#but this is the first time i'm back there with the intention of *reading*

[ilikeyoshi]

"#yes yes yes!!!! #and ngl it makes me want to read or engage with it more too!"

i hope it's ok to point out these tags bc this is SUCH a huge mood i think deserves a little more explanation!!!! (at least from my perspective as both a creator (writer) and fan (of artists))

i used to have a ton of anxiety when creating and especially sharing my works, and my impulse was always to talk down on it, because a) i* (*my anxiety) believed it to be bad, and b) because i had this idea in my head that if i lowered people's expectations, they wouldn't be as disappointed when reading it.

i want to tell you what i've learned in my years of both being a writer and being a fan of artists, and it's that this is a terrible, terrible anxiety fallacy (like so many ideas/misconceptions borne of anxiety are) that ONLY hurts you, your work, and your potential readers(/fans/etc). it SOUNDS like a good idea when you have really bad anxiety, i know, i used to DEPEND upon this idea just to have the courage to SHARE my writing—and i want to emphasize that it's OKAY if you've done this before, it's an easy, easy trap to fall into, but i also want you to try and stop doing it because there are a lot of reasons you would feel better and do better for doing so.

you are what you practice! if you only ever focus on or speak about the flaws in your art, you WILL feel negatively about your art. my very first therapist explained it in a way that still really resonates with me: you have created a well-beaten, highly trafficked "road" in your brain. it is very easy to take this road because even though it's longer to your destination, it winds and bends, it's walked on so much it's flat and easy to traverse. when you try to build a NEW path—in this case, a path where you focus on what you like about your art—you're starting with no path at all. it's all undergrowth and vines and thorns and it hurts and it's tiring and you feel like this will NEVER be easier or feel better than the old path. but you have to keep taking the new one. you have to beat down the undergrowth until it recedes, cut down the low-hanging branches until you can walk with your back straight, and if you keep at it, if you keep at this thing that feels so pointless and stupid and hard, eventually, the path will be clear, and easy to walk, and you'll make great time getting to your destination because it cuts straight through; no winding or bending. and the old path? it will overgrow, and it will become hard and stupid to take. you have to beat the new path because once it's beaten, it'll be the far superior path in every way, including ways the old path was never superior even when it WAS the one you were always taking.

further—as these tags point out, and as i agree with wholeheartedly—by disparaging your art, you DO lower people's expectations. people don't want to be sad, frustrated, disappointed when they look at art—at least, not unless the art itself is trying to tell a story about that. you get what i mean, i hope—they don't want to go INTO something they already HAVE negative reviews on—your reviews! you, the creator, have already told this person the story/art/whatever is going to be bad, and i know, i KNOW it's not your intention, you're hoping someone will see through what you can't and tell you no, no, this is good, i liked this! and some people do! but you make it a lot harder for them TO do that when you tell them right at the beginning, "this is going to be bad, i don't like it," because what you're unintentionally telling them is, "and you probably won't like it either." the first way i learned this was in people always saying in their fanfic summaries, before you even open the fic, "the summary is bad, i'm bad at writing summaries, the story is better trust me bro." because what this does—again, so unintentionally, i KNOW what you're trying to do because i've been you—is you're telling the reader, "here's my pitch, here's the hook to my entire story, it's the worst part, it's bad, but the rest will be better," and what they KNOW is they've already put the time in reading the summary, and it's hard to commit MORE time to something when you've already told them it's bad, even if you promise the rest is better. it's like biting into a fruit and you hate the taste of the skin; it's harder to try the rest of the fruit when, so far, it's been bad (or you've been made to believe it's bad).

so what's the solution? how do you begin beating that new path? well, it depends on you. everyone's a little different in how they navigate stuff like this. but what worked for me, and what might be a good place to start (and by all means adapt as you figure out what works and what doesn't), is start by just NOT saying anything negative. no, "i don't like this," or "the summary's bad, sorry," or anything. write your artist's comment, author's note, whatever as normal, and REMOVE anything that depicts your art/writing/etc in a bad light. just don't give people any opinion whatsoever on what experiencing your creation is going to be like. this, for me, was easier than jumping straight to, "i'm pretty proud of this," or "i enjoyed working on this," because it wasn't withholding AND replacing, it was JUST withholding. going back to the roads and paths metaphor, i think of this part as the "taking a breather before i get to work on this monumental task of beating this new path" stage.

then, overtime, i started "stretching" my positive comments about my works. if i liked, say, TWO LINES out of a whole piece of writing, i'd say, "i'm really proud of this work!" because i AM proud of ANYTHING AT ALL, NO MATTER HOW SMALL, within the work. it's not a LIE, to anyone including yourself, but it is, perhaps, an EXAGGERATION. that's OKAY. we're trying to teach our brain to look on the bright side, to take the new path, and i've found that treating it a little bit like a dog—giving it a treat for ANY TINY BIT OF PROGRESS, was a good way to encourage myself to start making MORE progress. ESPECIALLY because the tags i reposted above are RIGHT: LOTS of people are MORE interested in a work when their very first impression (YOUR impression!!!) is positive. 'the artist/writer/etc is proud of this? oh, i'm so glad they had a good time creating, let's take a look!" it probably sounds too easy if you're still taking that anxiety-beaten road, i know, but try to think of how you've felt when someone disparages their creations versus uplifts them. were you put off by the negativity? were you sad that your friend worked so hard on something and didn't even like it? conversely, doesn't it make you a little excited when an artist says they really feel good about something they made, especially in a world where so many artists ARE feeling inadequate? i hope you see what i mean.

it's not an overnight thing, of course, this took me YEARS. this took a miracle that doesn't happen to most people: i wrote something i felt SO TERRIFIED people wouldn't like, even though i was secretly very proud of it (but too scared to dare suggest i was proud of it), so i indicated all kinds of things like "i hope you like it, i dunno if it's any good, it's just a little thing i'm chipping away at in my spare time" (it was not, it was a full-blown passion project) and, against the odds, a LOT OF PEOPLE told me they really really really liked it. a couple of friends who were decently popular in the fandom it was for liked and shared it and i got A LOT of encouragement. i basically got to beat my new path with a HORDE of helpers, and it was more like THEY beat the path for me and i chased along like, "what is happening, oh my god, what are you doing???"

i got really lucky. that doesn't always, or even usually happen. in most other areas of my life, i've had to beat the path myself. and it takes a long time if you're doing it on your own. but you should anyway, because it's so fucking worth it dude. yeah, it was awesome to get so much help with my writing confidence specifically, but it's been just as worth it every time i've had to do it alone too. and i have good news! there ARE ways to tell people you're on this journey of making yourself a new path. here are some suggestions:

"i'm new/rusty at this, so please let me know what you think!" - informs potential readers/viewers/etc you are learning and gives them an opportunity to HELP you learn. this is a positive interaction! this allows people to find a GOOD experience EVEN if they didn't enjoy the story much, because they can help, and people DO, MOSTLY, like to help.

"i want to improve at [dialogue]" or "i'd appreciate advice on [lighting]." - similar to the first example, but does 2 things: gives viewers specific instructions that can be really helpful for those that aren't sure how/what to critique (surprisingly common thing; the more specific you are about what you want advice on, the more likely you are to GET advice), AND allows you to, neutrally and non-disparagingly, ask for help in areas you don't feel confident about.

"leave a comment if you liked it!" or "let me know what you liked best!" - listen. i don't think 'fishing for compliments' is bad as long as you're not being manipulative about it. these examples are very clear in what they're asking for, which is compliments, positive reviews, etc. and that's okay!!! first of all, lots of people LOVE praising works they like, i promise, and asking them to DOES make them feel like they have "permission" to (i know that sounds silly but i also know if you have anxiety about creating, you have anxiety about commenting, i see you, i was you). secondly, i have gotten the MOST encouraging, confidence-boosting comments this way, especially with the latter example. there is NOTHING more immediately anxiety-curing than a comment that says "i liked [scene/dialogue/character/etc] specifically." it's AMAZING. (also, if you're looking for advice on commenting, this is a GREAT thing to do. imo, this and "speculating/interpreting the work" are the two coolest comments i get they make me feel AWESOME.)

remind yourself, as many times as you have to, CONSTANTLY if you have to: likes/kudos mean someone enjoyed your work enough to press a button. views mean someone liked your work enough to click through for more. these are POSITIVE interactions, they are not "less positive" than comments or reblogs/reshares. i know those last two things are more obviously gratifying, and depending on if you NEED your work to spread (for exposure/commision prospects/etc), very good, awesome ways to support you, and i don't mean to say you shouldn't WANT comments and reblogs/reshares. but for me, it's helped me a lot to recognize that any bit of effort whatsoever means someone LIKED my work. it's also helped me to think of all the times i've shared a link to an artwork in a discord or something, and know that there is an entire, untangible metric i can't and will never see that, sure, i can choose to believe doesn't exist or isn't very high, but i can ALSO choose to believe it happens quite a lot, and the latter makes me FEEL better about my work and makes me want to create MORE, so i think that's the more productive mindset personally. it doesn't matter what the truth is, you know? we'll never know it and it doesn't harm us to never know it. but it DOES harm us to assume no one quietly, unseen by us, likes our work, and it DOES ENCOURAGE US to assume lots of people do.

here's the thing: anxiety disorders fuck you up by making you believe extremely negative, scary, depressing things. the disorder gets worse the more you allow it to make you believe these things, and the only way out, as stupid and hard and at times impossible as it feels, is to say, "no, i don't like that interpretation, i'm going to replace it with a positive one." anxiety is making paths all throughout your brain, and you have to just, make paths too. anxiety needs YOU to make paths, but YOU don't need anxiety to make paths. your paths WILL be better, safer, easier and happier. you just—and i know that is the biggest "just" ever—have to make them.

but i believe in you. i don't need to know you or your circumstances to believe in you. i believe in the sheer amount of control you have over how you face the world. and it's so much more than anxiety would lead you to believe.

i looooove seeing artists & writers proud of their work!!!!! i looooove captions & authors notes that say things like “i’m quite happy with this” “i love how this turned out” “i had so much fun making this”!!!!!! i loooooove when the act of creation is joyful & we take pride in what we make!!!!!!!!!!

