#but this snapped me out entirely
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madame-mongoose · 1 year ago
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I'm out of posts for the day (used the last of them reblogging your art and will do so again tomorrow) but
🫵
I would be very sad if you deleted everything and left, whenever you're away from tumblr your absence is Very Noticeable on my dash and I happen to like you and your art quite a lot, even if I don't say it much, for which I am Sorry.
It's really up to you, I have no say in the matter, but you are absolutely beloved here on Tumblr by myself and others alike, and I'll be damned if I don't tell you as such before you go (or stay. I Hope.)
Actually, your art was some of the first DCA fanart I ever saw here, and was a big part in inspiring me to make my own art. I remember once you did a picture of OOIE Yelling At Sun and I actually busted a blood vessel in my eye over it, not kidding! And then you started to post Wheatley and Marvin the Martian, characters I rarely ever see here but love to death, and it was nice knowing I'm not the only guy out there that really thinks they're Dope As Hell. Your whole thing about Marvin actually being fairly intelligent but kinda quick-tempered was hilarious, I've been sick in bed all day and it made me laugh even though it's painful and nauseating to even pick my head up from the pillow.
Your presence makes a difference, even though you mostly seem like you're just here to enjoy yourself, and I hope if you leave at the very least you take care and stay safe out there in the world, wherever you are?
And I hope this isn't a creepy or weird message to receive, I don't generally go off-anon, nor talk to artists I look up to so casually, and I hope you ignore it if it does creep you out, but the intention of all this is more to remind you that people are fond of and remember you (or, the you that you share with people here on Tumblr, that is. I have no delusions about how people present themselves on Tumblr being different from how they are in real life, but you mostly seem really damn cool) even if you're like, unaware that you've made any sort of positive impression on folks (you have. Wow this got long, apologies!!)
This made me cry. I've been trying to cry all day. This did it. Thank you. Sincerely. I wish I knew what more to say but. Thank you thank you from the bottom of my heart. You don't know what this means to me rn
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sun-e-chips · 1 year ago
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Are we supposed to ignore that Sun can do LITERAL MAGIC in help wanted 2!!!
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It’s canon
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s0fter-sin · 5 days ago
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cw mild horror
johnny moves into a new house with his dog riley after his last relationship implodes
it's on the older side, a fixer upper; a project he can lose himself in so he doesn't have to let himself think of how his ex used him up just to toss him aside. the backyard's huge with a cluster of trees ringing the property that look beautiful in the sunset. it even has a basement, rarely seen in the uk, that's perfect to store all the supplies he'll need to fix the place up
the only downside is how far away it is from everything; it takes a good hour to drive to anything
but johnny has riley and that's all he needs
he talks to him as he works on the place; promises a new start for them both, that this could be the place they always needed. sure it's old and the groans and scratches that occasionally come from the walls can be a bit unsettling and the smell coming from the dumbwaiter is… concerning but johnny needs this place to work; he needs something to go right and be his and if that thing is a slightly creepy house then so be it
it was a steal; he still can't believe how cheap he got it considering the size of the block but the realtor seemed all too happy to be rid of it. she couldn’t tell him much about the place beyond the size of the land and that it only belonged to two people since it was built; the original owner who built it before it went abandoned for a decade or so until it was bought by a young couple who owned it for over thirty years
he asked about the couple, if they were happy in the long years they lived here, but she just said it wasn’t her place to say. johnny just shrugged; guess confidentiality extends beyond doctors these days
riley sticks by his side as he evaluates the house, figuring out what needs to be done and what to prioritise. he gives himself a week to wallow, living out of boxes with battery powered lanterns to light his - admittedly dismal - dinners before he gets to work. he decides to start with the wiring and old electricity box in the basement. riley occasionally gets distracted by some smell in the old vents but always coming back when johnny starts talking again
it's late by the time he gets the lights to finally stay on so he decides to shower in his newly lit bathroom and turn in
he's laying in bed, hair still wet, when he hears the scratch of riley's nails on the floorboards and sighs, swinging an arm down the side of the bed for pets if riley wants them; wiggling them in invitation when feels his breath on his fingers
"am i doing the right thing?" he asks him. "just- up and leavin'? i don't miss him. i don't... but... should i have tried to make it right 'stead of runnin' with my tail between my legs?"
riley's breaths are all that answer him
then he remembers his ex's apathetic face when he walked in on him in their living room; when he looked him right in the eyes and didn't even bother to stop his moans or hide the legs slung around his waist
"that shouldn't be on me," he growls. "he's the one who decided to nail that goddamn tart- i shouldn't be the one to have to fix shit. he should've been the one on his knees beggin' me to stay."
and he did beg- begged him not to sell the flat he owned and already paid off, the one his ex never spent a dime on rent on yet still had the audacity to ask to stay until he found a new place to fuck his side piece in
"just... why didn't he try?" he whispers. "...why wasn't i enough?"
johnny flinches as riley's tongue laps at his fingers, thick and wet and gross, and he huffs a laugh. "you're right," he smiles. "we're better off without him. just you and me, aye boy?"
