#but why is THIS the story that they're going with?

[ultfreakme]

The Crew going through so much really put into perspective why the weather was such a big deal in ngl. Like the storms there suck and they're hard they made a whole story about it

kudos to jorge for continually making the release of the ithaca saga an immersive experience by going to ithaca itself, missing the ferry, getting caught in a storm, and having the livestream delayed. can’t wait to see everyone in ten years for the final album!

[imsiriuslyreading]

being a POC in the Marauders/HP fandom is really interesting to me because it seems and feels like a really predominantly white space, which, hey, nothing new! and that does come with some challenges. for the most part, they're fairly under the radar.

it's things like being able to count the POC in a discord server on one hand, even though there's 100+ people in the community.

it's people not taking into account racial dynamics whether that be in a fic, or in a tiktok, tumblr, whatever. there are innate power imbalances in our society (regardless of what country you live in) and to assume because this fandom is a largely open, liberal and leftist space, that they don't carry over to fandom, is exceptionally naive. buuuuut, we live and learn, so people can and should be given a certain amount of grace. but what is unforgivable is to have them pointed out to you and for you to dismiss, ignore or belittle them. Not only that, but you as a white person, do not get to be the forgiving voice to another white person when they make one of these mistakes. please please please respect and understand that.

there's also (and i'm sorry if this is controversial and frankly it makes me really nervous to even write this), a trend of assigning ethnicities, cultures and races to characters in stories without having a proper understanding of them, or having a particular reason for doing so. I'm never going to sit here and say "you as a white person shouldn't write about ____ race!", because I don't believe that. but what I would really, really love to see, is for white creators and writers to ask themselves some questions beforehand:

what does the race of this character add to the story outside of me chasing clout with a particular group of people/is it necessary for me to be writing the lived experience of a culture/ethnicity I've never taken the time to learn about?

if so, why?

am i the right person to be doing this?

are my actions outside of my writing towards these POC reflective of this?

i also think it's really important to remember that unconscious bias is a thing, and it's really easy for us to spot in your writing if it isn't something you've addressed. Not only that, but even if you write the most well-researched POC in your fic, even if you're sharing posts about Lebanon and Palestine, none of that matters if your actions when interacting with us show us that you are indifferent to the power dynamics at play with you being a white person, often with a large audience, in this space. virtue signalling is spectacularly unhelpful if you're writing checks your ass can't cash.

that being said, I think throwing 'racist' around as a term at people who make mistakes is really unhelpful. because every situation has context and nuance, and dogpiling never helps anybody. there are opportunities for learning, developing and understanding here. but please remember, if a POC tells you something is upsetting, harmful or offensive - even if other POC haven't said that to you - it's not your place as a white person to dismiss that.

anyway, hope that helps, love u very much xo

[gachagon]

Everyone in Project: Eden is a hypocrite

and I adore it so much because it adds a level of depth to the story that I haven't seen done in any Dangan game before.

Spoilers for chapter 1 of Project: Eden's Garden

The reason I say everyone in Project Eden is a hypocrite is simply because of the way they act in regards to the Killing Game. In the beginning, when they do the mock class trial over the fake dead body, at the end when Tozu reveals that they will have to do this for their own classmates in the future, they make this bold stand against that and say they won't even participate in the Killing Game.

Damon and Eva are the only two to point out how it's a bit naive to just go blindly trusting that nobody here would ever murder someone, and that everyone has the capacity to commit a violent act, all they'd need is a motive. This sows distrust throughout the group, but everyone keeps their distance from both Eva and Damon afterwards and basically give them the cold shoulder.

HOWEVER

During Chapter 1 you can clearly see through their actions that many of them took what Damon and Eva said to heart, they just don't have the guts to admit it out loud, which is that they don't actually trust anyone in the class to not kill someone. In the prologue they make it a point to just say they won't kill anyone, and that they'll just exist in the school and wait until someone comes to help. And in Chapter 1 they're already making "precautions" against a game they're supposedly not playing.

They "trust everyone" so much, but they're also investigating the Pharmacy they found so everyone can know whats inside of it and there's no secrets to be uncovered.

They have so much 'faith" that no one would murder anyone at night, but they propose a bunk buddy system so that everyone can always have a partner with them.

They would "never kill anyone ever even with a motive!", but some of them have serious reservations against sharing their blackmail letters with anyone and don't want that information getting out.

Do you see what I'm saying? Their actions are different than what they're saying. They are actively participating in the Killing Game but won't admit that THAT'S what's happening here. They are hypocrites because they judged Damon and Eva for being honest from the start about not wanting to trust anyone, only for them to have that same level of distrust for each other the next day. They would never admit that Damon and Eva were some what correct in what they said that first day.

And I think that's why the 1st chapter is called "Beneath the Veil of Hypocrisy" because it's not just referring to Damon and Eva, but EVERYONE who is participating in the Killing Game.

[bringbackmaes14]

My mom has her TV on in her room almost 24/7 and it's always on some news outlet or other. We talk a lot about politics and world/national/local events. And we do have a lot of varying views on a lot of things but we're both adults who are capable of saying "well we've both stated we have differing opinions and it's clear that we're actually arguing at this point and not just talking so let's put away the topic for now." But there are also other times where I'm just too overwhelmed by my own life to think about what's going on in the bigger world around me, so my mom knows to be hesitant to bring up news stuff with me (i.e. she doesn't just start talking about politics/world events with me rather she'll ask if I'm in the mindset to discuss things when she wants my opinion on something). This is all relevant.

We've always been able to talk about nearly everything from the economy to the school system to human rights to human tragedy and we've never tried to censor ourselves around each other (outside of getting too emotional with our language). But about two weeks ago when the United Healthcare CEO was assassinated, my mom, who is in her 50s, came to me and she said "Did you see that the CEO of United Healthcare got unalived?"

And I just sat there and looked at her completely confused and she was like "did you not hear about it? It's all over the news. It happened in clear view on the street." Like the problem was that I hadn't heard of the event not that my Gen-X mother had just in a real life conversation said the word "unalived".

And I told her as much. "Yes I've heard that. Why did you say 'unalived' instead of 'murdered'?

And she told me that she just thought that since I'm touchy about heavier topics sometimes (which is definitely true, that does occasionally happen) she thought it would be better to just not use the "heavy" words. I asked her if she realized, honestly, how stupid that was because regardless of the word she used, she was still talking about a murder, it didn't change the subject matter, she was only making the subject matter seem less significant and severe by changing the word to baseless internet lingo that a bunch of misguided, clout-chasing influencers spread.

She hadn't. She's doesn't use the Internet replacement words a lot, online or otherwise. This was a first. She thought this was a different situation, and a fine one to use it in, and like the above stories people shared, it's still not.

I'm allowed to say there are days where I want to avoid heavier topics because I'm overwhelmed. I'm allowed to not ever really discuss certain topics because they actually trigger me based on my own experiences. But people who are out here living their whole lives like just talking about about difficult or controversial topics, or asking questions about it, or enjoying media where it's portrayed (especially when it's actually portrayed respectfully) are being ridiculous, and they're handicapping themselves. They're never going to learn how to talk about hard things, or how to handle hard things. And honestly I feel bad for them.

