#but too bad that's her name now

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[poorlemons]

decided to fill my oc Princeton with bugs, she's all about family, yknow?

[fishluring]

WP, how do you spend your time nowadays?

normal iterator things mostly

lore dump below!

@403-418 WP is a mostly normally functioning iterator, yes.

While the WP project was still in its planning phase it was decided by the ruling council of that time to bestow the honor of designing Winding Pathways in most of its entirety, structure and puppet, to an artist that had become extremely famous and influential. This was meant as a show of goodwill towards WPs future citizens, as there had been increasing complaints about the councils leadership. The Artist was well liked among the people, so they hoped it would make them feel more included and heard when it came to the new iterator project. The Artist being one of the top sponsors of the project certainly helped with that decision as well.

The Artist, in turn, took this as an opportunity to create her magnum opus. A (near) eternal monument that not even the cycle could change.

So, WP was built to be as labyrinthian as possible, to represent the struggle all life had to go through to escape the cycle and ascend, so the Artist claimed. How should an iterator find an answer if it could not experience the maze? The council couldn't really back out of the deal at that point, and the people seemed happy, so as long as the iterator still remained functional, they let it happen. There had been some major frustration among the construction crew, however.

WP is made up of hallways and chambers that change places and lead in nonsensical directions constantly, the lights are disorienting and it echoes in ways that makes you think someone else is calling to you from deeper in the structure. This doesn't really impact their ability to iterate. But sometimes some parts get lost, temporarily

[toxintouch]

yk how in veres likes on his character sheet it says he like cooking (badly)…… WHY HAS NO ONE DONE A FIC ABOUT THAT YET‼️⁉️⁉️ THAT SHOULD NOTTT BE A WASTED OPPORTUNITY. i’m not even joking im ab to send this to so many people because i can’t let this go to waste 😞

Here u are anon!  For the record, you are completely free to send this prompt around wherever you’d like!  It was such a fun idea, I’d love to see more takes on it. ^^

Warnings: Vere talking Innuendos? Innuendos.  So many, and I don’t guarantee that they are funny lol.  Just a general silly vibe and imo: absolutely  tooth rotting fluff.

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅SOUS CHEF ‧₊˚♡₊˚

You find yourself wandering through Lowtown during the lunch hour, trying to decide what sounds like a good meal.

Your mouth waters at the scents being carried on the breeze, a plethora of pleasant aromas wafting out of the eateries nestled inside the Amaryllis District, so fragrant that you can smell them all the way down on the bustling streets of Lowtown as long as you stay downwind.

However, if there’s one nice thing about knowing Leander it's that you also know you don’t have to go that far (or spend that much) for a delicious lunch. 

Near enough to the Wet Wick, there’s a series of side streets that make up an eclectic amalgamation of Lowtown and the Amaryllis District, and in it: a small and inconspicuous eatery.  The menu changes often, though you aren’t sure if that’s out of innovation or necessity, but the food is always filling and reasonably priced.

You follow the winding streets, getting lost for a brief moment before correcting your course, traveling until you see colorful chipped girih tiles and wide, clean windows.  You let yourself into the shop, the now familiar sound of hinges in need of an oiling welcoming you.  

There’s an assortment of goods on display–jars of honey and spiced fruit and loaves of braided bread with seeds–all kept safely locked away beneath an enchanted pane of glass.

Looking around, though, you don’t see anyone selling said fantastic wares.

You call out, expecting the shop keep or her wife to come running but instead you hear…silence.

Followed by a loud metallic clatter.

You freeze, unsure what to do, what the threat is–if there’s even a threat?–but before you can make up your mind, you’re greeted by a most unexpected sight.

Vere comes out of the kitchen area, his hair swept into an artfully stunning up-do that reveals the long line of his neck and clavicle, blemished only by the heavy collar locked around his throat. 

He’s wearing a weighty linen apron over his clothing, presumably to protect his outfit, though–his long gossamer sleeves are completely discordant with the notion, making you think that maybe the apron is more of an aesthetic choice.

