#but we will get one eventually. trust. and i love how they did ishmael here

[hongluboobs]

new egos killed me dead btw. im so excited but also projmoon Why

[whoslaurapalmer]

and that’s The End. 

this is a mess because i am exhausted and kind of bitter but trust me there was quite a bit i still liked overall in s3 and this episode was still really emotional 

-soda shop. right off the bat. soda shop.  -OH MY GOD -THERE SHE IS  -THERE’S MY GIRL -THERE’S BABYBEA  -LIGHT OF MY LIFE -THAT’S HER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! -hey. but. does netflix know that they can like, portray a character as not over-confident. you took the sadness away from my vfd adults and you took the actual massive sadness and loss away from babybea.  -i mean!!! she’s written six letters to this man and isn’t starting to get worried about it???? she still looks completely intact????? getting on this trolley??? you didn’t take the opportunity to maybe give her a little bit more of a personality?????????????/  -alright. fine. fine. i’m gonna let it go. i wrote my fanfic. i gotta let this one go here. i’m okay. I’M OKAY 

-friday!!!!!! is exactly how i imagined her!!!!!!  -i can’t imagine the end being two episodes because i think it really would’ve stretched it out but at the same time i thought this was the most rushed 51 minutes of my life  -they don’t try to help the islanders!!!!! ishmael doesn’t smuggle an apple!!!! he’s still culty but really!!!! sort of less creepy in places!!!! there’s no mutiny!!!! no extensive forced cult calm of the island cause they spend weeks there before decision day!!!! 

-YOU EXPECT ME TO BELIEVE THAT ISHMAEL WAS SOLELY RESPONSIBLE FOR VFD.  -YOU REALLY DO, DO YOU.  -you know what..........................i watched seven straight hours of tv and i don’t have the energy to say fuck you anymore and mean it  -but know that i do, netflix. know that i mean it. 

-I’M GONNA SAY IT. AGAIN. THE WHOLE POINT OF THE SERIES IS YOU CAN’T KNOW EVERYTHING. AND YOU HAVE ISHMAEL DUMP ALL THIS INFORMATION ON THEM. -in the book. he gives. this great, massive speech about all these intertwining plotlines and the kids interrupt with what they think are the right answers and they’re not and that was so good and important and it was gone from this, none of that was in here, and i’m..........i’m so sad about that.................

-the place that always gets me is when violet says “our parents saved our lives in this room years ago and didn’t even know it, we can’t die here” and it got me in this episode too, thank you. 

-my one line........that i was waiting for..........when the islanders leave..........they cut it............. :( 

-the coastal shelf scene. was. really good.  -(although i don’t go for show!canon, thank you for at least saying that dewey is babybea’s father.)  -i almost cried. the only reason i didn’t was because my mom was watching it with me and i wasn’t gonna do that with my mom in the room.  -H A T E that they gave olaf the opening of the night has a thousand eyes, and this be the verse is ‘what was that poem your brother used to quote?’  -like........................god, why.  -i’m not. entirely satisfied with everything i witnessed between kit washing up and kit dying but. it wasn’t bad. wasn’t bad at all. (except olaf walking through the water with kit, i could’ve done without that.) 

-but. sugar.  -it was sugar.  -sugar.  -.....sugar.  -whatever. god. whatever. 

-why did you change. the title of bea and bertrand’s book. the incomplete history. mmmm.  -alright, seeing bertrand with glasses made me think, okay, maybe i could picture him with glasses, eventually, maybe. i still always imagined him to be blonde, though. 

-”we met a lemony, remember?” sure wish i didn’t remember you meeting him 

-i didn’t........mind seeing all the little bits of other characters afterwards. some of it was nice. but i didn’t think the original ending of the series in the books was in any way bleak or unhappy. it was bittersweet but it was just the right amount of hopeful and that was so good and so good for the kids and their story that i just. i don’t know. i mean i love a happy ending and unhappy endings aren’t edgy and cool, of course, i agree with that, but this series isn’t trying to be edgy or cool and it was NOT an unhappy ending in the book, it was h o p e f u l and still satisfying and that’s, that’s a lot too, okay, that means a lot too 

-there she is. there’s my girl. there’s netflix, writing all over the timeline of the card she gives him, but, there she is. and patrick warburton made me want to cry so bad cause lemony and babybea need each other so bad. and there they are!!! there they fucking are!!!! my sweet kids. together. at least. at least there’s that. 

