]

thoughts on sam eliot

(in bullet form bc it's almost 4am and i can't do real english at this time of night)

(also it's unedited sorry babes)

(also get ready for a long ass post🤘)

actual convo i had with my mom who watched it before i did:

me: *upon seeing sam's first scene* that one i pick him he's my baby and i will protect him with my LIFE

mom: how did i know you were gonna say that

ITS TRUE

sam eliot is my favorite fucking character and let me tell you why

i think it's neat that he's deaf and gay yeah but those aren't his defining qualities

mf is sarcastic af

always always always popping a joke or witty comment in

"are you planning on going deaf?" iconic

"i bet your pelvic floor is toned as fuck" the peak of comedy

MY BOY IS FUCKING FUNNY

he steps up to become becca's baby daddy bc she's his best friend and he's not gonna let her raise the baby alone

(i can't wait for daddy sam)

baby is hurt by campbell even tho he tries to act like he isn't he definitely is

and he doesn't deserve any of the shit campbell bc although campbell is a literal psychopath that doesn't give him an excuse to treat his little brother like GARBAGE (but that's another story for another time)

even tho he's sarcastic and witty and hilarious he also gets on becca's nerves constantly

i think that says a lot about the writers and their ability to write characters that actually have flaws

(now if only they were all like that)

sam's just a kid. they all are. their situation fucking sucks

and there's sam being an actual ra of sunshine, a literal sunbeam

(alright time for grizzam trash)

he's so patient and understanding with grizz bc he knows that grizz doesn't know asl but he's trying bc he wants to make it easier to talk to sam and that's more than anyone (apart from becca and his family) has ever done for him so he's grateful and patient and gentle and i love that about him

(ok done)

tl;dr: sam eliot is my favorite fucking character and he deserves the absolute world and if the writers fuck him over expect me to be at their door with torches and pitchforks thank you very much

[milsedits]

♡ if u save

[penurnbra]

here’s the fuckton of articles from the Journal of the Fantastic in the Arts that I obsessively gathered + organized during last night’s sleep deprived, caffeine driven, depressive episode

Vol. 1

No. 1 (1988)

ARTICLES

JOURNAL OF THE FANTASTIC IN THE ARTS (JFA): Purpose

EDITORIAL COMMENTS

Was Zilla Right?: Fantasy and Truth

Children of a Darker God: A Taxonomy of Deep Horror Fiction and Film and Their Mass Popularity

The Artifact as Icon in Science Fiction

The Birth of a Fantastic World: C. S. Lewis's "The Magician's Nephew"

Fantasy's Reconstruction of Narrative Conventions

Postmodern Narrative and the Limits of Fantasy

No. 2 (1988)

ARTICLES

CRITICS IN THE GULAG

Decadence and Anguish: Edgar Allan Poe's Influence On Réjean Ducharme

Mervyn Peake: The Relativity of Perception

Nature's Nightmare: The Inner World Of Hauptmann's "Flagman Thiel"

"Tel art plus divin que humain": The Reality of Fantasy In Ronsard's Poetic Practice

Transvestites and Transformations, Or Take It Off and Get Real: Queneau's "Zazie dans le métro"

Structural and Psychological Aspects Of the Spider Woman Symbol In "Kiss of the Spider Woman"

REVIEWS

Snobbery, Seasoned with Bile, Clute Is (Strokes: Essays and Reviews 1966-1986, John Clute, Thomas M. Disch)

No. 3 (1988)

ARTICLES

Introduction: Beagle and Ellison: A Special Issue

The Wind Took Your Answer Away

The Fractured Whole: The Fictional World Of Harlan Ellison

The Ellison Personae: Author, Storyteller, Narrator

Symbolic Settings In Science Fiction: H. G. Wells, Ray Bradbury, and Harlan Ellison

Humankind and Reality: Illusion and Self-Deception In Peter S. Beagle's Fiction

Two Forms of Metafantasy

The Alchemy of Love In "A Fine and Private Place"

Fantastic Tropes In "The Folk of the Air"

No. 4 (1988)

ARTICLES

Overture: What Was Postmodernism?