[edgeray]

hello ray! This is my first time requesting! ( I have read ur request rules too since I don't wanna be rude) I have read ur dragon arlecchino x dragon hunter reader and it was absolutely beautiful!. But I have come to request another version of that (I hope u don't mind) but in this version reader isn't a dragon hunter but a dragon trainer (or like trains dragon) u can make any scenario of this if u want!

Ps- I have read (almost) everything u have wrote Nd all of those were masterpieces.

Btw can my anon emoji be 🦋?. I'm currently obsessed with how beautiful butterflies are just like ur work!.

Dragons are Stupid.

(Arlecchino x GN! Reader)

A/N - Hello 🦋 anon! I know you sent this request a longgg time ago and I truly apologize for only just getting to this one. Thank you for your kind words <33. Also I really appreciate you reading my rules! Man, I miss writing these requests.  I won't be describing Arlecchino because I'm lazy and I also imagine that she looks the same in Dragon Hunter Mother, except she doesn't have three pairs of wings.

Content warnings / info - Dragon! Arlecchino, Dragon Trainor! Reader(?), could be seen as platonic bc no human form

In your quaint village, you were only twenty two when you became the first one to willingly leave–you wanted to explore beyond what your cozy town offered, despite all of the villagers’ protests. They told you that there were too many dangers that existed outside of the forest, but there was a buzzing inside of you that told you your purpose existed outside of the settlement. Reluctantly, you took off, but not without carrying a bit of something from every person in town. Your mother and father personally made you an entire portable cooking set, your aunt and uncle having crafted their most durable leather backpack yet, and from other families, packed homemade meals or tools. By the time you were ready to head out, you practically had enough food to feed six families. 

You were five days into your journey, simply traversing the thick forest and taking in all the sights. Your peaceful journey takes a turn when you notice in the distance trees that were partially or almost completely destroyed, their trunks broken entirely and falling onto the ground. The trees that are still standing are blackened and lacking their leaves–all of the vegetation around them are gone. 

Perhaps it was curiosity that drew you in or something else, but in any case, against your better reasoning, you decided to venture in. It didn't take long until you first encountered her. 

She was large, easily four times the height and many times the length of the largest creature you've seen beforehand (a bear, you later find out was the name of the animal). You had never seen anything like her before. Her sleeping form was so still, you would have mistaken her for a large boulder if not for the rumbling that came from her. If she was this massive while lying down, how much taller would she be if she was standing up. 

At that moment, every thought in your head told you to run away. Something that large would have no problem seriously harming or even killing you, even without malicious intentions. She could accidentally step on you, or one flick of her tail, and it would send you flying. Best not to wake up the beast. Unfortunately, or fortunately, you were too curious to scurry off, and circle around the sleeping dragon to examine its features. With one miscalculated step, your foot stepped onto a branch, emitting a loud snap that made you freeze in place. 

Instantaneously, the beast rose, a loud rumbling shaking the ground. Tumbling back onto the ground, all you could do was watch the towering creature approach you, their every step reverberating through the earth. Mouth agape and your expression aghast, there was some kind of pressure on your entire body that willed you still. The thumping organ in your chest resounded throughout your eardrums, deafening everything around you. 

Scarlet crossed pupils ensnared your gaze, and you were engulfed in those dark abysses. The massive being crept nearer and nearer until it stood just over you. With a deep huff, she maneuvered her head, sniffing at your backpack. A quick realization came to you as you recalled the food in your bag and hastily slid off your backpack straps to access the contents. The first thing food your hand grasped was a bagged loaf of bread, which you wrenched out and offered to her with an outstretched hand. Your hand couldn't stop trembling and you've closed your eyes, deciding against all your rationale to trust this strange creature. 

The bread was plucked gingerly by the creature's teeth and an audible gulp was heard. A coarse, solid texture pressed against your palm and when you opened your eyes, before you was a sight you couldn't imagine. The reptilian's snout was pressed against your hand, a soft resonance erupting from its throat–almost like a cat. In awe, you moved your hand across the snout and its scales, tracing along the indents with careful observation of the beast.

And at that moment, you think you've never seen a more beautiful creature.

Since then, Arlecchino (you had named her, and she begrudgingly accepted) had stuck with you, even when you ran out of packed food from your backpack. She was injured at the time, but at the first feeding you hadn't realized–only having seen the hole that pierced through one of her wings. You could only imagine that another dragon had caused that wound, like it had sunk its teeth in that area. The terrain you found Arlecchino in seemed to have been the battleground for that fight. 

Arlecchino could barely catch any food with her impaired wings, and it's likely she would have starved to die if she hadn't met you. Even then, it took her months for her wing to fully heal so that she could fly. It also didn't help that you were a novice adventurer–you barely knew how to hunt, fish, or gather any food in the wild. You had tried your best to provide her all that you could, and it was enough for her to live off on, despite sleeping for most of the day to preserve what little energy she got. Thankfully, the months had passed relatively quickly, Arlecchino providing you with no end of entertainment. 

“How do you always get tangled in the fishing nets? If you break another one, you can go catch fish on your own!” You yelled at the dragon as Arlecchino snarked back with an eyeroll, sweeping you off your feet with her tail. You fell into the creeks with a cry and cold water seeped into your clothes. You trudge your way back towards her, before kicking the water towards her. She blocks effortlessly with her wing, before fluttering her wing to flick back the water on you. 

“Archons, you're a terrible dragon!” You screamed with no real emotions behind it. With a quick tail swipe, your face was met with another blast of frigid water. 

You huffed, knowing that it was impossible to get back your revenge. You helped Arlecchino untangle her feet from the net, having Arlecchino hold one end of the net with her mouth. Traversing across the other side of the creek with the net, you waited for a steady school of fish to come your way. Not too long later, the two of you are able to heave out onto the bank a dozen or so fish. Arlecchino then goes to collect some firewood while you take out your knife to prepare your fish for consumption. 

As you're gutting the fish, all too smugly does Arlecchino dump the assortment of twigs and branches at your feet, accompanied with a good amount of saliva. You proceed to go into the creek for some peace to wash your feet while the dragon lights a fire on the branches. When you return, you shoot the reptilian a glare before piking your fish on a stick and setting it above the fire. 

The dragon lays beside the fire and you sit against her. You brushed your hand against her neck. “You're getting cranky, aren't you?” 

Arlecchino snorted. You assume that was a yes. “We can go pack up tomorrow and be out of here. If you save some fish, we could probably trade it to get you some beef, yeah?” 

The dragon doesn't react much, but from the swaying of her tail, the idea seems appealing to her. You chuckle. 

Vibrant red flickers across your face as dusk approaches. Your fish finishes cooking, the skin crispy and the flesh delicate. Your dinner becomes just that, paired with some bread and a few berries that you picked. Unsurprisingly, Arlecchino finishes four fish before you've reached fullness. 

“Stop looking at me like that,” you warn as the expecting, deadpan look comes across the dragon's feature. “You can't finish my berries. And I'll give you the rest of my fish soon enough.” 

Arlecchino snarls and thumps her feet against the earth. The ground shakes and you couldn't be bothered. Typical tantrum.

You rip out a chunk of the cooked fish and offer it to her, outstretching your hand towards her mouth. As she unlatches her jaw, you cruelly pull away, popping the piece into your mouth with a wicked smile. Before you can start cackling, she lunges and wrenches your fish from your hand, stick and all. You gape at her as she chews and swallows, spitting out the stick that you used to hold the meat. 

“You–!”

Safe to say that humans can't wrestle dragons. You're knocked on your ass before you even knew you were. To rub it in, Arlecchino lets out a satisfied huff of smoke from her nostrils as you lay defeated underneath her tail. 

Stupid, stupid dragon. 

More A/N: Is it bad 😓? Yes. Cut me some slack, it's my first request in a while. 😭Anyways, I missed you guys. I'm on thanksgiving break, so I'm hoping to be able to get all the things I've wanted to write here, including some requests. I'll be working on requests all week (hopefully). I'll also be working on a lot of other ideas and I'm constantly thinking of new ones and it's so hard to focus on one. my main priority is my halloween event fic (alien! arlecchino) and because it's me, it's a beefy fic. again, I'll try to post more content, but most of them are gonna be tidbits/blurbs than full length fics. Requests will be paused until I finish about most of my requests (hopefully I finish all by/during winter break).

[ri-writes-if]

Hi! I just found your story and I love it, so I was reading all the asks 🤣 for the "save MC or the world" I wanted to ask, if after years (a century? Enough that their mind is "stable") that the ROs saved the world, while on a trip they see MC alive in the "country side", what do they do? Do they think they are immagining things, do they try to find MC? If they decide to look for them and they meet MC, what would they do if they find out that MC doesn't recognize/remember them (MC almost died and lost their memories)? MC now lives a quiet life with the one who saved/healed them (not clear if they are romantically or platonically involved with each other, but they are very very close). Do they try to get MC remember them, do they try to restart all from the start, do they leave MC there and go back?

The mentioned scenario

Thank you! I'm glad you're enjoying the story 💛

What a curious ask 👀

Vez knows it's you, but they want to make sure they're not mistaking someone else for you, so they'll come to talk to you. Upon realizing you don't remember them and figuring out you're not pretending, they hide their pain behind a smile and bid your goodbye. They'll arrange for someone to protect you, but they'll never go to you again, believing that they wasted all their chances with you when they sacrificed you. They don't deserve you, and you'll be better off finding happiness somewhere else. Better even if with someone else. If you ever has problems with something, they'll help you from the shadows, never revealing their involvement and identity. You still will be a part of their life, though you won't know about it.

