#but to me its important to have fun with drawing

[dracophile]

So, I think this is a FANTASTIC theory on a lot of levels and very likely in a lot of ways. But I will also say the sin of sloth isn't just laziness. The best way I can describe it is a combination of executive dysfunction stemming from fear and a loss of purpose of self. Yeah, didn't make sense when my teacher tried explaining it either, so let me elaborate as he (a monk at a less strict, open denomination catholic college with a thriving queer alliance. Yeah, I know. It was a class looking at religion in popular old novels like paradise lost and Dante's Inferno).

Most people think of sloth like they're lazy. They slow moving, take no initiative, living in a mess because they won't clean up, hate working, etc. Ask them to do something and they either outright ignore you or act like your causing them physical pain. And that is one side of sloth, but there is another, harsher side. And that is lack of motivation inside, or the wrong motivation.

He gave us an example of someone who is overconfident in themselves and what they've already accomplished, like a boss or manager who rose through the ranks and was once a model employee now just sitting in their office and pushing work onto their subordinates, even work they were supposed to do. They still put in "work" to seem like they're doing what they're supposed to be doing, and kiss up to their own bosses , and is out doing stuff so they're not just some couch potato. They just put in the work doing "fun" stuff to avoid doing the hard work, or taking the easiest route. It's self absorption--how to make your life easiest for you, uncaring of others. Sounds a lot like pride, yeah, but it's more about taking the easy road or easy way out than putting in any actual work anymore or doing a good job.

It could also be someone who may know they're wrong, or may know they're right, but they won't put in the work to prove it out of fear. The example there was someone who got really into art. Loved drawing and painting and thought they were really good. But then someone criticized them or they lost a competition and now they are too scared to to keep going. So they turn away and look for something easier to do. An abandonment of self, he called it. Again, looking for an easier road to a positive than dealing with the negative. Sometimes it just causes a gridlock and people end up not wanting to do anything, just kind of being pushed and pulled around with no self motivation.

In Christian Speak (the monk's actual words), Self-abandonment is "Becoming so caught up in fear that we walk away from the things our heart truly desires and bypass opportunities. This is important to fight against because abandonment of our hearts’ desires impacts the way that we view God. God has placed in each of us an identity and purpose. The moment we start letting those things go, we move away from God and find ourselves in darkness.

Self absorption is falling into these bad habits of avoiding work, this darkness, by believing the bare minimum effort is enough. In this place, we are not walking in thanksgiving for the life God gave us, nor are we truly trying to find our way back."

Many doctors put in the work to become a doctor not to help people, but because they saw it as a way to make money and live a good life. Or maybe it started out with good intentions, but they got tired of the long work hours and exhausting stuff they have to deal with. So once they think they've seen it all, they just diagnose after one visit. They don't listen beyond one point, they just assume its X, prescribe something, and go on to the next thing to get their day done.

Same with cops. Some cops do the bare minimum or take the easy way to try and get the accolades they want. Planting stuff, lying, refusing to look for other suspects because they're sure this one guy is the culprit so why put in more work?

I think this might be part of why they're there as well, but I think you are also right that Belphegor is maybe giving them more energy by sleeping for them. It'd be a fitting punishment that those looking to do easier work have to constantly work after all.

Ok- listen to me on this one.

I find it surprising how the authorities arresting I.M.P. were from the sloth ring (the candles). Considering the fact that sloth = lazy. I’d expect the authorities to be from the wrath or even envy ring.

What if- and this is just a theory..

What if, Belphegor is always sleepy because she sleeps for the sinners and inhabitants of the sloth ring.

Belphegor is a sheep. When you can’t sleep, what do you do? You try to count sheep to try and get some sleep. Maybe, what Belphegor does is to help her subjects, she helps sleep for them and in return her subjects aren’t ever sleepy and always energised to do their work. All the energy she gains from sleeping, she gives it to her people so they dont require to sleep. But of course, this takes a toll on her because now she’s always sleepy.

I know, not alot of proof to go around this theory. But look at this guy,

He looks like some kind of anger therapist for Satan. He’s definitely from the sloth ring (the candle). And look back in S2 E4,

The guys are also from the sloth ring (the candles). Seems like all medicine/drugs comes from the sloth ring. And for a ring where you’re supposed to be demotivated or lazy, they do ALOT of work. From careers such as a therapist or an officer, these jobs require ALOT of energy. Some even time consuming.

