#but yes i love it everyone is having such a horrible time

[klorophile]

I agree and I don't at the same time... I've been having mixed feelings about this take and I'm gonna try to put some words on it.

First of, Arcane absolutely is a modern tragedy, yes, of course, no doubts about that. It's even presented with a classic theatre colored structure: different acts composed of episodes (scenes), and even works in threes to be fancy. And I mean... the characters, their actions, the consequences, the themes, ... You see how things will go bad, and they do go bad because of their premices. Tragedy all the way.

Yes. ...For season 1. But season 2? I personally expected season 2 not to be a tragedy, or at least not fully. Because I feel like... "what's the point?" Season 1 was already fantastically sad. Absolutely all the characters were shaken at their core (to the point of death for some), everyone was facing their big ass consequences by the end of it. Why repeat that in season 2? Because the message of "you always pay the consequences of your actions" had already been 100% delivered, I feel like there was no need to repeat it for another 9 episodes. In a way, I feel like it's redundant.

And maybe that wouldn't have been a problem. I mean, Game of Thrones told us from the start "you're gonna cry, 'cause the world is horrible and that's it" and repeated it throughout all the seasons, sure, but I think one of the differences is that Game of Thrones never promised anything else. While I know I feel like Arcane did.

One of their motto for the second season was that everything was going to be turned upside down, a 'story of opposites' as Silco says, they wanted to force the characters to be the opposite of what they usually are (Vi with no one to protect, Jinx a hero, ruthless Caitlyn, not alive silco ToT etc). And well... If season 1 was a complete tragedy and season 2 is going to be the upside down version, then why is it still a tragedy?

And I know, writing those words, that the obvious answer is "because everyone still face consequences", "because the world is a tragedy no matter who you are", "because you can't escape", etc etc. Okay. Maybe (most probably) I'm just a pussy who can't stand sad endings, especially when I have a blorbo from this show. Maybe.

But I think a lot of us are feeling betrayed, not just disappointed, hence the strong reactions. For @angelinthefire's "Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not." I wonder: Wasn't it the story itself that made us expect another genre at the end? Like I said, the part 1 tragedy then part 2 same tragedy feels weird.

And, in all honesty, I hate that I am saying all of that, because I completely agree that people should just tell the story they want to tell however they want to tell it. I did not expect to find myself complain about something being a tragedy instead of having a good ending.

But the other thing is that I feel like season 2 is not completely consistant about its 'consequences', and also, well, a bit cruel... Because if you look at Caitlyn, she paid very little, she's just forgiven by the narrative like that, because the writers decided that she was 'good', and that in spite of her actions. And don't read this as Caitlyn hate, I absolutely love her, but I think that doing this to her kept her away from the character development she could have had. I feel like they made her narratively good, but also less narratively intersting than she could have been.

Meanwhile, Jinx had to die with Warwick, and the message is that she finally pays the consequences of her actions from when she was 12 and accidentally got her family killed. And that's... brutal. Of course, I am a Jinx stan, so I'm not objective at all, I am aware. But if I am a Jinx stan, it's because the show made her oh so relatable. A lot of people see themselves in her. And that makes killing her a little tricky I think... Especially as what she is being 'punished' for was an accident, that in the end does not get to be forgiven.

And I mean... I think all of this could have been okay, actually. Season 2 could have been a second tragedy, why not. But what bothers me the most is simply that it does not work as well as season 1.

In season 1, the end is unescapable. That is precisely why it's a tragedy. Everyone is aiming towards it, everything is falling falling falling to this. But I am not convinced by season 2. Viktor and Jayce had to be obliterated by the arcane to save the world? Ok, sure, but then explain it! How does it work? What did they actually stop? Because the Hexgate is still standing there, hextech still exists, Piltover is still what it is... Events are going to repeat themselves. And sure, there won't be Viktor for a new Glorious Evolution, which is for the better, but what how why Ekko what what happened?? It's just not explained enough. If it's all about consequences then the arcane and the wild rune should be explained better because nothing feels like consequences, it just feel like plot written for itself. It doesn't feel like a tragedy, it feels like a story written by people trying to knot an ending. Vi and Jinx can't have a relationship anymore, because they always fall in this codependant nocious thing so Jinx has to fake her own death and flee the country all on her own? Ok, that's interesting. But why show that they could and actually did begin to mend things between each other then? (the both of them working together as equals, Vi asking for Jinx's opinion, Jinx learning to be the big sister with Isha and by seeing Vi with her alcohol problem, ...) Why show Vander and Silco (Vi and Jinx parallels) together if by the end the conclusion is that you cannot mend a relationship when it's been too bad for too long?