Os doesn't believe it's you at first. Surely they're mistaken. They walk away, but the memory keeps pestering them, so they halt and run back to where they saw you. They don't know what to say to you, so they carefully observe you from afar before gathering courage to approach you. When they realize you don't remember them, they once again are thrown into utter confusion. Do they let you go? Do they try to remind you of them? But they sacrificed you. Would you want to be with them after all of that? They won't be able to decide at the moment, so they'll need time to think it over. Ultimately, they'll decide to let you go, but they last long. They want you in their life, in any way you can be, so they'll approach you again and try to befriend you. They won't let you come too close to them, however, because they don't want to hurt you again.

Laz thinks they're hallucinating, though they shouldn't. They're stable now. Which means you're real. Which is impossible. They follow you around, observing your behavior intently, like a hunter hunting its prey. They won't approach you at first—instead, they'll send someone to gather information about you. When they conclude it's really you, they'll come to you. It doesn't matter that you don't remember them. They'll crawl back into your life one way or another, no matter how much time it'll take. They know they shouldn't—you were hurt because of them—but they're too selfish to let you go. They won't pay much attention to your new friend; they're no threat to Laz or your relationship, and if they try to become one, well... :)

Ash cries. They break down right on the street, where they saw you. They're unwell, and they can't follow you because it's hard to breathe and their vision is darkening. Ash returns to the palace and tells everyone about this and asks Vez to send someone to find you, to gather information, because they don't know if it really was you or if they hallucinated. If it was you, then they'll come to find you, though they won't go alone—they're too scared. When they realize you don't remember them, they're shocked. They didn't think of this possibility at all. They thought you didn't want to come back to them, and if you said so, they would respect your decision, though it would break them all over again. But what do they do with this? They'll try to remind you of them and tell about your times together. If you allow them back into your life, they won't ask for much or try to get back with you. They'll let the nature take its course. As long as you're alive and happy and they can be near you, they're content.

(Let's pretend Az didn't go insane) Az comes right to you, asking you so many questions, babbling, barely making sense. I doubt you would understand them. Once you tell them you don't know them, they quieten, staring at you in surprise. They laugh, thinking you're joking with them, and say that this is a very cruel prank. When they realize you're not lying or joking, they take a step back and try to clear their thoughts. They'll calmly introduce themselves and explain that they knew you, and something bad happened, and they thought they lost you, but you're clearly alive, and they're very happy about it, and how have you been living so far? The barrage of words doesn't stop. Ultimately, they'll try to win you back, but they don't mind playing the long game and slowly gaining your trust. They did it once—they can do it again. They'll be very careful with your friend, try to get on their good side too, because they understand you might send them away if they offend your friend, and they won't allow that to happen. If your friend at any point shows romantic interest in you, well, Az knows how to play these games, and nothing will stop them from becoming the one you choose.

Thanks for the ask! The answer is kinda long, so sorry, lol... Hope you enjoy it 💛

[winniewritesstories]

thinking about....soldier boy (ben) with a doe-coded reader ⋆｡˚୨୧˚｡⋆.

౨ৎ⋆˚｡⋆ all sfw | can be read as gn!reader ⋆˚｡⋆౨ৎ

⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆

⟡ you're a supe with the power to communicate with animals

⟡ you live in the woods near a small rural town, in the new england area. most people leave you alone - your supe powers aren't the most useful for vought. the locals think you're some kind of witch or woodland nymph and give you space, too

��� your little cottage is always full of animals, both domestic and wild. deer, foxes, sparrows on your lawn, cats that come and go, rescued dogs of all sizes lounging on your porch.

⟡ butcher & the boys need your help with finding the deep, hoping you can communicate with sea creatures (you've never tried before) to find him and help then track down homelander

⟡ ben is dragged along against his will, grumbling the whole drive there. when they pull up to your cottage, wisteria growing around the doorway, rose bushes with bees buzzing around, he rolls his eyes.

⟡ the front door opens, and there you stand, wearing a little blue or pink or yellow dress, a small kitten hanging out in the pocket of your apron, no shoes on

⟡ you don't ask who they are or why they're there; you just give them a beautiful big smile and greet them, half a dozen dogs following you out the house

⟡ ben has never seen anything so perfect and pure in all his life

⟡ you invite them inside, make tea and serve it with biscuits you just made. there's a robin living in your lounge and what looks like a domesticated mountain lion laying on the bottom step, eying your guests warily

⟡ you listen intently to butcher, wide eyes blinking earnestly, lips slightly parted, and ben just watches you the entire time, taking you in...

⟡ your cheeks, freckled from spending so much time in the sun; the way animals of all shapes and sizes flock to you for safety and comfort; how you're always padding around your home or garden or nearby forest barefoot, curling your toes into the grass. the way you tend your garden, picking flowers to weave into your hair, greeting the bumble bees, making polite conversation with passing crows. the soft tunes you hum or whistle, or the way you sing softly to yourself and your animals as you go about your day

⟡ ben is a goner. practically drooling at how pretty and soft and innocent you are.

⟡ he's obsessed with you after that first meeting, basically following you around like another dog. if you weren't so gentle and affectionate with everyone and everything, you might find it creepy or unnerving or irritating

⟡ but you don't mind him at all, finding his company nice and his attentiveness endearing (he's not the first wild animal you've tamed, after all)

⟡ he basically never uses your name, resorting to any one of a hundred nicknames - princess, dolly, fawn, sweet girl, kitten, pretty girl, my love, little dove

⟡ as you get more comfortable with each other, he'd lay his head in your lap by the fire or under the warm afternoon sun, and you'd scratch his head, playing gently with his hair

⟡ the first time he here's you giggle he actually melts, his heart thawing at the sound, wishing he could bottle it and replay it forever and ever.

⟡ when it gets cold and you wrap yourself in a soft sweater which is too big for you, sleeves covering your hands and he wants to wrap you up and whisk you somewhere warm (although he secretly loves the cold now, getting to hold you close - 'here, dolly, i'll warm you up', he says, pulling you back to sit in his lap, big, strong arms wrapped around you)

⟡ you don't get angry or upset often, but when you do ben thinks it's the most adorable thing ever, the way you huff and pout and stomp around lightly, whining at ben 'don't be mean' and he melts and kisses your nose and says 'i'm sorry, princess', because he can't be teasing or angry with you when you look so sweet

⟡ he finds himself talking to the animals the way he'd seen you do, even if he couldn't understand them. one morning he's sat on the porch, watching you pick vegetables, and he starts talking to the dogs by his feet about the weather and wonders if he's finally cracked

⟡ he basically becomes another feral dog that you tame and becomes an added guard dog to your already large pack. growls at people in the street if they bump your shoulder, stares down frenchie and butcher when they visit, and if he had a tail it'd definitely wag every time he looked at you

⟡ learns how to make tea just the way you like it

⟡ loves, loves, loves to make you blush, watch you get shy and flustered over the silliest little things. drives him mad the way you bite your lip, looking down at your feet or fiddling with your hands, cheeks flushed pink

⟡ never considered himself an animal guy before, but now he befriends all kinds of creatures, thinks twice about buying leather or wool, and even brings home a stray cat he found in a dumpster once

⟡ your favourite love language is physical touch, and you absolutely adore showering ben with affection; butterfly kisses, nose kisses, pressing your forehead against his. sometimes you'll be lay under a willow tree or in bed, and you get all smiley and giggly and plant kisses all over ben's face, shoulders, chest, anywhere you can reach. as you sit back, face blush, hair tousled, slightly breathless with a giddy smile, ben's heart twists almost painfully in his chest, realising how much he loves you and how much that scares him

⟡ he secretly loves the fact he can be gentle and laid back with you, dare i say soft. after a lifetime of fighting, he likes to unwind with you and your animals, and you make him feel much more human. you don't want to use or abuse him, don't need him to be soldier boy, or a hero, don't need him to be anything other than just ben

⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆ ✦ ✧ ⋆

notes -

thank you for reading!! first little h/c set like this, please let me know if you like it!! ᡣ𐭩

[not proofread]

[sobbingscripter]

Toji Fushiguro x Fem!Reader (mdni)

