#but wanting my posts to be as good as all my old posts used to be

[neo-kosmos]

hi all, shelby here! sorry for the total lack of activity on this blog for the past few years. we have been working diligently behind the scenes on our discord server as we wrote the drafts of the novels

if you haven’t heard, danny broke up with me and brian. we are getting neokosmos in the divorce as it has always been my baby and brainchild and brian has done virtually all of the prose writing since 2020. danny has wanted to step away for quite some time, and we are super proud of him for following his own path in life. the two of us will always be best friends but our time as partners and creative partners has come to an end.

we will be changing the name of neokosmos because danny is no longer working on and it is just not the same project that it was back in 2015. its a lot more adult, its a novel, the story and world is so much more developed and honestly we need a fresh start. as soon as we can we will be relaunching everything with the new name and posting the first five chapters for free for everyone to read to see if you wanna join us and make it happen. both brian and i are too disabled to work normal jobs so we need to make writing and selling artwork as our main gigs or we will be kind of fucked.

thank you to everyone who has believed in us over the years and especially our loyal patrons. its been hundreds of thousands of words and concept art and prep over the last 9 years and im so stoked to finally share what we have been cooking with more people. i started this project as a 23 year old recent grad with no idea what i was doing in life, and now at 32 i finally feel confident enough that what i am making is ACTUALLY GOOD????

so yeah, stay tuned, the whole project is about to enter Phase 3. love y’all

-shelby

[faeriekit]

Health and Hybrids (XXVIII)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

🖤Chapter navigation can be found here🖤 Click to browse previous updates.

💚 Ao3 Is here for all parts 💚 (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... Danny has another hashtag breakdown! Man, we've got a lot of these, huh? It's YJ's fault this time; whoopsie doodles! ¯\_(ツ)_/¯

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

“Danny,” Diana says from the door.

Danny looks up from his place in the book. It’s definitely aimed at younger kids, but it’s a pretty wordy picture book; there are a couple paragraphs he can’t quite parse, but he’s making pretty good progress on the words he can’t recognize.

It’s a story about a cat who misses its mother. Danny tries not to relate to it too much.

“Hm?” he asks, flipping the front flap of the dust cover over his current pages to mark his place. The book goes back onto the nightstand, beside his space shuttle; Danny uses the railing beside his bed to support himself stepping up and out of his wheelchair, leaning on the railing until he can figure out…wait, where’d he leave his old people walker?

“This walk is long. You will want your chair.”

Well, then. Couldn’t she have said that before Danny did all that pulling? Danny falls back into his chair, kinda peeved. “Fine.”

Diana smiles. She doesn’t have to wear the mask around him anymore— Danny’s pretty sure that his injuries have been declared as clotted, or sealed, or whatever at this rate. They for sure swabbed his ectoplasm and came to some kind of conclusion, anyway, which means he only looks gross, but isn’t, like…actively leaking fluids.

On the one hand, gross! But, well, you know. Nothing for it but bandaids and time.

And her face looks nice. Danny hadn’t known what she’d looked like, before. She smiles when she sees him. Her light eyes crinkle, and her lips turn up… She’s nice. Danny’s sure that she’s only there to be in charge of him in case he gets scary, but she’s in charge of him and she’s nice. She doesn’t have to be nice; lots of people have been in charge of him and been mean about it. There was that one guy who kept holding him—with the taser—

(Time slips away from him, a little. When he gets back to the world in front of him, Diana is carefully looking at his face, the back of her hand stroking the back of his.)

Danny’s in his chair. He’s not…there. He’s in his chair, on a big space station (????) with a bunch of really colorful fighters on it, and Diana is touching his hand (that’s so much weaker and slower than it used to be) and he’s not hungry and he’s only scared because of memories. He’s safe. He’s not being pinned down by the neck so that they can strap down his wrists and hips to the table—they’re not shocking him—he can move his fingers, he’s not stuck in his core—

His core throbs. Danny bites into his bisected lip, and tries not to cry.

“Are you alright?” Diana asks, voice gentled. The soft touch of her hand doesn’t stop. “We can wait. There is no—“

Danny shakes his head, and takes his hand away so he could wipe at his eyes. It’s fine. Bad memories are everywhere: in the walls, in the floor, in the ceiling, in the hands of people taking care of him. That’s not… There’s nothing Danny can do about that. That just. Takes time.

…He think he might have that time. Now. He thought he would die for good in that five by five box, waiting for something that would finally end him instead of just keeping him in a cycle of injuries he never fully healed from.

But now he’s not. He’s here.

He wants to keep going.

“Alright,” Diana says, slow and careful. “Hold on.”

Danny doesn’t hold on—or, well, you know, he engages his core muscles and all that, but he doesn’t cling to his arm rests or to the frame of his chair because he knows that Diana is really, really strong, but she also really, really doesn’t want to hurt him.

She rolls him out of the medical wing and into the space station proper. Danny feels like he’s been here before, but he doesn’t remember it super well. Maybe it was when he was sick or something? Either way, a lot of different people wave at him as they go by—or just straight up stare, if they’re rude—and Danny generally just watches people rush by, carrying all kinds of equipment, and a potted plant, and a…starfish in a jar…?

Oh, the starfish waves at him???? Danny waves back because?? What??

Danny rolls to a stop at a smooth, cylindrical elevator. It looks like a giant test tube.

…Oh boy. Danny takes a deep breath, and holds it. Reflexively. Sure, this elevator probably isn’t like being dunked into water to see if his body absorbs ambient oxygen from the atmosphere or if his biology is truly not oxygen-based, but the memory is. Bad.

They go upwards. Nothing happens but Diana’s pushed button.

Danny exhales.

They get off at a section of the base Danny’s never been to, and it's essentially just a long, somewhat narrow hallway. The walls are actually painted a creamy off-white here, and there’s…like…decorative panels towards the base of his wheels trailing down the hallway? An orange ceiling, too?

Huh??

The rooms are numbered, but they’re not plain steel like in other areas downstairs; some of them have stickers, or drawings, or marker written straight onto the door itself. They look...cozy...? Danny thinks so, anyway, compared to the rest of the ultra high tech space base.

They roll to a stop in front of a door. It’s got a number on it, same as all the others, but there’s a box cutout taped to the front of it. The—

—The print is of the same style of space shuttle Danny keeps next to his bed, inked onto glorious cardboard medium.

Danny stares.

“Gegrapa,” Diana urges, so gentle. Too bad that, uh, Danny doesn’t know that one. He looks at her. She mimes touching the door— Oh. Got it.

Danny leans forward just enough to touch the door with his fingertips.

The door says something in a robotic voice, but the synthesizer is too mangled for Danny to make out the words. The door slides open horizontally into the wall, instead of the way the other doors open like portals or from below, and it’s kind of cool?

Inside is a bedroom. Danny stares.

…No, it’s actually a bedroom. Not a medical wing, not a cot, not a repurposed conference room or—it’s actually got a bed in it. Like. A real one. There’s a wooden headboard and it’s got a mattress on it that’s thicker than a VCR.

There’s constellation sheets on a bed big enough to curl up on.

There’s a nightstand, a small desk on the far wall—there’s a little lip where the bedroom dips into a tiny sitting room, a small television on a table and a small table and chair. It’s kind of…it’s kind of like a little hotel suite.

Danny’s mouth goes dry.

He doesn’t move, and Diana doesn’t wheel him in. “It’s okay,” Diana says, and—Danny almost flinches when she touches his hair, but it’s only Diana, who’s never hit him, and they’re fine. He’s…safe. It’s safe. He’s safe here. “Do you want to go in?”