“What’s this–?  A mouse?  In my kitchen?” Vere asks playfully as you continue to stare, dumbfounded.  He wields a spatula in his hand like a weapon–swatching it into his off-hand like a riding crop with a decisive snap.

“Where is–?”

“–The shop keep?  Wherever she pleases–the shop’s closed on Mondays.”

(You really don’t like the way he’s watching you…  Or the way he keeps inching closer…)

You take a step backwards, your eyes never leaving his.  “Oh,” you say, bandaged hands reaching blindly behind you.  “I didn’t realize.  The door was unlocked, so…”  You trail off.

You find the doorknob at last.  You attempt to turn it only to find that it won’t budge.

“Was it?”

Vere saunters up to you, tail swaying behind him.  You manage to tear your eyes away from his predator stare to search for possible exits, though you know for a fact you won’t be fast enough.   You look back and he’s already in your space, crowding you against the entryway.

(He smells really good, actually.  Like leather and spice and the subtle cling of perfume and incense.  And beneath that, something–earthy–animalistic, but in a way that’s intoxicating as opposed to unpleasant.)

“I was just about to make myself a snack–how nice that a snack came to me.”

“Stop playing around.” You try to steel yourself and inject the perfect amount of scolding into your voice while combating his heated stare.  “I know you’re just fucking with me to try and get a reaction; you and I both know you’re not going to eat me.” 

If he was, he would have done it by now.  Sometime within the weeks you’ve known him.  …Probably. 

Unless he just likes to play with his food.

“I didn’t realize you knew me so well,”  he says, looking amused.  “Perhaps I didn’t plan to, but now I simply can’t resist.  You look so absolutely delectable, how could I possibly contain myself?”

You don’t get the chance to reply.  Vere’s countenance changes suddenly–you watch his ears flatten a second before you hear the screaming whistle of a teapot.  His ears twitch in annoyance at the sound, his perfectly sculpted face showing a sour sneer.  He gives you a sideways glance, calculating.

“Then again.  I find myself in need of a sous chef.  Congratulations on your promotion.  Come along now.”  He hooks a finger into your cloak and pulls you easily into the kitchen.  (To be fair, you don’t struggle.  Anyone would want to see where this is going, right?)

He releases you once you’ve crossed over the threshold, waving his fingers uncaringly towards a second apron affixed to a hook on the wall as he beelines to remove a glass teapot from the stove and stifle the noise.  He moves quickly as you watch, casually throwing aside the spatula in his hand in favor of an ornate silver teaspoon.  He measures a vibrantly colored tea into the inlaid steeping container of the equally ornate teapot and takes a pleased inhale as the tea’s fragrance blooms, humming as he flips over a delicate hourglass to keep track of the steeping time.

There’s silence for a moment–

Him watching the teapot and you watching him.

“Well?”  He asks, without looking up.  You’ve seen this look before, you think – this pensive, almost lonesome look that makes your heart ache against all better judgment.  “Staying or going?”

He grins when you put on the apron.  You search his face for some sincerity, but he’s all sharp teeth and tall ears, covering any glimpses of deeper emotion with a sheen of smugness.  He circles you once you have the apron on, taking in the image.

“Mm, don’t you just look adorable.  Very domesticated.”

You’re pretty sure that the word he’s looking for is domestic. But of course, he knows what he said and he meant to say it.  You decide that he’s probably betting on your correction, already armed with a witty retort.  You smooth the apron down while pointedly looking away, deciding that you won’t give him the satisfaction.  You hear him chuckle.

Since you’re avoiding looking at Vere, you look around the kitchen for the first time.

It’s a spacious workspace–moreso than the storefront, even.  There’s a large iron stove unlike anything you’ve ever seen, covered with magical runes and dials, with a large hearth built into the belly of it.  A plethora of pots and pans have been placed on the burners, left to sizzle and pop in the red hot heat.  

Oil is singing from the heated, shallow basins but you don’t see anything cooking inside.  