Tags: [adult content][tittyfucking][smaller tiddies][they were roommates][scammerxscammer]

~~~~~~~~~~~~~~~~~~✧⁠*°~~~~~~~~~~~~~~~~~~~✧*°

For the first time in his life, Toji's met someone just as skeezy and as sketchy as him.

It's not above you to make bets that you have no intention of fulfilling, making promises that mean nothing because breaking them, was as easy as taking candy from a baby.

Only this time, the baby was a 6 foot 4 man, with broad shoulders, familial trauma and a scar on his upper lip that stood out in the best way imaginable whenever he curled his lip in distaste at whatever smartass comment slipped from your lips across the pinewood dinner table.

"Awww, you disappointed?" You goad Toji, hands resting on your hips, just above the waistband of your sweatpants and you snort at the narrowing of his emerald pools.

You had promised him a titty-fuck if he made dinner, and it was... a feat. Toji had actually read a WikiHow article on how to make pasta, from start to finish, not missing over a single detail and here you were, tiny-titted and mocking him.

"Why don't you... get some bitches?" You snicker, before reaching over for your hoodie once again, the cotton promising warmth that the lack of an air conditioner in winter couldn't even fathom.

"Get on your knees." Toji grits out, hands tugging roughly on the frayed drawstring of his sweatpants, and he shifts, resting back against the sofa, thick muscular thighs parted to give you more access to the visible bulge in his pants.

"Huh?" Your brows furrow.

You weren't expecting that.

"You don't listen for shit but I know you're not deaf." Toji scoffs. "Get on your knees, brat."

He tugs the drawstring, undoing that knot he somehow managed to do with one very talented hand while his other had clutched his phone (you watched because the muscles in his forearm flexed).

"Titties are titties. Even..." Toji's eyes lower to your chest, gaze travelling over the swells, perky mounds that would fill his hands perfectly and he can feel his cock twitch at the mere thought. Pretty nipples that were pulled taut from the chill wind that crept in through the windows, and a low groan left his lips at the way you crossed your arms, your cleavage appearing out of hiding and that pendant dangles just between your breasts, nestled in the crease.

"Even tits that are attached to smart-mouthed, lazy, perverted, sick fucks like you."

Toji finishes what *could* be a compliment, in a mean way.

"Is this because I signed you up for that thing?" You frown, but you don't argue over anything, not that you'd really want to.

Your roommate's... pretty hot.

Especially when he wears those tight compression shirts that have you biting your knuckles, when he leans on the doorframe in that way that makes your throat bulge like a bullfrog, ready to take whatever he's willing to give.

"No." Toji grunts. "I don't give a shit about the missionaries who keep trying to give my life purpose."

Toji grabs you by the front of your pendant, pulling you towards him (forcing you to walk because you don't want to break the necklace).

And strong hands move to brace your shoulders, forcing you onto your knees and he shifts, lowering the ribbed waistband of his pants, just enough to free his thick cock.

Veiny, almost the size of your forearm, with a fiery tip leaking beads of precum and he wraps a scarred hand around the base of himself, before tapping his cock on your plump bottom lip.

"Put your tits together."

Toji's instructions leave no room for arguing and you shift closer, hands cupping the underside of your chest and pushing your breasts together, and Toji gives himself a few lazy strokes, spreading the slick of his precum all along his thick shaft. And he runs his tongue across his bottom lip.

"Do you have a condom?" You question, head tilted as you remain, hands cupping your breasts.

"No, I'm clean." He dismisses.

"But what if I'm not?"

Toji stares at you, before snorting.

"*Right*." He scoffs. "Like you could get a sexually transmitted disease, keyword, sexual."

It's a jab at your inactive sex life, only consisting of audio porn and a vibrator with batteries that you snatched from the TV remote. And Toji shifts, making himself more comfortable.

"Come on, get to it." Toji hums, his broad chest heaving with a heavy exhale.

"I can't reach."

Your words make his jaw clench, and he shifts, grabbing a few pillows and lifting you just enough for him to kick the layered pillows beneath your knees, giving you enough leverage.

And he's nestled between the small mounds, bows knitting as he watches the way you move clumsily, your hands slipping frequently, brows knitted in concentration, and he rests his head back against the sofa.

Watching you through half-lidded eyes.

"You've never done this, huh." Toji mocks, before he pulls away.

"Lie down."

"On the sofa, or on the floor?" You question and you're only met with a shrug, before you lie on the carpeted floor, a pillow beneath your head and your eyes widen momentarily when Toji straddles your waist.

"Push them together." He instructs and resting one hand above your head, broad fingers splayed on the carpet as he begins to thrust against and between your tits.

The sensation is lewd, the slippery precum making a lewd sound each time his veiny cock pushes through your cleavage, leaky tip poking out from between the soft mounds.

"If you could talk to me, it would be nice."

You break through his reverie and Toji narrows his eyes at you.

"You ain't doing shit. You're just lying there like a dead fish." He snickers, mocking you even as his speed picks up, his orgasm nearing at a speed that would be embarassing, if it wasn't for the fact that he knows his second round is always longer than his first.

"Wow, so you're titty-fucking a dead fish? Pervert." You retort, and your words are only met with a scoff, before Toji sits up, beginning to roughly and unceremoniously tug at his leaky, throbbing cock.

"Barely counts as titty-fucking." Toji insults, to which you reach a hand up, smacking him in the face. Not harder than you've done it before, but definitely not giving you the same, annoyed reaction, instead, it earns you creamy ribbons, strewn across your face and chest.

Toji's hips buck, vigorously fucking his fist as the last few spurts drip down to his fist, trickling alongside his precum and he lets out a relaxed groan, before looking down at you.

H gives you a shit-eating, lopsided grin, before his rough hands palm your chest, pushing your tits together and the lewd sound of rubbing them together, covered in cum, rings in your ears.

You can feel your cunt clench around nothing, simply from the way he looks at your chest like it's something to be revered, and worshipped.

And he brushes rough thumbs acros your sensitive buds, feeling the way your stomach clenches below him.

Toji grins, head cocking as he watches you stare up at him, opulent strings across your pretty face.

"Sensitive nipples..." He mumbles. "Good to know."

A/N: shoutout to me completing high school and writing 🌽 immediately afterwards

[teamchillidogs]

Oï!!

First, I want to say, I love this comic and genuinely can’t wait to see what awaits for us next ♡♡♡

The premise is such an interesting concept– And the art is to die for, hello?? (all my ♡ to you guys, and I mean ALL of you!)

I just had two tiny questions, if it haven’t been already answered:

If it doesn’t spoil anything, is Sonic still going to be able to run at his full speed with that mechanical leg? Or is he going to be limited? I can’t imagine my poor baby stuck with average speed, but I’m not really sure that this leg is capable of supporting his sonic speed.

And second, mostly adressed to others fans... WHY IS EVERYBODY BLAMING MAH BOI TAILS FOR EVERYTHING?? Like, yeah sure he’s technically responsible but–

Why is nobody blaming Knuckles too?!

Both Sonic and Amy told Tails to come back to the ARK and let Sonic&Shadow handle things, and I think we can safely say he would have (even reluctantly) obeyed and gone back to the ship.

But noooooo, Knuckles had to chime him and told him to make himself useful.

Useful.

To the boy who literally just witnessed his BigBroTM (fake) death in an explosion without being able to do anything abt it.

The kid who just had an entire arc abt gaining confidence and learning to step out of Sonic’s shadow (pun not intented), to be his own person with his own purpose and all that jazz.

The child who’s probably still pump up on the adrealine from his fight with Eggman (which he won if I remember my SA2 correctly).

Knuckles, mah bro, best hot-headed himbo of the franchise. You could not have chosen a worst time to utter these words.

Of course Tails was going to take him up on that and try to ”MaKe HiMsElf UsEfUl”, why wouldn’t he?? He defeated Eggman in battle (Left-over adrealine and possibly cockiness?), and didn’t seem to trust Shadow with Sonic (who, again, was thought Dead literaly less than half an hour ago bc of the Team Shadow was on– Seriously, I can see why he’d like to be by his side when Sonic is again risking his life out there for them)

And franckly, how was he supposed to realize how bad his intervention would turn out to be? It never got that bad before, why now?

#StoptheTailshate #HoldKnucklesaccountable

Sorry for the rambling and the terrible english, but it had to be said, bruh. Tails ain’t even in my Top-5 favorites character, but everyones’ so harsh on the baby, he needed some backup 🥺😭

Hii @sookilini here answering as per usual!

this is the best ask we have ever received and it's honestly my favorite, thank you so much for sending this.

I always get to excited and emotional when i read these things, thank you so much for your kind words <333

ALSO THANK YOU FOR NOT ATTACKING TAILS, he has been DRAGGED TO FILTH I CAN´T TAKE IT /j

So first: is Sonic still going to be able to run at his full speed with that mechanical leg? Or is he going to be limited?

Unfortunately, the people of Marmolim (the planet he landed on) as you may have been able to tell, don't know who Sonic is and are unaware of his speed and abilities. So, the prosthetic leg isn´t capable of withstanding his speed...

Secondly

Why is nobody blaming Knuckles too?

I honestly have no idea why most people commenting did not catch onto Knuckles provoking Tails by poking at his insecurities, I'd even dare to say his ego more so... Tails got into his head "oh I don't need Sonic to get things done. I can do anything, I'm more than just the brains, I can do the action too" at least this is my intention with his actions.

We have to remember, Tails is literally just a child at the end of the day, yes he is incredibly smart but can you really expect a 12-year-old-ish kid to act rationally when put in a stressful life or death situation while getting yelled at by everyone for just trying to help?

Nobody would ever expect a kid to even be in that situation to begin with right? at least that´s what I think.

We all know Knux isn´t the smartest in hindsight...he isn't stupid by any means, but he will say what comes to his mind without second guessing for sure.

But oh well...Knuckles isn´t here to defend himself....anymore...

But there is still hope

[kiko---random-stuff-probably]

Infection

How Kallamar got his scar on his left eye.

For context: Kallamar is seveteen and got recruited by Shamura (who is around 30).

Kallamar did not expect, after being recruited by War themselves as a poisoner, to be in any way met with open arms by the other soldiers, for several reasons.

First of all, he was not a warrior. He only stepped foot on the battlefield after everything was done, and some of the soldiers considered him way too fragile and weak to actually help.

