#but they still published it and people are reading it

[cressidagrey]

It's a Love Story - Chapter 6

Summary:

Azriel's shadows find their master a wife.

Azriel would just really like his heart not to get broken again.

And Sky...well, she's just really surprised that that far too handsome male is interested in her at all.

Warning:

DEFINETLY NSFW! Rhys Bashing (as usual), I classified this as Azriel x OC, even when it't technically Azriel x Sellyn Drake (but we kinda know nothing about Sellyn Drake other than that she writes books so Sky is kinda an OC), Cassian is kinda a good guy for once, Azriel has a horrible time, as usual... Stuttering, toxic families (For once I do not mean the IC), Self-Esteem Issues, Secret Identity, Body Image Issues, Fat Shaming, People being utterly horrible.

If any of this triggers you or makes you uncomfortable, please take care of your own mental health and don't read it.

For somebody that filled her romance novels with plenty of smut… Sky wasn’t exactly as experienced as one may expected. 

Actually…she was woefully inexperienced.

There had been Admon…and Admon it had been.

The rest of the stuff in her books…well, that was just her fantasy wildly spinning stories about how sex should feel. Informed by plenty of books she had read, other authors, and of course…there were the two people that got to read every book she wrote before it was published: Orla, her publisher, and her friend Ressina, who was nice enough to take the pen to every thing she wrote that was woefully inaccurate. 

Because nothing ever felt to her like she portrayed it in the books.

Maybe that was normal. Maybe it was because of course her books portrayed something…better than reality, an escape from it. But still…sometimes Sky had just wondered…

As Azriel carried her towards the bedroom, Sky couldn’t help but feel a flutter of nervousness in her stomach. It wasn’t that she didn’t want this, she did, more than anything. But the truth was, she was…nervous.

She had written about this moment countless times, had described it in vivid detail in her novels. But now that it was actually happening, she felt…insecure. What if it wasn’t as good in real life as she made it out to be on paper? What if she did disappoint him?

(Sky knew that she had disappointed Admon numerous times…that she seemingly had never been enough for him…had been so bad at it in fact that he had instead slept with her sister…which was a whole other kettle of fish that she really didn’t want ot think to close about right now.)

Sky tried to push those thoughts aside, to focus on the here and now. 

Azriel was here with her, he wanted her just as much as she wanted him. She could feel it in the way he held her, the way he looked at her. And yet, that nagging feeling of doubt still lingered.

And then there was the fact while he had admitted to sending his shadows to search for her… Sky was still keeping a rather big secret.

“Az…Azriel…” she said hesitantly.  “There…there is one thing you should know about me.”

Azriel paused, setting Sky down on the bed gently before turning to look at her. 

"Go on," he prompted her gently, taking her hand in his as he sat down next to her and giving it a reassuring squeeze. "You can tell me anything, Sky." She believed him. he wouldn’t judge her. She was sure of that as well. 

“You…You k…know how…how I…I write… ro…romance no..novels?” Sky asked him, biting her lip.

Azriel nodded, a small smile playing at the corners of his lips. "Yes, I do," he said, leaning in closer to her. "You told me.”

“I…I am Sellyn Drake,” she blurted out.

She had never outright admitted it to another person. 

Ressina had been the one who had send off her first manuscript to be published…and Orla had met with her…these were the two people in existence that knew that Skylar Alden was also Sellyn Drake. And Skylar had always been comfortable with keeping it that way. 

There was no need to tell anybody else. 

Which was why it worked so well, that Ressina was an artist and could paint the bookcovers for her. No need whatsoever to let anybody else see the hesitant first drafts until she was sure this was where she wanted to go. Just Ressina. Just one of her very few friends. If not her only. 

Azriel stared at her, his eyes widening in surprise. "What?" he asked, completely taken aback. "You're...Sellyn Drake?" There was no…outright disbelief in his voice, just shock. 

*We know! We made Master read your books!* the shadows cooed. *Lady Death, The Priestess and The Shopkeeper love them too!*

She had no idea who any of these people were but…

Azriel's eyes widened even further as the shadows spoke up. "You...you knew about this?" he asked them, turning towards the shadows in disbelief. "You knew. That’s why you gave me her books to read!”

This was just getting better and better.

Sky, who had been watching Azriel and the shadows’ exchange with a mixture of nervousness and embarrassment, couldn't help but laugh at the absurdity of the situation. 