And Belphegor seems to sleep ALOT compare to her own sinners/inhabitants in sloth. Thats why it got me thinking, how can her own people do all these jobs and yet Belphegor herself cant get through a trial without falling in and out of sleep? It makes you ponder.. why would she do that to herself?

Maybe because, her ring is at the lowest in the hierarchy. Its isn’t the most deadliest sin like pride or wrath. I also think she fears her ring might fall behind the other rings because her people will be too lazy to get anything done. So to avoid any mockery from the other Deadly Sins, she decides to give them energy by sleeping for them. It doesn’t matter is she’s oversleeping or not present when a meeting is being held, as long as her ring is prosperous, she’s sleeping peacefully.

I feel like the downside to all this is that, the sloth ring is ALWAYS awake. Nobody sleeps which means sinners and inhabitants are always finding something to do. Which is why her ring ends up being the ring with the best medicine/drugs, hospitals and maybe even security service.

[agirlwithglam]

☆ it girl journalling tips ☆ part 1

TIPS TO REMAIN CONSISTENT AND GET MAXIMUM BENEFIT:

TIP 1: dont follow the “pretty journalling trends" ... unless you know that it’s gonna benefit you in some way and you’ll actually stay consistent.

You know the ones im talking about. The ones with the aesthetically pleasing habit trackers and sleep trackers and water trackers. Those ones. Before you do them, save yourself the time and energy and firstly ask yourself:

If it’s a habit tracker you want: am i looking to develop new good habits? - Is there another easier and prettier way i can do this?(maybe online) - Will i stick with this format everyday? - Am i ready to draw this whole thing out?(except if you’re printing it or its already there, then skip that)

If it’s a water tracker you want: do i need to hydrate myself more and drink more water? - Is there an easier way i can do this? Etc etc.

If it’s a sleep tracker you want: do I need to/ want to fix my sleep schedule? - Do i need to check the best way i can sleep so i have a lot of energy the next day? Etc etc.

And so on. Me personally for example, I’ve decided to start a sleep tracker to figure out a) what time is best for me to sleep, b) what time is best for me to wake up, and c) how many hours of sleep should i get so i can get more energy the next day. This is all so that i wake up feeling less tired and more energised. (Sure you can take tests/ quizzes online on this, but experimentation is the best and also the most funnest.)

TIP 2: have a good and solid WHY

if you're just doing it for the aesthetics, sure it will be fun at first but then the hype will die down and you'll get bored and just quit. thats why its important to journal about something that actually means something to you. don't force yourself to follow what someone else is doing because something that they are trying to achieve and understand about themselves may not be the same as you.

if you know that you have quite a negative mindset, then everyday make the habit of writing down 3 things that happened that you're grateful for in your day!

if you want to get to know yourself better on a deeper level, search up shadow questions and write them out to answer in your journal!

TIP 3: romanticise it!

omg there is NO better way to get the full main character, it girl feel than romanticising it!! it can feel so good and sometimes literally gives me this tingly sensation!!! here are some tips to romanticise it:

light candles

play some music

soft, ambient, cozy lighting

hot chocolate / coffee

late nights

snacks / cookies

cute stationary- pens, notebook

hoodies

getting cozy (can be in bed!)

[wachtelspinat]

do you have any advice, resources or practices you recommend for making your art more expressive? I adore how you push expressions and body language, and the way it keeps its weight is phenomenal! I wanna learn how to do that, too!

hey thank you so much <3

one of the most important things that i've learned on my way and that i've kept in my mind ever since is what makani states in [this post] sometimes i go into a drawing and just try to construct it bit by bit, only to realize that the eyes don't fit the mouth etc... then i remember to treat it all as ONE expression and (second very important lesson incoming) i erase everything and start anew (i know it feels bad to just delete a sketch of a head (you don't have to delete it right away, you can always just take another layer) but believe me it not only saves you tons of time, you also learn more when you just start over from scratch. the thing i do is as follows, i keep the bad sketch open and try to figure out what i don't like about it, and put extra focus in those areas in the new sketch. like i think the eyes were too dull in the first try? the solution is to draw them open even wider, turn up that expression a nodge, try to "bend" it). i know this sounds exhausting, you might think isn't it easier to just try to fix the first sketch? i thought so too for many years, but believe me, if you don't like it, start a new one. you will always be amazed on how good it can turn out (and, as said before, the benefit of analyzing your own art and trying to figure out what went wrong and fixing it in a new attempt is HUGE.)