Second, he was a foreigner, and had some problems with the language barrier, even if luckily he came from a place where Silk Cradle's language was pretty used and he even read it on some medical tomes. Still, he had a certain accent (that he was actively trying to lose) and some words were still unknown to him. He was pretty sure thatsome soldiers referred to him with a slur, bbut he was not sure. He wasn't the only foreigner in Shamura's army, but this was not going to stop it.

Also, the fact that he poisoned his ex village was considered by a lot of soldiers as a clear sign that he was, and he could quote the exact words a soldier used behind his back, "a psychotic piece of shit who will not hesitate to stab the Spider's back". Which, obviously, was not true: he had no reason to hurt Shamura! After all, they gave him a home, a role, hot food and sometimes they even talked to him! Way mroe than anything he could had ever wish for!

So, he knew he was not in any way welcome there.

Still, slashing his left eye was a little too much.

Right now, Kallamar was sitting on a brand bed in the medical bay, holding an hand over his now bandaged face.

The doctor was reassuring, once again, that his wound was not going to get infected and that he was going to have a quick recovery, before excusing herself and leaving when Shamura entered.

War glanced at the squid, their expression indecifrable and cold. Disappointed, maybe.

Kallamar looked at the ground, as his mind started to race.

- I was informed of what happened. I still want to hear your side.-

- I didn't... I was not the one to start it.-

- I have no doubt in that, but I still want to hear your version.-

Kallamar was shaking, as he tried to find the words.

- I didn't... I was just... they attacked me out of nowhere, and said i had to "earn my right to live" and things like that, and others were inciting them, and... and... and they had a knife, and...- he was more than omce interrupted by a few sobs - I was scared... I couldn't...-

- You managed to take their knife away and then stabbed your opponent, right?-

- They putted it down, saying something about "a fair fight", and I knew they could had easily snapped my back, I just...-

- You stabbed them in the neck. Precisely in the carotids.-

Kallamar still didn't loook at them.

- And than you stabbed them other fifteen times. Some of the soldiers even report that you started laughing during your rampage.-

Kallamar holded back a sob. As they needed another reason to hate him. He was going to be executed, or thrown in the prison at best. All for a stupid fight.

- I really can't see why you were scared. Honestly, I'm impressed.-

Kallamar looked at the spider, trying to catch an underlying sarcasm. Instead, he found something akin to pride - Do not worry, I am not mad about their death, it was self defense after all.-

- I killed them.-

- They attacked first with the intention to kill you. I can forgive your reasonable outburst of adrenaline. We will have to work on your emotion management and teach you how to incapacitate an opponent without killing them, even if I doubt someone else will decide to try something similar to this.-

Kallamar was sure he must had misheard them.

-... Why aren't you mad? You should be mad that I was the one who survived. You should...- towards the end, he slipped in a swear word in his language.

Shamura's expression was filled with genuine confusion.

- Why would I be mad about that...? You are an important asset in my army and also a good kid with a promising future. I would had been really upset if you actually died.-

Bullshit. They must be lying. He was just a stupid weakling who could not do anything right and who's only role in life was to die and-

- Regardless of whatever your old village made you believe, you matter as much as anyone else. I'm happy you're alive, kid.- the spider gently patted his head, and that was it.

The squid bursted into tears, overwhelmed.

War let him cry, fully knowing how much he needed it.

[skeletinmoss]

Let's talk about Sanders Sides and why it should end.

Disclaimer: this is my opinion, I don't have any malicious intentions by voicing it, please don't harass me or people working on the show as the result of reading this rant. You can just stop reading if you don't like what I am saying.

Thank you for understanding.

I myself only joined the fandom 3 years ago. Along the years there has been a lot of content and I was captivated immediately. The characters are the main thing of this fandom and I would like to talk about them first.

They started to not be themselves. Maybe it's now that obvious when you watch one new episode every year, but for someone who just showed up and binged it it's quite noticeable.

There is a thing that happens to every character in every long term content (I'm sorry I can't remember how it's called). With time they become parodies of themselves. And as the time goes on they become more and more simple. That can change the character drastically. Someone who was street smart becomes a character that you can't believe is still alive with how stupid they are.

The same thing is starting to happen is Sanders Sides. It's basically a running gag that Logan lost all his whimsy and is gonna snap at any time. This is the example of simplification, what is left of him is only his core elements. Logic, no feeling, smarty pants, facts, jam. However it ties into the story quite well. No one listens to logic. It makes us invested in how this unnoticed before conflict would be resolved.

With Patton it's not the same. He used to be innocent. An adult who doesn't want to grow up. He was relatable. Maybe it's because Thomas is older now, but the innocence in Patton's character started to come of as ignorance. He used to come of as deeper than at first glance, smarter than you give him credit for. Now he just acts stupid. A guy who can set water on fire. A guy who doesn't even try to confront reality. He was supposed to get character development. Where is it?

Virgil started to be more cringe and boring. He's emo and his character trait is to act like an angsty teen. However now it's more of an adult pretending to be a teen. You can most see it in the Jam video where he tries to do skateboard tricks and we can see his boxers sticking out. Why would you do this? He used to be sassy, he used to be arrogant villain who can't get rid of. He got excepted, and despite the Halloween episode about the phases, and him saying " It's still my job to scare you" we don't ever see him do it. He hangs around I guess, but he lost all his bark and bite. All that's left of him is just moody.

Roman likely didn't change that much. His original chaotic nature masks any changes so far. Although I would say Roman lost quite a bit of his drama and sass. Being sick because the ego was bruised, starting a rap battle just to prove a point and show off, singing and " Making the song 10 times better" in his opinion, freaking out because a person he ships Thomas with has called him back. In flirting with social anxiety he does freak out because of the cute guy, which is very Roman, but it's a bit strange that the embodiment of pure creativity would not find words to finish a poem. ( I have my questions with him in the nostalgia episode like playing the instrument poorly even if he showed he can draw a Mona Lisa with crayons, or not allowing Thomas to demonstrate the dance, but I'm just gonna put that under " Possibly Janus pretending to be Roman")

And Remus and Janus wasn't here long enough to start to fall apart. Although I don't think Remus would actually be able to fall apart as a character because of his chaotic nature.

The second thing I want to discuss are sponsorships.

I am happy that Thomas gets the money and has the opportunity to get more. But did he had to put characters into the sponsorship?

The jam one was fun. It was a joke what turned true. A running gag. But it also gave the community something to interact with. Four new jam flavours, characters on the package, limited sets. You could try something your favorite character likes!

There were good sponsorships on Thomas's chanel before. Like Hello Fresh. He did the advertising as himself, not as characters. It wasn't so in your face. And that's how it should be. He wasn't begging for you to buy it. He was simply sharing a good thing he uses. It wasn't loud and obnoxious. Even if it wasn't as entertaining as the jam musical or character jam merch, you still felt like you could buy it. The food looked good!

It's not the same with VPN, now is it? I would not get any character interactions if I buy this thing. So why are the characters involved? Because I like them and it would be easier to sell me something if They tell me to buy it? Why are you so pushy for me to buy it?

We all are waiting for the season finale. Something grand. Something epic. Something to finish the story. But I don't think Thomas should start another season. He would probably be tempted to, because of the new character involved, but that might not be a good decision. I'm not saying he should stop with the Sides altogether. But I feel like short video format would suit the characters better from now on. No big plots, no storylines, just characters interacting with each other in different situations.

Finish it. Put a stop to the story. All good things need to end. Don't drag it out or you will ruin what we love so much about those characters. It would turn into 8 seasons of Winx instead of the planned 3.

Give them their happily ever after.

I hope I'm not coming of as rude, because I don't meat it in a rude way. I just have things that are bothering me that I want to talk about with someone and see if other people think the same

[flowerwiththemachinegun]

So for starters, Sapphire is not my oc and I have nothing to do with the entire story except for fanning tf out. She and the story belongs to @sapphirothcrescent.

I super suggest giving Left Behind a read if you haven't. I enjoy the fuck out of it. Also reading it would make certain parts of this make more sense as I tried to incorporate the story, thus far, into it. (Mind you I'm at More than Partners {chapter 16}) also here are the links to chapters 1 and 16 in case you're the same kind of murderer as me.

The specific lines from that chapter that inspired this cute little smut thing was

Sapphire: "...Whatever we are."

Sephiroth: “Whatever we are? You are unsure?”

Let’s see if I can get this in one fluid go? Later the night Sephiroth couldn’t shake the thought of Sapphire’s uncertainty of their involvement with one another.

This wasn’t the same timid Sephiroth that was displayed to her the first time. The confidence he exhibited was breathtaking, Sapphire wanted to beg him to stop, Sephiroth’s relentless onslaught of pleasure overstimulating her senses. She knew he was strong, but hell, she hadn’t expected Sephiroth to toss her around so easily. Changing positions to anything he found fit, at times he just wanted to hear the different sounds Sapphire produced upon the sudden change of angle. 

Sephiroth was already a lot for her to take in and he seemed intent on finding new ways to drive himself deeper. One moment Sapphire thought he couldn’t go to any further depths, only to be proven wrong with his name leaving her lips in a jumbled mess. 

‘What has gotten into him?’ Sapphire’s thoughts run rampant, unable to vocalize any of them as her breath is taken away as she’s suddenly flipped over. 

The feeling of his arousal prodding at her entrance forced a whine from Sapphire, earning a satisfied groan from Sephiroth as he allowed himself to drown in her warmth, sinking into her completely. The feeling of her clenching around his length forcing Sephiroth to take heavy, shaky breaths. 

He wanted to ask if she was okay. Needed to make sure he wasn’t breaking Sapphire too badly, but the way she sounds, how she now reacts to every little touch as though she’s going to fall apart under his fingers. He loves it and Sephiroth’s been in a greedy mood all night. Is it wrong to indulge himself as much as he can?

“Aphelion?” Her last name rolling off of his tongue in such a teasing manner. 

