#but this was such a funny mental image

[just-a-sewer-goblin]

Imagine Krolock finding Sarah trying to climb into his coffin and he's just in the shadows absolutely flabbergasted at what the little human is doing and she's struggling to get in because the sides are so tall. And he has to chuckle about her struggle and once she's in she even lays down before getting out again and Krolock just shakes his head at her and goes about his day night. And later he catches her with her arms full of pillows and is like "Good lord, what are you planning to do with all of those pillows, morsel?" And she mumbles over the mountain of pillows "Putting them in your coffin. That thing can't be good for your back. Tested it, not comfy." And she continues down the hall grumbling about his centuries old back and how he needs to take proper care of himself

[beansmemes]

[choochooboss]

[emmg]

Imagine being one of Emmrich’s students.

You go back to Treviso to make sure your family is ok and you see your esteemed, mid-50s professor ziplining across the city rooftops like a complete maniac.

He’s jingling like a walking bazaar while he’s ziplining because apparently half of Thedas’s gold is hanging off him, and he’s casually hanging out with one of the deadliest Antivan Crows and some decades-younger absolute snack who is constantly batting their eyelashes at him.

How do you even attend his lecture after that

[starry-bi-sky]

wolfpack. aka: if not friend, then why friend-shaped?

"Hey-- uh, Danny?" There's an almost imperceptible tremor in Tucker's voice.

Danny doesn't look up from what he's doing, his pencil scritching across his notebook as he tries to do another quadratic formula question. "Hm."

"What's -- uh -- what's with the dogs?"

He looks up now, and finally sees where Tucker is -- standing in the doorway of his room with an ashy look on his face and a skewed, nervous smile. He's got a white knuckle grip on the doorknob. Sam is wide-eyed behind him, and using him as a partial meat-shield.

Danny looks down to the two giant ghost wolves sprawled next to him lazily. One large green one with his head in Danny's lap, letting him use him as a prop-up for his notebook. Another equally large black one splayed against his hip, sleeping on her side with her head tilted inward to his calf.

Automatically, a grin tilts across Danny's face, and he lifts his notebook up to scratch behind the green one's ears. He opens a lazy eye, one that is bloody red with a ring of yellow around the pupil, before slipping it shut and leaning his head into Danny's touch. "This is Sirius and Procyon," he says, and reaches down to scratch Sirius' belly. "And they're not dogs, they're wolves."

"Great," Tucker says, his voice suddenly much smaller and faint, "Love that distinction."

Sirius makes a great big groan, and Danny's grin widens, his heart swelling with fondness. His hand slips away from her belly, and before he can put his notebook back down, Procyon pushes his head up his lap until his ear is against his stomach, demanding pets now too.

Sam peeks her head up from over Tucker's shoulder, "I think what Tucker's asking here is what are they doing here, Danny."

He shrugs, scratching under Procyon's chin. "They kinda just showed up. I tried sending them back to the Zone, but they keep returning." And they were weirdly intent on just following him around, which is the only reason he gave up on returning them. They weren't causing trouble, and they knew how to hide around the living. Plus, he just loves dogs. "So now I have two wolves living with me."

This, oddly enough, did not do anything to calm Sam and Tucker down. Tucker's mouth purses into a thin line, and he presses the sides of his palms to his lips in prayer. "How have your parents not found out about this?"

Danny wordlessly raises his hand, and his sleeve slides down to reveal a thin chain bracelet hooked around his wrist. He whistles sharply, and both Procyon and Sirius jerk their heads up to look at him, ears pricked up and eyes alert.

Silently, he points to his wrist and rattles it twice, and in unison both wolves stand up and pounce. Instantly, they turn into a respective, opaque black and green mist that swirls around the bracelet and forms into two, flat wolf charms.

Both wolves are posing in the stereotypical wolf howl, with little stars indented on the sides. Procyon's charm has the Canis Minor constellation engraved on it, while Sirius has the Canis Major.

Danny faces Sam and Tucker, and points at his wrist. "Like this."

[jesncin]

the haunting of Chas' car

[ddarker-dreams]

Give us more aventurine crumbs miss lock 😔

"Your friend's right, y'know."