There’s a slab of meat diced into neat squares and a heaping bowl of lumpy batter set to the side of the stove top.

“What are you making?”  You ask, trying to make sense of the scene.

“Panko crusted fish filet.  And there’s a pasta in the oven.  For dessert, I was thinking–” he gives you a sly look, one that makes your ears feel warm, “hmm, well.  I just had a much better idea in regards to dessert.”  He makes a show of licking his fangs, the movements of his tongue slow and sensual.

You think you tied your apron too tight; your airway is feeling a little constricted.  It seems to be getting worse the longer you watch.

You clear your throat, tearing your eyes away.  More ingredients, most partially prepared, and a host of dirtied pots and pans greet you.  You turn your back to him as you explore, fully engrossed in all of the views that the mess of a kitchen has to offer.  You’re almost afraid to ask: “So, what am I here to help with?”

“Oh?”  You don’t hear Vere come up next to you, but you feel him brushing up against you.  “Does my darling sous chef require…instruction?  A guiding hand, so to speak?”  You freeze, feeling his breath against your ear, shivers running down your spine at his light and teasing chuckle.

But then he’s breezing past you, making a wide dramatic gesture toward the large tome perched surreptitiously on the counter.  “Lucky for you, I’ve a recipe.”  His tail wags swishes elegantly behind him as he beams with pride.

His tail knocks the whisk out of the mystery batter beside the fish filet but he takes no notice.

Vere hops gracefully up onto the counter, reaching for the batter.  He does an impressive twist in order to grab hold of another whisk and you take the time to appreciate that.  Then, with Vere occupied and seemingly ignoring you, you take a look at the recipe book.  

The text is old and withered with the occasional dash of sprawling spidery script painting the margins.  (Said writing is utterly illegible–you’re actually not sure if it’s in a language you can read, though if you squint you think you can see something that looks like the word ‘cake’.)  The page it’s opened to is ripped in half, rendering precious steps of the recipe lost to time.  You spot a mysterious bite mark piercing through the corner of the leather cover.

And can’t stop yourself from surreptitiously glancing over at Vere.  He’s moved on from the batter (which looks as lumpy as it did a minute ago) and is now eating skewers of raw fish with his nails.

“You’re not supposed to eat while you cook,” you say, the time worn words out of your mouth before you can examine your personal stance on them.

“Says who?  Some limp dick?  No shame in indulging, pet.”

“You’re not even gonna have anything left to cook,” you warn.

“Hum, sounds like my sous chef should get to work covering them in batter instead of just standing there before I eat them all.”

You roll your eyes, but follow through with instructions.  The space is unfamiliar and your movements are slow and unsure with Vere looming over you from his perch on high, watching.

One of the pans of oil gives an ominous pop.  “Hmm, sounds like it’s hot enough,” says Vere.  “Move over.”

“Is that safe?”

“For me,” Vere says simply.  “And it’s faster.  Now stand further back or you'll get splattered–and not in the fun way.”  Idly, he tosses a batter covered filet into the shallow pan.  The resulting hiss makes you both cringe.

As if on queue, the hourglass for the tea gives a gentle chime, lighting up with a golden glow.  (You’re beginning to wonder how this humble shop can afford all these magical items, but then again this is the city of secrets.  You’re probably better off not knowing.)  Vere’s ears perk up, pleased.  He tosses the remaining fillets in the pan without a fuss, setting lids on top of each to contain the oil, acting as if doing so is going to stop any potential disaster.

Main course forgotten, he moves on to digging something out from inside one of the many cupboards.  “Be a dear and cut this for me, will you?”  He hands you a delicate peach before heading to the tea pot, stirring the contents and adding what must be a priceless amount of honey.

The peach in your hand is overripe but still vibrant–amazing, as you haven’t seen fresh fruit at all since you came to Eridia.  Your mouth waters anew as you remember what led you here in the first place–your quest for a meal–and you’re almost tempted to take a bite, follow Vere’s advice and sink your teeth in.

“My, my.  I’m almost jealous.  I thought you only looked at me like that.”

