#camden daniel

[callmebrycelee]

MY MAN CRUSH MONDAY IS...DANIEL KALUUYA SPOOKY SEASON EDITION

FULL NAME: Daniel Kaluuya

DATE OF BIRTH: February 24, 1989

PLACE OF BIRTH: Camden Town, London, England

AGE: 34

SIGN: Pisces

BEST KNOWN FOR: Portraying Black Death in the black comedy superhero film Kick-Ass 2; Chris Washington in Jordan Peele's psychological horror film Get Out; Ernest "Slim" Hines in Queen & Slim; Fred Hampton in Judas and the Black Messiah; Otis Jr. "OJ" Haywood in the Jordan Peele Neo-Western science fiction horror film Nope; and Hobart "Hobie" Brown / Spider-Punk in Spider-Man: Across the Spider-Verse.

HEIGHT: 5 feet tall 9 inches

[sandinmybed]

what a great few days!!

[sarakiz]

did not expect to come out of the men's free skate with so many new favs!! what a competition!!

[violetfairydust]

Camden looks like a 27-year-old who never got over his Chad "phase" and the others all have really horrible pasted on heads. If you've ever played the Nancy Drew computer games, particularly the early ones, it reminds me of that.

[lsbubastudio2]

“Phase III: Plasticity _ Camden Visual Arts Centre”, Camden Town, London, UK _ Student: Daniele Ferrentino / BA2 _ 05.05.2023

“Unemployment is an issue plaguing many individuals within Camden, and ever since the rise of the COVID-19 pandemic and its impact on the world the issue of employment has continued to grow further for numerous residents. Unemployment has been analysed thoroughly within Camden, with researchers attributing several key reasons for the issue onto problems such as lack of educational skills, health complications or caring for other individuals, just to name a few.

Within Camden central, a prevalent issue is the presence of numerous talented artists from an array of fields exhibiting their skills for change, individuals that oftentimes struggle to find stable work and resort to street performances to showcase their talent whilst aiming to provide some form of an income. Furthermore, such artists often seek to offer their expressions to the community, but due to such an intense environment their works can become obscure/hidden among the chaos of the streets. For their final project, students will aim to target street art performers who struggle with employment and create a space for such individuals to express their work to reach a wider community and to build skills through education to increase their viability to future employers.

A visual arts centre will be proposed for the community of Camden as a means of creating a community hub area that encourages gatherings, engagement with flexible exhibition areas and an opportunity to embark upon several series of workshop areas/studios that facilitate the growth of various skills designed to give back to the wider community. The proposal should aim to celebrate the vibrant arts present within the site area that primarily come through elements of performances, musicals, or street paintings. The arts centre should create connections between members in the wider community and offer the artists of the exhibited work an opportunity to advertise themselves to numerous people. Through advertising their works, respective artists should have the opportunity to reach an audience and create future clients.

Furthermore, the design of flexible exhibition spaces should aim to evolve the artwork showcased and display related kinds of work in order to broaden visitors to the range of mediums available. Through such exposure the primary aim should be to build the notion of education/opportunity by educating people on the kinds of work related to specific skill sets.”

Module 203 _ “Phase III: Plasticity _ Camden Visual Arts Centre” _ BAS2 _ Transpositional Plasticity _ 2022-2023.

[archvillain-fandom]

daniel camden DEFINITELY encouraged kyle’s pranks on sheriff monroe. he probably found the idea of his former bully being taken down by a twelve year old hilarious

[dgf2099]

The Driver Suit Blog-Paint Scheme Grades-May 13, 2023

By David G. Firestone Ross Chastain #1 Worldwide Express Throwback Chevy Camaro-I love Dale Jarrett, and I love a Dale Jarrett Throwback! This gets an A! Kevin Harvick #4 Busch Light #Break4Busch Ford Mustang-The car is a little too cluttered. Getting rid of the corn would take this to at least a B+ if not an A-, but this gets a B. Brad Keselowski #6 King’s Hawaiian/Guardians of the Galaxy Ford…

[pupsmailbox]

