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#but this is a film that lingers
badnewswhatsleft · 3 months
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making of dance dance available to download in full here
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kittyp333 · 1 year
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❧ average cranberries fans crying on a friday night
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piononostalgia · 7 months
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Jaasir Linger
« Winti Na Rutu »
2020
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chlobody · 1 year
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Take your pick!
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pharawee · 11 months
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"Shadow… Khun Yai, my shadow."
—I FEEL YOU LINGER IN THE AIR 💮 Episode 10
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blmpff · 10 months
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Y Universe Awards 2023 winners:
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Best Series, Excellent Production and Best OST: I Feel You Linger In The Air
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Best Leading Actor: Film Thanapat (Laws of Attraction) Best Societal Reflection: Laws of Attraction
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Best Script: Moonlight Chicken Best Supporting Actor: Khaotung Thanawat (Moonlight Chicken)
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Best Director: Aof Noppharnach (Moonlight Chicken) Best Partners: Zee Pruk and Nunew Chawarin
Popular Vote Winners:
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Best Leading Role: Fourth Nattawat Best Support Role: Gemini Norawit for Moonlight Chicken
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Best Series: Cutie Pie 2 Best Couple: Becky Armstrong and Freen Sarocha (GAP The Series)
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Best OST: GAP The Series Rising Star: Becky Armstrong
11.12.23
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clairedaring · 1 day
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Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.
note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes
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TOR THANAPOB
Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)
Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before. I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...
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Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)
Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.
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NONKUL CHANON
Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021
Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.
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Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)
Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.
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Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.
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JJ KRISSANAPOOM aka JAYLERR
JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)
JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.
One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"
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This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.
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So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.
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It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D
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BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)
Bright at Mono29 Lineup event
Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.
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Bright's Interview with LIPS Magazine
Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.
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Bright's Interview with Praew Magazine
Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.
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Bright’s Interview with NineEntertain
Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.
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Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.
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I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."
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panncakes · 1 year
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"Drive safely."
LAWS OF ATTRACTION (2023)
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absolutebl · 11 months
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I Feel You Linger In the Air
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You ready for this?
The quickest of quick thoughts: I loved this show and hated the ending, but not for the reason you think.
This is gonna be one of my big meta beast-sized posts, skip to the end for the final review.
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Some Historical Context for I Feel You Linger In The Air - Thailand 1925-1932
I love history and so here's some info that any Thai watcher would likely know, but the rest of us might not... ready?
The Historical Stage:
Burma (now Myanmar) to the west is occupied by the British.
The French hold Vietnam to the east.
Everyone is bickering over what would become Cambodia & Laos.
China occasionally gets involved from the North (also, lots of immigrants from China at this time accounting for a large percentage of the merchant/middle class)
Eventually, Japan would invade during WWII.
In part, The Kingdom of Siam was kept a "neutral" party because none of the surrounding colonial powers wanted to risk offending any of the other players in the area.
Siam re-negotiated sovereignty in 1920 (from USA) and in 1925 (from France & Britain). But during the time of this show (late 1929) it was back to it's customary type-rope balancing act of extreme diplomacy with the allied western colonial powers that surrounded it.
Recognizing that Thailand was never colonized (although it was invaded), it's boarders were constantly nibbled at and it was "ambassador-occupied" off and on by westerners whose military backing and exploitive business concerns simply outmatched the monarchy, especially in the technology department (as well as by reputation on the global stage at the time).
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In other words, the farang in this show (James & Robert) were always gonna be both the baddies and the power players of the narrative. (Farang is the Thai word for non-Thai's of European descent, the word means guava.)
The king of Siam at the time (Vajiravudh AKA Rama VI) was initially somewhat popular but also regarded as overly extravagant since Siam had been hit by a major postwar recession in 1919. It should also be noted that King Vajiravudh had no son because he was most likely gay (which at the time did not much concern the Siamese popular opinion, except that it undermined the stability of the monarchy leaving it without an heir).
He "died suddenly" in 1925 (age 44) with the monarchy weakened and succession handed off to his younger brother.
In 1932 a small circle of the rising bourgeoisie (all of whom had studied in Europe, mostly Paris), supported by some military, seized power from the monarchy in a practically nonviolent Siamese Revolution installing a constitutional monarchy. This is mentioned in IFYLITA in the last few episodes but did not (apparently) appear in the original novel.
