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#camille gharbi
projectourworld · 3 months
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Portrait of Cecile from the winning series Matres Mundi by Camille Gharbi
In one of France’s poorest towns, women strive to lift themselves out of precarious living through a food service called Matres Mundi. Primarily from Sub-Saharan Africa and living on just a few hundred euros a month, these women offer home-cooked food to passersby cooked either in their own homes or on the spot. This portrait series serves as a homage to them. By twisting the conventions of classic European painting the project probes the complexities of social cohesion viewed through the lens of France’s colonial history. Portrait of humanity prize winners : The Guardian Newspaper #humanity
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shaddad · 1 year
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os feminicídios conjugais da série preuves d´amour da fotógrafa camille gharbi
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"Paroi en Béton Vivante" des architectes ChartierDalix pour l'AP-HP, Hôpital Saint-Antoine, photographiée par Camille Gharbi (2022) à l'exposition "Paris Animal. Histoire et Récits d'une Ville Vivante" au Pavillon de l'Arsenal, Paris, mai 2023.
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tobebuild · 5 years
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Tour Aya, Beirut SOA Architectes 2018 Camille Gharbi
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ap-artmemories · 5 years
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'Preuves d’Amour’ series - by Camille Gharbi - Festival Circulation(s) 2019 +++ camille gharbi ____
Arthur and Puff are everywhere … Facebook  |  Instagram  |  Twitter  |  Tumblr
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fotomonday · 5 years
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Camille Gharbi - Preuves d’amour
This series questions domestic violence and our response to it, through its most extreme expression: conjugal homicides. 
In France, one woman dies every 3 days under the assault of her partner or ex. Those «tragedies of separation» or so-called «crimes of passion» punctuate too often the short news columns of the local press. They tell us about similar stories: this man, who shot his wife because she wanted to leave him, or this other man, who stabbed his partner as he thought she was cheating on him. They happen so regularly that they seem to be perceived as tragic but banal events, as if domestic violence was a phenomenon against which there’s not much to do. However, some particularly dreadful details sometimes manage to raise awareness on the violence of those crimes. Like the story of Marcelle, a 90 years old retired woman who was battered to death with a cooking pan by her husband in their suburbian home, on the 2nd of March 2017. Or the story of Thalie, a 36 years old management consultant who died on the 19 of August 2017, beaten up to death with a mixer tap by her partner, as they were doing construction works in their house. The horror summons indignation and suddently the violence of the act appears into its full dimension. This is precisely the angle I have choosen to tackle this subject. I have decided to focus my photographic work on those homely objects which are turned into lethal weapons. The sight of those familiar objects does not reflect the violent stories they are related to. This contrast creates a distance that gives time for reflection.Murders of women by their partners or ex are not isolated facts happening once in a while among some specific contexts or social categories. The analysis of the 250 cases -at least- of women who were killed in such conditions in France in 2016 / 2017 shows that it is actually a phenomenon which happens in every socio-cultural categories, among couples of every age and profession. They always take place in situations of conjugal crisis, separation, or jealous control of a man on a woman that he considers as its own. Murder as a proof of love ?​
Source: https://www.camillegharbi.com/preuves-d-amour All images and text © Camille Gharbi
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les-toupies-h · 2 years
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---> C'était devenu un autre homme
> Proposition visuelle d'écriture > Photographie de Camille Gharbi
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helveticool · 4 years
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Lycée Léonard de Vinci Technical College by TANK Architectes (Photo: Camille Gharbi)
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spatula · 4 years
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(via chartier dalix architectes, Camille Gharbi · Architectural office · Divisare)
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L'Industreet in Stains, France by Atelier WOA (Wood Oriented Architecture) @atelier_woa. Read more: Link in bio! Photography: Camille Gharbi #france #school #wood #архитектура www.amazingarchitecture.com ✔ A collection of the best contemporary architecture to inspire you. #design #architecture #amazingarchitecture #architect #arquitectura #luxury #realestate #life #cute #architettura #interiordesign #photooftheday #love #travel #construction #furniture #instagood #fashion #beautiful #archilovers #home #house ‎#amazing #picoftheday #architecturephotography ‎#معماری (France) https://www.instagram.com/p/CN3Yxz6FUyB/?igshid=1b3qig2i65rqq
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architectnews · 3 years
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SOA Architectes adds contemporary Aya Tower to Beirut skyline
SOA Architectes looked to traditional Arabian houses when designing this contemporary tower in Beirut, which has been completed in spite of the huge explosion that hit the city.
The 21-storey, mixed-use Aya Tower is located in the Mar Mikhael area, just over a mile away from the epicentre of the port explosion, which devastated many buildings in the Lebanese capital in August 2020.
Staggered balconies give form to the tower's facade
Despite being a modern building, SOA Architectes designed Aya Tower to follow the region's traditional architectural principles.
It contains apartments based on archetypal Arabian houses, with thick walls to provide natural insulation. All homes also have their own balcony terraces, which are staggered across the facade to offer uninterrupted views of the sky.
