#but why is THIS the story that they're going with?

[totalswag]

hey i love your work so much and if it’s not to much go ask i was wondering if you could do a fic where fem!reader is part of the cast on obx and she is really close friends with drew where they are flirting and what not and everyone ships them and they are at an interview with the rest of the cast and that gets brought up? sorry if that doesn’t make sense! if you don’t have time it’s completely

behind the scenes ⎯ RAFE CAMERON

authors note thank you so much lovie!! i'm open to take requests and write them. i've thought of this concept before and all i gotta say is thank you for requesting this because I NEED THIS!! super sorry for not posting for a small while, there were stuff i needed to take care of first.

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summary having a close relationship with drew that send hints to fans they like each other based on the way they flirt with each other.

warning(s) flirting, shipping, co-stars secretly like each other?

Being apart of the Outer Banks cast has been such a blessing. You've created relationships with people you consider family now and who you can count on no matter what the circumstances are. Being on set for weeks on end filming scenes and making memories is what you look forward to most.

You grew closer with Drew Starkey because your characters are dating in the show and always next together on set too. Drew has become someone that you consider very important in your life.

You joined the Outer Banks cast during the second season. Drew appeared in a couple appearances near the end of the season, implying that he is interested in someone— love interest. You recall fans going nuts trying to figure out if this will continue. Fast forward two seasons, and your characters are together.

After a long day of filming, the cast decided to gather for dinner at a local beachside restaurant. The atmosphere was vibrant, with laughter and the sound of waves breaking on the shore. You and Drew were seated next to each other, much to the joy of your cast members, who were closely watching your interaction with Drew.

"Drew, look at the camera," you softly sang, your phone in your hand on the table, Drew in the frame of the video— he was speaking to Rudy across the table. He gives you a look that shows he knows you are heard before looking down at your phone and waving.

"Oh! "Hello there," he smiles even more when he sees himself on the screen—you giggle at the end of the video before sharing it to your Instagram story. 

"You posted it on your story?" he inquires, his body language focused solely on you. "I obviously had to; it was cute," you said as you placed your phone on the table next to your wallet. You suddenly felt nervous in front of Drew.

He raises his eyebrows in satisfaction. "Cute, huh?" He smirks and smiles, patting your thigh.

Fans began to ship you and Drew together as your relationship grew. The chemistry between you two is clearly obvious on and off screen, which is why you perform scenarios so well. Fans go berserk every time you post something on social media about Drew.

You two flirt without even realizing it at times. You will compliment each other as if you were a relationship, but this is nothing out of the norm for you two. Even your cast members have boarded the train and made a few comments about when you'll finish up together. 

You can't lie, he's an attractive young man. There's no doubt about that.

Few hours after you posted on your story, fans have been discussing the video you shared in which Drew looks at you as if you are the most beautiful person on the planet and no one else is present.

Today, you and the cast will be doing interviews all day to promote Season four. For the first portion, everyone will sit in the same room as the interviewer, but thereafter everyone will be separated.

"Alright, everyone," said the interviewer, "we've got some fun questions from fans today, and they're dying to know more about the dynamic between some of our favorite cast members."

Everyone said "Oooo," anxious to see what else the interviewer would say.

"Let's start with a fan favorite," the interviewer added, her eyes sparkling mischievously. "There's been a lot of talk about the chemistry between you two." She pointed to Drew and you. "Care to share any insights on that?"

Your stomach dropped.

The question hung in the air, drawing a chorus of “Oohs” and playful nudges from the cast. You felt your cheeks heat up as you exchanged a glance with Drew. His blue eyes sparkled with amusement, a smirk playing on his lips

"Well," Drew said, leaning in slightly. "Y/N and I have always been close. We simply clicked, you know?"

"Really?" the interviewer asked, lifting an eyebrow. "Because the way you two flirt on and off set is pretty convincing."

You laughed and shook your head. "We simply have fun with it. Drew is a terrific person, and we like joking around. "It keeps things moving on set."

"From our first reading together, I knew she was going to be a great co star of mine and we've formed an amazing bond throughout the years" Drew says with his hands. In gratitude, you give him a pat on the back.

Your cast mates' eyes are constantly drawn to you and Drew since they can tell you have mutual feelings for each other. Granted, you two have scenes together all the time and have developed a strong bond. However, you consider being more than friends with him.

The interview continued on with more questions popping up that were exciting to answer. In the back of your mind you were thinking about the question about Drew and you— do you want more?

Later that evening, you and Drew returned to your apartment and relaxed in your living room. The city lights outside your window gave a soft glow across the room, and the steady hum of the air conditioner broke the silence. You'd both changed into more comfortable clothes, eager to relax after a long day.

"Today was something, huh?" Drew murmured, breaking the silence as he sprawled down on your couch, seemingly at peace.

"Yeah, it was," you said, sitting next to him. "They really went all in on the whole shipping thing."

Drew chuckled, a deep, warm sound that made your heart race. "Yes, they did. "Makes you think, doesn't it?"

He sat up, his face instantly serious. "About Us. I mean, everybody sees it. Hell, we see it, don't we?

Your breath became locked in your throat. The playful flirtation, the lingering touches, the way your heart raced whenever he was close—it all hinted at something more than friendship. However, hearing him say it aloud was another. It made it real.

"I suppose we do," you confessed gently.

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[worrywrite]

This is why I keep telling people I'm not interested in the show. More than half the cast of the game exists to be porn or marketing fodder. No thought beyond aesthetics was put into essentially every character in the game. Any depth was added in post, and it's so slapshod it makes it worse.

The problem with Arcane is the general problem with prequels:

No matter how good the prequel is, if the thing that happens after is an unmitigated cash grab dumpster fire where everyone gets reduced down to a two paragraph "I'm in the death arena because..." statement that never even actually answers the question of why they're in the death arena--well, why bother.

(I'm a bit more bitter below, so continue at your own risk. I'm not adding much to my point.)

I'll be honest, Vi and Jinx were better characters on release because they meant nothing. Vi was a butch lesbian ex-con with a heart of gold that punched things and got blackmailed into worked for the police. Jinx was off brand Harley Quinn, if the joker didn't exist (yet) and she got to be him instead. The lack of detail beyond that didn't matter. Even Viktor and Jayce were better off as cyborg Hitler and off brand Tony Stark.

I'm honestly very surprised that Riot ever pushed for a wider narrative and world for the LoL IP. They'd been flattening it down for years so they could sell skins and rework characters whenever they wanted (to sell more skins) and then release more characters that made the old ones narratives not matter at all (so they could rework things again and sell more skins). They started out with a decent amount of lore and world building. They actually had lore based in-game events that mattered. But then they had decided for a long time to not do those things, they pushed for eSports and flat narrative for basically a decade. And now, now that their IP basically sucks and their player numbers are down and their skin sales are down and most of their team from when the game was good have left or been fired (for good reason) and eSports as a genre are in massive decline post nft grift--now they choose to try and have a story. And that story is still not going to affect their game at all.

At a business level, it's a good decision for them. Sure. But on a consumer level it does nothing to draw me back towards the game at all. Though I guess that is just me being aged out of their target demographic. They don't want the nostalgia money. They want the money out of kids demanding premium currency for Christmas.

Arcane is an advanced form of doomed by the narrative/doomed from the beginning because the show is trying so hard to create this serious, intricate story but the endgame of this story is everyone ending up in League of Legends

[catboybiologist]

Yay I'm going to get all Political and angry again.

So pretty much every trans American is probably aware of the Sarah McBride situation at this point, but here's the bullet point summary if needed for anyone else:

Sarah McBride gets elected to the House as the first transgender member of Congress in US history.

Republicans predictably flip their shit. They pass internal rules of conduct that prohibit trans people from using bathrooms of their gender and stating that bathroom use is defined by AGAB. It obviously singles out McBride, but I believe there are trans staffers that are also affected.

McBride issues a statement that she will abide by these rules, and pretty much only use the bathroom directly associated with her physical office. She issues a statement saying she "wasn't elected for bathrooms" and will instead fight in issues that matter, with a milquetoast criticism of Republicans for wasting time on this.

Many trans Americans are predictably scared and disappointed by this, especially because this internal house rule is being used as a blueprint for more extensive laws, including a likely ban on trans people in gendered bathrooms in all federal land and buildings (including, notably for me, national parks. Which breaks my heart, but that's a different rant.)

There's been a lot of disappointment and criticism of McBride over this. The general leftist reaction has been criticism. There's lots of people that have expressed disappointment or rage, including Erin Reed, and also more "personality" type people like Vaush and Jessie Gender.

Now.

I'm disappointed too.

But. And please keep reading before chewing me out for being an apologist.

I think we can all understand that McBride is in an impossible situation. If she fights this too hard, then it vindicates the Republican rhetoric that Dems are crazy trans obsessed leftists. But there's a fear that this will only lead to more infringements of rights for trans people. McBride is completely stuck, and is a junior, freshly elected member of Congress who is trying to figure out how to make her voice the most effective.

I am so, so fucking tired of rights being ceded one by one. So I'm disappointed. But yeah, I understand McBride's statement.

But there's just one tiny. Eeny weeny. Minor. Itty Bitty question having over all of this. Just one little concern.

Where.

The fuck.