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Siam would then go through:
dictatorship,
WWII,
Japanese invasion,
Allied occupation,
democratic elections,
military junta,
the Indochina wars,
communist insurgency,
more democracy and popularization movements,
multiple coups,
more junta,
more monarchy,
eventually leading us to the somewhat chaotic insanity of Thai politics we have today. (Which is, frankly, a mix of monarchy, junta, democracy, egocentric popularism, and bribery.)
The Filming of I Fell You Linger in the Air
The director if this show, Tee Bundit (Hidden Agenda, Step by Step, Lovely Writer, TharnType), has never particularly impressed or offended me as a director. I would have called him simply "workmanlike" in execution: not offensive, serviceable.
So much so that I spent some time hunting for info on IFYLITA's cinematographer (who remains uncredited on MDL) because this one, of all Tee's pantheon, is ultra stylish. It, frankly, felt too good for him.
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Specifically, there is a repeated visual motif in intimacy scenes of either Yai or Jom being filmed from behind a screen/drape/curtain making them seem more translucent, like a ghost or spirit. While the other half of the pair is filmed with sharp clarity. In the first half of the series this is more likely to be Yai (an unknown and mysterious element), as the show progresses, it's more likely to be Jom (the person outside of place and time, destined to vanish all together). This cleverly conveys story, tension, and foreshadow (future shadow?)
Occasionally we shift over so they both become obscured and then clear again.
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This stylized version of dirty framing and filters is used to foreshadow and then constantly remind us about that Jom slipped (and is slipping) through time and the disconnect that causes to his sense of reality and purpose, and to his burgeoning relationship.
For example, the scene where Yai is drunk and asleep in his bed. The first time Jom is sitting in a chair drawing him. Yai is blurry behind the screen while Jom is solid and sharp.
This filming technique combined with dirty and peekaboo framing is being used to give the watchers the impression of looking at something we maybe shouldn't, like we are being creepy and intruding on their private time. After all, they can see EACH OTHER clearly, it's only us who have the visual impairment.
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This gives us a sense of doom and discomfort and slight sensation that we shouldn't be there. We shouldn't be watching. But ALSO that we too are outside of time, filtered by the future.
In other words his sense of displacement is being used to trigger ours visually.
It's all quite clever.
It's both beautiful and atmospheric and discomforting and touch stressful. Meaning that it is ALSO a visual vehicle to drive narrative tension. As effective as scary music, perhaps more so in this show (since I personally found the musical motifs and refrains somewhat overused.)
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Linguistic corner
The word for reflection and shadow is the same in Thai.
Note on the por/phor/phô honorific in Thai
I have not encountered it before in BL. I am indebted to @embraceyourfandom for the following information;
Phô is a paternal honorific, luang phô is used for respected monks. It basically means father. And is oft seen as male honorific for village elders. It's also used as a male prefix in the names of several occupations like:
พ่อครัว phô khrua (khrúa= kitchen -> chef)
พ่อค้า phô khá (khá= trade -> merchant)
พ่อมด phô mót (mót= person of occult knowledge -> wizard)
พ่อบ้าน phô bân (bân =house -> butler) - most relevant
So, Yai's use is probubly foreshadowing that Jom will be a butler for his house, and is primitively referring to him with this title.
All that said, phô can also be used by a "man who is older/higher on hierarchy to refer to a younger/lower on hierarchy man with intimacy and/or affection."
I think all this has to do with Jom's demonstration of education. Yai figured out early on that one of the reasons Jom doesn't belong and cannot fit in with the servants is that he is more educated than a peasant (of this time period), which for Yai adds up to him being originally from a higher status and possibly wealthy family, especially since Jom speaks English and has travelled (he has a non-northern accent).
There is very little Thai middle class at the beginning of the 1920s since trade is being dominated/dictated by the West, or Chinese merchant operations, and Siam is a monarchy. So for a nationalize Thai citizen educated means military, landed gentry with trade operations (like Yai), royal/political/diplomatic connections, or... none of the above. This changes, especially in the south, throughout this decade (as it did in other parts of the world). So there is a rising bourgeoisie going on in the background but it's not that obvious in Chang Mai at this time.
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What Jom's educated lack of status means to Yai is that Jom's family either got wiped out or politically disenfranchised possibly as part of the 1912 attempted coups (or even WWI)? This would be mystifying for Yai because Jom doesn't act like he comes from a military family at all. So his background and status is very confusing for Yai, but Yai does know one thing...