Vere shushes the denial from your lips, bossing you around regarding how he wants the peach sliced before shooing you out of his way and finishing his remaining tea preparations,with the look of an artist at work.  The tea is a warm oolong color, made only more alluring once the infusion of peach is complete.

It’s refreshing, too, once Vere serves it to you over ice.

You can almost ignore the great plumes of smoke coming from the oven.

Vere cooks how others might enjoy a leisurely stroll. 

Which is to say, he seems to be having fun, but you’re not convinced he intends on really going anywhere.  Still, there’s a rhythm to it–a dance, though he leads you in expected loops and turns, changes the tune at a moment's notice.  He’ll get bored of the task at hand and find some new spice to peruse, demand you taste test an ingredient or give your opinion on a dizzying new flavor he’s concocted.

(He manages to convince you to sample a bit of cucumber soup from the cold box.  You retch, proclaiming it salty, downing another glass of delicious peach oolong–

“I can still taste it in the back of my throat…!”–and he cackles wildly.)

Thick locks of hair are falling out of his up-do by the time he’s satisfied, framing his face and bringing your attention, again to the inviting line of his clavicle.  He tosses his loose hair over his shoulder, preening.

The recipe book is basically ruined, and the pasta is null and void, but some of the fillets look mildly edible.  The artful garnish is beautiful, at least.  The kale and orange slices really bring out the crispy burnt bits.  Vere seems to enjoy plating the food a great deal, humming and rearranging and circling the display until he deems it arranged to perfection.

He’s elegant when he takes a bite, biting down with a crunch.  His tail goes very still for a moment, then shivers microscopically as he chews.  He swallows in a manner that you can only describe as dignified, dabbing his lips with a napkin.  You wait in anticipation, but Vere says nothing for a long time.  Then, he quietly takes the old recipe book and throws it away.

Thankfully, he doesn’t insist on you trying it too.

You end up snacking on some of the pre-made goods, drinking the remaining tea and lounging at one of the shop’s cozy little tables.  The mood is light and easy, and the view is magnificent.  Outside, there’s nothing but trash littered streets and urchins, but inside…the afternoon glow coming from the window illuminates Vere like a sunset, painting him in dazzling shades of gold and red and bronze.

Vere hums, peering at you pointedly through his sooty lashes.  “So, dessert?”

You can’t imagine the look that comes across your face–whatever it is, it makes Vere laugh.

“What are you giving me that look for?  My intentions are pure.” His voice is a masterclass in syrupy false-innocence.  “As clean as Leander’s bed sheets after–”

“Please don’t finish that sentence and give me any mental images,” you beg.  “I have to sleep there tonight, I’d rather not know.”

“Ignorance is bliss.”  Vere agrees, closing his eyes and appearing to bask in the sun for a moment.  His face does something that you don’t quite catch–some hidden expression–but then, he’s smiling easily.  He must really be relaxed if he can still smile seconds after thinking about Leander.  You’re still admiring him when the shadows against the walls flicker, and suddenly he isn’t sitting next to you any more.

Instead, he’s returning from the kitchen, a tray in hand.

He sets it down in front of you, revealing an assortment of strawberries and an ornate silver porringer of what appears to be melted chocolate.  Vere sets it down on the table, plucking the small dessert spoon from the chocolate once he’s seated across from you again.

“Occasionally, life does offer up something sweet to savor–only for those willing to go out and take it.”  His tongue darts out to lick the chocolate off the spoon in his hand.  He maintains eye contact as his tongue laves across the basin and–embarrassingly–you think you get a little lightheaded from the intensity with which your blood rushes to your face.  The crinkles at the corners of his eyes tell you that he know exactly where your mind has gone.

Setting the spoon down, Vere instead picks up a bare strawberry, leaning in closer to press it gently to your mouth.

The chocolate is overly bitter–a little burnt, perhaps, but you can’t find it in yourself to care when you’re tasting the remnants of it on Vere’s lips.