“Do…Do they always…” she couldn’t even put it into words. 

Azriel sighed. “They like to meddle,” he said darkly. “And this time they were particularly persistent.” He shot a reproachful look at the shadows, who cowered a little under his gaze. "I won't lie, they did manipulate me into reading your books. And when my shadows do something they are rather...convincing."

She swallowed. 

“Did…did you…li…like them at…at least?” Sky asked hesitantly. 

Azriel hesitated for a moment before answering. 

"I...I did," he admitted earnestly. "Your writing...it's brilliant, Sky.” Her heart soared at his words. She treasured them, hoarding them away like a dragon. But he wasn’t done. “The characters, the emotions, the way you make the reader feel everything...it's incredible. I couldn't put them down."

Sky grinned at his words, feeling a swell of pride in her chest. "I…I'm glad you..you li…liked them," she said softly.

*Master especially liked the…*

“Shut. Up.” Azriel snapped, his ears reddening and Sky started laughing. She could just about imagine what the shadows wanted to tell her at that moment. 

Azriel groaned, burying his face in his hands. "I'm going to kill them," he muttered under his breath.

"They…they are ju…just try…trying to help you, aren't they?" she asked softly, squeezing his hand in hers. Only now she noticed the violent scars that marred them, the texture of raised and bumpy skin…but she didn’t care. Not one bit.  

*Of course, we are,* the shadows said, like any other idea was simply blasphemous. *We gave Master the best information we could. So that Master would know what you like.*

Sky probably shouldn't find it as adorable as she did. But the lengths they had gone to...the way they had made Azriel read her books so that he would know what she liked...nobody in her life had ever gone to these lengths just to find out what she liked.

"I swear I am not a total creep," Azriel told her with a grimace.

Sky laughed, shaking her head in disbelief. "No…no, no, you're not," she assured him, squeezing his, hands gently. "I…I ac…actually think it's… quite… sweet. In a weird, sli…slightly invasive kind of way. But sweet nonetheless."

"I think you are the only female that could possible think that," Azriel muttered, glaring at the shadows that didn't seem apologetic in the slightest.

Sky grinned, leaning in closer to him. "It’s… endearing,” she finally settled on. “Maybe even a lit…little bit charming," she promised him earnestly.

Azriel looked at her incredulously, his expression softening a little. "You're not just saying that to make me feel better, are you?" he asked her.

Sky shook her head. "No. No, I'm not," she said, her voice unwavering. "I…I mean it, Azriel. It iss actually really sweet that you would go to… such lengths just to try to un…understand me better. And you ad…admitted to it. And not just after the mating bond was accepted but within hours of meeting me." 

Azriel didn't keep it a secret, even when he could have, and she would have been none the wiser. 

"I don't know what I ever did to deserve you. But I'm not going to question it," he whispered. 

She swallowed. That's what she was thinking. The exact same words. 

Sky pulled him down, letting his forehead rest against hers.

"I know that...that I am supposed to cook you something...but how disappointed would you be if I gave you one of those caramel bonbons in my purse to accept the bond instead?" she asked him softly, meeting his gaze. 

His eyes widened and he stared at her in pure, undiluted wonder. 

"I could not possible be dissappointed by whatever you offered me," Azriel whispered. "But...are you...are you sure?"

"I am being utterly selfish," she whispered. "Yes. I want you." She didn't care that people would have thoughts about it...that she was rushing into this. 

They were probably right. 

But Sky really didn't care. Sky only wanted him. Sky was ready to throw caution overboard and rush into this headfirst without a thought about the consequences, if that meant that she would get her mate.

"Then let's be selfish together," Azriel whispered.

With shaky hands she reached into her purse, finding one of the caramel bonbon she kept in there...unwrapped it out of the paper and then...then she offered it to him, lifting it to his lips.

Azriel looked at the bonbon, then at her, and for a moment she thought he would say something. But then his mouth opened and he took it from her hand... He chewed it, swallowing carefully, his gaze never wavering from hers. For a moment, they stayed suspended in that moment of tension, the only sound their breathing. And then, he leaned in, closing the distance between them, and kissed her as if she was the most precious thing in his entire world.

A Mating Frenzy had always been protrayed as animalistic in every book she read. So of course, Sky had written the exact same thing.

But it wasn't...not really.

Not for them. 

And being with Azriel was also a far cry from being with Admon...mostly because then it had often been...embarrassing and painful. 