How a voice so warm can freeze your blood is a true wonder. You move mechanically, turning around like a rusted cog to face the sound's origin. The intruder has made no effort to blend in. Whereas you're wearing business casual attire, he's dressed like he's anticipating a night on the town.

Initially, you stride right past him, fiddling with the settings in your office to turn the windows opaque. It's a useless precaution. A curious crowd of bystanders have already gathered in the hallway, from the rank and file IPC to your superiors. All wondering, no doubt, about why a man as important as Aventurine decided to stop by and make a personal visit.

"What—" You practically choke on your incredulity, "What lapse in judgment, complete and utter detachment from reality—"

Aventurine stops your tirade prematurely by waving a piece of paper around.

"Trying to transfer when your boss has taken such a liking to you is a shortsighted idea."

The words reverberate with a different timbre than when your friend spoke them. You think to ask how he knows about that conversation, then glance around, warily eyeing your surroundings. The hardware you could afford on your salary to sweep for listening devices pales in comparison to his resources. Who knows, he may have commissioned new technology for the sole purpose of keeping tabs on you.

"... Are you here to humiliate me?"

It's supposed to come out as a jab, but the tightness in your throat dulls the inquiry's edges.

Aventurine folds up the proof of your treachery and tucks it inside his fur-trimmed jacket. "You're misreading my intentions. I'm here to do what any half-decent superior would."

He leaves a respectable distance upon approaching you, as if that compensates for the other ways he's invaded your life.

"Let's renegotiate the terms of your contract. You're obviously unsatisfied with something, if you'd prefer to work elsewhere..." he leans down, nearing your eye level. "... PTO, maybe? How does some time off sound? Generous, right?"

He brushes an invisible spec of lint off your shoulder and keeps his hand there. For such a light touch, it feels as if your body's going to crumble at any moment.

"Lucky for you, I won an all-expenses-paid vacation to Penacony. How about being my plus-one?"

[majoliish]

imagine showing any of the celestials that stupid little illusion that makes it look like youre pulling your thumb off and they all collectively lose their SHIT. like freaking out, yelling at solomon for teaching you dangerous magic, asking why youd ever do such a stupid thing, only for you to put it back and theyre just so baffled. once its been explained, diavolo and mammon would be enamoured, begging you to show them the trick behind it.

by extension. telling one of them youve "got their nose" and running off, only for them to chase after you and demand for it back. luke just straight up bursts into tears.

[cheesy-bagels]

i like how sometimes when you ask yes man about one of the tribes he'll be like "oh yeah those guys! benny hates them!" like is benny just complaining about shit to this robot? is he just gossiping to yes man?

[driftingdreams]

grian asking why there was a buildboard of joel by bdubs' base only for bdubs to IMMEDIATELY log out made me think he striaight up rage quit over the horse debacle

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[batfam-stuff-posts-0]

Tim, struggling to keep upright in 2 inch heels: Yeah, I don't think heels are for me...

Steph, Damian, and Duke, eating burritos and walking flawlessly in sparkly golden 6 inch heels: WEAK

Dick, Cass, and Jason, strutting past them all in 10 inch heels: You are all weaklings.

[fumifooms]

Dunmeshi memes pt 2

Parts : 1 - (2) - 3 - 4 - 5 - 6 - 7 - 8 Specials: Canaries - harsh - valentines

[andrew-thy-accursed]

Yo the queen hath requested a painting lmao

Ask and ye shall receive

Took me a bit to draw this because I was out of town yesterday... but the second I saw the mention I knew I had to 😂

[crystallizsch]

goodbye this is the funniest scene to come out of playful land part 2 (they’re riding a carousel)

[moss-on-trees]

DP X DC PROMPT: DISRUPTIVE SUMMONINGS AU

Some time after Danny joins the Justice League, his Rogues find out and whine at him about how he's "hoarding all the good fights and we're all so boooored, don't be stingy!" so they come up with a summoning rotation where he calls on them to help deal with the kind of threats that requires backup. The JL is appreciative at first. They are less so once they realise how chaotic Danny's reformed Rogue Gallery can be.

(Batman especially wants them all gone, they're so unpredictable he can't plan a strategy around their madness. Robin hates Youngblood with the fire of a thousand suns and has declared him his nemesis. The Flash wants Clockwork to stop bullying him.)