(Before leaving, you plop a few coins down on the counter as payment.  You brought enough to cover your food…but definitely not enough to cover the mess in the kitchen.  There’s really nothing you can do about that.  

You hope you don’t get blacklisted.  You’d like to come back next Monday.)

Hope you enjoyed if you made it this far! ⸜(｡˃ ᵕ ˂ )⸝♡

[circusk]

episode where vicky comes back and tries to weasel her way into a cut of the dimmadome fortune, dale is seemingly letting her do whatever she wants and is just Very Off the whole time

ohhhh show writers!!!!! you can steal any of my ideas pspspspspsps

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[pokemon-radical-red]

I hate it when I headcanon a character who’s canonically a girl as a trans man and make ships of him and a character who’s canonically a guy and I refer to it as a gay/mlm/guyxguy/whatever ship and someone gets mad. Like omg let trans people have FUNNNNN. Why are queer headcanons and genderbends cool until they’re saying that the character is trans???

“OMGGG you’re so misogynistic I can’t believe you would erase FEMALE representation!!!”

and like half of the characters in the franchise are women, and a total of… NONE of the characters are trans men. Also, my headcanon doesn’t change the source material. If my stuff upsets you, you can block me and go engage with the source or maybe every single other fanwork, since mine is the only trans man hc for this character that I’ve ever seen.

or when people are like “WTF??? this is so transphobic!!! how dare you imply that a character who looks like that could be a trans man?!?! do you think that trans men are women or something??? she uses she/her, and you’re misgendering her!”

No, I don’t think that being a trans man makes you a woman or vice versa. That’s why it’s a headcanon, and the headcanon is that this character is actually a trans man and not a woman at all! You’ll never guess what pronouns most trans men had to use at some point in their lives, and you really won’t like it when you find out about pre-(or no-)transition trans men… or trans men who are in the closet… or trans men who don’t know that they’re trans yet.

“But the character is a kid!!! Saying they’re trans is sexualizing them.”

I’ve seen this one from other queer people. Like did you miss when all of the homophobes said this about your identity, or do you think that bigotry is only bad when it’s directed at you?

“Why would you say ‘testosterone could fix her’??? Are you trying to call her a delusional woman?”

Why would your brain even go to that first? This literally has to be a bad faith reading, because there’s no way that someone could see what I said and get this unless they were specifically looking for something to be mad at me for.

(Note for anyone unaware: “Estrogen would’ve fixed him!” was a meme going around at the time I said this. I’m not sure if it’s still super big, but this was a joke to the effect of that.)

“So girls can’t be tomboys anymore? You just wanna trans everyone?”

This is like actual real life transphobic rhetoric. This isn’t even just shitting on my headcanon, but in fact, sending transphobic hate to a trans man. Thanks 👍. Maybe you should go send JK Rowling another message about how much you loved her essay instead of bothering me.

[blue-eli]

Skuld in quantum design :)

[thereaderinsertlady]

I love my sweet boys that I made up completely in my head

[thaliajoy-blog]

Rereading the Dany part of AGOT exclusively has led me to yet unforeseen places of discomfort like the whole Dany & Mirri Maz Duur story even surface level is very tragic & I'm obsessed by what is there what is underneath the surface and what could be in that dynamic (maybe I'll get into it another day) but the tenth Dany pov chapter in the novel is harrowing before the pyre starts because you see the contrast between how Mirri and Drogo are treated and it's distressing. Mirri is tied to a the pyre and whiped so she stops talking. Drogo is washed and clothed lovingly by Daenerys, she even speaks to him, apologizes to him, feels fondly about him, tries to give him a real king's funeral. But it makes sense, tragic sense. Mirri put Dany in an incredibly miserable & and vulnerable place. She murders Drogo & Rhaego. She is more than Dany's ennemy but Dany is not in a position that would make her want to forgive those actions, even based Mirri's trauma that Dany knows all too well about. So it's this fucked up thing where the birth of the dragon is preceded by an hommage by Dany to a man who is very obviously monstrous in GRRM's writing - Mirri murdered a child out of vengeance, but Drogo lead the killing, traumatizing & enslavement of many more children simply because it was in his power. And Dany loves him (and even names a dragon after her - I'm sorry Drogon there's that aside from the fact that your name is pretty stupid my sweet baby), a frightened love born out of the need to not just die from her awful situation as the teenage bride of a warlord. I'm thinking about how like Irri & Jhiqui still see themselves as slaves despite everything Dany does to delegitimize slavery ; in her continued fondness towards Drogo Dany kind of refuses to see her chains and her past victimization.

