#but they're still good

[trans-queen-administrator]

One of my friends asked what some of my favorite moment in Worm are and I've narrowed it down to just a few but how am I supposed to choose between "they seem like good people" I lied, or the second lung fight with the caterpillar in the eye to win, or Taylor breaking out of the burning building Coil trapped her in, or her terrorizing people while drinking tea, or when Taylor tries to 1v1 Leviathan to save people and gets her back shattered, or when Rachel saves her afterwards, or when we learn Rachel carved the names of her dogs into the monument, or when Taylor almost kills Triumph with bees, or the Mannequin fight, or running through the streets to warn people about Shatterbird's scream, or the fridge, or cutting Noelle in half, or just how hopeless the Noelle fight seemed before that with Eidolon caught, or Eidolon and Glaistig Uaine's fight with Scion, or Phir Sé's time bomb engulfing Behemoth and just obliterating him only for Behemoth to keep going, or Chevalier's interlude where he goes out to fight Behemoth alone despite being injured, or String Theory, or the wards therapy interlude where Lily can't get over how Taylor's words are stuck in her head, or Labyrinth and Burnscar reuniting, or Legend looking at the lie detector after the meeting, or Taylor hovering over the ocean knowing she doesn't have the battery in her flight pack to get back, or Aster getting shot, or the oil rig fight when Taylor crawls back up as a monster after being cut in half, or the horror of Alec's interlude, or Bonesaw having a crisis because Contessa said like 4 words to her and oh hey that parallels with you needed worthy opponents I never noticed that, or Taylor telling Eidolon and Scion to fuck off and leave, or Scion's entire interlude, or Number Man's interlude when he thinks about what it means of powers if Jack Slash's loves how he does stuff, or Kevin Norton, or Taylor ruining the chili, or the cafeteria scene where she's outed but talks her way out, or maggots in his eyes monday, or her turning herself in, or her talk with Dinah when she realizes that there's a solid chance she becomes Coil and keeps Dinah around because it's useful, or her killing Coil, or her killing Alexandria and Tagg, or the Cauldron raid where she swings a death knife through a crowd to hit one guy, or her requesting Lung cauterize her arm, or when Piggot is kidnapped and she fucks up the Undersiders just by talking, or Taylor's attempt to become besties with the Simurgh, or the Simurgh singing a lullaby to Lisa and Taylor, or the tea party with Nilbog, Taylor, Jack, and Riley, or the moment she reunites with her team post-timeskip, or when Glenn shows her a video of her being horrifying and she only thinks about her passenger moving her in it, or when her passenger makes her choke on a cockroach to save her, or going shopping with Lisa for fun, or when she helps Rachel at the shelter, or when she goes home with Brian and meets Aisha, or when we see Dinah for the first time and it's fucked, or when Taylor has Amy fuck with her brain knowing she won't come back from it, or when Lisa finally opens up and tells Taylor about her trigger, or when Taylor goes blind, or when Clockblocker keeps asking her questions in the car ride to Echdina, or when Scapegoat takes her injuries and freaks out, or when Sundancer tears off her costume and walks through the portal after killing Noelle but the pavement is cooling around her because she'll never escape her power or what she just did, or Fortuna's interlude, or Rachel stepping into Khepri's range because she trusts her, or Lisa tearing into Taylor with words after she sees what happened, or the realization she can't read anymore, or the fight with Dragon where she thinks she killed her, or all of the fight with Scion where she's controlling thousands of people while her brain deteriorates, or "finally, everyone was working together," or the talk with Contessa at the very end? How am I supposed to choose?

[ajaxgb]

Okay no I need to talk about the book version of Howl's Moving Castle. I love the movie but the book has such a different vibe and you, yes you, should read it.

Movie Howl is a soulful and quiet. Book Howl is a drama queen and Causing Problems and has a long string of jilted exes and couldn't shut up if you paid him.

Sophie and Howl drive each other up the wall at the beginning and it's really funny. Sophie and Howl are (despite themselves) very much in love by the end and they still drive each other up the wall and it's even funnier.

In the movie, Howl has been ordered by the king to participate in The War, and Howl is avoiding it because he is a brave conscientious objector. In the book, Howl has been ordered by the king to rescue his lost brother from the Witch of the Wastes, and Howl is avoiding it by any means necessary because he is a cowardly weasel who wants to stay as far from the Witch as possible.

In the movie, the Witch cursed Sophie because she was jealous about Howl speaking to Sophie for five minutes. In the book, the Witch cursed Sophie because Sophie had been doing surprisingly powerful magic for years without knowing it and it was actually starting to cut into the Witch's plans. (Sophie does not discover any of this until nearly the end of the book, but the reader can start to pick it up much earlier and the way Sophie's magic works is pretty darn cool.)

In the movie, there's a rumor that Howl eats the hearts of maidens, but this is implied to be nothing but nasty fearmongering. In the book, there's a rumor that Howl eats the hearts of maidens because Howl started the rumor so people would stop asking him to do wizard junk all the time.