Danny doesn’t move. His hands don’t touch the wheels. They’re shaking; he puts his hands in his lap and he tries to breathe. “…What?” he asks hoarsely.

“A rum for my Danny,” Diana murmurs, quietly. Danny’s heart throbs at the possessive. “You are healthier now. You do not need doctors every hour, but only sum hours. You cuðe spenda more time here, all ana.”

Words go by so fast even at Diana's smooth, unhurried pace— and Danny licks dry, split lips. He looks around the room—and the room is small, sure, but they're in space. Space will always be a premium. Even in this small room, though, the furniture is sparse and placed distant from each other…distant enough that Danny can wheel around freely in his chair.

There’s a Moon clock display hung on the wall over the doorway, and Danny can faintly see the outline of what he assumes is the current lunar phase as seen from Earth.

Having the lamp isn’t exactly the same as glow-in-the-dark-stars, and thank goodness for that. If it had been, Danny might have cried.

(Or, he realizes, something burning in his eyes that isn’t ectoplasm, maybe he is crying.)

“...Me?” Danny asks, terrified to know the answer. Is this room for him?? Is he getting a room here? Is he supposed to stay here? On the moon?! Is he supposed to stay with everyone here, in a tiny room, where there’s nowhere to go and nowhere to escape?

…It’s a bedroom. It’s already so much more than the stupid guys in white ever gave him.

“Yes,” Diana says, and lets go of his hair. “Use it, or do not. Sitta here, or sitta in the medical bay, but now you have two choices.”

Okay. So Danny has choices. He swallows his feelings—they taste a lot like snot—and rolls himself inside to inspect the room.

There’s another little fridge inside the sitting area. It’s not right next to the bed like it is beside Danny’s cot, but it is the same style of fridge. When Danny pops the door open, it has the same styles of snacks. Fig Einsteins. Peanut butter squeezies and applesauce squeezies and yogurt squeezies. Protein shakes in bottles. Pedialight. Hummus packs.

Danny might still need someone to open the snack packs for him. That’s kind of a high dexterity food, if he thinks about it.

“If you wish to sitta here, we will visit you all you like. There is a belle at your bed,” Diana says, and walks in with all her purple scrubs and tied-up hair to point to a little button on his nightstand. It’s red. It’s got a little smiley face sticker next to it, and Danny thinks he recognizes the style from one of his nurse’s bestickered name tags. Belle is probably a direct cognate for bell. He’ll be able to get everyone to come up here if he needs help.

…Okay, that’s kind of nice. To have personal space. He hasn’t had that since… Danny’s eyes squint as he thinks; he rubs an eye. Wait, when had he been squatting under a conference table? Was that a real memory??

Diana is very tall, even in the little space, but when she ducks her head, the gesture makes her a little smaller, a little more manageable for Danny’s lower-than-usual-gaze. Now that he can see her expression, she looks soft, and even uncertain, even though she looks stone and strong on the television when she goes out to fight. “Do you like it?” she asks.

Danny fidgets.

He—does. He likes it a lot. The room doesn’t have any windows, but if Danny moved all his things in here, got used to being able to come and go, and people coming in and out…this space could be just another space. It’s quieter than the medical ward. More peaceful.

…The room is utterly devoid of other people.

(Danny thinks of The Box. Danny thinks of being in The Box.)

(Danny doesn’t like remembering The Box.)

“I am scared,” Danny admits to his twitching thumbs, his fingers itching for a fidget toy or one of his physical therapy tools. Diana’s face immediately drops.

“Why are you scared?”

I’ll be alone Danny wants to say, but he doesn’t know the word for alone and he struggled with phrasing. “No…people here.”

“That is triewe. You would have more dīegolnes here,” Diana agrees, and straightens out of her crouch. “Is that good, or bad?”

It isn’t good and it isn’t bad…? Danny isn’t sure how to phrase it. It’s neither. Being alone is just scary.

“You not hurt me,” Danny tries, knowing he’s missing some connecting word in the middle. He ignores how Diana comes back to kneel beside him, because if he looks at her, he won’t say anything. “Do not.”

“No,” Diana says, from beside and below him, gentle, careful. “We do not.”

No. They don’t. Danny swallows. “Bad…hurt me.” He doesn’t know the word for Earth or planet or even downstairs, so he just meekly points downwards.

Diana stills. It’s like watching Vlad’s Maddie cat spot a bird to hunt down. Danny tries not to feel pinned. “On eorþegearde?” she asks, still light, still gentle. Danny can hear a shadow of steel, though, and he counts himself lucky that she’s never treated him like an enemy. Danny quickly nods. His eyes squeeze shut.

“Who?” Diana asks feather-light.

Danny doesn’t want to tell them what he is. Admitting the name of the agency hunting him itself would be given in.

…But maybe if he doesn’t say the name…and they...and they promised they'd help hide him...

He wants to be right. Danny wants to be right that they're nice, and that they want to help him. Danny wants to be right that they want to protect him. As long as he never, nevernotevernever tells them he's a ghost...

Maybe someone will help him. This time.

“Bad,” Danny repeats, because he genuinely has no idea how to translate?? “Wants…hurts me? For…” WHAT WORDS DOES HE KNOW? Danny gives up and just draws a y-shaped autopsy incision on his chest. It goes down from his collarbones to his belly button.

Diana watches. Her eyes are sharp.

“Do you feel safe with the staff dunstæger in medical?” Diana is quick on the ball with the question and Danny nods quickly—he’s never alone there, and no one’s ever hurt him, and people whose job it is to help people are always coming in and out, and Medical helps them too.

“Good,” Danny whispers. “Talk…talks to me.”

“Ealne weg,” Diana affirms firmly. Whatever that means. “We will cepa you safe.”

You safe and we is all Danny needs to hear. He could probably cry by himself, but Danny wants the comfort anyway; Diana lets Danny take her hands into his, and he lets tears fall into someone else’s grip instead of his own.

*

Bruce is halfway to the monitor room before he feels himself be picked up from underneath the armpits.

Usually finding himself at inappropriate heights involves horseplay from Clark. No one else would be so bold as to actually put their hands on him within the professional setting of the Watchtower—and Bruce has worked very, very hard on maintaining a reputation that keeps the handsier of his fellows at bay.

The culprit is not Clark this time. Bruce finds himself looking downward at Diana’s tearstained face, fury and resignation warring in her expression.

Bruce is careful not to sigh. “Wonder Woman. What is the matter?”

“Someone,” Diana grits out, voice carefully modulated to cut out her own pain, “Hurt my charge.”

On the one hand, the situation with their patient is exactly as Bruce had expected. The circumstance is tragic. The circumstance was predictable.

On the other, Diana's new upset means that Bruce now has more information to work with than ever before.

Bruce can work with this.

“Tell me everything.” Bruce’s voice is just as firm—even held midair like a cat. “I will help you in every way I can.”

[eggyrocks]

ENCOUNTERS

00 prologue: dumped

All Suna wants is a relaxing, post-show cigarette in the parking lot. But that girl’s fighting with her boyfriend again.

For as long as they’ve been a band, she’s been coming to their shows . And as long as she’s been coming to their shows, she’s been fighting with her boyfriend at them. The same boyfriend every time too, the gangly looking one with the constantly messed-up hair.

He flicks the end of his lighter, watching as she takes several steps back from him, laughing in indignation, throwing up her arms up in exasperation. The boyfriend’s just standing there, outside the driver’s seat of his idling car.

They always fight about stupid shit. The boyfriend’s controlling. She likes to do whatever she wants. He yells at her about lying about where she was going for the night. She yells back about him going through her phone. Honestly, Suna’s not even sure why the two of them are still together. It seems like they really, really fucking hate each other.