Luckily, in my case, once I explained why my mom saying what she said was incredibly weird and honestly devaluing to the conversation, she backtracked and told me that (like I said above) she doesn't talk like that regularly and she has no intention to start; it's just that this was a huge news event and that day had been particularly rough for me emotionally and she wasn't sure how to approach it. So her intentions were good and I'm very lucky that she understands and also agrees that the Internet censorship language is incredibly unnecessary.

we have GOT to kill tiktok/twitter self-censorship i just witnessed a grown adult say the word “smex” out loud to our professor

[faithlia]

᥉᥆꧑ᥱᥒthιᥒg ᥲb᥆ᥙt ᥡ᥆ᥙ ᝰ.ᐟ

english ins't my first lenguage!

summary: matt and you share a tension that could be cut with a knife – which intensifies even more when he sees a picture of you.

warnings: suggestive, flirting, bissexual!reader, jealousy.

a/n: this is a collab with @aniesvision about the same story with different povs. click here to read her pov with Chris and get to know a little more about this.

The phrase "fucked up" is exactly what can define me at this moment. Damn! How could I be so careless and stupid? Look, I had no intention of sending that photo of my boobs in the group – that Matt is – I just wanted to show my bikini line to Anne.

My eyes widened in despair when I saw him approaching. My heart almost jumped out of my mouth when I noticed the smile on his lips. I pulled Anne by the arm before I could even greet them. I took her to the bathroom and started yapping nonstop, forming several scenarios in my mind. However, Anne proposed an interesting idea after I told her that yes, maybe, I want Matt, but not in a way that he thinks I'm desperate for him.

"Okay, well, why don't we test it out to see if he likes you too? I can pretend to be flirting with you so we see his reactions." she suggested with a mischievous smile. Something was so enchanting in her voice that made me delirious, it was impossible to say no to her.

I bit my lip and listened to her words.

In the end, it really seemed to work. She approached me with her crimson lips very close to mine, she touched me shamelessly and, even though it was just to tease the boys, I really did get slightly excited. Matt seemed confused, unlike Chris who was furious. I laughed as I looked at Matt but kept up the charade, loving the way he didn't take his eyes off me.

As the night went on, we drank and said a lot of stupid things to lighten the mood, except for the fact that Anne and I kept on touching each other. We went to the mini golf course and Anne kept bragging about scoring more than us; she and Chris were in an unbearable fight – which was the gateway for Matt to finally approach me.

"So, how long are you and Anne going to keep rubbing against each other like two bitches in heat?", he asked, with the golf club on his shoulders – he looked like an idiot.

"And since when do you care, huh?", I asked, narrowing my eyes.

"I think since you sent me that picture...", he had a smug smile on his lips. Son of a bitch! I looked down, embarrassed, trying to find words that could shut that insufferable and delicious mouth. "Oh, no, come on! Don't be shy... they're beautiful."

"Oh my God", I exclaimed, positioning myself to leave, pretending I didn't like the compliment. Damn, I wish it wasn't true that I had tanned for him, but it was! I wanted him to see me, I wanted him to desire me, to like me and say it out loud just so I could tell him to fuck off or something. Does that even make sense?

"You know I sent it wrong"

He put the bat on the floor and let out a sigh. It was true, I had no intention of sending that photo in the chat like that, I wanted him to see it in person, but no one needed to know that. I sat in one of the chairs in a row, watching Chris and Anne almost kill each other on the mini golf course.

He sat next to me and I was dazzled by his blue eyes adorned with a shine that I was rarely able to witness. It was beautiful. He lowered his gaze to my mouth, sighing, and I soon noticed when he planted his eyes on my bust, ignoring what I had said.

As focused as I was at that moment, we were surrounded by several people, and that alarmed me. I swallowed hard, feeling shame take over my body. "Okay, stop it,” I said.

“Stop what?” Matt frowned and I gave him a disapproving look – he knows exactly what I’m talking about. “What? Do I make you nervous?” His smile was cocky and smug, but yes, he made me nervous as hell.

“No,” I lied. “It’s just that you’re practically ogling me, Matt,” I blurted out.

He pursed his lips and said, laughing at my insinuation, “Oh, stop pretending you don’t like it.”

"What?" I asked, offended - but not entirely. Matt was slouched in his chair, very close to me. He put one of his arms around my neck, using his fingers to play with my necklace. I didn't feel uncomfortable, although it was rare that we were actually this close. Even though we were friends, there was always that indiscreet flirting when we were alone. I just didn't have the courage to make the first move, and, disappointingly, neither did Matt. However, tonight, he had been less reluctant than usual, and I loved it.

"Am I lying?" he pointed out. Now, with the proximity, his voice was a little lower, but due to the music in the place and the constant chatter, he decided to speak in my ear. "I'm wondering: how long are you going to keep playing this little game, hm?" his soft voice made me shiver. I liked the way his body was pressed against mine - trying his best to calm my nervousness.

Matt turned his face away, waiting for my answer. "I'm not playing games!".

Unfortunately, I never got around to being more deliberate. I crossed my legs and snuggled closer to him, getting much closer to each other.

"Aren't you? Then what's all this?", he lowered his gaze and I bit my lip.

"You're the one who did this, idiot," I grumbled. "And, well, you're the one who kept complimenting my boobs...", I shrugged, watching him chuckle. I felt comfortable enough to run my boot over his covered leg, giving him a gentle caress.

"But you're the one who sent the picture of them..."

He brought his lips closer to mine, ready to kiss me but I dodged, making him kiss the corner of my mouth. "Matt... not here!", I whispered in a slurred voice, wanting to cry with so much desire.

"Not here?", he repeated, kissing my cheek, then behind my ear and also my neck. "Where then?", he moved his hand to my arm, forcing me lightly against his chest. "Tell me..."

I really didn't want to kiss him in the middle of so many people, especially because I knew very well how a simple kiss could end. My temptations seemed insatiable, just like his. Before I could answer, I saw Anne and Chris approaching. I took a deep breath, straightening my posture and thinking about what I would do, but nothing came to mind.

Matt didn't force me to speak, respecting my silence. He gave me his usual simplistic look, dragging his hand down my thigh and finally standing up.

I saw him handing the car keys to Chris and Anne came to me, asking: "So, is he already desperate for you?", I stood up and put my arm around her waist while she put hers around my shoulders. "Almost", I answered.

They got to the car and Chris would be our driver this time while Anne made herself comfortable in the passenger seat. There was an uncomfortable silence in the air, and I had to hold back a nervous laugh.

The silence was broken when Anne decided to put on some music to drown out the tense atmosphere.

Matt was next to me, with a neutral expression. I looked away, starting to think he hated me. Shit, shit.

It was so dark that I couldn't tell what was going on in the backseat, and the loud music drowned out any other sounds.

Matt grabbed his phone, ignoring my existence, and I decided I wasn't going to care about it until I heard the notification sound on my phone.

Matt: Did I really need to see you two flirting?

Me: are you jealous?

Matt: Just wondering if that's why you didn't answer me.

I glanced at him, knowing what he was talking about.

Me: I don't want to go to your house. Nick will be there... with a ton of questions.

Matt: Great. Let's go to yours, I can't wait to see you.

Me: you're literally right next to me.

Matt: You know what I mean.

Me: that's not fair! If you saw my boobs then you're gonna have to show me yours too, bitch.

He looked at me, thinking about what to write and I gave him a cocky smile.

Matt: I can show you that and a lot more, baby...

