#c'mon people it's not THAT bad

[nitrateglow]

When you can tell Alan Arkin's wife wrote the book...

Source: https://archive.org/details/crazyeights0000dana/page/104/mode/2up

[paintalyx]

my mom said we can't be friends if you don't like wyll. yeah even if you don't care about him. no sorry i don't make the rules but she's right you know

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[awkwardrocker]

The funniest part about George's meltdown today is that it was wholly unnecessary.

All he had to do was come out today and go, "I said my side of the story in the stewards and obviously Max didn't take kindly to that but what's done is done and we'll move on."

But instead he tried to go scorched earth and it made him look so much worse.

[stop-breaking-my-heart-telltale]

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.

[lahfable]

Felt this while scrolling through the Sandrock Reddit, it's largely a great place but his fanon mischaracterization is jaunting 😩 Is there some evil shadow Arvio everyone else experienced? Where's the yandere stalking I was promised?? My game must be broke cause all I got is an anxious and weird pretty boy with attachment issues and adhd

[pa-pa-plasma]

you just made the scientific discovery of the century & you want to tell everyone & your kids are first on that list but you can't find them. you manage to get a hold of your daughter & she says everything is fine but her voice gets tight when you try to mention your work & she sucks in a breath & says she won't keep you from it any longer than she already has & doesn't say bye as she hangs up the phone. you have a sinking feeling in your gut & you really want to get back to what you were doing but. something's wrong. where are your kids. why was your daughter not surprised when you told her. why was she so quick to hang up on you. your husband has the same type of mind & that's probably why neither of you can ignore this odd turn of events & so you decide to track them down. the research can wait. after all, the spook got away somehow afterwards. it's not like you have anything to go through but data & recordings.

[applestorms]

i was gonna write a more extensive post about this, but. fuck that i have too many points to write proper sentences rn, here's a bullet point list of my review of sonic 3. spoilers, obviously. tl;dr: i'm a hater

maria is fridged to hell and back, she is such a nothing character i have secondhand embarrassment for the writers every time she shows up. maria exists only to smile in flashbacks and lie in the flowers and go, "noooooooooooooooo, shadow :(( you can totally be whatever you want, dude," and then die on the floor. we don't even get to see her getting shot. fucking rip off.

to clarify-- maria absolutely does NOT have to be a fucking dead wife trope incarnate, imo. she can very easily be used that way, yes, but i think doing so also misses the core of her character and what she means for shadow. part of the appeal of the conversations that maria & shadow have on the arc in SA2 comes from the fact that they are characters coming from a very similar position, both being incredibly alienated from the rest of the world/humanity, daydreaming about it more than they are able to interact with it directly. like, come ON, they literally live on a fucking space station, the symbolism does not get that much more obvious?? it is the fact that maria CHOOSES to love humanity anyways, despite being unable to interact with it/live within it, that makes her words meaningful. jesus fucking christ.

anyways, speaking of. shadow has NO arc in this movie (literally and figuratively. did you seriously put the spaceship in Ohio) and it drives me up the wall. perhaps i'm just out of the loop on the Current Shit, but it feels like Nobody knows how to write that guy nowadays :((

not that i could fucking tell anyways in this particular movie from how little he shows up or SPEAKS. LET HIM SPEAAAAAK. i swear to GOD, he interacts w/ the main cast like three (3) fucking times in this entire movie and two of those interactions are fights. if you want those cute, quirky, somewhat cringe sonic/shadow interactions, you're better off watching the trailer plus whatever clips of the final fight inevitably end up on youtube, since that's basically their only real conversations in the entire movie.

the ending falls incredibly flat because of this. in the last movie, we at least had some decent character interactions between sonic & knux which made their fight and eventual team up at the end that much more satisfying. there was something to dig your teeth into, a back-and-forth that was entertaining (by sonic movie standards) but also established who they were, not only why they didn't like each other but how they could eventually bond. you had reason to care about knux, and reason to root for them to fight together!!

instead, here we got a whole lotta nothing. sonic and shadow fight, and it's cool, and it does all the Sick References and wowie yay clapping my hands live & learn blue/red lights cool. epic. yet i'm still left sitting here like WHO IS THIS BITCH??? WHO IS HE?????