NEUTRAL LEANING MASC NAMES ⌇　abner.　 abram.　 adam.　 adrian.　 alex.　 alistair.　 andreas.　 ariel.　 arlen.　 arley.　 arlo.　 ash.　 atlas.　 auden.　 august.　 austin.　 avery.　 bailey.　 baron.　 barrett.　 baylor.　 beauden.　 bee.　 bellamy.　 bennett.　 blair.　 blaise.　 bowen.　 brayden.　 brendan.　 bronson.　 bryce.　 byron.　 caius.　 caleb.　 callahan.　 callan.　 calloway.　 callum.　 camden.　 cameron.　 carlin.　 carson.　 casey.　 cassian.　 chandler.　 chase.　 cody.　 cole.　 connolly.　 corban.　 corwin.　 cyrus.　 dallas.　 damion.　 damon.　 daniel.　 darius.　 davis.　 dawson.　 daylon.　 denver.　 desmond.　 devin.　 doran.　 dorian.　 drew.　 elian.　 elias.　 ellery.　 ellison.　 emery.　 ethan.　 evan.　 ezra.　 fallen.　 farren.　 finley.　 ford.　 foster.　 gabriel.　 gannon.　 garner.　 gavin.　 gentry.　 graham.　 greer.　 griffin.　 guthrie.　 harley.　 harlow.　 hartley.　 hayden.　 henley.　 henry.　 heron.　 hollis.　 hunter.　 ian.　 irving.　 isaiah.　 jace.　 james.　 jameson.　 jared.　 jeremiah.　 joel.　 jonah.　 joran.　 jordan.　 jory.　 josiah.　 jovian.　 jude.　 julian.　 juno.　 justus.　 kalen.　 kamden.　 kay.　 kayden.　 keaton.　 kellan.　 keller.　 kelly.　 kendon.　 kieran.　 kit.　 kylan.　 landry.　 lane.　 lennon.　 leslie.　 levi.　 leyton.　 liam.　 linden.　 lowell.　 luca.　 madden.　 marley.　 marlow.　 marshall.　 martin.　 mason.　 mathias.　 mercer.　 merritt.　 micah.　 miles.　 miller.　 milo.　 morgan.　 morrie.　 morrison.　 nate.　 nevin.　 nick.　 nicky.　 nico.　 nicolas.　 noah.　 noel.　 nolan.　 oren.　 orion.　 owen.　 parker.　 percy.　 perrin.　 peyton.　 pierce.　 porter.　 preston.　 quincy.　 quinn.　 reece.　 reid.　 reign.　 rein.　 remi.　 remington.　 renley.　 riley.　 river.　 robin.　 rollins.　 ronan.　 rory.　 rowan.　 russell.　 ryan.　 rylan.　 sam.　 samuel.　 sawyer.　 saylor.　 seth.　 shiloh.　 soren.　 spencer.　 stellan.　 sterling.　 talon.　 taylor.　 thaddeus.　 thane.　 theo.　 toni.　 tracy.　 tristan.　 tyrus.　 valor.　 warner.　 wells.　 wesley.　 whitten.　 william.　 willis.　 wylie.　

NEUTRAL LEANING FEM NAMES ⌇　abigaël.　 abilene.　 addison.　 adrian.　 ainsley.　 alexis.　 and.　 andrea.　 arden.　 aria.　 ashley.　 aspen.　 aubrey.　 autumn.　 avery.　 avian.　 ayla.　 bailey.　 beryl.　 blair.　 blaire.　 blake.　 briar.　 brooklyn.　 brooks.　 bryce.　 cameron.　 camille.　 casey.　 celeste.　 channing.　 charlie.　 chase.　 collins.　 cordelia.　 courtney.　 daisy.　 dakota.　 dana.　 darby.　 darcy.　 delaney.　 delilah.　 devin.　 dylan.　 eden.　 eisley.　 elia.　 ellerie.　 ellery.　 ellie.　 elliot.　 elliott.　 ellis.　 ellory.　 ember.　 emelin.　 emerson.　 emery.　 evelyn.　 ezra.　 fallon.　 finley.　 fiore.　 florence.　 floris.　 frances.　 greer.　 gwenaël.　 hadley.　 harley.　 harper.　 haven.　 hayden.　 heike.　 hollis.　 hunter.　 ivy.　 jade.　 jamie.　 jocelyn.　 jordan.　 jude.　 juno.　 kelly.　 kelsey.　 kendall.　 kennedy.　 koda.　 kyrie.　 lacey.　 lane.　 leighton.　 lennon.　 lennox.　 lesley.　 leslie.　 lilian.　 lindsay.　 loden.　 logan.　 lou.　 lyric.　 madison.　 mallory.　 marinell.　 marley.　 mckenzie.　 melody.　 mercede.　 meredith.　 mio.　 misha.　 monroe.　 montana.　 morgan.　 nico.　 nova.　 oakley.　 olympia.　 owen.　 page.　 palmer.　 parker.　 pat.　 paulie.　 perri.　 petyon.　 peyton.　 phoenix.　 piper.　 priscilla.　 quinn.　 raven.　 ray.　 reagan.　 reece.　 reese.　 remi.　 remy.　 riley.　 rio.　 river.　 robin.　 rory.　 rosario.　 rowan.　 ryan.　 rylie.　 sacha.　 sage.　 sam.　 sammy.　 santana.　 sasha.　 sawyer.　 saylor.　 severin.　 shannon.　 shelby.　 shiloh.　 skye.　 skylar.　 sloane.　 sol.　 soleil.　 sterling.　 stevie.　 sutton.　 swan.　 swann.　 sydney.　 tatum.　 taylo.　 taylor.　 tracey.　 valentine.　 vanya.　 vivendel.　 vivian.　 vivien.　 wren.　 wynn.　 yael.