Marry Christmas 🎄

[utilitycaster]

Inspired actually by me nonstop thinking about the Young Witch Solving The Disappearance Of Her Neighbor's Cat In The Alps tweet since last night and a number of other unrelated posts I have been thinking about the concept of maturity in media, because I think there's a lot of different dimensions to that. It's a series of spectra, rather than a binary, and if you use the terms "mature" or "immature" you can quickly realize that a lot of our societal metrics for what's adult-appropriate vs. child appropriate are very skewed in specific and in my opinion untrue and unhelpful directions. This could honestly be a 10 page essay and I may very well write that when I'm on break but just to give you my outline here:

Stimulation - is it grabbing your attention with bright lights and loud sounds and fast action, or do you have to actively focus? Action films can be just as "jangly keys" as children's animation despite being an "adult" work, whereas something like Mad Men can have vivid colors but would bore a child to tears in terms of pace and action. However, and this will be an ongoing theme, you can have a very choppy, fast-paced narrative that is complex and a very slow and dull one that is incredibly simple and childish.

"Ratings" Subject Matter: Sex/Violence/Profanity. This is the one I think is most misleading, because you can have an incredibly puerile R-rated film, and you can have an immensely complex narrative without any of the above. [note: I have zero patience for people who act like sex and violence are inherently unnecessary wastes of time; they are merely things within a narrative that can be executed well or poorly, but it is true that something can have a simple plot and constant bright lights and stimulation and essentially be big old jingling mobile for infants but there's a sex scene in it so it's Adult Now. Unfortunately a lot of people are like "and this is why YA is inherently better" which we shall see is not the case.]

Other Difficult Subject Matter (I don't have a good name for it, but to give examples, death, racism, genocide, abuse, serious or chronic illness, etc). This one is tricky because all of the above are topics present in works for quite young children, because they can experience all the above or have someone close to them experience them, and fiction is a powerful teaching tool. Obviously the nature of how this is presented varies, and later points will cover it, but while in my opinion the simple presence of these topics says nothing about the work's level of maturity on its own I'm including it because you do get people who think that children should be shielded from all the above and would consider the mere inclusion of those topics as inappropriate. They're wrong, but it's definitely an axis of judgement/categorization that exists.

Adult-level processing of information (probably a misnomer in that teens can do this but like, teens read adult books all the time, and as Tumblr has shown us, many adults cannot do this): does the narrative require you be able to pick up on subtext? Do you need to understand what is relevant to the story and what isn't? Do you need to be comfortable with or at least able to tolerate not knowing entirely what is going on right away? Do you need to have a sense of irony? Is there an unreliable narrator?

Adult-level processing of moral complexity (in my limited, not a parent or educator experience, I honestly think teens do better with the information processing than this, ie, this is one of the last things to develop; also Tumblr is even worse): does the narrative require you accept that sometimes things are unfair and will never be fair? Do you need to accept a story in which the Quote Unquote Bad Guys walk free without real consequence? Do you need to accept a story in which no one's actions are entirely defensible or in which no choices are easy and clean and harmless? Do you need to attempt to understand an alien perspective? Is there senseless tragedy? This incidentally is how you separate out the children's books from the adult books on topics like illness or catastrophic events; a lot of children's books end with a message of "it's hard and sad, but it will be okay eventually" and focus on very relatable POV characters which is understandable! But, to use an example as someone who went to a Jewish school with a robust Holocaust education, elementary schoolers read Number the Stars in which the (entirely fictional) Jewish family escapes to Sweden; middle schoolers read Night in which Wiesel's (real) father dies painfully in front of him.

None of this is to say that escapism/cozy fiction/whatever you want to call it is bad - I am not interested in a diet entirely made of thorny moral quandaries and no happy endings. I enjoy a stupid turn off your brain action movie, or a fluffy romantasy. But I do think that a demand that every ending be happy and that Justice Be Served in every story is no less immature than saying "ew, there's kissing in this???"

[yall-batman-fanfic]

Trouble | Batfam x Batmom x Batsis

Synopsis: Vivian and Bruce get a call from Valerie's teacher and they are in it for a shock to know what their daughter and her big brothers’ did.

Vivian has been called by the homeroom teachers of Dick, Jason, Tim, and Damian numerous times when they were still in school. Well, Damian is still in school and there are times when she would still get the call from them too for whenever he is a “smartass” (their words, not her, and she didn't appreciate the term too but they too claim that was what his classmates would call him). It was normal to be called for the antics they do and the words they use in school, they are exposed to many things at a young age with their duties as Robin. 

But when Valerie started school, while she did expect to get a call from her daughter's homeroom teacher once in a while, she didn't expect it to be something so serious that she would find her husband parking the same time she was at the school parking lot.

“You got the call too?” Vivian asked him.

“Yeah. Is it really that bad that we're both needed?” Bruce went to her side so they can head inside together. 

Vivian gave him an incredulous look, “What can a five-year-old do? This is preschool?”

“What did you do when you were five that got you in trouble?” 

Vivian shrugged. “I don’t know – I didn't stick around that much anyway, but I do remember telling my pre-school teacher to ‘fuck off’ and raised the middle finger at them too. And I remember biting my teacher's hand until it bled.”

“Any reason?”

“I was seven then, the school wouldn't admit it, but that teacher of mine was a creepy-pedo and he tried to touch me. My mom taught me a thing or two to spot them and when he got  a little handsy I bit it so hard the nurses said he needed stitches.”

“I don't think that's the case with Val, it better not be,” Bruce growled at the last part.

“If one of her teachers even touch her in a way they're not, I swear, they rather want Batman's justice than the Phoenix's.”

Bruce knew that to be true. In interrogations, Superman and Batman are called the good cop and the bad cop – the carrot and the stick. But with tougher cases, he prefers to bring in Vivian; they were bad cop and bad cop. The stick and the crowbar. And both scenarios he was the stick.

Arriving at Valerie's homeroom, they found their daughter sitting at her desk, alone, while drawing on a pad with crayons. After greeting Valerie's teacher, Vivian and Bruce went to their daughter to greet her. Valerie smiled at the sight of them and welcomed the kisses they placed on her cheeks.

“What happened, baby?” Vivian asked.

Valerie pouted and went back to her drawing.

Vivian and Bruce exchanged looks in confusion and worry. 

“Val, what are you drawing?” Bruce asked.

“Nothing,” Valerie muttered and continue to color on her drawing. 

“Mr. Wayne, Mrs. Pryor-Wayne, why don't we head here to talk?” Val's teacher gestured to her table at the very front where two seats were.

Leaving their daughter's side, Vivian and Bruce settled at the seats and asked what happened. Valerie's teacher went straight to the story, how the class was doing their paintings, and then – while the whole thing did start with Dalton Fallbrook putting on her hair and Valerie responded to flipping him over her shoulder, then her saying…

“What?” Bruce said, completely in shock.

“I just have to know, does Valerie usually hear that language at home?” 

Bruce turned to Vivian. His wife glared at him and said, “You know I stopped when Valerie was born!”

“You sometimes slip, Viv.”

“I do not! Besides, I don't use those in one go.”

“No one is pointing fingers, Mrs. Pryor-Wayne –” Valerie's teacher began.

“Tell him that! He's pointing fingers at me!” Vivian pointed her thumb at Bruce. “You know what – Val, baby, can you come over here for a sec?”

“Okay!” Valerie got up and went to her mother's side.

“Your teacher said you said a bad word –”

“Stupid fucking bitch,” Valerie said.

Bruce groaned and ran his hand down his face.

“Yes, yes, baby, no need to say it again. Don't ever say it again,” Vivian told her in a gentle voice. “I just want to know where did you… did you get it from me? From Mom?”