And it all comes back to Mirri, this monstrous victim, this wise demon, the maegi, the magic teacher, the one who cannot be forgiven. Tied to the pyre. Unwilling witness to Dany's marriage with the fire. This benefits us all to wonder & mourn and ponder about how complex & mindfucked GRRM made this situation (and I kind of love it as it is) rather than to designate one victim & one abuser and rant about how the fandom at large doesn't realize how really innocent one is and how really evil the other is.

Surge of thought on mirri lately brought to you by my obsession with Epic the Musical and how the Horse & the Infant, Just a Man and Ruthlessness kinda fit her I think.

[mel-loly]

-“Ties and a Unique Love”..

[m4ggotm0ld]

Natlan is literally the worst thing Hoyoverse has ever created, and for so many reasons, but they somehow made it worse by k!lling off the only good character from it

[buglaur]

calloway family reunion ✧

[praxidikegal]

So in this AU, where Snow decided to fight against the Capitol. How did that happen? What happened to him that had him go "Wait...maybe this isn't the way to go. We should leave for now."

I'm so sorry for not answering sooner.

You see, in this au the ending never happened, Coryo never lied and Lucy Gray accepted him yada yada they travelled and ended up in 13. When they were found they presented themselves to 13 as runaways (himself a trained peacekeeper assigned to district 12 from district 2) Though, they were relatively safe and stable and he was able to climb to power and took back what was "stolen" from his family, Coryo does not want to stay down there forever. He hates the lack of opulence, luxury and life. He also holds a grudge against the Capitol for his "downfall".

In 13, he holds a different name along with Lucy Gray and he wants his name back and his family name's old glory back and of course he wants to get back to Tigris and Grandma'am (tho, grandma'am croaked before they meet again). He hates that he is in hiding, he hates that he is hidden and as president there, He cares little about the people in 13 but Lucy Gray does so he does his best to make the place better for her and his kids (of course himself, he is ambitious and wants some kind of privilege no matter how small in 13) so he's in semi-in contact with the rebels and the Capitol themselves, exchanging goods with them and accepts refugees due to 13's little supplies and population. Then the pox outbreak happens and it was when his son, Orpheus Sage, almost died that he can no longer bear it and so he had 13 join the rebellion fully. After the war was won, he was elected as president of Panem (and all the things it entails) and moved his family to the Capitol.

I hope this sound coherent and not a bumbling mess

Aidoneus Thorne, president of district 13 A.K.A. Coriolanus I'm-only-nice-to-my-family-Snow.

[ducktracy]

i drew this in 2022 but never posted it for some reason. quick scribbly redraws of characters from Eliza Past... reference drawings are from when i was about 15 and 12 respectively. i liked cats

..................and still do since my girl Tyson is also technically a cat. slowly breaking the mold of how i draw my cat characters

[stari-hun]

Yeah I mean like sure Forget me not could always end up switching sides to Vertin’s team one day like Druvis and other manus personnel have but Carbuncle Jr’s funniness and evil aura are the best parts of him. If you have him a redemption arc unless he became a cry baby or sumn as intense you’d be ridding him of all seasonings

Yk the funniest part with that too? Like not EVERYONE hated him. He’s SO annoying with his menacing when you read the side content because he’s like SIGNIFICANTLY less unfortunate than some of the people in the game and they never even considered turning evil. Not that I’m down playing the divine right of a person to go apeshit over years of piled in discrimination but like the evil to backstory misfortune ratio is kindaaaaa funny.