#by making character(s) based on their posts

[lila-kriegerin]

OMG, OP!

I was just about to suggest "Now & Then "

but I saw it in your tags.

I'm so sorry this may look like an unhinged rant no one asked for, but someone has to tell people younger than me what I know, so I spent 2 hours crafting a reply/follow-up/addendum to you post, OP. Please forgive any formatting errors. I tried to keep things simple and engaging but a few things may look a little bit odd depending on what sort of device you're viewing it on. I couldn't take the risk of making all the text too small

https://www.youtube.com/watch?v=RQLVzTtt2Ws

The biggest problem trying to find similar films is that they often involve at least two of the girls having some kind of relationship to boys causing drama (I'm looking at you, "Sisterhood Of The Travelling Pants "... and others) whereas a film like "Dead Poets Society " is definitely in that pseudo-homoerotic and explicitly homoerotic range of storytelling.

Why do you think "Little Women" was popular for so long? It was the 1oth century literary equivalent with the requisite brush with death and loss so common to an era before even antibiotics existed... and loss and grief still happen today.

It's true that so few are like "Newsies " and "West Side Story ", but DON'T sleep on hits like "Annie" &

🥁 drumroll, please 🥁

Want to guess what was the first obviously gay song featured in a film from Hollywood (after the Hayes Code)?

The First Gay Anthem: Calamity Jane's 'Secret Love'

It's not "West Side Story " because it's a western frontier musical, and they skirted the lines as hard as they could to have a nice Christian young woman fancying a "tomboy": Calamity Jane (who by historical record seems to have favoured women and men).

Though based on American Western folklore, this premise clearly imitated the successful 1950 film version of Irving Berlin's Broadway musical Annie Get Your Gun, about Wild West sharpshooter Annie Oakley.

But instead of a make-over, Calamity Jane gives its tough-gal heroine a powerfully symbolic pistol; her masculine aggression plays with sexual identity through gestures enlarged to the point of farce. And then it goes deeper--into emotional confusion that grows from Jane taking on supposed male habits. Doris Day brings comic overstatement to Jane's complex repression of her own instincts. Like many a closet case, she exhibits a self-defeating willingness to fit into a male-dominated culture. Her tough mannerisms are also designed to protect her hidden, vulnerable emotions.

You have to dig.

Dig deep, and be willing to watch a film with a different spoken language and culture, but there are some parallels.

Consider the Britney Spears film, which I believe is called "Crossroad(s)" in English. [Sorry, I don't have time to look up the title.]

Now— what if there were a film that's something a bit like a lesbian equivalent?

Touch

A Chinese movie produced/sponsored by the sapphic dating app Rela. It follows three girls on a road trip. Chinese language with English subtitles.

I've never, EVER seen any website draw direct comparisons to other films that way, such as:

If you loved "She's The Man" but want it more sapphic (though ultimately thwarted by the producer), you can't miss "Bend It Like Beckham"!

The photo which was posted by OP DOES contain valid points!! (No one is going to treat you "like a man/boy" unless they truly think that's what you are, and society DOES socialise people differently, so: how would a group of teenage girls or very young adult women ever have experiences identical to those in a film like "Dead Poet's Society"?)

Nevertheless, there are some similar films that are comparable:

"Superbad" — "Booksmart".

I decided to hyperfocus trying to think up some equivalents to "Dead Poet's Society".

Here's a quick comparison I spent far too much time on:

If you’re looking for a Dead Poets Society equivalent with mostly female characters, a few films capture that same blend of deep emotional intimacy, artistic passion, and repressed desire. Here are the best contenders:

1. Mädchen in Uniform (1931 & 1958)

This is the OG queer boarding school drama. Set in a strict Prussian girls' school, it follows a young student, Manuela, who falls in love with her teacher, Fräulein von Bernburg. The film is explicitly homoerotic in a way that Dead Poets Society is only suggestive of—there’s longing glances, whispered affections, and a stifling environment that tries to crush individuality and desire. Like Neil, Manuela faces tragic consequences for daring to express herself.

Cracks (2009) — If Dead Poets Society were darker and more explicitly about queer desire, it would be Cracks. This film follows a group of girls at a remote British boarding school under the spell of their charismatic teacher, Miss G (Eva Green, in all her seductive, unhinged glory). When a new student arrives, power struggles and hidden obsessions unravel. It has all the repression, poetry, and tragic queerness you could want.