He can hear a bit of what she’s screaming now, something about not trusting her or respecting her individuality and him shooting back that she’s done nothing to earn his trust, and she has no personality outside of liking this stupid fucking band.

Suna inhales and crosses his arms over his chest. He’s not sure why he’s getting dragged into it.

Honestly, he figures he should probably count his losses with the cigarette and go back inside, let them have it out like they normally do alone, in the privacy of this empty venue parking lot. But his morbid curiosity gets the better of him, and he stays, watching aptly as they tear each other’s throats out.

And, oddly, he kinda feels compelled to stick around, to make sure she ends up okay. He doesn’t know anything about her really, and he hardly remembers her name half the time, but her unrelenting dedication to his band has kind of earned some loyalty in return.

Enough for him to stick outside and keep an eye on her while her boyfriend loses his mind.

Suna watches as he turns away from her, and flings open the backseat of his car. He watches as she yells out, “What the fuck do you think you’re doing?” and he watches as the boyfriend pulls out three, large, overflowing duffle bags and deposits them at her feet, despite her protests.

And then, he gets in his car and drives away.

His loyalty is being tested.

All Suna can think about as he approaches her is how badly he does not want to. But she’s collapsed now, sitting on top of her pile of duffle bags and sobbing, right there in the middle of the parking lot. Plus, if Kiyoko found out he left a crying girl alone in the parking lot, she’d probably skin him. So he drops his cigarette to the ground and snuffs it out with the heel of his shoe. “Hey,” he greets, because he doesn’t know what else to say.

She looks up, wet eyes wide and covered in smudged, black makeup. She inhales sharply. It could pass for a hiccup. “Oh, hey. Good show tonight,” she sniffles.

“Yeah, thank” Suna nods, looking at the ground beside her instead of directly at her. He feels strange standing above her like he is, so he kneels, weight on the balls of his feet. “Are, erm, are you okay?”

She blinks, and hiccups again. At least her crying’s slowed. “Um, no, not really. I just got dumped, and also, like evicted, I’m pretty sure.”

Suna looks at the bags underneath her. “This all your stuff?”

“Most of it, I think.”

“Okay,” Suna starts, trying to come up with anything useful or productive, “so, can you like, call a friend to stay at their place for now or something? I don’t think I wanna leave with you just like, here.”

Her eyes start to water again, and Suna immediately feels like he’s done something wrong. “No, not really. I mean, my old roommates got new places out of the city and I don’t know who they live with or even where and my other friends all live together in a two bedroom but there’s three of them and I couldn’t even stay in there if I tried because there’s no room, and I don’t like my mom and I guess I could ask this one friend but I know she won’t answer and I don’t know where I’m going to stay and I’m kind of-“

“Okay,” Suna cuts her off, dread already forming in his stomach. Because he cannot, in good conscience, leave a crying girl in the middle of a parking lot. He cannot let her just figure it out on her own. So he knows what’s coming next. He sighs and stands upright. Fuck, he better get some good karma for this. “Do you wanna stay at my place for the night?”

taglist: @wyrcan @thechaosoflonging @localgaytrainwreck @cherrypieyourface @eclecticeggknightpsychic @httpakkeiji @does-directions @needtoloveoutloud @causenessus @kawaii-angelanne @thatonecroc @v1oletfury @lonesomedrive @nnnyxie @bakery-anon @cheriisae @chososcamgirl @honeyfewr @soulfullystarry @snail-squasher @angee444 @itsdragonius @lees-chaotic-brain @miiyas @atsumuenthusiast @iluv-ace @cupidsblonde @tetsuswhore @soobin1437 @starkyu @bakugouswh0r3 @wakashudou @softpia @phoenix-eclipses @angelichwv @rory-cakes @bbybibi @lllaw @kameyyy @sleepzyy @s1ckntw1st3d @savemebrazilhinata @whorefornoodles @keeboismine @angsty-microwave @cyberpsychedelic @v3nusplanetofluv @darkandstarrynight @lunasfics @miss-manupilative @t8tiana @bzzahbee @evening-latte @Rebirthbunny @rvm1ne

[harksness]

No Going Back

Summary: An incurable illness plagues you, something one of a kind that has never been seen before. It corrupts magic, leaving you unable to use your powers without risking death or worse. Someone wants all of your unused power themselves, and a reluctant Agatha Harkness is convinced to keep you safe after some bribing.

A/N: aaa I've had the idea for this for like 2yrs now!!! I'm super excited to be finishing it and posting it finally!! It's my first in depth, planned fanfic and I'm super excited to share it I hope you guys like it <3

(Also lowk paranoid that some of the creative decisions I made for this fic are gonna end up being explained in the show so just nevermind that if it happens we're just here for some fun romance and smut with Agatha ok)

WC: 3k

Anxiety gnaws away at your insides as you flick on your blinker, knuckles tightening around the steering wheel as you turn down that familiar dirt road that you hate so much. That long, winding dirt road that also leads to the house that you hate so much.

You try the breathing exercises your therapist taught you. The slow, calculated inhales, the holding your breath, and slow calculated exhales, but it does nothing to relieve the feeling in your chest that’s suffocating you. 

The cars headlights cut through the darkness, thick layers of tall, old trees swarming each side of the road as their branches bow overhead. You can’t even see the night sky through the thick layers of leaves.

You’re positive that if you had consulted your therapist about this little visit before coming, she would have told you that it’s not a good idea. That reopening old wounds after basically being no contact for four years would undo a lot of healing and hard work. 

But, when you listened to your fathers urgent voicemail, you knew you needed to come. You had no choice. The deal you made with him before leaving was more than fair. He agreed to leave you alone and only contact you if it was a necessary emergency. And you agreed to that more than fair deal.

He wanted you to be as far away from him as possible, and you wanted the same thing. To be far, far away from him and any reminders of what happened to you, your childhood and the toxic magical community you grew up in.

You’re sure that you were only able to get away because of your little defect. And because after your mother died, he immediately remarried and your father didn’t waste time popping out plenty of new babies, pureblooded heirs that could flawlessly wield their old blood magic unlike you.

If your father called you back home you know it’s a serious, urgent matter. And that only makes your chest grow tighter as you turn the last bend and your childhood home comes into view.

“Well.. Here we go..”

You grumble to yourself, the tall, menacing house looming over you amongst all of the trees. The night sky actually cuts through these parts, the moonglow illuminating the house and its surroundings as you pull up to the front door. Immediately you kill the engine and shift your car into park, leaning forward to peer up at the house.

The pristine white under the moonlight makes it look like it’s glowing. It stands tall and proud and perfect, no chipping or dirt in sight. A black roof sits on top, perfectly black framed windows spread along the sides of the house, and not a single one is lit up with evidence of life. Curiously, you keep peering, checking for a sign of anyone being in the house. With a deep breath you grab your keys and your bag and exit the car.

It’s dead silent, save for the sound of crickets and the rustling of leaves in the trees when a soft breeze blows through. You pause as you take a deep breath to steady yourself. Cautiously, you walk around to the other side of the house, leaning over and peering just enough to see if any lights were turned on. 

Nope. Nothing. All of the windows are black as pitch. You groan, pinching your eyes shut as you try to soothe yourself by rubbing your fingers on your forehead.

Whatever. You’ll just go inside and call your father. You’d be dead meat if you left without his permission, anyways. He sounded very urgent. Deathly urgent. With a deep exhale pushing past your lips, you walk back around the house, the wind chilling your cheeks as you start to make your way up the front steps. 