he doesn't stop licking and johhny laughs again, pulling his hand back to wipe off on the sheets
"nasty boy," he chuckles. "least you love me."
a whine comes from the bedroom door and johnny frowns, looking over as the door swayed open; he thought he treated those hinges already, the sound was driving him nuts
bloody old place, he groans, sitting up-
and freezes when riley cocks his head at him from the doorway
johnny's throat constricts, ice flooding his system while the warm, wet saliva still on his hand burns. his neck protests as he slowly turns to his left, his quickening breaths roaring in his ears; everything in him begging him to not to look-
and screams when he sees a pair of brown eyes and wet lips spread in a wild grin before the man throws himself back into the vent in the wall
the same scratching and groaning johnny’s heard since the day he moved in following him as he crawls somewhere inside the house
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todayisafridaynight · 11 months ago
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zytes · 2 years ago
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7.15.23
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violent138 · 2 months ago
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Next time maybe Alfie. Keep up the good work.
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if-you-heart · 9 months ago
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heart doodle from last night during a convo about the guy. he reminds me of that azula scene from avatar, you know the one. i am extremely normal about this character. that and i love drawing intense expressions
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xxplastic-cubexx · 1 month ago
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That Erik sketch is his reaction to everyone(including me) in anon wanting to rail/impregnate his husband/ex-husband. He’s gonna kill us all and honestly it was a pleasure to serve with you fellow horny for Charles Anons o7
(Also why did he have his helmet on in the shower???? Was he afraid Charles would read his thoughts in the shower? What was he thinking about 🤔)
he can't even take a shower without some tom tittery happenin and everyone wantin to shag his ambiguous husband he gotta investigate 😔 got the helmet on so charles cant hear his murderous thoughts.... or what overly complicated scheme hes gonna pull just to have a date night with charles depends on the day really
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funkervogt · 15 days ago
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(Realizes that the most common transman experiences perfectly align with my life and feelings about myself and fascinations and who I want to be with) Ohhhh Okay i am fucked
#I do really wish i could just snap my fingers and pilot a cisman's body around#Rather than go through the crucible of visibly transitioning. it seems like a waste to do it when the times are so awful.#I honestly still doubt myself so much but#I can only do so many years of Why are you perceiving me as a woman#Before the shit starts getting real#People really just dont take you fucking seriously. Like even at this point where im at now i still dont know if im quote unquote valid#Because maybe its just a feminist issue and the misogyny is rampant#But an emotional sensitive defensive anxious reactive woman is what i am seen as. Somehow.#When I have gone lengths to ensure that even those close to me do not see a hint of my unchained emotional reality. Just really beats it in#I am entirely logical when I describe my experiences to my family. Clinical and detatched and intentional. And they think i am to be coddle#All the fucking time. Exhausting. I don't want that. I want to come to mutual understanding. Not to beg for emotional attention.#Thats the only thing that ever visibly cracks me. Being horribly misunderstood and taken out of context. Logical self defense being denied.#And being full of estrogen just reinforces that shit. Im a frustration crier. If I had testosterone maybe it wouldnt prove people right.#When you bite back as a woman you are just a bitch.#My fear is that I will be an emotional transgender man that wants to be coddled. I am afraid it will be worse to be that.#I really do just want to be able to live and work and be taken seriously when I say what I mean and what my mind is like.#I want a chance at life. I feel like I'm seen as a hapless girl. Damaged and begging to be freed of all responsibility#No bitch I want to move out and actively build a life for myself and RAISE MYSELF! after years of being misunderstood and alone#And also i want to do homosexual war reenactments with another man or something i dont know i just wish it could be me#Maybe ill just donate blood and faint again#Anyway. Joker. Society. I am the joker#Who wanna reply and tell me if im a valid transman or not. I get chest dysphoria when i have proper posture.#I get ass and hip dysphoria.#Low key having a bangin body as a woman though confuses me still bc maybe i just like being hot more than i gaf about transitioning#It reeeeeally helps that my face has an impeccable T zone. Its kind of masc as hell.
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wonderarium · 4 months ago
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imagining a world where i can hyperfocus on drawing the same way i hyperfocus on pointless hobbies
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starry-bi-sky · 10 months ago
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I had a thought, dear However scary About that night The bugs and the dirt Why were you digging? What did you bury Before those hands pulled me From the earth? I will not ask you where you came from I will not ask you, neither should you
-------- an extension of this excerpt because I've been thinking of Femme Danny and Jason all week. It's mildly suggestive, but that's really the only heads up needed. --------
Music blaring, bass heavy in her ears, Danny finds him in a ditch at the bottom of the bluff. She was leaving the observatory, and she nearly misses him as she turns out onto the last stretch of road leading back into the city.
She catches sight of him, just barely. A glimpse in the corner of her eye; something reflecting on the light. She thinks it's a deer at first, and instinctual terror that only the idiocy of a deer denting her car can give her, strikes her hard. There's no one behind her, so she slams the breaks.
