#but yeah maybe one day I’ll learn how to do digital art
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mebiselfandi · 2 years ago
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monsterbroth · 2 years ago
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i woke up early today and am way too energised my brain is like spilling in circles but I still have not the right energy to be coherent or focus on actually doing anything with it
#thoughts#horrible feeling!#like tired but also way way way not.#the direct was fun. mario fans must have had a blast wow#not a bad thing I look forward to learning more of the peach game and the art style they went with for wonder is neat#uuuuh. oh I love the design of the glow pikmin they appeal to me very much. i haven’t played a pikmin game properly before but#I’m excited for 4 I’ve been wanting to get into it for a while now. uuuuhhhhhhh! silent hope seems neat ? dragon quest monsters too I like h#how it looks visually .wario ware is silly I don’t know if it’ll actually work but I like that it’s silly ?? I’m rambling to try to get#my energy to a manageable level I think it’s working talking takes So much energy#oh the the . i looked it up pennys big breakaway that seems cool I also like the visuals of that a lot#yeah this worked back to spacing out for me#wait the splatoon segment was weird that’s the last thing like. why’d they do that#maybe not back to spacing out exactly but definitely an improvement to when I started I’ll think of something else#oh I’ve been trying to learn to program in godot! it’s going slow since it’s a lot of reading and takes me energy pretty quick but#i think I’m doing well even if I can only do a little a day like I’m understanding it easy so far. don’t think I’ll be able to make anythin#anything for a while but making it feel less impossible to make something one day is nice#i made the tutorial turtle do a little dance : ) ! and I’ve been working on some crochet on and off. doing a bit more digital art though#just like sketching. i need to clean a bit so I can get my sewing machine set up I want to make little bags so I can carry more things#when I’m out. love having tiny bags for specific things in a big bag#oh and I’ve been reading about gardening a bit I need to map out the garden if I want to plant anything which I don’t know if I’ll be able t#to do any time soon but it’s still fun to think about and I hope I’ll be able to do it some time#ok words over I promise <3 back to art maybe goodnight
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whereismyhat5678 · 1 year ago
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Guys, the new year hasn’t started for me yet, I still got a few hours to go but I’ll mine-as-well make this post since I’ll probably go to bed anyways- 😂
First, I’d like to say
WE GOT A NEW BANNER LET’S GOOOOO‼️‼️‼️‼️
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HELL YEAH! -I mean it’s just the characters but- HELL YEAH‼️‼️‼️‼️
SECOND. I want to show you something AMAZING and that something I’d never expect??
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321 FOLLOWERS????
YOU GUYS ARE INSANE THANK ALL OF YOU SO MUCH MY GOD‼️‼️‼️‼️‼️
It really makes me think how all of you guys really like and appreciate my art, and the fact that so many people encourage me to keep doing it, it brings me to tears! 🥹
Every one of you are the best thing in my life!! The first time I got Tumblr I started in:
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March 30?? That’s insane- 💀
And the fact that I’ve improved SO MUCH is just INCREDIBLE!
You wanna see the FIRST drawings of Peppino??
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YEAH THAT’S ME I DID THIS-
And you’re telling me that this was in what- THE START OF MARCH?? (Or February I don’t remember-) But this is just the PINNACLE of how much I’ve changed in terms in art style and experience.
I bring this up because I think Tumblr is the REASON why I improved so much! I experimented with brushes (digitally) and I found my brushes!! I learned how to EXAGGERATE AND ACTUALLY DRAW CARTOONY LIKE I’VE WANTED TO FOR SO LONG!!
(And NEVER took an art class. That’s fucking what- 💀 I need to take one I actually need to at this point-)
Also also also- I’ve learned a lot of things! Anatomy, exaggerative expression, stretchy cartooniness, ALL OF THESE ARE JUST- I can’t believe I’ve learned all this because one day I decided: “Maybe I should ACTUALLY get a social media for my art? 🤔” AND I DID IT AND CHANGED MY LIFE‼️‼️‼️
YOU GUYS CHANGED MY LIFE!-
My followers!- My mutuals/friends- I NEED TO SAY HOW MUCH I APPRECIATE ALL MY MUTUALS, ALL OF YOU 💖💕💖💕💖💕💖💕
Everything about Tumblr has changed me in SUCH a positive way in not only terms of art but with how many people (TALENTED PEOPLE) I’ve made FRIENDS with AND ACTUALLY got to know!!!
I already said it but you guys are absolutely AMAZING and I just CAN’T FATHAM how much this year has just been a BLAST.
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My mutuals:
@noodletime @moon9931 @marclef @margarita-the-pizzeria-worker @lucia-the-mii @lovestryke @lord-yiikes @ijusthavefun @linhfoxmoive @kate-bot @nomlioart @boogiestronic80s @zedortoo @jarroyave4637 @atlaslovesedm @alaskacoolkid1 @remaking-machine @average-amount-of-chaos @cherryxsapphic @dingle-dee @eyeballdrawer @tailsdollsnewlife @radaverse @gongustheawsome01 @fluffygiraffe @qwertykeyboard045 @w00den-h3ad @the-little-knight @oddpizza @misdreavusplush
(OKAY- I may have added some people on here that I think ARE REALLY COOL, I may not talk to you much but I’ve seen you guys like my art and I think ya’ll deserve to be on here 🫶💖✨)
AND IF I MISSED ANYONE PLEASE TELL ME I’M SO SORRY BUT JUST KNOW I LOVE ALL OF YOU THE SAME (Platonically) I HOPE YOU GUYS HAVE A WONDERFUL NEW YEAR AND HAVE A GOOD ONE 🎉🎉🎉
GOOD NIGHT TO ALL YOU LOVELY PEOPLE YOU GUYS MEAN THE WOLRD TO ME AND HAVE A GREAT NIGHT 💖💖💖💖
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waxingrunes · 1 year ago
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what are your thoughts on tracing ? because im fairly new to digital art and i’ve been trying to draw this truck forever now and i cant !! but i cant help but feel that if if i trace its cheating ?? but like also fuck that because art is art but some people can be really mean about it.
I’ll be really transparent with you here and you might not like my answer for that fact.
Firstly, as a beginner (I’ll circle back to this later in my answer) you do whatever you need to do in order to get comfortable with your style and learn. Trace the truck, trace whatever you need to and evolve and adapt as you go, I’m rooting for you newbie.
To answer on a greater scope, I’m very much of the mindset that this place is a stupid little ‘community’ for us to all enjoy no matter what you like or do or don’t do, or to what level. No piece of art created within this fandom space is up for exhibition in the Tate, none of it is up for marking or comparison, etc and should be created however you want to create it. Nothing here is that deep at the end of the day and every single one of us should be here to enjoy the same fictional characters no matter what.
All this being said I will be honest and say, I know for fact one or two artists here trace and make out it’s ‘100% their own’ and some of this stuff is so painfully obvious it’s traced, it makes me wildly confused when the hoards of ‘talent’ comments pour through. I hate this part of me that twists in annoyance because the other half up there ^ wants to throat punch me for it. What pains me about it, I think, is when people will claim one thing to be true when it’s not. They don’t have to make a big show out of it or how/where their materials are coming from, I’m not asking for a dedicated paragraph every time with cited sources and images, just be a bit more honest and transparent about where your shit’s coming from. If that’s AI, amazing, just don’t pass it off as your own. If that’s tracing, nothing wrong with that, just don’t churn out piece after agonising piece and say “I only use references” when it’s eye-wateringly clear that’s not the case. If I see it, I won’t be mean about it, just suffer in silence. And if the topic comes up amongst people I trust I’ll pass my opinion between those safe walls, as I don’t advocate for unwarranted, uninvited public criticism.
I don’t want to discourage anybody from learning to draw digitally through tracing because we all start somewhere. I’m pretty certain I had a sketchbook in the womb with me and have drawn humans/bodies/animals/basically living forms for a long time, but anything else like trees, buildings, furniture, scenery (this fucking car I’m trying to draw for the next piece) I suck at and absolutely despise doing. It bores me, but as a personal choice I won’t turn to tracing because I want my art to be consistent (-ly shit) over suddenly perfect. I don’t think I’m superior for making that choice and am not saying you suck for wanting to trace because honestly, I am constantly oscillating between ‘it ain’t that serious’ and ‘I just wish people would be more honest’.
I’m still going bet you regret fucking asking! Basically I’ll never be a dick about it if I see it or someone tells me, ‘hey I trace!’ Because good for you, give us the good shit, give us the characters and pairings we want in that form and I’ll eat it up just like the rest of us because we’re starved. But yeah, food for future thought maybe.
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kinocomix · 11 months ago
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Metal band story devlog 11: Dealing with productivity as an artist
so here’s an update since last week, the rest of the designs kind of… worked out. I could go ahead and explain the ways that i got there but you’re well familiar with how the process can be volatile and all over the place and this wouldn’t be adding much value to the conversation. and I really don’t want to burn steps here so I think this is an excellent opportunity to talk about something that was going to come up naturally, which is productivity. though It would be rather dickish on my behalf to talk about designs without showing anything (I feel like that could be a good burn to some designers out there) so here you go:
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left to right: Rami (lead singer), Jamil (drummer), Rabih (guitarist/bassist) and Leila (manager/other)
if you’re just here for the comic side of the devlog that’s all there is this week. But if you stick around, maybe you’ll read something you’ll find helpful. anyways…
On the 12th of october 2022, I wrote the following in my journal:
I don’t understand the concept of artistic satiation. The idea that, as an artist you could sit back and just go “yeah I’m good” [...] when I share my art, that’s a part of me that I am proclaiming. this thing is about me. [...] it doesn’t need to change the world, it just needs to have been useful to [me]. so when people “have enough art” it really makes me question their priorities. Were you making art for you? or is the art you’re making not good enough to be called your art?”
Productivity is a surprisingly sensitive topic to talk about with any form of objectivity because if you boil things down, human beings were not created to measure anything: circadian rhythms are a thing because we’re not meant to all go to bed at the same time, there might be a big scary thing and someone needs to be awake at any given time to warn the others. The time of day is never the exact same in two places because you’re not intended to measure it. I’ll stop before it starts to sound like I just drank a bottle of cough syrup and got bored of alphabetising my vegetables. The point I’m putting across is that one of the defining traits of humans is that we construct things around our reality. We add measurements to it that let us do great things, we make GMOs and structures and telescopes and planes and come up with fun stories about things. But if there’s something we can learn from any table top role playing game is that a system is great until it’s not: at that point the solution is to add, change or ignore the system entirely. Productivity is the idea that you can measure the effectiveness of something, even potentially optimize it to make it better – however you may define better. This is where my personal experience comes in, so bare with me for a moment.
earlier that same year, I had this conversation with my therapist, you’ll notice some parallels to that journal entry I mentioned earlier: 
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If you pay close attention, you can calculate just how long it really takes someone to internalize the concept of self respect and love. The understanding that a person’s life and worth is unrelated to what it is that they’re doing. Today I am Charbel who goes online by Kinoko and likes to draw himself as a round sheep. Tomorrow I might be Charbel, the man who's passionate about theoretical economics and skydiving, and that’s just as good. Does this mean I have plans to stop art? I don’t think so. I’ve seen first hand that I’m capable of making nice things that help even a single digit amount of people go through a tough time, and I think that’s something great that I want to keep doing. But if something were to happen that permanently stopped my ability to draw and write and talk, I think I’d pick the cello back up again. 
When an artist makes something you like and finishes it, sometimes you wonder why they never seem the same after that. they appear infrequently and seem to close in on themselves. Maybe a large shift will happen in their style and way of doing things that seems unexpected to you. I get it, and I’ll try to explain it, having been through a miniature version of that myself after finishing my first comic. it should come as no surprise that Almost home means the world to me, even less so that finishing something that big leaves an impact on you. What do you do after you save the world? Will you save it again? save another? Sometimes, the answer is easy. you just do something else. It can be daunting and uncomfortable realizing you have to go through all those feelings again, learning to understand and appreciate your new different characters, seeing them grow and then reaching a point where they, for a lack of a more delicate way of saying it, have served their purpose. Do you just… make more? It feels weird. they’re like your kids. 
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but you kind of have to. There’s a lot more to say about art block, not having the time for your art and such but I don’t think I’m personally qualified to talk about that since, honestly, it’s not my experience. What I do know is that I have these 4 characters so far, and I’m looking forward to getting to know them better.
now with that out of the way I’d like to discuss some exciting things that aren’t quite ready to share yet that I am doing for the comic. First off, since canonically at some point the band would have a fashion designer, I have spoken to one who seems to be onboard and looking forward to working with me. Second, I’ll be visiting a dog shelter to get references to make the fifth member of the band sometime soon. lastly, I need to learn how to use musecore because… reasons. making a comic is hard okay?
we also need to work on the branding for the band and make concept art and like a billion things but WE’RE GETTING THERE
devlog updates on tuesdays.
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goron-king-darunia · 2 years ago
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Eggtober 12 Avocado Toast (Featuring Tomato and, of course, Fried Egg.) Clip Studio Paint, Gouache Brush, Dry Gouache Brush, Airbrush (for the barely visible bread texture) and Freckle Pen (for the pepper.) 20 colors, 1 hour 30 minutes. Took a little longer on this one because I spent an inordinate amount of time lovingly rendering the tomato that I knew no one was going to get to see in the final product. (Don’t worry, I saved it to another layer since @quezify said last time that he appreciated the peek behind the curtain.) This was another request by a friend. I must say, I wake up every day excited to choose an egg from the many options I have available and just... have fun putting it down on (digital) paper. I’ve got some yammering about that, but since I’m already going to post a “behind the scenes” under the cut, I’ll shove the musings down there too. As always, big thanks to the Egg Master Supreme, @quezify​ for organizing this. It’s wonderful to see so many people getting into art again or branching out and drawing eggs for the first time, all because one zany dude said to Tumblr “You know what? Let’s paint eggs for a month.” And enough of us said “Hell yeah” that I get to see so many different styles and mediums. Loving every moment of it!
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(Art first, because LOOK AT THOSE TOMATOES! I love how they came out, I want to shove them in my mouth! AAAH!) Now for the rambling musings. I’m starting to get really comfortable with the gouache brush, a tool which I previously never used, and I’m also getting more comfortable with art in general. My usual process from childhood, when I did much more art, was to slap down pencil work on real life sheets of paper, line it in pen or photograph/scan it and upload it to my computer to line with the pen tool, and then just do everything with pen for bright, solid colors. Most of my other techniques were one off flukes, like the fire I did in my icon’s background. And my newer process, as an adult who just started learning Clip Studio Paint, was fairly similar. (I just started with CSP recently because it came free with my newest tablet and my old standard, Photoshop Elements [I dunno the version, 7 maybe?], was too old and would resize on my new rig so all the buttons were SO GODDAMN SMALL it was a pain to use.) The only difference is that, as an adult who’s home more often than not, I skipped the paper. Sketch, linework with the pen tool, then color under the line art with pen. Or, for a certain other project, I color under the line art with the watercolor brush. I’ve always wanted to try gouache because I’ve seen it worked with IRL and it’s got such pretty results! Opaque like acrylics and oils but flows like watercolor. I suppose it never occurred to me to look for it in the toolset. The last time I even used brushes meant to represent real media before CSP was when Corel Painter was a thing and I had it with my very first drawing tablet. And even then I didn’t use it often. I mostly used the watercolors because that was my favored medium IRL. But I quickly started to prefer Photoshop Elements which also came with my first tablet. And slowly I stopped using anything resembling traditional mediums. But I figured, hey, Eggtober is already a time for me to learn some new tricks and get some practice in, watercolor will look too translucent and it has a paper texture to it that I’m not sure I want. Let’s see if this thing has Gouache. And it did. And now it’s my favorite brush. The way it blends naturally, the ease of pressure controls so the opacity is easy to alter stroke by stroke. It feels like laying down real paints. Once I got used to how it behaved it just... clicked. So yeah, now that I know how to work with it and now that I had the brain explosion necessary to figure out my new process of laying down the darkest colors first and working my way up, it was all too easy to go “Oh. I like laying down these colors. And instead of trying to predict where I’m going to put the avocado, I’m just going to draw the full tomatoes for fun and practice and then figure out the avocado slice placement.” And then I spent roughly 45 minutes just... adding detail to tomatoes. Because it was a genuine joy and I was smiling the whole time and I could just look at those juicy tomatoes forever. So yeah, I know I say it every time, but I for real owe quezify everything for giving me a reason to pick up a new tool and learn and just have fun with it. Kicking my depression’s ass, my ADHD’s ass, my artblock’s ass, and my (lack of) motivation’s ass, all with the power of “Egg fun, draw egg.”
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shirecorn · 3 years ago
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how about 17 and 24? what inspires you and how do you deal with art block?
Long post warning.
Art block...
I don't actually get art block, which is probably a combination of neurodivergence and drawing every day for the last 3 years
I wrote an entire tutorial about how to do that, but didn't feel like illustrating it. Would people want to read it even without visuals?
Maybe... I'll just start rambling.