fundamentally, the problem with this movie is that it Does Not Know what it's primary storyline is, or even who the main character is, and it falls flat on its fucking face because of it. there is no focus. sonic maybe barely kind of squeezes out an arc about teamwork and believing in your friends (a repetition of the last movie, i would argue, but whatever). eggman gets a much more hefty plotline about coming to terms with family, which i would be able to appreciate a whole lot more if it didn't feel like the only meaningful story arc in the entire fucking movie. robotnik bullshittery should be the B plot guys, come the fuck on. and shadow, of fucking course, gets NOTHING. he stands around looking grumpy and cool (and very cute, the animators did alright, i'll give them that), and emotes jack fucking shit. i know he's not a certified yapper like some people, but come the fuck on, he can still like. say words. right. RIGHT

is this review even comprehensible even more? i don't care, this is driving me insane. are you guys seeing this shit. are you.

this isn't even just me being a shipper and going wahh wahh no sonadow moments. you put those bitches on the poster why are they not talkinggg. even just an argument would be Great. it was like the one thing sonic prime figured out, why is it so empty here.

this also leads to the fundamental issue where i have NO fucking idea why either of them are so chill with each other by the ending. not only do i not know why shadow is so chill with sonic, considering he was just dead set on ending the fucking world to get revenge and one conversation is not enuf to convince me that he would get over it (even the lowkey suicidal tendencies fall somewhat flat for me since AGAIN. NOTHING), but i ALSO don't know why SONIC gives a shit about shadow!! or why he's so happy go lucky about all this!!! dawg he just killed the closest thing you have to a father. as much as i hate the humans in this series, even i have to sit for a minute and go uhh what? there is absolutely NOTHING to make their team up at the end of this emotionally meaningful other than the bland, surface level reaction of Yay Shadow And Sonic On Screen :) like the movie itself simply does not build up their rivalry in a meaningful enough way to make it feel worth it. one conversation can do a lot, but only if you have the build up to MAKE it mean a lot. aaaaaaaaaaaaaaaaaaaaaaaaaaaaaugh

the ending being almost exactly the same as the beginning thus doesn't surprise me in the slightest cuz like. what else do you do. sonic Does Not have any reason to care about that bitch and neither does anyone else. his actual enemy eggman is presumably dead, so. who cares. a couple good fights then nice knowin' ya man o7 thanks for sacrificing yourself to save the world or whatever

the scene where shadow stalks the individual team members through the remains of their old military base/Ohio Arc stand in or whatever is cool, yes. one single hand clap for that. i like them making him ominous as fuck. but i just-- i need everybody to shut the fuck up for like two seconds so sonic and shadow can talk directly and have a proper fucking conversation before the literal end of the movie, like please just argue or SOMETHING. DO. SOMETHING. MEANING. LIKE A CHARACTER THING. WHO R U

also the eggman/stone shit drives me up the wall. another set of bitch ass writers too scared to make their characters canonically queer, so they bury their gays instead. idfc that they're inevitably going to revive him again, it's still stupid as shit. stone also does nothing in this movie so his internal "conflict" is dumb anyways aaaaskjdflksdjfl smacking my head on the keyboard

there comes a point in this movie where it really does feel like Everything is just about eggman and gerald. tails and knux stop being meaningful characters with personalities outside of quips by approximately the chao garden. sonic's weird human parents aren't even given a meaningful storyline outside of the one time that shadow punches him when they try to set up some miscommunication bullshit or whatever at the end. sonic and shadow fight but even that gets interrupted by... whatever the hell they were doing??? again, all of this would be way less aggravating if those scenes were able to fulfill their actual purpose: side bullshit funnie stuff to break up the serious scenes of the main plotline. unfortunately, this movie thinks a flashback to the traveling wilburys is sufficient to make its main character a complex, nuanced person. face in hands

seriously. why is that scene of eggman & gerald telling stone & shads to get back in the crab a microcosm of this entire film. orz

also also, before someone bitches at me for not paying close enough attention to [x] specific detail or whatever-- anything that you can easily miss on a first watch through should Not be integral to the plot of a movie. istg, i write scripts, i know how this shit works. if your audience can't figure out the emotional arc of a character after one watch, you have fundamentally failed your job as a writer. a flashback is not sufficient character writing, jfc.

and really, that's what it all comes down to, isn't it? the writing. it's always the Fucking writing with these movies. the animation here is, for the most part, fantastic, the voice acting is decent at worst, even the awkwardness of a half-human cast is somewhat smoothed over. yet the writing for these movies never fucking improves-- the jokes are still cringe at best, the references are blunt and unnatural, and the characters. have. no. arc.

perhaps it was somewhat inevitable that we end up at this point. this movie series has already been building up an entire universe of Other Bullshit, and it is here that we feel a lot of that crashing back down. the shelf could only stand up for so long.

i suppose in conclusion, my main takeaway from this movie is that it is an adaptation that fails. it does not understand who its characters are or what they want, it does not know why people connected to the characters it attempts to introduce on an emotional level, and it does not know how to make its own confusing lore work with all of the new details.