[hoodienanami]

casting daniel kaluuya, a camden town native who grew up in a council estate like many members of british punk bands did, as hobie brown was so genius he really brought the kind of swagger that only british punks can bring

[louisupdates]

Louis Tomlinson and ITV Big Brother's AJ Odudu lead red carpet best dressed at Rolling Stone UK Awards

Louis Tomlinson and telly presenter AJ Odudu were just some of the names gracing the red carpet at Camden's Roundhouse for the Rolling Stone UK Awards and they did not disappoint

By Daniel Bird | Assistant Showbiz Editor

Louis Tomlinson, AJ Odudu and Mae Muller certainly ensured all eyes were on them at the Rolling Stone UK Awards.

Celebs gathered in Camden, north London, for the first-ever Rolling Stone UK awards in collaboration with Remy Martin. The glitzy bash celebrated all things music and will also see 13 artists be inducted into the Rolling Stone UK Hall of Fame.

Throughout the night, those in attendance will see Ozzy Osbourne pick up the Icon Award. However, the Prince of Darkness won't be performing, instead, he will deliver a speech. Meanwhile, Jessie Ware went up against Raye, Jorja Smith, Romy and Grian Chatten for the Artist Award.

Meanwhile, Louis Tomlinson went up against the likes of Yungblyd, Elton John, Nova Twins, Loyle Carter and Rina Sawayama for the Live Act nomination. Here, we take a look at some of the hottest red carpet looks from the night.

1. Louis Tomlinson

Chart-topper Louis Tomlinson may have only recently finished the sold-out and critically acclaimed UK leg of his Faith In The Future World Tour but he stopped by the glitzy awards. The rocker from Doncaster, South Yorks, is nominated for Best Live Act.

Louis Tomlinson, Rolling Stone UK Awards 2023

[whencyclopedia]

Battle of Cowpens

The Battle of Cowpens (17 January 1781) was a decisive battle in the southern theater of the American Revolutionary War (1775-1783). It saw a detachment of Continental soldiers and Patriot militia under Brigadier General Daniel Morgan defeat a British force under Lt. Colonel Banastre Tarleton. The battle helped lead to the end of British domination in the American South.

Background

On 2 December 1780, Major General Nathanael Greene rode into the American military camp at Charlotte, North Carolina. A 38-year-old Quaker from Rhode Island, Greene had been entrusted by General George Washington to take charge of the remnants of the Southern Department of the Continental Army after its disastrous defeat at the Battle of Camden (16 August 1780). What Greene found at Charlotte was less an army than a rugged gathering of 1,400 disheartened men. The troops were undersupplied, underfed, and lacked clothing. Several men sat huddled around the campfires practically naked, with only rags or blankets to protect them from the elements. Many of the soldiers stirred themselves only to plunder the surrounding countryside for food, and the officers had grown jaded enough not to care. It was a ghastly display of dejection that must have reminded Greene of the state of the main army at Valley Forge three winters before.