[reconditarmonia]

Dear Rule 63 Author

Hi! Thank you for writing for me! I’m reconditarmonia here and on AO3. I have anon messaging off, but, er, I can answer any questions you might have about my requests in my mod capacity if you contact the exchange email ;).

Fullmetal Alchemist | Machineries of Empire | Moby Dick | Spinning Silver | Wolf 359

General likes:

– Relationships that aren’t built on romance or attraction. They can be romantic or sexual as well, but my favorite ships are all ones where it would still be interesting or compelling if the romantic component never materialized.

– Loyalty kink! Trust, affectionate or loving use of titles, gestures of loyalty, replacing one’s situational or ethical judgment with someone else’s, risking oneself (physically or otherwise) for someone else, not doing so on their orders. Can be commander-subordinate or comrades-in-arms.

– Heists, or other stories where there’s a lot of planning and then we see how the plan goes.

– Femslash, complicated or intense relationships between women, and female-centric gen. Women doing “male” stuff (possibly while crossdressing).

– Stories whose emotional climax or resolution isn’t the sex scene, if there is one.

– Uniforms/costumes/clothing.

– Stories, history, and performance. What gets told and how, what doesn’t get told or written down, behavior in a society where everyone’s consuming media and aware of its tropes, how people create their personas and script their own lines.

Smut Likes: clothing, uniforms, sexual tension, breasts, manual sex, cunnilingus, grinding, informal d/s elements, intensity.

General DNW: rape/dubcon, torture, other creative gore; unrequested AUs, including “same setting, different rules” AUs such as soulmates/soulbonds; PWP; food sex; embarrassment; focus on pregnancy; Christmas/Christian themes; infidelity; unrequested polyamory; focus on unrequested canon or non-canon ships; unrequested trans versions of characters; swapping female characters to male; unequal levels of investment in the relationship (including concerns about same that turn out to be unwarranted), or the idea of a character accepting something they're unhappy with as the most they're going to get.

A note: if we matched on an / ship, I generally don't require you to include a kiss, sex, or overt romantic language if you feel that you'd have to shoehorn it in. I'll trust that you wrote it with shippy intent.

About Rule 63 Exchange specifically: I have no strong preference for character names, with a slight preference for sticking with their canon names; it’s up to you whether you want to justify any resulting names that would be unusual for women or just gloss over it. As far as characters’ personalities and gender expression are concerned, I tend to want to see them as similar to their canon selves, just female. I’m probably fine with unrequested characters also being swapped to female, but feel free to check if you’re not sure. I don't expect, nor particularly want, a big deal made over characters' strong gender identity qua identity as female or whatnot.

It's a little confusing to tell with the AO3 interface, but I've requested General Audiences on everything, and additionally Explicit on FMA, Machineries, and Wolf 359.

—

Fandom: Fullmetal Alchemist

Ship(s): F!Roy Mustang/Riza Hawkeye

I love Roy and Riza's loyalty kink in canon so very much, so...what if they were lesbians

There are definitely some worldbuilding-y places this could go - the Amestrian military obviously has female soldiers in it, but not as many as male, especially at the higher echelons, apparently, and we don't see any female State Alchemists; does Roy's status as a powerful alchemist also vault her into a position of command and influence that most women, barring Olivier, don't get to? With regard specifically to how their relationship is different worldbuilding-wise, some kind of document or documents (newspaper, history book) or other outsider perspective on President Mustang and her decades-long professional relationship with Riza Hawkeye, so close they even live together/travel together/entertain guests together, neither of them ever married, that sort of thing? Is Roy's obfuscating public image in this AU still about going with a lot of women, or are they men? (butch or otherwise known lesbian Roy is great, but also not necessary)