[change-the-rules]

oh Wait A Second

Hang The Fuck On

Ive Got Another Thing Actually my beloved eloise Also came up with the dumbass plan to claim to be whistledown when she was backed into a corner by the queen it was a stupid plan then same as it was for cressida

the difference being eloise was confiding unwittingly To whistledown who immediately did everything in her power to shut that shit down for obvious reasons

ELOISE WAS IN DAMN NEAR THE SAME POSITION AS CRESSIDA WAS

at least in terms of personal desperation and impending doom closing in like for the love of fuck no one else could have possibly been in a better position to if not help then at the very Least EMPATHIZE

if everything went exactly as it had but *before* the dropping of the 'friendship soured' Out of Nowhere eloise had tried to comfort or reason with cressida Especially from this VERY RIDICULOUSLY SPECIFIC AND NICHE common thread but nuture and fear won out and cressida still went ahead with her ill-advised gambit?

and their friendship imploded accordingly

I would Not be nearly as annoyed as I am now because hey I like angst WHEN ITS GOOD STORYTELLING like damn

IT WAS RIGHT THERE Y'ALL ELOISE LITERALLY EXPERIENCED IT SHE HAD THE SAME THOUGHT WHY DID NO ONE USE THAT

[vaguely-concerned]

the way harrow the ninth manages to convey the longing for connection that can happen not only between people, but also within an individual, when something goes wrong enough inside them. and the horror-hunger desperation and displacement of being severed from yourself that suffuses every other part of your existence, with all the repulsive rotting wrongness of stagnant water you can't get away from because the well is within your own heart and that bitch just keeps pumping away even when you wish it wouldn't bother. anyway. I love that book a normal amount

[ilivelikeimtrying]

Nimona AU where Ballister is a villain but like, he's not even really that evil, like, at all. He's just, really bad at being a Villain.

And him and his "Nemesis" have the worst relationship, meaning that they have a great relationship because they don't even actually hate each other like Nemesis' are supposed to.

V!Ballister, doing an 'evil' monologue: Well well well, sir Goldenloin, it has been quite some time since we've last- What's wrong?

Ambrosius, whose face was scrunched a bit: Huh? Oh, it's nothing, these ropes on my wrists are just- they're burning and itching is all- you can keep-

V!Ballister, panicking and running over: Really?! Oh Ambrosius you've been here for hours! Why didn't you say anything sooner?! Are they too tight? Is it this new brand? I told Nimona not to get these ones but no-

*cue to Ambrosius staring fondly at Ballister as he continues to ramble about never buying this specific set of ropes again*

Half the time Ambrosius doesn't even know why he's fighting the guy, like, The Director is all "He's the personification of an Evil Villain" at Ballister and Ambrosius is staring at the same guy seeing him help a little girl get her kitten out of a tree and give a good bit of the money he stole to people in need and points at him like "Really????? "

[neo-zone]

Watching tone deaf fans casually saying shits like "now I side with Hitler/Nazi Jesus"

NOW THIS IS WHY IT SHOULD HAVE BEEN BANNED TO USE NAZI REFERENCE ON FICTION

[ace-but-sexy]

i do support forcemasc despite being more of a forcefem guy myself but i have to agree with the criticism that it's not very forced like guys where's the coercion where's the at best dubious consent.......

[tongues-and-teeth-and-reblogs]

I'm starting to question if y'all actually read the story or if you just come on here and post about it.

[simplepotatofarmer]

and another thing!!

remember when fandom took techno's joke about phil's choice of decorations for the syndicate room to mean that it was him admitting they were actually the bad guys? and not like, taking the piss out of phil decorating the room with wither skulls and roses?

that was really wild, huh.

[neraiutsuze]

i LOVE the fact that you don't need to be romancing astarion to get him saying that you're the only one who's ever cared about him. like yes, this is a platonic thing, and also yes it doesn't make it any less valid or important.

and also, 'other people don't have a heart like you, you're you, no-one is like that' is just. so sad. it's a little funny but mostly just sad. and on the other hand, him approving if you tell him there are people who will love him if he lets them, trying to play it off with a 'don't sell yourself short' joke and not being able to fully do so...

especially when, if you do the rounds of camp, you've got karlach right there just FURIOUS about cazador coming after Her People, like. astarion buddy it isn't just me!! you've got a whole team here!! ;;