The tower is constructed from concrete
It's possible that this architectural approach helped to protect the tower from damage in the explosion. It only suffered minor damage, mainly to windows and railings, so most of the repairs could be completed quickly.
"The building was not designed to resist this kind of shock," said Augustin Rosenstiehl, partner at Paris-based SOA Architectes.
"Nonetheless, its architectural concept based on massive walls certainly improved its stability, despite its proximity from the blast point," he told Dezeen.
Part of an existing building is retained at the base of the tower
The building is divided into three sections. The ground floor contains shops, while the four floors immediately above provide office space. There are then 16 residential storeys, containing a total of 45 apartments.
The different uses of the building are suggested by the building's street-level facade. Part of the previous building on the site has been retained, which helps to ground the tower into its context.
Aya Tower is located in the Mar Mikhael area of Beirut
While the original building has an art deco style, SOA Architectes felt it was more appropriate for the rest of the tower to take on a different character.
"Ancient Arab architectural principles have driven our conception for this building all along," said Rosenstiehl.
"The typical buildings in this neighbourhood are art-deco style buildings from the French mandate, which are beautiful but inappropriate to be transformed in the scale that was expected by the client," he added.
"That is why the 'typical' was the main question for us."
There are 45 apartments within the tower
SOA Architectes chose a pale concrete for the building's facade, which helps to lighten its appearance.
The staggered balconies are organised over three facades, facing either north towards the sea, east towards the mountains or south across the city. The setback created by these balconies helps to animate the surfaces, creating subtle patterns of light and shadow.
Each home has a balcony with an unobstructed view of the sky
Inside, the apartments come in a mix of sizes. However there are no penthouses, to promote "a common texture for everybody", said Rosenstiehl.
The room layout is based on Arabic traditions from across Qatar and Morocco, as well as Lebanon. The main living spaces are organised as a triptyque, with the iwan (vaulted room) in the middle, the majlis (reception room) on one side, and the patio on the other.
On the lower levels, the building is organised around a courtyard plaza, which helps light to penetrate the commercial spaces.
Another recent architecture project in Beirut is Lina Ghotmeh's Stone Garden apartment block.
Architects including Norman Foster and Tatiana Bilbao donated drawings and artworks for an auction last year to raise funds to help rebuild the city.
Photography is by Camille Gharbi.
Project credits
Client: HAR Properties Architect: SOA Architectes Lead contractor: SOA Architectes Construction phase architect: R&K Technincal and engineering consultants: Kephren Ingénierie, Riad Ghazali Ingénierie
The post SOA Architectes adds contemporary Aya Tower to Beirut skyline appeared first on Dezeen.
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shaddad · 2 years
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preuves d´amour, um grito contra a violência doméstica em sua forma mais extrema, o homicídio conjugal, da elegante fotógrafa camille gharbi
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delhi-architect2 · 4 years
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ArchDaily - Student Residence / SOA Architectes
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© Camille Gharbi
architects: SOA Architectes
Location: Gif-sur-Yvette, France
Project Year: 2020
Photographs: Camille Gharbi
Area: 10500.0 m2
Read more »
from ArchDaily https://www.archdaily.com/944899/student-residence-soa-architectes Originally published on ARCHDAILY RSS Feed: https://www.archdaily.com/
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officecomplexes · 4 years
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ap-artmemories · 5 years
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‘La Traversée’ series - by Camille Gharbi ____
Arthur and Puff are everywhere … Facebook  |  Instagram  |  Twitter  |  Tumblr
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ennosforsinterieurs · 5 years
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Ce qui est encore présent
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© Nicolas Hermann
Commissariat de la projection photographique de la 69eme édition de Jeune Création à la Fondation Fiminco, 2020
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Passé rejoué, revisité ou prolongé – corps fragmenté et iconisé –  territoires menaçants et menacés – lieux hantés et réhabités
La promesse de la photographie comme un art du présent s’échappe aussitôt qu’elle se formule. Chercher ce motif cyclique, cette ronde où passé et futur dansent l’un face à l’autre ; alors peut-être les présences se laissent-elles voir dans ce qui vibre de vivre encore.
Cette sélection cartographie les démarches d’artistes-photographes qui explorent la subsistance du passé dans le présent. Un engagement premier, existentiel et poétique réunit ces artistes venant de tout horizon : reportage, post-documentaire, photographie « plasticienne », fiction poétique, etc.
Ils se réapproprient les dimensions immersive et animée de la projection en prolongeant la photographie par leurs associations d’images, par la vidéo, le son, la voix ou le texte.
Avec les travaux de : Aurore Bagarry, Arthur Crestani, Nicolas Leroy, Mathias de Lattre, Wataru Murakami, Laure Salmona, Cyrille Karam, Païen, Lise Dua, Nolwenn Brod, Federico Clavarino, Myriam Santos, Caroline Mauxion, Marine Anglard, Camille Gharbi, Camille Holtz, Yannis Karpozis, Julien Bonnin, Nicolas Herman, Eleonora Strano, Laurie Dall’ava, Emmanuel Tussore, Yu-ki Abe, Léa Habourdin
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