There's a couple different types of art block, and it's really just a philosophy puzzle to get past them. I'm going to assume that the things I think of slow days, or art mud, is a milder form of art block and work through that.
Art block is a symptom, not a disease. You probably have something deep inside that you don't want to face, or don't know how. Sometimes you need to discover the cause, sometimes just power through.
Method 1: Rest
Let yourself just Exist. The act of consuming art is part of the process. Watching shows and playing games, taking a break and going gardening or focus on school. This is what you need for burnout-induced art block.
Method 2: Action
I always choose action, sometimes it means a tiny 2 min sketch per day. Ugly or super simplified. As long as I don't stop moving.
Toss everything. Start every piece thinking you will throw it away.
The act of drawing moves you forward; pinning it to the fridge does not. Don't work things until they are perfect. Work them until they are there.
Art block causes and solutions:
- No Inspiration
Not sure what to draw, nothing seems appealing. Art won't come out like it used to.
Do studies from life or photos. Sketch, paint, digital, traditional, doesn't matter. Rocks, fruit, figure drawing, landscapes, buildings, anything.
Study and copy professional's work. Old masters are best, like rubens, michalangelo (only his men tho) etc because they will teach you anatomy while you work. If you copy someone with a lot of flaws, you will repeat those flaws.
Trace to learn, not to earn. Trace photography and art from anyone you want. Don't post it unless you have the artist's permission or they are dead, whichever comes first. This is strictly work for yourself, on yourself. It's not about the finished drawing.
Find an artist with a fun style and try converting stuff into their style. Don't make that your new style though and especially don't start selling it. Your style is a chimera of everyone you love, not a clone of one person.
Take blurry photos. You don't need a fancy camera or good skills or beautiful subjects. Doing studies from your own photos can spark life into your workflow.
Make challenges for yourself. Randomly generate things to combine. Try fusing characters! Don't try to make it look good, just be fun.
Doodle patterns, swirls, lines, random stuff. Try looking up art warmups and doing some of those.
- Everything Sucks
You finally see how bad you are. Or somehow you got worse. Every piece is a fight and you spend hours trying to get something right only for it to be stiff and disgusting and STILL wrong.
Why are you trying to draw good? It's enough just to draw.
Accept that your art is bad. Every artist can see flaws in their work. Your problem is that those flaws outweigh anything remotely worthwhile and hurt to look at.
So what? You're in a period of growth, not a period of production. Keep that wonky second eye. Let them have hot dog fingers.
Show everyone! Show no one! No piece of art can ever be a reflection of the artist. Not their worth, not their skill. The only thing your art says about you is "Held and moved a pen for a bit."
Make bad art. It's ok. Most of the time, the pressure to perform and get things Right is what made them wrong in the first place. Relax.
- No Motivation
The #1 killer of artists everywhere. On some level you think you should draw, on every other level you think you should stay in bed.
You are not lazy. You wouldn't have read this far in a post about art block if you were lazy. You wouldn't CALL it art block if you were lazy. Laziness is wishing you didn't have to do anything. A block is wishing you were doing something. If you think you can namecall Yourself into productivity again, you're wrong and You need to unionize so that you don't treat You like that anymore.
Consider Mental Illness. Losing interest in something that brought you joy can be a symptom of depression. I know it seems obvious, but if you're waiting for a sign that it's "bad enough," it's bad enough. Seek care if you have the means. Forgive yourself if you already know this.
Selfcare. Examine yourself for neglect. Nutrition, exercise, enrichment, social need, and sleep are all part of the art process. Eat three meals and sleep 8 hours. That's your gaymer fuel. You deserve it, I promise. Depriving yourself of your needs will make your blocks worse, not kick you into making them better.
Identify potholes. Sketchbook falling apart? Tablet cord frayed? Half your pencils missing? Chair uncomfortable? Desk hard to reach? There's a lot of things that you tell yourself to work around and get over. Just because you CAN workaround something, doesn't mean you SHOULD. A difficult work environment can cause secret dread deep inside that you don't recognize and just think you're lazy. What you think of as "no motivation" might actually be "I don't want to deal with my tablet disconnecting every time I move it wrong and I have to wiggle it for a few seconds to make it work again." These little things are like potholes in the road. Sure you CAN still drive through them, but eventually you're going to look up and realize you haven't voluntarily left the house in weeks.
Repair potholes and roadblocks. You might feel bad about buying a new pencil, headphones, tablet, car, etc because technically the old one works if you hustle. But if you're running into so many potholes you've ground to a halt, it doesn't Actually work anymore, does it? Invest, save up, request, and require working equipment and suitable conditions. This stuff isn't just cushy privilege, it's an investment in yourself and your art. You are worth the effort it takes to clear the way. If you can't afford reliable (reliable! not perfect or luxurious) equipment, then say it. If cardboard is all you can afford, draw on cardboard. But know that you deserve canvas, and one day you might be able to make the jump. Acknowledge that sometimes, if you don't have it in you to smear burned twigs on wet cardboard, the problem isn't motivation, but opportunity.
- Haven't Drawn in So Long
A unique type of art block that self perpetuates. The thought of starting again is so stressful you can't do it. Or maybe you'll do it tomorrow. Yeah. Tomorrow for sure.
Face your fears. Are you ashamed of your lack of drawing? Are you anthropomorphizing your paper and thinking it's going to judge you, like "oh NOW you come back >:/" I internalize voices I hear and project them onto other people, concepts, locations, and inanimate objects. Your paper, computer, WIPs folder.... none of that is judging you.
Reframe your WIPs. Do you feel shame when you see "unfinished" projects? Why? Who says you MUST bring everything you start to Finish? You don't have to. A sketch is a finished art piece; it's called a sketch! If a sketch is a fully realized creation, pages that are half colored, 75% lined, or partially rendered are all fully realized creations too. Unless paid otherwise, art is done when you're done working on it.
Lower the stakes. Draw a chibi or grab some crayons. Get messy and slowly ease yourself back into the flow over the course of a couple days. It's fine.
Get a buddy! Find an art meme, do an art trade, get a study subject, or just wing it. Drawing art alongside someone can help you get past that block.
Pretend you never stopped. Don't think about the gap, how long it's been, or rustiness. As far as anyone knows, you drew the mona lisa yesterday and didn't break a sweat. Today, you drew a starfish on your hand with a gel pen. Keep up that streak, good job!
Just keep drawing. Make a goal to do one sucky drawing per day on the back of a napkin. Don't make up for missed days, just pretend they didn't happen. Who's going to judge you? The calendar? That's pieces of paper; it doesn't have an opinion. Draw a cat on it. Done. Keeping up the momentum is a great way to prevent art blocks in the future.
TLDR: Draw imperfectly and toss it. Selfcare is king. Draw often and don't judge yourself.
Art is a process, not a product.
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1ddiscourseoftheday · 4 years ago
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Mon 14 June ‘21
Louis Tomlinson Cooks is here!! Yeah it’s 100% for sure as delightful to watch Louis make himself a sandwich as you might have hoped, but how was his cooking? Well I’ll let Louis rate himself-- “I’m not gonna lie not that appetizing is it, I mean look at it,” he says when it comes time to taste his creation, plus, “chopping peeling slicing not great to be fair- everything else I’m all right” (he’s… not wrong, even aside from the peeler issues has this man ever held a knife??) but- “it probably tastes nice though as I said it’s not about presentation for me… [munches cutely]... it’s actually pretty banging, that’s actually quite nice!” Success! Maybe it’s cause he knows the secret to faking good cooking- “as you can see I don’t have a lot of cooking ability so the more butter the better,” I mean the experts can tell you, that’s advanced stuff right there! #Louis-aChild! Substituting mustard and ketchup for coleslaw is a bit of a bold move, but in a belated attempt to convince the kiddos to eat some healthy veg even though he won’t he does bravely try the cucumber strips despite being “not really a man for cucumber” and makes a pained attempt to be positive- “bit of crunch.” Oh and speaking of crunch I’m relieved to have learned that the waffle is NOT a waffle, it’s a crispy waffle shaped bit of potato; a much more reasonable fish sandwich addition than the American version of a potato waffle! Full Time Meals polled to see what people think of Louis cooking; the two choices are “it was amazing” and “the best,” THEY GET IT. My kind of Louis poll! Helen Seamons rated him a “10/10 for effort and entertainment”, Masterchef acknowledged Louis as one of their own, and Marcus Rashford keeps it simple- “my guy” with a lil heart. YEAH, SAME.
Harry showed up in Italy, where he was papped in Venice being driven around (with PA Luis) on a boat (as you do, in Venice). He’s in a cool embroidered Bode shirt and shades and fancy hair, looking good. He’s seen carrying his suitcase, taking photos, and resting his head on his arms looking like a model. One might think, since we just saw the My Policeman cast and crew on set celebrating the wrap of the shoot, that they were done filming and Harry was off to do something different, but nope, he’s there to film! The book has key scenes in Venice that folks had been wondering about the filming of, and David Dawson is also being boated around Venice for the paps, so, it seems that was just for the wrap of the *UK* filming, which makes sense I guess since it would mostly be different crew I imagine, and perhaps some of the main cast are done as well.
Liam’s NFT sale is happening tomorrow! If you’re confused and want more info, I’M NOT GONNA HELP THAT MUCH… uh but I mean you can check out Liam’s youtube video explaining though I would guess that won’t help much (even Liam thinks so; “there’s probably websites that explain a lot better than me” he admits). There is a roundup now posted of what’s on offer for the buyers of the NFTs but I’m gonna be really honest with you, I’m more confused now than I was before. It’s clear that there are only SIX LONELY BUG NFTs right? They for sure said that I believe. But the packages for each different piece (token bundles) seem to me like they’re available to multiple buyers? Like maybe you don’t get the NFT but multiple top bidders on each get the extras? Like they can’t be selling multiple copies of the NFT... can they?! Isn’t the WHOLE POINT that only one person gets to own it? I DON’T FUCKING KNOW I AM SORRY. What I think I understand to be true: the six NFT buyers get to go to “a once-in-a-lifetime immersive dining experience at Resorts World Las Vegas” (this is the dinner with Liam and “a selection of crypto leaders from around the world” which takes place on display inside a giant glass box) and also “a bespoke commemorative presentation box containing the world’s leading holographic display... with audio... and a custom made Lonely Bug commemorative coin,” and “a unique QR code directing the owner to a special ‘Director’s Cut’ edit of the short digital film ‘Making Of Lonely Bug Collection’ which features unreleased footage from the day of the drop showing the creators' reactions when the winning bids came in” (I mean YEAH I would think it’s unreleased it literally hasn’t happened?) But then there are really a lot of other extras including tickets with Meet & Greet access to any Liam Payne headline show around the world, admission to pool and cinema parties in Vegas with Liam, signed art, non-Liam extras (I will literally bid to NOT have 20 minute phone calls with those crypto entrepreneurs PLEASE… but that’s just me), and access to an online party hosted by Liam; I really get the impression many of these, especially the last one, are just crypto tokens that are for sale that aren’t linked to the main Lonely Bug NFTs and many more than 6 people can buy them but a lot of the extras I’m not clear on which it is. Perhaps tomorrow I’ll understand better WE WILL SEE.
Liam also dropped by the discord last night to say some hellos (after a “long long day”) and that he “bought a piece of NFT art of myself tonight I’m going to give it as a prize Monday night so someone can own a piece of art that was owned by me” (an even less tangible bragging point than simply owning an NFT wow that’s an achievement) and the most important update- “I want a French Bulldog”! Oh and he said “that’s like one I did myself” in his fanart channel to a pic of a tiny crocheted illustration of Louis and Harry holding up a rainbow flag. Didya Liam?? (...Liam is crocheting??) Anyway I recognize who it’s supposed to be because it’s based on a familiar piece of fanart, but Liam definitely might NOT realize it’s meant to be someone specific, and tbh I’m more <eyeballs> at him saying that at the rainbow flag crocheted thing than at it being shippy.
Our Song acoustic version is out this Friday!! And Niall talked about NH3 some in an interview today; “I’m in the studio most days, it feels really good. I’m kinda in the latter stages of it and then I’ll go get a band together and go in and record the whole thing. I’ve just kind of been writing for the past 9 or 10 months and really enjoying it” and “It sounds like a complete album. God knows when it’s coming out because I’d like to be able to get around the world to see all the fans as well” and “It’s different. It sounds a lot more grown up. I’m 27 so it’s about time. I really wanted to kinda cement a sound. The singles I’ve released previously have all been kinda different sounds. I would like to have my ballad sound & like a cemented uptempo sound.” He and Anne Marie also talked about one of the other songs they wrote together saying, “It’s kind of like a, how do you describe it- guitar driven meets Tom Petty meets Katy Perry meets…” but say “We haven’t really decided if we are putting it out yet, the conversations are kinda happening... but it’s completely different (from Our Song).”
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torchickentacos · 2 years ago
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5 Things I’ve learned about digital art in one year of doing it (plus my favorite pieces I’ve done at the end)
In no way am I saying these as rules, just things I’ve found have helped me improve. It was last august/september that I got my surface pro and decided to try krita, and here’s what I’ve learned from it! Again, not rules. Also, I’m not saying this as someone who thinks they’re super good at digital art- it’s a hobby that I have gotten better at but next year I’ll have even more things I’ve improved!
1.) OPACITY IS YOUR FRIEND. Learning the opacity setting for things like shadows is amazing. In some programs you can use opacity in individual layers and not just tools, which is even better if you don’t want that stripey layery look. 
2.) mess with the different brushes. Seems obvious but hear me out. I tend to use the same 5 tools, and that’s fine for sketches and lazy stuff but when I’m going for a more serious piece it’s good to try and figure out which brush will give you the effect you want. When I started, I thought, ‘there is no way I’ll ever use 2435 of these’. Since then, I’ve used most of them. 
3.) your neck, back, and wrists will hurt. Especially if you have Ehlers Danlos Syndrome, but that’s more a me problem. Invest in ibuprofen (I prefer naproxen though), those microwaveable neck beanbag things, and wrist braces or compression gloves if you tend to work all day like I do some days. I personally work with my screen up and tilted instead of flat because it helps my neck more, but just find a position that’s comfortable for you even if others think it’s weird. I personally get weird looks for drawing semi-vertically, but you do whatever you have to do for your neck to keep working. Necks that operate are generally something worth preserving. 
4.) something I learned just yesterday or the day before, thanks to @householdpowerhouse - clipping masks are worth messing around with and figuring out. The more advanced settings still scare me, but I’ve already shaved HOURS of erasing edges off because of clipping masks. They’re a godsend. 
5.) there are no rules. Suggestions, sure. Guidelines, yeah. But no rules. You’ll see these tiktoks telling you how to draw stuff, and unless you want to emulate that art style, take it with a grain of salt. It’s AMAZING to study other people’s art- their preferred brushes and styles-but at the end of the day, following rules about digital art is going to possibly stifle you from finding your own style- something I’m still trying to do. I have four-ish different art styles I mess with because I don’t have mine yet, but those all developed through me experimenting and messing around rather than doing what someone on tiktok told me to do. 
Finally, tools are there to be used. It’s not cheating if it makes your life and your art easier. It’s kind of like other tools in life- I use a cane for my joints, for example. That’s not cheating, it’s a tool that’s there for me when I need it and it makes my life easier. 
Ok, time for me to round up my favorite pieces I’ve done!
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Not fully happy with this one (Suki from ATLA) but I was super proud when I finished it so it deserves a spot here. This was the piece where I realized I had talent. Maybe not as much as other people but THIS was the moment I realized this was somethign I really enjoyed and got a lot of happiness out of. 
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And finally, a wip I never finished but still LOVE.
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ruthiswriting · 4 years ago
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heart line
mp100 | serirei, reigen arataka, serizawa katsuya, kageyama ‘mob’ shigeo, AU, 6k | on ao3
It doesn’t really matter, he reminds himself. He’s making a change, just like all of Reigen’s clients. What’s on his hands isn’t set in stone. He just has to make sure Reigen doesn’t see it— even if it might feel nice to have that steady attention, Reigen’s hands that are so much nicer than Serizawa’s folding around his. 
(or: Reigen starts offering palm readings as a service, leading to Serizawa having to confront his feelings for his boss.)
this is pretty fluffy, only real tw is some self deprecating depression thoughts from seri.
-
One day, when he comes into work, Serizawa sees Reigen industriously spreading a new poster on the wall, next to the monthly specials.
“Oi, Serizawa,” Reigen says, head half turning, first in acknowledgment, then in focused interest. “Come help me finish putting up this poster— I can’t get the last corner. Or well, I could,” he allows, stepping away from the wall as Serizawa approaches, “but I don’t want to get the step ladder out of the storage closet, it’s always such a damn pain to dig it out. You had really good timing, you know…”
Serizawa comes in at the same time every day, so he hardly thinks it counts as good timing, but he doesn’t say anything. Reigen passes over a thumbtack that he’s been holding between his teeth— a terrible habit, one that always makes Serizawa’s stomach start doing awful twists when he sees him doing it— and Serizawa takes it, stepping to the wall.