The book lightly parodies a couple of tropes from Western fairy tales. In particular Sophie has internalized that, as the eldest of three sisters, her "destiny" is to fail so that her younger sisters will look cooler when they succeed, which is why she's so resigned to the hat shop at the beginning. (Sidebar: Sophie's sisters come up much more in the book and they're great.) There's also a really funny bit where Sophie attempts to operate a pair of seven-league boots.

In the movie, the fourth and final location that the magic door connects to is some sort of black void / mindscape / time portal dealy. In the book the fourth location is Wales, in the UK, on Earth, so that Howl can visit his family, because from Howl's perspective this is an isekai story.

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[mizgnomer]

Parallels - Good Omens Seasons One & Two - Part One

Links to [ Part Two ] [ Part Three ] [ Part Four ] [ Part Five ]

[hattersarts]

im already at the south downs cottage guys, catch up

[pangur-and-grim]

oh. I think my fears about Chiefcake passing from old age were more on point than I realized. she's acting very weak right now.

and it's late on a friday, when all the rabbit-specific vets have closed. I'll call around anyway to see if at home euthanasia is an option tonight.

[king-of-havoc]

Don't let society tell you what you can and cannot to do. Make s'mores in the microwave

[lesbxdyke]

I would like to again big up libraries as safe spaces for people of all types!

I had a psychotic episode in my local library while I was in there working and had convinced myself that I was in a bubble dimension and if I left the library I would die, and that being what had happened to the librarian because I hadn't seen them in an hour (it's a small, local library. You can see the librarians desk from where I sit to work)

Now obviously they weren't dead, they were just in the little office that I couldn't see into.

I'm also lucky enough to be a very self aware psychotic, so I reached out to my support network to make sure I got home safely. But none of them could actually get me OUT of the library and I was still absolutely certain that if I stepped off the carpet and onto the tile, I would die.

So I got up, I made my way to the desk, I found the librarian and I said "I need your help. I'm having a psychotic episode and this is what I currently believe. Could you please come out from behind your desk and stand on the tiles so I can see it won't kill me?"

And they did. They didn't shame me, or laugh, or tell me it wasn't real. They said "Yeah, that must be scary." And thanked me when I admitted I'd thought them dead and been really upset about that because I liked them.

And then stood there on the tile, while I stood on the carpet, for ten minutes while I chatted shit and tried to build up my courage to step on the tile, just in case. Including telling me that if this happened again and I needed to call someone, to disregard the usual 'don't call people in the library' rule and just do so after I promised I was going to be calling my husband the second I was on the tile so he could safely walk me home.

(& so no one worries: my husband got me home safe, and a friend came to check on me a little while later and brought me food and I'm fully Cognizant and out of it now)

I cannot imagine another place where I could approach someone and say that and not get the police or an ambulance called on me. Neither of which I needed or would have been helpful.

I cannot imagine another place where a member of staff would stand somewhere for ten minutes to make sure I felt safe enough leaving.

I cannot imagine another place where I would not only be explicitly welcomed back, but be told "If this happens again here, disregard our normal rules to take care of yourself."

I cannot imagine another place on this earth that I would feel safe enough returning to, 3 days later, after an episode like that.

Libraries are a fucking Godssend and should be protected at all costs!

[uncanny-tranny]

Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them

[courtmartialme]

baby au in beach episode :^)

[ghosted-jazz]

Species Swap AU! Retired couple gets a fairy godchild to help repair their relationship

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[toneelspeelster]

marsad aurangzeb

[thisbibliomaniac]

These things are so good, especially when you haven't had Pepsi in four years

[undertalethingems]

How do you think Sans reacts to Papyrus’s death during the runs?

If you mean in the base game, uh... we kinda already know? If Papyrus is killed, Sans doesn't show up again until the final corridor, where he'll ask "if you have some sort of special power, isn't it your responsibility to do the right thing?"

If you answer yes (that you do have that responsibility), then he responds, without eyelights or sound font, "Then why'd you kill my brother?"

And if you answer no (you aren't responsible), you get "well, that's your viewpoint. i won't judge you for it.... You dirty brother killer."

There's also the line of description you get if you go on to have a concert with Shyren after killing Papyrus: "A hooded figure watches the commotion from afar." It replaces the line that mentions Sans selling toilet paper tickets to your concert, and of course, of all the characters with hoods in the game, he's the one who would be most concerned with tracking your actions after killing Papyrus. So, it makes the most sense to infer that this hooded figure is Sans.

So his reactions, to me at least, suggest that not only is he heartbroken, he's furious with you. But Sans isn't one for direct confrontations and shouting like Undyne is, so he watches, and I think he still tries to understand why you'd do something so horrible. But that doesn't stop him from being angry because there's no excuse for killing his brother, but sparing other monsters, that he can fathom.

I'm personally not a fan of depictions of Sans sobbing over Papyrus' dusty scarf--he just doesn't strike me as a guy whose first reaction is to cry. For my understanding of him, it makes more sense for him to go numb, initially, then save his anger for his parting shot in the last corridor. No matter what you answer, Sans gets the last word in, and it's always to remind you that you did not have to kill his brother.

So uh, yeah. that's what I think.

[umblrspectrum]

"smaller mass" you say