Are the rest of the Democrats?!?!?!?

There is a PAINFULLY fucking easy solution to all of this. McBride needs backing, solidarity, and other people to speak for her. If she's worried about her voice being effective, and being branded as the crazy trans representative, then step the fucking up, you spineless liberal slimebags.

AOC is the only one that I know of that has expressed any real opposition or anger. Her statements are getting aaallll the airtime.

But the real story is McBride's sentiment being echoed amongst the entire party. This is absolutely some kind of official platform. The fucking grumbling, milquetoast finger waving and "well I don't like this, but there's nothing to be done! Anyways"

Of fucking course minorites are abandoning the left. The message they're sending is "we'll abandon you with the most pathetic of excuses. We don't give a shit." Trimming groups out of their support one by one.

McBride is doing the impossible calculus of trying to be the most effective on the house floor. It's an insane task for a trans woman. And yeah, she got it wrong this time. But where the fuck is the anger for her cis colleagues? Why the fuck aren't people angry and terrified for everyone that let this shit happen?

As much as people love the narrative of the line wolf resistor, resistance takes coordination, effort, and solidarity. Without that, what would McBride raising opposition even be? One representative against the hundreds of others.

And yeah, of course I didn't expect any better from the Democratic party. But you should be disappointed and mad at your representative, not just McBride.

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[touchstoneaf]

I've heard people say this before; that they discuss my stories on Discord servers and I'm like, "well, that would be nice to see". But I'm either not on that specific server because it is not relevant to my interests, or because I just don't really pay attention to Discord in general because I'm old and it confuses the hell out of me, hence I wouldn't know where to find the stuff either way. But I just don't understand why they wouldn't say these things in the place where they're reading the things. Like, a writer shouldn't have to go hunting for the comments that are made about their stories in some random place elsewhere in the ether.

I actually enjoy a relative plenty of comments, between two and five per chapter in my longest series, which is great engagement compared to some people's, because people are kind enough to say something to keep me rolling... but that's five out of generally the same 10 people commenting almost every single time, which means I'm kind of depending on them to keep me from feeling like I'm just shouting into the void (a lot of pressure on them). Meanwhile, I'm getting enough hits that if everybody who read each chapter commented I would probably have 30+ comments per chapter. Sometimes up to 100. That's rotten stats. It just doesn't make any sense to me.

Someone literally told me after reading the whole series up to now as a total specter that they couldn't bring themselves to comment until the 12th part of the series because they were scared to, for whatever reason. If people have been scaring y'all from commenting, I want to know who did that because that's ridiculous and does a disservice to everybody out here literally begging for engagement. Because the OPs are right; this is our currency in this world.

Fanfiction is motivated by community, by discussion, connection, by shared experience. We don't want to be throwing precious things into the vacuum and praying someone even notices... because we have no idea if anybody notices unless they tell us. Some of the best comments I've ever seen on any of my writing have been in the bookmarks. I just wish people would tell me what they do and don't like so that I can know that I'm not alone out there. Because other series get one or two comments per every four or five chapters, if that; and that's very hard to sustain out there on your own.

Please feed your authors if you actually want their productivity. And commenting "when is the next chapter going to be up?!" doesn't count.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[umgeorge]

Press con questions that weren't shown:

Q: (Jenna Fryer – Associated Press) George, were you guys blindsided by this or have any idea that it was coming or under consideration, that a change in Race Director was coming? GR: No, no idea whatsoever. So, yeah, as I said, it was a bit of a bit of surprise.

Q: (Luke Smith – The Athletic) George, has there been any response from the FIA or the FIA president to what the GPDA put out? GR: No. Not at the moment, which I'm a little bit surprised about, to be fair. But maybe there'll be something to come. Who knows?

Q: (Ben Hunt – Autosport) It's obviously very disappointing to learn from you that there's no transparency at all from the FIA. Was there any response about where the money's going from for all these fines and all that sort of stuff? Because that's another key element which we would quite like to know as well. GR: No, I think ultimately for us, when we were hearing from the FIA a couple of years ago, when it came to the Presidential elections, they were talking about transparency, talking about where the money is going to be reinvested into grassroots racing, which we're all in favour for. And of course, when it comes to some of these large fines, there's a number of drivers on the grid who can comfortably afford these fines. There's maybe some rookies on the grid that if they're handed a $1 million fine, you know, they can't afford this. But if we know where that's being sort of reinvested and if it's going into grassroots or into some training programs, then we get it. As I said, I think we just want the transparency and understanding of what was promised from the beginning.

Q: (Kevin Scheuren – Motorsport-total.com) A question to George as well on that topic. Isn't it a bad sign that you need to open up a social media account to make your voices heard as a collective? Because it sometimes seems, looking from the outside, that the individual, if the individual has an opinion on stuff, he faces repercussions. Now you have to work as a collective. Are you more or less a pawn in this game? Do you drivers feel sometimes more or less as a pawn in this game, not taken serious? GR: I think we've probably learned from the past that whenever we have spoken up, let's say internally, it hasn't gone anywhere. And as I said, as drivers, we only want the best for the sport. We want to improve it, especially on safety grounds, but whenever it comes to, you know, decisions in the race, we only want to help. And it's been a couple of years now that not much has changed when we have sort of given some views forward. And I guess we all wanted to show that we are collectively united. And maybe that will show how seriously we feel as a whole on the subject.

Q: (Andrew Benson – BBC Sport) George, it's been seven years since the GPDA had put out a public statement of this kind about something they were concerned about. What level of confidence do the drivers have in the leadership of the FIA at the moment? GR: I mean, I'm not too sure to be honest. We recognise everybody's working as hard as they can to do the best job possible. There is obviously a huge amount of change within the FIA quite regularly, so it's clearly not the most stable of places. And maybe that's why it's been a bit challenging to get some of the changes that we've wanted implemented. Of course, everyone has their own side to their own story. But as I said, I think if we feel that we're being listened to and some of the changes that we are experiencing, requesting, are implemented, because ultimately we're only doing it for the benefit of the sport, then maybe our confidence will increase. But yeah, I think there's a number of drivers who feel probably a bit fed up with the whole situation. And it only seems to be going in, to a degree, the wrong direction.

Q: (Jordan Bianchi – The Athletic) For all three drivers: you returned to Vegas this year. A year ago, there was a lot of hype and excitement about this race. I'm curious, now that you come back here for a second time, what's the atmosphere like that you guys have kind of experienced so far? Kevin, let's start with you.

GR: Yeah, I mean, it definitely feels strange, this Grand Prix, just living in the night. And like Kevin says, the atmosphere builds up during the course of the weekend. So, yeah, let's see how it goes.

Q: (Anna Cordera – Momentum Racing) George, I'd like to ask you, you've been racing with Lewis for almost three years. What do you think is going to be different now you being the veteran of the team racing with Kimi, regarding the development of the car? GR: Yeah, I mean, ultimately, for most F1 teams, you have near on 1,000 people who are working towards building these two cars, yet you only have two drivers driving it. So, I think, let's say, in Lewis, in my case, it was never that Lewis had a stronger voice. The team listened to us both equally because both of our opinions were extremely important. And the same going into next year. You know, Kimi's new. He's fresh. And I'm sure he's going to have a lot of great ideas to bring to the table. So, you know, I am the more experienced of the two, but we will both get equal voices the same way, and we will both equally contribute towards the development the same way as it was with Lewis and I.

Q: (Ian Parkes – New York Times) Sorry, another question to you, George. George, is it that difficult to try and get a sit-down face-to-face meeting with the President of the FIA to discuss all these issues, that you have to go down the route that you did with that message? GR: It's definitely not difficult to get a sit down, but I think getting things to change or getting promises upheld seems slightly more challenging. So, it's maybe the FIA or the president didn't recognise how seriously we all felt. So I think that's why over the course of 20 races this year and also even last year we spoke about a number of topics, all of the drivers, we all feel pretty similar. We all know what we want from the sport and the direction it's been heading and we probably feel that we want to do a small U-turn on a number of topics and just want to work together with the FIA on this. And that's just what we've felt has not been happening at all, at least directly from the President.

[ohnoitstbskyen]

One of the more interesting theories I've seen is "The Arcane is a metaphor for The Narrative, and Act 3 is about the characters breaking away from the path the Arcane set for them". (Admittedly, there's still a good chance that they're going to become something close to their League selves, but for the sake of the fic, "League Canon" is different from "The Predetermined Path The Arcane Has In Mind".)

I mean, that's definitely A Way™ to try and thematically integrate something like Ekko's time travel into the story... but I don't think they should or will do that, because it kinda flies in the face of everything Arcane has otherwise been about.

Arcane has been about how class and systems of power push people to act in certain ways, it has been about privilege and deprivation, it has been about how cycles of violence and trauma forcibly replicate themselves under oppression, and it has been about the ways in which all of those things can push people to become the worst versions of themselves with the absolute best of intentions.

See Silco and Vander both acting out of love for their cities to try and make the best future they can for their children and fellow citizens, and the consequences of both their methods. See Viktor and Jayce trying their damndest to invent something that will make the world better, vs the pain and devastation their Hextech causes in the world.