The poster’s half up already, it’s really just this one corner that’s a bit awkward to get to behind one of Reigen’s potted plants. He smooths the corner out, hesitant, and carefully pushes the tack in.
“A little up,” Reigen directs from behind him, and even though Serizawa can’t see him he can feel the way Reigen’s head tilts to look under Serizawa’s stretched arm. “It needs to be straightened out— ah, the other side’s falling out, can you get that too? Serizawa! The bookshelf, watch it.”
After a few more tweaks, Serizawa finally manages to pin it to the wall in a way that satisfies Reigen. Serizawa runs two fingers over the slightly wrinkled corner— he can’t remember if it was already slightly bent, and he swallows nervously. But if Reigen notices, he doesn’t say anything, humming appreciatively. “Right. This’ll be good, people will walk in and see it with the monthly specials.” He stops, hands drumming on his hips. “Unless it should go on the far wall, while they’re sitting during the consultation? It works well as an add on, so maybe if they see it there it’ll drive more sales…”
Serizawa’s slowly processing the actual contents of the poster as Reigen hems and haws to himself. The center of the poster’s occupied with a giant stock photo hand, with arrows helpfully pointing to different creases and hills in the flat palm. A nauseating array of colors pinwheel around it, making it difficult to look away from once your gaze has drifted to it. PALM READINGS, the banner across the top screams out. LEARN ABOUT YOUR LIFE, LOVE, AND FORTUNE. Then, explosions of price points decorate the bottom.
Belatedly, he realizes he saw Reigen working on the poster yesterday during a slow hour in the office— slowly dragging together clip art in a way that he found appealing. Serizawa had avoided asking questions, since Reigen would then want his opinion on the poster, and Serizawa didn’t have the slightest clue about anything to do with design. Now, he could actually understand the poster for what it was.
“No, better to leave it here,” Reigen decides, bringing Serizawa out of his reverie. “Now, I’ve just got to add it to the website.” He sighs, scratching his cheek. “Damn builder’s always so tedious to fiddle with.”
“I didn’t know you could read palms, Reigen-san,” Serizawa says, still staring at the poster.
“Hm? Oh, yeah, I read a couple articles about it over the weekend,” Reigen says, starting back to his desk. Then he half turns back, adding, “when you get to my level, it’s easy to pick up this kind of stuff, you know— it’s good to buff out your skills, too. Sort of…” He spins a hand in the air as he thinks. “Expanding your resume.”
Serizawa nods. This makes sense to him. To Serizawa, Reigen’s never had much of a recognizable aura— or really, he thinks privately, any recognizable ability at all. But he has a very long list of clients, successful exorcisms, and the attention of the most powerful psychic that Serizawa knows, besides maybe the president. Not to mention the entirety of CLAW’s former 7th Division’s admiration and respect. All of those people can’t be wrong, Serizawa reasons, so it must just be something that he’s missing. Serizawa misses a lot of things. And as Reigen’s repeatedly told him, his powers are just more spiritual, so him picking up a new ability with some light reading seems perfectly reasonable. “One of my classmates talk about learning coding a lot, since that’s good to have on a resume,” he says. “So it’s kind of like that, maybe.”
“Well,” Reigen pulls a face as he drops into his desk chair. “That’s a different kind of resume.” He swivels to his computer. “While I’m updating the website, Serizawa, can you look at the client list for the day?”
Serizawa hastens to look at the digital calendar that Reigen’s set up on his phone. “There’s a consultation in the morning, at ten,” he says. “Two massages in the afternoon… An exorcism at four.” Serizawa will be gone by then. Kageyama will be assisting with that exorcism— Reigen’s marked that on the calendar too, although Serizawa’s not sure Mob’s once looked at the calendar Reigen constantly refers to.
Reigen’s practically rattling the keyboard with the force of his typing. “Plenty of down time today, then,” he said. “I’ll be able to get this set up no problem.”
“Reigen-san,” Serizawa begins, awkward. “Should I…” Reigen’s stopped his punitive typing to stare at him, which always makes Serizawa’s words begin to stutter. He clears his throat and tries again. “To better assist the clients. Should I learn about palmistry, too?”
He doesn’t know why he asks. Most of the questions he asks feel pointless as soon as he says them, and this one’s ridiculousness is heightened by the way Reigen frowns. “If you want to,” he says, tone implying he’s not sure why Serizawa would. “I was planning on handling it, since it’s mostly interfacing with the clients, and you’re still getting comfortable there, but I wouldn’t stop you.”
Serizawa can’t stop the way his shoulders sink, and hurriedly, Reigen adds, “you’re doing fine, Serizawa— I’m glad you’ve got the initiative to ask about it. But I know you’re busy with your studies, so I didn’t want to take up your time unnecessarily. You’re already a great asset to the business.”
Again, Serizawa wants to protest, to say that really he should be doing so much more for Reigen than brewing tea and exorcising stray ghosts. But he shouldn’t argue with his boss, so he just nods, swallowing all of his words.
It only takes a few days for someone to take Reigen up on new special— a jittery looking college student with spectacles twice the size of her eyes. She comes about a necklace that she inherited from her recently deceased grandmother. Serizawa can’t see anything on it, and Reigen smoothly steps in to handle it. As he shreds rock salt over it and kept up a stream of gentle questions about her grandmother, the girl’s eyes roams over the wall, and she asks about the palm reading. Within seconds, Reigen has the lights dimmed, incense candles in Serizawa’s hands that are apparently his responsibility to light.
Reigen sits on the edge of his seat, face serious as he looks down into her upturned palm. She watches him with wide eyes. “It’s not so much that your palms determine your fate,” he explains to her, voice taking on a knowing, mystic quality. “It’s more that they’re a microcosm of reality… The big’s encapsulated in the small.” He draws one of his fingers along a crease in her fingers, barely a ghosting pressure.
As Serizawa struggles with the candles, the match in his hand finally catches, and the light blooms across her face. The beginning of a blush is striping across her nose.
“This is your head line,” Reigen says. Then his finger moves across another web. “Your heart line. Your fate line. And your life line.” For this last designation, his finger curves across the base of her thumb and comes to rest against her wrist.
“The life line,” she says, eyes wide. “I heard once that if you have a short life line, that means that you’ll die young.”
Discreetly, Serizawa peeks at his own palm, but he can’t track what any of the mess of creases are supposed to be when transposed onto his own hand. “Not necessarily,” Reigen says, shaking his head. “Your life line has more to do with your vitality. If it’s short or shallow, that’s not necessarily bad, but it might mean you need to make a change.” Reigen’s mouth draws into a frown. “…Have you been feeling disconnected from the people around you?”
“That’s exactly it,” she says, voice a relieved rush. “It’s been so hard, ever my grandmother died…”
The conversation streams on past Serizawa. He watches as Reigen gives her advice, her hand still resting comfortably between Reigen’s long fingers.
The palm readings only happen occasionally, but Reigen seems satisfied enough with their performance— like he said, it’s a nice add on. But on days when someone asks for one, they cling to Serizawa’s mind the entire train ride to his night classes.
Regardless of Serizawa’s perception of Reigen’s aura, he proves himself as a natural when he sits down with a client for a palm reading. No matter what he says, they always gasp in shock at how accurately Reigen’s pinned down their life with just a few sentences. Then, he’s immediately pinwheeling into advice on how best to fix their relationships, their jobs, their life.
He doesn’t like it. The idea that, just by looking at his hands, someone can accurately judge everything inside of him. Reigen never says anything bad about the clients, of course, but he’s sure that he has to see it. All of Serizawa’s mistakes are surely reflected in the creases of his hand— and he’s made a lot of mistakes.
Serizawa spends a lot of time staring at his hands on the train. They’re square in shape, with short, blocked off fingers, and a tangled mess of lines and mounds— what Reigen calls the bumps of flesh on the client’s hands. He doesn’t know what any of it means. He doesn’t think it could be anything good.
It doesn’t really matter, he reminds himself. He’s making a change, just like all of Reigen’s clients. What’s on his hands isn’t set in stone. He just has to make sure Reigen doesn’t see it— even if it might feel nice to have that steady attention, Reigen’s hands that are so much nicer than Serizawa’s folding around his.
The train rumbles under his feet, and hurriedly Serizawa tucks his free hand under his armpit. Like if it hand is out of his sight, the obsessive thought might be too. It doesn’t stop his eyes from ghosting over everyone else’s hands, that all surely say much better things about them than Serizawa’s.
He’s not doing a good job of not thinking about the hands.
Mainly, he keeps thinking about Reigen’s, which doesn’t bode well for Serizawa’s attempts at professionalism.
Serizawa realized fairly early on that his feelings for Reigen exceeded the typical respect one should have for an employer. It even went past the gratitude that one should have for someone who saved Serizawa’s life— because genuinely, Serizawa thinks that Reigen saved his life by giving him this job, when Serizawa didn’t even have a high school education or any practical experience beyond being a reformed terrorist. Even if Serizawa’s managed to stop referring to every manual of business practice as inarguable law, enough of them reiterated the extreme inappropriateness of workplace relationships that Serizawa figured it was a rule he should stick with. Their cautions at power imbalances, lack of professionalism, and the inevitability of messy breakups bang around in Serizawa’s mind every time he looks at Reigen.
Of course, it’s not like Reigen would want anything to do with Serizawa even without these restrictions. Reigen’s a good, helpful person, and he saw that Serizawa was in a bad spot, and wanted to do something about it. That was all. So, it’s up to Serizawa to draw a professional boundary. If he maintains a distance, that’s better for both of them— Reigen won’t have to deal with Serizawa’s messy, inappropriate feelings, and Serizawa won’t get hurt.
But the palm readings make that so much harder than necessary.
Reigen has nice hands, and he takes full advantage of them in every moment. They accent every word that Reigen ever speaks, making his case for him before he’s even begun a sentence. And when Reigen’s hands are making an energetic arc across the room, Serizawa keeps finding his mind going back to the dim office— the candles flickering in the dark, the sweet heady scent of incense. Reigen’s hands comfortably enveloping his hands.
Not his hands, really. It’s only Serizawa’s hands in his flushed, distracted imagination. He wishes, very desperately, that Reigen wasn’t so dedicated to the atmosphere of his services, but if he’s being honest with himself, Serizawa probably would have the same problem if Reigen conducted palmistry under the boring office lights.
It’s just Serizawa’s embarrassing personal problem. It’s something he has to deal with on his own. Another misguided crush on his employer— except he’s so sure that Reigen would let him down gently it burns.
It’s a slow day in the office when Reigen says, tone casual, “Serizawa, let me read your palm.”
Serizawa’s pen jags across the paper. He’s doing homework, which he always feels guilty for, even though Reigen’s repeatedly told him it’s fine, even offering to help him with any assignments he’s having trouble with. Now, he’s punished for slacking on the job by way of an unfortunate ink splatter obscuring a section of his notes. Serizawa feels a static charge draw up around his ears, and he takes a deep breath as he settles the pen against the page. “I don’t think that’s a good idea,” Serizawa says.
“Why not?” Reigen’s half out of his chair before he’s distracted by a loose set of papers about to escape his desk. He pins them down with a half full mug of tea, then continues his circuit around the desk. “We don’t have a client until later this afternoon, and it’ll be fun— enlightening, even. It’s a good team building exercise.”
He’s pretty sure Reigen just wants to put off the paperwork that he’s been complaining about the whole morning. It’s given him too much time to let his eyes drift across the room and watch Serizawa, probably monitoring any possible mistakes in his work. The palmistry poster’s right behind Serizawa’s head at his desk, so maybe that’s what made him think of it. Regardless, Serizawa does not want Reigen to be enlightened by anything about Serizawa. He clenches his hands into fists and sticks them under the desk, like maybe Reigen will forget about it if he can’t see them.
All the excuses collecting in his brain don’t make it to his mouth in time, and Reigen’s leaning against Serizawa’s desk. “Come on, Serizawa,” he entreats him, voice wheedling. “Don’t you ever unwind? It’s not bad to have a little fun when it’s slow.”
Serizawa can’t think of something less fun than his crush learning all of his secret and not-so-secret inadequacies while holding his hand. Plus, he’s sure that there’s something better both of them could be doing— that’s another thing the self help books harp on, that you can always find something to do to improve your workplace. But he’s not good at telling Reigen no. And so, in a matter of seconds, Reigen’s setting up the office as Serizawa watches, arms locked at his side.
“You don’t have to waste the incense candles,” Serizawa mumbles as Reigen energetically lights a match.
“It’s not a waste,” Reigen says firmly. “Anyway, I do my best readings when there’s a proper atmosphere.”
Since there’s no way to get out of this, besides maybe running straight out of the office and never coming back, Serizawa sits down at the table where Reigen always ushers their clients and waits. Reigen draws the blinds shut and then sits across from him, wiggling forward in his chair.
Reigen’s thighs sandwich the low table between them, pressing close enough for their knees to touch. Even though he’d dreaded the low lighting before, Serizawa’s abruptly grateful for the fact that Reigen can’t see the way his face heats in the dark.
And then, Reigen’s hands are taking his.
His hands are cool, maybe even a little clammy. They rest calmly against Serizawa’s over-hot skin, and Serizawa’s sure Reigen can feel the way that his pulse is rampaging in his wrist. Even before the palm reading’s begun, Serizawa’s hands apparently have the ability to betray him. He tries to swallow his nerves, again, force it all down. He can control himself, even if he’s feeling scared and lovesick. He’s not the person that he used to be.
Serizawa’s reminding himself of all of this, when Reigen says, very seriously, voice a low murmur, “you’ve got nice hands, you know.”
“What?” Serizawa blurts. “No, I don’t.” And then he flinches, immediately berating himself for contradicting Reigen.
Reigen’s eyebrows rise up, vanishing under his bangs. “Sure you do,” he says, insistent. And then, he turns Serizawa’s palm flat, running one electric finger around the circumference. “Square palm— short fingers. You’ve got earth hands. Means you’re reliable, Serizawa.”
Even though his brain is buzzing with this much prolonged contact— Serizawa’s not exactly had a lot of people spend extended time touching his hands, much less Reigen touching his hands— this sentence manages to drag him a little closer to reality again. Reigen just meant that comment in the context of palmistry, of course. He’s probably said similar things to his clients, even if Serizawa can’t exactly remember him saying them in this moment. He breathes.
After waiting long enough to realize that Serizawa’s not going to say anything in response, Reigen returns to tracing the lines of his hands. “Look here,” he murmurs, moving one finger down the center of his palm. “You’ve got a pretty pronounced fate line.”
And Serizawa knows, immediately, that that can’t be right. He’s heard enough of Reigen’s explanations to his clients to have learned that a deep fate line means you have control over your life— that outside actors don’t control your fate. Serizawa can’t think of something less likely to be applied to him. He feels his face sink, watching Reigen’s hand move, back and forth, over his own.
Reigen’s lying to him. He probably doesn’t mean it in a bad way. He probably wants to boost Serizawa’s abysmal self image, because Reigen’s good hearted like that. But it stings that he’d tell Serizawa falsehoods just to make him feel better, against something that demonstrably isn’t true. It calls into question every other good thing Reigen’s said about him.
“Aren’t you going to ask what that means?” Reigen’s eyes move up to look at Serizawa, burning holes in him.
Serizawa sucks in a breath that ghosts over his teeth. “Reigen-san…” He swallows, throat clicking. Every noise he makes suddenly feels so loud and over important when they sitting this close, without even the hum of fluorescent lights to drown it out. “I don’t really know if that makes sense, from what I’ve heard you say to the clients.”
Reigen’s eyebrows work together. “Your fate line can change over the course of your life, you know,” he says slowly. “Just like how you can change. It’s just a reflection of you.”
Serizawa lets his hand drop— it’s only Reigen’s interlaced fingers against the back of his hand that keeps his hand from knocking against the table. “I don’t know,” he mumbles. “I don’t know, if I’ve changed enough to justify that.”
“You’ve made a lot of changes,” Reigen says, still insistently not letting go of his hand. His fingers interlace into a cradle, and Serizawa can feel the press of Reigen’s index finger on one knuckle. “You’re taking classes. You chose to leave a harmful situation, when it would’ve been easier to stay. You’re working here. Serizawa, you’re the one that’s taking charge of your life now.”
But even that’s a falsehood. Serizawa knows, deep in his bones, that he never would have left CLAW on his own. He never would have been able to see past the circumference of his umbrella and his own starry infatuation. The only reason he was able to leave at all was because of Kageyama, forcing him out of the fantasy he was living in, and Reigen, offering him a lifeline when Serizawa was sitting in the absolute rubble of his fake life.
“Serizawa.” Reigen’s voice is suddenly sharp. “Are you really going to doubt an expert spiritualist such as myself?”
“N— no, I didn’t mean—“
“Then accept it. You’re the only one in charge of your life. Let’s look at something else more interesting,” Reigen says, immediately shifting gears and ending the conversational thread. “Your heart line, it looks like it’s pretty—“
And this is something that Serizawa absolutely cannot handle. He yanks his hand out of Reigen’s before he can stop himself. “Reigen-san,” he said, voice climbing an octave. “I don’t know if that’s— appropriate.”