Anyway, I feel like what I disagree with in season 2 (one of the things at least, because we're not talking about the Piltover/Zaun storytelling here, amongst other things) is that we were told that it did not have to end badly, and then it did anyway, and for reasons that are not solid enough. I agree with season 1 because I see how it couldn't have turned differently. It shows us its heroes, and because they are what they are, the end is what it is. But in season 2, I just feel like the sad ending was forced. It's the other way around: the end has to be sad, so the characters are going to do this and that. And I think that is also a part of why we read the 'consequences' with the morale glasses on: because if it is more forced than logically flowing, then we see the choices the writers deliberately made, who they chose to keep alive and who they did not, and we wonder why.

They say it's about consequences, but it feels more like they are forcing their characters in a direction because they want the end to go a certain way. It's not inescapable like season 1. And if it's not inescapable, then maybe we deserved a good ending for season 2. Or at least an episode 10 that would be an alternate ending or something.

I've been thinking about how I would most concisely sum up the plot of Acane. Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not.

And I think the most concise way to put it is that Arcane is about consequences. The first episode starts with an explosion, that the characters spend the rest of the arc dealing with the repercussions of. And then the first arc ends with two massive events - Powder killing her family and the invention of hextech - that they spend the entire rest of the show dealing with.

I think most of the stories we get from Western media are about achieving or accomplishing something, or the failure to achieve something. And you can frame Arcane in those terms. But I think to best understand the story, you have to step out of that typical framework. Because the thing with an achievement-based story is that there is a particular end goal in mind, and I don't think Arcand has that.

Like take Vi and Jinx, for example. A typical way to frame their story would be that it's about two sisters trying to rebuild their relationship. That presupposes a certain ending: They either succeed or fail at their relationship, and that's what the focus is on.

But it's not about that. It's about - how do you deal with an event that fundamentally changes you?

In season 1, Vi's answer was to recapture what things were like before. In season 2, they try to redo the past (saving Vander) and get a different outcome, but that's impossible. The answer comes with Ekko - to build something new.

And this is all over the show - action and reaction, how the arcane wakes up, killing is a cycle.

[highbabyofthenightcourt]

To say that Azriel only feels lust for Elain, because of the bonus chapter, is irrational. From the moment Azriel met Elain, their relationship has been building a solid foundation. Their conversations had substance. She asked about his wings even though it was not relevant at all. He showed her such a gentle side of himself in an attempt to make her feel calm around him, even speaking poetically “we are born hearing the song of the wind.”

When Elain was taken to the cauldron as a human, Azriel was unconscious because of hybern’s arrow. He did not see what was happening and part of me believes that it is because it would be too much of a spoiler for their story, similar to the way Cassian’s reaction for Nesta was a give away of them ending up together.

After the sisters were made, once Feyre decides to take them to the town house, we have the scene between Elain and Azriel where he asks her if she wants to see the garden. Noting that he knew and remembered that she liked flowers. And Elain, does not balk from him, takes his arm and marvels at his scarred hands. She is not afraid of him. Not at all. She accepts his touch and finds beauty in him, even in her broken state.

Once she starts behaving abnormally with her new abilities, everyone assumes she is unwell. Even her mate. The only person who realizes she is a seer is Azriel. Which is interesting timing considering Madja’s words of mates knowing what is amiss with one another.

In the meantime there’s a lot of moments where we can see that Elain and Azriel enjoy spending time together. He lays in the garden reading work reports while she gardens. Feyre mentions that Elain clings to him for comfort in social settings. Even Nesta does not protest to their proximity. It’s logical to assume there are reasons for this.