Her car stops; there's no deer. She looks and looks, but there's no deer, no deer buddy — they always come in pairs. But something still catches her eye; light reflecting off leather, in the ditch below just a few feet in front of her.
"What the fuck is that?" Slips out of her mouth before she can really think it through, and she's pulling off to the shoulder, wheels crunching gravel, before she thinks that through either.
Danny's climbing out of her car within seconds, putting it in park and hitting her hazards as her door clicks open and she stands up on the ledge. The trees block the sky, and there is no moon beholden to brighten the land, only the dull light of the stars and the brights of her car.
There's a man in a ditch. And he's not moving. From the distance, Danny's not sure if he's breathing.
She breathes out for him; "Fuck." She's running around the front of her car, not thinking it through. Her feet crunch the gravel, bugs buzzing at her ears, and she's sliding down the small hill into the ditch to reach his side.
"Please don't be dead, please don't be dead." Repeats in mantra under her breath, she can smell blood; heavy and iron, mixing with the dirt and the grass. Her hands find his side, Danny rolls him over onto his back. Her fingers find his pulse, and she breathes relief. He's alive.
—---------
Danny finds no less than two — no, three guns, four knives, and an actual, goddamn shiv on the half-dead ditch man. But not a single ID or wallet.
The man reeks of danger, even in his unconscious state it lingers on him like a rich cologne. It's the human instinct to be curious, and maybe it's the blood and dirt that tells her he's bad news. Common sense, naturally.
She doesn't know what to do with him. Danny wants to help him, but the ghostly part of her, the one that seeks safety above all else — for herself, for her loved ones. Because growing up in a house of weapons on the tables for sticky, pudgy fingers to play with, and food that needs killing twice, and labs full of half-broken beakers and radioactive substances spilling onto the floor robbed her of it entirely, — tells her to leave him.
He's dangerous. Her core hums cold, freezing the tips of her fingers, making her ears ring. She forgets to breathe, her hands going numb. Leave him for the coyotes to find; for the bugs to feast on; for the mud to swallow whole. Leave him for the land. Nobody carries this many weapons on them unless—
He groans. In only the light from her high beams, his cracked lips split and makes a noise of pain. His chest rises, shuddery and slow, and he doesn't wake. The man slips back down into unconsciousness. But he's alive.
He's alive.
Danny exhales. It's springtime, wreathed in life. It's cold; he's cold. But alive. She shakes the chill from her fingers, resolution warms her lungs.
Carrying him up to her car isn't easy — dressed like fucking Dean Winchester and wearing half as many layers, the man is probably two hundred pounds. But she's been working out and taking boxing classes since sophomore year of high school. She throws him over her shoulder in a fireman's carry, and hikes them both up the hill.
She drives them home. Don't ask her why she didn't take them to the hospital; she can't give an answer. Not one that makes sense. She knows enough first aid to fix almost anything he might have.
Danny blasts the heat and turns the music on low; switches to something softer, more comforting, in case he wakes up. She kicks the passenger seat back far enough so that if he does, he's reclined comfortably.
He doesn't wake up, she can't keep her eyes off him anyways.
—---------
Danny lays him on the couch in her house. He gets blood and mud on the fabric, and she'll need to get a new one because of it. But she takes off his boots, strips him of his shirt and jackets, and flies to the bathroom to get her first aid kit.
He doesn't wake up the entire time she's putting stitches in his side. Nothing is broken, but he's bruised and cut. Some get band-aids, others get bandages.
The man has half as many scars as Danny does. Stabs, cuts, a few burns here and there. Danny has those too, but she doubts the man has been impaled before like she has. The luck of ghosts that they can't die by mortal means. Or curse, depending on how you look at it.
(There's a thin scar on his throat, like someone tried to slice it open. She sees it while she's stitching up a laceration near his collarbone, and Danny can't stop herself from huffing.)
("We match." She murmurs, joking dry and ingenuine. She doubts anyone's survived a botched decapitation like she has. At least his scar is thin and hard to see. That wasn't a good night for her; she had to sew it closed herself, alone out of refusal to let her friends help.)
When she's done, she collapses into the recliner beside him, and falls asleep. She slips in and out of dreams all night.
—---------
When she wakes up, the man is staring at her, sitting up on the couch like an animal listening for the predator nearby. It's a good thing she hid his weapons in the floorboards when they arrived. She stares back at him, eyes half-lidded with sleep.
He's handsome. She thinks, and wakes up fully.
—---------
His name is Jason Todd, he doesn't remember who he is.
That's... a problem.
—---------
She makes them both food, and she'll never stop appreciating the fact that she no longer needs to fight her fridge before the food inside lets her eat. She hasn't lived with her parents in years, and yet the awe still hits her some days.
"I thought I told you to stay seated." She frowns when Jason Todd enters her kitchen, a hand hovering over his bandaged side. They're both tense; awkward and wrong-footed. Off-kilter. It's not a surprise to her. He's amnesiac, she's a stranger.
Jason Todd blinks at her, leaning against the doorframe. From her periphery, he shrugs, only to suck in his teeth in pained regret moments later. "I got bored." He tells her.