“Eh?” Reigen’s blinking at him.
“I mean,” he pulls his arms back, keeping whatever incriminating information is inscribed on his hands safely hidden. “Isn’t it bad to discuss… Relationships, in the workplace?”
Reigen tilts his head like Serizawa’s said something foreign. “It’s perfectly normal,” he says. “I help Mob with his relationships all the time.”
That’s obviously completely different, Serizawa wants to say, but the words won’t come. Suddenly, he’s seized with the idea— Reigen already knows exactly what he’s thinking and feeling. There’s probably a specific triangle of flesh on Serizawa’s hand that communicates, this person is in love with their superior, and Reigen’s seen it and knows. Serizawa feels the redness climbing all over his face. He can’t stop himself from looking down, palm turning up as he tries to find whatever betrayed him.
And immediately, Reigen’s grabbed his hand again. Serizawa feels his brain misfiring as Reigen yanks it closer. “Look,” Reigen says, eager. “Yours begins below your index finger, from the edge of your palm.” He indicates it, and Serizawa desperately wishes his heart would stop jackhammering in response. His pulse is loud enough to hurt his head, so surely Reigen can feel it pounding in his grip. “Means you’ve got a giving heart, Serizawa. It’s pretty short, so you’re introverted… But deep, so relationships are definitely important to you.”
“Aren’t they important to everyone?” Serizawa asks, floundering for any type of purchase in this conversation.
“Not necessarily,” Reigen says. “I mean, think about it— you’ve definitely met people who’ve put more work into relationships than others, haven’t you? But you value the people around you, so your hands reflect that. Maybe even…” His hand traces a crease, and he wiggles an eyebrow at Serizawa. “Value of a specific person? Someone you have in mind?”
Bone deep shame makes itself known from within Serizawa’s marrow. His fingers automatically curl inward, in an attempt to hide, and suddenly, without realizing, he’s holding the tips of Reigen’s fingers under his.
He expects Reigen to pull back, automatic, but Reigen doesn’t move at all. All Reigen does is go still, not meeting Serizawa’s eyes all of the sudden. His nose dips forward to look down at their hands, hovering above the table. It’s like he’s shy. Reigen is never shy.
“It’s a good thing, you know,” he says. “You’d be a good partner.”
He’s staring down at their hands, resting against the table, still not moving to pull his fingers away, or even to spread open Serizawa’s hand to continue his relentless assault of kind words. It’s like he’s perfectly content to rest there, long fingers trapped in Serizawa’s grip, which is probably too tight and not at all pleasant. Serizawa keeps waiting and waiting for Reigen to pull away, but he doesn’t.
Then, suddenly, the door to the office buzzes, signifying a walk in client. Reigen pinwheels away so dramatically he almost falls off his chair. A little pop of psychic energy spreads out from Serizawa’s feet, lifting everything in the office just an inch off the ground before it drops again. Serizawa stands, frantic, looking for something to do as Reigen hurriedly draws open the blinds.
It’s too late, though. The unexpected customer’s standing in the entrance, staring at both of them. “Um,” he begins, phone held lamely up. “I saw the sign outside, and I was wondering if I could ask about getting some spirit tags…”
Reigen recovers admirably, immediately pivoting into welcoming the customer and acting like it’s perfectly normal for both of them to sit around in the dark with only candles to see by. Serizawa guesses it’s not totally unreasonable— it is a psychic business, after all. You’d only know it was strange if you were a regular customer, and this man isn’t.
The only thing that betrays it as odd is the red blush that’s spread all over Reigen’s face, even staining his ears. It couldn’t be because of Serizawa, of course— it’s just that a customer caught him off guard. It has to be that.
Serizawa stares at the back of Reigen’s flushed neck, and wonders.
The rest of the day is tense.
It’s not exactly like Serizawa and Reigen sit side by side all day, but Reigen normally will get up and come see what Serizawa’s doing. He’ll hang over him as he supervises his work, or offer suggestions on whatever homework assignment he’s working on. In general, Reigen seems to dislike sitting still for long hours. He tends to pace about as he verbally puzzles through work problems to Serizawa, or Mob, or, probably, to an empty room. But after the palm reading, Reigen stays firmly confined to his desk, not saying anything at all as he still fidgets. Even when a client comes for an exorcism and he has to get up, Reigen maintains an exaggeratedly respectful distance between him and Serizawa.
The palm reading plays on repeat in Serizawa’s head, offering new mistakes for Serizawa to fixate on each time. The more they sit in silence, the more Serizawa’s completely sure that Reigen knows exactly how he feels. Why else would he suddenly become so shy? He wishes, fervently, that he’d just managed to keep it to act normally. Maybe if he hadn’t made such a fuss about the whole thing he wouldn’t have made Reigen uncomfortable. Now it’s even more obvious to Reigen where his feelings lie. It must disgust him, to have to deal with Serizawa’s sad, misaimed emotions— pathetically clinging to any basic kindness shown to him.
The whole afternoon, Reigen’s ears stay red as he works at his computer, only stealing glances at Serizawa when he thinks Serizawa can’t see.
He has to say something. He has to to apologize to Reigen for making everything so awkward. Maybe if he promises that he can control his feelings, that it won’t get in the way, things could go back to normal. Serizawa wishes the earth would swallow him whole. But it won’t— not without Serizawa splitting the earth open himself, at least. But if Serizawa wants to have any chance of reintegrating into normal society he has to deal with his feelings in an adult way.
Of course, Reigen beats him to bringing it up, as Serizawa’s dragging up the nerve to say something at the end of the day. He’s just stood, closing his laptop as he says, “Serizawa,” and pauses immediately, scratching the back of his neck. “You know, when you mentioned inappropriate workplace relationships—“
“I promise it won’t get in the way of anything,” Serizawa says in an explosive rush. “Please don’t fire me.”
Reigen stares at him, one hand still resting on the back of his neck. This is a look that Serizawa’s unfortunately gotten to know quite well. It’s the look that Reigen gives him when he’s said something unexpected. Serizawa’s begun to mentally mark it as a sign as conversational failure. “Pardon?”
Serizawa was really desperately hoping that Reigen wouldn’t make him actually say it, but that was looking less and less likely. “When you read my palm,” he stammers out, clutching onto the edge of his desk for dear life. “I know maybe not everything you saw was— appropriate, or maybe it showed something it shouldn’t, but I promise I won’t let it get in the way of working here. I can maintain professional boundaries, and… And…”
His voice trails as he dares to look back into Reigen’s face. It’s completely red again, naked surprise totally dominating his features. His hand’s gripping the back of his chair, like it’s stuck there. Reigen very rarely holds still, but in this moment, he’s completely frozen in place. By shock.
Abruptly, Serizawa realizes he was wrong. Reigen hadn’t seen his feelings in the surface of his fingers. But if he didn’t know about it before, he definitely, definitely knows about it now.
For a split second, Serizawa’s certain the office will collapse around them— his powers going rampant one last time to spare him this complete embarrassment. But all that happens is the furniture trembles, once. Serizawa supposes, under the part of his brain that’s screaming for death, that it shows he’s made good progress on controlling his powers.
He stands robotically. “I should go,” he says.
“No— no,” Reigen suddenly blurts, and he unsticks himself from behind the desk, racing across the office after Serizawa. “Serizawa, wait—”
Serizawa trips over his chair in his rush to leave, which gives Reigen the time to grab his arm before he reaches the door. It would be very easy to pull free and continue his frantic path onto the street and into the horizon, but the feeling of Reigen’s fingers digging into the side of his arm totally arrests Serizawa. He freezes, staring down into Reigen’s still beet-red face.
Reigen’s face is twitching in some kind of worrisome motion— he really looks like he’s about to have some kind of seizure, especially when his complexion is still so totally red. But finally, he manages to speak. “Our heart lines might not be so different, you know,” he says, voice wobbling just a little from— nerves? That can’t be right. Unless Reigen’s so totally disgusted by him that he’s nervous to be around him, now. But he’s holding on so tightly. Like he doesn’t want Serizawa to go.
Serizawa’s eyes slide away, not wanting to look at Reigen dead on, but then Reigen tugs his arm, insistent, trying to get his attention again. “Obviously, the qualities that we have, and the ways that we love— hypothetically— are very different,” Reigen says, voice gaining volume. “But, maybe similar things are revealed if you look closely. Just… A little closer.”
And then he doesn’t say anything, staring wide eyed at Serizawa. He’s clearly waiting for something, as Serizawa’s brain shudders to put the pieces together past every instinct that’s screaming at him to escape. Serizawa can’t conceive of a person being more different from him than Reigen. Any kind of similarity seems like too much to imagine. A similarity of the heart line? Maybe, Reigen has some of the good qualities he’s superimposed onto Serizawa, and that’s what he means. Or maybe— maybe—
Before he can stop himself, Serizawa’s hand slides up to grab the one that Reigen’s got on his arms. This time Reigen’s hand is damp with sweat. So is Serizawa’s, and he can’t imagine that it’s a pleasant experience for Reigen. Still, Reigen spreads his fingers, interlacing Serizawa’s fingers with his as they fall to the side.
“Just a little closer,” Reigen says again, voice almost a whisper as he steps into Serizawa’s personal space. The gap between their bodies narrows, and then vanishes, Reigen’s torso pressing against Serizawa’s.
It seems, impossibly, to be what Reigen wants. So before he can stop himself, Serizawa dips his head and kisses Reigen.
Reigen’s body leans up and into Serizawa, his free hand reaching up to touch his face. Underneath the fireworks happening behind Serizawa’s eyelids, there’s a moment of terror at Reigen touching his face— like he’ll find some patchy place where Serizawa missed shaving, or the pockmarked memory of an acne scar, and abruptly snap out of whatever insanity’s fallen over him. But Reigen touches his cheek gently, so, so, gently, and the fingers encircling Serizawa’s only tighten.
He’s sure, from any objective standpoint, it’s not a very good kiss— Serizawa’s never kissed anyone before, so his skills are probably awful. But it also means it’s the best he’s ever had. He never wants to come up for air.
Eventually, though, their faces break apart. Reigen’s face is still twitching a little, but now it’s up into an almost manic smile. Serizawa’s starting to wonder if the blush across Reigen’s face will ever subside. “This is,” Reigen begins, and then stops.
Reigen’s words rarely stop, and the silence stretches on for a few uninterrupted seconds until Serizawa realizes that genuinely, Reigen’s lost for words. A laugh threatens to break loose from Serizawa’s chest, but he doesn’t want it to seem like he’s laughing at Reigen. He only wants to express that whatever Reigen’s feeling, Serizawa understands. Completely and totally. It’s something he feels confident of when typically, Serizawa feels confident of nothing. So he just smiles, hoping that maybe, Reigen will understand too.
“I should have gotten into palmistry earlier,” Reigen says finally, and at that Serizawa can’t suppress his laugh. “Clearly I should screw around reading articles on the weekend more.”
“This wasn’t the reason you learned about palmistry,” Serizawa says, laugh still making his voice shake.
“Hell no,” Reigen snorts. “I just wanted to find another way to make a quick buck.” Then, immediately, he adds, “and also help our clients find out important truths about themselves, and the universe, of course—”
“While making a quick buck,” Serizawa says. It feels too joking, too disrespectful, but then, Serizawa’s just kissed Reigen. Reigen’s kissed him back. Worrying about professionalism seems suddenly pointless.
Reigen raises an eyebrow at him. “Sassy. Just don’t say that to the clients, Serizawa.”
His hand’s still clinging to Serizawa, gently swinging between them. Impulsively, Serizawa brings the hand up to his mouth, kissing the knuckles. Reigen’s breath pulls in, and Serizawa feels his face heat. He suddenly realizes that really, he has no idea what Reigen expects from this. They could be on completely different pages, Serizawa could be moving too fast, he could be doing everything all wrong.
But Reigen’s smiling at him. It’s a smile that he hasn’t seen before— totally unlike the dazzling grins that he gives his clients, and everyone he’s trying to convince to believe him. It feels different. The other smiles, Serizawa realizes, are something that Reigen puts on, in the same way that he puts on his tie in the morning. This one is real. This one is for Serizawa.
There’s a part of his stomach that’s still telling him this whole thing is a bad idea. Every chapter on workplace relationships he’s taken careful notes on is flashing on the back of his eyelids when he blinks. But, more and more, Serizawa’s realized that Spirits and Such is far from a typical office environment. Serizawa’s not a typical employee, and Reigen— wonderful, strange, perfect, Reigen— is not a typical boss.
When they walk out of the office, Reigen’s still holding his hand. Serizawa hopes, impossibly, that he never stops.
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whatifyoulivelikethat · 4 years ago
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selfie | jjk | 2
pairing(s): jungkook x reader
summary: Is this a rom-com, slice-of-life drama with unsolicited social commentary about gender stereotypes, idol music, and the meaningless meaning of the word, “adult”? Yes. But also, Jeon Jungkook shouldn’t be in love with his hyung’s little sister and he is. Shit.
warnings: rated M (18+) for language; mentions of depression, anxiety, loneliness; fluff, but also frustrating because flirt already, sheesh; loons-to-lovers; non-idol!AU - oppa’s bestfriend!Jungkook x SHINee fangirl!reader
happy lunar new year!! year of the ox - jk’s lucky year <3
previous episode.
2. in which the two loons getting somewhere, only for more misunderstandings to happen.
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Is this too much?
You stared at the picture and the message. Jeon Jungkook once again. Sending a picture of himself at the gym. It was a while since the last one, so his hair was slightly longer now. Was he growing it out? Oh well, none of your business. You sent your usual reply.
?
You sighed and went back to your journal, only to have your phone aggressively sing ‘3 PM’ from the Animal Crossing New Leaf OST. Directly asking for a video call this time. You thinned your mouth into a line and closed your journal, sliding it out of frame before accepting the call.
Jungkook’s big brown eye filled up the screen, directly on the camera.
“Why don’t you respond like a normal person?”
“Why don’t you start conversations off like a normal person?” you shot back, placing a hand on your cheek and leaning against it. There was stationery scattered all around you, but your journal was behind the charging stand.
Jungkook withdrew his eyeball, frowning. You could see his entire face now, his long black hair tied up into a silly sprout on top of his head. He was still wearing the dark gray sweatshirt from the photo, but he seemed to be in his apartment. All you could see was the wall.
“What about the pic though? Is it too much?”
“Too much what?” you responded irritably.
He waved his hand, shaking the phone with his movement. “You know… Too, ‘Hey I work out and am attractive, pay attention to me’ much?”
You raised an eyebrow. “You’re not even looking at the camera. Or wearing a sleeveless shirt.”
He blinked at you. “Should I?”
You rolled your eyes. “No, those are things not to do. Picture is fine,” you added, shifting some pens away so you could rest your head on your forearms.
“Oh.”
He looked uneasy for a second before the camera jostled around as he scurried to a different part of the room. You puffed your cheeks and closed your eyes, not wanting to get motion sick.
“I’ve been playing Persona 5!” Jungkook said cheerfully, making you open your eyes to see him directing the camera at his television where the Persona music was merrily playing. “Just finished Sakura Futaba’s Palace.” He switched the camera back as you smiled and gave him a thumbs up.
“Nice.”
Jungkook seemed to spy your deflated form on your desk.
“What’s wrong?”
You breathed out. “Nothing.”
He frowned. “Doesn’t seem like nothing.”
You shrugged. “Just thinking.” Your eyes flickered to him, smirking a little. “You wouldn’t know about that, I suspect.”
Jungkook rolled his eyes. Other than that, he didn’t react to your remark.
“Thinking about what?” he asked, leaning back into his gray couch. His long hair flared out, sprout blooming against the cushions.
Your eyes shifted to the pens all over your desk. To your tablet, where you had been practicing digital drawing for a little while now. Just little drawings of cute animals, no people yet. To your journal, where you had been writing your diary entry.
“Lonely.”
You said the word without thinking. It was the title of your diary entry. You hadn’t meant to say it, but it was the only thing on your mind right now. Your eyes flickered back to Jungkook, who was watching you carefully. You sighed, feeling the need to explain yourself.
“All my friends are busy with school and their jobs. Oppa is always at work or with his girlfriend. Parents are always working.”
You could feel the distance between you and your high school friends. They were chasing your dreams and you were chasing nothing at all. You weren’t distant from your brother, but you were respectful of how much time he wanted to spend with his girlfriend. She might become his future wife someday, after all. Would you have a future husband one day? You wondered what he would be like.
You shook your head and shrugged. “But I did it to myself by taking a gap year, so it can’t be helped.”
“It’s okay to feel lonely.”
Slowly, your gaze shifted back to Jungkook. He was getting up from the couch, holding the phone up as he walked to what looked like the kitchen.
“I mean, you can’t help what you feel, right?” he said as he set the phone in a cupboard and went to the fridge. “Feeling lonely isn’t some kind of crime, so you don’t need to lock it away or anything.”