Jom is NOT lower class by the standards of Yai's temporal worldview and existence.
For a young man to be educated and yet entirely alone is very dangerous and suspicious. Also, let's be clear, Jom doesn't look or act like a laborer. He red flags "cultured" all over the place.
Yai is paternalistic and caring towards Jom out the gate because Yai has a big ol'crush but also because he recognizes "his own" is trying to survive while isolated and scared.
Yai wants to rescue Jom. Yai is an ineffectual 20 year old gay intellectual. But poor thing sure tries.
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Let's Talk About How I Felt About I Feel You Linger in the Air
The historical aspect was great.
I adore historical romances and we almost never get them in BL. I was always gonna be biased towards this show. (As indeed I am towards Nobleman Ryu's Wedding, Tinted with You, and To Sir With Love.) Aside from some classic Thai BL production issues (less than normal, this is very high production value for Thailand) and my issues around the sound track and repetitive repriens (which frankly were more noticeable because I binged the last half) I have no complaints on that score (heh heh).
The surrounding support cast were all quite good and we even got us some lesbians!
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The emotional and narrative tensions were excellent.
Any issues I had with pacing came from focus on characters that didn't interest me, but probubly did interest others. I wasn’t wild or particularly interested in the family drama or the side characters/couples, but they were necessary to make this a fully fleshed story with historical context and to give Yai much needed characterization. Also this use of a ensemble cast is very close to Thailand's lakorn heart, even thought this one had way less scenery chewing ludicrous soapy drama (thank heavens).
I was delighted that external threat, stressors, and conflict drove this plot. That's refreshing in BL.
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I have no arguments with the chemistry and kisses and sex scenes were tasteful and lovely, occasionally even heart-wrenching, and it's nice to see Thailand especially use physical intimacy to drive plot, and not the other way around.
I love historicals partly because every tiny touch can have such lingering significance, they're very elegant in their chaste physicality. This show didn't need to move into higher heat, but I'm grateful it did because even that was very well done. Thai BLs can often feel clumsy around intimacy, but not this one.
The final sex scene before Jom and Yai separate forever utilizes the ubiquitous director's-favorite-romantic-moments-flashbacks (required of all Asian romance dramas) but with acceleration and tension driven by the noises of sex, which I've never seen/heard done before. In other words: climax of sex = climax of the romance story, I see what you did there, Tee. Clever. Very clever. Bit on the nose… erm… on the… well you know what I mean.
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Like all Thai BLs this wasn’t perfect, but for me this is as close as Thai BL gets to high quality romance and that’s what I want the most from my drama watching experience (if not necessarily my Thai BL experience).
But... and you knew the but was coming didn't you?
I absolutely hated the ending.
It wasn't sad, don't worry, but it also wasn't good.
There is a long drawn out separations sequence and then Jom returns to the present, drowning from a car accident. Jom is "rescued" by an moustachioed iteration of Yai from the distant past (who we met once before) and then wakes in hospital. Some time later, Jom returns to the house in Chang Mai where Yai turns up and they reunite.
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The end.
There is a stinger featuring Jom once more hurled back in time, only further, meeting the warrior mustache Yai once more.
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Okay, that's all I knew and all I saw.
Confused? So was I.
If this had been a regular time travel romance: Yai would have been the EMT or doctor attending Jom when he woke up and their "this time period" romance would commence. With either shared memories, or not.
Had this been set up for audience comprehension in line with the original novel, we should have had flashbacks from both Present Yai (he's not the same one, as it turns out) and deep-past Moustache Yai interwoven throughout the series. Preferably with some focus on Present Yai's quest for reunion with Present Jom AND Present Yai's own experience with visions and memory of his past lives.
A full explanation of the ending is here. This explanation of the 3 different Yais makes me like our ending more. But I shouldn't need to read Cliff's notes from some random y-novel reading fan on Tumblr to understand what's going on in a series!
There is supposedly a special happening with Jom + Present Yai.
There was unquestionably a failure in adaptation in the finale of this show.
As a fan and watcher, what I actually felt was deeply confused and hurt.
I also felt that this was a disingenuous un-earned throw away happy ending, since I had no idea who this new Present Yai was and no investment in his character. I simply didn't believe he was the same Yai (Bright is too good an actor, he was clearly a different older personality).