When the cauldron lures Elain away, the only person who realizes that she is missing is Azriel. He is adamant that he will get her back. This is reminiscent of Rhysand’s attempt to kill Amarantha, and Cassian’s crawling to Nesta when she was to be thrown in the cauldron. He does not care if he will die. This could be taken as him just doing his job, but once they are back to safety and he is horribly injured, he still does not put Elain down from his arms. She has to be taken from him.

Fast forwarding, we see that Azriel has become very jealous of her mate being near Elain. We see that Azriel has spent his time trying to find her a necklace perfect for her. For a year, he has fallen asleep looking at the gift she had gotten him. Once Rhysand interrupted them and she returned his present, he had to be rid of it because he couldn’t bare to have it as a reminder of the pain of that night. He questioned the deity that decided he couldn’t be with her.

To say that all of this is dismissed by the fact that he is also physically attracted to her is ridiculous. To argue that this is true because he hadn’t “planned what to do afterwards” is nonsense. Attraction is actually enlarged by feelings of love. And he didn’t “plan” what he was going to do about it because 1. He had given her the space to be with another 2. He felt that he wasn’t good enough for her 3. Because he didn’t know if she felt the same 4. Because there is a God-like power who is against it. But all of this became irrelevant once he had her before him, once she knew she wanted him, too, once he knew she was aroused by a simple act of his.

And also, i would like to point out that Azriel never tried to initiate contact with Elain. Ever. And he probably never would. He said there was never unrestricted contact between them. She was the one to want his hands on her. She was the one to whisper “yes” to him. Because she wants him, too. She wants him innocently and sexually and romantically, and as does he. Nothing anyone says will discredit all the beautiful build up behind Elriel 💞💞🌸🌸🦇🦇🫶🏼🫶🏼

[demo-whale]

Brosten Pt. 2

I reposted by Brosten hcs recently and I'd remiss if I didn't include Pt. 2 - enjoy!!

Matt and Neil can both speak Spanish 

instead of using it to talk shit, they just say absolute nonsense to each other

Nicky always acts like they’re saying super offensive or petty shit

he’ll gasp dramatically and it just eggs them on

they drink from each other’s cups and water bottles and eat from each other’s plates all the time 

everyone else thinks it’s absolutely disgusting

“you didn’t even ask...”

“i don’t have to ask??” 

they go tailgating to other PSU sporting events in Matt’s truck, bringing along whoever is in the mood for hotdogs and busch lite

Matt teaches Neil how to throw a football, and they like to hang out at the park on the rare occasion that they have some downtime

Matt constantly has food for Neil in his bag, like little packets of fruit snacks or granola bars

Neil invites Matt to come running with him, and even though Matt doesn’t think he’ll like it, he agrees bc Neil thought of him and wants to hang out with him

he actually ends up really enjoying it, and Neil slows his pace way down to stay next to Matt

once Matt builds up his endurance they actually talk while running

Matt likes to say whatever pops into his brain, like he has no filter, and most of the time the completely random things he says just make Neil cry-laugh

Neil has a twitter account called shit-my-dad-says and it’s all the random nonsense that Matt says on a daily basis

it has over 500,000 followers

when Matt graduates, he continues to text Neil the funniest, randomest shit and Neil posts screenshots  

(Dan has a similar account called shit-my-work-husband-says and posts the absolutely horrible one-liners he says to her. it gets almost as popular as Neil’s account)

they know how to make each other laugh so hard they can’t breathe

once Neil becomes more comfortable with affection, they say “love you” to each all the time. 

at the end of phone, during practice, whenever the one of them does something small but sweet for the other

Matt makes Neil watch finding nemo with him, and from then on they constantly do the “gimme some fin. gimme some noggin. duuuude.” 

they watch TLC shows together

90 day fiance, say yes to the dress, Darcey and Stacey 

they like to yell at the TV

which is why they also watch bad horror movies together

when they get older and Neil and Andrew make Court, Dan and Matt take their kids to the summer Olympics every four years to watch them play

Neil makes the first exy game of the season for every single one of Dan and Matt’s kids, and the first basketball game of the season for their youngest who doesn’t play exy

Neil is the best man when Dan and Matt get married

he tells stories about them and about how much they love each other

he doesn’t get too sappy, but at the end he says, “Matt, you were the first person on the team to trust me and help me without wanting anything in return. I know the love you have for me is only a fraction of the love you have for Dan, so I know that you’re marriage is going to be unshakable. Here’s to forever.” 