Season 2 goes HARD on this too - Caitlyn being enabled and very actively pushed by her class position to turn her grief and trauma into authoritarian oppression, Vi letting guilt and obligation push her into becoming a part of it "for the greater good" because she's desperately trying to live up to what Vander taught her by example.

And saying "ah, no wait actually, it is The Narrative Of The Fiction that is causing this to happen to us!" very badly undercuts all of that. The whole narrative up until this point has been about how bad systems make monsters out of good people, and to pull back the curtain, Wizard of Oz style, and find that it was just A Guy doing it, some wilful entity imposing a narrative on the world... that's a very different kind of story.

At worst, it would turn Arcane into metanarrative wank - a corporation jerking itself off over its IPs and cinematic universe, or writers jerking themselves off over how important and powerful writing is, why, it is the most powerful force in the entire world of our fiction! (looking at you, Game of Thrones Season 8).

From the very start, what I have feared the most is that Riot would turn Arcane into a story not about its characters, but a story about the League of Legends™ family of exciting and highly engaging intellectual properties which we are excited to leverage in a cross-brand synergistic market activation. A story whose ultimate point is "buy League of Legends skins and get excited for Phase 2 of the League of Legends Cinematic Universe!"

So yeah... I would like The Arcane to be a thing inside of its own universe and bound by its rules, not a thing which represents the commercial concerns of the world we live in. I hope you are not correct about that interpretation.

[kookooluvr]

Teach Me How To Love - Part 1

pairing: professor!jungkook x (fem) professor!reader, fwb to lovers

genre: fluff, angst, smut, fwb au, economicsprofessor!jungkook, politicalscienceprofessor!reader, slow burn, some emotional constipation, some sappy moments, lots of sexy moments.

rating: 18+ MINORS DO NOT INTERACT !

warnings: fwb should be warning in itself, jungkook is a simp and a hot nerdy professor (yummm), oc has a tabby cat named miso, bam makes his first appearance, jungkook has a big ol' crush on oc, some unrequited romantic feelings (?) we're not sure yet, explicit sexual content; making out, kook has heart eyes for oc's boobs, five second strip show, like a split second of male masturbation, oral sex (male receiving), a teeny wheeny bit of fingering, oc rides that thang like a cowgirl, unprotected sex (oc is on birth control and they're both clean), plus some angsty vibes at the end :(((

word count: 3.5k

summary: jeon jungkook, a fellow professor at yonsei university, is your friend, co-worker, and secret bed buddy. you have rules set in place to make sure there are no misunderstandings in your little arrangement. the #1 rule is as clear as day; no catching feelings. simple, right? wrong. let's see how un-simple it gets when a certain economics professor falls for an emotionally unavailable political science professor.

author's note: part 1 is out my dudes !!! 😭😭 i hope you enjoy this little introduction to jungkook and oc, and i can't wait to start exploring their dynamic a little more in depth in the next parts!! i'm so excited to go on this journey with you all, so pls make sure to follow me, repost this story, and send me an ask if you want to chat about these cuties 🤪 part 2 coming soon !

find tmhtl masterlist here

It's the end of the day and Jungkook is on his way out, heading home after an exhausting day at the university. He walks down the corridor, his phone in hand, his eyes trained to his phone as he checks his emails.

You step out of your office, shutting the door and straightening your bag on your shoulder. You dig through it for your office keys, locking up once you find them. He looks up from his phone for a second and spots you, a smile tugging at his lips as he pockets his phone and walks over to you.

He leans against the wall next to your door, arms crossed, his shirt sleeves rolled up to his elbows. “Hey,” he murmurs with a little grin.

“Hey, Kook,” you greet softly, walking away to head home, Jungkook peeling himself off the wall to walk next to you.

“Long day?” he asks with a sympathetic smile.

You love your job, really, you do. But some days are draining and dealing with young adults who don't even know how to reference their sources for an essay or spell parliament properly can actually drive you to drink. “Mm, thank God the day's over,” you chuckle, looking over at him as you walk down the stone walkway together, the sun slowly starting to set on campus.

He chuckles, looking over at you to catch the way the golden hour light casts a pretty yellowish-orange glow over your skin, his eyes quickly diverting down to the ground to stop himself from staring, shoving his hands into the pockets of his pants. “Hey, uhm...if you don't have any plans tonight, do you maybe wanna come over to my place?” he asks, feeling like an awkward teenager with a crush every time he asks you that, even if he's done it ten dozen times by now. He knows why he's inviting you over. You know why he's inviting you over.

“Yeah, sure,” you say casually, heading in the direction of the parking lot to get to your car. You see it in its usual parking spot, right next to his, just like it is every day, like a silent declaration that you're a package deal.

His heart really shouldn't do that weird thump-thump thing that it does every time you agree to come over, but it does, and it might just be heart disease, but he is yet to get it under control. “Cool...cool...Is 7 okay for you?” he asks, taking out his keys as he approaches his car, leaning against the driver's door with a little smile on his lips.

“Yeah, I'll just go home and change out of these clothes and feed Miso then I'll head over,” you murmur absentmindedly while you dig through your bag for your car keys, searching through the endless pit of earphones, a tangled phone charger, lip liner, lip gloss, and ten thousand receipts for things you don't even remember buying. He watches you with a faint smile, knowing how messy that bag is, but also knowing that if he lectures you about it, your response will be, 'you don't get it, you're not a woman' so he minds his business and stands by patiently.

“You can go, I'll manage,” you mumble, your eyebrows furrowed, a soft pout on your lips as you rummage through the leather bag. He chuckles and cocks his head to the side, finding it quite amusing. “You sure? I feel like I could find the cure for cancer before you find your keys in that thing.”

“You should quit teaching and go into comedy,” you mutter dryly, finally finding the damn keys. “Ha. Found it,” you quip, smiling sarcastically before unlocking the car. He shakes his head with a soft smile, rolling his eyes as he gets in his own car. He'll get you back for your sass, but he knows that his 'punishments’ feel more like a reward than anything else.

You go home and feed Miso, the grey tabby lounging around like she's the queen of your apartment, completely unbothered that you're only staying for a little while before eventually leaving again to get dicked down hang out with Jungkook. You put on some comfortable sweats and give her a few kisses and cuddles before heading over to Jungkook's place.

This is a regular thing for you guys. You remain professional at work, well, as professional as two people who are hooking up can be, and then you go over to his place, or vice versa, and sometimes there's wine, sometimes there's dinner, sometimes you go straight to the sexy part, or sometimes there's no sexy part at all because one of you just wants to talk or watch a movie. It works for you. It's easy. It feels good. Really good.

He's a good friend. He's kind, he's a good listener, and he's all those nice, sweet, lovely things. He's also really good in bed, which is always a bonus in a...friend.

Good friends offer to drive you home from the club when you've had one too many to drink. Good friends support you in times of need. Good friends go down on you until your legs shake. That's just how it is.

"Slow down, you're gonna choke," he chuckles, watching you stuff your face with Indian takeout. It's like a competitive sport when the two of you eat dinner, which is one of the things you like most about hanging out with Jungkook. There is no pressure to be perfect. You can act the way you really want to and not feel scrutinized for it. Maybe it's just because his big fat crush has completely tinted the way he sees you, but he'd happily watch you pig out if it means he gets to spend time alone with you.

“I thought you like it when I choke a little bit,” you tease, just wanting to get a reaction out of him, and that's exactly what you get. He nearly chokes on his food, his cheeks flushed, his eyes wide as he looks over at you.

“Jesus Christ, y/n, you can't just say stuff like that,” he coughs, trying to compose himself, roughly clearing his throat to not die via chicken biryani. It’s quite a strange thing how he can go from this to a sex god in bed, not that it's anything for you to complain about.

Jungkook does the dishes after dinner which allows you to enjoy some alone time with Bam. The brown doberman plops down on the couch, practically begging to be cuddled. He’s always been quite fond of you, since Jungkook adopted him three years ago. He’s the sweetest boy. He loves being loved on, much like his father.

Jungkook watches as you give Bam “lovies” as you call it, the dog absolutely basking in the attention.

“I’m starting to think he likes you more than me,” Jungkook jokes with a scoff, smiling as Bam does his ‘sit/lay down’ tricks for you. What a showoff.

“He’s never gotten that comfortable with anyone who isn't me,” he murmurs with a soft smile, watching the two excited puppies in his living room. “He gets really excited when he knows you're coming over.”

“Bam, cut it out. I’m Miso’s mommy, she’s going to get jealous,” you playfully scold him, although the scratches you give him say otherwise. He’s just a doe-eyed, dark-haired, soft-hearted boy. Again, much like his father.

Jungkook finishes drying the dishes and practically shoves Bam out the way to get the same attention from you. He lays down on the couch with his head in your lap and you already know what he wants. You lightly scratch his scalp, watching his eyes flutter shut, a small smile tugging at the corners of his mouth, relishing in the feeling of your fingers in his hair. Sex is great, but there's something about moments like this that just makes him want to get down on his knees and give you whatever you want, whenever you want it.

“I think Bam-ie’s upset,” you chuckle, looking over at him with a soft, apologetic smile, his father looking anything but sorry. He chuckles as he watches Bam quietly stroll back to the bedroom, his eyes fluttering shut once more when you do that thing with your nails that sends shivers down his spine.