Heavenly Creatures (1994) — Peter Jackson (yes, Lord of the Rings Peter Jackson) directed this feverishly intense drama about two schoolgirls in 1950s New Zealand—Pauline and Juliet—whose bond becomes so consuming that it leads to murder. Like Dead Poets Society, it’s about breaking free from repression, but it takes a much darker turn. The homoerotic tension between the girls is undeniable, and the fantasy world they create as an escape mirrors the way the DPS boys use poetry to carve out their own space in a suffocating environment.

Picnic at Hanging Rock (1975) — This one’s all about atmosphere—a haunting, dreamlike film about a group of girls at an Australian boarding school who mysteriously vanish during a picnic. While there’s no overt romance, the film is full of lingering touches, dreamy stares, and a pervading sense of longing and repression. The rigid Victorian setting and the contrast between the natural world and societal constraints make it feel spiritually connected to DPS.

The Falling (2014) — Starring Florence Pugh and Maisie Williams, this film is weird and hypnotic. It’s set in an all-girls school in the 1960s and follows a mysterious fainting epidemic that spreads through the students. It has the same themes of teenage rebellion, deep female friendships that tip into obsession, and an oppressive institution trying to crush individual expression.

Céline and Julie Go Boating (1974) — This is a more whimsical, surreal take on female friendship and creativity. It follows two women who fall into a bizarre, looping story in a haunted house, constantly re-experiencing and altering the narrative. It has a Dead Poets Society vibe in the sense that it’s about escaping rigid reality through art and imagination, but with a queer-coded, magical twist.

If you want the closest equivalent to "Dead Poets Society"...

..."Mädchen in Uniform" or "Cracks" are your best bets, and Cracks more than Mädchen in Uniform

because the latter is so old fashioned that to further scandalise viewers they paired a teacher with a student.

If you want something more poetic and atmospheric, "Picnic at Hanging Rock" or "The Falling" will scratch that itch.

If all of that is too gay for you (gofuckyourself, tee-hee)

You really, REALLY should try

"Mona Lisa Smile".

(...and if it's not too gay for you, then go watch CRACKS right now!)

"Mona Lisa Smile" [hereafter referred to as MLS] is often called the "Dead Poets Society" [hereafter, DPS] for women, and yeah, it certainly hits a lot of the same beats—

an outsider teacher inspiring students to challenge societal norms,

a prestigious school that values obedience over individuality, and

a group of young people grappling with expectations that threaten to suffocate them.

Where DPS is about breaking free through poetry and self-expression, MLS is about that sort of thing tosome degree, but more about feminism, gender roles, and the fight for intellectual freedom in a world that wants women to be just wives and mothers.

Similarities to Dead Poets Society

The Inspirational Teacher as a Catalyst for Change

In DPS, John Keating (Robin Williams) shakes up Welton Academy’s rigid, tradition-obsessed environment with poetry and passion.

In MLS, Katherine Watson (Julia Roberts) does the same at Wellesley College, using art history to challenge her students’ pre-ordained roles as perfect housewives.

Both teachers are NOT merely instructing— they’re awakening their students, making them see the world differently, and often doing so in ways that put them at odds with their school’s administration.

The Oppressive Institution and Its Ideals

Welton Academy is a suffocating prep school that values discipline over creativity, much like Wellesley College in the 1950s. They outwardly promote academic excellence but ultimately groom women to become ideal wives. (T_T)

Both films show how these institutions uphold deeply ingrained traditions that resist change, even when it's clearly needed.

Both films show some of the human cost of trying, and giving up.

A Group of Students at a Crossroads

Just like Todd, Neil, and the rest of the DPS boys who struggle between expectation and their own desires, the young women in MLS— Joan, Betty, Giselle, and Connie—each navigate their own battles between societal pressure and personal ambition.

Joan (Julia Stiles) mirrors Todd.

Betty (Kirsten Dunst) is like a mix of Cameron and Richard from DPS.

Giselle (Maggie Gyllenhaal) is the Charlie of the group.

The Tragedy of Repression

DPS’s tragedy is clear: someone's dreams are crushed & there is a heartbreaking su*c*de [all the trigger warnings apply]. MLS doesn’t have a singular moment that tragic, but its heartbreak is quieter—seeing some brilliant young women choose societal expectations over their own ambitions because it feels like the only option... that is definitely going to haunt some people more than it may haunt white cis-hetero male viewers.

In both films, someone (one you probably like most of all, in both films) will have something horrible happen to them by their own choice, and that is very haunting.

Additionally, I dont think it's too big a spoiler to say oth films end with the teacher leaving— but to say why would spoil the endings of the films.