Admon had always found something to criticise on her body...foreplay had been nonexistent, even when she had tried...and while he had been more than willing to use her mouth to find his own pleasure he had never returned that favour.

With Azriel it was different. Every touch, every caress, every kiss made her feel things she had never felt before. It was like her body was coming alive for the first time.

All her senses were heightened, every nerve in her body singing with pleasure, and Sky couldn't get enough of him. She wanted more. No, she needed more. As Azriel trailed kisses down her throat, she arched her back, pressing herself against him, her hands roaming over his body, exploring every inch of him that she could reach.

"Can I...Can I touch your wings?" she asked breathlessly, not wanting to...cross some unsaid line.

"Please," Azriel breathed out. "Yes, Sky, please." He lifted his wings, extending them out behind him, giving her free rein to touch and explore to her heart's content. As Sky's fingers brushed against the contours of his wings, Azriel let out a low, guttural moan, his wings twitching and shuddering at the sensation. They were massive and pitch black.

"They are beautiful," she whispered, running her hands over the silky black skin, feeling the warmth radiating from them.

He shuddered at her touch, his wings arching and trembling beneath her gentle caress. he leaned his forehead against hers as he gently tipped her back against the bed and she went willingly, wrapping her hands over the gleaming talons at the tip of his wings as she kissed him.

Azriel growled softly in response, his hands sliding up beneath her dress, opening the lacing in one fluid motion. As the dress fell open, revealing her body beneath, Azriel pulled back for a moment, looking down at her with dark, hungry eyes. "You are so beautiful," he breathed, his gaze roaming over her body.

She didn't even have the time to feel self-conscious, not when she was drowning in the waves of desire that shot across their bond from him. Not when her whole body seemingly trembled against his and she kissed him again, opening her mouth to his tongue.

He slipped open the dress and she opened her mouth, halfway ready to tell him how he could get the corset she wore off, but he already opened the lacing. "Why?" he asked her softly, as he saw the red indents left on her body, and she grimaced.

"Claire," she whispered.

She wore corsets usually for support, because her breast could get heavy and painful without the proper support...but she never laced them as tightly as she did when she saw her family. Or her sister. Then she pulled them tight, trying to squash her body to be something…something her family could stomach, something they maybe wouldn't comment on...she always failed.

Azriel hissed softly, his fingers lightly tracing the red marks on her skin. She knew that they looked horrible, and yet he looked...angered? Almost furious. His expression softened as he looked back into her eyes, his fingers gently tucking a piece of hair behind her ear. "Why would you do something like that to yourself, Sky?" he murmured, his eyes searching hers. "You are beautiful. You don't need to change anything about your body." He leaned down, pressing a gentle kiss to a particularly hard imprint the corset had left.

Sky swallowed hard, feeling a lump form in her throat as emotion welled up in her chest. No one had ever said something like that to her, had ever made her feel like she was good enough just the way she was. She opened her mouth, trying to speak, but no words came out. Instead, she just nodded, feeling a single tear slip down her cheek. Azriel wiped it away with his thumb, his other hand coming up to cup her face tenderly.

"You are perfect," he whispered, pressing his lips to her forehead. "Just the way you are. Don't ever let anyone make you feel otherwise. Not even your family." Sky leaned into his touch, closing her eyes and just focusing on the closeness, the warmth, the feeling of being cherished and protected.

With every word he spoke, she felt a weight lifting off her shoulders, her fears and insecurities melting away. She realized that maybe, just maybe, she had found someone who truly saw her, the real her. Who accepted her exactly as she was, flaws and all.

It was so easy to sink into that. So easy to trust him. So easy to just kiss him, as she pushed the shirt he wore over his shoulders...to feel acres of gold skin, dotted with scars and dark markings...to bare him for her view and see how utterly gorgeous her mate was.

He growled softy as she ran her hand down his chest, tracing the scars that marked his skin. His body was a tapestry of pain and survival, yet she wasn't deterred. She only found him more beautiful for it.

"Mine," she whispered, pressing her lips to his chest, to one particularly nasty scar. "All mine." She could feel his heart pounding beneath her lips, the steady beat matching the rhythm of her own heartbeat. Her hands trailed down his chest, his stomach, until she reached the waistband of his trousers.

It was so easy.

So easy, to shed clothing until they were bare...so easy to press against him and feel warm, perfect skin...so easy to relax underneath him as he stretched over her...so easy to simply cup his face as she kissed him...as her legs wrapped around his hips and he groaned and she whimpered as she felt him...hot and hard and huge, pressing against her...She was dripping wet without him even laying as single finger on her beneath the waist.