So the fact remains that past Yai, our Yai, the 20 year old boy we grew to understand and love, is abandoned in the past to suffer alone for the rest of his life. And THAT is an unhappy ending for one half of my beloved pair. Yes Jom gets a new Yai in the present day, but it's not the same Yai. They have no developed relationship, and Jom is doomed to leave even this new Yai and slide into the past once more. That's barely even happy for now for Jom's character.
As a result of my deep sadness for 20-year-old Yai in particular, I'm not going to be able to rewatch this show. The whole thing was rendered not just confusing but the opposite of comforting by the final 15 minutes. I'm tempted to dock it two whole points - one for the ending and the other for the lack of rewatch potential.
But the first 11.5 eps were SO GOOD.
This is one of the only times where I am actually hoping for a second season, while simultaneously being wary of the screen writing and production team's capacity to give us a satisfying one.
Industry wise? I honestly don't think we can hope too hard for a full season 2. This was an expensive show with flawed/limited distribution and little sponsorship. I don't see how they'll get funding for a second season. Unless we see this show up on like Netflix or Viki, I urge you not to hope too hard and be disappointed.
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In all honestly?
I started typing up this blog post thinking Thailand was finally, after 5 years, going to earn another 10/10 from me but I just can't in good conscious give it that. It's been days and I'm still upset about that last episode.
And Now My Quick Pitch Review
I truly loved this time travel romance. IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL... from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. Pity about the ending. Oh it wasn’t that sad but it wasn’t good either. This show should easily have earned a 10 from me except that it fumbled the… erm… balls. Argh. Whatever. 9/10
(source)
This post is also in My Drama List as a review.
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penaltyboxboxbox · 1 month
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Ryan Blaney at Richmond, 2024
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infinitelyprecious · 4 months
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Sailub Hemmawich twitter 28-05-2024
Commander Yai got competition
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poomphuripan · 9 months
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10 BL Boys I Want Carnally To Love, Take Care and Cuddle With Every Night
@bunnakit awww thank you for the tag 🫶 as an asexual i can't say i spent much time thinking about fucking anyone (so coming up with this list was really hard ;_;) but if any of these characters propositioned... i would NOT say no 😉
10. Phob (Something In My Room)
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if there is an award for cutest ghost of all time in a BL series, i think Phob will take home easily. Phob deserves better sex. my meow meow friendly ghost Phob, i will tuck you in bed my ghost sweetie 🥺🫶
9. Shao Fei (History 3: Trapped)
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my righteous cop with a strong sense of justice, i really love Shao Fei so much. Shao Fei doesn't beat around the bush and is really straightforward with his wants, I LOVE HE!
8. Khuafah (Sky In Your Heart)
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Khuafah, the HOT CHARMING doctor that you are. i would volunteer to get sick every day just to visit him 🫠
7. Gene (Lovely Writer)
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if Gene ever needs to write a straight romance novel, i'm happy to make out with him for research purposes 😉
6. Pisaeng (Be My Favorite)
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most patient boyfriend who tries super hard to get you plushies? yea i would bang Pisaeng in a heartbeat, no doubt. in fact, i believe Pisaeng would be considerate and wait for me to be ready (Pisaeng babe i'm always ready for you 😉)
5. Tennoji Haru (Trillion Game)
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while Trillion Game is DEFINITELY not BL, but Meguro Ren was in Kieta Hatsukoi so my boy should get a PASS 😤 Haru is confident yet humble, self-proclaimed selfish yet always selfless. god i love competent men *swoons* Trillion Game is out on Netflix, please check out my boy Haru and his boy(friend) Gaku and their start-up adventure together 🥺👉👈.
4. Charn (Laws of Attraction)
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while i can't guarantee that i can give Charn a good time, i believe that as a fellow lawyer i can assist Charn with any case work he got. Like i said, i am a sucker for competent men 😮‍💨.
3. Tangmo (Great Men Academy)
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you don't understand how obsessed i am with the og golden retriever, nation's boyfriend, Tangmo. it's been 4? years... i have not let him go... gentle soft boi but great at judo too? i think Tangmo and i should have our wrestling sessions ending up as makeout sessions.