“He’ll live,” he scoffs, wincing when you give his hair a firm tug, his lips puffing up into a pout.

You don't really remember how exactly you ended up on his lap with your hands in his hair and his lips peppering your jaw and neck with gentle, tender kisses, but you know that it feels good.

“We’ve been so busy lately, we’ve barely gotten a chance to do this,” he murmurs against your skin, his hands trailing up your thighs to rest at your hips.

You scoff, your eyes fluttering shut as he sucks on that sweet spot behind your ear. It's true. You’ve both been so busy with work that you haven't hung out or had sex in two weeks.

“I know. I’ve been relying on my vibrator.”

He feels a shrill of heat run through him at the thought of you pleasuring yourself, as if he hasn't already seen the actual thing live in-person.

“Yeah? Is he better than me?” he teases with a little grin, pressing soft kisses to your pulse point.

“First of all; she, and I mean…she gets the job done,” you tease, not wanting to outright admit that nothing and no one can make you cum the way he does.

“You couldn't have just said no?” he chuckles, leaning his head back to rest against the back of the couch, his eyes heavy-lidded as he looks up at you. “Maybe I should get myself a toy too…y’know, for when you're too busy,” he teases with a lazy grin.

“What, like a pocket pussy?” you laugh.

“Mm. Something like that.”

“I’d prefer you to be inside me instead of a fake vagina,” you quip, leaning in to press a feather-like kiss to his lips, just testing the waters a bit. “Are you gonna think of me when you use it?” you tease, batting your lashes the way you know makes him go a little weak.

He swallows thickly, nodding like he’s hypnotised. “Of course I’d think of you,” he murmurs, his hips bucking up in a sad attempt to get you to give him some friction. “It wouldn't compare to you though. Nothing compares to you.” His voice is soft and airy, sounding almost pathetic.

You feel a little smile tug at your lips, your resolve slowly slipping. He’s so open about his thoughts and feelings. He’s not afraid to be vulnerable and lay it all out there, even if it is just sex.

His heart does that stupid thump-thump thing again at the sight of your smile, but now really isn't the time to psychoanalyse that, so he pushes that thought away for later.

“Can you take this off for me?” He slips his fingers underneath the soft fabric of your sweatshirt, getting a bit antsy to see more of you.

He’s never really given it too much thought whether he’s an ass or tits typa guy, but when you pull your sweatshirt over your head and his eyes land on that black bra with the little pink bows, the one that you know he likes so much, he swears he’s never seen anything prettier.

“God, I love these.” He leans his head forward to press soft little kisses to the tops of your breasts, his hands trailing up the sides of your ribs. “My pretty girls.”

Your eyes fall shut, the butterflies starting to flutter in the pit of your stomach. Sex with him is so soft and sweet. He says nice things and he makes you feel good, both physically and emotionally, and that makes your anxiety spike just a tad, so you deflect.

“Do you always make conversation with a woman’s tits before you stick it in her or…?”

He chuckles, and it's deep and warm, a little comforting, like if hot cocoa had a voice.

“Take this off. Wanna see them,” he murmurs softly, lightly tugging at the strap of your bra to let it snap back against your skin.

You roll your eyes, but the faint smile on your lips tells him that you're more than happy to oblige. You reach back to unclasp it, letting the material fall from your body, his eyes growing a shade darker at your exposed skin.

He swirls his tongue around a nipple and sucks before repeating the same thing on the other side, giving both breasts the attention they deserve. His eyes flutter shut like he wants to savour every little moment with you.

You reluctantly get up off his lap, and before he can protest, you're discarding the rest of your clothing, sliding your sweatpants down your legs. He makes quick work of following your lead by removing his shirt and pants, his boxers following quickly behind.

You make a little show of removing your panties, and you would normally be embarrassed by the amount of moisture that has already accumulated inside the flimsy material, but right now, all you can focus on is his hand giving his cock a few lazy strokes while he watches you undress for him.

“C’mere.” He spreads his legs a bit, his cock already almost fully hard, the tip slowly turning a light shade of pink. You'd never thought of a cock as 'pretty' before, but damn, it's pretty.

You do as he says without a single protest or complaint, your pussy practically throbbing at the sight of him. Oh, how wonderful it is to be his friend.

You get down on your knees in front of him, his eyelids hanging low as he looks down at you, his hand pumping his cock.

You pride yourself in being good at oral sex, but it's never been something you particularly love doing. That is, until you started hooking up with Jungkook. Sometimes he’ll just be doing something as simple as watching a show on tv, and you’ll be on your knees with your hair up and his cock hitting the back of your throat. It's everything, from the sounds he makes, to the way his eyebrows furrow and his lips part in ecstasy, that makes it so enjoyable.

You take over for him, giving his cock a few strokes before swirling your tongue around the head, pulling a deep groan from the back of his throat. You start sucking, working your way down his length, occasionally looking up to see that look on his face that makes your pussy clench. He rests his hand at the back of your head, not applying pressure, just wanting to feel more of you as you bob your head up and down a few times.

You give the tip some attention, then go all the way down to the base so that your nose just lightly brushes against his pelvis, then back up again, keeping a nice rhythm. His groans, paired with the way his stomach tenses every time you take him down to the base, is almost enough to make you cum right then and there.

“Fuck…baby, stop, please. Don't wanna cum too early,” he murmurs hoarsely, reaching for you to get up and straddle his lap. Your hips slide back and forth, your slick coating him, his dick glistening under the low light of the living room lamp.

“Already? Jesus, Jungkook, have some self-respect.” You can't help but tease him a bit, even in a moment like this, where you're in no position to be making fun of his desperation when you’re as wet as you are.

He scoffs, his hand disappearing between your legs, his middle and ring finger rubbing slow circles over your clit before sliding back to sink into your sopping entrance, shutting you right up.

“What? Cat got your tongue?” he teases with a lazy little grin, his fingers slowly pumping in and out, your wetness allowing him to move them without any resistance.

“Don't speak about my daughter at a time like this.”

His laughter gets cut off by your lips crashing into his, his fingers slipping out of you as you lift your hips to align the tip of his cock with your entrance.

“Want me to sit on it?”

“Yeah.” His voice is breathless as the anticipation slowly builds in his gut. No matter how many times you have sex, he’ll never get tired of that rush of adrenaline that flows through him in that moment right before he slides in.

“Ask nicely.”

“Y/n, come on,” he laughs half-heartedly, tilting his head back against the couch, his fingers digging into the soft flesh of your hips.

“Ask me nicely and I’ll sit down, Kook,” you whisper, leaning in so that your lips just barely graze against his.

“Please…please, baby. Ride me, please.”

The groan he lets out as you slowly sink down on his cock is enough to send shivers down your spine. It's thick and long, but it's not too big for it to hurt. It fits perfectly, nice and snug like a glove.

“Fuck, you feel good,” he mutters hoarsely, his hands gripping you harder as you begin to roll your hips in that fluid motion that makes him go a little crazy.

It feels like an honour that he gets to see you like this, naked on top of him, riding him deep and slow on his couch after a long day at work. He doesn't know what he ever did in his lifetime to deserve to be balls deep inside you on a Friday night, but he knows that he’s a lucky bastard.

“Just like that. Fuck, you're so tight,” he groans, looking down to watch the way your pussy sucks him in, like something out of a wet dream.

You set a nice pace, riding him just the way he likes it. You reach down to rub circles over your clit, your walls clenching around his cock, pulling soft moans and whimpers from his lips.

“Keep going,” he mutters, his voice trembling. “Fuck, you're gonna make me cum, baby…”

You ride a bit faster, applying more pressure to your clit as you chase your own high. He fights to keep his eyes open, desperately needing to watch you as the pleasure takes over.

“Fuck, Jungkook!” The pleasure creeps up on you and you cum with a breathless moan, your walls fluttering around his length, throbbing and pulsating.

“Gonna…holy shit…gonna cum, baby, don't stop…”

You use the last of your energy to bring him to his peak, moving your hips until his cock twitches and his muscles tense beneath you. He cums with a guttural groan, his fingers digging into your flesh so hard that it might bruise tomorrow.

You continue to grind down on him to help him ride it out. You gently run your fingers through his damp hair, his skin slightly dewy, his eyes squeezed shut. He trembles as the aftershocks flow through him, his breathing coming out a bit uneven.

He wraps his arms around you, holding you close to his chest, looking like he just died and came back to life. He lifts his head to press a soft kiss to your lips, but you pull away before he can deepen it.

“Come on, let go. I gotta go clean up.”

You very rarely allow him to cuddle you after sex. It feels too intimate, too romantic. You don't allow yourself to be romantic with Jungkook. He's not your boyfriend and you like it that way.

He lets out a small hum of disagreement as you lift yourself up, his hands moving to hold your waist.

"Stay here for a little longer," he mumbles softly, his voice drowsy. He looks at you with big doe eyes, trying to persuade you to stay. “Just a few more minutes.”

“You're starting to soften inside me and I have to shower, Kook. You know I hate feeling sticky.”

He reluctantly lets you go, groaning softly as you get up off his lap. "Fine, fine," he grumbles, his eyes following you as you walk over to the bathroom.