Matt cries and Dan beams

they name their first child David Abram Boyd (Matt says it’s because those names are significant but Dan says it’s because the initials spell DAB)

they are the brothers they never had

[kandidandi]

I agree with the other anon, I feel bad for everybody in this situation. This new Sun because this is a confusing and worrying situation, Y/N because THIS on top of all the feelings of betrayal and trauma wondering where the person they fell in love with is, and Moon(if he's still alive) wasting away in the closet from soul-crushing guilt at what the virus made him do, everybody's not having a good time

well

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[parlerenfleurs]

Starting to think, going by the MXTX fandoms, that a lot of people are comfortable with being a bit terrible and not thriving for an ideal whatsoever, because they really really reeaaally want to believe Xue Yang and Jiang Cheng are poor cuties who weren't lucky and the heroes are a bunch of holier-than-thou arrogant bitches who need to be taken down a peg when the text says the opposite, because then it justifies their own faults and hatred of genuinely awesome people who seem to have it better in life and isn't that sooo unfair and isn't it fair that they should suffer to learn what it's like to suffer like them, poor tortured, petty, flawed humans who see themselves in the villains rather than the heroes.

[zaddyazula]

obviously i love strangelove’s character but she wasn’t written well… as a woman or as a lesbian…

[salemontrial]

Six of crows fandom, before you there is a Matthias POV chapter of Crooked Kingdom. Your task is to get through it in its entirety without making a joke about how his chapters are just him calling himself a whore for being in love with Nina or otherwise trivializing his religious trauma and deep rooted issues with purity culture. If you fail 3000000000000000 hammers will fall on you one at a time forever and ever. The hardest challenge of your life starts now,

[pepperpixel]

Some art of Tori from @misfitmccoward ‘s Naruto fic Plasticity! Because!! It’s such a good fucking fic…! I had to do fanart for it!! honestly after I first read it I was so fucking hype about it that I was almost like “omg.. I have to do an animatic or something for this. it’s SO GOOD” but. My ability to do animatics has kinda flushed down the drain recently ghghg- But! Still!! I had to at least draw some fanart for it…!

[jackass-jones]

Really into the episode of Ouran where this girl confesses her love to Mori but he doesn’t feel the same because he’s into Honey and the girl’s reaction is just like YIPPEE I LOVE YAOI THATS SO COOL FOR YOU YAY 🥰

[grimbeak]

i don't hate this sequel media where the main character is a woman (compared to the og media where the main character is a man) actually. i think you guys are just kind of misogynist.

[selfinflictedgunshotwound]

having twin peaks thoughts & theories bc i just started watching the return (i know spoilers ofc) and i have literally nowhere else to put my thoughts so i'm just gonna dump them here.

obviously i don't every single thing about twin peaks was meant to just be like... One Thing and that's it. i think there's room for interpretation for a reason butttt the one thing i just keep going back to about the show is just that. like. it's about the corruption of innocence and the perversion of family. of cycles of violence and abuse. children being sexually taken advantage of by "trusted" adults. teenage prostitution rings. barely a single relationship in the town wherein people aren't cheating on someone/cheated in the past. bob being "the evil that men do" (tbf this is technically just albert's theory but i choose to believe it) and now this weird thing with judy/the experiment (are they the same thing? idk yet) being the thing that CREATED bob? there's this weird thing i get with the black lodge/waiting room like... good people can't survive there without disappearing completely (nonexistence) or being permanently changed (in the case of annie, ig)

and then ofc you have the tormented souls being trapped there (laura, maddy, caroline(tbh idk what was going on w her doppelganger being there?), leland(he was originally a victim too, i'm getting there)) because of the things that were done TO them. i was thinking like. in regards to the frogmoth that crawled into sarah's mouth (when she was a child) and everything that's going on w/ her in the return (watching insanely violent things on tv, "eating" men, etc.) ... compounded with leland's story about bob "I was just a boy. I saw him in my dreams. He said he - he wanted to play. He opened me and I invited him and he came inside me." ... mr. c's introduction song being a twisted version of "american woman" (i've heard this is also related to diane's doppelganger, as well. makes sense) w/ the stand-out lyrics (aka the backwards ones) being "all my headstrong women... don't let em put you in a corner. make em salute you like a flag on the fourth of july." and sarah palmer having a shortened and remixed version of "good man" blaring in her house that just repeats the lyrics "i'm a good man. i'm having fun." like. there's smth to this i'm not insane...