It was not hard to see why the army was in such a depressed state. The Americans had suffered nothing but defeat since the British had first invaded the American South in late 1778. Having grown frustrated with their unsatisfactory military campaigns in the North, the British had shifted their focus to the South, which was rumored to be replete with Loyalists as well as the source of much of the United States' commercial wealth. The capture of the South, it was believed, would not only cut the United States in two but also cripple its ability to keep fighting. The British implemented their so-called 'southern strategy' in December 1778 by seizing Savannah, Georgia; the following year, a Franco-American attempt to retake the city failed, and Georgia became the first state to fall back under British control. In May 1780, the British won the Siege of Charleston, taking the largest and most important city in the entire South. Under the command of Lord Charles Cornwallis, the British then set about pacifying the rest of South Carolina. This sparked a bloody regional civil war, as the state's Patriot and Loyalist militias brutalized one another in the South Carolina backcountry. The southern Continental Army, under General Horatio Gates, had tried to retake the state but had been decisively defeated at Camden.

Now, as Greene took over command of the depleted army from Gates, he realized the monumental task that rested upon his shoulders. Should he fail, there would be nothing to prevent Cornwallis from conquering North Carolina and Virginia, completing the British 'southern strategy'. Greene was a cautious commander who pursued a 'Fabian strategy'. That is, he tried to avoid fighting any pitched battle that he was not sure he could win, instead wearing the enemy down through attrition and guerilla fighting, striking only when he spotted vulnerability. The Patriot militias already operating in South Carolina could serve this purpose well; Greene hoped that they could keep the British distracted long enough for him to whip his army into shape and maybe find new recruits. However, he would need someone he could rely on to go down into South Carolina and keep the militias supplied and organized. As it happened, Greene already had just the man in mind.

Continue reading...

[vanillabeanmachine]

𝚆𝙸𝙿 𝚆𝚎𝚍𝚗𝚎𝚜𝚍𝚊𝚢 #𝟷

𝙽𝚘 𝙻𝚎𝚝𝚝𝚒𝚗𝚐 𝙶𝚘: 𝙰𝚗 𝙸𝚗𝚝𝚎𝚛𝚟𝚒𝚎𝚠 𝚒𝚗 𝙵𝚘𝚞𝚛 𝙰𝚌𝚝𝚜 -- 𝙰𝚌𝚝 𝙸

Hello everyone 👋😊 I've been working on No Letting Go for a while now and am excited to share that I'm almost ready to post Act I, which currently stands at approximately 14.5K words. This seems to be shaping up as the average length for each of the four acts. As I continue to polish and refine No Letting Go, I’ve decided to start sharing snippets every Wednesday. This will not only give you a glimpse of the content but also some of the behind-the-scenes thought process. Stay tuned!

[...]

The recorder was not the same that Daniel had once owned in 1973. Indeed, Daniel couldn't quite recall the exact model or brand of his original device, nor the circumstances of its disappearance—had it been shattered in a sudden fit of rage? Perhaps it had vanished, lost in the swirling chaos of his drug-addled days? It was equally plausible that it lay forgotten in some distant apartment, nestled under a thick layer of dust, untouched and unthought of for almost half a century. Moreover, Daniel wasn’t certain that this Suga model had even existed in 1973. A wave of nostalgia had swept over him one day as he had strolled down Camden High Street, leading him to purchase this particular piece on a whim. Initially, it hadn’t worked at all, prompting nights spent poring over YouTube tutorials and hunting down obsolete tech parts on eBay in an attempt to restore it. Eventually, he had given up on pure restoration, instead cobbling together a functioning unit by marrying the surviving vintage Suga skeleton with the guts of a modern machine – a Frankenstein’s monster of resurrected technology that, despite its changed nature, still swallowed down tape with a voracious appetite.

He could have easily acquired a functioning Suga online, or even opted for a modern tape deck. Yet, Daniel cherished this battered machine, with its scratches and dents marring the case, the rust on the sprockets that added a squeak when rewinding tape, and the worn buttons that spoke of frequent use. It was a tangible relic of a human past, an artefact that Daniel clung to—not merely as a tool but a reminder of a life once lived.

Daniel meticulously arranged his tools for the evening—the Suga recorder, his sleek MacBook Air, a battered .99 cent notepad with its edges crumpled and pages unevenly torn from the binding, an elegant Montblanc Meisterstück pen, and a well-worn half-full leather cigarette case that had journeyed with him from the '70s. 