Azriel didn't look unaffected, his breath coming in ragged pants, his eyes fixed on hers as they were blown wide and dark with want. He didn't move, didn't kiss her, didn't pull her closer. He only waited. Waited for her. 

"I need you," she whimpered. "Please. Please, Az." He let out a sound somewhere between a groan and a growl, his hips rocking gently against her, teasing them both with the heat and friction between them.

Nothing hurt. Nothing ever even threatened to hurt...Even as she could feel him notch against her there...even when she could feel herself lewdly stretched open on his cock...

It was so soft and gentle and sweet and…

It was everything Sky had ever wanted. 

Not the rough kind of fucking...not the animalistic coupling she wrote half the time...but she had wanted this. She had wanted sweetness and adoration and...love...and to be wrapped up in her mate's arms like she was a precious, precious thing. She had wanted whispered praised against her skin and to be touched like she mattered...

"Sky," he whispered, his hands running up her side, his touch was soft and soothing, worshipping her body. He kissed her, slowly, deeply, and there was something...almost overwhelming about it.

About the way he made her feel. The way he made her feel loved and adored. The way he made her feel cherished. Her hands wandered up to his back, tracing the muscles shifting beneath scarred, scarred skin.

She could feel him trembling, feel the tension in his body as he held himself back, but still, he moved in slow and gentle thrusts, taking his time. He worshipped her - every little gasp and moan, every curve of her body. He traced her shape with his fingertips and lips, exploring her as though he was trying to memorize every inch of her body.

She didn't know how long they stayed that way, their bodies as one, but Sky didn't care. She was surrounded by him - the heat of his skin, the sound of his breath, the way he whispered her name like a prayer. Sky could feel the love and devotion pouring through the bond, washing over her in waves, and she knew that this was exactly where she was meant to be. With him, in his arms, completely and utterly whole.

It nearly came as a shock as she came.

A breathless moan fell from her lips as her orgasm rushed over her, her body arching as she called out his name. He kissed her through it, murmuring praise against her lips as he held her close, his own release following soon after.

They stayed there for a moment, tangled together, both of them breathless and sated. Azriel's wings slowly wrapped around them, cocooning them in a warm, protective embrace that made Sky feel safe and cherished in a way she had never experienced before.

***

There was not one inch of his mate's body that wasn't utterly beautiful. From the tips of her arched ears, to her beautiful eyes...to the swell of her breasts and the dip of her waist and the soft flesh of her belly and the flare of her hips...she smelled so good too...especially now that their scents had started to mix, and he could breath in caramel and hazelnuts and cedars and the sweet, beautiful scent of happiness as she laid underneath him. His head was bedded on her stomach, as she drew short fingernails through his messy dark hair. He nearly wanted to start to purr as she scratched at his scalp.

Azriel felt...content.

More content than he ever remembered feeling. He was wrapped up in her, his mate, with her gentle hands in his hair, and he felt utterly and completely at peace. He didn't care if they never moved from that bed again. He didn't care if the world outside their little cocoon burned. So long as she was by his side, he was content. He had never felt like this before. He had never felt this...happy. This...whole.

"I need to go feed Hector," Sky told him softly, trailing her fingers through his hair.

"Can I just have the shadows kidnap him and bring him here?" he asked, not wanting to move.

"You can't go kidnapping my cat, Az," she chided him gently, but even as she said the words, she didn't stop drawing her fingers through his hair, and Azriel didn't move. He was far too comfortable.

"Why not?" he complained.

"You'll terrify him," she said with a laugh. "Besides, do you have cat food here?"

"I'll have the shadows find some Tuna," he mumbled.

"Do…Do they just ac…acquire whatever you tell them to?" she asked him with some amusement. 

And lots of things he didn't tell them to, as well. They thought he didn’t know. 

Azriel raised himself on his forearms, looking down at Sky with a glint in his eye. "You have no idea how many things I've acquired that way," he told her with a grin.

She lifted her hands, cupping his cheeks and pulling him down towards her, resting her forehead against his. "You're a menace," she murmured against his lips.

"Your menace," he replied, kissing her softly.

Sky smiled, a warm, slow curve of her lips that made his chest feel tight. "Mine," she agreed, her voice soft. "But no kidnap…kidnapping my cat. He's at home."