anyways to go even FURTHER... there being specific emphasis on being in the right time and the right place. opposites (giant and dwarf, young and old, black and white, etc.) and the planets jupiter and saturn.

the experiment violently killing that couple that was watching the glass box bc they were having sex? or because they were(n't) watching? or both? the experiment very obviously being the thing inside of sarah but it pulling off it's own face within sarah and revealing a smile that looks eerily similar to laura's (even if not exact... ppl are such pedants about things being exact in this show where literally everything is drenched in like 8 metaphors at any given time) AND the laura in the black lodge/waiting room removing her own face in the exact same way. it's weird that in this instance, laura's dialectical opposite or opposing force is her own mother who she claims she has so much in common with. but this goes even a step further because when the experiment spawned in the glass box, it has a gold orb (or smth like it) like the one laura's like... spirit? was born from? AND APPARENTLY there's a little clip of what sounds like sheryl lee's voice saying "gone" or "the one" or something like that while the experiment is flying towards them (not unlike an owl) to kill them... hm. not to mention the experiment has a proboscis-like knife that comes out of its mouth that it uses to kill the guy sexually harrassing sarah at the bar... and carrie page has a dead guy in her motel room that has a hole in his head... could obviously def just be a bullet-wound LMAO but idk let's have fun w it!

i do think there's a crazy connection between sarah, laura, and the experiment/judy/whatever. "the room seems different... and men are coming. something happened to me. i don't feel good..." obviously, i will be able to make more connections and add to this theory as i watch more but from what i've seen i think there's a huge connection to children and how easily it is for them to be taken advantage of (literally every member of the palmer family was taken advantage of as a child when an evil entity entered them. i mean. how more on the nose can you be!!) or for their innocence to get stolen (prostitution, drugs, murder, becoming child brides to abusive older men... the list goes on). and there's obvious themes of intense sexual violence and dreams and blahhhh. it's like 5:30am and i'm theorizing about a show that will never have an actual answer LMAO... to be fair though it's not ABOUT actually "solving" it for me. i think most media works well when you get what you want or need from it and just kind of make that The Point and, for me, twin peaks will always be about the tragedy of laura palmer before it's about anything else!

i really do like that theory that dale cooper is just like. an entity that laura dreamed up to save her originally but in the end, after she had finally escaped being laura palmer and that life and that house and her trauma, he ended up bringing her right back to it. it's like. how does that not make people insane?

[sixohsixoheightfourtwo]

re: what fandom 'a little life' came from, my immediate knee-jerk thought was "backstreet boys." i have absolutely no basis for this other than Terminally Online Brain Worms esp bc..........there are 5 of those boyband fellas and as far as i remember only 4 main characters in that book lmfao. what can i say. the boyband angle feel right

yeah i'll incorporate that into my belief system

[whentherewerebicycles]

also i have probably said this before but i think faculty need to stop telling students that they shouldn’t go to graduate school. yes students should have the information they need to make the decision (including info about the low stipends, the not-so-great culture of many graduate programs, the vanishingly small number of stable academic jobs, etc). but i’ve always felt like some students are going to hear that and think “well, it won’t be me, i’ll work hard and beat the odds!” (typically your well-off students who have a lot of social & navigational capital and an assured sense of belonging in higher ed spaces), while other students are going to hear it and think “i wonder if they’re just saying that because they think i’m not cut out for graduate study.”

[pulchrasilva]

Jayyy jayy you need to lose your limbs jayyyy please jay jayyyyyy

[aria0fgold]

I'm going to write to Sirius' Heart again but an OC piece this time, set in an AU that I've created waaaay back cuz it fits the song. And ofc, that OC is Alec. It's always him.