No door handle, just a block of smooth painted wood that looks like a door. A wave of exhaustion overtakes you as you press your palm to the smooth center of the wood, your features dropping as an electric blue glow flows in ripples over the door before it parts for you, splitting down the middle and swinging open.

The main hall is eerily dark and you have to force yourself to move forward. The moonlight is bright enough to where you can see, but everything is shadowed. The hall stretches out far, down the length of the entire house before leading to the wide, open stairs that would take you up to the expansive second level. 

A hard, loud slam echoes through the halls and shakes the house. It’s enough for you to let out a scream and jump as you fling yourself around to the source of the noise, noticing the front doors are sealed closed. Your face scrunches in confusion at the sight. It should just.. Close like a normal door as soon as you are comfortably in the threshold of the house. Never have you seen it linger or slam like that before, not even in your years growing up here.

You sigh, deciding to brush it off even though you know something is wrong, more so because you know that you’re incapable of protecting yourself like a normal witch would be able to so gaslighting yourself is just the easier option for now.

Besides, whatever’s wrong can’t be life endangering to you. The property is warded and safe, it’s basically impossible to get through to the house let alone inside of it. Hundreds of years of magical wards and barriers make sure of that. So, you grab your phone out of your coat pocket, your fingers cold as you pull up your fathers contact and press the call button.

You raise the phone to your ear as the sound of the monotonous chimes ring through the silent rooms as you pass through them, cautiously walking into the family room. The sound of your boots is muffled by the thick carpet as you walk over it to peer out of the window. The wind rushes against the side of the house, the echo of the noise whispering through the silent halls of your childhood home.

“Okay, I’m at the house. What’s going on and where are you? Please… Just call me back.”

Lowering the phone with a tense sigh, you drop it back into your coat pocket before turning back to the window. You decide to analyze the treeline for any sign of something being off, and you see something that makes your heart drop into the pit of your stomach.

One of the protective runes carved into one of the trees has been singed off. You can tell by the sizzling burn marks that it was magic, the bark of the tree burned all the way through and to the wood underneath, leaving no sign of the runes that were previously there. Your throat dries up.

Whoever did that had to have broken through two other protective barriers on the property. It’s tough magic and in order to break through it… You’d need some scarily powerful magic on your side.

There’s only been a few times over the decades since the house was built that someone has been able to break through the protective barriers. The last time was when your mother was assassinated and you were left for dead when you were a child.

You can’t stop the panic from bubbling in your chest this time, not knowing what to do or how to protect yourself. Your mind is frantic as you search for a solution, your hand moving to fist the pendant hanging from your neck, but something catches your eye and you freeze. In the reflection of the window you see her, a woman reclining in your fathers favorite chair. The back of the extravagant, plush red chair reaches high, the woman is slumped down in it, her black heeled boots dangling over one armrest of the chair as she gently swings her feet back and forth, the fabric of her purple skirt swaying with each movement.

Her body is twisted just a bit so that her front is tilted towards you, her chin resting in her palm. She’s donning a very traditionally witchy getup. Her wild, brown curls fall off of her head in crazy waves as it cascades over her shoulders. Her lips are quirked in the snarkiest smirk you’ve ever seen, your chest tightening even further when you notice her bright blue eyes are planted right on you. 

You whip around to face her, your eyes widening when you see her with your own two eyes and not in the window's reflection, confirming this is real and not a figment of your imagination.

“Oh my goodness! It took you long enough to notice me! If this were a horror movie, or if I actually wanted to kill you, you would’ve been dead the second those doors slammed shut, sweetheart.”

The woman's smooth voice has a taunting edge to it. She swings her feet over and around and they land against the carpet with a dramatic thump! before she pushes herself out of the chair and onto her feet.

“Thank god I don’t want to kill you.”

Her smirk drops into a warning smile, her voice doing the same. You’re gripping your pendant so tightly that you can feel it cutting into the skin of your palm.

“What do you mean? What do you want?”

You ask, your voice shaky and soft. She drops her gaze to your fist, pointing at it.

“That’s what I want.”

Her eyes meet yours again as she takes a few steps towards you. 

“Are you gonna be a good girl and give it to me? Or do I have to take it from you?”

She holds out her hand, and that’s when your gaze catches on the pendant on her neck. Your eyes widen in horror, taking a slow step backwards.

Every witch knows about Agatha Harkness. About her long list of crimes, both magical and not. Especially those of you connected to the elder families. She’s successfully stolen from some, even killed a few. She was a suspect in your mothers murder and your assault, but was ruled out for having been out of the country at the time.

“Why do you want it?”

You stutter through the sentence, trying to distract her for a moment as you mentally prepare yourself for what you’re about to do. You just keep hoping, praying to whatever god is listening, that you can get your magic to work right just this once.

“Stop stalling, honey.. You know exactly why I want it.”

You take her words as your signal to call on your magic, and it appears in a sickly blue-ish yellow glow, enveloping you as you feel it wash over you, turning you invisible. You start cursing internally, knowing your magic won’t last long enough to keep you safe. But you have to try something. 

You don’t know what to do. Just run to your car, which probably won’t work, hide, which also probably won’t work, or somehow try to distract her which is your best bet but also probably won’t work.

So, you start booking it down the hall, the hard thumps of your feet on wood rattling through the old house as you dart for the stairs. Your fingers wrap around the bannister and you start running up the steps, taking them two steps at a time as you desperately search your mind for a good place to hide. 

“It’s funny you think you can hide, sweetheart.”

Agatha calls after you, and you can already hear her making her way up the stairs. She’s taking her time as she follows after you. You bolt down the hall, finding your old bedroom. When you throw open the door you’re not surprised to see that they renovated it, it seems to be an art studio for your step mother now.

You step back into the hallway, remaining invisible as you quietly move out of the way. Agatha is making her way down the hall, her robes and long hair flowing dramatically behind her as she approaches the door you flung open.

“Oh, come on.. Just make this easier for the both of us and come on out.”

She laughs as she sticks her head into the room, surveying it. She must be suspicious that you’re not actually in there. You take the opportunity to do something you’ve never tried before, something stupid that could kill you- and you call on your magic.

You raise your hand, closing your eyes as you carefully begin to draw your power from the pendant around your neck. It’s unstable in its pure form like this, your anxiety bubbling in your chest as you draw it into your hand, feeling it crackle and pop like a fire. You feel the invisibility spell wash off of you like water, your fingers flicking backwards in time with the powerful bursts of magic.

You build the magic steadily, higher and higher as you wait for her to turn around.

When she finally does, you twist your arms, using all of your strength to fling the yellow-blue ball of magic right into the woman. She flies backwards, and you hear the crashing noises as she falls right into all of the easels and canvases.

Peering through the door, you see her in a clump on the floor with the broken and tattered art supplies. She blows a long piece of thick brown hair that hand landed in her face out of the way with a dramatic puff of her lips.

“I thought you couldn’t use magic..”

Agatha grumbles as she climbs to her feet, dusting herself off. She pauses, an uneasy look overtaking her face.

“What.. What was that?”

She groans, wrapping her arms around her stomach where your magic had landed. You let out a breathy, surprised laugh. 

“What did you do to me!? I thought you couldn't use magic!”

Agatha yells at you, rage seeping through her voice as it booms in the halls of the house. Fear grips you again as you straighten up, not bothering to give her an explanation.

She groans out in pain behind you, and you start running. Your feet heavy thumps as you book it down the hall, thinking you finally got a chance.

Not only does she need to realize what's happening to her, she needs to purge it from her body. Someone that powerful shouldn't have an issue dealing with it, but fighting it out should stall just long enough for you to get away.

Or so you thought.