That caught her attention, apparently Sephiroth had been speaking. That was certainly news to her. Pressing his chest against her back, whispering soothingly in Sapphire’s ear. “Are you still uncertain?” 

‘Huh?’ Did he really expect her to understand that? There’s no way he’s oblivious to the state he’s put her in. Fuck, he isn’t even stopping to let her speak. 

Sapphire’s only response was a needy whine as he slowed his pace, making an attempt to rock herself onto his cock to make up for the loss. 

It was an instant reaction to such a small motion, watching how needy Sapphire was for him still. The way her hips rolled back into his made him gasp. “You are mine.” The way he said it was akin to a moan, a coming of realization. Though he already was becoming more aware of his feelings. No, he was stating a fact.

Sapphire would surely have a stroke if she could fully see him. Lips parted, pupils completely blown in a way she had yet to see, face tinted red, and his chest heaving. She was almost too much for him to take. 

Now, that, she heard loud and clear. Realizing he was referring to her uncertainties on where their relationship lay. “Yes.” Though Sephiroth didn’t quite ask, nor did he forcibly claim. It was something that should’ve been obvious. They were lifelong partners. It was a factual statement. 

A simple reply, but Sephiroth picked up the raw emotion in her voice. Though pleasure was the number one feeling overriding Sapphire’s soul, there was no denying the love she’s developed for Sephiroth, he could sense the unspoken passion in her voice. 

“I can’t hear you.”

Oh he’s playing mean. He knew what was said, the way he moaned as she agreed to his claim over her let her know this. “I need to hear you. Say it again.” He was practically cooing into her ear. Swapping positions once again, pressing Sapphire on her back. 

Sephiroth is nerve-rackingly quick, the speed in which he was back on top of Sapphire, working himself into her with ease and changing his pace to one he was certain would make Sapphire far louder than she had been. Sapphire’s legs wrapping around him only encouraged his actions. So did the scratches she left along his back. “Please.”

Now he was the one whining, a hint of begging in his voice as he asked Sapphire for reassurance. And god did she want to give it to him, but she couldn’t even breath with how hungry Sephiroth’s actions were. 

Through pure determination Sapphire was able to choke out a few words, hands seeking out for something to ground her back to Gaia. Seeking refuge in Sephiroth’s hair, giving it a rather rough tug. “Yes!” It came out as a chant, like a small prayer, repetitively making it clear that she belonged to him fully as she reached another orgasm. 

Pulling out wasn’t too much of an option, not that Sephiroth even moved to do so. Reaching his climax and finishing inside of Sapphire shortly after. He didn’t think he’d want her to move anyways, as tight as she was holding on to him, maybe he had underestimated how strong his little one could be. 

Laying on top of Sapphire with no intentions to move just yet, crushing her with his weight once again. Sephiroth didn’t say very much, practically purring with his head against her chest as she played in his hair. 

The way Sapphire’s fiery personality sparked back as they laid there got a chuckle out of Sephiroth. “You know, you belong to me. You are the pussycat here.” 

That was fine with Sephiroth, either way it meant he was with Sapphire.

[antispopausandstuff]

stans criticize antis for including the scene of Catra scarring Adora as a child in the cycle of abuse, going on about how she was just a kid, that a kid can't be abusive, etc., but here's the thing:

there's this kid i know and love. they're autistic, non-verbal // limited in speech, and are prone to emotional bursts. they always know more than people think, try to help you if you cry, and absolutely loves sharing food // treats with others and meeting new people.

but there are times i'm scared of them. hell, there's times i, admittedly, hate them.

i understand that they have little impulse control, that they're a child, a disabled one at that, and they don't understand the consequences of hurting someone or maybe even that they're hurting someone at all, but your "fight or flight", your anxiety, your fears, PTSD, etc. does not care who or what it is.

that and, honestly, i still resent my bullies. i know they were kids, too, but that doesn't take away from the pain and embarrassment i felt. for so long, i thought i was completely unlikable, and it was because of them. my ma tried to teach me the "ignore them", "kill them with kindness", "sympathy // empathy" lessons, but none of them worked.

bullying and abuse aren't that different, if they are at all. the victims always suffer, in one way or another, and bullying // abuse can lead to suicide, mental decline, physical decline, and overall ruin your entire fucking life for so long.

i understand that kids are little balls of energy and don't understand the consequences of their actions. my bullies likely thought what happened to me wasn't a big deal or was just a joke. maybe they didn't even have bad intentions in the first place. but that doesn't take away what i've gone through since then, because of them.

Catra was a child, yes, but so was Adora. why do you forget that? any child would be scared of someone, even their best friend in the whole world, if they just suddenly clawed them in the face just for asking "why did you do it?", any child. anyone, in fact.

there's exceptions, but generally speaking, we're afraid of what severely hurts us. Catra severely hurt Adora, just for asking a question that anyone else would've asked.

the cycle of abuse continued when Catra didn't care about Adora's health and safety, meanwhile Adora always cared.

now, after this, it's just speculation, but i had an interesting thought.

Catra punched Lonnie ( presumably, as there's no scar or implication that she clawed her, just that she hit her, and that typically means punching ), but clawed Adora. and hard enough to send her flying halfway across the room.

yeah, Catra was angry with Lonnie ( jealous ), but, ultimately, it's Adora who suffers the worst consequence. the writers obviously let Catra do what she likes, but i think this is just more evidence that she knew, even subconsciously, that Adora wouldn't fight back.

i originally thought that Catra only used her claws against Adora because of her hatred and knowing that Adora wouldn't do anything, but there's something else to consider.

she's clawed Octavia, disabling her, and almost did the same to Lonnie.

now, why would she do that to either of them, when neither have that much important to her, in comparison to Adora?

in the first scene, Catra did it just because she could. just because she thought Octavia was, more or less, ugly.

in the second scene, Catra did it because Lonnie pissed her off. but she's been pissed off before, many times, even to Lonnie, so why only try to claw her now?

to me, it reads as her using her claws on a person ( directly or indirectly ) when she knows the other is defenseless, in some way or form, or as a form of punishment. not necessarily because they have importance to her.

Adora just happened to be the one she wanted to punish the most.

[intuitive-revelations]

Genuine, weird question, and I don't mean this to start drama nor with the intention of personally defending Gary Russell... but do we as a fandom know for sure he's the one who gave the "death stare"?

I just ask as I remember looking this up a while ago while doing some research and of course finding the "Behind the Scenes" mention on the wiki:

[ID: An extract from a TARDIS.wiki "Behind the Scenes" section: "David A. McIntee once pitch a Fifth Doctor novel which would instead have revealed the Doctor and the Master as former spouses, in a plotline allegedly inspired by War of the Roses. The pitch was refused with a "death-stare" from Gary Russell.]

...which cites this post on Tumblr by David A. McIntee:

[ID: Extract from McIntee's post: "Mind you, back in my day they often wouldn't us. You should have seen the look I got when I pitched a story in which the subplot between Doctor and Master (Five and Ainley, if you must know - the main plot was the Master's conviction for genocide and depending on the Doctor to get him off, while Tegan wanted him executed, and Nyssa went rogue to bust him out cos he was partly her dad…) was that they were ex-spouses, inspired by the novel and film War Of The Roses. I think that one got the worst death-stare, equalled only by the Bollywood musical episode Jim Mortimore and I wanted to co-write for Big Finish. (The actual BBC response, according to Gary Russell, was "Over your dead bodies.")"]

I might be missing some info elsewhere, or misinterpreting what McIntee meant, but actually reading the paragraph, it doesn't seem to connect Russell to the rejected FiveAinley pitch at all?

Note that while Russell is mentioned, he seems instead to have been passing on the BBC's response to McIntee and Jim Mortimore's Bollywood musical Big Finish story. It's not even clear if he was the one responsible for that rejection, though it's not out of the question. Note that, while it could technically be referring to the previous subject, McIntee's parenthesis's second-hand quote says "over your dead bodies" (plural), presumably referring to him and Mortimore. (I guess he could technically be referring to himself and McIntee, which might fit the requirement for a "BBC response" more, but I dunno...)

This also makes a lot more sense to me given that, as far as I'm aware (and I could be wrong tbf), Gary Russell was never an editor for BBC or Virgin Books? He WAS, however, the editor for Doctor Who Magazine, a script editor for the TV series, and, more importantly, an executive producer for Big Finish, which seems to match this interpretation.

Is it possible that whoever first wrote the fact onto the wiki simply misinterpreted the paragraph? It did come from Tumblr, and this is the "piss-poor" reading comprehension website after all...

It also wouldn't be the first time the wiki had misinformation on it. Remember Millennia's blue hair, or the "Scendles / Scendeles" debate? One time, when researching my "Gallifreyan Astrophysics" project I even found that someone had seemingly invented a bunch of fake Karn and Polarfreyan moons which they falsely attributed to Lungbarrow. When searching for a source I found them in a fanfic, though who knows if that or the wiki article came first.

This being said, if I'm wrong and it turns out there is clearer evidence Gary Russell was the one who rejected the pitch, then by all means please do add on!

Gary Russel has got to be one of the strangest contributors to Doctor Who. Guy who has had a substantial impact on the canon of the show, while also never writing or directing a single episode. He gave us one of the worst Big Finish audios ever written, but he also gave us fucking Zagreus. He allegedly shut down the Canon Fiveainley Novel Pitch with a "death glare", but also wrote the book that's basically considered the Academy Era Thoschei Bible at this point. What a guy

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[fideidefenswhore]

reading alison weir's new novel; she's adapted and altered the primary source material she's clearly using in a way that is...um. something?

[aq2003]

there comes a beautiful time in life where i have to ask myselg th question, "did i accidentally project too hard onto the character that i only relate to a little bit and in doing so hugely missed this one entire aspect/interpretation of the characters . am i stupid"

[acourtofquestions]

Kingdom of Ash Chapter 55-56

Chapter; Highlights, Notes, Tags, etc.

The Thirteen were on edge. They hadn't yet decided where to go. And hadn't been invited to travel with the Crochans to any of their home-hearths. Even Glennis's.

