#bwv 244

[eternal--returned]

Johann Sebastian Bach ֍ St. Matthew Passion, BWV 244, Pt. 1: No. 1, Kommt, ihr Töchter, helft mir klagen

O Lamm Gottes unschuldig Am Stamm des Kreuzes geschlachtet Allzeit erfunden geduldig Wiewohl du warest verachtet All Sünd hast du getragen Sonst müßten wir verzagen Erbarm dich unser, o Jesu

[aschenblumen]

Johann Sebastian Bach, Matthäus Passion, BWV 244 (47. Erbarme dich). Karl Richter, director Julia Hamari, mezzosoprano

[spilladabalia]

BACH - "ERBARME DICH, MEIN GOTT" - MAGDALENA KOZENÁ - "SAINT MATTHEW PASSION"

[takmiblog]

マタイ受難曲

　マタイを聴いて、私がもっとも驚き且つ感動するのは囚人バラバにかわってイエスを十字架にかけよ、と叫ぶ群衆の凄まじい迫力を描いたあたりである。不吉な減七和音で、 「バラバ！」 　と叫ぶ群衆の劇的迫力は言語に絶するものがある。のみにかぎらない、全曲を通じて、およそ神の子イエスを罵り、彼は死に当るものだと叫び（四十二曲）イエスの流す血の責任はわれわれとわれわれの子孫の上にかかってもいいと言い（五十九曲）、更にはユダヤの王ばんざいと嘲弄する（六十二曲）愚かでこう言っていいならまことに涜神的な群衆を、驚くべき迫真力でバッハは描破している。こんなことが、だが許されていいのかと日本人の私は怪しむのである。

－－－－－

(http://www.audiosharing.com/people/gomi/tenno_koe/ten_10_1.htm)

天の聲　－西方の音－

五味康祐

[landrysg]

Music for Palm Sunday

J.S. Bach, St. Matthew Passion, BWV 244

Beautifully performed by the Netherlands Bach Society

[arno-vision]

Enjoy your weekend - IAV[060]J S Bach - La passion Selon Saint Matthieu (BWV 244) - 1st Partie

via @YouTube

#musicvideo #weekendfun #LoveandDeepspace #ClassicLiterature #art

[ded-lime]

Music asks babyyyyyyyyyyyyyyy

6, 9, 10, aaaaand 16

6:A song that makes you want to dance Dead Man's Party by Oingo Boingo maybe? dont think i ever dance much

9:A song that makes you happy 地獄はどこですエンマさま by 羽生まゐご. its a very charming song and sounds like early autumn to me

10:A song that makes you sad questions that got me googling emotion wheels (did not help) most of what i can think of is from games due to association with sad from said games, so ill pick vignette: panacea

16:One of your favorite classical songs hmm does 'song' imply that it has to have vocals and if so i am really tempted to send miku version for the funny. Mattew Passion, BWV 244: Aria: Buss und Reu (Alto)

[sakurabreeze]

Andreas Scholl - Bach: St. Matthew Passion - Matthäus-Passion - BWV 244 ...

[ripempezardexerox]

Panas tranqui

Bach - St Matthew Passion / Matthäus Passion BWV 244 (reference recording: Nikolaus Harnoncourt)

[irritablepoe]

*sighs dreamily* remember how he used to communicate with classical music to convey his evil plans?😔🙏

[nenyabusiness]

Shuffle Tag: Classical Edition

Thank you, @pursuitseternal! The only actual playlist I have is piano only, because, you know, classical pianist etc etc, but here we go. (Highly recommend the second one! Swedish romantic composer.)

How about you, @maironiiel?

[aschenblumen]

Johann Sebastian Bach, Matthäus-Passion, BWV 244 (Segunda parte, nº 39: «Erbarme dich»). René Jacobs, director Barbara Fink, mezzosoprano RIAS Kammerchor Akademie für alte Musik Berlin

[werewolvesandaccordions]

Bach – St Matthew Passion, BWV 244 (1727) It would be daunting to try and quickly summarize a piece of music which is among the longest and greatest achievements of Western music, but instead of sharing any one moment or aria or chorus, I thought I would share it in its entirety. This sacred oratorio is on the “Passion” of Jesus Christ, a dramatization of the last few days of His life and ending with his death on what Christians call Good Friday (according to the Gospel Matthew). Being the darkest and most sombre moment of the New Testament, it is the story that offers composers the most dramatic narrative potential. And Bach, who is often portrayed as a stuffy dry Lutheran who loves math, takes advantage of the dramatic potential by including some of his most strife and angst written music, including a lot of chromaticism, dissonant chords (especially diminished sevenths, the most ‘extreme’ dissonant chord acceptable at the time), and tone painting for almost theatrical purposes. Enough so that, despite never writing an opera, some have claimed this is the closest Bach ever got to writing one. All this being said, it is no surprise that Mendelssohn would find the music compelling enough to promote public performances of the work during the 19th century, being at the forefront of the “Bach revival”. The Romantics especially loved looking back at, and emulating baroque music, because they felt it had a level of emotional intensity and fluidity and lavishness that the preceding classical aesthetic didn’t have. And as mentioned, this is among Bach’s more emotionally intense works. It is a kind of free mix between settings of the Gospel’s text and various chorales and meditations/dialogues, and set for two orchestras (!) and two choirs (!!) along with soloists for the character parts (sometimes shared between them) and organ continuo. References to the crucifixion and death have the chromatic descents heard in Bach’s other mournful cantatas, as well as diminished sevenths and sudden modulations, especially for Jesus’ prophecies of the apocalypse. And for tone painting, the Vox Cristi is accompanied by doubling of strings creating a “halo” effect of the sound (all except for when He cries out “My God, why have you forsaken Me?”, the abscence of this halo is a musical expression of abandonment). And I’m always impressed by the sprawling opening where the orchestra unfolds melodic lines like churning waves, a kind of momentum towards the inevitable bleak ending we know is to come.

mikrokosmos: Bach – St Matthew Passion, BWV 244 (1727) It would be daunting to try and quickly summarize a piece of music which is among the longest and greatest achievements of Western music, but instead of sharing any one moment or aria or chorus, I thought I would share it in its entirety. This sacred…

[takmiblog]

SAINT MATTHEW PASSION

J.S.Bach

Uwe Heilmann

2023/04/16

Daiichi Seimei Hall, Tokyo, Japan

[landrysg]

Music for Palm Sunday:

J.S. Bach, chorale "O haupt voll Blut und Wunden" from St. Matthew Passion (BWV 244)