But I'd be equally happy to see a fic that didn't deal with that, and that was just canon dynamics but more so and with lesbians. I love their trust and competence and stoically hidden but very very intense feelings, the willingness to risk oneself or the other person, or to stake a lot on the other person’s competence (and willingness to hurt or sacrifice the other person because their shared cause says it’s right, too, all the times that comes up), the fighting together in tandem. Is there a dangerous mission (or intelligence-collecting situation) where their deep familiarity/trust/awareness of each other’s presence and fighting style and communication come into play (god, that bit in canon where Hawkeye shoots two guys right over Mustang’s shoulder), or where they worry about each other’s safety? I love the "protect my back" exchange so, so much (I'm particularly interested in fics set during a time when that is already part of their relationship history, rather than fics set in Ishval or shortly after, and I am not really interested in fics set when they were children or young adults at all) and the way that, eventually, ends up playing out with regard to Envy. I love the intimacy of their work relationship and personal history, on levels from casual to very intense, and would love it with sexual tension in how they notice and appreciate each other’s physicality and presence and competence (hands??? muscles?) Pining up to 11, or resolved sexual tension? (I would prefer Riza as dom if you write a d/s take on this.)

Fandom-Specific DNW: framing of the Ishvalan genocide as a bad situation that happened to the Amestrian characters; canon-typical loss of body parts.

—

Fandom: Machineries of Empire

Ship(s): F!Shuos Jedao/Ajewen Cheris; F!Shuos Jedao & Ajewen Cheris

I know sound like a broken record throughout this signup, but I love Cheris and Jedao’s friendship and loyalty kink (“Now and forever, I’m your gun” and the kneeling! aaahhh!) and, you know, what if that, but also Jedao were a hot woman.

I don’t have a lot of specific plot prompts - just a general interest in intense feelings, “codependency” as understood by fandom, loyalty and trust holding up under strain, deferring to someone’s competence or sense of ethics even though you don’t know how it will turn out, making difficult choices, verbal or nonverbal displays of loyalty like the kneeling and swearing and the WHOLE KEL GLOVE THING. I’d be excited to read something set during the Ninefox timeframe when Jedao is in Cheris’s head, but I think I would be most interested in something set post-Glass Cannon when oh my god, they were roommates telepathically bonded, after all the plot events that create that strong Jedao->Cheris loyalty. Jedao’s canonical kinks are *thumbs up* (I’ve requested general audiences fic as well as explicit, so it’s also fine if they don’t come up or if they’re referred to but not, er, acted out onscreen).

Fandom-Specific DNW: I’m aware that there’s a lot of torture and dubcon in canon. I don’t mind if you mention that they exist but I’d like to reiterate that I absolutely do not want any onscreen, or any details of torture even mentioned. DNW (explicitly) male Kujen or Ruo in this AU; if you don’t feel like swapping them to women I would rather they not be mentioned.

—

Fandom: Moby Dick

Ship(s): F!Captain Ahab & None; F!Captain Ahab & F!Pequod Crew; F!Ishmael/F!Queequeg

I'd love to know more about these female sailor(s) and what drives them. A female Ishmael might still decide to sign on to a ship whenever she gets the blues, but it'd be socially fairly different, mightn't it? (Worldbuilding-wise, I'd be more interested in a world where sailing and whaling are still typically male things as in our world, even if you make them a little less exclusively male, than an egalitarian or matriarchal world; something that women might do, without necessarily disguising themselves as men, but a GNC thing to do.) Would her already diverging from the "expected" female path in this regard affect her reception of Queequeg as someone who's an outsider to Nantucket society, and the intimacy she offers? What does she still find outlandish? As for Queequeg herself, is her life a typical female life for her home culture, or not?