"Well, I don't have painkillers," Danny retorts, cheek comes easy to her. Too easy, sometimes. "if you tear your stitches then I'm giving you a rag to bite into while I redo them."
Well, if anything, it gets a snort from him.
—---------
"So, do I have a shirt, or did you just find a half-naked, half-dead man in the woods and decide to take him home?" Jason Todd asks her from the table a few minutes later. She can see, even standing a few feet away, the gooseflesh rising bumps against his skin.
Her cheeks color pink, and she moves to the hallway. "You have a shirt," she says, "you have two actually, and a jacket. I threw the shirts in the wash because they were filthy."
The jacket was leather, so during the night, when she woke up from her many bouts of restless sleep, she got up and cleaned it by hand. "I would've done the same with your jeans, but I can take a half-dead man home," she opens the dryer and pulls out the shirts, "but I draw the line at taking off his pants when he's unconscious."
It gets a short laugh out of him; harsh and brief, and it makes her relax, just a little. Laughter meant just enough comfort to not be tense... most of the time. She returns to his side and drapes the still-warm clothes onto the table.
"What if my legs were hurt?" He asks her, raising an eyebrow even as he reached for the first shirt.
"Then that is called an exception to the rule, ditch man."
—---------
He stays with her. He has nowhere to go — and trust her, they looked. Or they tried to. But he has no social media that shows up under the name ‘Jason Todd’. Oh, there are Jason Todds, but none that match the way he looks — none of them his age, none of them with black hair and blue eyes, no white streak in the curls at the front.  
Well, there was one possible candidate. A Jason Todd-Wayne, infamous adoptive son of Bruce Wayne. But he died the same year Danny did, and unlike her, he didn’t come back. 
“Great.” Jason Todd sighs heavy, “I match with a dead kid.”
“I’m honestly kind of impressed.” Danny tells him, frowning despite her laughing disbelief. She scrolls through every social media she can find, and he just doesn’t show up. There are no warrants out for his arrests, no celebrity interviews with him in it, no missing news reports matching his description. Nothing. “How do you not have any socials? You’re like a ghost.” And she knows a thing or two about ghosts.
It’s equally as suspicious as it is impressive. Who are you, Jason Todd? She wonders, looking over to him.  
He merely shrugs, careful of his injuries, and slumps into his chair. “Don’t ask me, I don’t remember.” 
She gives him the guest room, and they go out and buy him clothes with what budget she can afford. She drags him to a thrift store first, to every thrift store in the city, and they come back with a decent enough haul that he has clothes for at least two weeks. 
—---------
“Danny, what is that?” 
She takes a long sip of her drink, Jason lingering at her side like a shadow. “A smoothie, Tucker.” She says, deadpan like it's the most obvious thing in the world as she slides into their favorite booth with practiced ease. “You know this, I always get one on Fridays.” 
Jason follows her easily, slow and careful, mindful of his sides. He’s back to awkward, tense, acting like an outside looking in. Like he’s not quite sure what to do in the face of her friends. They’ve been together for a week now, and she asked him if he wanted to meet Sam and Tucker with her. 
(“You’ve been cooped up here all week.” She says when he asks her why, her hands shifting the purse at her shoulder. In shorts and a tank-top her scars lay on display for the world to see, and while she's long since shed the worst of her self-consciousness, it still creeps up on her. She can feel his eyes on them, even after a week. “Some fresh air and a change of scenery might do you some good. Maybe even jog that noggin of yours.”) 
Sam and Tucker stare at her, expressions unreading on their faces. Their eyes flick to Jason at her side, and then back to her. Danny takes another longer sip of her drink, and when she lets go with an obnoxious smack, she jerks her head to Jason. “Oh,” she says like an afterthought, an impish smile shadowing over her lips. “This is Jason, I found him in a ditch on Sunday.” 
"You what!?"
—---------
She doesn’t know how it happens. It sneaks up on her like sunlight creeping across the grass, melting away the morning dew and warming the dirt. She loves him. She loves him, she loves him, she loves him. It’s a terrible, choking thing. Wonderfully beautiful, melting her from the inside out. 
She loves him, she loves him, she loves him.
It’s greater than anything she’s felt before. Different from when she nearly dated Valerie in high school — but so, so similar to it at the same time. Warm in its certainty, in its similarity, burning in its difference. 
Danny doesn’t even realize it until half a year living with him, maybe just a little bit longer. But she realizes when she comes downstairs in the early dredges of the morning, sleep clinging to her lashes and sunlight unfurling through the windows, and finds him in the kitchen making food already. 
It’s not the first time she’s woken up to him doing this. But it’s, for some reason, only now that it hits her how fucking domestic it is. With music playing soft through the speaker of his used phone, barefoot in nothing but sweatpants, and humming along under his breath. He’s gotten so comfortable here; he laughs easier now, smiles easier. It was like watching a flower bloom in real time. 
And the sunlight cards through his hair like fingers, caressing over his face in that loving way it does when it wants someone to see the breathless beauty of their eyes. 