The last scenes mirror each other emotionally: in DPS & MLS, a quiet, bittersweet goodbye with both endings suggesting that while the teacher is gone, the ideas they planted will live on.

Key Differences

The Central Conflict

DPS is about breaking free from repression through art and poetry. It’s about passion, self-expression, and the fight for creative freedom.

MLS is about that too, though with more of a (*cough*white*cough*cough*) feminist focus on gender roles, feminism, and intellectual independence to have intellectual and self growth as an individual— and it asks whether women can truly be free when they’re still expected to conform to outdated expectations.

Homoerotic "Sub"text

[be honest: if you miss it in either film you're in denial or unobservent and that is your own journey you need to take]

DPS is filled with homoerotic tension, especially between Todd and Neil. The intimacy between the boys—the longing glances, the whispered poetry, the emotional weight of their friendships—feels deeply charged.

If you DEMAND that level of queerness, MLS ain't it.

MLS has some queer subtext, particularly with [one character], who is coded as more fluid in her sexuality, but the film doesn’t lean into that as much as DPS does because it's focused more on the pseudo-historical narrative from the book upon which it was based.

Don't forget that DPS came out to cinemas...

THEN "The Craft" did,

THEN "Cruel Intentions" did,

THEN MLS.

DPS was intentionally pushing boundaries of censors for queer story-telling when the USA was still afraid for gay people to peck each other with a little kiss on the lips on television before 10 PM.

DPS ends in a tragedy that reinforces the cost of defying the system— [spoilers redacted], and the boys are [narratively] left in a state which leaves the viewers feeling a bittersweet limbo.

MLS is perhaps a bit more hopeful; and although the school seemingly remains unchanged, things in that world have definitely shifted for the characters.

Their worlds aren't fully transformed though for MLS, it’s beginning to open up, but MLS leaves viewers with their own bittersweet limbo like DPS[-lite] with a sliver of a dash of hope.

Final Verdict:

"Mona Lisa Smile" is "Dead Poets Society" through a differing feminist lens.

It swaps poetry for art,

an all-boys school for an all-girls college, and

queer-coded male friendships for female students fighting for their intellectual freedom.

It has the same spirit—

a teacher who inspires students to think for themselves, an oppressive institution trying to maintain order, and young people wrestling with societal expectations.

However, where DPS is a tale of tragic repression, MLS leans toward quiet rebellion— not a fiery "O Captain, My Captain" moment, but a slow, steady push toward change.

just saw this on pinterest and it hit me like a truck

[the-meme-monarch]

hi i like toontownjournalist’s blog and I’ve wanted to draw a character based on them/their pfp ever since i came across them. ended up with three

[1mm4d13]

If Doom 1 through 2 through 64 were faithfully remade in a 3 season, R-rated series (detailing the Doomguy’s three act journey through the Phobos and Deimos UAC facilities and Hell itself in S1, his mission to save the Earth from Hell in S2, and his eventual acceptance of a life of demonic bloodshed in S3), I’d love to see an hour long, surrealist episode recreating the story of House of Leaves (and MyHouse.WAD technically) where conquering trials against the Doomguy’s own sanity is the main mission alongside uncovering the story surrounding this House.

[megidoreyn]

Since we didn't get pseudo-fiend designs for the alignment characters in SMT4, I was curious in seeing how they'd look! So I made a pseudo-fiend design and reference/turnaround sheet for Walter-Lucifer just for fun😈💜 He uses elements from both of Lucifer SMT4's phases, as well as Walter's human features.

💜twitter

[takeru-minamoto]

if I had to point any fingers, I think the breaking point between "it's fun to ship these two, and I don't need canon confirmation" and "this couple is endgame and if you believe anything else, you're a hater and a war criminal!!" was the "Naruto Shipping Wars" back in the 00's... DeviantArt went from a nice place to post fanart, fan comics and shipfics, to pretty much a war zone...

when Shippuden was beginning to air in Japan, western fans were having such an influx of new information and interactions between characters (thanks to illegal streaming) that everyone started shipping whatever they wanted, even shipping people who never even crossed paths in any moment... it was in this climate that the beef between the NaruHina fans and NaruSaku fans got so bad, in DA, anti-groups started to appear, groups filled with fanart against each couple, or against specific characters... the hate got really bad, people flaming others for who they shipped, each side gathering evidence to support that either Sakura or Hinata were going to be the canonical pairing for Naruto (or even Sasuke, though the NaruSasu side of things wasn't as hateful)