“No,” Valerie fiddled with the hem of her jacket.

“Then who, Val?” Bruce asked.

Oh the names she gave…

It made Bruce and Vivian sigh loudly and call everyone in their group chat to come to the manor.

~*~

“What's with the emergency call?” Dick asked, arriving at the sitting room.

“Yeah, I was at a job,” Jason walked in, and he went straight to where Val was to pick her up and swing her around. “Miss you, baby bird!”

“Jay!” Valerie giggled, but when he stopped she pouted and said: “I got in trouble.”

“Really? What did you do?”

“That is exactly what we're all going to talk about now,” said Vivian, who was standing there with Bruce and Alfred with the very latter holding a jar. A very familiar jar to Jason.

“Hey, isn't that the curse jar we had back then?” He asked Alfred. “I thought that broke.”

Setting down Valerie, the girl ran to where her mother was and sat on the couch between her parents. With everyone gathered – Dick, Jason, Tim, Damian, Duke, Cassandra, Stephanie, and Barbara – Vivian got to the point.

“Bruce and I were called to Val's pre-school earlier because of an incident,” she began.

“Who's the kid who needs a beating?” Jason asked.

“No one… Val already beat him up.”

“What did he do?” Damian crossed his arms over his chest.

Valerie pouted. “He pulled on my hair.”

“That's it,” Damian was about to leave but Dick held him down.

“Like Vivian said, Valerie already handled the situation,” Bruce said.

“How?” Tim asked, very much curious, like the others.

“She flipped him over her shoulder,” Vivian answered. And before they could celebrate, she added, “Then she said a very very bad word which she said she learned from you all.”

“Which is?” Tim asked.

Before Vivian could say, Valerie said: “Stupid fucking bitch!”

Silence came to the room. One that was so fragile that a simple tap would break, and it did break when Dick and Jason laughed so loudly. 

“It is not a laughing matter, Master Dick, Master Jason!” Alfred told them.

“Come on, Alfred, it is a little funny,” Jason shrugged.

Seeing Dick and Jason were laughing because of what she said, Valerie repeated it: “Stupid fucking bitch!”

Dick and Jason laughed again.

“Val, let’s not say that word again,” Duke tried to get her to stop.

“Well, I think this answers the question we were going to ask on who taught her that,” Vivian crossed her arms over her chest.

“Come on! We're not the only ones who say that!” Dick said. “I use ‘Damian’ whenever I'm in deep shit.” And he does, Dick would always say: “You stupid piece of… Damian.” instead of shit.

“Hey!” Damian exclaimed.

“It's not like I taught her how to use it!” Jason said.

They turned to Tim. 

Tim sat up. “I would never! Sure, do I curse whenever the gremlin pisses me off, but that doesn't mean I would sit down and teach her how to use it.”

They turned to Stephanie, she said to all of them: “Hey! The only thing I taught Val is how to do puzzles and riddles!”

Then to Barbara. 

“No,” Barbara simply said.

Then to Damian.

Damian glared at them. “I wouldn't – not to Val.”

“Okay, so no one taught Val how to curse,” Bruce sighed in relief.

“Hey, how come no one questioned Cass and Duke?” Jason said.

“Do you really think they would curse around Val?” Tim raised a brow at him.

They were sure a halo appeared atop the heads of Cassandra and Duke.

“So, that means, she just learned how to use it after hearing us use them,” Vivian groaned. “Right, to fix this we agreed to bring back an old thing we had in the Manor… Jason is familiar with this since it was with him this started.”

“A curse jar?” Damian snorted. “Like that will work. I don't see Todd having the cleanest mouth of us all.”

“You have no idea the innuendo that has, do you?” Stephanie smirked.

“The what?” 

Before Stephanie could explain, Alfred coughed, catching their attention, and pointed to Valerie's direction. There was a child present!

Jason snickered. “Is it still a dollar per curse word?”

“I don't like that tone, wanna make it five per curse word?” Vivian raised a brow at them.

“No!” They all exclaimed.

“Sure about that, Ma? Last time, the both of us were neck-a-neck with our donations to the curse-jar.”

“And that money got us to buy the new television that broke down,” said Alferd. “And some items in our grocery list.”

It was in Jason's time in the manor that Bruce realized he was paying so little for groceries and wondered how much cursing Vivian and Jason do around the manor. So much that it could pay for groceries and a T.V..

“So, any more cursing, we put a dollar here,” Vivian pointed to the jar. “So, before we start, wanna get something out?” She covered Valerie's ears. “Now is the time.”

Damian raised his hand. “Who was the bastard who messed with Val? I'll fuckign kill him.”

“You're not going to kill anyone – besides, he's a kid!” Bruce told Damian.

Jason raised his hand. “Did Val really flipping off the fucker?”

“Yes, she did. And I'm proud of her for it. The little shit deserved it anyway,” Vivian said.

Dick raised his hand. “Can I go now? I need to take a Damian.”

“I hate you, Grayson,” Damian glared at Dick.

Tim raised a hand. “Shit. Fuck. Bitch… that's it, just wanna get that out.”

Vivian sighed. “Anyone else who wants to get it out of their system?” 

No one said they were good.

“Alright, from now on,” Alfred began. “If anyone curses, it will be fined a dollar. It starts now.”

Silence came to the manor.

Valerie got down the couch and went to Damian, “Play?” she asked him.

“Homework first then we play,” Damian told her.

Valerie huffed and agreed to his terms.

When they left, Jason turned to Vivian, “How come she goes to the gremlin to play? The little fucker knows nothing about playing house!”

Alfred and Bruce sighed and held out the jar to him.

Jason grumbled and shoved two dollars.

“That's a dollar too much,” said Bruce.

“Yeah, because I paid for the next one. This is a shitty plan, didn't stop me from calling you—” he dropped another dollar “— you a piece of shit, B.” 

Silence again.

“So,” Tim began. “Does this also apply to patrols?”

An idea popped in Bruce, Vivian, and Alfred's head, and the smirks on their faces made everyone else groan. Annoyed with the new rule. 

[simblrcc-site]

Simblr.cc - Recap time!

It's almost the end of the year already. And that means: recap time!

While I am working on a user based recap as well for next year, I figured why not share some stats of how things have been going for this year :)

915 Posts were shared in total! (Mods, gameplay posts, stories, etc).

1.519.911 views on all posts! We're now reaching about 20,000 to 30,000 views every month! Last year that was 10,000~ roughly.

59.165 total downloads! People really knew where to find that download button~! 😉

843 downloads were shared with the world! Whether cross posted or new, they're all really cool! :)

@monocodoll was this year's favorite!

Check it out here (NSFW)

... But this wouldn’t have been possible without the countless talented creators uploading mods to the site. Thank you so much for sharing your amazing mods on Simblr.cc this year—I truly appreciate it!

@monocodoll - Vile Ventures - Check it out here (NSFW)

@phoebejaysims - 2t3 Boutique Mod - Check it out here

@greenplumbboblover - Cerise Dress - Check it out here

Sort of the same as the previous one.... :p

@monocodoll - Vile Ventures - Check it out here (NSFW)

@greenplumbboblover - Cerise Dress - Check it out here

@phoebejaysims - 2t3 Boutique Mod - Check it out here

Loved, as in "liked" 😉

@phoebejaysims - Betting Mod - Check it out here

@monocodoll - Vile Ventures - Check it out here (NSFW)

@greenplumbboblover - Cerise Dress - Check it out here

365 new members! Whether you’ve just created an account to explore, drop a comment on an amazing story/mod/post, or even start uploading your own creations—welcome to all of you! 🖖🏻

Top 5 most notable (and creative) members!