"We could make this our home," he protested softly. "Move in with me."

Azriel had no fucking clue what was even coming over him. They should have slowed down, stopped to think...but neither of them seemed to want to.

They just…they seemed utterly content to crash through what other people considered a normal timeline and just be together right now. 

He just wanted to be near her. He wanted to share a life with her, a home. He wanted to curl up with her in front of the fire on a cold winter's night, and spend lazy Sunday mornings in bed with her. He wanted to take her flying, and watch as she wrote and listened to her read the words she wrote. 

And he wanted - Gods, he wanted her to want that too. He held his breath as he waited for her response.

For a moment, she was silent, and Azriel wondered if he had stepped too far, asked too much too soon. 

But then, Sky smiled again, her eyes sparkling with emotions. 

"...Al…Alright," she said, her voice barely above a whisper. "I'll…I’ll move in with you." 

Azriel couldn't help but grin as he pressed his forehead to hers. "Really? You mean it?" he asked, still unable to believe his ears.

"Really," she echoed with a laugh, before her expression turned serious. "But I…I have one co…condition." 

Azriel raised an eyebrow, waiting for her to continue. "What is it?"

"If I move in with you..." she began, wrapping her arms around his neck. "All my books need to come to," she told him seriously.

Azriel laughed, leaning back in to kiss her softly. "All your books can come, if that's what you want," he said. "As long as you're here, I don't care what else you bring."

And then the shadows unceremoniously dumped a screeching demon on the bed with them.

Sky let out a surprised yelp as Hector landed next to them with a thud, quickly scrambling away from the cat - and from under Azriel's weight. Azriel, for his part, sprang up, his wings flaring out in alarm. For several long moments, the three of them just stared at each other. Hector, his mismatched eyes glowing, his fur puffed up to twice it’s normal size, and Sky, her expression a mixture of surprise and affection as she looked at her pet. Finally, she cleared her throat. "Well, that's one way to introduce the two of you. Az, meet Hector."

...Gods, the shadows had really not been lying when they said that the cat was the ugliest thing they had ever seen.

Azriel slowly lowered his wings, eyeing the creature that was half-cat and half-demon. "He...looks like he wants to kill me," he said slowly.

Sky laughed, reaching out to scratch Hector's head. "He's just grumpy because he got teleported here so suddenly," she told him. "And he's not used to strangers." Hector's fur slowly flattened, and he began to purr, rubbing his head against Sky's hand. "Besides, he'd never hurt anyone," she added, looking up at Azriel with a smile.

Somehow Azriel highly doubted that.

Sky picked Hector up, cradling the cat in her arms as his purring grew louder. "See? He's not so bad," she told Azriel, moving towards him, and Azriel had to resist the urge to back away. "Hold out your hand, let him sniff you. He just needs to get used to you."

Azriel hesitantly held out his hand, trying his best to ignore the way Hector's eyes seemed to glow with an eerie light. After a moment, Hector moved forward, sniffing at Azriel's hand. Azriel felt the soft brush of whiskers against the palm of his hand, and Hector nudged his head against him, purring louder.

"See, he loves you!" Sky said enthusiastically

Azriel let out a laugh, slowly scratching the top of Hector's head. "I think he's just trying to lull me into a false sense of security before he scratches my eyes out, you know."

She rolled her eyes, "You are the most handsome cat I know," she cooed at him. "And you won't ever scratch out Azriel's eyes. No, you won't.”

Azriel would not quite go as far as describe the cat as handsome...but then...his own scarred hands weren't particularly beautiful either.

So Hector and him had that in common.

And the fact that they both wanted to cuddle with Sky. Actually, he was pretty sure that the cat hated him just for taking away his monopoly on that.

But Azriel would have shared a house with the King of Hybern if that meant that he got to have Sky in his bed.

She smiled at him, her eyes warm and adoring. "I knew you two would hit it off," she said, holding Hector in the crook of her arm. The cat stared at Azriel for a moment, as if sizing him up, before leaping off Sky's lap and disappearing under the bed with a soft patter of paws. "He'll warm up to you eventually," Sky assured him, but Azriel wasn't so sure about that.

He pulled Sky in closer to him, slipping back underneath the sheets with her, kissing her forehead. "I'll win him over, eventually," he promised her. At least, he hoped he would - he didn't particularly enjoy the idea of having to wake up with his throat being sliced open by an angry cat.