None of them, however, had looked his way when they'd prowled past. None had recognized him.

Dorian had just completed another walking circuit in his little training area when Manon stalked by, silver hair flowing. He paused, no more than a wary Crochan sentinel, and watched her storm through snow and mud as if she were a blade through the world.

Manon had nearly passed his training area when she went rigid.

Slowly, she turned, nostrils flaring.

Those golden eyes swept over him, swift and cutting. Her brows twitched toward each other. Dorian only gave her a lazy grin in return.

Then she prowled toward him.

Another assessing stare. "I would have thought you'd pick a prettier form."

He frowned down at himself. "I think she's pretty enough."

Manon's mouth tightened. "I suppose this means you're about to go to Morath."

"Did I say anything of the sort?" He didn't bother sounding pleasant.

Manon took a step toward him, her teeth flashing. In this body, he stood shorter than her. He hated the thrill that shot through his blood as she leaned down to growl at him. "We have enough to deal with today, princeling."

"Do l look as if I'm standing in your way?" She opened her mouth, then shut it.

Dorian let out a low laugh and made to turn away. An iron-tipped hand gripped his arm.

Strange, for that hand to feel large on his body. Large, and not the slender, deadly thing he'd become accustomed to.

Her golden eyes blazed. "If you want a softhearted woman who will weep over hard choices and ultimately balk from them, then you're in the wrong bed."

"I'm not in anyone's bed right now." He hadn't gone to her tent any of these nights. Not since that conversation in Eyllwe.

She took the retort without so much as a flinch. "Your opinion doesn't matter to me."

"Then why are you standing here?"

Again, she opened and closed her mouth. Then snarled, "Change out of that form." Dorian smiled again. "Don't you have better things to do right now, Your Majesty?" He honestly thought she might unsheathe those iron teeth and rip out his throat.

Half of him wanted her to try. He even went so far as to run one of those phantom hands along her jaw.

"You think I don't know why you don't want me to go to Morath?"

"Tell me to stay," he said, and the words had no warmth, no kindness. "Tell me to stay with you, if that's what you want." His invisible fingers grew talons and scraped over her skin. Manon's throat bobbed. "But you won't say that, will you, Manon?" Her breathing turned jagged. He continued to stroke her neck, her jaw, her throat, caressing skin he'd tasted over and over. "Do you know why?"

"Because while you might be older, might be deadly in a thousand different ways, deep down, you're afraid. You don't know how to ask me to stay, because you're afraid of admitting to yourself that you want it. You're afraid. Of yourself more than anyone else in the world. You're afraid." For several heartbeats, she just stared at him.

Then she snarled, "You don't know what you're talking about," and stalked away.

His low laugh ripped after her. Her spine stiffened. But Manon did not turn back.

Afraid. Of admitting that she felt any sort of attachment.

It was preposterous.

And it was, perhaps, true.

But it was not her problem. Not right now.

Manon stormed through the readying camp where tents were being taken down and folded, hearths being packed. The Thirteen were with the wyverns, supplies stowed in saddlebags.

Some of the Crochans had frowned her way. Not with anger, but something like disappointment.

Discontent. As if they thought parting ways was a poor idea.

Manon refrained from saying she agreed.

Even if the Thirteen followed, the Crochans would find a way to lose them. Use their power to bind the wyverns long enough to disappear.

And she would not lower herself, lower the Thirteen, to become dogs chasing after their masters. They might be desperate for aid, might have promised it to their allies, but she would not debase herself any further.

Manon halted at Glennis's camp, the only hearth with a fire still burning. A fire that would always remain kindled.

A reminder of the promise she'd made to honor the Queen of Terrasen. A single, solitary flame against the cold.

Manon rubbed at her face as she slumped onto one of the rocks lining the hearth. A hand rested on her shoulder, warm and slight. She didn't bother to slap it away.

Glennis said, "We're departing in a few minutes. I thought l'd say good-bye."

Manon peered up at the ancient witch. "Fly well." It was really all there was left to say.

Manon's failure was not due to Glennis, not due to anyone but herself, she supposed.

You're afraid.

It was true. She had tried, but not really tried to win the Crochans. To let them see any part of her that meant something. To let them see what it had done to her, to learn she had a sister and that she had killed her. She didn't know how, and had never bothered to learn.

You're afraid.

Yes, she was. Of everything.

Glennis lowered her hand from Manon's shoulder.

"May your path carry you safely through war and back home at last."

She didn't feel like telling the crone there was no home for her, or the Thirteen.

Glennis turned her face toward the sky, sighing once. Then her white brows narrowed. Her nostrils flared. Manon leapt to her feet.

"Run," Glennis breathed. "Run now."

Manon drew Wind-Cleaver and did no such thing. "What is it?"

"They're here." How Glennis had scented them on the wind, Manon didn't care.

Not as three wyverns broke from the clouds, spearing for their camp.

She knew those wyverns, almost as well as she knew the three riders who sent the Crochans into a frenzy of motion.

The Matrons of the Ironteeth Witch-Clans had found them. And come to finish what Manon had started that day in Morath.

The three High Witches had come alone.

Rushing steps crunched through the icy snow, halting at Manon's side just as Dorian's scent wrapped around her. "Is that—"

"Yes," she said quietly, heart thundering as the Matrons dismounted and did not raise their hands in request for parley. No, they only stalked closer to the hearth, to the precious flame still burning. "Don't engage," Manon warned him and the others, and strode to meet them.

It was not the king's battle, no matter what power dwelled in his veins.

Glennis was already armed, an ancient sword in her withered hands. The woman was as old as the Yellowlegs Matron, yet she stood tall, facing the three High Witches.

Cresseida Blueblood spoke first, her eyes as cold as the iron-spiked crown digging into her freckled brow. "It has been an age, Glennis." But Glennis's stare, Manon realized, was not on the Blueblood Matron. Or even on Manon's own grandmother, her black robes billowing as she sneered at Manon.

It was on the Yellowlegs Matron, hunched and hateful between them. On the crown of stars atop the crone's thinned white hair.

Glennis's sword shook slightly. And just as Manon realized what the Matron had worn here,

Bronwen appeared at Glennis's side and breathed, "Rhiannon's crown."

Worn by the Yellowlegs Matron to mock these witches. To spit on them.

A dull roaring began in Manon's ears.

"What company you keep these days, granddaughter," said Manon's grandmother, her silver-streaked dark hair braided back from her face. A sign enough of their intentions, if her grandmother's hair was in that plait. Battle. Annihilation.

The weight of the three High Witches' attention pressed upon her. The Crochans gathered behind her shifted as they waited for her response.

Yet it was Glennis who snarled, in a voice Manon had not yet heard, "What is it that you want?"

Manon's grandmother smiled, revealing rust-flecked iron teeth. The true sign of her age. "You made a grave error, Manon Kin-Slayer, when you sought to turn our forces against us. When you sowed such lies amongst our sentinels regarding our plans— my plans."

Manon kept her chin high. "I spoke only truth. And it must have frightened you enough that you gathered these two to hunt me down and prove your innocence in scheming against them."

The other two Matrons didn't so much as blink. Her grandmother's claws had to have sunk deep, then. Or they simply did not care.

"We came," Cresseida seethed, the opposite in so many ways of the daughter who had given Manon the chance to speak, "to at last rid us of a thorn in our sides."

Had Petrah been punished for letting Manon walk out of the Omega alive? Did the Blueblood Heir still breathe? Cresseida had once screamed in a mother's terror and pain when Petrah had nearly plunged to her death.

Did that love, so foreign and strange, still hold true? Or had duty and ancient hatred won out?

The thought was enough to steel Manon's spine. "You came because we pose a threat."

Because of the threat you pose to that monster you call grandmother.

"You came," Manon went on, Wind-Cleaver rising a fraction, "because you are afraid."

Manon took a step beyond Glennis, her sword lifting farther.

"You came," Manon said, "because you have no true power beyond what we give you.

And you are scared to death that we're about to take it away." Manon flipped Wind-Cleaver in her hand, angling the sword downward, and drew a line in the snow between them. "You came alone for that fear. That others might see what we are capable of. The truth that you have always sought to hide."

Her grandmother tutted. "Listen to you. Sounding just like a Crochan with that preachy nonsense."

Manon ignored her. Ignored her and pointed Wind-Cleaver directly at the Yellowlegs Matron as she snarled, "That is not your crown."

Something like hesitation rippled over Cresseida Blueblood's face. But the Yellowlegs Matron beckoned to Manon with iron nails so long they curved downward. "Then come and fetch it from me, traitor."

Manon stepped beyond the line she'd drawn in the snow.

No one spoke behind her. She wondered if any of them were breathing.

She had not won against her grandmother. Had barely survived, and only thanks to luck. That fight, she had been ready to meet her end. To say farewell.

Manon angled Wind-Cleaver upward, her heart a steady, raging beat.

She would not greet the Darkness's embrace today. But they would.

"This seems familiar," her grandmother drawled, legs shifting into attacking position.

The other two Matrons did the same. "The last Crochan Queen. Holding the line against us." Manon cracked her jaw, and iron teeth descended. A flex of her fingers had her iron nails unsheathing. "Not just a Crochan Queen this time."

There was doubt in Cresseida's blue eyes.

As if she'd realized what the other two Matrons had not.

There—it was there that Manon would strike first. The one who now wondered if they had somehow made a grave mistake in coming here.

A mistake that would cost them what they had come to protect.

A mistake that would cost them this war.

And their lives.

For Cresseida saw the steadiness of Manon's breathing. Saw the clear conviction in her eyes. Saw the lack of fear in her heart as Manon advanced another step.

Manon smiled at the Blueblood Matron as if to say yes.

"You did not kill me then," Manon said to her grandmother. "I do not think you will be able to now."

"We'll see about that," her grandmother hissed, and charged.

Manon was ready.

An upward swing of Wind-Cleaver met her grandmother's first two blows, and Manon ducked the third. Turning right into the onslaught of the Yellowlegs Matron, who swept up with unnatural speed, feet almost flying over the snow, and slashed for Manon's exposed back.

Manon deflected the crone's assault, sending the witch darting back. Just as Cresseida launched herself at Manon. Cresseida was not a trained fighter. Not as the Blackbeak and Yellowlegs Matrons were. Too many years spent reading entrails and scanning the stars for the answers to the Three-Faced Goddess's riddles.

A duck to the left had Manon easily evading the sweep of Cresseida's nails, and a countermove had Manon driving her elbow into the Blueblood Matron's nose.