Since they're all creators, go check them out! :)

@julietoon - (profile)

@katsurinssims - (profile)

@catherinetcjd - (profile)

@potential-fate - (profile)

@bellakenobi - (Profile)

A few notable mentions: (In non-specific order!)

@auroraeternal

@cora626

@suteflower

Nyami

@simsantoinc

@agnelid

---------------------------

And of course, you! Thank you for making this year a really great year! Even if you may not be on this list, you still have a huge important spot in this community of simmers! :) Thank you.

Merry Christmas & a happy new year! 🎇

[syndrossi]

Thinking about Restoration AU (again). What POV would you like to write/or are you just interested in? Well, besides Cersei :D Even for the time of the first book, she can't be called sane. Maybe Jamie? Like you said, in the first book he wasn't in the mood for redemption, but here he meets the ghost of the man he was loyal to and whom he feels he has failed (I tend to think that Rhaegar just didn't want to take a 16 year old boy to battle, so he gave him an important "assignment").

Or maybe Robert's POV during the meeting with the twins? We know that Ned is mentally praying at this time, while Robert may not remember Rhaegar's facial features and his reaction is: ho ho our noble Ned is just a man too, we're not so different.

Or Catelyn? I don't share the fandom's hatred of her, but it would be very interesting to see her thoughts, especially how she tries to recreate the image of a "rival" to Rhaegar: his looks, charming singing, soft demeanor.

Personally, I'm probably most interested in seeing Darmon and Daenerys' POV. With Darmon, it will be both painful and fun - painful because he finds himself in a world where his children aren't around him, dragons are extinct, and the Targaryens have fallen (the story of Rhaegar's death might cause a sudden painful flashback). But watching him terrorize first the people of the valley and then Volantis, who have no idea where the hell the dragon came from or what children this madman is talking about (they're already willing to give him their children just to get rid of him) would be fun.

And for Daenerys I'm just happy, she'll probably be a little scared of Darmon at first (he's a little crazy during their first meeting) but then she'll appreciate him: the fact that there's finally an older family member protecting her from Viserys, and his dragon, and the way he treats her gently (she'll 100% remind Daemon of Rhaegar, only a girl). Or Viserys? In terms of insanity it should be something close to Cersei in the last few books.

Would love to see your thoughts. By the way, have you decided whose POV will be next?

Hmm, it's less for me about POVs and more about certain story events, other than the aforementioned Cersei POV. Like, the Robert meeting the twins is an obvious one, but I don't think I'll write Robert's POV. For that, I'm leaning toward Ned's, especially because he'll get to see little!Jon/Willam staring absolute daggers at Robert, both as in the I HATE YOU sense and the DON'T YOU DARE TOUCH MY LITTLE BROTHER-DAD sense, but Ned will likely interpret it as "you killed our older brother! 😡" Whereas Rhaegar/Raymar is deer-in-headlights "if I don't move he won't see me" mode.

(Oh, or could THAT be our first Cersei POV? Ehh, I still think Ned, but I can absolutely see Cersei being huffy about Robert going to greet Ned's bastards after he meetings the trueborn ones, viewing it as him rubbing his adultery in her fave, and then she catches a glimpse of Rhaegar and goes why hello yes target acquired ned stark's bastards you say?

Goodness, I hadn't thought about Rhaegar becoming the symbol of the boys' mother to Cat, but he probably would, wouldn't he? Jon and Willam remind her enough of Ned, but she's staring at this dainty-looking child with the long braid, imagining the woman's silver-blond hair and beautiful eyes and quiet demeanor. Did she sing? Is that what drew Ned to her?

Okay, I may have to steal the "Volantis just starts flinging Valyrian-looking children at Daemon in a bid to appease him" bit for Daemon's reign of terror across Essos. 😂 They just round up every child that looks the least bit like him, and even throw in some dark-haired, grey-eyed ones like the other child he mentioned. Daemon is all "wtf am I supposed to do with these?" and they're all "feed them to your dragon if they aren't what you want, please just leave us alone."

I think Dany and Daemon's first meeting will definitely be a Dany POV, so I suppose that's one I'm looking forward to! I still haven't decided the exact timing there. Canonically per the book, her wedding to Drogo has already occurred by now, so either I shift the time so that Daemon can dramatically prevent it, or he rocks up on the Dothraki and starts burning until they give him his kin.

I have not yet decided which POV is next, though that's up after Knight of Stars pt2. (Assuming I don't get sucked into the "Rhaella gets summerhalled" AU I'm very tempted to write first. And we still need the wintery hot springs prompt fill! Lots to write this week.)

[lo1k-diamonds]

Every hour, every minute, every second, he’s in love with you.

As soon as I read the summary, not only did I think it was a clever idea for a series and someone had to do it, but I also knew I'd end up feeling very personally about it.

Cards on the table: I have a 5-year gap with my partner, with me being the oldest, so as soon as this story started, I instantly was like, "Oh shit, it's going there." Now, truth be told, this story made me realize even more that I'm surrounded by amazing people who don't pressure me in any way and have let me live my life at my own pace, but I'm aware of these types of narratives going around, so I'm happy to see them discussed in a fic.

Two people being together should be just about them, but others will naturally and inadvertently interfere. I don't think OC and JK are necessarily surrounded by bad people (even SoHee 🤷‍♀️). I will say, however, that the people around us matter a lot. Other problems in life are bad enough without the most important people to us making us feel inadequate just because we're not letting our life play out as they envision it should be.

This being said, JK and OC go through a nice arc. At least they're not burying their heads in the sand and will go forward together by the end. I wish I could say that OC had a bigger growth, but I honestly feel like JK did. While reading a second time, I wasn't as focused on her emotions, and I understood him sooo much better. For him, it wasn't even about the age; it was about the lack of certainty and vulnerability. He might be a bit careless, but he doesn't actually care about anyone's age - he mimics what others tell him, including OC. And then he says this:

“I’m sorry, Princess,”

And the next day, this:

"I would not lose myself in you just last night to turn around and date someone else less than 24 hours later."

And then I got it. I was at a loss, same as OC, as to why he had apologized, but then I got it. That moment was not him apologizing for using her or for not wanting a relationship or idk what else. That was him apologizing for loving her, making love to her, and not wanting to go through the heartbreak of losing her. He just had to figure out when - in the present, thus letting fear win, or later, after a well-lived life beside the love of his life. He didn't just confront his fears by the end; he chose a way to live, and I was very touched by it.

Meanwhile, OC is stuck in other's perceptions of her, and while playing strong, lets it destabilize her to the point that everything crumbles. The thing is that the story ends with an admission of feelings and vulnerability, but the real issue (her insecurity about other's perceptions of her life/age and, may I also add, the fact that she doesn't exactly know what she wants to do next) was left unresolved, so... they have some stuff to figure out... but there's always another week... and another.