third thought on this is "don't be afraid to push the boundaries". like i grew up being a huge ren & stimpy fan as a kid, i love classic cartoons, i love exagerated expressions so much, eyes popping out, sweat drops flying around, over the top visualisation of feelings. that's my shit (pizza tower i'm looking at you). then on the other hand i also love things feeling palpable and real, hence the weird mix of my style i guess... what i want to say is: don't be afraid to push your expressions a bit. not only is it fun, with the right balance it really adds to it all (in regards of body language and facial expressions likewise).

and last but not least, so important: use references. i often take photos of myself doing weird gestures just to see how the mouth or the eyes would look like for a specific expression, how the nose wrinkles, how the shoulder come up when trying to visualize that someone is tense etc etc. use ref, please, not only photos but also drawings, try to figure out how other artists translate certain gestures in their art, how can you stylize this (everything ofc without copying directly from them... like for personal practice everything is cool and chill, but respect the rules of the artist community)

it is hard to pinpoint down how everything we do in our art lives comes down to what we draw at the end of the day, like everything i post, how it looks, is the result of almost 2 decades of drawing with a purpose, but i hope this helps a bit.

[impactrueno]

Do you have any advice for small artists who want to grow an audience on social media? If so, what's a good platform for it?

man, i really don't know how helpful i can be about this. i very rarely post with that much intent, i just do whatever i want and i'm stupid lucky that people happen to enjoy that. so there's that, and also the fact that i grew my audience organically years ago, before we entered the dark age of social media. so whatever i did then, might not work now. (plus i literally don't even know what i did)

if you're an artist, social media platforms all suck right now. period. so really, just spread out. be on all of them if you can until one of the algorithms picks you up because unfortunately this stuff is luck based at this point. ok well not entirely luck based, obviously each platform has its own tricks to working the algorithm to your favor, but THAT, i have no clue about, i'm sorry. i don't understand the algorithms so i just never bother, feels like it only gets worse with time.

what i do know is that finding your niche will help you a lot with growing an audience. i'm gonna review my own experience as an example and share some stuff i picked up on along the way.

fanart helps a lot, especially at the beginning. but make fanart of stuff you're actually passionate about, not stuff just for clout. from my experience, i noticed that people can always tell when something was done with love, and judging by the comments i get, that's a pretty big thing that draws people to my art. there's always someone telling me "i don't even know anything about (insert franchise i'm fixated on) but your art and enthusiasm is making me want to check it out" so it's not really like your audience has to be compromised of nothing but fans of the thing you're drawing! it probably will be at the beginning though, just keep at it.

once you have a small audience and you feel like branching out, you might want to consider what the bulk of your audience is into because this is how you're gonna find your niche. in my case for example: a lot of my following came from my simpsons fanart randomly blowing up on social media. people who enjoy the simpsons usually also enjoy other 90s cartoons, so when my focus shifted to hey arnold, people loved it and it drew in even more fans of 90s cartoons. so the large majority of my audience comes from those two fandoms. every now and then though, i make fanart of other stuff i really love but i don't have the audience for it, whatsoever. like whenever i draw persona/megaten or zelda or pokemon, despite these franchises being incredibly popular, it's always flop city for me. because there's not enough overlap between those and my 90s cartoon oriented following. it's just not what people expect from me, and it's not that they hate it, but that fanart is gonna have a really hard time reaching its target audience unless you get lucky. but you know what did blow up recently? my beetlejuice fanart! and the pattern is there once more: 90s cartoons and millennials reminiscing about the show or the movie. this is my niche. it's pretty much the same for every fanartist you'll see on social media.

so again, finding your niche is key if you want to grow an audience.

also participate in the community! i never actually do this, i'm a hermit lol, but i've seen it works great for others. do art challenges, memes or trends (if it's fun to you, because again, being genuine is important.) socialize with other artists, join discord servers, make friends. engage with your own audience. be fun to interact with! make funny stuff! but also don't force it, trust me, forcing humor just repels people. this isn't even artist advice anymore, it's a charisma lesson. and i hate that this is necessary but you'll probably notice that artists with large followings usually also have "personality." and when i say "personality" i mean this is literally what google defines me as. NOT ARTIST??? HELLO??? 😭

this kinda sucks (if you're an introvert like me) but it's the reality for a lot of artists on social media these days. you have to also be an influencer, and honestly, who the fuck even knows how to do that? the most random shit gets popular and you have very little control over the algorithm. even more so these days.