You walk off to his bathroom and close the door, locking it behind you. Locking the door is something so simple but it means so much. It means, 'You're not my boyfriend so we can't share that level of intimacy. You can fuck my brains out, but you can't wash my hair in the shower or sit on the toilet while I do my skincare'. It's too coupley.

Jungkook slowly puts his boxers back on, staring at the bathroom door. He knows he’s not your boyfriend. He knows he probably never will be. He knows all your boundaries and your rules and your reasons for having them, but that doesn't make it sting any less. He can't help but wonder what it would feel like if you actually allowed him to love you, but he knows he’s just being foolish and hopeful. He knows that by physically locking that door, you're locking him out of ever getting closer to you emotionally.

[aelfgiure]

From the moment I was coherent, I knew my family was different. Off, somehow, not normal. It was something in the way my parents looked at me when they thought I was distracted, the way they treated me like I didn't belong. Like I was an inconvenience.

My brother and sisters? So, so spoiled. Between mom's modeling and dad's business stuff, there was MONEY, and my siblings had it lavished on them. Toys, designer clothes - whatever they wanted. They were hugged, cosseted, taken on trips, given actual attention! They had a fabulous childhood.

Not like mine.

There was this undercurrent of resentment towards me that I never understood. I never had birthday parties, the folks were always "too busy", tossing some money my way so I could get a present. It never mattered what my grades were, I handed over the report cards to get signed and that was it. Unlike my siblings - they got pizza parties for not failing classes! but my damn near perfect marks were shrugged off. It was a lonely, confusing life, especially for a little kid.

My solace was in books. (Yep, I nerd.) If it was in print, I'd read it. That empty feeling inside me was soothed when I filled myself with words, stories, information, music. Yes, I taught myself how to read music, too, and how to build and play instruments. The early ones were crap, but I got better at it.

Anyways. I read everything, which led me to the 'occult/spiritual' section of the library and book stores. Right next to the fairy tales and legends, of course, so I read those too because why the heck not? It was ... it was educational. Upsetting. I wandered around the house and saw all the cold iron and silver on every window, every door. The weird herbs growing at every entrance. Keep in mind that I was TEN. Ten years old, trying to understand what was going on with my life, and suddenly figuring out that my parents were keeping something out. Of course, the next thing I did was check my clothes and, surprise surprise, everything had odd things sewn into the hems. Not only was something kept out, I was warded against being Taken.

So, I did what any angsty pre-adolescent would do, and plotted. Come hell or high water, I was going to find out what was going on. For the first time in my life, being ignored worked in my favor. Using the books and stories as a guide, I bought things, ingredients and materials, and worked quietly. Waiting for the night of the full moon.

I was as thorough as only an angry child could be. Opened doors, front and back. Walked around the house widdershins, sweeping away the protective ring of salt and runes. Did I mention I was naked? Yeah, I took a bath and washed myself with a bar of Ivory soap, getting rid of even the smallest trace of binding or charm. Since I didn't trust any of my clothes, or any in the house really, it made sense for me to go naked. To be sure.

The results were impressive. Also terrifying. Two powerful, ancient beings stormed into the house and dragged my parents out of bed, starting a three-way screaming match about contracts, oaths, stuff I didn't understand.

That was when I learned why I was conceived. It hurt, honestly. Learning that I was just a bargaining chip, chattel to be bartered or sold, broke my heart. They kept me warded to avoid issues, they said. They didn't know which being had the first claim on me, and neither one wanted to give up the wealth and beauty they bought with my life.

I was ten years old, and heartbroken, and oh so angry, and I interrupted with a suggestion. The witch and the faerie exchanged a look, before turning to my parents with the same smile on both their faces, one with extra teeth and mischief.

To this day, I have no idea what happened to them. I've lived with my dads for ten years now. Not full time anymore, university is a beeyotch and I live off campus, but every break, I go home.

My family is still kinda off, and different, but my dads love me. They're proud of me, they encourage me to be awesome, and we celebrate birthdays and holidays together. They keep saying that they have to make up for lost time, but knowing they were trying to find me, knowing they never gave up hope - well. They wanted a child to love, and i needed parents to love me. It all worked out in the end.

Your mother sold her firstborn to a witch in exchange for beauty and your father sold his firstborn to a fairy for wealth. Today you are born.

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[swampjawn]

So I stitched together the rotating camera shot from episode 7 of Dandadan. Youuuuuu might have to zoom in a bit though.

This sequence was almost completely anime-original, and it's a great example of why this episode took the show to a whole new level and made me sob into my iced cream.

In no small part, thanks to Shuuto Enemoto (榎本柊斗) who was animation director, and for the first time (?!) did storyboards for this episode. Which is insane because, well, see above.

The manga only spends about 2 pages with the little girl, the anime really basks in this montage of beautifully mundane moments for a full two and a half minutes.

Dandadan is at its best when it's drawing from cinematic influences and thinking about how a real camera could be used to tell its story. The simulated camera rotates slowly around the small apartment and tells the story of this girl and her mother's life together through simple, but touching scenes. This technique isn't as common as the dolly-zooms they've used a few times, but it reminded me of this sequence from "Hunt for the Wilderpeople" (2016) that makes brilliant use of its rotating camera and some cleverly placed body doubles to show the passage of time and development of the relationship between its two protagonists as they're hunted for weeks through the forests of New Zealand. (there was also a really cool and expertly choreographed one in the Showtime series "Kidding")

And it all culminates in this cut where we rotate around a birthday cake and the warm glow from the candles brighten both of their faces. The enchanting, gliding camera movement puts us on the girl's level, and makes the cake look huge and wondrous.

This type of sequence may not be technically difficult in the same ways as it is in live action (though I'm sure it does pose its own technical challenges in animation) but it' shows it's just such a brilliant way to portray this story.

And that's just one of many bits that took this episode above and beyond! I go into way more detail on the animation in this video. Go watch it.

(two videos in a week, who am I, XQC?)

[just-j-really]

Additional Dreamling hanahaki AU idea, which I am fond of enough to make its own post:

Hob fell hard for Dream in 1489, and unfortunately immediately got hanahaki about it. Fortunately, it's a weirdly manageable level of hanahaki. Like, the immortality bit definitely helps, but it progresses much slower than your average case of hanahaki, and it seems to reset, or at least get markedly better, every time he sees Dream.

He still never gets a chance to tell Dream about it. In 1589 he's got a five-step 'Impress him. Have a conversation with him that isn't about immortality. Flirt a little. Use whatever information I get to figure out if I can seduce him. Go from there.' plan that just immediately goes to shit. It's the least of his worries in 1689, in 1789 he doesn't have the chance, and in 1889 he attempts to reach out again (less a calculated 'sweep him off his feet' this time and more a 'hey, we're friends, do you ever see the possibility of us being something more?') and of course Dream balks at the friends part and that goes to hell.

An then 1989 rolls around, Dream doesn't show up, and the once-a-century reset button Hob had been depending on just. Doesn't happen.

He's in bad shape when Dream finally shows up thirty-odd years later.

Eventually Dream gets the whole story out of him (it takes a bit- Hob is afraid of scaring him off again, and once Dream tells Hob why he missed their meeting, Hob's got the additional worry of 'how to explain without making him feel even worse about being imprisoned for over a century').

And once Dream does get the explanation, he immediately connects the dots incorrectly: hanahaki is born of unrequited love, and Hob always seems to recover from his case whenever he sees Dream. This of course means that being subjected to the full force of Dream's unloveable terrible self is causing Hob's feelings for Dream to wane. So he decides to meet up with Hob more often (but not too often, he wants Hob to still want to be his friend, even if those romantic feelings fade).

Cue a horrific misunderstanding. The facts of the situation are that A: Dream is slowly falling in love with Hob. He'd been nursing a tiny little potential crush for centuries, hence their meetings giving Hob that little reprieve, but he only starts actually falling for him when they start spending time together. This means that B: Hob is recovering. It also means that C: Hob's feelings are getting exponentially, monumentally worse by virtue of having his crush nearby so often, and occasionally looking at Hob as though he could possibly feel the same way.

Dream, only aware of points A and B, has confirmed his suspicion that he's horrible and unlovable and his presence has caused Hob to stop loving him. (And like. Yes. The other conclusion, that Hob's recovering because his feelings are requited, is, in fact, right there. Dream is far too primed to believe himself unlovable to make that leap.) He's also having a Real Bad Time emotionally because he's DEVASTATED that Hob doesn't love him anymore and also just. So, so glad to see Hob healthy. The Dreaming is experiencing freak thunderstorms midway through, and occasionally at the same time as, perfect sunny days.

Hob, only aware of points B and C, is confused. He's still in love, so that can't be what's caused his recovery, and Dream hasn't mentioned returning Hob's feelings, so clearly that can't be it either. Dream's some sort of eldritch god-being, it makes as much sense as anything that he can somehow suppress hanahaki. And Hob can live with that, he's perfectly happy with Dream as his friend. (Honestly he's probably three quarters of the way to figuring it out, if nothing else Dream keeps bringing him gifts and it's beginning to make him suspicious, but he just... doesn't think Dream would withhold that information when he knows Hob's unrequited love was factually killing him.)

Thus follows months of mutual pining. They're essentially living together, at least from Hob's perspective- Dream meets him after work, unless he has some other plans, and sticks around until he falls asleep. He's not there when Hob wakes up, but it's overall absurdly similar to living with a partner who works early mornings. Hob is also Having Some Feelings about this.