Jungkook picked up a take-out container and opened it, stiffing the contents. He seemed to be debating if it was edible or not. How long had that been there? You wanted to ask but then again, you didn’t want to know. Jungkook shrugged and dumped the mysterious contents into a bowl.
“I’ll talk to you whenever you want.”
You scoffed. “Why would you do that?”
Jungkook placed the bowl in the microwave and set the timer. The machine hummed as he turned around.
“To prevent you from feeling lonely.”
A butterfly danced in your chest.
You chuckled. “Why would I want to feel annoyed instead of lonely?”
Jungkook shrugged, taking out some chopsticks. “At least you have someone to be annoyed at instead of being alone?”
Two butterflies danced in your chest.
You huffed and rested your cheek on your forearms.
“Have you been talking to your Confidants?”
“What?”
“In Persona 5.”
“Who?”
You slapped your forehead. “Listen up, you monkey…”
“I’m an ox in the zodiac.”
“I mean your monkey gameplay…”
You began to explain the importance of Confidants in Persona to Jungkook.
-
That’s how you ended up in video calls with Jeon Jungkook several times a week.
He would usually start the call by sending a selfie, to which you would respond with your usual question mark. He was going to university for graphic design and worked at an electronics store part time. You, on the hand, were doing nothing. Well, not nothing, because you were clumsily learning digital art, but unless you were showering, you were always by your phone. Checking idol social media, especially SHINee. Sometimes your brother and his girlfriend asked you to accompany them to dinner, but you always declined, because being the third wheel was weird.
Also, watching your brother in love was weird.
Bleh.
“They always make out in front of me,” you were telling Jungkook as he asked why you weren’t at dinner earlier with your brother and his friends. Your brother had taken his girlfriend, of course. “It’s weird.”
Jungkook winced. “Yeah, I get what you mean. But I was there.”
“So what?”
Jungkook raised his hands. He was in his bed, rolling around in gray sheets. “Maybe you care?”
“I’d like to be spared watching oppa’s PDA, thanks.”
As usual, you were at your desk. This time your tablet was in front of you. You pushed the pen around, indecisively drawing lines and undoing your last action, twisting your mouth to one side, not really looking at Jungkook. He wasn’t doing anything of note, anyway.
“You don’t like PDA?”
You shrugged. “It’s whatever. I don’t really care.”
“What are you drawing?”
“Nothing good,” you sighed, putting down the tablet pen. The little cat character looked back at you, its expression the same bored and dispassionate face you usually had. You hadn’t really decided on a color for it yet. Maybe gray. That’s how you usually felt, anyway. You knew the collar color was going to be aqua though. A nod to your SHINee obsession.
“Show me.”
“No.”
“Come on.”
You looked up to Jungkook’s smile. There was a radiance about it. You felt the two butterflies dancing in your ribcage once again, fluttering, fluttering. His two front teeth where just ever so slightly too large for his mouth. It was endearing, like seeing a bunny. You looked back down at the little cat you created. Maybe you would make a bunny for Jungkook.
Pfft.
Why would you do that?
You laughed, confusing Jungkook as you placed your hand over your mouth, eyes squinting as you chortled to yourself, trying to imagine Jungkook as a silly little bunny. Probably one that worked out too much and drank banana milk every day. Probably loved to take selfies too. A cool bunny who wrote sunglasses sometimes and was probably altruistic and interesting.
Not like you.
Your laughter died down, eyes on the cat. You picked a cat to represent you because it was lazy and didn’t do much. Spent all day sleeping and staring outside, but never actually trying. Curious about things, but never committing.
“What’s so funny?” Jungkook asked, lifting the camera and holding it above him. You saw his long black hair flare out around his head. He was casually handsome, the kind of attractive that didn’t need much to be that way.
That’s weird. Why would you think something like that?
“Your face,” you replied, missing the usual bite you usually had behind your words. “You need a trim.”
He raised his eyebrow, pursing his lips. “You don’t like long hair?”
You pointed at the phone even though he probably couldn’t tell what you were pointing at. “The ends of your hair are splitting. It’s not going to grow well at this rate.”
“Are you a secret barber or something?”
“I’m a human being who cuts her own hair,” you replied impassively, sitting back in your chair.
Jungkook looked surprised. “Really? Since when?”
“Since the last time oppa attempted to cut my hair in high school.” You cringed at the memory.
Jungkook looked apologetic and ready to burst out laughing at the same time. “He tried his best.”
“He did not,” you retorted, remembering the botched bangs and blunt shoulder length cut. It was horrible. You went to the salon afterward and had it trimmed into a short pixie cut, because you would rather be bald than look like an overgrown coconut.
“The pixie cut was cool though.”
“Eh.” You shrugged. “Too hard to cut it by myself. Need some length to hide my mistakes.”
“Your hair always looks nice though. A little messy.”
You touched the top of your head self-consciously. Maybe you should start brushing it before accepting his calls. You didn’t really brush it that often because, well, who was going to see you? You basically only brushed it when you noticed a tangle.
Jungkook was smiling at you. His dark brown eyes seemed sparkly because of the overhead lights in his bedroom. The butterflies in your ribcage circled each other, looping round and round. You made a disgruntled face, reaching up read the current time at the top of your phone.
“Don’t you have class early tomorrow? Go to sleep.”
And then you pressed the end call button.
For some reason, relief and disappointment washed over you. Relief because there was a palpitating anxiousness you felt when you looked too directly into Jungkook’s eyes. Disappointment because maybe you shouldn’t have hung up so abruptly. That was a little rude.
You noticed you had a text. From Jeon Jungkook.
Good night.
-
Jungkook placed his phone beside him after he sent the text. He thought about sending a selfie too, but maybe that was too much. She had just seen him seconds before, anyway.
Why had she hung up like that?
He smiled as he remembered her laugh. He liked her laugh a lot. She hid it behind her hands and her eyes always squinted when she did so, nearly making them disappear. It looked a little bit like a cat when it was purring in satisfaction. Jungkook wondered what made her laugh like that. It must have been a thought, because he could see her face changing as she observed him. When she stopped laughing, her face was different too, becoming introspective.
She looked pretty today too.
Her hair a little messy, combed through with her fingers. That’s how it looked best, he thought. She had a natural prettiness, the kind that needed no help to be that way. Every action she did seemed cute, from the way she held her pen, to the way she twisted her mouth to one side when she was working on something, to the way she touched the top of her head, lips parting in thought.
If she wanted to be a model, she probably could.
At least, Jungkook wanted to take her picture.
He frowned a little. He’d been consistently sending her selfies before calling her and she always responded with a question mark. Maybe she wasn’t used to taking selfies? Or maybe, and what was more likely, she probably didn’t even care about them.
Jungkook exhaled, flopping to his side. Should he give up? But then he remembered her face right before she looked at the time. It was like she was staring at the screen, at his face. And for a split second, he swore he saw her upper lip upturn a bit, shyness in her gaze, a bit of pink flushing her cheeks. Was it just the lightning or something? His mind playing tricks on him?
“Bleh.”
Jungkook made a weird noise and plopped his face into his pillow.
-
Jungkook stopped calling you.
You wondered why. You had been kind of rude to him last time. Maybe he was mad at you? Maybe he wanted an apology? But you weren’t really sure what to apologize for. And it was weird to call without a purpose, right? And besides.
You didn’t really need to apologize to Jeon Jungkook.
He wasn’t even really your friend. He was your older brother’s friend.
You chewed on your lip, staring at the last picture he sent you. He wasn’t your friend. He was… well, what was he trying to do? Why was he talking to you? Maybe he was bored. Maybe he was nosy. You did say you followed his art Instagram, so maybe he was enthralled with the idea of knowing he had a fan or something?
But you weren’t a fan, per se.
Well, a little bit. He was really talented.
But not that much!
Because Jeon Jungkook was kind of annoying. He still hadn’t returned Persona 5 to your brother. Not that your older brother noticed, at all. He never finished Persona 5 and it was mostly your game now, with how many hours you had sunk into it. Jungkook hadn’t even known about Confidants until you told him. Hmph. Didn’t he look up game guides? Well, he should. Confidants were really important to the game. They helped you with useful abilities during boss fights by developing relationships with the other characters.
You stared at the last selfie Jungkook had sent you.
You kind of wished he was looking at the camera.
Maybe you needed a Confidant. You certainly didn’t really know how to develop relationships with anyone, except maybe your older brother. But that was because he was your brother and familial responsibility. Well. Not true. Your brother was really nice to you.
That’s why you folded his underwear for him, even to this day.
Sigh.
Jungkook did like SHINee though.
At least that was one thing in common, right?
-
next episode: 3. in which only a major event can bring these two loons back together – SHINee is back!
--
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meruz · 4 years ago
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Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.
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Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.
1. When did you get into art?
Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.
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2. What art-related sites have you ever signed up for? 
LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.
In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.
3. Show us your oldest piece of art you have on hand.
Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.
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4. What defines your artistic style?
You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...
Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.
5. Do you practice other styles/have you tried other styles in the past?
I like to think I switch it up a bunch! I mean, these are pretty different, right?
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I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.
One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.
6. What levels of artistic education have you had?
I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.
7. Show us at least one picture you drew or sketched recently that you did not put on a public site.
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heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...
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assorted valentines prep doodles
8. What is your favourite piece that you have done?
Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.
10. What do you like most about your art?
I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:
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So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.
14. What do you like drawing the most?
Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.
oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.
15. What do you like drawing the least?
mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.
18. What is your purpose for drawing?
This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha. 
20. How would you rank your art? (poor, mediocre, good, etc.)
Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL
In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.
22. List at least one of your “artspirations.”
This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.
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And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.
24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)
I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look
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25. Draw a picture!
Man I’m so tired now but here.
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I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.
OK MEME DONE. onto the rest.
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I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!
I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!
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That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.
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Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:
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from top > bottom
- kuretake no.55 doublesided brush pen
- tombow fudenosuke
- muji 0.38 ballpoint
- medium size poscas
- grey tombow double brush pens
- good ol bic mechanical pencil
not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.
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You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3
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Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...
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uh yeah lol I agree actually. I think yolei is great.
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I assume these asks are related? LOL
1) Yeah totally true. I love David.
2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].
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mxndoscyarika · 4 years ago
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Honeydew (Marcus Pike/Moreno x OC) | Chapter 1
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Summary: Erin He moves to DC after working for the FBI in Texas and runs into a hero in disguise; Marcus Moreno. Something about him is familiar, too familiar, yet different in a way that she can’t quite place. Although confused, she can’t deny her feelings for him; perhaps, after years of regret, she finally found the one.
Warnings: food/drink mention
Ao3
Honeydew masterlist
Like my writing? Here’s my masterlist.
Author’s Note: I’m so excited for you all to read this story! Special thanks go to Lynn (@mindless--ramblings​​) for always being so supportive and helping me stay inspired! Ever since I found out Pedro now has two characters named Marcus, I’ve wondered about ways I could connect them in one piece of writing. And this? This is that piece of writing. Moreno won’t be making an appearance in this one, but I hope Pike will make up for that 😉 Enjoy!
Ground floor.
First floor.
Second.
Erin He took a deep breath, thankful that the elevator was empty. She straightened the collar of her shirt as the fourth floor approached. At her side was her government-issued laptop, which she’d picked up from the front desk. Her fingers gripped its edges tightly. This was it. She made it.
The elevator let out a soft ding and opened its doors, revealing a floor of cubicles and conference rooms. Austin sunlight filtered through large windows, illuminating the space alongside the bright fluorescent lights.
She stepped out, searching for the art theft department’s main office. As much as she understood the need for technology specialists across all the FBI’s branches, she never quite grasped why she was placed in the art theft department, of all places. She always thought she’d be in the operational technologies department, developing and maintaining tools for others to use. Though she couldn’t blame them; intellectual property was highly valued and often stolen.
The email said to report to the department supervisor’s office for a quick onboarding, but they didn’t exactly mention what it would be. It could’ve been anything from a quick handshake to being told to shadow a coworker. Hopefully the former.
Part of her begged to the gods of computer science that she wouldn’t be assigned to yet another condescending old white man. Her last welcome at a company had been less than mediocre, and lukewarm at best.
The other part of her nagged that she’d signed up for exactly that.
“Ah, there you are. Welcome to your first day, Special Agent He,” the department supervisor–Harold Strauss–greeted as she entered his office. He gestured to the man standing in front of his desk. “This is Agent Marcus Pike. He will be showing you the ropes today.”
Agent Pike looked at her over his shoulder, the corners of his lips curling in a friendly smile. He couldn’t have been much older than her, with his faint smile lines and soft brown hair. He tucked his hands into his pockets and turned around to face her.
“Thank you, sir,” she replied. She shook his hand and then extended her hand to Pike. “Nice to meet you. Thanks for taking time out of your day to show me around.”
“Likewise,” he replied, shaking her hand. His brown eyes sparkled as he proposed, “Should we start? I have a meeting in about half an hour, and I’m sure you’ll want to meet some of our operational techs and digital forensics team. They’re the backbone of everything we do here.”
They acknowledged their supervisor once more and then left to begin the tour.
As her personal guide gave her the rundown of the floor’s organization and workflow, Erin couldn’t help but sneak a couple more glances at him.
He was taller than her by a few inches, but not in such a way that she felt like shrinking into herself. And he always stayed at her side, never walking ahead or lagging behind. His strong jaw led her gaze to a pair of soft lips, which seemed to be in a perpetual smile as he talked about the breakthroughs the department had in the past days.
“Do you know where your desk is?” Pike asked.
“Yeah, they told me the other day,” she answered, tucking a loose strand of her hair behind her ears. They walked over to her assigned desk, which was barren save for a standard computer, box of pens, and notepad. “If you’re going to ask if I need help with setup, I think I should be alright for now. Nothing a few installations and linux commands can’t fix.”
He chuckled softly and nodded. “You’re living up to your title, Agent He. If I’m being honest, I don’t think I could’ve been much help even if I offered. Have you done work similar to this before?”
She shrugged. “I worked in cybersecurity and software development,” Erin replied, setting down her bag and laptop on her desk. Slipping off her black blazer, she continued, “But I figured I should do something more than just build products for tech companies. Use my skills to aid in investigations.”
He nodded in understanding. “I see what you mean. Actually, I was originally studying to be an art history professor. But then I found this job and figured I could use my knowledge to help find and preserve artworks.”
Hm, noble.
“Sounds like we aren’t so different,” she observed, following him across the officespace. “Let’s hope that I can be of help around here.”
He chuckled softly, the dimple in his cheek showing as he smiled. “I think you’ll fit right in.”
---
The words on the screen blurred into the white background of the screen, as if they were mocking her. Each line of test slowly lost its meaning, turning into mind-numbing strings.
Erin pushed her computer away and rubbed her eyes defeatedly, sighing. The department was launching an investigation regarding a museum that was broken into and wiped clean. What little data was left on the computers, from what she gathered after hours of poring over them, was largely useless. Hopefully, one of the other agents would find something helpful in the other remnants. Perhaps an address, or some sort of signature that could be traced to a group. Her, on the other hand? She just wasted hours of work.
A steaming cup of coffee was set down onto her desk, along with some sugar and tiny cups of cream.
She looked up to find Marcus–Pike, she reminded herself–standing at her side, looking down at her with a soft smile. “Find anything?”
“Nope,” she sighed. It turned out that Pike was one of the best agents in the department, and that meant he spent most of his time leading and organizing investigations. What that meant for Erin, then, was that she had to answer to him. Thankfully, he was never weird about it. Quite the opposite, actually. Tapping the side of the cup, she asked, “Is this for me?”
He laughed softly, rubbing the back of his neck. “Yeah! Sorry; I would’ve fixed it, but I wasn’t sure how you liked your coffee.”
“Well it’s nothing complex, if that’s what you’re nervous about,” she teased. Two sugars and a drizzle of cream turned the pitch black liquid into a deep brown. She took a sip, the placebo of caffeine already kicking in. “When you’re in STEM, you learn to appreciate caffeine in any form. But I like it like this.”
“Noted,” he said, his voice a soft timbre amongst the flutter of papers and clacking of keys. Hands resting on his hips he asked, “How long do you think it’ll be before you find anything?”
“Anywhere from an hour to another three...or five,” she sighed, lazily scrolling down the file. Basking in the steam from her cup, she continued, “I’m gonna need a lot more of this coffee. There has to be something useful in this file, I just need to find it. I might need to cross-reference with some of the other evidence to notice anything.”
A headache was already descending upon her, and she was only six hours in. Weak–she’d stared at a computer much longer without any problem many times before. Why, of all times, did it have to happen when she was talking to her coworker?
“Well, I’ll be here pretty late tonight, so if you need anything, just let me know,” he replied, patting her shoulder. The crease between his brows deepened as he squinted down at the screen. “Maybe you need a fresh set of eyes on it. Take a break, Erin.” At her responding pout, he reasoned, “It’s been almost a month and I don’t think I’ve ever seen you rest.”
Of course he noticed her breaks, or lack thereof. She rolled her eyes, hiding a bashful smile in her cup. “I work best in sprints.”