He would buy that damn cat all the Tuna in the world if that made Sky happy.

[le-panda-chocovore]

I still refuse to accept that this exist. I've been around for years now and I do send fic links to my friends but we don't have discords servers specifically to talk about them ??? I leave comments and sometimes go on the author's tumblr to send them an ask about how much i love their works. A few times I got the author's discord by doing that and we started chatting on the app. Sometimes the author sees me comment-spamming their fics, so they go on my account and starts reading my fics and leaves adorable comments too. And it makes me cry cause what do you mean you love my work ?? I'm just an annoying rambler who also happens to be a fan of your work, I don't write as well as you, but you still enjoy reading my shit ? This makes me so fucking happy.

And you guys are telling me that some people... Don't... Share their appreciation with the author ?? Some people are missing this kind of wholesome connection???? People create discord server to talk about the fics they like and never fucking tell the author about that ? The author who reads and answers to every single comment because it makes them happy to know that other people like their work ?? The author who rambles about their fics idea on tumblr because they have so many in mind and just want to share them ??

I legit don't understand how you can read a fic and chose to text your friend instead of leaving a fucking comment under it. I refuse to believe that there's discords servers out there with channels like "STSG hurt/comfort fics" where people write poems dedicated to their love for fanfic authors. And the authors have no idea of this and give up on writing because they feel like no one is reading them.

I have a discord group with two women, we were all writing erasermic fics on the french side of wattpad, we were all reading and commenting each other's fics, correcting spelling mistakes in the comments. It became an habit to the point where they started tagging me every time they posted a new chapter so I could correct them, and I did the same with my fanfics. It was 5 years ago and today one of them is going to publish her first original novel and she asked us to be her beta-readers. None of us write erasermic fics anymore.

It's great that you love a fanfic so much that you ramble about it on discord with your friends, but what the point of a fandom if we don't try to reach each other ?

"should we tell authors on ao3 when we have discord conversations about their fics" i don't speak for everyone here but if y'all ever find a group chat discussing my fics you can should must and WILL send me screenshots of the whole damn thing. inflate my ego. gimme

[ambers-archive]

About you

In which Spencer falls in love with your words before he falls in love with you as a person

It’s 2:30 a.m., and all Spencer can do is stare at the ceiling, his migraine making him feel restless.

He’s only ever told Emily about the migraines, who now is gone.

Of course, blue light is making it worse, he thinks, but he can’t help himself.

He’s been re-reading your research paper.

You’re a medical student, just starting to dip your toes into the ocean of research. He’d been deep on the web, scrolling through articles, when he found yours. It only had around fifty reads—probably because it still needed refining and had only been published two hours ago.

The paper centered on the dismissal of female patients in medicine.

He knows he is not the target audience for your research paper, yet heh finds himself relating to your words.

His migraines have often been waved off, reduced to psychosomatic symptoms, or trivialized as “nothing serious.”

“I just want to feel safe going to the doctor,” you’d written.

He knows it’s odd to be so fixated on an article—and by extension, on you. Your full name, along with your email, was listed at the bottom. Public information; perfectly reasonable for him to reach out, yet he resists, settling instead for reading every word you’ve written, as though someone finally understands him. His thoughts seem to echo from your words.

“Our health is seen as us overreacting. We could be bleeding abnormally, clearly in pain—pain that’s beyond anything comparable. Yet, it will be dismissed as period pains. Cramps. ‘Just tough it out.’ It’s no accident that the word hysteria originates from the Greek word for uterus.”

Doctors and nurses—the very people you’re supposed to trust with your life. Spencer reads the passage over and over, wanting to etch it into his memory. He loves the way you write—assertive yet curious, optimistic yet grounded in reality."

He finds himself frowning reaching the bottom of your paper.

There must be more, he thinks. Do you only write research papers? Are you a reader, too?

Feeling like a bit of a creep, he types your name into a search engine. His smile widens when he finds your blog. The page features the same painting you used for your article profile—another piece of you for him to explore.

[antifainternational]

I'm 14 and I really want to do more antifa advocacy than posting about it on social media, but I live in a decently conservative area (part of the us state of georgia where if you said trump sucks half would cheer half would shoot you). And my parents don't let me go anywhere really & I don't think they'd like me being antifa. They aren't fascists or anything, they are american left (pretty much centrists), I think they would say it's too dangerous and honestly, they're right, I could easily get myself killed. And they do still say that good cop exist. What are some down low/sneaky ways to participate?