Thing is, though, they're getting closer (despite the fact that Hob is clearly falling out of love with Dream), and Dream ends up eventually explaining who/what he is.

And then-

"Oh," Hob says. "Is that how you're doing this?"

"Doing what?" Dream asks, nonplussed. They're in the Waking world, at a table in the back corner of the New Inn. Dream isn't doing much besides keeping a curious eye on one of the bartenders' daydreams of social media stardom, and even then, he's not sure how Hob would know that.

"No," Hob says, his voice low. "How you cured me. I've been dreaming of a cure for centuries, did you make that come true, somehow?"

A rush of hurt and anger nearly overpowers Dream, but Hob's looking at him with such genuine, earnest curiosity, a touch of admiration, and he realizes the truth. Hob wouldn't be the first person to fall out of love with Dream and fail to realize it, continuing to go through the motions until every trace of affection for Dream was destroyed.

He isn't sure if it's for his own sake or for Hob's that he says, "Have you considered that there may be an ordinary cause for your recovery?" and waits for the sword to fall.

"Oh," Hob whispers. Dream watches as the realization dawns on his face, only- he doesn't look disgusted, or angry, or disappointed. There's relief there, yes, which Dream had expected. He hadn't excepted joy, but there it is, the same all-encompassing happiness he sees every time he asks Hob what he thinks of his immortality.

Dream should not resent this. Loving him has only caused Hob pain, he should not resent that it is a joy for him to be freed. Still, it takes all his strength to keep the storm that is currently drenching the Dreaming from manifesting in his physical form.

He must not succeed, because Hob's expression is slowly shuttered by worry. "You're sure?" he asks, quietly.

Even when Dream had found him all those months ago, flowers clogging his lungs, unable to seek help for fear of what his fellow humans might do to him, he had not looked this fragile.

"I am Dream," he admits, staring at Hob's hand where it rests next to his on the table. As though it could make this any easier if he refuses to look at Hob's face. "It is not within my power to cure you in the Waking."

Silence. Far too much silence; if there is one thing Hob should not be, it is silent.

Hob's hand reaches out to cover Dream's, gentle as snow covering a corpse.

"Oh, love," he says, his voice just as gentle, "You did."

In a sense, yes, he had, by proving to Hob that he was not a creature to be loved. But if that were true, then why-

"I should have said something," Hob says. "Weeks ago, I should have-" He cuts himself off and squeezes Dream's hand, sending a shock of hope through Dream; he's discovered that the person he'd thought to be dead in the snow is still breathing. And Hob's hand is warm, a hearthfire when he'd lingered so long in the cold.

"Dream," Hob says, as solemn as Dream has ever heard him, "I have never stopped loving you."

He says it with the same certainty he'd told Dream, centuries ago, that he had too much to live for, and once again Dream can only stare at him in awe. There are very few things that a creature such as Dream might consider a miracle, but Hob, he thinks, is one of them. Perhaps one day he will find the words to tell him so.

For now, he threads his fingers with Hob's.

(and then they very slowly and cautiously start up a romantic relationship, Dream very worried that Hob will stop loving him and Hob very worried that Dream will get scared and leave, each of them trying to gently reassure the other that no I love you I'll stay as long as you want me. and eventually they both realize that they're on the same page there, and 'as long as you want me' is 'forever')

[beta-lactam-allergic]

Update for continuing in playing Shadow of the Tomb Raider. I'm pretty sure every kill I did in that game was covered under self-defense (humans, those 2 jaguars in the early levels, wolves around San Juan & in some challenge tombs & of course eels, the 2nd worse non-human encounter in the game behind piranhas so far (you can't even kill piranhas, just try to avoid them), though I wouldn't be surprised if a Nahual shows up at some point with the hints this game gives) & thus isn't murder or illegal hunting. Do poison arrows & hallucinogenic arrows (achievement Total Party Kill) come under the Chemical Weapons Convention? If so, then that again (actually just realised, I kill beetles & spiders for venom in that game, so not all my kills are self-defense, but kiiling beetles & spiders isn't illegal). If we ignore my self-defense actions, my crimes would be stealing supplies (I need enough furs for my upgrades somehow & I'm not killing the cute capybaras or the howler monkeys. That's non-negotiable. Also, feathers are so easy to get that even if my assumption that killing birds grants feathers is true, why would anyone bother even if they weren't squeamish about it like me) & tomb raiding (duh).

On the other hand, I found out a week ago that there's an achievement for petting 5 llamas (Como Te Llama), not by looking up the achievements list (still haven't done it yet as I only do that once I complete one playthrough from start to finish so that I can do another playthrough to grab missing achievements that sound like ones I want) but because I wanted to pat the cute llamas & did it enough times that the achievement popped up as being completed (I'm the kind of person who pets every dog they see when going on a walk IRL unless they're assistance dogs). Which surprised me, I thought the achievements would all be focused on story progression (Back to Where We Started), combat (Marksman), Tomb raiding (Destiny's Trialed), document/artefact collection (Underwater Archaeologist) & acquisition of outfits (As a former Love Nikki player & current Arknights player who uses all of her hard-won Originium Prime on character skins, I love in-game outfit acquisition ❤️🤩🤩🤩❤️ & of course got the "Thread the Past" & "To the Nines" achievements). An achievement for llama petting is surprising, but I love the acknowledgement.

[jetblack4realz]

better - jj maybank x reader

summary - in between season 3 & 4 when they're building their lives with the gold and jj wants to get his act together for you

word count - 1.9k

------------------------------------------------------------------------------

you were an artist. you always had been - whether it was drawing random doodles on the side of your worksheet in class, or sketching out the boys' names in fancy calligraphy, or coming up with a new layout and decorating scheme for the chateau when you deemed it bland (after john b refused to let you paint all over the twinkie), or even reworking furniture to flip and sell to make a few bucks, you were always artsy. it had begun to work out really well for them.

you designed the surf shop and all of poguelandia with the help of your uncle, who was a contractor by trade. you carefully curated the indoor and outdoor decor, picking out pieces unique to your friends and your story and making it a homely, pseudo-trendy little shop. only when that was finished and you had it running did you turn your attention to your guys' home.

jj loved watching you work. at the moment, you had sarah helping you finish up the paint for the main living room as you put a final coat of white on the shiplap accent wall you'd had jj install for you. you had him put a similar one in your shared room upstairs, but had yet to paint it, claiming that you'd rather have everyone's space finished before focusing on your own.

john b walked in the kitchen and spotted the boy seated at the bar, his fingers typing away at the laptop you had gotten from your parents when you were sixteen - you know, before you'd jumped ship and left home to find treasure with your friends. he grabbed a can of lemonade from the fridge as he furrowed his brows, coming up behind his best friend. he squinted his eyes at the screen.

"job listings? what are you-?"

the lid slammed shut on the computer, jj spinning around with a shake of his head.

"it's nothing, bro, okay? don't worry about it."

john b stared at him incredulously. "j you have a job here. we literally own a business now, what are you-?"

"outside," jj said shortly, standing and walking out the back door quickly, john b following after. you looked up from your spot in the living room, glancing back at sarah with a shrug once the boys slipped outside.

once they stood face to face again, john b gestured for him to go on. "so?"

"look," jj said with a sigh. "i know we've got this shop, and it's so great. but, i just keep feeling like it's all too good to be true. like, we have this money now, but it's all gonna be gone in a second."

"it will be if you're the one in charge of it," john b said offhandedly. jj sighed, running a hand through his hair.

"and i know that too, alright? which is why i need more," he answered.

"why? what's going on that you need more money - and money that's separate from us?" john b asked, staring the boy down in pure curiosity. jj's eyes weren't on him though, instead going through the sliding glass door that separated them from their girls right to where you were painting once more, bobbing your head to the rhythm of the music sarah had turned on. "oh."

jj let out another heavy breath. "you and sarah are like, married now, right? and i can hear you guys when you're talking about starting a life together and me and y/n have started talking about it too recently... just, when the time comes i want to be able to provide for us. i want to be able to go out and buy her a ring and a dress and marry her and never have her worried about finances ever again. we've both had to deal with too much of that."

"wow, jayj," john b breathed out, a soft smile pulling at his lips as he rested a hand on his shoulder. "i'm impressed. you're really pulling it together, aren't you?"

"i'm trying," he said with a sigh. "i've worked a lot of jobs before and i'm willing to do it again. anything to make sure she's happy."

"she'll be happy with you no matter how much money you make," john b promised as he smiled at him. "and we'll all always have each other's backs. even if when y'all decide you want to be together forever you don't have all the money you want, we'll help you buy that ring and that dress and get it done."

"thanks, jb," jj breathed out, but with the lack of a smile and the tenseness in his shoulders still, john b knew he wasn't going to be accepting handouts anytime soon. even if it was still shared money between friends and not just handouts.

you'd recruited him to help finish up a few things in your bedroom, managing to finagle a thrifted and refinished dresser up the stairs and below the tv you'd stolen from your old bedroom. jj began hanging curtains as you put both sets of y'all's clothes away, giving yourself one extra drawer for your extra clothes. he finished before you did, watching you with a smile as you tucked his shirts into the top drawer all organized by color, finally shutting it to be done with the task.