2. Joe (My Stand In)
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this is kind of a cheat but i've read the original novel for My Stand In (Professional Body Double by Shui Qian Cheng) and i can confirm Joe/Zhou Xiang is the sweetest soul, most precious, unluckiest gay ever (Ming, you are on sight, watch it sir or imma steal Joe away). i'm super excited for My Stand In because i hope i get to fall in love with Joe once again the way i fell super hard, head over heels for him when i finished this danmei novel within less than 24 hours. (was this shameless PR for Poom Phuripan's new BL series next year? yes, yes it absolutely was 🤗)
1. Khun Yai and Jom (I Feel You Linger In The Air)
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if i don't have a gentle lover like Khun Yai Kritsada Palathip or a soft boyfriend like Jom Ravit Pittayanan then what's the POINT. i want both of them so BAD. also isn't it such a crime that Yai lives his entire life the rest of his live in celibacy, having fucked only ONE person (the love of his life) in his lifetime. LET ME IN. i will love both of you equally.
+ bonus: Chef Guy (Bake Me Please)
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did you REALLY think i was gonna end my list without current loml, our resident sad boi, considerate and caring Chef Guy? 😅 Guy deserves a spot on here because well i'm absolutely feral for this man. Guy is just the nicest guy and i will literally do anything for him. Guy had me at hello but my heart truly broke when he comforted Peach saying he doesn't want to see Peach who's given him so much positivity, cry 😭.
oooooh that was soooo hard ;_; i love all these characters, maybe one day i need to start listing the female characters i'd totally hypothetically bang too because WOMEN ARE HOT 🔥.
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dollsome-does-tumblr · 3 months
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i decided to watch netflix persuasion again to see if its horrors hold up over time (lol), and while there are a few things that i enjoy -- a) it's pretty to look at, and b) dakota johnson regency wine aunt hot mess breaking the fourth wall is pretty winning as a concept, even if it belongs somewhere else -- it's incredible how this adaptation took one of the most finely crafted depictions of romantic tension in the history of storytelling and just deflated it with pure generic mediocrity at every single opportunity. like, every moment that's supposed to be like !!!!!!!!!!! is instead like "okay ...... i guess ............ they're bantering halfheartedly again ........ cool .......... zzzzzz ........"
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foxspit · 14 days
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Off the side of the road in new Hampshire years ago
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pharawee · 1 year
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Jam Rachata as TINN & Film Thanapat as CHAN —LAWS OF ATTRACTION | กฎแห่งรักดึงดูด | 15 July 2023
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mariocki · 3 months
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Hush...Hush, Sweet Charlotte (1964)
"Miriam? He really... isn't here, is he? Just now, I thought I heard... sometimes at night, when I wake up, it seems as if he really is here. Don't turn on the light. It's not real when it's light. It's only real when it's dark - dark and still."
#hush...hush sweet charlotte#hush...hush‚ sweet charlotte#robert aldrich#1964#american cinema#lukas heller#henry farrell#bette davis#olivia de havilland#joseph cotten#agnes moorehead#cecil kellaway#victor buono#mary astor#wesley addy#william campbell#bruce dern#george kennedy#frank ferguson#frank de vol#Aldrich's follow up to Baby Jane reunited him with star Davis (and initially Crawford‚ until she left the project under a cloud; she can#just about be glimpsed in one of the long shots of cousin Miriam arriving at the house by taxi) and even provides a cameo for Baby Jane co#star Buono. the rest of his cast is also notably starry: de Havilland‚ Cotten‚ Moorehead‚ even a genuine cinematic legend like Astor not to#mention a pre fame Dern and Kennedy. sadly all that increased star power doesn't translate to a film even better than its predecessor#this is solid‚ a strong and sweaty gothic grotesquerie‚ but it's a little flabby and nowhere near as sharp or as honed as Baby Jane was#Davis often goes very large and brushes caricature more than once with her faded Southern belle but to give her her dues there are other#moments of true heartbreaking beauty in her performance. de Havilland is also very strong altho maybe tips her hat a little soon in#revealing the true personality lingering beneath the surface of her mysterious outsider. Aldrich is as strong as ever helming a killer#fantasy sequence... tbh the more i think about it the kinder my memory of this becomes. it has just one main flaw and that's that it isn't#Baby Jane. but then what is? Aldrich never quite hit those heights again (tho he did some p great work) and this is a commendable try
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