He hummed amusedly. “But even sprinters need breaks, don’t they?” Then, his eyes lit up. “Actually, why don’t you take a break now?”
Erin raised a brow. “Am I not taking a break right now?”
His laugh was warm. “I mean a real break. Let’s get lunch; my treat.”
“Are you really going to make me choose between food and digital forensics, Agent Pike?”
Nodding definitively, he replied, “Yes, Agent He.”
Unable to resist the prospect of free lunch, she gave in and followed him out to his car. The work would still be there when she returned. For the moment, she could just enjoy Marcus’s companionship.
He drove out to a local diner about ten minutes away, his turns confident as if he’d gone there hundreds of times before. Judging by the way his eyes had sparked with joy at her agreement, he probably had.
They let their shoulders relax in the serenity of the car, shedding the formalities and passing time as if they were close friends.
The diner was small and cozy, booths worn with age and serving breakfast all day. Erin’s lips curled up in a little smile as the hostess recognized Marcus. So he was a regular, after all.
They sat down across from each other in a booth. Erin shrugged off her navy blue blazer and smoothed her dark hair back into a thick ponytail.
As she fixed her hair, Marcus gave her his recommendations, leaning in with the menu so she could follow along with her eyes. He seemed particularly fond of the pancakes, so she decided on those. Surely he wouldn’t lead her astray.
And with the way his voice rasped just slightly, she could listen to him speak for a whole day.
“Honey? Did you hear anything I said?” he asked, tilting his head slightly with a little smirk.
Erin snapped out of her reverie, cheeks burning. “Oh, um. Yeah. Sorry, I spaced out for a bit.”
“No worries, it happens to all of us,” he reassured, laying the menu flat on the table. “What were you thinking about?”
Less than an hour had passed before they were back in the office, stepping out of the elevator with full bellies. The familiar clicking from computers and buzz of conversations filled the air, and they were officially agents again.
Erin turned to him and nudged his arm. “Hey, thanks for the break.”
“Anytime,” he replied, walking with her along the perimeter of the room. They stopped at the hallway leading to the conference rooms and offices. His large hand moved to rest on her arm, his thumb rubbing gently. “I guess this is my stop. You know where to find me.”
“And you know where I’ll be.”
The next day, Marcus was greeted in his office by tupperwares containing homemade fried rice, some cut up fruit, and a sticky note.
Thanks for sticking with me yesterday. -E
The corners of his eyes crinkled as he tried to refrain from grinning like a maniac, though he was sure anyone who happened to pass by would’ve thought he looked like a schoolgirl with a crush. Erin’s handwriting was soft and curved, so similar to calligraphy but simple in a way that made the note feel that much more intimate.
She had an interesting way of showing her care for others, he found. Perhaps it was a byproduct of the work she dedicated her life to; she seemed to always be one step ahead, ready to pull out small details that others would dismiss. He wondered what she might know of him.
There were a few things she clearly knew; things that surprised him every day. Just as he’d learned her usual coffee order, she’d learned his. When he’d walk in every morning, her head of dark hair would tilt to peek over her cubicle, as if she could sense his presence. And when their eyes would meet, her smile was better than the best espresso in the world.
Marcus shook his head to himself as his heart fluttered. Years of failed relationships and a divorce later, he still couldn’t keep his feelings in check. His mother always said he had a soft heart, one that would be his greatest strength and his greatest weakness. But Erin was anything but a weakness.
She wasn’t a weakness, but a strength. A constant in his life, making each day feel just a little more special. He didn’t need a relationship to be happy, but….he wouldn’t be opposed to one either.
Yet, as he spotted Ian Malarkey standing a bit too close to her, he forced himself to backtrack. What if she didn’t want him? What if they were meant to be just as they were: just friends?
Maybe it was time for him to move on.
After a few months, their friendship had grown well past a workplace acquaintance. It wasn’t as if she was trying to get attached to him; it just...happened. And it was only a little surprising to her; she tried to stay as professional as she could in the office, but outside? Outside, she could just be Erin, not FBI Special Agent He. Outside, she could shed her jacket and swap the button-down shirt for a ribbed sweater and some jeans. Outside, she and Marcus could sit as close together as they wanted without drawing unwanted attention.
She knew it was silly to fantasize. After all, Marcus was a coworker, if not a superior. And with the way he fussed over her water intake and made sure that she wore her glasses at the right times, he could easily see her as a little sister. As nothing more than a new agent who happened to be friendly.
But if that were true, why would he go through the effort of bringing her lunch on Thursdays? Why did he call her little names like “honeydew” and “sweetheart,” and why did it feel so natural coming from his mouth?
The commotion coming from the direction of the conference rooms told her that the team was back from the investigation. Maybe Marcus was there; she knew he’d gone, but he hadn’t texted since morning. It wouldn’t hurt to pop in to check on him; he did that often enough with her.
When she entered the break room, her heart sank. Sitting off to the side, by the wall, was Marcus asking Teresa Lisbon out on a date. She wasn’t sure why she felt defeated;  it wasn’t like she had any plans on asking him out.
But then why did it hurt her to the core to see him giving those puppy eyes and little smiles to Lisbon? The woman didn’t even look interested in him; if anything, she looked confused and hesitant.
Ian caught her eye as she surveyed the room once more, his lips pulling into a tight-lipped smile. He knew about her feelings for Marcus, having spent hours going over evidence and making small talk. In fact, he’d even encouraged her to tell Marcus her feelings, out of fear that she might never get the chance.
Perhaps her chance had passed after all. Turning on her heel, Erin decided that, for once, it was time to go home. Marcus would come to her when he was less busy.
The thing was, though, she didn’t want to go home. She wanted to go over and say hello, and check to make sure he wasn’t injured in the scuffle. Moreover, she didn’t want to be a fill-in for Lisbon’s absence. She didn’t want to be his second choice. And she knew it wasn’t her fault, nor Lisbon’s, that Marcus didn’t choose her. But it still stung.
She watched as their shared lunches became less frequent, the senior agent replacing her space by Marcus’s side. When the elevator would ding at 7AM and she’d glance up to see if it was him, she found him searching the room for Lisbon. They never drifted over to her desk. That fact always made her grip her pen just a little tighter.
On the days when he did grace her with his presence, she felt like a tornado of emotions.
Happy, because she had missed her best friend.
Sad, because she knew the next time she’d spend time with him was in a few weeks rather than a few days.
Grateful, because she knew how hard it was to socialize after a work week of at least 50 hours.
Envious, because of the stories he told.
Relieved, because he still cared.
Plastering a halfhearted smile on her face, Erin listened to Marcus practically worship his girlfriend. His summer breeze of a smile and sparkling eyes made the pain that came with listening worth it. The only other time she’d heard him talk that passionately was when they’d visited an art museum.
At least one of them was happy.
She thought of trying to date again; it had been over a year since she’d been in a relationship. But she couldn’t do it. More than once, she’d put on some simple makeup and casual clothes, ready to head out to the bar, but no. She couldn’t bring herself to leave the apartment. The apartment was where she and Marcus watched movies, where she would cut up fruit and bring them to him on a plate while he pored over reports in the warm lights of the kitchen. It was where he’d navigate her cupboards and fridge to make her a mug of his special hot chocolate. It was her safe space, the one place in her life where she could just be Erin, and he could just be Marcus.
The knife cleaved the melon in half with ease, revealing its pale green interior.
Marcus leaned up against the counter next to her, hair tousled and necktie loosened against his chest. He absentmindedly started rolling up his sleeves, undoing the cuffs of his shirt and folding them up.
She tried not to stare too long at the way his forearms tensed with the movement.
He broke the silence first. “I got the job in DC,” he said, voice soft like velvet.
“That’s great.” A simple response, though Erin cringed internally. Was that any way to react to her best friend’s job promotion? Surely not, but a part of her–a selfish part of her–knew that it meant he was leaving. Leaving not just his position, but her. Texas. The apartment.
It would’ve been disingenuous for her to say anything more.
Then, he added, almost sheepishly, “I also asked Teresa to marry me. And move to DC so we can be together.”
The blade of her knife hit the cutting board a little harder than normal. “Oh. That’s nice.” Cutting away the tough outer skin, she forced herself to ask, “What did she say?”
He sighed and crossed his arms, biting his lip as if to contain a smile. “She said she’d think about it. But I think she’ll come around. I kind of, uh, sprung it onto her the other night.”
And yet there he was, standing next to a woman who would’ve been ready to say yes. But even so, she said, “I’m sure things will work out between you two. You’ve already given so much to your relationship; it would be a shame for her to not see how great you are.”
She slid him a bowl of perfectly cubed melon.
Smiling softly, he took the bowl into his hands. “You’re the best, honeydew.”
The best, but not the one.
“You’re just trying to get on my good side before you leave for DC, brown eyes,” she jested, nudging him with her elbow. Her chest filled with warmth at his laugh. She tried her best to hang onto that feeling, to that sound. “When are you two leaving?”
“I’m already about halfway packed,” he mused, chewing on a cube of honeydew thoughtfully. “So maybe within the week? I hope that’s enough time for Teresa to make a decision.”
There was less time than she thought. She hummed softly. “Are you sure that’s what she wants? That it’s what you want?”
He nodded confidently. “Yes, I...I know that I don’t have the best track record with relationships, but something about her feels right.” The bowl was set into the sink and filled with water. “I’m happy, honey. You don’t have to worry.”
Erin’s eyes burned as she quietly replied, “Okay.”
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natrogersfics · 4 years ago
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After All - Chapter 2/5
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Cover art by @faith2nyc​  ​Read on AO3
Toddlers are an enigma. That much is clear to Natasha. Compared to infants, they’re leaps and bounds more amusing. But they’re terribly difficult to gauge – they long for independence, yet knowing exactly how much to give without under or overwhelming them is anyone's guess. That limbo in particular is one of the more complicated aspects of parenting she’s learning to navigate, both emotionally and logistically. For as much as she’s excited to see what else is to come of Isabel’s burgeoning personality, there are days where she finds herself longing for the little cuddle bug who willingly gave her its complete cooperation without so much as a peep. And right now, as she sits on the play mat in her living room trying to get a sweater over her squirming daughter’s head, she notes that today happens to be one of those days.  
“Mama, ‘nuff!” she hears Isabel protest, her voice muffled by the soft cotton.
“Almost done, fig,” she says as she successfully gets Isabel’s head through the collar. “Tada!” Despite her enthusiasm, Isabel does not look the least bit amused, and as she leans forward to try to smooth the curls on her head that got ruffled in the process, the little girl dodges her hand with artful precision to reach for her blocks. With a shake of her head, she feels for her phone behind her, holding it up to point the camera at Isabel. “Okay, what do you think of this one?”
On screen, Pepper can only sigh. “It looks great. As did the first two sweaters you put on her.”
“But this one is cuter,” she reasons, zooming in on the embroidered flowers at the hem. “Look!”
“Nat,” Pepper says, her lips pressing into a line. “She’s spending the day with her father, not going to meet the Queen.”
“Maybe not intentionally,” she says. “This is London, after all. You never know when you’ll run into Her Majesty.”
“Natasha.” Pepper’s stern tone causes her to bite her lip, and when she musters the courage to look back at the screen, she finds her best friend regarding her carefully. “Are you having second thoughts about letting Steve come out to visit?”
“No,” she says, sighing at the way Pepper narrows her eyes. “I’m not, okay? And even if I was, it’s too late anyway. He’s literally on his way. It’s just- It’s not like there’s protocol for spending Christmas with your…” She puts her hand out, as if doing so would make the end of her sentence magically come to mind. But when you ask someone to have a child with you, and you end up falling in love with them, only for them to break your heart into a million little pieces later on when they don’t reciprocate your feelings, knowing what to accurately call them is complicated, to say the least. She rolls her eyes. “Whatever. It’s just unconventional, is what I’m saying.” Pepper’s lips part to speak, no doubt about her ironic choice of adjective, so she holds up a finger before she can. “Not a word.”
“Okay, okay,” Pepper acquiesces. “Just wanted to make sure that weirdness is the only reason you put my goddaughter through three outfit changes and not… other things.”    
“Trust me, Pep, those other things have been pushed so far back into the closet they’re in Narnia,” she says quietly. All her worries that night Steve had sent her a text turned out to be for nothing. She’d expected something big and life-altering, maybe news that he’d moved on and he wanted Isabel there for his wedding, but as it turned out, it was only a request to spend Christmas with them. “Anyway, it does not matter how weirded out I am by the circumstances. I got hurt... Maybe he did, too.” She lets her eyes linger to the mat where Isabel is still happily entertaining herself before shaking her head. “But that’s all water under the bridge now, and when possible, our daughter deserves to be with both her parents for Christmas. That’s why I agreed to this.”
“Well, I’m proud of you for being so mature about all this,” Pepper says. “I know it’s not easy.”
“It is what it is,” she says dismissively, giving Pepper a one-shouldered shrug. It’s only when the doorbell rings that her brave façade slips, her eyes widening involuntarily.  
“It’ll be fine, Nat,” Pepper says, offering her a reassuring smile. “Talk to you soon.”
With a two-fingered salute, she cuts the video, placing her phone in her back pocket and stealing another glance at Isabel to make sure she’s sufficiently preoccupied. Satisfied, she huffs out a breath and gives her reflection a cursory glance at the mirror, tucking a tendril of hair back as she makes her way to the front door. She reaches for the knob, putting on her best smile as she pulls it open.
“Hey,” Steve greets, smiling brightly as he stands at her front door dressed in dark jeans and a leather jacket.
“You shaved,” she blurts out, inwardly cursing at how quickly the words had fallen out of her mouth.
To her relief, he chuckles. “Oh yeah,” he says, reaching a hand up to his jaw. “I grew it out again for a bit there, but I know Izzie’s not a fan of it, so…”
“She might be a little more amenable now,” she says, though it comes across more like she’s wondering aloud, so she adds, “not that you need a beard or anything.”
“Yeah, no, it would be nice to get to keep it,” he says, gesturing to their surroundings, “especially when it gets cold like this.” His excitement is palpable as he cranes his neck slightly, as if to peek behind her. “Is she awake?”
“Oh, yes! Sorry, please come in.” She steps aside, opening the door wider to let him through. “You got in late last night, right? How was your flight?”
“I did, and it was okay,” he says as he follows her down the foyer. “The customs line at Heathrow, though, a little less so.”
She looks over her shoulder to shoot him a look of sympathy, knowing full well what that headache is like. “She just got up from her morning nap about an hour ago,” she says as they walk into the living room, and she does not have to turn around to know that the faint gasp Steve lets out is in awe of the sight of Isabel pushing her little vacuum cleaner around before them. “Izzie, baby, look who’s here.”
Isabel looks up at the sound of her voice, freezing in place as her eyes go from her and then to Steve, who steps forward and crouches down, opening his arms as he reaches for her. “Hi, fig!”  
A smile grazes her lips when Isabel begins to scamper over at Steve’s greeting, but it quickly fades – as does Steve’s elated expression – when their daughter moves past him to hide behind her legs instead. “Hey, it’s okay,” she says automatically, bending down to collect Isabel, who buries her face into her neck, into her arms. She turns to Steve. “I’m so sorry, I don’t know-”
“No,” he says placatingly, and though he tries to blink away the hurt in his eyes, she catches it all the same. “It’s my fault. I shouldn’t have assumed-”
“No, you were fine,” she says in her most reassuring voice. “She’s usually really friendly, but her quirks change every day now, it seems.” Steve nods at her, and she turns towards Isabel, dusting a kiss to the crown of her head and rubbing a hand soothingly up and down her back. “It’s okay, fig. It’s just Daddy.” When Isabel looks up at her, she reaches into her pocket, showing her the phone. “We talk all the time, remember? And we read stories before bedtime…”  
Isabel looks at the phone in her hand and then at her, her big blue eyes skeptical. “Dada?”
“Yes, yes,” she says excitedly, eyeing Steve over Isabel’s head as she mouths, “talk to her.”
“Hi, Izzie,” Steve says, prompting Isabel to peek shyly at him. He smiles. “It’s me, Daddy. Remember? On the phone we said in two more sleeps we were gonna go on adventures?”
It’s with bated breath that she waits for Isabel’s reaction. The little girl purses her lips, and it’s almost by instinct that she braces herself for a meltdown, but instead, she finds herself nearly sighing in relief when Isabel leans forward and reaches for Steve. “Dada!”
“Yes, baby girl, Dada!” Steve says as he takes Isabel into his arms, standing and beaming from ear to ear when she wraps her arms around his neck. “Oh, I’ve missed you so much!” He kisses her cheek as he moves to settle her against his hip. “How’s my girl?”
“I play!” Isabel exclaims, her words promptly descending into gibberish as she goes on and on.
She watches as Steve nods along amusedly, barely containing his smile as he listens to Isabel talk. “Yeah, so…” she interjects, prompting Steve to look her way. “You’ll get about two, maybe three actual words from her before you have to use context clues and the Science of Deduction to figure out the rest.”
Steve laughs. “That’s about as much as I get from Tony, so I think I’ll manage.”