"last thing to do is the bed," you hummed as you turned to him with a smile. you moved to begin pulling the white sheets on, jj tucking the corners before you grabbed out the blue comforter with a simple white stripe pattern that alternated thicknesses. "i nabbed this from my grandparents - my nana always buys them when they're on sale for christmas and never does anything with them."

"i know," he said with a light laugh, grabbing the opposite edge from you and helping you pull it over the sides. "she gave one to me for my birthday once. didn't exactly know why."

"because that's what she had and she probably felt bad," you answered, laughing softly with him. you tossed the throw blanket kie had given you for your birthday a few years back onto the corner to add dimension to the look, finally placing the two throw pillows you'd let yourself splurge $30 on at kohl's at the center. you smiled, glancing around the room before looking back at jj. "there. our room is complete."

he sauntered around the bed with a grin, taking you in his arms and leaning in close to your face as he met your eyes. "our own room, with our things, in our house with our friends, on our land, with our business down the road by our boat."

"our boat?" you asked with a teasing smile, hands wrapping around his neck as he held you close to him. "it's mine too?"

"what's mine is yours, princess," he told you, pressing a short kiss to your lips.

"even the dirtbike?" you asked, a brow raised in jest as a teasing smile tugged one corner of your mouth up.

"well, sure. it's yours too, but that doesn't mean you get to ride it, sweet thing," he answered with an amused grin, pressing more kisses to your lips and jaw.

"our next purchase should be a car. or a truck. an old truck. i like old trucks," you told him as his lips trailed to your neck. he paused, bringing his head back up to meet your eyes again, though his grip tightened on you.

"me too," he mumbled. "but, i think there's something we need to buy first."

"what?" you asked, tilting your head curiously. he glanced his focus between your eyes, a soft smile pulling at his lips.

"well, actually... i already bought it," he hummed. you sighed.

"and how much was it?" you asked, raising a brow.

"does it matter?" he asked, raising his brows as his smile grew.

"jay..." you groaned, head falling back in exasperation. "we talked about budgeting-"

"hey, hey, hey, hold on," he said, pulling you closer to him and catching your eyes again. his smile was mischievous as ever as he turned slowly, turning you with him. "you don't even know what it is yet."

you sighed, a small smile sneaking its way onto your lips. "alright. what is it?"

"well, my first paycheck just came in from working with your uncle, and i thought i might as well get it now," he said, dragging his words in the suspense as you continued to eye him. he looked you up and down, his smile still wide as he winked. "have i told you how good you look in that dress?"

"every time i've worn it," you laughed. "reckon that's why you bought it for me."

"damn right," he said, pressing a quick kiss to your lips. you giggled against him before pushing him back, raising your brows.

"what is it?" you asked, almost eager now. "what'd you buy?"

surprisingly, he released you, stepping back as he shoved a hand in his pocket. his smile was wide, but his eyes softened as he brought his hand out in front of him. he breathed out his next words nervously; "i really hope you like it."

and then he was on his knee, and in his fingers was a dainty, gold ring with a small circle diamond on top. right there, in the room you'd just finished, the room you shared, in the house you and your friends rebuilt, with the shop you owned just down the beach - he was proposing.

"i really want to marry you," he breathed out with a nervous laugh, his fingers squeezing the ring tightly. "you're the love of my life, y/n. i really don't know what i'd do without you. being with you has been the easiest and best damn thing i've ever done and i want to be with you for as long as you'll let me. so, will you please marry me? i promise to provide for you and be there for you and-"

"yes," you said, beaming as you took his face in your hands. you laughed lightly. "absolutely yes, jayj."

he kissed you quickly, standing and wrapping his arms around your waist as he leaned into you. when he pulled back, he was laughing, causing you to let out a few giggles, wiping away a small tear at the corner of his eye. he kissed you shortly before bringing the ring to you, slipping it on the proper finger with a certain look of pride in his eye.

"it's uh, it's not much, it's not even a real diamond but i-"

"i love it," you cut him off, holding his hand as you glanced between him and the ring, beaming. "i love it, jayj. thank you."

he smiled, a breath of relief slipping past his lips as he gathered you in his arms again, spinning you quickly. he pulled back and pressed a chaste kiss to your lips again before stepping back away from you. he let out an excited whoop, grinning at you. he grabbed your hand and pulled the door open, dragging you with him down the stairs.

"she said yes!"

[dissapointu]

For all the arcane characters.

Their s/o stood from them with a distant look well our body seems.. tense as well from they're perspective we almost like a statue. "S/o? what's wrong, love?" They asked almost like they were gonna reach out to 'comforted' us.

"I can't do this, this is too much" their s/o muttered while leaning or even stepping away from them, we seem.. almost scared or maybe petrified as we cover our eyes. Peeking though our fingers locking eyes with them with a look of fear or terror.

Basically write how their reaction to their s/o seems standoffish towards them or even afraid to look at them without a terror look in their eyes ���😔 (something they did made us afraid of them-)

OKAY ANGST QUEENS (AND KINGS), WE’RE GOING IN. how the Arcane squad reacts when their s/o looks at them like they’re the villain in the story (even though they probably kinda are, let’s be real).

Jinx

“Wait. WAIT. Don’t do that.” Her voice wavers, panic setting in like a storm cloud. Jinx is jittery now, her hands twitching by her sides because she doesn’t know what to do. “I didn’t mean to scare you, okay?! I’m not—I’m not gonna hurt you.”

She tries to laugh it off, but it’s hollow, her eyes darting everywhere except at yours. “You’re messing with me, right? This is a joke?” But when you don’t laugh, she freezes, like all the gears in her brain just stopped turning. “Please don’t look at me like that…” Her voice cracks, soft and broken. She’s shrinking into herself, more scared of you leaving than she’s ever been of anything.

Vi

Vi stops mid-step, hands raised slightly like she’s trying not to spook you further. “Hey, hey, it’s me,” she says, her voice softer than you’ve ever heard. Her brow furrows, and she looks so lost. “What’s going on? What did I do?”

When you step back, her heart breaks a little more, but she doesn’t move closer. “I don’t get it—why are you acting like I’m gonna hurt you?” Her voice catches, and for a second, she looks like she might cry, but she quickly shakes it off. “Just… talk to me, alright? Whatever I did, I’ll fix it. Just don’t…” She swallows hard. “Don’t be scared of me.”

Sevika

Sevika’s expression hardens the moment she sees you flinch. Not because she’s mad at you, but because she’s furious with herself. “…What the hell did I do this time?” she mutters, more to herself than you.

She takes a step forward but stops when you lean away. “Alright, I get it,” she says, her voice rough but quieter than usual. “But don’t think for a second I wanted this.” There’s a flicker of something vulnerable in her eyes as she runs a hand through her hair, looking away. “You don’t have to be scared of me. I’d never—I mean, I can’t—” She exhales sharply, cutting herself off. “Just tell me how to fix it.”

Silco

Silco’s entire body goes still, his hand freezing mid-reach. “…Is that fear I see in your eyes?” he asks, his voice low and controlled, but there’s a sharp edge to it—like it hurts more than he’s willing to admit.

He straightens up, letting his hand fall to his side. “I see,” he murmurs, his tone almost cold, but his expression betrays him. There’s a flicker of something soft, almost regretful, in his gaze. “Whatever I’ve done to frighten you… I’ll correct it. But you must tell me what it is.” He steps back, giving you space, though it clearly pains him. “I won’t hurt you. Surely, you know that.”

Vander

Vander’s heart sinks the second he sees the look on your face. “Hey, now,” he says gently, his voice thick with worry. “What’s wrong? What happened?”

When you flinch away, he freezes, his hands hovering awkwardly. “…Did I do somethin’? Whatever it is, I didn’t mean to.” His voice cracks, and he looks so… sad. “You’re scared of me?” He takes a slow step back, running a hand down his face. “I never wanted this. Just tell me how to make it right.”

Ekko

Ekko’s face drops like a stone. “Wait, what? What did I do?” His voice is a mix of confusion and panic, and he steps back instinctively, his hands raised.

“C’mon, you know me. I wouldn’t—I couldn’t hurt you.” He’s practically begging now, his eyes wide and pleading. “Just tell me what’s wrong. Please. I’ll fix it, I swear. Just… don’t be scared of me like that.”

Jayce

Jayce’s entire face falls, his usual confidence crumbling in an instant. “What… What do you mean, you can’t do this?” he asks, his voice soft and shaky.

When you step away, his hands drop to his sides, and he looks like a lost puppy. “I don’t understand. What did I do?” He’s desperate for an answer, but he doesn’t want to push you further. “Whatever it is, I’ll fix it. Just don’t look at me like that, okay?”

Viktor

Viktor’s eyes widen, and he takes a cautious step back, his cane tapping softly on the floor. “Please… tell me what’s wrong,” he says, his voice barely above a whisper.

When you cover your eyes, he feels like he’s been stabbed in the chest. “If I’ve done something to frighten you, I assure you it was unintentional.” His words are careful, measured, but there’s a faint tremor in his voice. “I would never hurt you. Please, believe me.”