As for Ahab - just imagine this fanatic, tragic, vengeful character as a woman - with the willpower not only to do all the things canonical male Ahab does but also in a society where women aren't really supposed to sail or kill or lead! Is she the odd one out in an otherwise male crew, or are there more women in the crew by the time she's captain? Was she already a whaler when she lost the leg or, in this AU, did this drive her to become one?

—

Fandom: Spinning Silver

Ship(s): Miryem Mandelstam/F!Staryk Lord

I love Miryem, and I’m so interested in the ways that making the Staryk Lord a woman would change Miryem’s entry into the Staryk world and the romance that eventually develops between them. Maybe same-sex marriage is common among the Staryk, and that’s one of the customs that are new and unfamiliar to Miryem in this new world. Would this be a Miryem who had never imagined being attracted to a woman before but comes to fall for the Staryk Lady, or one who simply couldn’t have imagined being able to marry one and have that be a normal life? (For values of “normal” that include ice lands and gold magic!) How does the fact of the marriage being same-sex affect Miryem’s initial understanding of it as a business arrangement, or for that matter, affect her understanding of the offer of queenship as a marriage at all? What makes them fall for each other?

Canon Miryem wonders what her role as queen is, thinking that she’d know about managing a household and having children and sewing if she were married to a human lord - is it the same if she has a fairy wife instead of a fairy husband, more so because there’s not even the hope of a gendered complementarian aspect to fall back on, less so because the Staryk Lady is there as an example of what a female monarch in the Staryk lands does? Does Miryem try to be more like her, or to find her own accounting-powers-and-personal-bonds niche?

It’s so important to canon Miryem to have a Jewish wedding with the Staryk Lord - what would that look like here? What happens when she comes back to the human world not only the queen of a magic country, but married to a woman (and in love with her, depending on when you set it)?

—

Fandom: Wolf 359

Ship(s): F!Daniel Jacobi/F!Warren Kepler, F!Daniel Jacobi/F!Warren Kepler/Alana Maxwell

My new fandom this year! The SI-5 trio are my favorites, and I'm absolutely wild about the way they openly value and prioritize and trust each other over everyone else who's nominally on the same side. So much of the Kepler/Jacobi dynamic goes directly to my id almost from their first introduction (of Jacobi as Kepler's "good right hand"!) to Jacobi trusting Kepler with his life and following whatever orders Kepler gives and getting angry about Kepler treating him like one of them, not to mention the weird d/s vibes. But I also love their dynamic with Maxwell, not only Jacobi's devoted friendship for her but also the trust and respect Kepler has for her and vice versa (I love the conversation they have about fixing Hera, and the whole episode where Kepler has Jacobi blow up the door to save Maxwell, at the risk of the whole ship because Maxwell is that valuable and Jacobi is that good, and "maybe you were my friend but the Colonel and Daniel were family"). So...f/f? I'd love to see them on some sort of mission or in the aftermath of some sort of mission where that mutual loyalty, even as fucked-up as it can get, comes into play, with Jacobi, Kepler, and Maxwell deferring to one another's judgment and/or orders, protecting each other or deciding when they can risk each other for the sake of the mission, sorting themselves out after... Or just some d/s-y sex, possessiveness etc. Anything really about how they're the only people to each other.

I suppose I envision Jacobi and Kepler fairly similar to their canon versions presentation-wise, which would make them somewhat gender non-conforming as women - there's possibly something interesting there with whatever flavor of performative masculinity canon Kepler has going on - but honestly I haven't particularly given much thought to how they might be different as women, other than that I would find it hot and enjoy a three-way relationship with Maxwell (if that is what we matched on/what you're interested in - I'd be just as happy with Kepler/Jacobi and Maxwell just a friend) more than I would with their canon versions.

