#but this works out in my mind

[pansylair]

Little begging dogfish!

Took some inspiration from spotted seabass for this one. sold! 🐟💙

[katsinspats]

I think my copy of the game is broken they've been doing this for 30 minutes

Crop of the Biolizard edit I did bc it makes me laugh:

[ruporas]

dragon meat, you, and me

[softyuujis]

I want to put my two cents on a Caleb headcanon cause I saw a few and I don’t like em so here’s mine for the possessive girlies out there.

Caleb is a BIG virgin. Has never looked at anyone who isn’t MC/you. Has never had a thought of another girl or woman who wasn’t you. Never imagined a life with someone else other than you. It’s ALWAYS and will always be you. He wants every first to be special and it’ll only be special if it’s with you. First hug, first hand hold, first kiss, first time intimate; it HAS to be just you, just you and him together.

HOWEVER, he’s not dumb. He knows his first time together with you has to be perfect. He can’t be coming undone in his pants before he’s had a chance to enter you. He can’t get overtly excited touching you resulting in making a fool of himself. So naturally he turns to books. From female anatomy books that explain the clit and where the g-spot is. To romance books to smut books. Anything describing the female pleasure you bet he’s checking it out, reading word for word, 100% taking notes and reading them twice, thrice so it’s imbedded into his head so when the time finally comes he doesn’t fumble.

And while boys and men use porn to get off, Caleb uses it like he’s got a school assignment where has to watch a movie and take notes. From porn on the popular page, to the inexperienced couples making their very first videos, Caleb assesses each and has pen to paper. Scrutinizing each facial movement, determining if the pleasure written is legitimate or amped up for show (he especially hates those). Every touch, every glide, every thrust, he zeros in on it and puts it to paper.

Does he get hard? Originally, no. He sees this as any ordinary assignment. For the sake of your pleasure. But then one girl looks a little like you for a second, and maybe the man beside her from the side looks a little like him. And then his mind drift to you. You in these positions, him right there with you, touching you, making you moan. He never reaches completion if he doesn’t imagine you, you and him, together. After all, all that he’s doing is for you. For your comfort, your pleasure, you moans and shakes underneath him. So he does a good job, so he’s good for you.

And while technically it would be much easier to put what’s he learned to use on someone else, he can’t go through that betrayal. He is after all, all yours. Being touched by another would be a violation of your relationship. Yes, he’ll keep the good guy act in public, smile to everyone, laugh at a few jokes but words and insincere smiles is all anyone else gets. You receive him wholeheartedly. All his jokes, all his touches and brushes of skin. All his thoughts and attention. All you. All of him is yours.

[dranktwocoffees]

that one 12 yr old in your neighbourhood thats way cooler than you

im not immune to beanie aang propaganda

[dragonlikeleaves]

getting ready

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[mipexch]

dinner (?) plans

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[socallmedaisy]

absolutely obsessed with the implications of the different versions of the ballad now we have the full picture. it really is a masterclass in songwriting.

we start with nicky's version. the road is a metaphor for death, but it's about acceptance ("tame your fears, a door appears, the time has come to go"). it resolves musically, we end on the note we began on. it's in a major key, it sounds happy. it's a fun little tune.

agatha takes this and twists it in the version that plays over the montage of her killing covens. some of the chords are the same (A and D in the chorus) but they're minor versions now. it sounds dark and sad. agatha is grieving. when the other witches join in the harmonies are sinister, adding notes from the minor key. this becomes canonised in the sacred chant version: for 260 years agatha has been stuck grieving nicky.

enter lorna wu. her version is in a different key (p sure it's E flat major at the start). there are still some minor chords but the overall effect isn't the same, it's a major key. partly this is a trick of the instruments and the rock/pop vibe but we know there's a still a mother's grief about not being able to save her child (and herself?) in there, but she's more positive about this than agatha was: she accepts her own death, and she will protect alice if she can, but ultimately the road is still a metaphor about death and everyone walks it, but this time lorna changes the lyrics (the door doesn't appear to death in this version, it appears "to love that never dies" the people we love stay with us after death). and then the bridge. now a bridge musically takes us somewhere new, quite often it signals a key change, a turning point in the lyrics, something shifting. here I think the function is to show us that lorna is not accepting of agatha's static version of the ballad that has stayed the same (unable to move past her grief). the key modulates to a minor one (I think it's A minor), it's sad as lorna tells alice that though lorna will die, she'll always be with her: "if I can't reach you... if I can't hold you, remember what I told you". I think it's significant the last chorus is "we" go down, down, down the road. everyone walks the road to death. it's part of life. agatha can't accept this, but lorna does. she'll see alice at the end.

[asavt]

Once upon a time a small rat walked into my web...

[oopey-doopey]

*Spidey and the Sinister Six having their usual fight*

Doc Ock, landing a hit: You’re getting slow Spider-Man! Age finally catching up to you?

Spider-Man: You wish! I haven’t even hit my 30s! From those costumes I can already tell I failed to save you guys from those midlife crises! Sorry by the way.

Vulture: Watch it wallcr- wait… Did you just say your not in your thirties yet?

Spider-Man: Surprised that this spiders so young and spry? Well-

Electro: Dude I’ve been fighting you for at least 5 fucking years! How old even are you?

Shocker, joking cause he’s the only one who picked up no grown adult acts likes Spidey: Don’t swear in-front of the boy you don’t want him to pick it up.

Rhino: Christ! You’re tellin me I almost crushed some 12-year-olds skull all those years ago?

Spider-Man, regretting his quipping: I was not that young! Like just starting freshman year but-

Sandman, horrified as he’s the only one with a kid and dad instincts(as of my iteration): I could’ve killed a kid…

Shocker, genuinely curious: Are you even old enough to drink? Cruel to kill a man who ain’t had his first drink yet.

Electro: Please tell us you’re at least over 25 as of this fight. Hell, I’ll take over 21!

Spider-Man:….

Sandman, realizing just how young he really is: Oh my god.

Spider-Man: My birthday’s coming up soon so I guess it counts?

Doc Ock, exacerbated: It. Does. Not!

Vulture: What would your mother think if she knew her son was out here risking his life telling poorly constructed jokes?

Spider-Man, offended cause it quips slap: 1. My jokes are great 2. She and my dad are dead so-

Sandman, hysterical cause holy shit he almost killed a kid orphan: OH MY GOD!

[rosetterer]

[somerandomcockroach]

I have a headache because of MOMU (from 72th chapter) (Also will link this art by Kef because for god's sake my brain took angles from here)

[what-am-i-doing-in-this-fandom]

Fic Idea where Fiddleford helps Stan rebuild the portal, but Stan finds out that Fiddleford has a wife and he's like

"You have a WIFE?? That DIDN'T marry you to steal your car and money???? What are you DOING here???"

"Yeah, well.... She's better off thinking I'm dead somewhere....."

"A WIFE. That LOVES you. Get outta here and go explain yourself, Idiot!!"

"She and our son shouldn't have to deal with--"

"YOUR SON???!!?!!??"

Anyways, so Stan helps Fiddleford reach out and explain himself to his wife, but expresses that he wants to keep being in Gravity Falls, so his wife and kid go to live with them in The Shack instead.

Blah blah blah, bonding happens, Stan bags Fiddleford AND his wife and becomes a step dad, God bless 🙏

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started