Caitlyn

Caitlyn’s breath catches in her throat, and she freezes mid-step. “…Darling?” she says softly, her tone full of worry. “What’s going on? What did I do?”

When you refuse to meet her eyes, she looks like she’s on the verge of tears. “You know I’d never hurt you, right?” Her voice wavers, and she steps back, giving you space. “Please, just tell me what I did wrong. I can’t fix this if I don’t know.”

Mel Medarda

Mel’s calm facade cracks immediately, her eyes widening in genuine surprise. “I see,” she says softly, stepping back to give you space. “You’re afraid of me.”

Her voice is steady, but there’s a hint of pain beneath her composed exterior. “I didn’t mean to frighten you. I only want to protect you. But if I’ve overstepped…” She trails off, folding her hands tightly to keep herself from reaching for you. “I’ll make it right. Somehow.”

Ambessa Medarda

Ambessa’s jaw tightens, and she lets out a sharp exhale. “So that’s how you see me now,” she says, her voice low and gruff.

But when she sees the terror in your eyes, her expression softens, and she takes a deliberate step back. “I didn’t mean to scare you,” she says, almost grumbling like it’s hard for her to admit. “But if I did, then I’ve failed you. Tell me what I can do to fix this.”

Cecil B. Heimerdinger

“Oh, my stars!” Heimerdinger exclaims, his ears drooping as he takes a step back. “Have I done something to upset you? Please, do tell me!”

He looks absolutely heartbroken, wringing his tiny hands together as he tries to figure out how to make things right. “I would never wish to cause you distress. Please, let me help!”

Salo

Salo frowns deeply, his usually cocky demeanor dropping instantly. “You’re scared of me?” he asks, his voice quiet and unsure.

He steps back, his hands clenched at his sides. “I didn’t mean to—whatever I did, I didn’t mean it. Just tell me how to fix it, okay?”

Scar

Scar looks stunned, her mouth opening and closing like she doesn’t know what to say. “Wait, hold up. What did I do?”

She looks genuinely hurt but tries to play it cool. “I didn’t mean to scare you. You know that, right?” Her voice is quieter now, almost pleading.

Maddie Nolen

Maddie freezes, her smile dropping in an instant. “What? Babe, no—what’s wrong?”

She takes a cautious step back, her eyes full of worry. “Whatever it is, I didn’t mean it. Please, just talk to me.”

Lest

Lest’s expression doesn’t change much, but her eyes darken with concern. “I see I’ve frightened you,” she says softly, her voice measured.

She steps back, giving you space. “That was never my intention. Please, tell me what I’ve done.”

TL;DR: Everyone’s reactions are basically “PANIC MODE ACTIVATED,” but in their own unique ways.

[jingerpi]

[do not use this as justification for sexist bigotry, this is a personal thought relating to the investigation of ideas and not a statement meant to be derisive towards feminist theories.]

disclaimer out of the way, I've been thinking about transmisogyny a lot lately and it's really interesting to consider the nuances of. I think a lot of the objections to transfeminist theory simply come from sexism, but there is one point of potential critique that I think warrants further inquiry. to get at this we have to first clarify something else though.

the distinction of tme/tma might sound like an issue to a lot of transmisogynists, but most of their objections die away as soon as you clarify it's not "never ever experiences transmisogyny" and is perhaps more accurately "trans misogyny exemptable" as this gets at the reality of trans women facing transmisogyny regardless of what we do, there is no way out, we are the intended targets. other people face transmisogyny as a sort of warning, a clarifying statement that "if you are transfeminine we will Other you" and they're able to exempt themselves from this in most situations by clarifying "I am not a trans woman" regardless of the particular form that takes.

not everyone is able to exempt themselves from all gender related bigotry though. you cannot, for example, make this distinction (of not being transfem) to escape intersexism, which is why many intersex repeatedly experience gender based oppression and cannot opt out of it. this is oppression is fundamentally not an result of transmisogyny, it is a result of intersexism.

with that clarification out of the way, I think there is an understandable critique regards the simplification that

"men have power over women" <- correct, easily verifiable, almost everybody agrees. "Black men have power of Black women" <- still correct and non controversial (at least in feminist spaces). then you go to "trans men have power over trans women" and everybody freaks out, yeah? like people start to object to this understanding suddenly, even though we've only changed 1 thing, which we've changed before and nobody found issue with it in those other areas. many of these objections come transmisogyny, but I don't think it actually tells the whole story to write all of this off as transmisogyny.

I think why we run into an issue with this understanding (again, critique, not refutation) is that trans people's gender is often, perhaps even usually in flux. the statement "men have power over women" is trivially true, and is a statement on gender and misogyny. this comparison can be brought to trans men and trans women, but it's not without nuance, as the most basic information we can get from this is applied to gender, something which is often actively shifting for trans people.

the reason is don't see this as some kind of disproof of transmisogyny or something should be clear though, for two reasons (aside from the obvious statement towards trends rather than specific instances)

1. transmisogyny is fundamentally not the same thing as misogyny at large, and

2. though trans-gender is often shifting, we can use the prior distinction of exemptable and intended targets to largely do away with this problem.

despite the framework of misogyny not applying 1-1 onto trans people (many who identify as trans men have 'correctly' experienced misogyny), we can still see how it is useful to look at the intersection of misogyny and transphobia. While yes, trans men often experience both of these things, it is often not simultaneously like it is for trans women. As trans women transition our closeness to womanhood tends to increase so as our experiences of transphobia increase, so too do our experiences of misogyny- where as the opposite goes for trans men. it's not that one can't be sexist and transphobic to a trans man, they're not transmisogyny exempt in some metaphysical sense, but rather that for trans women our transness and our womanhood have a positive correlation, our transness and our womanhood are inseparable, we cannot denounce one by leaning on the other.

on the contrary, while trans men will still face transphobia and sexism which denies the validity of their transness and treats them with misogyny, as they transition their relationship begins to more closely match that of men, because of course they are men, this leads to them being able to escape transmisogyny not by being part of some magically 100% transmisogyny excluded class, but because they have the ability to meaningfully denounce trans feminity, to put down womanhood and to become "one of the guys", it's conditional, yes, but often the conditions are not to "pass" in the traditional sense but rather to express views aligning with the patriarchy and derision of feminity, i.e, misogyny.

I think we can see this in the popular responses to tme/tma discourse within the trans community: many trans men correctly recognize what is happening and stand in solidarity, transmisogyny is a genuine problem and it makes sense to talk about the intersection between misogyny and transphobia, trans men even experience both at times, so it is a good idea to stand against. Then, some men begin to talk about their experiences with denial of who they are and the misogyny that can come with that. This too is rather sensible, though it doesn't somehow counteract or disprove transmisogyny generally, it can be studied and acknowledge much in the same way we understand cis men are tested with transmisogyny to enforce what others call "toxic masculinity", despite them not being transfeminine. Then we have a third and wildly popular group, who appropriate the struggles of the second group, where co-option occurs by men who buy into or express sexist ideas for the sake of more fully exempting themselves from transmisogyny. Along with this, instead of recognizing the basis for transmisogyny as intersecting gender based oppression, because doing so would show their fleeting relationship to it, they redefine it as being intersection of two metaphysical identities generally, and thus "transandrophobia" is born, posed as being on an equal to transmisogyny, after all, they're both born from intersecting identities are they not?

of course, we know Androphobia is not something which actually exists, nor is Misandry - these arent axis' of oppression, and they largely know this too, but their goal is to obfuscate the ways in which marginalized men still benefit from their manhood. it takes what I think can be a rather genuine expression that trans men experience both transphobia and misogyny, and instead of grappling with the ways they can societally put down others to gain exemption from transmisogyny, the way their relationship to it is transient, they instead cling to it and invent new terms or fall on old bigoted talking points to justify doing so. "transandrophobia" yes, but also "sex based oppression" and "male/female socialization" these terms and rhetoric are regularly used against transfeminists by these trans men who have exempted themselves from transmisogyny, who have sided with patriarchy over their trans sisters, instead allying with the general terf movement at large and often implicitly misgendering themselves in the process.

and just to be clear, not exempting yourself doesn't mean you will experience the brunt of transmisogyny or to the same degree trans women do - you may be called slurs by bigots, may be harassed in given instances, or sometimes worse, but the systemic forces of transmisogyny go far deeper than negative interactions with individuals, and these transmisogynistic forces are again, aimed specifically at trans women. While I want to recognize the ways in which transmisogyny permeates all of society, do not see this and mistake it for support for the idea that everyone experiences it equally and their relationship is only changed by putting down transfemininity, it is and always has been about targeting transfemininity, the reason I clarify exemptable is due to society's constant enforcing of transmisogynistic ideas on everyone, even if the worst persecution is specifically and intentionally reserved for trans women

Lastly I want to say that these ideas are still developing and my understanding of them will likely change with time and discussion. I dont think these ideas are particularly new, they seem to underpin a lot of discussion on these topics, but this is my attempt to bring them from an implicit unspoken agreement into a more firmly expressed position. Doing so is necessarily going to expose flaws and I see that as a good thing, as doing so is required to elevate understanding of these theories to a higher level. Some of these flaws will be with my expression and understanding, and I will work to correct those, but some will likely be with the ideass themselves and it will take time for them to develop. Please read in good faith, thank you.