The Decentered Absolute: Significance in the Postmodern Fantastic

Putting a Red Nose on the Text: Play and Performance In the Postmodern Fantastic

Theater for the Fin-du-Millennium: Playing (at) the End

De/Reconstructing the "I": PostFANTASTICmodernist Poetry

There's No Place Like Home: Simulating Postmodern America in "The Wizard of Oz" and "Blue Velvet"

Fictional Cultures in Postmodern Art

Deconstructing Deconstruction: Chimeras of Form and Content in Samuel R. Delany

Millhauser, Süskind, and the Postmodern Promise

Coda: Criticism in the Age of Borges

Vol. 2

No. 1 (1989)

ARTICLES

Phoenix Rising: Like Dracula from the Grave

The Vampire

Rising Like Old Corpses: Stephen King and the Horrors of Time-Past

Tanith Lee's Werewolves Within: Reversals of Gothic Traditions

Loving Death: The Meaning of Male Sexual Impotence in Vampire Literature

From Pathos To Tragedy: The Two Versions of The Fly

An Appreciation: Virgil Finlay

Courteous, Humble and Helpful: Sam as Squire in Lord of the Rings

Genetic Experimentation: Mad Scientists and The Beast

Native Sons: Regionalism in the Work of Nathaniel Hawthorne and Stephen King

The Femivore: An Unnamed Archetype

No. 2 (1989)

ARTICLES

From Trickery to Discovery: Old, New, and Nonexistent Trajectories of Science Fiction Film

The JFA Forum on SF Film

The Cybernetic (City) State: Terminal Space Becomes Phenomenal

Murray Tinkleman: An Appreciation

Video, Science Fiction, and the Cinema of Surveillance

Science-Fiction and Fantasy Film Criticism: The Case of Lucas and Spielberg

But Not the Blackness of Space: "The Brother From Another Planet" as Icon from the Underground

REVIEWS

'Weirdies' Point the Way (Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s, Thomas Doherty)

Nirvana for Sleaze-lovers (Revenge of the Creature Features Movie Guide, revised by John Stanley)

Vol. 4

No. 2 (1992)

ARTICLES

"Poof! Now You See Me, Now You Don't"

Interpolation and Invisibility: From Herodotus to Cervantes's Don Quixote

Rings, Belts, and a Bird's Nest: Invisibility in German Literature

"Spells of Darkness": Invisibility in The White Witch of Rosehall

"Seeing" Invisibility: Or Invisibility as Metaphor in Thomas Berger's Being Invisible

Vol. 5

No. 1 (1992)

ARTICLES

The Craving for Meaning: Explicit Allegory in the Non-Implicit Age

Recent Trends in the Contemporary American Fairy Tale

The New Age Mage: Merlin as Contemporary Occult Icon

Dualism and Mirror Imagery in Anglo-Saxon Riddles

Vol. 6

No. 1 (1993; Special Issue: Richard Adams' "Watership Down")

ARTICLES

Introduction

The Significance of Myth in "Watership Down"

Shaping Self Through Spontaneous Oral Narration in Richard Adams' "Watership Down"

Shamanistic Mythmaking: From Civilization to Wilderness in "Watership Down"

Saturnalia and Sanctuary: The Role of the Tale in "Watership Down"

"Watership Down": A Genre Study

The Efrafan Hunt for Immortality in Richard Adam's "Watership Down"

No. 4 (1995)

ARTICLES

The Artisan in Modern Fantasy

The Symbolic versus the Fantastic: The Example of an Hungarian Painter

1920's Yellow Peril Science Fiction: Political Appropriations of the Asian Racial "Alien"

Religious Satire in Rushdie's "Satanic Verses"

Magic or Make-believe? Acquiring The COnventions of Witches and Witchcraft

REVIEWS

Encyclopedia Worth Waiting For (The Encyclopedia of Science Fiction, John Clute, Peter Nicholls)

Fresh Approach to Nineteenth Century Science Fiction (Science Fiction Before 1900: Imagination Discovers Technology, Paul K. Alkon)

The Play of the Critic (Staging the Impossible: The Fantastic Mode in Modern Drama, Patrick D. Murphy)

Vol. 10

No. 1 (1998)

ARTICLES

Editor's Introduction

Stasis and Chaos: Some Dynamics of Popular Genres

Lois McMaster Bujold: Feminism and "The Gernsback Continuum" In Recent Woman's SF