Homie, first off apologies for taking so long to write you back. We're glad you're here. You're not alone. We get tons of messages from people just like you, in the same situation of seeing how messed up things are and wanting to do something about it, but not knowing where to start or how to be safe doing it. Some thoughts/suggestions: -there have to be other people around you that feel the same way you do. Think about the kinds of people that bigots and fascists target and victimize - women, disabled people, LGTBQ+ folk, migrants, racialized people, religious minorities, etc. Look to see how those groups are organized in your area and then reach out to those organizations to ask how you can volunteer or support them. There might not be a mob of antifa black-bloccing their way around your town, but there's probably a migrant support group doing work, or an abortion rights network, or queer-support organizations, or racialized people doing good political work. Find them, reach out to them, see what they need and how you can help. -Anti-fascism doesn't have to be some big, scary, dramatic action. Truth is 99% of anti-fascist work are small things that, when done repeatedly, have a bigger cumulative effect. We've published a list of 30 antifa actions that we believe just about anyone could pull off, maybe with the help of a couple of friends. Find something you think you could do, do the thing, assess how it went and what could've gone better, and do it again or move on to the next thing! Let us know how it goes! Don't like any of the 30 ideas we listed? Well then check out Pop Mob/Spencer Sunshine's 40 Ways To Fight Fascists (print version available here). Now you have 40 more ideas! Another thought: maybe you could start an antifa student club (whether or not it's named somethign like that) - read our thoughts about starting student clubs for some ideas and tips! We hope this is useful and we hope that you find ways to get active in the fight, because the fight is about to get very, very real!

[pjsk-hot-takes]

Inspired by @pjsk-headcanons! Basically just submit any hot takes you have about Project Sekai; the characters, fandom opinions, charts, songs, covers, anything!

Read the rules before submitting. Please.

Rules:

1. Be respectful in the replies! If you disagree with someone’s opinion, don’t start a fight about it. For example, “Reincarnation Apple should’ve gone to Nightcord.” DO NOT begin attacking the person that said this, anon or otherwise.

To be more specific: engage with a person’s opinion on their post. Do not send separate submissions of two people on anon going back and forth on an opinion; a specific opinion stays on the first post. The rule below still applies.

2. On that note, you CAN submit something that contradicts someone else; just don’t turn submissions into a fight.

“I think Patchwork Stacatto should’ve gone to Nightcord” -> “MMJ’s cover of Patchwork Stacatto is overhated” is ok!

3. Hot takes are opinions, not headcanons. I like hearing headcanons, but please go to another blog for that; this is just me wanting to see what people’s opinions are.

4. I personally do not care if an opinion is objectively popular; whether you believe something is a “hot take” is up to the person submitting the opinion. Do not argue with people over this please! Informing them their opinion is common is one thing, but bullying is another.

5. Try to not flood my inbox! I’ve never done a blog like this before; I’m going to make mistakes, and I’m going to be slow.

6. Be respectful with your wording when submitting an opinion as well.

People will disagree with you; don’t be unnecessarily rude to an opinion you disagree with, or to the other side of the opinion you’re stating!

7. It’s ok if a take is repeated- so long as it’s not like. Four or five times in a row. I get it if you don’t want to look through a whole blog! Feel free to use the tags to search more specifically for what you want to submit, but don’t sweat it if it’s happened before! :)

8. Don’t make it all about shipping, or complaining about shipping.

One or two things is fine, but my whole inbox is ridiculous respectfully.

Rules will be added and updated as needed (I doubt it’ll happen much, I don’t think this will get much traction lol.)

Tags:

For every character I will have a “x hot takes” tag. For every cover, they will be tagged by original unit and, if the hot take is something along the lines of “x cover should’ve gone to y unit!” then I will tag that unit tag as well. For every ship, I will tag them as “(ship) hot takes”, but I will NOT tag the actual ship tag if it is something along the lines of “x ship is overrated/problematic”. I will publish it so long as it is not overly hateful to the ship, but it will not get the fandom’s ship tag, so that those following the tag do not see it. Chart hot takes will get the “chart takes” tag; honestly, these are self-explanatory.

In the same way that @/pjsk-headcanons has anonymous submissions, I do too; if you want a sign off, I’ll make you a tag (either “x anon” or “x anon hot takes”

If you have any questions, feel free to ask!