Something constricts in Danny’s chest, tight, fond, wanting. Mine, her mind whispers, faint and distant, and knocking the air from her lungs like a fucking train. Her fingers curl tight around the stairway rails, she has half a mind to crack it in two. 
Then he turns and sees her, he always notices her quickly, and Jason smiles at her. 
Somehow, Danny manages to smile back smiling with the ease of breathing, even when her mouth runs dry.
(If she kisses him, will she taste sugar? She hopes not — white sugar is unfilling, sweet but with nothing else to it. If she tastes Jason Todd, she hopes she tastes caramel.) 
—---------
“Want to go throw axes with me?” Danny asks, draping over the back of the couch and hanging her arms off Jason’s shoulders. Her hand finds his hair, and her fingers tangle with the dark curls. She can smell his shampoo when she hooks her chin on the top of his head.
Jason stills, a book in hand — he’s always got a book, and Danny’s never had much artistic talent but she always want s to find a pencil, maybe some charcoals, and sketch the sight down on paper. Memory isn’t enough, she needs it burned into something tangible. She wants to burn everything he does onto paper, wants to remember every little thing about him.
Then he hums, questioning and low, and Danny tries not to shiver with greed to hear it again. She hums back, her next inhale clearing her head. “Well, it’s not just me, but Sam and Tucker too. A new bar opened up downtown and we were gonna check it out, and we have enough time to add another person to the reservation.” 
A silence, thick and thoughtful. Jason tilts his head back to look up at her, and she removes her chin and hand to look down at him. Her hair curtains over them both, locking her into his eyes — impossibly blue, and beautifully so, with teal lining the iris. 
He wears his thoughts on his sleeve, his brows furrowed and mouth puckered in lighthearted thoughtfulness. Quit making me want to kiss you, Danny thinks, and forces her eyes to remain on his face. Idly, her hands trace over his shirt, rising slowly to drag the back of her nail over his collarbone. 
Jason shudders, sighs out slow, and smiles easily. “Sure, what time are we leaving?”   
—---------
Danny sighs as if she aches; she does. Her fingers find Jason Todd’s hair, soft and slipping between her fingers like silk. He’s so close to her face she can feel his breath on her lips, it’s driving her crazy with it. 
“My god.” She murmurs, her voice slipping out without her consent as her fingers drop from his hair to trace featherlight touches down his temples, down his jaw. His eyes haven’t left hers, half-lidded they are, and heavy, staring at her like he might just swallow her whole. 
Please do, she thinks, tilting her head to the side to slot their noses next to each other. His hands tighten at her waist, fingers digging through her hoodie into her skin. He hums, questioningly, low and rumbling like a thunderstorm on the horizon. As if he can’t trust his voice to say something instead. 
Danny chokes on nothing’s heat and runs her thumb over his bottom lip, the flesh catching briefly on her nail. She can’t think straight with him so close to her. Not when he’s so close she can smell his cologne, not when he’s so close she can lean down and sink her teeth into his throat and leave a bruise. She should, it might clear her head. 
Instead, she sighs again, her mouth so close to his that she brushes over his lips when she says; “You’re divine.” 
In the end, she doesn’t need to think about leaving bruises on his throat, because Jason closes that centimeters’ worth of distance between each other and kisses her like he needs air. 
—---------
“Do you have to go, love?” Arms snake around her waist, slipping easily over her dress, and Danny laughs, soft and easy, as Jason pulls her flush against his chest and drops his head into the crook over her shoulder. He dwarfs her in the mirror, capable of curling around her entirely, and she raises a gloved hand to rake her fingers through his soft hair.
Danny hums deeply, tilting to bare her throat as Jason starts pressing kisses to the skin. “Vlad will be upset if I don’t show up.” She wasn’t sure of the importance of this party, but Vlad had promised her a hefty bribe to show up, and call her greedy but damn if she wasn’t going to turn it down.  
Teeth bite gentle at the underside of her jaw, and Danny laughs out of surprise. Jason smiles, indenting it into her skin, and his hand finds the slit of her dress and covers the burn scar on the outside of her thigh. “What about running late?” He asks, something impish in his tone. “I’ve never seen you wear this one; you look good in red.” 
Danny laughs again, turns her head to catch his lips against hers, and kisses him long and sweet. “Yes, he’ll be mad if I’m late.” She says when she pulls back. 
He pouts, and really, how else is Danny supposed to react other than kiss him again? So she does, happily. “Wake me up when you get back,” Jason murmurs against her mouth, chasing after her, “I want to help you undress.” 
—---------
Some days, death creeps up on her, and the phantom pains of it render her coiled into a ball in her bed. She wakes up at three am burning, her starburst scars rooting down to her bones to remind her of the feeling of being torn apart by the atoms and stitched back together again. 
Danny can feel her heart beating in her ears, fast and panicked like she ran a marathon, filling her mouth with iron and the urge to cough out her lungs. There’s a scream stuck in the back of her throat like a spider sac, and she writhes with her head in her arms for what feels like an hour before she forces herself out of bed, mind half-muddled like a zombie. 