"Who Am I, Really?" Myths of Maturation in Lois McMaster Bujold's Vorkosigan Series

Asimov's Crusade Against Bigotry: The Persistence of Prejudice as a Fractal Motif in the Robot/Empire/Foundation Metaseries

When Coyote Leaves the Res: Incarnations of the Trickster from Wile E. to Le Guin

Kurt Vonnegut's Fantastic Faces

Celtic Myth and English-Language Fantasy Literature: Possible New Directions

No. 2 (1999; A Century of Draculas)  

ARTICLES

Introduction

A Century of Draculas

High Duty and Savage Delight: The Ambiguous Nature of Violence in "Dracula"

Bram Stoker and the London Stage

"If I had to write with a pen": Readership and Bram Stoker's Diary Narrative

Closure and Power in "Salem's Lot"

The Image of the Vampire in the Struggle for Societal Power: Dan Simmons' "Children of the Night"

Not All Fangs Are Phallic: Female Film Vampires

Madame Dracula: The Life of Emily Gerard

Back to the Basics: Re-Examining Stoker's Sources for "Dracula"

No. 4 (2000)

ARTICLES

Muggling On

Grail, Groundhog, Godgame: Or, Doing Fantasy

Something Hungry This Way Comes: Terrestrial and Ex-Terrestrial Feline Feeding Patterns and Behavior

Technology, Technophobia and Gynophobia in Gonzalo Torrente Ballesteas "Quizá nos lleve el viento al infinito"

Ready or Not, Here We Come: Metaphors of the Martian Megatext from Wells to Robinson

Bringing Chaos to Order. Vonnegut Criticism at Century's End

Resources for the Study of American Fantasy Literature Through 1998

REVIEWS

Strange Constellations: A History of Australian Science Fiction, Russell Blackford, Russell Van Ikin, Sean McMullen

Edgar Allan Poe: Comprehensive Research and Study Guide, Harold Bloom

Warlocks and Warpdrive: Contemporary Fantasy Entertainments with Interactive and Virtual Environments, Kurt Lancaster

Nursery Realms: Children in the Worlds of Science Fiction, Fantasy, and Horror, Gary Westfahl, George Slusser

Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day, Richard Bleiler

Vol. 11

No. 4 (2001)

ARTICLES

When the Hungarian Literary Theorist, Györgyi Lukács Met The American Science Fiction Writer, Wayne Mark Chapman

Cultural Negotiation in Science Fiction Literature and Film

Episteme-ology of Science Fiction

Orchids in A Cage: Political Myths and Social Reality in East German Science Fiction (1949-1989)

Virtual Poltergeists and Memory: The Question of Ahistorcism in William Gibson's Neuromoncer(1984)

The Search for a Quantum Ethics: Michael Frayn's "Copenhagen" and Other Recent British Science Plays

Leakings: Reappropriating Science Fiction--The Case of Kurt Vonnegut

REVIEWS

Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction, Gillian Beer

Space and Beyond: The Frontier Theme in Science Fiction, Gary Westfahl

The Rise of Supernatural Fiction: 1762-1800. Cambridge Studies in Romanticism, E.J. Clery

Thrillers. "Genres in American Cinema" series, Martin Rubin

Othermindedness: The Emergence of Network Culture, Michael Joyce

A Century of Welsh Myth in Children's Literature, Donna White

That Other World. (The Princess Grace Irish Library), Bruce Stewart

Edgar Rice Burroughs: The Exhaustive Scholar's and Collector's Descriptive Bibliography of American Periodical, Hardcover, Paperback, and Reprint Editions, Robert B. Zeuschner, Philip José Farmer; The Burroughs Cyclopaedia: Characters, Places, Fauna, Flora, Technologies, Languages, Ideas and Terminologies Found in the Works of Edgar Rice Burroughs, Clark A. Brady

Italian Horror Films of the 1960s: A Critical Catalog of 62 Chillers, Lawrence McCallum

Vol. 14

No. 4 (2004)

ARTICLES

On Editing a Journal

"Hiro" of the Platonic: Neal Stephenson's "Snow Crash"