Fandom-Specific DNW: role reversal or "subbing to let go/relax" Kepler

—

[dfroza]

the Body.

all parts interconnected, to function as a whole. different parts, different functions. all significant.

we are children of Light who form the Temple of our Creator here on beautiful earth carrying within the sacred treasure of the Spirit and the Word of God (who is the True illumination of the Son)

and this significance is seen in Today’s reading of the Scriptures from Paul’s Letter of First Corinthians with chapter 12:

What I want to talk about now is the various ways God’s Spirit gets worked into our lives. This is complex and often misunderstood, but I want you to be informed and knowledgeable. Remember how you were when you didn’t know God, led from one phony god to another, never knowing what you were doing, just doing it because everybody else did it? It’s different in this life. God wants us to use our intelligence, to seek to understand as well as we can. For instance, by using your heads, you know perfectly well that the Spirit of God would never prompt anyone to say “Jesus be damned!” Nor would anyone be inclined to say “Jesus is Master!” without the insight of the Holy Spirit.

God’s various gifts are handed out everywhere; but they all originate in God’s Spirit. God’s various ministries are carried out everywhere; but they all originate in God’s Spirit. God’s various expressions of power are in action everywhere; but God himself is behind it all. Each person is given something to do that shows who God is: Everyone gets in on it, everyone benefits. All kinds of things are handed out by the Spirit, and to all kinds of people! The variety is wonderful:

wise counsel

clear understanding

simple trust

healing the sick

miraculous acts

proclamation

distinguishing between spirits

tongues

interpretation of tongues.

All these gifts have a common origin, but are handed out one by one by the one Spirit of God. He decides who gets what, and when.

You can easily enough see how this kind of thing works by looking no further than your own body. Your body has many parts—limbs, organs, cells—but no matter how many parts you can name, you’re still one body. It’s exactly the same with Christ. By means of his one Spirit, we all said good-bye to our partial and piecemeal lives. We each used to independently call our own shots, but then we entered into a large and integrated life in which he has the final say in everything. (This is what we proclaimed in word and action when we were baptized.) Each of us is now a part of his resurrection body, refreshed and sustained at one fountain—his Spirit—where we all come to drink. The old labels we once used to identify ourselves—labels like Jew or Greek, slave or free—are no longer useful. We need something larger, more comprehensive.

I want you to think about how all this makes you more significant, not less. A body isn’t just a single part blown up into something huge. It’s all the different-but-similar parts arranged and functioning together. If Foot said, “I’m not elegant like Hand, embellished with rings; I guess I don’t belong to this body,” would that make it so? If Ear said, “I’m not beautiful like Eye, limpid and expressive; I don’t deserve a place on the head,” would you want to remove it from the body? If the body was all eye, how could it hear? If all ear, how could it smell? As it is, we see that God has carefully placed each part of the body right where he wanted it.

But I also want you to think about how this keeps your significance from getting blown up into self-importance. For no matter how significant you are, it is only because of what you are a part of. An enormous eye or a gigantic hand wouldn’t be a body, but a monster. What we have is one body with many parts, each its proper size and in its proper place. No part is important on its own. Can you imagine Eye telling Hand, “Get lost; I don’t need you”? Or, Head telling Foot, “You’re fired; your job has been phased out”? As a matter of fact, in practice it works the other way—the “lower” the part, the more basic, and therefore necessary. You can live without an eye, for instance, but not without a stomach. When it’s a part of your own body you are concerned with, it makes no difference whether the part is visible or clothed, higher or lower. You give it dignity and honor just as it is, without comparisons. If anything, you have more concern for the lower parts than the higher. If you had to choose, wouldn’t you prefer good digestion to full-bodied hair?

The way God designed our bodies is a model for understanding our lives together as a church: every part dependent on every other part, the parts we mention and the parts we don’t, the parts we see and the parts we don’t. If one part hurts, every other part is involved in the hurt, and in the healing. If one part flourishes, every other part enters into the exuberance.

You are Christ’s body—that’s who you are! You must never forget this. Only as you accept your part of that body does your “part” mean anything. You’re familiar with some of the parts that God has formed in his church, which is his “body”:

apostles

prophets

teachers

miracle workers

healers

helpers

organizers

those who pray in tongues.