Jason is still asleep, Danny doesn’t have half the mind to be grateful, she shuffles herself down into the garage and grabs a compressed canister from the fridge, hidden in a false shelf. She might not keep ectoplasm in the kitchen, but she does in the garage. 
She returns on second nature to the bathroom. She locks the door, shuts the drain, and runs the water to boiling, and doesn’t stop the faucet until the water reaches the little drain in the wall beneath that prevents overflow. The compressed canister cracks open with a hiss, and Danny dumps what’s probably an ounce of ectoplasm into the steaming water.
The effect is instantaneous, the water swirling and turning bright with ectoplasm all the way down. It’s diluted, and Danny only remembers to take off her sleep shirt before she slips into the water. 
Relief sinks into her, and chases away the worst of the pain. She sighs, she can breathe again, and dunks her head beneath the water. 
Then doesn’t get out until she’s freezing again and nearly peeling with wrinkles. 
(She goes downstairs when she’s changed into dry clothes and her hair is damp, and then collapses into Jason’s lap. Her face finds the crook of his neck, and Danny slumps, arms wrapping around his neck.)
(Jason’s hands find her waist, and his thumbs rub circles into her side, slipping under her shirt to run over the raised skin of the burn there. “What’s wrong?” He asks, murmuring low and close to her ear.)
(“Phantom pains.” Danny mumbles.)
(“Where?”)
(“Everywhere.”) 
—---------
When Danny returns home after finding Jason again, she feels numb, she feels cold. Her engagement ring is heavy on her finger and she feels like an outsider looking in when she looks down at it. 
She can’t get the way he looked at her out of her mind. It’s seared into her brain. 
Her back hits the door, and slowly she slides down it, a sob building in her throat. Her lip curling, her heart aching, her heart breaking. Too many questions inside her head for her to try and sort through them, but one is prevalent; Jason Todd is a liar.  
Danny shrieks his name so loud that she breaks her ceiling lights, and takes out the power throughout the entire block. There are dogs howling, cars wailing outside. There’s broken glass beneath her, scattered across the ground, cutting into her palms, and she hurts so much she wants to take the biggest shard and shred herself into ribbons. 
—---------
The memory fades away back into its small star-shape, and floats back up to the ceiling of her lair’s observatory. Danny watches it go, something small and aching still in her chest. Two weeks since she moved into the Zone, and she hates that she still loves him. She loves that she still loves him. 
She hates that she still misses him. She still visits Sam and Tucker, but Amity Park is tainted with the memory of Jason Todd; she needs away from it for a little while. Maybe a long while. She’s not too sure right now, she just needs to stay away. Somewhere where she can’t run into him. 
Danny pulls down another star to watch another memory again. One where they're dancing.
#dpxdc#danny fenton is not the ghost king#dpxdc crossover#dpdc#fem danny fenton#amnesic jason todd#dead on main#dpxdc ficlet#starry's writing#who gets amnesia twice!? prompt au#credit goes to kuroishuuha because this was their prompt that inspired this#cw mildly suggestive#danny's 'obsession' being more about her own personal safety along with the safety of her loved ones just makes sense to me in this au#i have so many thoughts about her and jason its lowkey ridiculous.#in my head danny got into boxing and she also has a ton of scars from ghost fights and burn scars from the portal accident#yes that *is* a reference to the fact that Dean Winchester voiced the Red Hood in UTRH! And also I imagined Jason in the#s1 Dean leather jacket and promptly lost my fucking mind. so now he has that. in my head he was undercover when he got amnesia blasted#and the amnesia was from a magic user. and that when he regained his memories the magic got all fucky wucky and thats why he forgot danny.#it didn't exactly go away it just malfunctioned for some reason and latched on to the only other memories he had. accidentally releasing#the hold it had on his prior memories in turn. it's just horrible luck all around folks. bad end jason is having a terrible time frankly.#so is danny but they're kinda suffering on the same yet different frequencies. danny can't understand why jason would run off on her#and thought he was pretending not to know her. it threw her entire perception of him into question and whether or not the last three#years were even real or if he was just a fantastic actor. she's obsessively rewatching memories of them together to try and figure out if#he ever let his 'facade' slip around her and she just didn't notice. and also because she just. really fucking misses him. he disappeared#for three months. she was worried sick. they were supposed to be married by now. she had to call all their venues and cancel. she returned#her wedding dress. she's hurting terribly right now. Jason is like. one wrong rubber band snap from pulling a Tim. He didn't fall out of#love. he forgot and now he's remembering and he's still madly in love with his fiancé. its only been 3mo but now she's dead and he is just.#SUFFERING. someone keep an eye on him yall. he's not doing too hot. the waynes are cursed to never get married ifykyk
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clowndensation · 2 years ago
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there’s a question to be asked i think about to what extent “getting out” can be conflated with “being saved” in this show, and what freedom actually means to any of these characters.