Suicide and the Absurd: The Influence of Jean-Paul Sartre's and Albert Camus's Existentiafism on Stephen R. Donaldson's "The Chronicles of Thomas Covenant the Unbeliever"

The Monomyth in Daniel Keyes's "Flowers for Algernon": Keyes, Campbell and Plato

Writing the Possessed Child in British Culture: James Herbert's "Shrine"

Disney World: A Plastic Monument to Death: From Rabelais to Disney

REVIEWS

Uncharted Territory: An Unofficial and Unauthorized Guide to Farscape, Scott Andrews

The Artist as Monster: The Cinema of David Cronenberg, William Beard; The Modern Fantastic: The Films of David Cronenberg, Michael Grant

Tomorrow Now: Envisioning the Next Fifty Years, Bruce Sterling

Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946-1964, M. Keith Booker

Harlan Ellison: The Edge of Forever, Gary K. Wolfe, Ellen Weil

One Ring to Bind them All: Tolkien's Mythology, Anne C. Petty; Tolkien's Ordinary Virtues: Exploring the Spitirtual Virtues of Lord of the Rings, Mark Eddy Smith; Frodo's Quest: Living the Myth in The Lord of the Rings, Robert Ellwood

Chaos Theory, Asimov's Foundations and Robots, and Herbert's Dune: The Fractal Aesthetic of Epic Science Fiction, Donald E. Palumbo

The Classic Era of American Pulp Magazines, Peter Haining

Vol. 25

No. 1 (2014)

ARTICLES

Introduction: Reinhabiting Fantasy

Reading Tolkien in Chinese

Convention Un-done: Un Lun Dun's Unchosen Heroine and Narrative (Re)Vision

"But what does it all mean?" Religious Reality as a Political Call in the Chronicles of Narnia

Telepathy and Cosmic Horror in Olaf Stapledon's "The Flames"

"I was a Ghetto Nerd Supreme": Science Fiction, Fantasy and Latina/o Futurity in Junot Díaz's "The Brief Wondrous Life of Oscar Wao"

REVIEWS

St. Lovecraft (The Classic Horror Stories, Roger Luckhurst, H. P. Lovecraft; Weird Realism: Lovecraft and Philosophy, Graham Harman; Slime Dynamics: Generation, Mutation, and the Creep of Life, Ben Woodard; New Critical Essays on H.P. Lovecraft, David Simmons; H. P. Lovecraft's Dark Arcadia: The Satire, Symbology and Contradiction, Gavin Callaghan)

The Hobbit and Philosophy: For When You've Lost Your Dwarves, Your Wizard, And Your Way, Gregory Basham, Eric Bronson

Collision of Realities. Establishing Research on the Fantastic in Europe, Lars Schmeink, Astrid Böger (X)(X)

Hermione Granger Saves the World: Essays on the Feminist Heroine of Hogwarts, Christopher E. Bell

Horror Noir: Where Cinema's Dark Sisters Meet, Paul Meehan

The Mummy's Curse: The True History of a Dark Fantasy, Roger Luckhurst

Scottish Women's Gothic and Fantastic Writing: Fiction since 1978, Monica Germaná

The Irresistible Fairy Tale: The Cultural and Social History of a Genre, Jack Zipes

Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal, Jeffrey J. Kripal

Philip K. Dick and Philosophy: Do Androids Have Kindred Spirits?, D. E. Wittkower

Animal Alterity: Science Fiction and the Question of the Animal, Sherryl Vint

Anime's Media Mix: Franchising Toys and Characters in Japan, Marc Steinberg

The Ghost Story 1840-1920: A Cultural History, Andrew Smith

Fairy Tales Framed: Early Forewords, Afterwords, and Critical Words, Ruth B. Bottigheimer

The Time Ship: A Chrononautical Journey, Enrique Gaspar, Yolanda Molina-Gavilán, Andrea L. Bell

Future Wars: The Anticipations and the Fears, David Seed

The Horror Sensorium: Media and the Senses, Angela Ndalianis

Inception and Philosophy: Ideas to Die For, Thorsten Botz-Bornstein

Antarctica in Fiction: Imaginative Narratives of the Far South, Elizabeth Leane

Green Suns and Faërie: Essays on Tolkien, Verlyn Flieger

No. 2 & 3 (2014)