After that, and with all that came after, the shinobi war, Madara, Kaguya, and Boruto... the fires of war died down, but I know some people who still insist that Sakura should've been endgame... it was a huge mess, and can't say I've seen any anime get that big in regards to shipping to split the fandom in half, except maybe BNHA, but that was a free for all race (with people shipping Deku with pretty much everyone in his class and then some), and however passionate each people has been regarding their ship of preference, most agreed that either Ochako or Melissa were the most likely endgame (even conceded that Horikoshi wouldn't prioritize couples in his story, which was mostly true), and neither side got as hate-filled for the other as with the Naruto Shipping Wars...

with all the changes in how we consumed anime back then, and the aftermath of the NSW, people started to gather information before blindly supporting a ship based solely on vibes... if you research a bit over internet culture, the point were people really began to make slideshows to present how X or Y ship is the most canon date back to the late half of the 00's

why did shipping turn into a contest of “most accurate” or “most likely to be canon” why do i have to get a 40-slide powerpoint, three defense lawyers, a fortune teller, and a background check of myself and my whole immediate family to say i want two ppl to have sloppy makeouts in a car

[stardestroyer81]

So, guess who's Steven Universe trash now?

After being convinced by my fellow Starfighters to give the series a shot, I've since fallen in love with it only fifteen or so episodes in, and I just had to whip up a design for what my Gemsona would look like! MASSIVE shout-out to @stephysalcido and @minxxikuo for collaborating with me on her design— it wouldn't have been possible without them! 💚✨

[koushirouizumi]

{K.H.R} ~ Tsuna {+R e b o r n} vs X-mas {2k13} {Featuring my R e b o r n rp partner} (as Platonic friend-ship)

{Names removed to protect P r i v a c y}

{Or in which Reborn is Trolling Tsuna Hard and I'm Too JewTM for This so I have Tsuna IgnoreTM everything while going about day} (It was a cross-over r.p. game l m a o...) {*The 'district' name blanked out was just a part of the game lore, but basically areas were divided into 'district's & N.P.C [or played by the mod's] (G o d s) were relevant to certain District, except Tsuna never got to meet any directly} (Tsuna arrived here first and Reborn later on, {also while giving Tsuna another name upon first meeting} so Tsuna does NOT KNOW its Reborn and thus the reason why Tsuna completely doesnt realize lmao)

{R.P. Thread by/featuring Me} (DO NOT Re-post)

[skeletalheartattack]

just give him some time to come to terms with it. he'll be alright.

[Referencing this post]

[steelycunt]

do you have already some ideas for pride au s? i need to know what is going on in that blender that ur brain is. do u see him with high waisted levi’s and crop tops??? is he a total doormat for smiths enjoyer r??? i need to know more

hi omg yes! yes i do! s' deal is slightly different to r's, in that r has no parallel/does not correspond to any character in the original film, so i'm basically inserting him as a figure into the narrative (although as irrelevant as this is, to me he is. closest to bill nighy's cliff if cliff was a young man in the eighties xx), whereas s more or less fills the position that mark fills in the film. but other than that he is completely free 4 me to characterise and i think he will be so fun honestly! from the thoughts ive had so far hes sort of a mess of a guy at least to begin with. he is kind of moving at a hundred miles and hour + throwing himself into organizing this thing but if you were to slow him down and put him under a microscope hes uhhh. quite lost + lonely in a way. i expect it will not take him very long to become quite embarrassingly gone for r i think he will consider him the best thing since. sliced bread within hours of meeting him he is imagining them both as the two maidens of pompeii its. a really poor performance from him. he thinks r’s accent is sooo sexy every time he talks s is twirling his hair like omggggg. say that again or please elaborate please tell me more…please…..

also i am looking forward to dressing him up in fun outfits again because he is first and foremost my barbie i am just not sure what yet! i am not as familiar with the eighties as i am with the seventies in a lot of ways so. the setting and everything that comes with that will be really fun to research xx although i am struggling to decide on s' music taste!! r lends himself very well to eighties music i think i could build him a record collection easily (including the smiths sad but true) whereas. s seemed to fit better in the seventies :-/ i am not sure what hes listening to in the eighties apart from seventies records he hasnt let go of yet!! and despite the much more glaring aspects of this fic i have yet to turn my attention to frankly. deciding what silly little songs s wants to listen to is currently one of my main priorities xx

[kakusu-shipping]

(Same anon)

hfgjshskfhdjakafk oh my god yes!!! :O please talk about your s/I and Nightmare Fredbear!!!!!! 👀👀

THANKYOU SO MUCH FOR THE AAAAASK!!! Nothing brings me more joy than being asked about my Self Inserts <3

This S/I I've had for a while now sense I finally toughened up and watched Markiplier's playthroughs of FNaF despite my fear of them, I just never talked about it because I don't know how to talk about it, sense it's the very first Kin self insert I've ever had.