“Touché,” she says, chuckling when Isabel demands to be put down and stalks back to her mat. She points a thumb over her shoulder. “Can I get you something to drink before you guys leave? There’s still some coffee in the pot if you want some.”
Steve nods, and as they walk the short distance to her kitchen, she notices how he immediately positions himself by the counter overlooking the living room. “Still not a tea person, huh?”
Her expression sours as she begins to pour him a cup, eliciting a laugh from him. “I don’t think the British government will appreciate me becoming a menace to society.”
He smirks as he accepts the mug from her. “How’s work?”
“It’s… going,” she says, shrugging at the questioning look he sends her. “T’Challa, Nakia, and I finally got the company up and running both on paper and digital, but you know how it is when the truth ruffles some feathers.”
“Hmm,” he says, nodding in acknowledgement. “Same S-H-I-T, different continent, huh?”  
“She can’t hear you,” she says with an amused smile as she goes to rinse the pot in the sink. “But basically, yes. We ran a piece about a member of Parliament and some of his unsavory practices. Nothing but the truth there, but it’s not being received well, which is why Izzie and I couldn't make it back in time for Christmas.”
“I kinda figured the article would have them clutching their pearls.”
She turns to him, surprised. “You read The Pioneer?”
“Yeah,” he says, “I-”
The unmistakable clang of metal as it hits the ground interrupts him, followed immediately by Isabel’s proclamation of oh no, and that’s enough to send them both racing out of the kitchen and back into the living room to see Isabel standing over the now scattered tin of cookies that was sitting on the coffee table.
She turns to Steve, crossing her arms over her chest. “By the way, she likes knocking things over for S-H-I-T-S and giggles now, too.”
He cringes. “Any chance her vacuum cleaner actually works?”
It’s after the crumbs in her living room are sorted out and they both manage to convince their daughter to put and keep her shoes on that she stands outside her front door, watching as Steve swings the baby bag over his shoulder and picks Isabel up.
“Anything else about this one that I should know before we go?” Steve asks, jostling Isabel slightly in emphasis.
“Let’s see…” she says, “well, she hates socks with a ferocity. I did you a solid by getting them on, but if for any reason you have to take them off, know that you’re never going to get them on again. Also, nine times out of ten her answer to anything is no, so use your discretion when seeking her opinion.” Steve’s lips part, but before he can speak, she adds, “Oh, and she’s on a hunger strike. I’m told it’s just a phase, but hey, if you can get her to eat, more power to you.”  
Steve stands there, blinking once and then twice. “Okay...” he says, turning to Isabel. “Well, don’t you sound delightful.”
“No,” Isabel says with a shake of her head.
“You sure you don’t want to take the stroller?” she asks when Steve’s face falls at their daughter’s swift reply, and she has to bite the inside of her cheek to keep from laughing.
“Nah, I think we’ll be fine,” he says. “I’ll have her back in a few hours.”
“Sounds good,” she says before waving at Isabel. “Bye, Iz! Have fun.”
“Bye!” Isabel says, waving back.
She waits for Steve and Isabel to walk down the block, and once they disappear from her vantage point, she returns inside, letting out a breath and feeling a lot more at ease than she did when she had woken up this morning. With any luck, maybe this didn’t have to be the debacle she thought it might be.
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He should have taken the stroller.
The thought loops continuously in Steve’s mind as he lengthens his strides along the cobblestone paths of Kensington Gardens in an attempt to keep up with his daughter. “Izzie, slow down, babe!” he calls out, half in astonishment at seeing Isabel zoom past him with ease and half in anxiousness over the uneven grounds beneath their feet. The plea only spurns her on though, and he finds himself chuckling under his breath when she attempts to run. “Come here, you little daredevil!”  
Isabel dissolves into a fit of giggles as he collects her in his arms, lifting her to him to pepper her face with kisses. “Dada, no!”
“You keep this up, you’re gonna scrape your knees,” he tries to explain though he knows it’s an exercise in futility. If there’s anything he’s learned in the last couple of hours since they left Natasha’s flat, it’s that trying to reason with his eighteen-month-old is practically like talking to a wall.
“Walk,” Isabel insists, blinking up at him as if he hadn’t said a word. But then she smiles, the type that spans so wide it reaches her eyes and bares all her milky white teeth that his heart is helpless to do anything but melt in his chest.
“Fine,” he says with a sigh, ignoring the teasing he can hear in his head from everyone in his life about how easily he’s charmed. “But you have to hold Daddy’s hand, okay?”
“‘kay,” Isabel says as he puts her back down on her feet, and he can’t help but grin when she offers up her hand for him to take.
By the time they make it to the Italian Gardens, Isabel tires enough that she does not protest when he picks her up to get a better view of the fountains, and as she points to every little thing that catches her attention and narrates her thoughts to him, he’s relieved by how quickly she’s readjusted to his presence. There was a part of him that had anticipated her skepticism of him this morning – for as much as they FaceTimed three times a week, he knows that it’s still not a substitute for her seeing him every day – though he has to admit that the way she had run to Natasha as if he were some stranger still stinged. Heartbreak is something he knows a little too well, but being rejected by his own daughter is one type he hopes he’ll never have to experience ever again.
Luckily for him, that doesn’t seem to be in the cards any longer. Isabel’s been nothing but receptive to him since they left, and for his part, he’s been all but entranced by every new facet of her personality that he’s discovered. She’s still the same precocious and affectionate little girl he remembers from six months ago, only now she’s more gregarious, and he can’t recall having laughed as much as he has since they’ve set out together this morning.  
“Look!” Isabel says, and as he turns his gaze towards the direction her finger is pointed in, he makes out one of the urns of the Tazza fountain.
“Do you know what that is?” he asks, observing Isabel’s reaction. Though it’s been a while since he’s been able to spend this much time with her, he realizes that despite her evolving personality, there’s a familiarity to her mannerisms and proclivities, and that’s because it’s so inherently Natasha – much like the way her nose is scrunched up now as she tries to answer his question. But there are also parts of himself that he’s found in her in the last couple of hours, such as the way her shoulders sag in defeat when she’s being reprimanded, and he finds some comfort in the reminder that regardless of the time they spend apart, they’ll always be intrinsically connected.
Isabel turns back to him, her eyes growing wide with excitement. “Do-phin?”
“Yes, baby girl!” he says, earning a squeal of delight from Isabel when he kisses her cheek. “You’re right, it’s a dolphin. Good job!” He turns away from the fountain, reaching behind him to fish his phone out of his pocket and opening it up to the camera. “Okay, now smile so we can send grandma a picture.”
“No!” Isabel says immediately, turning her face away.
He puts his phone down, chuckling. “You win some, you lose some.”
The next day, he pretends not to notice Natasha’s I-Told-You-So expression when he asks for the stroller before he and Isabel set out on another day of sightseeing. Yesterday had been a real eye opener for him in terms of getting to know his daughter’s quirks, and as he pushes Isabel through St. James Park, he revels in having been better prepared this time around. While he hadn’t succeeded in getting pictures of her facing the camera on their previous outing, he’s certain and feeling a touch triumphant at having taken enough today to satisfy both his family and his friends in their respective group chats. The trick, he learned, lies in phrasing the idea of taking the picture to Isabel in a form of a question instead of a command. It seemed silly, but as he’s learning, such is toddler logic. Plus, in the end, the elaborate charade of it all is worth it if it meant sticking it to Bucky for harping on his photography skills.
It’s when he and Isabel are walking out of a restaurant two days later that he hears his phone ring, and as he looks at the name flashing on the screen, he pushes the stroller to the side, turning it until Isabel is facing him. “It’s momma,” he mouths to Isabel, who looks up at him, before bringing the phone to his ear. “Hey, we’re on our way back.”
“Hey,” Natasha says, and his eyebrows immediately furrow at the exasperated sigh that accompanies her greeting. “That’s actually why I’m calling. I ran into a problem at work and won’t be home for another hour or two and I know it’s almost her bedtime. Do you mind staying with her until I get back?”
“Yeah, of course,” he says. “Everything okay?”
“Yes, just need to sort something out here sooner rather than later,” she says. “But are you sure you don’t mind? Because I can get-”
“Natasha,” he interrupts. “I’ve got her. Do what you have to do.”
“Thank you,” Natasha says, gratitude thick in her voice. “I’ll be home as soon as I can, but make yourself comfortable and help yourself to whatever’s in my kitchen if you want. But also maybe try not to judge what’s in it, yeah?”
“Duly noted,” he says with a chuckle, thankful that such is the rapport they’ve built since he arrived that she’s comfortable enough to joke around with him. “Oh, but before you go.” His eyes fall to Isabel, who’s busying herself with her new Beefeater doll, before he shakes his head. “Do you have a hair dryer I can borrow?”
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A sigh slips from Natasha’s lips when she walks into her flat and haphazardly rids herself of her heels, shoving the pair off to the side as she makes her way down the foyer. The living room is empty when she enters, and the first thing she notices is how much neater the space looks – gone are the toys Isabel had scattered around, and for once, the throw pillows on her couch actually align properly. But when her gaze falls to the recliner on the left and then to the black coat draped over the back, all her questions are immediately answered.
“Steve?” she calls out. “You in here?” When she does not get a reply, she steps further into the room, suddenly becoming aware of the whirring sound coming from down the hall. She decides to follow it, and when it leads her to the open doorway of the bathroom, she can only chuckle as she peers inside. “So that’s what you needed the hair dryer for.”
Steve whips around at the sound of her voice, a startled expression on his face as he holds the dryer in one hand and his shirt in the other. “Oh hey,” he says, thumbing the dryer off. “Uh… sorry, I didn’t hear you come in over the noise.”
“Well, if I’m being honest, I’m a little disappointed,” she admits, smirking when his face twists in confusion. “When you asked to borrow my dryer, I was hoping it was because you gave Izzie a bath and decided to give her a fabulous blowout.”
“I did give her a bath,” he says, a tinge of indignance in his voice as he points to the tub. “But I also had to give my shirt a bath on the account of the little rascal throwing her spaghetti at me.” He shoots her a withering look when she throws her head back, cackling. “Ha ha, very funny.”
“Yeah, probably should have warned you about that,” she says, rolling her lips in an attempt to taper her laughter. “She asleep already?”
“Got her down about a half hour ago,” he says.
Though she already knew the answer, his confirmation still evokes disappointment in her. “I’m gonna go kiss her goodnight,” she tells him, turning and making her way towards the end of the hall. Isabel’s room is dimly lit by her night light, and carefully, she tiptoes towards the crib, bending down to press a kiss to her forehead. For a moment, she allows herself to just watch the rise and fall of her daughter’s chest, letting the peaceful image wash away the fatigue from her day. Then with sigh and a final glance at her, she exits the room in search of a much needed nightcap.
The kitchen tiles are cold under her feet as she makes a beeline for the fridge, and as she pulls the door open to inspect its contents, she hears her name being called out. “Kitchen!” she yells back. The sound of footsteps coming her way is the only response, and she looks over her shoulder in time to see Steve appear by the frame, his shirt back on and its sleeves rolled past his elbows. “Want a beer?” she asks, only to silently admonish herself when she sees the way Steve’s brows shoot up in surprise. “I’m sorry, I’ve kept you long enough, haven’t I? You probably have things to do-”
“No,” he interrupts, clearing his throat as he straightens his stance. “A beer would be nice, actually.”
She smiles. “Stella still good with you?” When he nods, she turns back to the fridge, grabbing two bottles before using her foot to shut the door. She twists off the caps before handing the other bottle to him, and when he mutters a thank you, she nods towards her living room.
“So let me get this straight…” she hears him say as she plops down on the couch and he takes a seat on the recliner. “You’re still a coffee addict but no longer a vodka fiend?” He clicks his tongue. “Gotta be honest, I always thought that if one had to go, it would be the coffee.”
“First of all,” she says, propping her feet up on the coffee table. “I would never give up either. But gun to my head, it would be coffee, yes.” She lifts her bottle up as if to inspect it. “Vodka is still my poison of choice. I just haven’t had the time to replenish.”
“Bad day?” he asks as she takes a long swig from her bottle.
“You don’t know the half of it,” she groans, placing her bottle down to dig the heels of her hands into her eyes.  
A beat passes before she hears him ask, “Wanna talk about it?”
Her eyes blink open in surprise, and she turns to look at him. “You really want to hear about work stuff?”
“Only if you want to talk about it,” he says with a shrug.
For a second, she can only sit there, blinking as she contemplates his offer. In the last few days since he arrived, they’ve been cordial enough with one another that asking him to stay with Isabel as she sorted out some pressing issues at work tonight didn’t feel like that big of an imposition. Now here she is, commandeering more of his time by inviting him to have a beer with her that, surely, it would be rude of her to unload on him about her harrowing workday, too. But as she turns back to him, the earnestness of his expression convinces her to throw caution to the wind. She sighs, sinking further into her seat. “It’s just a lot of… bullshit,” she says, leaning her elbow on the arm rest as they both laugh at her word choice. “The member of Parliament I was talking about a few days ago? This morning he threatened to sue us for defamation.” Concern paints his features at her words, but she’s quick to wave it off. “We already talked to legal about it. It’s all a power play. With the amount of evidence we have to back up our claims, he does not have a case.”
“Then what’s the problem?” he asks.
“I don’t know,” she says, looking up at the ceiling. “Once upon a time, I would have found intimidation tactics like this a fun challenge... In fact, I lived for these hurdles. I liked knowing my work was keeping people like him up at night, because it meant I was hitting at the truth. But nowadays?” She shrugs, looking back at him. “I guess the exhaustion just sinks down to the bone a little more… and it’s not that I don’t love my job, I do. Becoming editor-in-chief has always been on my career bucket list and I know I’m very fortunate to be where I am today. It’s just that checking every little thing off of that list isn’t everything to me anymore.” She nods towards the hallway. “She is.”
“No, I totally get it,” he says, and for the first time in a while, she feels relief wash over her at the certainty that fills his eyes. “I didn’t know that being a curator was something I wanted to do until Tony and Pepper approached me about it. Discovering all these new artists has been great-”
“And the gift baskets too, I’m sure,” she adds, smirking at the questioning look that crosses his face. “Darcy catches me up on the office gossip. She said you get a lot of loot from people vying to interview you.”
“I leave whatever I get in the breakroom and let them fight over it,” he explains, smiling as she chuckles. “But yeah, the feeling of professional accomplishment I’ve had these last couple of years? Doesn’t even come close to how it felt when Izzie looked up at me tonight as I was putting her to bed and told me, unprompted, that she loved me.”  
“I lah you,” she says, making them both chuckle as she mimics Isabel’s voice. “Kinda knocks you off your feet a little, huh?” He nods, to which she smiles. “Anyway, enough talking about work and our lives’ purpose for one night. What did you two get into today?”
“See for yourself,” he says, pulling his phone out of his pocket and handing it to her. “I thought she might like to see horse drawn carriages like in her bedtime stories, so we went to the Royal Mews. I think she really enjoyed it. Well, save for the little meltdown she had when I wouldn’t let her pet the” – he puts out his free hand, making air quotations with his index and middle fingers – “ponies.”
She scoffs, handing him back his phone. “If it was just a little meltdown, consider yourself lucky. She once face-planted on the floor of a Tesco because I wouldn’t let her carry the carton of eggs while we shopped.”
“Toddlers, huh?” he says with a shake of his head.
“They’re cute for a reason,” she concurs. “What about tomorrow?”
“We were going to see Big Ben, but then I learned that it’s boarded up,” he says, his gaze falling to the watch on his wrist. “Oh, wow. Speaking of tomorrow, though, I have to work a little in the morning before I come get her, so I should probably get going.” When she nods in acknowledgement, he stands, reaching for his coat. “But anyway, we might just do the aquarium instead. That place any good?”
She shrugs. “Wouldn’t know. Never been.”
“You’ve never been to the aquarium?” he asks incredulously, his eyes widening when she shakes her head no. “Have you at least gone to other sites? Like the Tower?”
“I’ve seen it. It’s on my bus route to work.”
“Natasha,” he says in equal parts amusement and admonishment.
“I’ve been busy,” she argues. “And taking a not even two-year-old to the Tower of London where they keep all the shiny Crown Jewels that she’s not allowed to touch?” She scoffs. “I’m not a glutton for punishment, Steve.”
“They’re encased in glass boxes,” he reasons, to which she rolls her eyes before turning to straighten the throw pillows on the couch. There’s a pause, and just when she assumes that he’s chosen to let the argument go, he sighs. “You should come with us.”
“What?” she asks, turning to him, pillow still in hand. “Steve, I can’t-”
“You got plans?” he challenges.
“Not for a few days, no, but I do have mounds of laundry to do,” she says, scoffing when he crosses his arms over his chest. “Hey, she might be small, but she goes through a lot of clothes and they’re a pain to fold.”
“You can do laundry when you get back,” he dismisses. “Come on, Nat. You’re the one that made fun of me for not having been to The Met before.”