But it’s obvious by now, isn’t it, that Christ’s church is a complete Body and not a gigantic, unidimensional Part? It’s not all Apostle, not all Prophet, not all Miracle Worker, not all Healer, not all Prayer in Tongues, not all Interpreter of Tongues. And yet some of you keep competing for so-called “important” parts.

But now I want to lay out a far better way for you.

The Letter of First Corinthians, Chapter 12 (The Message)

and in Today’s paired chapter of Genesis 25 we see the point when Abraham married for the 2nd time, along with the children of Isaac and Rebekah of whom Jacob was born, whose name was eventually changed to Israel:

Abraham married a second time; his new wife was named Keturah. She gave birth to Zimran, Jokshan, Medan, Midian, Ishbak, and Shuah.

Jokshan had Sheba and Dedan.

Dedan’s descendants were the Asshurim, the Letushim, and the Leummim.

Midian had Ephah, Epher, Hanoch, Abida, and Eldaah—all from the line of Keturah.

But Abraham gave everything he possessed to Isaac. While he was still living, he gave gifts to the sons he had by his concubines, but then sent them away to the country of the east, putting a good distance between them and his son Isaac.

Abraham lived 175 years. Then he took his final breath. He died happy at a ripe old age, full of years, and was buried with his family. His sons Isaac and Ishmael buried him in the cave of Machpelah in the field of Ephron son of Zohar the Hittite, next to Mamre. It was the field that Abraham had bought from the Hittites. Abraham was buried next to his wife Sarah. After Abraham’s death, God blessed his son Isaac. Isaac lived at Beer Lahai Roi.

[The Family Tree of Ishmael]

This is the family tree of Ishmael son of Abraham, the son that Hagar the Egyptian, Sarah’s maid, bore to Abraham.

These are the names of Ishmael’s sons in the order of their births: Nebaioth, Ishmael’s firstborn, Kedar, Adbeel, Mibsam, Mishma, Dumah, Massa, Hadad, Tema, Jetur, Naphish, and Kedemah—all the sons of Ishmael. Their settlements and encampments were named after them. Twelve princes with their twelve tribes.

Ishmael lived 137 years. When he breathed his last and died he was buried with his family. His children settled down all the way from Havilah near Egypt eastward to Shur in the direction of Assyria. The Ishmaelites didn’t get along with any of their kin.

[Jacob and Esau]

This is the family tree of Isaac son of Abraham: Abraham had Isaac. Isaac was forty years old when he married Rebekah daughter of Bethuel the Aramean of Paddan Aram. She was the sister of Laban the Aramean.

Isaac prayed hard to God for his wife because she was barren. God answered his prayer and Rebekah became pregnant. But the children tumbled and kicked inside her so much that she said, “If this is the way it’s going to be, why go on living?” She went to God to find out what was going on. God told her,

Two nations are in your womb,

two peoples butting heads while still in your body.

One people will overpower the other,

and the older will serve the younger.

When her time to give birth came, sure enough, there were twins in her womb. The first came out reddish, as if snugly wrapped in a hairy blanket; they named him Esau (Hairy). His brother followed, his fist clutched tight to Esau’s heel; they named him Jacob (Heel). Isaac was sixty years old when they were born.

The boys grew up. Esau became an expert hunter, an outdoorsman. Jacob was a quiet man preferring life indoors among the tents. Isaac loved Esau because he loved his game, but Rebekah loved Jacob.

One day Jacob was cooking a stew. Esau came in from the field, starved. Esau said to Jacob, “Give me some of that red stew—I’m starved!” That’s how he came to be called Edom (Red).

Jacob said, “Make me a trade: my stew for your rights as the firstborn.”

Esau said, “I’m starving! What good is a birthright if I’m dead?”

Jacob said, “First, swear to me.” And he did it. On oath Esau traded away his rights as the firstborn. Jacob gave him bread and the stew of lentils. He ate and drank, got up and left. That’s how Esau shrugged off his rights as the firstborn.