Usually when I ~Vibe~ with a character I'll call it Kin, but this was a very different feeling and it took a while to figure it out. Once I did I kinda fell into imposter syndrome about the whole Kin thing sense I'd seen a lot of people take it a lot more seriously than I ever did, so I just.. quietly added the Nightmares to my F/O list and left it at that.

But now I'm finally here to say!!! I am the Crying Child!!

This Self Ship's funny to me because even in the FNaF Universe the Nightmare animatronics aren't Real so Nightmare Fredbear is still a Fictional Other fkgjfdkg

The entirety of the self ship happens while in a coma after the bite of '83, which you all know as FNaF 4. It's wasn't actually as scary as the game made it out to be... Well I guess at first is was.

The whole thing takes place in my house, but wrong. Like, my room has two doors and they won't latch, and all my toys look weird, and it's always night, and my head hurts all the time, and of course, there's animatronics in the hallways.

For a really long time I was super scared, I thought they were gonna eat me! But I spent a long long time with them and eventually became less scared. And then not scared at all eventually!

Sometimes I'd hear my dad or brother talking, but it'd be echoey and distant. Fredbear told me not worry about it too much. He's my best friend, so I trust him of course.

And, I mean.. That's it. It's not a very interesting self ship, just a child slowing succumbing to his wounds, comforted by the nightmares he had for years and years before.

The Ghost version is the thing that that Haunts the Narrative. It's as real as the Nightmares, and only Micheal and my Dad ever see it. I don't know what it is either, I just know it looks like me to them.

[neptunevasilias]

It's been pointed out that a lot of Vacuo characters are allusions to Arthurian legend, but I haven't really seen other common allusions pointed out before. That is, nursery rhymes and greek mythology. Rumpole being based on Rumpelstiltskin/Rapunzel also connects her to Theodore (Dorothy), being the only other "fairy tale" allusion.

[gamebunny-advance]

*Exhale*

Alright, I've been teasing it long enough. Anyone that's been paying attention has probably figured out what my oh-so secret project has been (not that it's going to stop me from vague-posting about it), and he really is close to being finished.

Face-up. Done. (Though I would like to touch-up where the paint has chipped)

Clothes. Painted.

Wig. Styled.

I literally just need to put the fringe on his scarf, but for whatever reason, I've just been hit with this wave of fatigue since about the time I wrote the last confessions post (frankly, if you ever see me writing/posting long-ass posts, it's because I've lost the energy to use my hands to make things).

I guess I just burned myself out from making both him and Kun3h0 at the same time, that when Kun3h0 got finished, my whole body shut down having felt relief from "completing" the project. To be fair, this has been going on since at least mid-Janurary, so I am more than ready to close the book on this one.

I'll try to finish him within the month, but there are also a lot of other things going on with me ATM, so I wouldn't hold me to it.

[monkayy]

Recent little things

[eosofspades]

i hate how difficult making massive projects is when it comes to art i am having the GREATEST idea for a video game but the only way it can come to actualization the way it needs to be to make it work is if i could get it picked up by a triple A studio

[thewingedwolf]

FIRST OF ALL my favorite thing about all the bitter fans who hate how popular the crows are is that they’ll say “focus more on the REAL main characters” and then name every single s&b character BUT mal, and then are all in leigh bardugo & the writers & actors mentions and comments saying “shame on you for ignoring your asian lead” re: jessie, but then they themselves completely ignore archie in favor of ben…and also amita is literally also asian and she’s heavy in all the crows promo!!!!! it’s such a dumb and inappropriate point to try to make literally in the mentions of the writers, leigh bardugo, and even sometimes the actors replies, like!!

second of all…the first book is LICHRALLY the crows going on a heist to human traffic/murder what they think is a middle aged man and turns out to be a teenage boy, they were ALREADY 🗣️HUMAN 🗣️TRAFFICKERS 🗣️ that’s Their Thing, they are unrepentant, ruthlessly competent criminals who are completely devoted to each other and no one else

[ajdrawshq]

so. for the hypothetical 999 poll playthrough. for both ppl who already know the plot n all that AND ppl who just know things secondhand/have never seen this game in your Life but like clicking poll buttons

screenshots will be included regardless just because <3