this is why i'm not sure if i can be of any help. being an artist on social media right now is hell. i genuinely have no clue how a small artist would even make it through all the slop we're being inundated with every day. it just didn't used to be like this. :(

but i hope me sharing my experience can offer a little insight into how to cultivate an audience!?1????! despite feeling like i'm clueless about this stuff. i feel like i should know more about this. but that's all i got lol

[tales-from-drama-school]

I HAVE BEEN WAITING WEEKS TO POST THIS

But punko made us promise not to spoil, so I didn't

I present to you...the keys family portrait!!! More content under the cut <3

I know ex libris wouldn't have anything like this but it's kind of fun to imagine if they did. Like look at them

They're sitting on bookmarks

Back: Ambrose, Bronze, Cerulean, Goldie, Nox, Garnet, Sparaxis

Front: Platinum, Ivy, Silver, Violet, Greywen

(from left to right btw)

My story roles are roughly based on Carl Jung's theory of the 12 story archetypes. I know I'm going to have to redraw this at some point when we meet the rest of the keys bc Punko will do it differently but that's a later me problem

Of course we have our faves, Goldie, Bronze and Silver. Who are the Hero, helper and heroine respectively

In the archetypes, Hero is self explanatory, but Helper is equivalent to the 'caregiver' role, and the 'Heroine' is just an aspect of the hero. But I think the 'Heroine' role could replace the 'everyman' role. So there's that.

NOX AND VIOLET EVERYBODY!!!!!

I actually think Nox suits him so well, although I still think of him as Buddy most of the time

The 'villain' and 'villainess' don't really exist in the archetypes, although there is a role called the 'outlaw', which I expect would kind of be an antagonist. But because of what we know of them so far, Nox (Buddy) replaces the 'explorer'. Not that this is very important

Sorry the picture turned out so big!!! This is Cerulean. I invented him for my fic Darcy Forenski and the Summer She Was a Wizard and he's the mentor key, which is the 'sage' role. They're the same thing. It's why he has a beard :D

This is Garnet, the ruler key. We've seen an arm of a red key in the episode 'dreams by day', so I just drew the rest of him lol

This is Sparaxis, the trickster key. In Cinderella boy, there's a 'thief' key that's mentioned, and in the 12 story roles there's a 'jester' key. Because Buddy (Nox) was the black colour I kind of ran out of ideas to make them look more like a thief, so I just made them a trickster with a jester hat.

Also the name sparaxis comes from an orange-coloured flower

This is Greywen, the creator/inventor key. What role does this allow you to access? Mad scientist. Artists. People that set the plot in motion. (she kind of ended up looking a little bit like prunella. Oops)

This is Ivy, the magician key. I did not draw her very well. But we also saw her in 'Dreams by day' in Silver's dream, and I thought the wings fit well with the magic idea.

This is Ambrose, the lover key. I know, I know! Its been said that there is no 'love interest' key, but that doesn't mean there can't be a 'lover' key. I mean, I guess he could be the thief key but that would just make him Hermes

Like, the literal greek god

anyway

Last, but certainly not least, we have Platinum. The innocent/the shadow.

This role is kind of hard to explain because in the 12 roles theory there's a role called the 'innocent', which is like the doomed innocent. The things that are good in the world. But there are a lot of roles that don't quite fit if you put all 12 keys in a story, and also because the keys are people I don't think she would be this perfect little girl all the time, even though she might look it. That's why I called her the shadow. I think this one is the least likely to be part of canon but it's what made the most sense to me

Anyway have some extra drawings of cerulean because he's my boy and I love him

[homestuckreplay]

In Another Timeline, I Found A Good Title For This Post

(page 1196-1219; timeline theories)

The pacing of this intermission is kind of unbelievable – double digit pages for the past five days in a row. With that, all four members of the Midnight Crew have been introduced, so I’ve put together this quick table showing some of the patterns we’ve seen so far. About 75% of the time I spent making this was researching hat styles.