like you can argue that shiv saved ken by voting against him on gojo, but what if your intent behind saving someone is to inflict a worse punishment than if you’d just left them trapped? can a child weaned on poison survive on milk, or are you just sentencing them to a death by inches, starved of the only thing they know? and if you save someone specifically because you know that being saved is the worst thing that can happen to them, is that kindness or cruelty? at what point does a good thing become a malicious act?
and you can say that roman is finally free, but what exactly is he free from? the company? his father? does unlocking a cage mean saving a dog, or are you allowing him out on the street knowing there’s a kill shelter nearby? if the driving anxiety behind roman is that he’s an idiot and a failure—that he’ll never amount to anything, and trying will only lead to pain—and he’s finally cut loose once all of those anxieties have crystallized into cold hard fact in his mind, what has he actually escaped from? if the cage is in your mind, is it even possible for somebody else to unlock it?
the fundamental truth of a tragedy is that even being saved can be a death sentence, if the characters are incapable of escaping the thing doing them the most harm (themselves and their childhoods)
#'what about shiv' if i think about shiv i'm going to kill myself. she needs her own post. there's too much there to get into.#anyways seeing a tremendous amount of At Least Roman Is Free <3 tags that have me going. right. for sure. free from what?#because it's certainly not the intense amount of self disgust that has driven him in circles this entire time.#i fear he may feel the weight of alienation on his soul for the rest of his life. and he won't even try to alleviate it anymore.#and ALSO the idea that shiv went out of her way to save kendall as an act of like. altruism. like it was a sacrifice on her part#which i feel is a very toothless perspective on shiv and the psychological torment that's been weighing on her essentially since birth#like her choice in regards to gojo is one of the meatiest most harrowing bits of character work i've ever seen#and while of course there was love inside that action (because nothing these characters do is entirely divorced from love)#i don't think it was necessarily a kind or forgiving or sacrificial love#like this was an intense vitriolic snapping from a dog that has been kicked by her dad all her life.#and who absolutely refuses to accept that from her brother (because that would mean acknowledging that kendall takes the mantle of Dad-#and that she's subservient to him. which is the one thing she absolutely will never do#because it's a level of degradation that's finally a step too far)#anyways. um. insane season that i still can't look at directly or i'll perish on the spot.#succession
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akkivee · 6 months ago
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we have three people who’ve been affected by the true hypnosis mic and two of them, nemu and kuukou, have physical items that represent their bonds, kuukou’s matching bandana and nemu’s aohitsugi bracelet
sasara’s the odd man out so i wonder if it’s smoking that represents the mcd bond????? but the fact that sasara’s trying to quit instead of already sober is striking me as strange, like the bandana and bracelet are notably missing but sasara’s is still lingering???? 🤔
#vee queued to fill the void#then there’s the fact sasara receiving his government issued mic and therefore the aforementioned scene wasn’t depicted in the manga 🤔🤔🤔#idk how to explain it lol#at the end of the day all roads lead back to rosho for sasara so i assumed something of rosho’s snapped him out of it#hhhhhhhhhhhhh but the way sasara has tragus piercings and they’re rumoured to relieve headaches#sasara has broken free from the true hypnosis mic but it’d be crazy if he was the one suffering from unforseen side effects#i need the nagosaka or another leaders centric manga to return PLS SHOW ME HOW SASARA AND KUUKOU BROKE FREE FROM THE TRUE HYPNOSIS MIC#like gosh the chuuoku stage showed us how nemu functioned from day to day and she was very cold#and when the hypnosis started weakening was when she was asserting her bond with inori and her bright personality came back#kuukou was going thru some behavioural issues even his father was getting concerned about and lowkey threatened to kick kuukou out#it’s a weird parallel i’m not entirely sure if i should be making bc that would imply kuukou at most until harmonious cooperation#WAS NOT free from the hypnosis given he almost got arrested everyone say thank you jyushi lol#the true hypnosis eventually wears off otome or ichijiku said bc of their strength in mind and so that’s sIDE EFFECTS IT KEEPS COMING BACK#KR!!!!!!!!!!!! ANSWER ME GODDAMN IT!!!!!!!!!!!!! I DONT KNOW HOW TO CONNECT THESE PIECES!!!!!!!!!!!!! PLS!!!!!!!!!!!
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skateintoawall · 6 months ago
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sometimes I think about Q and their design and skill and how I think I could make an argument for them representing many characters childhoods and how the trauma from when they were kids impacts them as adults.
#bsd#I could also make an argument for how mori is presented as an antagonist in the story#and the complicated relationship the children he abused have with him#it’s similar to how Atsushi can’t figure out how to feel about the director of his orphanage both dying-#and having not been entirely evil. because it’s easier to think that someone who hurt you was evil#rather than a person. and then there’s the cycle of abuse that asagiri explores#how the orphanage director was also abused- how Dazai treats Akutagawa because of how mori treated him#and then how akutagawa treats Kyouka because of how Dazai treated him#how does Q tie into all this?#well- their skill is that people who hurt them go crazy right? they start to murder people#the more people that harm this child- the more cruelty and suffering because of it#during the guild arc Q is screaming ‘you’re hurting me’ over and over#they don’t want to be in pain. but their only defense is to inflict pain upon others#even if it means they remain hurt- someone else is hurt as well#there’s a moment when Q is first introduced#where they get at Atsushi. and then Atsushi attacks the agency because of Q’s skill#Dazai’s reaction to mori letting Q out is anger. the way that he snaps Atsushi out of his guilt#is slapping him in the face. mori let Q out-> Dazai is angry-> Dazai slaps Atsushi#mori->Dazai->Atsushi#and the reason that Atsushi is so guilty and scared is because he doesn’t want to be like the orphanage director said he was#all of it is trauma from how they were treated as children- and Q is a child whose skill is to hurt people when they hurt them
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kaidanalenkosprmanager · 26 days ago
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THE EDEN PRIME RUN -> PART 1/?