Seven Days Masterlist | JJK | complete

🗓️ pairing: nurse!jungkook x teacher!reader 🗓️ au/genre: non-idol au, brother's friend au, fwb, age-gap(reader is older), f2l, fluff, angst, smut 🗓️ series rating: M 🗓️ total wc: 34,413 🗓️ series warnings: emotionally constipated pairing, reader is older, adult worries, growing older, dating younger, time passing and not hitting milestones everyone else is, biological clock ticking woes, angsty argument, feeling like being emotionally cheated on despite being single, parents with toxic viewpoints, judgemental people, self doubt, explicit sexual content: each chapter will provide specifics, but in general, there will be sex in every part, each one showcasing jungkook and reader in various types of sexual situations including sleepy sex, oral sex (m & f receiving), light bondage sex, quickie sex with one partner not breaking off another night, drunk sex (dubious consent but neither feels taken advantage of), make up sex, and semi-public sex.    🗓️ an: please, please, please, blame @colormepurplex2 for this. It was not something I planned to do, but she talked me into it (she did not have to try hard, let’s be honest) and she is 100% right. This story needed to be told. Leah also helped me create the banners, so if you like them, it’s because of her creative input!  @downbad4yoongi also deserves blame now, but in the best way, for helping to expand the characters depth, and @heathfritillary-blog for her writing knowledge helping me find the motivators and reasons for the characters, challenging me to be a better writer. @mrsparkjimin18, @peachiilovesot7, and @abitjess, thank you for all that you do, hyping me up and helping me to piece together this story! 🗓️ an 2: reader being a teacher plays no real role in the story other than to help link the characters, it is summer break, so school is not in session! 🗓️ series summary: “Leave you with that afterglow, show you what devotion is, deeper than the ocean is…” Jungkook has been your best friend since you met him when he was still in college thanks to your younger brother, Yoongi. Despite your age gap, he easily fell into your world, your life, and your bed. Forced to confront the growing feelings as the pressure to meet adult milestones like your friends grow stronger, you struggle to be honest with yourself. “What you waiting for, better come and hit ya goals.”

Monday - wind it back, i’ll take it slow

wc: 1,741 summary: “Wind it back, I’ll take it slow, Leave you with that afterglow…” Jungkook has been your best friend since you met him when he was still in college thanks to your brother, Yoongi. Despite your age gap, he easily fell into your world, your life, and your bed… 

posted: Monday 7-24-23 @ 9 am

Tuesday - “lemme swallow your pride”

wc: 3,629 summary: “Open up say ahhh, Come here, baby, let me swallow your pride…” Jungkook comes over for an impromptu movie night that triggers some internal angst. You share a little, and he shares a lot... and your angst turns a little green. To change the topic when it gets a little too deep, you deepthroat him.

posted: Tuesday 8-1-2023 @ 12 am

Wednesday - “it’s the way that you can ride”

wc: 4,622 summary: “It’s the way that you can ride, it’s the way that you can ride…” Picking an outfit for a wedding is hard enough without your friends with benefits turning you on. Especially when he makes a tie look so sexy, you can’t help but use it to get him right where you need him to be. Ties make great reigns, and Jungkook is willing for you to be the leading lady, in more ways than one.

posted: Wednesday 8-2-2023 @ 12 am

Thursday - “so break me off another night”

wc: 3,596 + text messages summary: “So break me off another night” might be what he says, but after a day full of meddling parents, a quickie, and meddling friends, some things come to light, and there might not be another night for you to break him off...

posted: Thirstday 8-10-2023 @ 12 am

Friday - “i must be favored to know ya”

wc: 5,665 + text messages summary: “I must be favored to know ya.” Having Jungkook in your life is so much sweeter than you ever thought. It would be great if you could just tell him, but showing him is as good as it gets for now…until you slip up and let the cat out of the bag. But it turns out, you aren’t the only one who has feelings for him, and you definitely aren’t the only one who wants to ride him. When your biggest fears come to light, knowing Jungkook the way that you do might become a thing of the past. 

posted: Friday 8-18-2023 @ 12 pm

Saturday - “i kiss your waist and ease your mind”

wc: 6,323 + text message summary: “i kiss your waist and ease your mind.” The only thing that could make you feel better is the same thing that made you feel worse. You and Jungkook are both confused with your emotions, but two different stories help you both see a bit more clearly. The only problem is that when the two of you get around each other, clarity goes bye-bye. don’t let these soft lyrics fool you; make up sex doesn’t actually solve any issues if sex is the only communication that happens.  

posted: Monday 9-4-2023 @ 10:57 am

Sunday - “i'll be loving you right, seven days a week”

wc: 8,837 + text message summary: “i’ll be loving you right, seven days a week.” Yoongi's wedding has brought up a lot of feelings, but with so many things left unsaid, it's hard to know where you and Jungkook stand. Can the two of you wrap around each other and bring life to a relationship?

posted: Sunday 10-8-2023 @ 10:01 pm

↣ all rights reserved © hisunshiine 2023. please do not repost. translations & modifications are not allowed.

[sillywormz]

the httyd movies aren't bad in themselves but it's kinda sad to me how the books are so unique and weird and hilarious and haunting and the movies are just deeply generic americanised hero's journey type stories. i think i would like the movies more if they had just been a completely original thing instead of claiming to be an adaptation of the books only to do something completely different. why not just make it a completely original thing at that point

also it's petty but whenever i encounter someone who thinks the movies are better than the books i'm genuinely like. you don't understand art you don't understand stories you don't understand ANYTHING. go watch a marvel movie or whatever . the movies are ok but they're so. Big Budget American Animated Movie. yknow

[kaibutsushidousha]

what did you think about skadi's handling in arctic summer world? as an ibuki fan i'm puzzled as to why she agreed to skadi's request to stop, but any general insight into what aspects of her were explored here is appreciated.

Thanks to Odin's questionable kindness, Scáthach-Skadi is the last survivor of Ragnarök. That's a situation she's very displeased with and her every major appearance has been her trying to process her grief in some way.

The most relevant attempt is obviously her Lostbelt. She was initially grateful for the lengths Odin went to keep her alive and believed she also needed to go great lengths to preserve the world he left her with. Skadi ruled for 3000 as the most anti-violence Lostbelt King we've ever seen. She constantly had her eyes on her world, and micromanaged all the humans and Jotunns so that there would be no fighting in her world.

She was unquestionably devoted to her Lostbelt, but by no means she made a good job. Her messed up decisions came at great personal cost for the giants who couldn't think for themselves, the humans who only got to live until age 25 at most, and to Skadi herself who had to overexert herself to keep everything in check while also maintain Surtr's seal. Skadi was a joyless woman stuck in the joyless world of her own design. Absolutely no one benefitted from her dystopia.

But playable Skadi is obviously not like that. The world that was hers to care is already gone, and she finds herself free from her queenly chains of responsibility for what might as well be the first time ever. In Chaldea, she's characterized as very lost and clueless. Someone Medb and the other Scáthach need to introduce to so many things she could never see in her small, enclosured world. She has something of a background arc through many cameos with her experiencing many new things, from food (ice cream, takoyaki, alien monster sashimi) to roles for herself (fairy godmother for Lizderella and Martha, and of course, park administrator).

There's also her Interlude, but I'll get back to it later. The reason why I covered this whole recap of Skadi's character is because Skadi's part in Arctic Summer World also feels like a recap of her character. A return to her origins without the previous stakes. In this less messed up environment, Skadi remains as awful an administrator as she was always and remains self-destructively overworking herself for something the people she's serving didn't ask for.

The difference here is that Götterdämmerung is a story about Ophelia's inability to distinguish love from emotional abuse, so Skadi had to carry the important role of sincerely loving mother that made everything worse for everyone, while Summer Skadi is in a role where she can review her mistake and not create Super Fun & Colorful Götterdämmerung 2.