Something hits you so hard that you fall to the ground, landing roughly on your right arm. The force of your body hitting the hard wood beneath you causes your head to snap against the floor too, a loud yelp of pain pushing out of your throat as pain shoots in hot flashes across your skull and down your arm.

A few seconds later you’re blinking dumbly as you try to regain your senses, your head ringing and vision blurry from your hard fall. Your eyes roll in your head, a groggy groan escaping your lips as you desperately try to pick yourself off the ground.

Your right arm is stuck. Shoulder to hand, as if it’s superglued to the wood beneath you. Desperately you pull on your arm, trying to sit up to no avail as you hear the woman approaching you from behind.

You’re basically a bug that walked into a sticky trap, helpless as you watch your impending demise approach you. You turn your head to the sound of boots on the wooden floor, seeing Agatha sauntering towards you, purple skirt swaying around the ankles of her black boots. You’re just barely able to make out a coherent thought through all of the pain and fog clouding your mind- you’re fucked.

Your heart is pounding in your chest, your head throbbing in time with every beat as the woman crouches down before you. You’re unable to focus on her features, desperately wincing and pinching your eyes shut to try and get rid of the pain. Her fingers wrap around your jaw, biting softly into your cheeks as she focuses your lolling head on her gaze.

“I’m sorry.. I didn’t mean for you to hit the ground that hard. Don’t wanna risk damaging that pretty face, hm?”

You blink rapidly as she starts to come into focus. You try to gargle out a response, but find yourself unable to as pain shoots through your skull. She coos at you with wide eyes, raising her free hand to run softly over the top of your head.

“At the very least, there’s gonna be a bump. At the very most, a concussion.. I really am sorry, but I needed this-”

Her hand is reaching towards your neck. Panic spikes in your chest when you realize she’s going to grab your necklace.

“N-no!”

You force the word past your lips in a desperate stutter, your voice echoing through the long hall so loudly that it surprises you. The witch before you even seems a bit taken off guard, curling her fingers back as she retreats her hand only slightly.

“What’s wrong with your magic..”

She asks, her voice soft and firm as her eyes narrow at you in curiosity. Panic is bubbling in your chest, rising in your throat.

“I don’t know.”

You whisper in return, before that all too familiar flash of blue-yellow magic lights up between the two of you. Agatha raises her hands, manifesting a wide, purple shield the exact moment your unstable magic collides with it. A loud noise sounds right when it collides with hers, shaking the house and echoing loudly in your ears. Your head flies in the opposite direction at the force, smacking against the floor once again as your vision goes black.

[frodo-with-glasses]

Where have you been?

Uhhh, France?

(That’s a Hamilton reference, btw. I have never been to France.)

So! Another Hobbit Day is upon us. On this day last year, I’d promised you all that we would take another trek through LotR, with all new drawings and poems and fanfics. I fully expected to be finished with Book One by now, at least halfway through FotR. What actually happened is that the blog struggled through the first five and a half chapters of the book before suddenly going radio silent.

So what happened?

Well, as you might expect, real life happened. I won't go into the details here—since it has nothing to do with LotR—but I can explain in DMs if anyone is interested.

Basically, a change in my family led to a reexamination of what I thought I knew about my family, which led to a reexamination of what I thought I knew about myself, which kicked off an intense period of self-improvement.

Over the course of this past year, I began to unpack my family's abuse; I learned about boundaries; I started to unlearn my old people-pleasing tendencies; I reconnected relationships that were broken, reevaluated ones that were in the wrong place, and cut off ones that weren't good for me. I discovered there was a little kid in my head who's been waiting years and years for an adult to love her, and to take her needs seriously, and I finally have the chance to be that adult. And I'm happy to say that I've come to a place where I feel safer in my own head than I have ever been.

Probably very little of that is going to show through on this blog. It's all inward stuff; foundational stuff. But one thing that might affect you guys is that I left my (dreadfully overstimulating and stressful) part-time job, and I'm now working full time somewhere else. As much as I love what I do for a living now, working 40 hours a week does mean that I am become Boring Adult who does not have as much time for interneting. With my current schedule, there is no way I'd be able to sustain the intense schedule of "must post one drawing a day" that I had in the early days of this blog; and I don't expect myself to.

But! I would like to—slowly—get this train rolling again.

I find it hilariously apropos that the last piece of art I posted on this blog was of Frodo suddenly disappearing. From Merry's perspective, he completely vanished without explanation or warning. From your perspective, so did I.

But I find myself here again, on another September 22nd, and once again I'm beginning to feel that pull; that pull to read, and draw, and create, and share, and laugh with all of you. Life has calmed down enough for me that I once again have the mental space to think about pursuing my hobbies. There are so many things I want to do—so much to do with the time that is given to me. And I want this blog to be on that list.

My current goal is to post some new book art every other day. If that's too much, I'll adjust it. But if I find my groove and really get into it, who knows? We might return to your regularly scheduled Daily Dose of Frodo-With-Glasses. We shall have to see.

Anyway. If you've read this far, thank you! If you've stuck with this blog since the early days, thank you. And if you are one of that lovely core Fellowship that has had my back and prayed for me all along, I cannot thank you enough.

This past year has been an absolute ride. Not as difficult as a trek to Mordor, maybe, but not easy either. But no matter where I walked, I knew I didn't have to take the journey alone.

Anyway! Enough sappiness. Happy Hobbit Day! I'm excited to see what the next year has in store for us. 💚

[kimberleyjean]

What did Adam change? (Part 1)

To follow up on my recent reblog about the baby swap, I'm going to take a closer look at Adam where we leave him at the end of S1. Because, by the end of S1, Adam had changed quite a few things... and I'm going to use both the TV show and the book to provide evidence.

To become the Young's real son, I don't think Adam really needed to change all that much. He just says the words to Satan, Satan disappears, and that should be it, right? But no, because Adam goes much further, and I think he does it because he can.

Because Adam has opinions, you see. Opinions on how the world should be and what he wants to happen. Except, unlike Agnes, who needs to write a prophecy and then wait 300 years for her descendant to enact it, Adam can just make it so.

The Other Two Babies

I originally thought about putting all the things Adam changes into a single post, but instead I'm going to make this a short series of posts, because he changes a fair bit. Let's start with where we left off with the baby swap, crack open a copy of the book and discuss the changes for Warlock and Greasy first.

Warlock

Here's some excerpts of Warlock flying home from Megiddo to America (my bolds for emphasis):

It was Sunday afternoon. High over England a 747 droned westwards. In the first-class cabin a boy called Warlock put down his comic and stared out of the window.

...

And now he was going back to the States. There had been some sort of problem with tickets or flights or airport destination-boards or something. It was weird; he was pretty sure his father had meant to go back to England. Warlock liked England. It was a nice country to be an American in.

...

And Warlock flew on to America. He deserved something (after all, you never forget the first friends you ever had, even if you were all a few hours old at the time) and the power that was controlling the fate of all mankind at that precise time was thinking: Well, he's going to America, isn't he? Don't see how you could have anythin' better than going to America. They've got thirty-nine flavors of ice cream there. Maybe even more.

So it's Adam who has sent Warlock back to America, despite Warlock wanting (even, expecting) to be on his way to England. And he's controlling the fate of all mankind.

Greasy

Likewise, he has changes for Greasy Johnson too (the discarded baby who grows up to win prizes for his tropical fish).

The plane was at that point passing right above the Lower Tadfield bedroom of Greasy Johnson, who was aimlessly leafing through a photography magazine that he'd bought merely because it had a rather good picture of a tropical fish on the cover. A few pages below Greasy's listless finger was a spread on American football, and how it was really catching on in Europe. Which was odd… because when the magazine had been printed, those pages had been about photography in desert conditions. It was about to change his life.