ARTICLES

Elegy

Introduction: AfterLives: What's Next for Humanity

"Only We Have Perished": Karel Čapek's R.U.R. and the Catastrophe of Humankind

"From Zoo. to Bot.": (De)Composition in Jim Crace's "Being Dead"

Terminal Films

Living as a Zombie in Media is the Only Way to Survive

Zombie Republic: Property and the Propertyless Multitude in Romero's Dead Films and Kirkman's "The Walking Dead"

Thinking Blind

The Loveliness of Decay: Rotting Flesh, Literary Matter, and Dead Media

Post-Vampire: The Politics of Drinking Humans and Animals in "Buffy the Vampire Slayer, Twilight", and "True Blood"

REVIEWS

Cyberpunk Women, Feminism and Science Fiction: A Critical Study, Carlen Lavigne

Under the Shadow: The Atomic Bomb and Cold War Narratives, David Seed

Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller, A. Bowdoin Van Riper

Spanish Horror Film, Antonio Lázaro-Reboll

John Brunner, Jad Smith

The Irish Fairy Tale: A Narrative Tradition from the Middle Ages to Yeats and Stephens, Vito Carrassi

Fanged Fan Fiction: Variations on Twilight, True Blood, and The Vampire Diaries, Maria Lindgren Leavenworth, Malin Isaksson

Welsh Gothic, Jane Aaron

Puppet. An Essay on Uncanny Life, Kenneth Gross

The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult, Tatiana Kontou, Sarah Willburn

Mechademia 7: Lines of Sight, Frenchy Lunning

Approaching The Hunger Games Trilogy: A Literary and Cultural Analysis, Tom Henthorne; Of Bread, Blood, and The Hunger Games: Critical Essays on the Suzanne Collins Trilogy, Mary F. Pharr, Leisa A. Clark

Dawn of an Evil Millennium: Horror/Kultur im neuen Jahrtausend, Jörg van Bebber

Solar Flares: Science Fiction in the 1970s, Andrew M. Butler

Becoming Ray Bradbury, Jonathan R. Eller

Beyond His Dark Materials: Innocence and Experience in the Fiction of Philip Pullman, Susan Redington Bobby

Postapocalyptic Fiction and the Social Contract: "We'll Not Go Home Again.", Claire P. Curtis

English Catholics and the Supernatural, 1553-1829, Francis Young

The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing, Hilary Grimes

Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011, Julie D. O'Reilly

A Hobbit Journey: Discovering the Enchantment of J.R.R. Tolkien's Middle-Earth, Matthew Dickerson

Fear and Learning: Essays on the Pedagogy of Horror, Aalya Ahmad, Sean Moreland

Maps of Utopia: H. G. Wells, Modernity, and the End of Culture, Simon J. James

Dancing the Tao: Le Guin and Moral Development, Sandra J. Lindow

The Subversive Harry Potter: Adolescent Rebellion and Containment in the J.K. Rowling Novels, Vandana Saxena

As If: Modern Enchantment and the Literary Prehistory of Virtual Reality, Michael Saler

Enchanting: Beyond Disenchantment, Stephen David Ross

Ces français qui ont écrit demain. Utopie, anticipation et science-fiction au XXe siècle [Those Frenchmen Who Wrote Tomorrow: Utopia, Anticipation and Science Fiction in the Twentieth Century], Natacha Vas-Deyres

The Texas Chain Saw Massacre, James Rose; The Descent, James Marriott

Teaching with Harry Potter, Valerie Estelle Frankel

William Gibson, Gary Westfahl

The Wizard of Oz as American Myth: A Critical Study of Six Versions of the Story, 1900-2007, Alissa Burger

Saw, Benjamin Poole

Scotland as Science Fiction, Caroline McCracken-Flesher

Gothic Music: The Sounds of the Uncanny, Isabella van Elferen

New Directions in the European Fantastic, Sabine Coelsch-Foisner, Sarah Herbe

Fantasy, Art and Life: Essays on George MacDonald, Robert Louis Stevenson and Other Fantasy Writers, William Gray

Extraterrestrials and the American Zeitgeist: Alien Contact Tales Since the 1950s, Aaron John Gulyas

To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror,  James Aston, John Walliss

Science Fiction, Mark Bould

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