But the part about vaguely self-biographical manga being the medium that lets her examine her past and assess what she needs to do feels like a mark of progress for herself and more like a mark of progress for Jalter as a mentor sharing with others what brought her solace.

As for Ibuki, I think she just stopped because she knew she wouldn't get what she wanted from Skadi's current state. Ibuki wanted things to get joyous and lively, so she ordered Douman to give the Grail to someone full of love. Douman's choice was Skadi because his initial mission was interacting with the Lostbelt Kings, so he was very aware of her love. I don't think Douman was too surprised by the mistakes Skadi repeated here. If Skadi and Fujimaru say they're unwilling, then who is Ibuki throwing this party for?

I get that the end is sudden, but I feel like it works really well for Skadi's long-term characterization. The Scandinavian Lostbelt was a shit place to because Skadi had no respect for anyone's autonomy. After going to Chaldea, disrespecting other people's autonomies remained a recurring problem with Skadi, with Summer Caenis, Lizderella, and Santa Martha all being unconsented transformations.

But then came her Interlude, with the conclusion being that even though she eventually found new happiness in Chaldea because of Odin making her survive and endure 3000 years of trauma, this is not something she wanted, so Odin violated her autonomy and she doesn't need to feel grateful for it. Skadi's consent issues disappear entirely after this Interlude, but since Arctic Summer World was so shortly after it, I like to believe that Skadi saying no and Ibuki immediately respecting also played a part in fixing her flaw.

[thewadapan]

Insane that the last Team Fortress 2 comic came out, and perhaps more insane is how effectively it resolves the themes of the story, considering the whole thing spun out of some silly gag comics for a first person shooter, which had a bunch of lore back-ported onto it, with this particular issue having spent nearly eight years in development hell...

I love video games, and I love trying to rationalise the insane logic of how they work using fiction. Or not even to rationalise, just to kind of like... take it at face value? There's a great bit in one of the Team Fortress 2 comics where the mercenaries are going to be fighting an army of robots (in the game's PVE mode) and, at that point in the story, Mann Co. is bankrupt, so they're not getting paid—but they're mercenaries, so why are they fighting? And Ms. Pauling just comes right out and says, "For reasons I can't comprehend or explain, the robots run on piles of money. Destroy them and whatever falls out is yours." Risk of Rain has a similar conceit, where the aliens explode into currency, something that's diegetically acknowledged in the in-game logs.

The comics also deserve serious credit for genuinely pushing the limits of the comic medium, by explicitly using the fact that this is something people are reading on their computers. You see Webtoons currently are doing something similar, optimised for phones with their infinite scrolling. Well, here everything's landscape, and you advance through the comic using the arrow keys or whatever, and there's all these little gags that rely on hiding a speech bubble at first, or tweaking a panel, or doing a jump-cut, which are borderline impossible to replicate in print (the closest thing traditional comics have as a tool is the page-turn, which some writers do use to great effect).

It might just be that Team Fortress 2 was one of the things that heavily informed my sense of humour at a formative age, but I still come back to it and think it's the funniest thing in the world. And a big part of what makes the humour work, for me, is that it is just barely grounded in the real world. When someone gets their hand cut off and it's played for laughs, they've still just had their hand cut off. All the blood and guts is right there to see. Characters like Spy and Ms. Pauling frequently ground the story in these bureaucratic material concerns—like, someone is having to go around burying all the bodies.

Which means that when the story takes something which genuinely started as nothing more than a joke, and uses it for pathos, those beats can actually hit home. The big example is the joke about Spy having sex with Scout's mom, which in the comics morphs into this running thread about Spy probably being Scout's father, which in turn plays into these themes of regret and cycles of violence... and that was obviously never planned from the start, even the early examples in the comics are very much within the realm of plausible deniability, but over time they're clearly like—well, what if that was the case? What then? It's such good yes-anding.

Certain characters—the Pyro and the Engineer—do get pretty short-changed, which I think is mostly because the other characters just lend themselves much better to the extremely dialogue-dense style of comedy. The Engineer spends most of the numbered issues completely sidelined, looking after the Administrator; I mostly played Engineer when I played the game, so I do find that a bit disappointing. I don't think the Sentry Gun even gets a look-in! But still, nine playable characters plus the supporting cast is a lot to keep track of, and I think they chose the right ones to focus on (Scout, Soldier, Spy, Heavy).

Part of what made Team Fortress 2 always appeal to me above and beyond any other first-person shooter was its obvious awareness that the fighting is not, in fact, good, or just, or meaningful, or anything other than a pointlessly cynical greed-fuelled slaughter over nothing. It's just these drab industrial sites and bodies being thrown at one another, on repeat, forever. I think if you want to take a multiplayer game like this and build up a narrative on top of it, it's kind of the only honest approach you can take. Seeing similar stories in this and in RoosterTeeth's Red vs. Blue around the same time left a big impression on me as a teenager.

Contrast Overwatch (of course), which always billed itself as a superhero story, which had clearly-defined good-versus-evil flavour, which purported to depict a global conflict of world-shattering stakes, where every single piece of fucking tie-in media was a saccharine sentimental little snoozefest where characters will say things like "Oh no!" unironically. In Overwatch, the playable characters come from all over the world, they're these collar-tuggingly direct stereotypes, and it's like... wow, the military-industrial complex is so inclusive, you guys! Meanwhile, Team Fortress 2 has stereotypes of its own, but the intent is so completely different. Sniper, Heavy, Demoman, Medic, Spy have these clearly-defined national backgrounds, but they've shed all nationalistic ties, civilized human society would shun them, and now all they can do is kill for money they will never have cause to spend.

And the supporting characters invented for the comic all support this theme of bitter, cynical hate, of pointless bickering and petty feuds. Brothers Redmond and Blutarch turn themselves into monsters trying to outlive each other solely out of spite, not even just to enjoy their lives for as long as possible! When Gray Mann offs them, his characterisation sees their mindless, stupid schemes replaced with cold rationalism, to match the Administrator's own ruthless efficiency, but the substance of their conflict is no different. Wait, is the moral of the Team Fortress 2 comics just... old people bad? Look at the Team Fortress Classic guys...

I don't know. Overwatch was heavily billed on the quality of its worldbuilding and writing and characters (I was always like, what worldbuilding? What writing? What characters?), and like the many, many MCU films which nobody thinks about or talks about or cares about any more, I don't think I've ever seen someone actually talk about that media as art, except to point out its shortcomings. Nobody will remember any of it. Oh god, I just remembered about all the Overwatch porn. Okay, people will remember it, just not for the right reasons.

Meanwhile, I've known people over the last eight years who routinely joked about the final Team Fortress 2 comics never coming out. For something so ancillary, so inessential, to have made such a big impression on people, is something that in this case speaks to its success on a creative level. If anything, I wish it was less of a transmedia narrative, that this was just a single book I could pick up off the shelf and give to someone like "read this!" and that's all they'd need to know. Maybe I should try to compile some sort of reading list, hmm.

[helluverse-rewrites]

kind of random but ! viv desperately needs to try smth other than animal motifs for her symbolism. I know animals are an easy choice for things like that, but her dependence on it is a (small) part of what makes her designs so ass.