Adam is deciding here how to alter Warlock and Greasy's paths. Warlock wants to be back in the UK, but Adam thinks America is better, while Greasy's magazine is changed to American football, which I guess is implying he's going to become an American footballer.

Now, not everyone may be aware, but these parts weren't in the first release of the novel. It only came about later, in the American edition. Apparently the changes were in response to prompting from the American editor, but they got "carried away" making those changes (source).

Season 3 (warning: speculation)

So, do you think this could be relevant for S3? For me personally, the fact that these bits were added later makes me wonder if this was helping to set up for a potential sequel. It's certainly poetic - just like the baby swap that originally involved all three, we are now implying a potential adolescent swap of Greasy, who is interested in American football, and Warlock, who is interested to return to the U.K.

If you've read at all about the hypothetical plot of the proposed written sequel, you'll know that it involved a trip to America, ostensibly to look for a lost Jesus. So, if the next book was originally meant to be about going and finding someone (Jesus?) in America, then Greasy or Warlock could make sense. It would be a switcheroo all over again if Warlock had left for the UK and Greasy for America.

Another alternative is that all three could end up converging in America, since Warlock already lives there and both Adam and Greasy have interests in going there. But if that's the intention, why mention that Warlock wants to be back "home" in the U.K.?

So, those are my possible takes on how this passage can be interpreted. I know there are some theories that either Greasy or Warlock may be the Second Coming. I've also seen a theory now that Adam himself could be a contender (both spawn of Satan and spawn of God - it'd certainly be interesting!). I'm not placing bets on any of these outcomes just yet.

In addition to this passage in the book, we also see some interesting changes made by Adam which are featured more prominently in the show - one's that have implications for the ineffable husbands.

Part 2 coming soon!

Thanks as always to everyone at the @ineffable-detective-agency (including @noneorother, @embracing-the-ineffable, @lookingatacupoftea, @251-dmr, @somehow-a-human, @maufungi, @havemyheartaziraphale, @theastrophysicistnextdoor, @dunkthebiscuit, @komorezuki, & @ghstptats).

[5five5five5five5five5five]

Pls headcanons of a flirty dolores [human] and five .

Trying to forget "that season".

Denial stage activated.

Pls and thank you.

Good day/night.

OOOHH YES! but first i want to write a human Dolores of my own then we can get to the flirty stuff. * she is in her mid 30's and works as a librarian who LOVES books and is very smart and pretty and perfect.

she is MADDENINGLY in love with the Noir detective novel series " Five "max" Hargreeves and the Umbrella of Time. a long running series about a Old man who turns into a young man some times and solves crime with his dog Mr. pennycrumb. * she hated that when they turned the books into movies, they hired a actor that looked NOTHING like how she sees him in her head. Five looks like how she sees him in her head. she cant pinpoint why it bugs her so much. its just wrong. thats not him??? * one day well sorting books, she no clips into the backroom subways and gets stuck. idk how. s4 logic aka make shit up. but she thinks "what would Five do?" and copy his mapping and travel style. * and then they meet......Jesus my kinnie ass heart melts even thinking about it lol. * "five?!" "Delores?!.....are you..real this time....." "wait how do you know my name??....and yes i am very much real? are YOU?" "how do you know MY name?? and yes??" then they nervously chuckle and tell each other how they know each other. * they get a bit sad that the others Delores and five were not real and five admits he got the better end of the stick by being a cool book character....she didn't deserve to be just a......mannequin. but Delores reassures him that his life needed her and that's what gave it so much value. "and at least you got to physically hold me~ i just had....really embaressing art of you...." *Delores drawing him then she thinks he's not looking. she wishes he was a bit older but her self shipping ass is used to his age "powers" but knows this Five cant turn back. at least he's not 13 Five lol. *he's tried to explain his age situation a few times.... shes so understanding about it and five, for the first time, feels seen....and got does his face get red. she knows he's a old man. she loves him BECAUSE he's actually an old man. ANYWAY TO THE FLIRTY STUFF. MY BRAIN IS JUST ON FIRE WITH HUMAN DELORES. * they CAN NOT stop looking at each other. five feels so stupid being THIS flustered. its not his wife. he knows this. but god....shes so stunning. younger then his Delores but he doesn't mind. * she's taller then him no matter what. she was taller then him when he was old, young doesn't matter. shes a tall women and he loves that about her. *her always behind his shoulder correcting his math. and him huffing and admitting shes right. *she likes to head to him. he likes listening. hearing her voice with none of his own voice fused in is so refreshing. he would read his head in her lap and just relax for once in his life. *them slow dancing and mumbling soft words of comfort to each other. *she loves booping his nose. at first, it bits him because the handler used to but ends up finding it nice. its a trait she would have. *he loves watching her move. dance. walk. talk. shes in front of him. again, their eyes are glued to each other and its hard hard not to. just knowing their loves are real keeps them going. *that art meme of all the lovestruck chibis surrounding a very flustered person. that's Delores if she walked into the deli. imagine all the fives looking over and melting in surprise. crumbling in their seats because they are filled with "i miss my wife,tails" energy. the five we are following for this post has to fight them back and give protective glares well she admits the attention is nice and oh god! so many fives! *when five finds a way to return, he doesn't fucking hide it and want to introduce her to his family so bad. she is worried about ending up in a different timeline. he understands the risk but at this point, he just wants the love of his life. and Shes so starved for adventure that she agrees wholeheartedly.

sorry if this wasn't all flirty themed stuff, i just really wanted to write Delores.

[gleefultogo]

Ugh Excuse Me? (screenshots at bottom of post)

Alright so ladies and gentlemen. Turns out kique and his white-knights in fact stalking our tumblr posts. Can't say I'm surprised, but whatever. you guys have your opinions and we have ours. First of all we are just people would love to speak our opinions without being sidelined because you're a fragile as fuck 32 year old man? like man act your age. second of all, I for one do not make these posts to "bully" or anything. I am simply putting you on the spot for all the shit you have caused, even before home comic. everyone who read your comic asmundr saw how you'd treat your readers. Even paying ones! The public should know how you are to others. if they choose to support you or not. Thats fine, that's their choice. I do not control the other people here. you are not a good person then what you think you are, you treat others like shit unless they kissing your ass and giving you money. Look man, I don't give a care what you do or if you do art and comics. but most of us here were former fans that got tired of your bullshit when someone didn't agree with you. It's not that hard to understand, call us haters all you want. I for one have only put out stuff regarding your actions with linked proof. I never edited my shit or faked what I posted. unlike you who have a habit of editing your post to make yourself seem a victim and bullying someone else to make them look worse. how's that any better? we saw what you posted on a DA post about zirvasity and edited it. also my dude, wtf is this?

Never had I once claimed "sexual assault or abuse" about you towards another person, kindly correct yourself. in no way has that been said in any posts. About your weird and terrible take on rape yeah? But SA? nah man, I draw the line at that, unless you can show me legitimate proof. kindly correct yourself. That was never said about you. I have a limit. also disclaimer, but I have no idea who leaked your patreon shit. I know for a fact that wasn't me cause I respect the paywall and since thats how you make your income. you can beef it out with whoever did. Also no one made comments about your transgender either. I don't care. Thats a you thing, and if it makes you happy, cool I'm glad but that also a false claim. I'm not some homophobic person. I'm just some person talking about your comic and the many issues with it. Thats all, heck if you weren't so fragile you could learn from it also. Critique isn't a bad thing. You just refuse any help given to you for the better. You can bitch all you want for all I care and play victim, there's still proof out there about your behavior. learn to be a better person maybe and people wouldn't dislike you?.