Armand waited as Daniel organised, his expression the picture of serene detachment; yet beneath this stoicism flowed an undercurrent of acute attentiveness.

Armand's reddish-brown colour-of-dawn gaze, typically distant, tonight held a piercing clarity and focus entirely directed at Daniel. It was as if the full essence of his immortal being had chosen to anchor itself in this singular interaction. There was a palpable familiarity in Armand's intense stare, a comfort that Daniel recognised and found strangely reassuring. 

Yet amidst this familiarity was a void—a poignant sense of loss, something indelibly altered. The once-constant press of Armand's mind against his own, a psychic echo that had lingered in Daniel's human consciousness, had vanished now with his vampiric transformation. The Dark Gift, poetically named but harsh in its realities, had not brought Daniel enlightenment or a renewed closeness to his Maker but a barrier, severing the connection the pair once shared. Where there had once been a flowing stream of thoughts and emotions, a psychic murmur that had connected him to Armand, there now existed only a silence—as if a door between their minds had been firmly shut and locked. This new silence was not peaceful but a cold absence, a reminder of what they had both sacrificed for Daniel's immortality.

Armand's intensive gazing at Daniel was justified now more than ever. Perhaps, in this new reality they shared, all that remained to bind them was the mere physicality of their being—something that Daniel found inexplicably more alluring now than ever before.

While Daniel clung to the remnants of his human past and habits still, Armand had always appeared unburdened by such earthly ties, having long shed them like leaves in an eternal, ageless autumn. But as Daniel now stood entrenched in this new existence, he began to perceive that what he once thought of as an uncanny stillness in Armand was not a marker of death but a vibrant, pulsating life, more profound and intricate than he had ever imagined possible.

The gravity of Armand's presence was magnetic, drawing Daniel inexorably in, as if each moment spent in observation tethered him more firmly to a spellbinding eternity. Daniel was acutely aware of the need for caution, knowing all too well how effortlessly he could become entangled in an everlasting gaze upon Armand. In such moments, time could dissolve into irrelevance—akin to Narcissus, spellbound by his reflection in the serene embrace of a forest pool. It was the mesmerising dance of light across Armand’s rich, dark skin, the lush curls that tenderly framed his face, and the impeccable symmetry of his sharp, angular features that seemed destined to rest in the contours of Daniel's palm. The striking yet harmonious contrast between Armand's finely sculpted upper lip and the plush fullness of the lower, coupled with the intoxicating memory of their kisses—

Caught in a dopey smile, Daniel realised Armand had observed the slip when a knowing look crossed his features. Perhaps the psychic bond they once shared was no longer necessary; Daniel's emotions were still as transparent to Armand now as when Daniel had been still human. And yet, frustratingly, Armand remained equally an enigma to Daniel, close yet distant in the same breath.

[...]

Author’s Thoughts™:

Indeed, the Suga KC-920 is a different model from the recorder Daniel used back in 1973. I deliberately chose a different tape recorder from the one shown in "Don’t Be Afraid, Just Start the Tape." This choice is meant to enhance the theme of an "odyssey of recollection," emphasizing the unreliability of Daniel’s memory. It reflects his efforts to piece together fragments of his mortal past, his reliance on nostalgic constructs, and his commitment to maintaining a connection to his former human self—no matter how shaky the foundations that connection is built on.

I'm very proud of the line describing the tape recorder as "a Frankenstein’s monster of resurrected technology that, despite its changed nature, still swallowed down tape with a voracious appetite."

Daniel's choice of a Montblanc Meisterstück pen—which retails for between $460-680—for use on a 99-cent notepad creates a conceptual contrast. This disparity is further heightened by his combination of a modern MacBook with an archaic tape recorder. This deliberate mismatch across items of differing economic and temporal values introduces an element of dissonance—it feels almost jarring, and in a way, disrespectful? Using a luxury pen on low-quality paper subverts expectations of propriety and value, while opting for obsolete technology over more efficient modern alternatives suggests a conscious rebellion against practicality. I wanted to set up space for a future commentary on value, utility, and nostalgia, and highlight a bit more of this tension between the past and present in Daniel.