“That’s not the same. You had been living in Manhattan for years at that point,” she says before gesturing around her flat. “Look, I know you couldn’t help yourself and tidied up this living room, you weirdo. But trust me when I say there’s more to clean!” When his knowing gaze does not let up, she scoffs. And maybe it’s the catharsis from having shared her qualms about work with the only person who truly understands her predicament, or the way they’d seamlessly fallen into conversation as if it hadn’t been ages since they last sat back and had a beer together, but either way, she finds her determination wavering. With a sigh, she puts the pillow back down on the couch. “Fine, okay. Okay. I’ll go.”
“Okay,” he says, suddenly looking triumphant. As he begins to make his way towards the door, she follows him, raising a brow in question when he puts a hand on the knob only to turn back to her. He shrugs. “I know the consequences of your work are exhausting, but for what it’s worth… I think we’re all pretty lucky to have you fighting to get the truth out there.”
Despite how tired she feels, her lips turn up in a smile. “Thank you,” she says with a nod of her head. “Goodnight, Steve.”
“Goodnight, Nat.”
Chapter 1 | Chapter 3 | Chapter 4 | Chapter 5
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heloflor · 4 years ago
Text
Me : “I don’t think I should write characters that are explicitly neurodivergent because I don’t know that much about neurodiversity and I never take the time to know more. If I were to make a character who happens to have neurodivergent traits and call them neurodivergent, I might get it wrong and I don’t want to give a fic with bad or stereotypical representation in it, it’s unfair for those who can and wish to identify with the character. So if I write about a character that the fandom sees as neurodivergent, I will simply try to write them close to their canon personality; and if they happen to have traits that people can identify, I’ll just let other people do their own headacanons around it without touching on the topic myself.”
Also me :  “So :
- Vinnie Dakota absolutely adores animals. In the future, all animals are extinct, so in order to see animals, you either get a robot pet or you pay to have some time in a “place simulation” room and order it to simulate a field with holographic animals. Dakota learned about animals through books and often went to the simulation place or bough some stickers and other stuff from the rare places that still sold animal merch. He never got a robotic pet or never kept it for long because it’s too dull compared to a real animal, or should I say his thoughts of real animals.
- During his first mission, Dakota was ecstatic to see animals for the first time and, after the mission, spent a few hours looking at and petting the ones he could. In his house in the future, he has a room in which he displays animal-related stuff he got from his missions through time, like art or figurines or ornaments or even plushies etc. He might also sometimes take pictures of animals and put them with the souvenir he got from the same mission. He takes extra care of the stuff he has in this room and organizes it a certain way. He has the money to have a place with several rooms : as we see in “Picture Day”, once they got fired, Cavendish and Dakota had the money to go to Hawaii for an entire week and without knowing when and how they will get a new job, since Bob Block met them as they were about to leave for their vacation. Also Cavendish mentioned studying for 20 cycles, so this job doesn’t seem like a given. So being a time traveler seems to pay well.
- When he and Cavendish started dating (I headcanon them as starting to date 2 years after meeting a marrying 3 years later, so 5 years after meeting), everytime they went through a century they never or barely visited, Dakota would get a random souvenir, not always animal-related, along with a picture of either him, Cavendish or both of them. He puts these souvenirs and pictures in a different part of the room. The picture we see in their car in “Fungus Among Us” is from a mission in a place they visited before, but Dakota found the situation too funny to not take a picture.
- Every celebration (holidays, birthdays, dates important to them), Cavendish and Dakota would give each other gifts. Dakota always tries to find something related to Professor Time while Cavendish forces himself to break a few rules and go back in time without being ordered to so he can find something animal-related to Dakota. Dakota is always genuinely happy about these gifts, though he learned not to tease Cavendish about the whole “breaking the rules” situation. Those gifts are either stuff like fossils or skulls/bones or they’re stuff related to the culture of the time-period like watching tournaments in ancient Rome.
- When the two get married and buy a place together, Dakota makes sure it has a room large enough to put his growing collection. As time went by, it started to be less about animals and more about what they find during their missions, though the animal part is still very much there. Dakota refers to the room as “The memory room” while Cavendish calls it “Vinnie’s room”. Cavendish doesn’t spend that much time in it, though he absolutely loves the feeling of reminiscence the collection gives him. If he has guests at home, he tries to keep them away from the room. He knows how important it is for Dakota and doesn’t want it to be disrupted. Cavendish tried to get into Dakota’s passion but, while he found some stuff to be interesting, he’s not really into it compared to Dakota.
- After the events of the episode “We’re Going to the Zoo”, Dakota brought back tickets for his collection, along with a picture of him holding squirrels in his arms while another one has its head coming out of Dakota’s pants, near his feet. Dakota went back to the zoo several times and ended up learning what every animal was and in which section of the zoo they were.
- When the two are fired and banned, they only get like an hour to pack all their stuff. So Dakota uses some future deus ex machina technology, making their house surrounded by a barrier that only the two of them can open. That way, nobody can touch the house and, if they were to be able to go back to the future, which seems to be the case if season 2 was already thought of when “A Christmas Peril” was made, Dakota could find his collection intact, along with the rest of the house.
- Once stuck in the past, Dakota kind of gave up on doing a collection. They don’t have enough space and the realization that Cavendish could now die anytime put a lot on stress on him and most of his thoughts were on Cavendish. This stress started to dim out after the events of the second half of the season, when Dakota realized that maybe the world was done trying to get rid of Cavendish, given how the man was able to survive alone for about a month. During the first celebration they had since getting banned, Cavendish bought something animal-related as usual and it led Dakota to wish to start a collection again. Given the space and their current situation, this collection would mostly be pictures that he can keep in an album in a drawer. Cavendish would probably be the one to buy the album after realizing that Dakota started taking random pictures again.
- At some point, Cavendish learns that there’s a petting zoo in Danville and decides to use it as a birthday gift/surprise. Dakota has never been more in love with him than during the moment when he stepped out of the car and saw the place’s sign (with the exception of their wedding and honeymoon).
 …aaaannnd I just made Dakota have an hyperfixation, didn’t I ?
Though, to be honest, I really do want to write characters that are diverse, not only in terms of sexuality like I already do but also in upbringing and neurodiversity. Thing is, to write a neurodivergent character, I need to have the answer to these questions : How often do they stim ? What are the most common stims and what is and isn’t considered as such, aka what does the character does in the show that seems to be a stim ? How does the character acts/should act with others ? Which social cues do they understand ? Which ones do they not understand ? How to write a character that you can tell is neurodivergent without having to make them scream ‘I’m not neurotypical’; with instead having the only ‘confirmation’ of it being in the tags ? How to make them very excited about something without falling into the ‘autistic people are children’ stereotype ?
As long as I can’t answer these questions, I refuse to be an idiot and try to write about something I know I will mess up. And while I do have the curiosity and will to learn more, if not simply because I’m curious about neurodiversity, don’t expect me to write about it anytime soon. Right now my priority is to ‘digitalize’ all the dozen fics I wrote on paper (two of them had been in my writing pile for two years, and several for a year) while making the eventual post that comes to mind like this one.”
Edit : So a few weeks after making that post, I started to learn more about neurodiversity because being autistic makes you curious to know what kinds of behaviors are due to you not being neurotypical. And, as it had been pointed out, I’m not using the correct term here. I didn’t give Dakota a hyperfixation but a special interest. From what I understand, the difference is that hyperfixations stick to you constantly for a while (a few weeks or months), leading you to easily hyperfocus on the topic, before you suddenly start to get less invested in that interest. On the other hand, special interests can stick for months or sometimes years. And even if you’re not constantly thinking about your interest, it’s still there in a corner of your mind and you never get tired of it and keep the knowledge you accumulated to talk about it anytime.
So yeah, I gave Dakota a special interest. The reason why I thought it was a hyperfixation is because I see this term be very often associated with ADHD and a lot of people see Dakota as having ADHD. But still, my bad for mixing up the two. And the reason I didn’t edit the post sooner is because it kind of slipped out of my mind until I made a new post today that mentions this one. Sorry for that too.
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morceid · 4 years ago
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Beating The Dead Swan
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Chapter 4: hold on for your life
read on ao3
<- chapter three
Summary: The team makes progress on the case and Spencer makes progress with Derek.
Word Count: 1.8k
Category: angst, some fluff
Content Warnings: drug mention, general criminal minds stuff
A/N: so sorry this took so long to finish writing! i just had some other things i needed to do for school stuff before i did this but enjoy!!
The next day Derek walked into the BAU, ready to give Hotch a rundown of how they were handling the case, but something caught his eye.
Through the windows of the office Spencer now occupied, there was an art easel propped up next to the couch. A sheet covered in various paints and colors laid on the floor as Spencer brushed a sky of purple and blue on the canvas.
“Whatcha doin’ there, kid?”
“Oh, oh hi Agent Morgan, I hope this is okay, I just wanted to paint.” Spencer stammered.
“It’s fine, it looks good too. How long have you been painting?”
“I’m fairly certain I was 8, could’ve been 9 though, my dad left around then and it’s all kind of blurry.”
A thick silence surrounded the two, the only sound being the brush against the cloth canvas.
“Um, I’m sorry. Anyways, what are you going to be doing today?” Spencer swiped his finger through the purple color he’d mixed and dabbed it across the wet paint.
“Well, Garcia is looking through the bank records of all the victims. If there’s anything suspicious then she’ll look into it and we might even take the case as a team, but for now it’s just me and her. I’m going to talk to my boss right now, I’ll talk to you later though.” Derek turned towards the doorway but Spencer stopped him.
“Morgan, uh, do you think, do you think you’ll catch whoever did this to Camille?”
“I sure hope we do. You deserve some closure. We all do.”
“Yeah, yeah just sometimes, it feels, I don’t know, captivating in all the wrong ways.”
“I know. But it gets better, I promise you. See you in a bit.” Derek left the office and headed towards the bullpen.
Spencer exhaled and studied the paint on his hand. The cold feeling, the intense smell, and the sound as he slapped it across the canvas.
“Hey, any updates?” Hotch asked Derek as he opened the door to his office.
“Nah, not really. All the people we’ve interviewed are completely innocent. Penelope’s checking men with sexual offenses that our victims could’ve interacted with but I’m not sure we’re gonna find anything.”
“Alright, you should probably check on that now, I’ll see you later if there are any updates.”
“See ya, boss.” Derek said as he walked back down the steps and across the hall to Penelope’s office.
“Hello my soulmate and love of my life Derek Morgan, how can I help you today?” Penelope excitedly exclaimed as Derek walked into her office.
“Hey baby girl, get anything from your search?”
“Unfortunately, no. None of the victims had close family that had both a connection to the company or a sexual offense, in fact there are no sex offenders in the area that have any connection to the company at all. They really do triple check everyone’s background.”
“There has got to be some connection somewhere. Did the M.E. do another tox screen?” Derek asked.
“Yep, and it seems that all of the victims had massive doses of ketamine in their systems.”
“Camille had ketamine in her blood?” Spencer walked into the office and started the two.
“Oh! Spencer, you can’t be in here, not right now.” Derek rushed to take him out of the room.
“Wh- why can’t I? Camille was my friend, I deserve to know about her. Did she have drugs in her body?”
“Spencer, you can’t be interrupting an investigation. I’m sorry, but you need to go back to your office.”
Spencer stops trying to push against Derek and exhales, trying to catch his breath. They walked back towards the office they now called home while squeezing his hands in intervals of three, a trick to calm himself down Camille had taught him. He fell onto the couch and fell asleep quickly, deciding not to fight the tired feeling his eyes gave him.
They woke up what felt like around thirty minutes later, but the digital clock he set on the table next to the brown leather couch read 11:43. He got up and grabbed flannel pants and a sweater from his bag of clothes and headed to the bathroom to change into the pajamas. They grabbed his chess set from his office and went into the breakroom. Their stomach growled and they recalled that they went to Penelope’s office earlier to ask if he could have the rest of the soup. He looked around the bullpen, wondering if they’d mind if he ate something from the fridge.
Agent Rossi walked out of his office and took notice of Spencer.
“Hey, what are you doing up? The only person here this late is generally that guy.” Rossi pointed towards Agent Hotchner’s office. The microwave on the counter now displayed 12:06.
“I-I took an unexpectedly long nap and uh, I didn’t eat lunch or dinner to- well technically yesterday now, uh, c-could I have something from the fridge?” Spencer stammered.
“Of course, kid. In fact, there’s some of my signature pasta in there. I make it weekly for the rest of the team, but today Derek ordered something for lunch so he didn’t eat his. You can have it if you want.”
“Thank you, Agent Rossi.” Spencer took the tupperware container out of the refrigerator and put it in the microwave.
“You can just call me Rossi, you don’t have to do the whole Agent thing,” Rossi said as he sat on the other side of Spencer’s chess game. “I didn’t know you played.”
The microwave beeped and Spencer took the bowl out and stirred it around with a fork. They brought it to the table, eating it as they moved a chess piece.
“Yeah, Camille gave me this set for my birthday, which actually isn't for another couple weeks but she didn’t want to wait.”
“You know, I had this old friend, Jason Gideon, he played chess. I think you’d like him. He’s the one who taught me.” Rossi moved his own chess piece.
“He sounds interesting. I fell asleep before Morgan could tell me anything, but have you made any good progress on the case?”
“A little. We found out how all of the girls died but we just can’t seem to figure out why the unsub did this.”
“Unsub?” Spencer said, moving another chess piece.
“Unknown Subject, it’s what we call the murderer. I’ve looked over your files, you seem like a really smart person.”
“Yeah, I uh, I can read pretty fast. I have an eidetic memory, too. I was a pretty good punching bag as a kid.”
“The world will see something amazing and try to take it for their own.” Rossi absentmindedly moved a piece.
“Yeah, I guess that’s one way of looking at it.”
“So, I’m assuming you don’t have much of a record with the ladies?”
“None at all. I’ve been intrigued by a couple guys, but they’ve all turned me down or turned out to be assholes,” Spencer laughed and moved another one of his pieces before taking another bite of spaghetti. “What about you? You’ve got to have courted some girl with this amazing pasta.”
“Yeah, I have, I actually got three ex wives.”
“Wow, that’s impressive.”
“Depends on your definition of impressive,” It was Rossi’s turn to laugh and move a piece. “You’ve got your eyes on him, don’t you?”
Spencer looked puzzled for a second before Rossi nudged the tupperware lid that had Derek’s name written across the top.
“Maybe, just a little bit. I’d be lying if I didn’t think he was attractive,” Spencer moved a piece. “Check.”
“I think he might like you too.” Rossi moved a piece.
“I don’t. He’s nice, but I don’t think he’d like me back.” Spencer moved a piece.
“I know you haven’t known me for long, Spencer, but I’m right about this,” Rossi moved another piece. “Checkmate. You’re smart, but you’ve still got a lot to learn.”
Rossi got up from the table and started walking out to his car. Spencer packed up his chess set and made a pot of coffee before heading to their office. For the rest of the night they drank his coffee and worked on the painting still sitting on the easel. 
At around six in the morning Spencer was getting ready to brew another pot of coffee and JJ walked into the breakroom. 
“Oh! Hi, uh, are you gonna be here long?” JJ asked.
“Uh, no, why?”
“Uh, Agent Hotchner called us in because he found something with the case. You’re not gonna be allowed in here when he’s telling us, I’m sorry.”
“Oh it’s fine, I’ve been up all night so I should probably just go take a nap anyways.”
They shared an awkward laugh before Spencer went back into the office and promptly fell back asleep on the couch.
Almost six hours later Spencer woke up to Derek knocking on his door. They got up and straightened out their sweater.
“Hey, so Hotch wants you there to hear the profile, just thought you should know.” Derek said, taking in the pajamas Spencer was wearing.
“Oh, okay, thanks.” 
Derek went back out to the bullpen and Spencer closed the blinds of the office windows before changing his flannel pants to jeans. When they finished dressing he went out to the bullpen and sat on the edge of an unused desk. Police officers were scattered around the area.
“You look like you need this.” Derek said as he sat next to Spencer and handed him a cup of coffee.
“Aren’t you supposed to be presenting the case too?”
“No, Hotch wanted to do it himself.”
The two set their cups of coffee down at the same time and their hands brushed against one another.
“You’re comforting.” Spencer thought out loud.
Derek didn’t respond. He just took it in and they both faced away from each other, hiding the smiles from the other’s eyes and savouring the moment.
Hotch’s profile wasn’t all that detailed, but it was early in the case anyways. The unsub would have either no mother figure or a distant one, and the father would be abusive in some way or another. His estimated age range was 25-30 and he would likely have learned his behavior from someone close, possibly the same father that abused him. He would rarely go in public and when he did he wouldn’t talk to anyone unless he had to. He likely wasn’t someone everyone knew and would isolate himself in most situations.
Most of the details floated out of Derek’s head as Hotch spoke as he had already heard the profile once and his mind was already clouded with Spencer’s words. When the presentation was finished Derek walked with Rossi to Penelope’s office to see if she had any new findings.
“He’s kind of a pretty boy, isn't he?” Derek said.
“Who?
“Spencer.”
“Yeah, something like that.” Rossi gave a knowing smile as they walked into Penelope’s office.
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