The Book of Genesis, Chapter 25 (The Message)

my personal reading of the Scriptures for friday, february 21 of 2020 with a paired chapter from each Testament along with Today’s Psalms and Proverbs

[aion-rsa]

Arrow’s Lexa Doig Explains What Makes Talia al Ghul A True Badass

Considering Oliver Queen’s previous encounters with Ra’s al Ghul and Nyssa, it was probably only a matter of time before his other daughter, Talia, entered the “Arrow” picture.

RELATED: Arrow’s Talia al Ghul Won’t Be a Nyssa Knockoff

A lethal assassin in her own right, in DC Comics’ lore, Talia has been an ally, a lover and an enemy to Batman. As there is no Batman in the Arrowvrse, this Talia instead finds herself involved with Green arrow. This season, it’s been revealed that she was the one who rescued Oliver from Ishmael Gregor and then proceeded to push him into fulfilling his destiny. Talia has trained Oliver, but she’s also an al Ghul. Can she be trusted? Does the apple fall far from the psychotic family tree?

Doig recently spoke with CBR about making Talia a badass, mentoring Oliver, her possible connections to Prometheus and the inevitable showdown with Nyssa.

CBR: Obviously, “Arrow’s” writers didn’t simply want to recycle what had been done with Ra’s al Ghul or Nyssa. How is Talia different than her father and half-sister?

Lexa Doig: It’s hard to say. This is my interpretation of it: Talia left the League of Assassins and forged her own way in the world, and her way is more in the real world as opposed to influencing events from the periphery. She may have a more direct hand, yet she’s very Talia al Ghul in that mentality of, “Why do it myself when I can get someone else to do it for me?” She is still someone who is a bit of a chess master. That would be my interpretation. All of my stuff has been with Stephen Amell, and it’s all been the flashback training. There hasn’t really been a reference for me of how she operates outside of that context.

In Talia’s first appearance, she disposed of Oliver’s assailants and rescued him. What did you enjoy about what that said about Talia?

The funny thing that I enjoyed about that introduction, from a completely technical perspective, is that it was one shot. That was the only thing I did the entire episode, but what a cool entrance. What it said was how badass the character is, taking out all those guys without batting an eyelash, and just stepping in with this mysterious, “Where have you been? I’ve been looking for you.”

Genre fans know you from “Jason X,” “Andromeda,” “Stargate SG-1,” and “Continuum.” What’s it been like joining the DC Universe?

It’s been so much fun. My ultimate goal – and I really want this, so I am putting it out in the universe – is I want Talia to have a Funko Pop! character. In my mind, I will have arrived if I can bring home a Funko Pop! character, a little figurine, and show it to my kids and say, “See. Mommy is cool.”

What did you make of Talia’s costume? Did it help you get into character?

What I love about the costume is how badass it makes me look. What made me laugh about the costume is the logistics of being in a superhero costume. They don’t tell you the quirks. For example, the quiver that goes in the back is often like a cone that your cat wears when he comes home from the vet. You’re not aware of it, you go to walk through a doorway, you slam your quiver into the side and you get stuck. Or the hood, when it’s up. My hood has to have a certain thickness. It’s made out of leather, so it stands up and looks nice, but then you have no peripheral vision and you can’t hear anything.

Then, there are these amazing side harnesses they have for me and they squeak a bit when I walk. The thing that I found funny about my very first day on set was walking around and looking so incredibly badass, but sounding like [makes squeaking noises]. As I walk, I’m bumping into things. I can’t hear what anybody says. I can’t see anything. It was just funny. Those are the hilarious things you discover about playing a badass, and how awkward it is. I have such respect for everyone on the show who has to wear these incredible costumes and stand there, looking badass and fighting and doing all the cool stuff. You have to overcome this hurdle of [squeaking sounds] and catching your cape on the back of your quiver.

When she arrives, Oliver was a lost soul. What does Talia see in him?