I wanted to explore the impact of Daniel and Armand’s severed mental connection. Daniel's transformation into vampirism brought with it the loss of his psychic link with Armand, a shift that necessitated a new way of Daniel perceiving and connecting with Armand. Since he no longer can feel Armand’s emotions directly, Daniel becomes reliant on interpreting Armand’s physical cues—a necessity that alters the nature of his gaze. This redirection of focus towards the physical can be seen as a form of objectification, where Daniel's longing is intensely projected onto every visible detail of Armand, focusing not on his emotions or his interiority, but rather his most striking features instead. This gaze is not merely observational; it is charged with desire and a nuanced romanticism, making it palpably lustful. Daniel's gaze is transparent to Armand.

[lsbubastudio2]

“Phase III: Plasticity _ Camden Visual Arts Centre”, Camden Town, London, UK _ Student: Daniele Ferrentino / BA2 _ 10.03.2023

“Unemployment is an issue plaguing many individuals within Camden, and ever since the rise of the COVID-19 pandemic and its impact on the world the issue of employment has continued to grow further for numerous residents. Unemployment has been analysed thoroughly within Camden, with researchers attributing several key reasons for the issue onto problems such as lack of educational skills, health complications or caring for other individuals, just to name a few. 

Within Camden central, a prevalent issue is the presence of numerous talented artists from an array of fields exhibiting their skills for change, individuals that oftentimes struggle to find stable work and resort to street performances to showcase their talent whilst aiming to provide some form of an income. Furthermore, such artists often seek to offer their expressions to the community, but due to such an intense environment their works can become obscure/hidden among the chaos of the streets. For their final project, students will aim to target street art performers who struggle with employment and create a space for such individuals to express their work to reach a wider community and to build skills through education to increase their viability to future employers. 

A visual arts centre will be proposed for the community of Camden as a means of creating a community hub area that encourages gatherings, engagement with flexible exhibition areas and an opportunity to embark upon several series of workshop areas/studios that facilitate the growth of various skills designed to give back to the wider community. The proposal should aim to celebrate the vibrant arts present within the site area that primarily come through elements of performances, musicals, or street paintings. The arts centre should create connections between members in the wider community and offer the artists of the exhibited work an opportunity to advertise themselves to numerous people. Through advertising their works, respective artists should have the opportunity to reach an audience and create future clients. 

Furthermore, the design of flexible exhibition spaces should aim to evolve the artwork showcased and display related kinds of work in order to broaden visitors to the range of mediums available. Through such exposure the primary aim should be to build the notion of education/opportunity by educating people on the kinds of work related to specific skill sets.”

Module 203 _ “Phase III: Plasticity _ Camden Visual Arts Centre” _ BAS2 _ Transpositional Plasticity _ 2022-2023.

[irisbleufic]

Part 11 of Caldera; 6 of 7 chapters are now posted. Daniel and Armand leave Paris for London to meet back up with the fledglings; meanwhile, the individuals Raglan James wants Daniel to find happen to find him and Armand instead.

New York (2024-08-31)

Night Island (2024-08-31)

Atlantic Crossing (2024-09-02)

Rive Gauche (2024-09-04)

Rive Droite (2024-09-05)

Camden Town (2024-09-05)

TEASER:

“Last I was here, it was a cabaret owned by the London coven,” Armand explains, taking stock of what most of the vampires back here are doing. It runs the gamut from mildly risqué groping to not-so-discreet fucking. “I wasn’t aware it had undergone a drastic makeover.”

Daniel swallows as Armand backs him right against the wall. He’s not opposed to blending in this way, but he can’t help but think this isn’t Armand’s speed. “It’s not the turn of the century anymore,” he says, gasping as Armand presses up against him, kissing his neck.

“Nonetheless, it’s one of the last holdouts of vampire culture here,” Armand murmurs against Daniel’s ear, licking it. “Daniel, I’m fine.”

Daniel slides his arms around Armand’s waist, encouraged by Armand’s hum of pleasure. If Armand wants to make out in a vampire bar in order to cope with the more objectionable sensory details, then he’s no one to argue. They don’t even manage to do that for very long, because Daniel’s fang-deep in Armand’s neck when a vampire with piercing gray eyes and fair, wavy hair approaches them wearing a sour expression.

[archvillain-fandom]

after kyle’s death, his parents are questioned to see if they knew about his illegal activities. they respond that they’ve known he was the blue freak since he was twelve. when asked why they didn’t report him, beth camden said, “nobody ever asked us,” and daniel camden said, “what are you, a fucking cop?”