Page 1211 was the moment I really bought into this intermission. Up til now it’s been fun, but I have been missing the beta kids. But ‘You're gonna jump to a timeline where he's dead’ has really grabbed me, because this is new – as far as we know, Acts 1-3 took place in a single timeline, where loops are closed and everything’s stable. Now, the possibilities are anything. Calling it now that we’ll learn in Act 4 that a critical earlier event actually happened in a different timeline to everything else.

Also the two of spades turning into Slick’s licorice scottie dogs between panels is a really good bit. It ALMOST makes up for the ‘jack king off’ joke on page 1197, which is probably the worst joke in Homestuck so far.

This page is another highlight! Slick literally did build this town, and it looks totally different from the green-tinged complex architecture of now. I guess this is the flaw in Die’s powers – he can travel to a timeline where somebody is dead, but he can’t choose which one. He’s equally likely to get a timeline where Slick died today as one where Slick died before ever building the town. And maybe more importantly… this page looks kind of like a color switched version of page 248, another wasteland with a city in the distance (although this new one has other planets circling overhead).

So, most likely, Spades Slick and Jack Noir are versions of the same character from different timelines, and that’s why they’re not aware of each other. In the HS timeline, the character becomes a prominent agent of the dark kingdom, while in the MC timeline, he becomes an underground criminal/architect/construction worker on a planet that probably isn’t Earth, and might not even be in the Incipisphere. A city planner would fit right in with WV, PM and AR’s civic infrastructure theme. So the question is, what determines if a NPC leaves the game and returns to the outside universe? And does this mean Jack Noir could also leave, go to Earth, and be the future character who starts off in Dave’s location and flies to join the other three?

It does seem significant that on what’s apparently an alien planet, there is so much human paraphernalia. As well as the Crosbytop and Foxworthy photo, Deuce has a Stretch Armstrong doll. Surely this planet has its own celebrities to draw from. Alchemy still seems likely – Dave definitely has the components in this house to alchemize this doll. And there is a strong suggestion that appearification and sendification could work between planets or into/out of the Incipisphere – page 733 gives a good look at the screen on WV’s appearifier, which could be adjusted to the Incipisphere with the right key. That key isn’t Slick’s spade key, but someone has it. Maybe Snowman or Lord English or Diamonds Droog (who seems a fair bit more competent than Slick). And obviously we know there’s lots of Skaian technology on Earth, but it’s now possible there could be items from this other alien planet, too. Say, rocket boards.

And as a final red string theory (‘Red Strings’ title of DD’s magazine??), Boxcars hypothesizes that ‘you've got to alter the flow of time itself’ to open the Felt’s safe (p.1218). This is a story where one specific time of day has been really important, and has come up over and over again, and now there’s a whole mansion and group of previously unknown characters whose whole deal is controlling and changing time – among other things, these people can decide when it is 4:13 and when it isn’t. Clock faces are the same on this planet as they are on Earth, and the current time is 12:13pm – also the time on Jade’s island at the start of Act 3, for what it’s worth – and Boxcars’ plan to blow up this very important clock feels significant when we know that some places are outside the flow of time of the universe, AND there’s multiple timelines here, which could potentially converge if time is otherwise stopped.

I’m out here getting my head all tangled over this timeline stuff, but the Midnight Crew are not at all. Droog, especially, has this ‘just another day at the office’ familiarity with time travel. He and his crew don’t engage in it at all, but they know what’s up, and it’s no different to knowing what type of disguise or getaway car a rival gang uses. What a fucking idiot, they’ve totally given themself away with this ‘punching me from the future’ move yet again. This moment on page 1203 looks like a stable loop, even if nothing else is – Deuce has arrived after being radioed for backup, and Droog’s trail leads up the stairs, where we know he went after being punched.

Droog and Deuce are both great characters. Droog is like the second in command who’s actually way more competent than the leader. He has clear parallels with Dad Egbert, sort of Dad’s dark mirror, with the same attention to suits and to backup versions of his clothes. Dad also has multiple backup hats, although some are in different styles (p.72), multiple backup pipes, and lots of identical shoes and ties (p.948). We haven’t actually seen a DD analog on the ominous planet – only SS (p.953) and HB (p.957) – so either Dad is going to meet this DD analog, befriend him and be sheltered by him now that he’s escaped prison, OR (more compelling), he’s going to disguise himself as an ominous citizen and BECOME the DD analog in the HS timeline.