It gets to the point to where characters have the same motif and for what? They're not connected. The least she could do is make them connected. (for example in my hazbin hotel redesigns i made all the angels have bird motifs. vaggie is a dove, adam is a rooster, lucifer a duck) I know kemonomimis and furries are fun to draw but sometimes its just plain confusing and overused. Esp when she puts more focus on that than shapes or colors or even personality sometimes! I guess I'd love to see more characters based on objects or even common phrases, fairytales, time periods, abstract concepts. Yk? There are more of these in helluva boss (even though theyre highly LACKING), some background characters are like this in hazbin. I can see the 7 sins are somewhat based on their concept, but again its lacking, because she always goes back to her animal things. And I know this whole helluverse started out with zoophobia or wtv but cmon. Whys valentino a moth? I dont know any symbolism of the moth that ties in with val, or even how he died. He'd generally be better as a shadow or a puppet master, given hes deceptive and manipulative. The animal motifs often feel tacked on, too. Like a last minute thought, or like a design first-story later thing. Which even if they are, it shouldn't feel that way. It's really just a pet peeve of mine I guess because a lot of people including 14 yr old me thought these characters were soooo high concept and unique when really they somehow have worse design principals/patterns than Spongebob (not an insult to my boy spongebob though, theyre all just sea creatures they dont need to be high concept). Animals are literally the most overused, easy way to tell the audience something (or nothing). Like jesus christ its like whatever goal they have for a character they go hmmmmmm this is hard Ill just give them cat ears ^^.

Oh my god you're right

Angel Dust doesn't even look like a spider, and Alastor looks nothing like a deer. Istg the Valentino concept is way more interesting than whatever Viv did

You're telling me that Asmodeus is supposed to be a rooster. Likely story but okay Ig :/

I just think that the shows could've branched out a bit more than just animals

[rafayelsbelovedbride]

Dragons and scapegoats

I made a post a while ago comparing Philos/Earth/Lemuria to Omelas here. And now that Sylus has his myths too, let me continue.

Special thanks to @ourlittleuluru for giving me more reason to talk about him. I was just going to reblog it with your tags but it got too long. So here it is~

While my expectations about the myths were way off for Sylus, I think, he still fits this theme really well. Because, yes, he was the child in the basement, and he was the scapegoat, along with all the dragons.

When humans first arrived in the past days of Philos, they probably came to this place to escape the wanderer-infested Earth and find a place where they could live a peaceful life. Maybe the public was told Philos would be a nice little utopic place where people could live without fearing for their lives. But they were sold a lie. What they found when they arrived at Philos was a dying planet where dragons ruled, with a hollow core that was falling apart into pieces. It was just fragmented landmasses slowly drifting apart as described in Xavier's anecdotes.

So, wouldn't the public be outraged? Defeated. Betrayed. Drained. Drained, because they still have to fight for their lives. Betrayed, because they were scammed out of a better future. Defeated, because there is no such thing as heaven, only a different hell.

So, of course, to prevent the public from turning against them, the people who brought humanity to Philos had to find someone to blame.

A perfect scapegoat. A scapegoat that can hold a mirror to all of humanity's twisted desires and yet still be blamed for it.

Dragons, the harbinger of war and conflict. Dragons, that could bring the darkest parts of one's soul to light. Of course, they're to blame. After all, anyone would prefer to say, it was not me who had these evil, heinous thoughts, my soul was corrupted by a dragon. No need to take responsibility for my wicked nature, the dragon made me do it.

So, they declared war on dragons, promising a better future once again. They killed every single one of the dragon-kind until there was only one of them left. Now, the last dragon cannot be killed. If all dragons were dead, then there would be no scapegoat. One of them must be kept locked in the basement to remind us all he's responsible for every evil in this world. We are not just locking a little child into the basement, we are locking the evil away.

So they made a spectacle out of the last dragon's demise and sealed him into the abyss with a claymore in his chest. A violent end for a vicious dragon. A constant reminder to all humanity to keep their souls untainted by desire. Of course, a puppet without a want is the easiest to control after all.

But, now, enough time has passed. Maybe the public is growing restless and no one really cares about the child in the basement anymore. So, the moment they find a puppet with a single desire, they frame her too. And burn her dragon. Burn her sympathy for the locked child.

And that's how it begins. For MC's and Sylus's story, they're both the scapegoats. And for their story, MC is the one who broke the child free out of the basement and brought doomsday to Philos. With Sylus, we take a closer look at the story from the child's perspective rather than the savior's, who set the child free.

And, we see that even freeing the child and destroying the people responsible for his imprisonment does not guarantee a happy ending. He is still a dragon who is destined to ruin anything he loves and everything he desires.

And, maybe that was the reason why he let himself be trapped by the sacred judicator in the first place. Sylus never accepted his identity as a dragon. He hated it. He fooled himself into thinking he was just like other humans, and cut up his horns every time they grow until he was a bloody mess. Maybe, that young dragon, while soldiers were chasing him with their swords, thought that this was what he deserved. Happiness and being satisfied with what he has is just not in his nature. That day, he was defeated not by an army of humans, but by his own hatred against himself.

So, loving her, with his own soul etched in hers, meant accepting his own nature. And maybe, that was how he actually broke free out of his chains. That's when he saw himself not as a scapegoat for humanity's sins, but as a lonely dragon who deserved this love he received.

At the beginning of the story, he did not try to break free from his chains until MC found him, he did not seek revenge unless MC asked for it. But by the end, he broke free when was imprisoned and burned down every city to the ground. By the end, he seeked MC when she was about to be executed and willingly fell into their trap. Only this time he did not accept his end because he hated himself, but he accepted it to save his beloved who owns half his soul. That was a sacrifice he made in the name of love, all with selflessness, while accepting his flawed nature. And that's how he broke free of the dragon's curse at the same time he escaped his fate to become a scapegoat for the people of Philos.

And I really love the current Sylus. He still longs for human connection just like his younger self. But his desire to connect does not bring self-hatred anymore. Instead, he rides the subway, takes the twins under his wings, and goes to karaoke with MC's coworkers.

Maybe, he feels at peace now. I hope he does.

He's reunited with the owner of his soul. And even if everyone blames him for what's wrong in this world, he has no desire to let them have their way. He will escape the space-time prison and chase MC to the ends of the worlds.

So, he will get the ending he actually deserves this time with his beloved by his side.

[jamethinks]

One reason I feel like my sxf analysis always falls kind of flat is because I always overlook the supernatural elements of the story. One part of me gets that Anya has superpowers, but then I forget other characters can have superpowers, and we just don't know about it.

Speaking on the desmonds specifically because I feel like most people assume something is going over there given who Donovan is but I just think they're weird?

I don't think Donovan is a telepath who knows what Twilight is doing. I think he's a smart guy who knows a spy when he sees one. He's observant and calculated and knows how to have full control in every situation without exposing himself as the puppet master. He's knows how to say a lot without saying anything. He's a politican and an abuser so it adds up. But then I remember the scars on his head and it's like damn that's right too ig

Similarly, with Demetrius, when he first popped up, i never thought he was a telepath or that he was being experimented on. I just saw a tired, overworked child who has lost all light in his life, has not friends, no hobbies, no ambitions, and therefore no thoughts. I would even argue that the silence is more of a metaphor than a legit observation. It was supposed to be more of a visualization of his mind than a literal representation. To me, it was just a way of showing that Demetrius' mind is so fried from everything that he essentially doesn't even have thoughts anymore, and that's his challenge.

Then a more recent post i saw was speculating that Melinda also had something done to her and that's why she acts that way and I'm not like it's painfully obvious she's being abused and it's a bit weird you'd even think that. But I have to remind myself it isn't that kind of story, and it's not a farfetched idea that they would pull something like that.

I just be taking shit too seriously man idk