Kique's post from instgram. edited to make him seem like he's innocent further. But my point still stands. P.S., If there are grammar errors, english is not my first language. But it should still get the point across.

[captain039]

PART 4 The 2029

Old man Logan x reader

Warnings: AOB dynamics, age gap, angst, swearing, mutants, intimacy, eventual smut, claiming, heats, ruts, needles, drug usage, dystopian world, plus size reader, sexual assault,

Mutation: Telekinesis, energy manipulation, telepathy

Notes: Sorry I’ve been so inactive I’m really am tryna finish my Hugh Jackman stories xD

As you lay there on the edge of the large king bed, Charles next to you, Caliban on the small sofa in the room and Logan leaning against the wall looking out the window looking like a guard dog.

You want him to lie down, rest, sleep, the overwhelming urge to be good omega and serve your alpha. You stare at the bedside table a little harshly trying to control yourself and your thoughts, the voices have quieted down and stopped now that you focus on it. Growing up in the omega facility they made you control your powers, forced more like till they discovered a truely mutant canceling agent, so you took too many lessons in controlling your mutations, there had been a few times you sent the guards mad on purpose trying to escape but you would just be sedated till you were willing to cooperate so you gave up and gave in. You see Logan shift a small quiet groan leaving his mouth as you hear his hip pop. It makes you jolt and sit up in worry. The old alphas eyes snap to yours frowning.

“You should be asleep” he speaks softly but gruffly putting on a hard face like he’s not in pain.

“Lie down” you mutter getting off the bed as quiet as you can. He raises his eyebrow at you and you keep his gaze.

“Sit down at least please” you whisper and the old alpha sighs and listens. He sits down carefully the bed dipping under his weight, your mind goes into taking care mode kneeling down and taking his boots off.

“Hey-“ he says surprised but you ignore him taking off his boots and socks and lying them neatly by the bedside table. You take off his jacket too and he lets you, eyes watching you carefully. You fold his jacket and lay it on the bedside table nodding to yourself once you’re happy before gesturing for him to lie down. The old alpha grumbles but does as you say. You nod pleased with yourself you finally got your alpha to settle. The thought runs through your mind, ‘your alpha’ you glance to him seeing as he sighs body tense and no doubt in pain. He closes his eyes as you take up his post by the window figuring someone needs to keep look out. You wonder what he’s thinking about but you don’t peer in his mind, not after what you saw, all that family, the x men and the x mansion. What goes to your mind though is the alpha red headed woman, Jean, her name echoing through your mind like a taunt. She’s dead you saw it saw young Logan dig her claws in her stomach and cry. He was handsome when he was young he’s handsome now in a rugged way. You watch the alphas body relax and his breathing evens out, you’re thankful your own body relaxing as he sleeps. You keep look out eventually sitting down on the floor against the wall. Your head lulls and hangs your eyes closing and body drifting to sleep, you jolt to wake yourself up looking out the window seeing silence. You’re just about to dose off again when you hear it, a helicopter. You’re up looking out the window, you force your mind to reach out, there’s ten soldiers and a whole helicopter.

“We need to leave” you almost scream at the voice by your ear. Logan’s already up, waking up Caliban and Charles picking up the old man.

“Tell Jessica we’re leaving, and to keep her family inside” Logan orders you and you nod as he carries Charles down stairs, Caliban behind him. There’s a shot that rings out though, you half expect pain but feeling nothing till Caliban thuds to the floor. You rush to the mutant, holding the home in his chest waking the family you were staying with.

“They’re here for us stay inside!” Logan orders and growls alpha tone coming through as the mates look to each other and hold their son close.

“I’m sorry” you whisper to Caliban staying by him. Liam rushes downstairs and you hear him talking to Logan distantly as Jessica urges her son in the bathroom. Logan comes back up picking up Caliban too with a grim face. You follow them outside seeing Liam throwing some bags into their truck. Charles is in the backseat and Logan plays Caliban in the tray of the Ute. Liam chucks the keys to Logan giving you a small smile before going into the house again to protect his family. Your heart fills and beats rapidly before you jump into the truck. Logan takes off quickly into the corn fields. Your heart pounds as you look back to the house seeing the soldiers and the helicopter flying overhead. You pray the family doesn’t get hurt. The alpha drives quickly apparently knowing where to go, you assume Liam told him as you end up on a named dirt road.

You’re staring back at the house now distance your eyes going wide the world slowing as a loud explosion goes off the and house goes up in flames. Your heart shatters and breaks you let out a cry before you’re grabbed and brought into the old alphas lap somehow. He’s pushed the seat back got one hand on the wheel the other tightly around you.

“Don’t look” he says pressing your head to his neck in silent order. Your body shakes and you cry against him. His hands on your neck keeping a gently but firm hold as you continue to cry and he continues to drive. Your arms are stuck between your bodies as you try to process what just happened.

As the car finally stops on the side of the road by a forest you slowly wake up from your slumber and mumble incoherently at the warmth under you. You open your eyes feel the warm alpha under you breathing evenly and shallowly, he’s asleep. You glance to the backseat seeing Charles asleep also and you think about falling back to sleep yourself before you realise Caliban is dead in the back of the truck. You sit up slowly from Logan’s shoulder seeing his head leant against the window eyes closed. His arms tighten around you suddenly a frown on his face and you curse yourself for moving. His eyes snap open like a startled animal and you freeze on instinct at the sudden anxiety filled alpha scent let out by him. You act on instinct, cup his cheeks his frown deepening before he recognises you in his waking up state. You brush your thumbs over his cheeks feel the surprisingly soft beard hair he has coating his face. He watches you, like a predator, eyes narrowed slightly as you gently move your fingers through his beard testing smiling softly to yourself before his scent calms down fully. His arms haven’t moved from around you, well sort of around you now that you’ve lifted yourself up. His hands rest on the spot just above hips not gripping anymore just lying there. You want to kiss him. You look to his lips shamelessly and wonder what they’d be like pressed against yours in such a moment. Your eyes move to movement though, Charles moving in the back and suddenly Logan’s guiding you off his lap and onto the passenger side. It stings a little, but you understand as he gets out and helps Charles, takes him to the woods behind some bushes. You sag against the leather in the truck, you need to go to the toilet too, you need a damn shower also, but you’re not going out in the woods on the side of the road.

After Logan helps Charles back in the car he grabs a shovel from the truck and heads back to the forest. You know what he’s doing, digging a grave for Caliban. You get out the truck after a while, close the door gently and head to Logan. There’s a stale scent in the air from him as he digs, muscles tense, his eyes glaring at the earth. You wonder if you should help, see if there’s another shovel but the look Logan gives you is heart breaking and you go to him instead wrap your arms around him and comfort him like any omega would. He keeps one hand on the on the shovel one by his side as you force him to bury his face in your neck. He’s so tense and his body no doubt aches, you can smell the emotions in his scent he lets off, feel them even. He leans into you though and you know you did the right thing as his free hand rests on your back, large fingers spread out as he breathes you in. You don’t expect him to cry even though it would do him good, he’s too tense and out in the open to fully let go, but this, this you can offer him.

[alphajocklover]

So I just finished my 3rd year exams at university (hopefully I did well enough to make it into a 4th year and go for an Master's of science) and as soon as I get out near the crowd to celebrate a guy bumps into me and I broke my phone. I was ready to give him a piece of my mind until I saw he was pretty built, he must be on some university team for something. He felt awful apparently and he gave me his old phone as an apology. It came with this InstaJock app thing on it. I dunno what it is but I kinda wanna load it up...