As for CD, I just think he’s neat. I love that he’s wearing two hats and one of them is a bomb.

[lagomorphics]

hi majora! your art is really cute, and I hope you don't mind if I ask about your process? I'm new to art and yours is an inspiration! I wanted to ask how you learned? and your process, because you seem to draw near daily! also any tips you might have for me? thank you!

HI ANON!!! ur very sweet thank u so much WAHH <33!!! idm being asked abt that at all!!

in terms of how i learnt; i've kinda always been drawing for as long as i can remember? been posting art online since around 2013-ish so i got a big big catalogue of stuff to look back on

but learning in specifics of like, how i learned to shade n draw bodies etc etc. i studied! theres a lot of resources out there that'll break down a lot of the 'basics', i dont have any i can name off the top of my head except for morpho; whole bunch of books about body types and anatomy.

im not really good at providing tips for how to learn (bad memory </3) but studying, drawing things over and over (i do with reference and then without, and try to draw in different angles/perspectives) is very useful!

ALSO VERY IMPORTANT: literally do not worry at all if what you draw the first time around looks wonky or "ugly". being negative towards yourself about your art only serves to stunt ur growth!! shakes you (and anyone reading this) by the shoulders. it can be very easy to slip into hating your art and not enjoying anything ur drawing. this is me telling u to try and draw something youve never drawn before. experiment. it may not look perfect or even "good" but it will refresh ur brain!!!!!

MY PROCESS...... oh man i really have been drawing pretty much daily huh? i do draw every day but its been a hot minute since ive been doing finished pieces haha

but basically what i do is; start with a few warm-up doodles! just anything to get me in the groove

then over the course of the day i slowly chip away at whatever pieces im working on (lined stuff will usually take me a few hours, rendered stuff takes a day or a few....)

i cannot really assist in like "so how do you draw?" because i honestly just go Lights Off Its Drawin Time! but i always do a rough sketch of an idea i have, refine the sketch, refine that sketch, and then if its rendered i'll make a palette for myself somewhere, but if its lined i'll start on the lineart and then fiddle around with colours.

i draw for fun, so if i dont like how somethings turning out, i'll stop drawing it. no use frustrating myself over a piece to the point of hating it!!

(this ones just forfun and just for me) i keep a small little doc full of notes about my own pieces! i like analysing stuff, and also enjoy talking about why i draw something in a specific way, so this is just a nice little thing for me to have fun with. also helps me avoid potentially slipping into "hate this. bad" mindset bc im specifically noting things that i Liked (i do obviously have a bit of chatter like "hmm i think i couldve drawn this better, i should keep that in mind" but its only when its helping myself. the jora does not talk bad about its art)

aaand then i do some cool-downs to get any last little doodles outta my head so i can relax in bed

in terms of tips? do stretches, walk around, TAKE BREAKS! draw at your own pace, and also Have Fun With It. experiment with different colours, limited palettes, different styles!

seriously though do make sure you take breaks and stretch im lookin you in the eye okay?

I HOPE THIS MADE SENSE AND IS HELPFUL IN A WAY i ramble. far too much. and im not the best at articulating my thoughts!! but i hope u have lots of fun drawing very cool stuff <333

[mountainshroom]

They deserve to have a quiet moment for themselves (and Zuko is seriously questioning his taste in men)

[bacchuschucklefuck]

I know a normal amount abt waistcoats

[poorly-drawn-mdzs]

Wei Wuxian eats a watermelon. Yep!

[trebuchet151]

"I had to know if I imagined things. And then I found your arrest records, you were just a kid…but the picture matched."

"Who...whose records did you find?"

Wanted to fill out a more detailed stat template and got carried away. The discord had a fun mugshot drawing prompt and it inspired me

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[gomzdrawfr]

Bam bing bong, summary of my doodles in 2024

[kagooleo]

wasn’t able to doodle as much as I'd like to lately from projects (and totally bc I didn’t get absorbed into a rarepair which i may or may not post later) but here’s my take on a hypothetical ancestor for lance on his appreciation week! a grandpa who has a lot of gyarados theming around him 🐉🌊

[velvetwyrme]

🗞️💥💥!!!

A little comic based on my initial response to @wave-nine's post ;3c

[salad-storm]

I hated you (I loved you too)

Funnily enough been thinking about tenken again. Homoerotic friendships will be the downfall for us all I fear !!