Ft. Lt. Cmdr. Dominik Oliveira-Shepard, Cpt. David Edward Anderson, and Spectre Nihlus Kryik With: Gun. Chief Ashley Williams and Flight Lt. Jeff "Joker" Moreau MIRA'S AU-VERSE CANONS: ME1 AKA: The one where Dom makes it off Mindoir instead. Part 1/? "Anderson, he knows absolute fuck-all about what happened on Torfan! None of them have a clue! 'Grim business'? 'Brutal'? 'Ruthless'? Like it was something I had control over? Thinking he can just... thinking they can just-" "It doesn't matter! None of it matters! If the Council asks for you by name after all these years? After the shit you pulled? You answer the call." Mass Effect: Legendary Edition (2021)
#mira makes gifs ✨#dominik shepard#david anderson#nihlus kryik#ashley williams#jeff joker moreau#mass effect#me#mass effect legendary edition#dailygaming#mirasauverses#dom!canon#edenprimerun#it’s been awhile since i made gifs of my boy :) well gifs of my boy in dom!verse :) his verse :)#i had so many thoughts about dom while i was writing dialogue for these since i haven’t written dialogue in my gifs in awhile#and i didn’t want to pull straight from dialogue editor since it’s not exactly how he’d react to the situation#and i do tend to write nihlus and anderson a bit differently than base game portrayals but i digress#in this canon? where he is in the alliance? he ends up on torfan. which i have said before :)#but i don’t think the butcher title for him is something he carries very well. i’ve always felt like dom is the much more open twin#he’s a lot more in tune with himself and his emotions. and i think he’s good at carrying himself up to a *point*#i think once the pressure starts building and he’s put in situations where he has to face his trauma head on? he doesn’t do well :)#so torfan being a base filled with batarian slavers? when his entire family was murdered by batarian slavers?#i think he just snaps physically and mentally on torfan. he just loses control completely#in my head he barely remembers anything that happened until after it ends. so the butcher title is *not* something he carries well with him#mostly because he lost the eye on torfan and that is a constant reminder of his worst moment#so honestly i think the entire butcher title for him is just a *constant* reminder of a time when he was not in control of himself#and he has a crippling fear of losing control again since most people just see him as an out of control biotic butcher :)#one of the things that tracks for dom across verses? control issues and a crippling fear of hurting people he loves if he loses control :)#it’s so interesting writing him versus soph in this scenario because they both react so similarly but so *differently*#and unfortunately i fear i have reached my limit on tag ranting so have a nice day as always friend! ❤️
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articskele · 8 months ago
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“...Wrong? Why would anything go wrong?”
Without further ado, a stimboard for @ask-the-biggering-onceler!
x|x|x x|x|x x|x|x
#TADAAAA :D#ohh there's SO much going on here#the first one is interesting bc i tried to avoid gifs of the outside#but this one strikes me as a moment from before the blog started#a brief moment of introspection and dwelling on the past as he looks out at the dwindling remains of the forest#though to him i’m sure any second thought about what could’ve been is a second wasted and he snaps himself out of it shortly after#THE BEAR THE TEDDY BEAR#it's a foreboding reference to the barbaloots it's a representation of the past it's everything to me :D#the spotlight for being the center of attention and scrutiny alike; loud and flashy juxtaposed with the softer candles on the other side#the gears are for the factory but note how clean it looks#showing his desperate attempts to keep his reputation intact and insist that absolutely nobody has died within the walls of this place#the velvety red fabric resembles both theater curtains (performance and the blog) and the curtains in his office#and they’re positioned opposite to the one glimpse we see of the outside world calling back to that one scene in the 1972 version#a camera for both his surveillance over thneedville and the press plus a reference to that old photo of him before his business days#the entire middle column is a brief glimpse into all the good intent that got soured along the way#while the right column represents his success and splendor#alternatively the bear and the camera could reference that one scene in hbcib with pipsqueak!#and that last one is for the extravagance of the ball!#you could say it being next to the camera means he’ll be keeping a close eye on partygoers >:3#i actually steered clear of stuff like sewing and other such manual work to show how he stands at the very top#arghh i could go on about every little part of the layout and how the different themes connect and oppose each other it's so fun!!!!! :D#anyways i hope ya like it ouo!!!#biggerler#ask the biggering onceler#stimboard#my nonsense
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