Another instance of a jock giving someone a phone with InstaJock already downloaded on it. Another instance of someone doing something with InstaJock that doesn’t make any sense. I know it’s unprofessional to say something like this, but this is driving me crazy. Why would a jock give away their phone? If they wanted to turn you into a jock like them, they’d just send you the app! If they wanted to give you a new phone for real, they’d have wiped it before giving it to you. I guess it's possible they forgot, but InstaJock is super important to the users that get transformed into jocks. Even with how stupid jocks can be, I doubt they’d forget about the app that literally changed their life. So… why?

I’ve mentioned in some of my earlier Instajock posts that someone has been messing with people using this app. Using it in unconventional ways to mess with people, spreading false information about the app, and even making knock offs of the transformative app. My first thought was that it had to be The Master. Not the Doctor Who villain, to those who get that reference, but someone I introduced to you all in a recent post. He’s the creator of Instajock and the mastermind behind my Uncle’s transformation and kidnapping. He’s an incredibly powerful figure in the Transformation Community, even more than I’ve told you. Most people who know about transformations are scared to mention him, even other TF Reporters are, and most powerful people or groups who work with transformation either do business with him or stay out of his way. But… I don’t think he’s the one behind this. He likes to mess with people, play with his victims like whoever is behind this, but if he wanted to do that he could just add features to the actual InstaJock app. He had no reason to do things in such a roundabout way. Which makes me think… it’s someone else.

Whoever is doing this has an intimate knowledge of the app, so It has to be someone involved with InstaJock, someone besides The Master. Maybe someone who works for him? Even he couldn’t have programmed the entire app on his own and added in the magical elements without help. Plus he isn’t one for upkeep, so he’s probably having someone else run the site for him. They also have to be someone with a lot of nerve to mess with The Master, maybe someone who they’ve hurt personally. On top of all of that it’d also have to be someone the jocks would listen to. Maybe someone who worked on InstaJock that The Master fired, a former employee?

I can’t be sure of who's behind this yet, but I do know that whatever they’re trying to do with you isn’t good. When you press that app, you won’t just be turned into a jock like a regular InstaJock user. It has to be something… special. Something that would benefit, or would at least interest the person behind this. Maybe you’ll turn into a copy of the jock who gave you the phone, become their perfect twin? Maybe something else will happen entirely. I can’t be sure.

If it’s not too late, send me the phone immediately. I can put it somewhere safe, and I might be able to protect you from whoever's doing this. If it is too late… Well I hope you enjoy whatever happened. Being transformed against your will sucks, but being a jock can be fun, even if it isn’t your choice.

**3 stories in one day, all InstaJock? I must be on a roll! I hope you guys liked this one! There are still more mysteries and more transformations to discover! Stay tuned!**

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[synthshenanigans]

this is a fair bit older but i just remembered it existed so take this while i doodle stuff of the new song

chonny gaming

taken from this post v

funni markiplre funaf

[eustacedekolta]

preview of what i am workin on. . .. no you have not been violently transported back into 2014 but yes these ARE feastings pixel edits here's fig & baron cause they look the best so far TeeHee

[teakoodrawz]

" I'm a Psycho, loving it~ "

[marcsnuffy]

as the tumblr's resident snuffy expert I have to ask you what you think snuffy and lorenzo's actual legal relationship is (like did he take on the role of his guardian or is he technically more of a sponsor) and furthermore what you think their dynamic is like behind the scenes. like even if you accept the idea that snuffy is more of a father figure to lorenzo than an employer there's no way that this guy who was a homeless orphan until he was a teenager and the man who took him in *on the basis that he be athletically successful* have like. a normal unremarkable parent-child dynamic

Thanks for the question, sorry about the yapping

I'm torn on how to answer the legal relationship question. To me, it depends on how old you think Lorenzo is during the flashback. I always thought he was around 15-16, so I rarely consider an option where Snuffy isn't his legal guardian. However I could see some PIFA fuckery involved to avoid any legal trouble in the case he didn't have a legal guardian involved before becoming an adult legally.

Even then the process for getting gold teeth takes more than one day (all the visits you need to get your teeth properly checked for the procedure, the healing process takes months and more visits, etc) and he was near death so I'd like to think he was taken care/supervised of by Snuffy during that time (which is why Lorenzo's so attached to him). (the amount of care is up to interpretation bc it's hc territory anyway)

After that, when Lorenzo started playing football, *then* it's more of a sponsor/employer/advisor?/mentor? situation that occasionally bleeds into guardian-adopteé territory but never completely. I think they had something similar to how Ray Dark ended up dropping Kaiser at the BM dorms, except I think Snuffy directly had a hand in training/teaching Lorenzo before and still kept somewhat in contact during. I also like to think he got him a tutor or something, but this is more so I can sleep well at night. Snuffy IS the "what will you do when football's no longer an option" guy anyway so it's not unrealistic.

I need to add somewhere in this post that I believe/know in my heart that Snuffy picking up Lorenzo happened a bit after Mick died (months, maybe a year max) and specifically because of it. Comparing dead Mick & almost dying Lorenzo was super common when ch. 229 came out so I won't elaborate much on it, I just wanted to mention it.

Dynamics wise... There's too much going on for them to be in a normal boss and employee situation, Snuffy isn't fazed by Lorenzo's antics at all, Lorenzo goes up to Barou* to convince him to succeed Snuffy while also bringing up Snuffy's promise to Mick and also just everything about Lorenzo's reaction to Snuffy going back on his retirement, he literally told Barou he loved him & offered him a gold tooth. I don't think he says that to anyone yknow

*and by the way this interaction always stands out to me, since the timeline of events is not clear at all. all bc the fucking blue lock building is built like a prison and idk what time it is. I think Snuffy&Barou´s conversation happened at least some hours or a day after the Ubers introduction bit. During Lorenzo's backstory dump they're wearing pajamas but then Snuffy tells them it's time to train, so I assume it's the morning after that. Anyway I wonder if Snuffy just told him about it or if he directly asked him to talk to Barou. I feel like it's the former (given their reactions to Barou accepting Snuffy's deal) but the setup kinda makes it feel like the latter. whatever it was I think it's evidence for me to say that Snuffy trusts Lorenzo.

And I feel like there's nothing direct I can point to to say they're close enough to have a regular parent and child relationship. Still I feel like just by having Lorenzo be a NG11 and the fact that he enjoys football and doesn't scream cry and throw up when he loses or when he is inconvenienced (THE BAR IS ON HELL) makes me think Snuffy is mostly a positive influence on him. I like to think Snuffy does care a lot about him but he's the type of guy that shows it by meddling (kinda like Reo or younger Sae (who wasn't much of a meddler iirc. this makes sense in my mind)) and just isn't that visibly affectionate with anyone anymore.

More about the father and son thing. This is also headcanon territory I'm sorry. I don't think they, like, go out fishing as a bonding thing or anything like that. but I do think they don't go a week w/out talking bc I think Snuffy's a bit neurotic about how the people he cares about are doing because of reasons and Lorenzo loves talking people's ears off about everything and nothing. I think Lorenzo tried giving him an expensive gift with one of his first paychecks and mentioned "paying back his debt bit by bit" as a joke that wasn't really a joke and Snuffy's face twisted & he said something along the lines of Lorenzo not owing him anything and it was awkward between them for a while after that. I think its fucking WEIRD but they care abt each other and that's what matters

TL;DR: I think there had to be a point where Snuffy was his legal guardian or at least acted like it to some degree. In regards to their dynamic behind the scenes, that is not a father that is a grieving tutor-guardian-mentor-advisor-employer-professional football player and his renowned domesticated possum employee/adopteé who is soooooooo normal about worth.