Cresseida stumbled. The Yellowlegs Matron and her grandmother attacked again. So fast. Their three assaults had happened in the span of a few blinks. Manon kept her feet under her. Saw where one Matron moved and the other left a dangerous gap exposed.

She was not a broken-spirited Wing Leader unsure of her place in the world.

She was not ashamed of the truth before her.

She was not afraid.

Manon's grandmother led the attack, her maneuvers the deadliest. It was from her that the first slice of pain appeared. A rip of iron nails through Manon's shoulder. But Manon swung her sword, again and again, iron on steel ringing out across the icy peaks.

No, she was not afraid at all.

Around him, the Crochans thrummed with fear and dread. Either for the fight unfolding or the three Matrons who had found them.

But Glennis did not tremble. At her side Bronwen hummed with the energy of one eager to leap into the fight.

Manon and the High Witches sprang apart, breathing heavily. Blue blood leaked down Manon's shoulder, and small slices peppered the three Matrons.

Manon still remained on the far side of the line she'd drawn. Still held it.

The dark-haired witch in voluminous black robes spat blue blood onto the snow. Manon's grandmother. "Pathetic. As pathetic as your mother." A sneer toward Glennis. "And your father."

The snarl that ripped from Manon's throat rang across the mountains themselves.

Her grandmother let out a crow's caw of a laugh. "Is that all you can do, then? Snarl like a dog and swing your sword like some human filth? We will wear you down eventually. Better to kneel now and die with some honor intact." Manon only flung out an iron-tipped hand behind her, fingers splaying in demand as her eyes remained fixed on the Matrons.

Dorian reached for Damaris, but Bronwen moved first.

The Crochan tossed her sword, steel flashing over snow and sun.

Manon's fingers closed on the hilt, the blade singing as she whipped it around to face the High Witches again. "Rhiannon Crochan held the gates for three days and three nights, and she did not kneel before you, even at the end." A slash of a smile. "I think I shall do the same." Dorian could have sworn the sacred flame burning to their left flared brighter. Could have sworn Glennis sucked in a breath. That every Crochan watching did the same.

Manon's knees bent, swords rising. "Let us finish what was started then, too." She attacked, blades flashing.

Her grandmother conceded step after step, the other two Matrons failing to break past her defenses.

Gone was the witch who had slept and wished for death. Gone was the witch who had raged at the truth that had torn her to shreds.

And in her place, fighting as if she were the very wind, unfaltering against the Matrons, stood someone Dorian had not yet met.

Stood a queen of two peoples.

Yielding only those few steps, and nothing more.

Because Manon with conviction in her heart, with utter fearlessness in her eyes, was wholly unstoppable.

The other two witches had fallen back, as if waiting to see what might happen.

But she yielded no further ground. A wall against which the Yellowlegs Matron could not advance. The crone let out a snarl, attacking again and again, senseless and raging.

Dorian saw the trap the moment it happened.

No one seemed to breathe at all as Manon plunged Bronwen's sword into the icy earth beneath and bent to take the crown of stars from the Yellowlegs witch's fallen head.

He had never seen a crown like it.

A living, glowing thing that glittered in her hand. As if nine stars had been plucked from the heavens and set to shine along the simple silver band.

The crown's light danced over Manon's face as she lifted it above her head and set it upon her unbound white hair.

Even the mountain wind stopped.

Yet a phantom breeze shifted the strands of Manon's hair as the crown glowed bright, the white stars shining with cores of cobalt and ruby and amethyst.

As if it had been asleep for a long, long time. And now awoke.

That phantom wind pulled Manon's hair to the side, silver strands brushing across her face.

And beside him, around him, the Thirteen touched two fingers to their brow in deference.

In allegiance to the queen who stared down the two remaining High Witches.

The Crochan Queen, crowned anew.

The sacred fire leaped and danced, as if in joyous welcome.

"Go."

The Blueblood witch blinked, eyes wide with what could only be fear and dread.

Manon jerked her chin toward the wyvern waiting behind the witch. "Tell your daughter all debts between us are paid. And she may decide what to do with you. Take that other wyvern out of here."

Spared by the Crochan Queen on behalf of the daughter who had given Manon the gift of speaking to the Ironteeth.

Within seconds, the Blueblood Matron was in the skies, the Yellowlegs witch's wyvern soaring beside her.

Leaving Manon's grandmother alone.

Leaving Manon with swords raised and a crown of stars glowing upon her brow.

Manon was glowing, as if the stars atop her head pulsed through her body. A wondrous and mighty beauty, like no other in the world. Like no one had ever been, or would be again.

And slowly, as if savoring each step, Manon stalked toward her grandmother.

Warm, dancing light flowed through her, as unfaltering as what had poured into her heart these past few bloody minutes.

She did not balk. Did not fear.

The crown's weight was slight, like it had been crafted of moonlight. Yet its joyous strength was a song, undimming before the sole High Witch left standing.

So Manon kept walking.

She left Bronwen's sword a few feet away.

Left Wind-Cleaver several feet past that.

Iron nails out, teeth ready, Manon paused barely five steps from her grandmother.

A hateful, wasted scrap of existence. That's what her grandmother was.

She had never realized how much shorter the Matron stood. How narrow her shoulders were, or how the years of rage and hate had withered her.

Manon's smile grew. And she could have sworn she felt two people standing at her shoulder.

She knew no one would be there if she looked. Knew no one else could see them, sense them, standing with her. Standing with their daughter against the witch who had destroyed them.

Her grandmother spat on the ground, baring her rusted teeth.

This death, though ...

It was not her death to claim.

It did not belong to the parents whose spirits lingered at her side, who might have been there all along, leading her toward this. Who had not left her, even with death separating them.

No, it did not belong to them, either.

She looked behind her. Toward the Second waiting beside Dorian.

Tears slid down Asterin's face. Of pride- pride and relief.

Manon beckoned to Asterin with an iron- tipped hand.

Manon raised a hand. "Let her go."

When there was no trace of the Matrons left but blue blood and a headless corpse staining the snow, Manon turned toward the Crochans.

Their eyes were wide, but they made no move.

The Thirteen remained where they were, Dorian with them.

Manon scooped up both swords, sheathing Wind-Cleaver across her back, and stalked toward where Glennis and Bronwen stood, monitoring her every breath.

Wordlessly, Manon handed Bronwen her sword, nodding in thanks.

Then she removed the crown of stars and extended it toward Glennis. "This belongs to you," she said, her voice low.

The Crochans murmured, shifting.

Glennis took the crown, and the stars dimmed. A small smile graced the crone's face.

"No," she said, "it does not."

Manon didn't move as Glennis lifted the crown and set it again on Manon's head.

Then the ancient witch knelt in the snow.

"What was stolen has been restored; what was lost has come home again. I hail thee, Manon Crochan, Queen of Witches."

Manon stood fast against the tremor that threatened to buckle her legs.

Stood fast as the other Crochans, Bronwen with them, dropped to a knee. Dorian, standing amongst them, smiled, brighter and freer than she'd ever seen.

And then the Thirteen knelt, two fingers going to their brows as they bowed their heads, fierce pride lighting their faces.

"Queen of Witches," Crochan and Blackbeak declared as one voice.

As one people.

[thedreadvampy]

sorry I'm on one now. Narnia is one of my Big Rant triggers.

but like. I would be lying if I said I didn't love Narnia

(everything except the Horse and His Boy, which a) even as a tiny kid made me uncomfortable with how fucking racist it is (literally there is ONE. ONE. character of colour who isn't evil, selfish, greedy and violent. even when you're 5 and white and don't really understand racism it's like. sorry there are just no nice people in this whole country? and every Narnian is lovely?) and b) is just fucking DULL partly bc of the 2 dimensional racist caricatures populating the world)

but I can't pretend for a second that it isn't specifically built around a Christian theology that's explicitly racist, hierarchical, supremacist, colonialist and The Bits I Like Least Of Anglicanism

and my FAVOURITE books in the series (except the Silver Chair which tbh is WAY less theological and way more mythology-nerd) are the first and last, which are by far the most explicitly Christian. even more so than TLTWATW.

and I can just about stand by the Magician's Nephew bc it's mostly just a mix of Christian creation myth and CS Lewis's sci fi interests in the esoteric and multiverses and it honestly feels fine. but my all time favourite most iconic Narnia book is The Last Battle and I just. cannot. justify it for a second from a political or philosophical standpoint.

it's got it all bc it's the book where Lewis is like ok hold up let me lay out explicitly what my theology is. and what he thinks it's important to say is:

Almost all Muslims are bad and evil

They worship Satan by doing Bad Evil Deeds to please him

There are a couple of Good Muslims who do good deeds. they need to be brought to the light, understand that the voice calling them to do good deeds is the Christian god, and they too can achieve the kingdom of heaven

Some people will use Christianity as a mask for exploitation and mistreatment. They are bad and their faith is false (ok fine)

...and they're doing that because they're CONSPIRING WITH THE EVIL MUSLIMS TO OPPRESS GOOD CHRISTIANS

...and THAT'S THE ONLY REASON ANYONE WOULD TELL YOU THAT GOD AND ALLAH ARE DIFFERENT NAMES FOR THE SAME GOD. because they're either conning you or because they've been misled and can't really think for themselves.

DID I MENTION. THAT MUSLIMS ARE EVIL AND TRYING TO BRING DOWN CHRISTIANS.

and other than the GOD AREN'T MUSLIMS JUST THE WORST of it all, he also goes back over to more fully explain several points he's made throughout the series, such as:

white Christian public school kids are the god ordained leaders of the world and attempts to think otherwise are heretical

god places people where they need to be to serve his purpose

free will is largely an illusion - your only choice is faith or chaos, and as a godly person your actions are preordained

the problem is though. he's kind of a really good character writer? and in The Last Battle he pulls out most of his best classics (hi Reepicheep! hi Frank! hi Jill!) and gives us a whole wealth of really fun new characters (Tirian and Jewel, Emeth, Puzzle, Shift, Griffle and Ginger are all just SO FUN) and it's such a solid adventure. for me it's hands down the most FUN Narnia to read and an effective and affecting end to the series.

but like. god its unjustifiably fucked philosophy is baked into every single character and event. it's so hard to ignore. it's my favourite book in the series. it's the book that makes me angriest. it's everything right with Narnia and everything wrong with Narnia. I like it cause it asks me to engage critically with Lewis' philosophy and I hate it cause it requires me to engage critically with Lewis' philosophy.

in conclusion, Narnia is a land of contrasts. also occasionally brownface.