I think she saw potential. Oliver is somebody who is savage. He’s incredibly adept at what he wants to accomplish, but is a little directionless. He is on the side of good in those circumstances. It’s a bit murky and gray in the question of how he’s going to accomplish his goals, though. I don’t think that moral gray area is a difficult place for Talia to inhabit. She’s quite comfortable living there herself. What she saw in Oliver is the fact that he’s an incredible killer, and he’s doing it for the right reasons. She’s trying to point him in the right direction of what he really wants to accomplish.

Do you consider Talia a hero, wanting to make the city a better place out of the goodness of her heart? Does Oliver serve her agenda?

He sort of serves her agenda. I used to play Dungeons & Dragons when I was younger, and Talia strikes me as someone who is neutral in that it’s a balance, but maybe adding into that a little bit on the chaotic evil side. She has things she wants to accomplish, and she’s going to accomplish them by any means necessary. If it turns out to have positive ramifications and be a good thing, then “Yay” for everybody. If it doesn’t, it sucks to be anybody but her.

She’s described as “an elite warrior.” Where do you feel she ranks among the other League of Assassin members and Oliver?

Right up there. After a certain point, when you’re that good, it’s a matter of substance. Anybody can accomplish the things they need to accomplish. It’s just a matter of how they go about doing it. When you compare all the various superheroes and supervillains – and you have these wonderful theoretical discussions of who would win between Nyssa and Talia – it largely ends up being a draw. Or, when you get two really good hockey teams playing against each other, sometimes it just goes your way, and sometimes it doesn’t. I think they’re all elite.

Audiences have only gotten a taste of what Talia is capable of. Are we going to see more of her fighting prowess?

A little bit. I had a really great stunt double. I didn’t do a ton of it. You do see a little bit of it, but not a ton. The storyline really isn’t about how badass she is. It’s more about Talia helping Oliver find himself and find the Hood. Again, what seperates Talia from Nyssa and Ra’s is her ability to operate in the real world, the not-so-secret world. As accomplished as she is as a fighter, some of Talia’s strengths may lie in her intellect and her ability to read or manipulate a situation and play the long game. She’s someone who knows things and has the patience to play the long game.

So far, the series has only scratched the surface between Talia and Oliver. What can you tease about how that relationship unfolds?

She does what she set out to do. She very rarely doesn’t succeed at what she wants to accomplish. At this point, what she wants to accomplish is to help Oliver make peace with the savage side of himself and find a way to partition that into a place where he feels very comfortable with his alter-ego, whether the alter-ego is Arrow or Oliver Queen. That’s for him to decide, but it’s for whatever part of him that needs to exist in the real, above-ground, legit world versus the one that exists in the shadows. I do believe she actually accomplishes her goals.

Will viewers eventually get to see Talia in present day?

I don’t know. I will plead the fifth. I will say that Oliver seems to think that some of her interactions from the past may leave echoes in the present day. I can’t tell you whether it’s correct or not, but he does have that theory.

Fans have speculated that Talia shares ties with Prometheus. Have you come across those presumptions? What are your thoughts on that possibility?

I have no idea who Prometheus is. I only ever work with Stephen because of the nature of the flashbacks. It’s funny, because even on the call sheets, when you are shooting scenes that have Prometheus in them, he’s not technically listed on the call sheet. The character is listed, but no performer or actor is listed as Prometheus. Even I, who works on the show, have no idea who Prometheus is. So, if Talia has connections to Prometheus, I don’t know about it.

Katrina Law has told me she would love for Nyssa and Talia to square off. How would you like to see their dynamic play out?

I would love that. Here’s my problem. My instinct is to always go for funny and comedy. It doesn’t always play well in the comic book world, because everything is always very high stakes, which is also fun. I think it would be hilarious if the two of them didn’t get along, but in a very modern-day, sibling kind of way. Maybe they butt heads, but it’s over somebody taking too much time in the bathroom. That would be hilarious, although the fight scene would look pretty badass. It would be a killer fight sequence. I’m also a family sap at heart, so I’d also love to see Talia and Nyssa fighting on the same side – and arguing with each other at the same time.

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