[darkbluekies]

2nd year anniversary get to know the author

I have always loved the "chosen one" concept.

ever since I was little, I've written stories where the main character is special. I've always liked it when the character is chased for something only they have/do. Like, they're not just replacable or killable.

Ex. When I was 11, I wrote a story about a pair of twins that have different blood than normal people, which becomes a "super weapon" once their blood touches. By this, the main characters can't be killed, but they're hunted because they're different. Chosen.

Which is probably why I like the yandere style. The main character is chosen and special, something that can't be killed but can be imprisoned.

Some of the best book plots I have ever written are fanfictions I made during my teens

It's insane how well my brain was thinking when making up certain stories. Like me today are still in love with the plots (need reworking though, but the core of the plot is amazing) and I'm jealous of that now.

I painted my room when I was 12 to match the bedroom my character had.

I love(d) that character so much (at the time she was the main of the mains, if you get what I mean) and wanted to be her. She was one of the twins with special blood. There was something about her that just resonated deeply with me.

I feel like I can't write certain things

My notebooks are private, no one is allowed to read in them. Never will. But I have this feeling that either when I have children, they'll read my notebooks because kids are curious, or they'll be published once I'm dead.

I want to explore writing sexual scenes so that they keep up with the rest of the style in a story, if the plot asks for a sexual scene, but I don't feel like I can write them becuase they'll never feel private enough. It feels like someone is always watching whenever I try anything that commes close to sexual scenes. Like I'm doing something bad. Which is stupid, because I'm an adult lol.

I had another oc planned instead of Hedwig

I knew that i wanted one yandere to exist in a school, like the original yandere concept (for me that's yandere simulator) and created a "quiet kid" oc. Funnily enough, i actually found what I had written for him. I thought I had deleted it

But then I decided to make it a girl, because I wanted it to be more similar to the original concept<3 and that's how hedwig came about<3

There was another Edmund

While finding the quiet kid oc, I also found a king yandere oneshot I had written before writing the very first Edmund oneshot in January 2023. This is ALSO four days before writing my first oneshot for this account. This oneshot is older than the entire darkbluekies account. Older than Silas. Older than all of them!!!

Doesn't really feel like Edmund though, does it? Too nice

[saiscribbles]

Why is Courtney Peet saying you are pro Lorch now?

Sorry for anon

TL;DR for people who haven't read my previous posts: Courtney is mad at me for not prioritizing reacting to Joon's video with her. I didn't realize how much she had her heart set on that. Then I invited her to the stream with Ant Crim and I forgetting she didn't want to watch any of Lily's videos and she left my server before I realized I'd upset her. I did try to apologize for my insensitivity and clarify my motives but she was still pissed so I left her alone after some back and forth on her community post comments.

But now she's parroting the "you're platforming a rapist" and "you just want Lily around forever for content" people which I don't think is very fair. I elaborated in this post.

I did send her the smoking gun of Lily admitting to writing some of the worst parts of Stockholm, though. Which if the Canadian government would actually prosecute Lily for published CSAM this would be a key bit of evidence linking her to it. But that's up to Courtney to do. I'm American. I can't do anything legally to Lily. And I believed Courtney when she had said she was done with relying on other people to be the savior and platform her story for her.

I still believe her allegations for the record. Her scapegoating me at the moment doesn't make them suddenly untrue. Especially with all the bullshit we've heard Lily say.

[cosmererambles]

So...People have been asking for my Kelsier Essay.

I'll publish it in several posts that are qued apart.

Kelsier Essay

This is not a formal, academic essay. It’s a loose one but I feel it drives home the point well enough and brings forth good evidence.

 I hope the dear reader will forgive my use of a proper noun as I write this essay; it removes somewhat of a formal aspect from its words but I must admit, it does come from a personal place of my heart. While this essay is meant to be persuasive, it’s also meant to be constructive and to drive a point home that I have been musing on for quite a while. This essay has major spoilers for the entirety of the Cosmere. If you haven’t read all of Mistborn, SH, and all of SL, please refrain from reading this.

In the endless expanses of the Cosmere, there are hundreds of characters whom many hold dear and just as many whom people hate. You could say this is due to the brilliance of the author, who, despite his busy schedules and near constant time spent behind a keyboard, finds time to sign sheets and answer questions. Why is signing sheets and answering questions relevant to beloved and reviled characters? Read on.

Brandon Sanderson answers hundreds of questions, many of which are inane, innocuous, or silly. Some are deeper, others delve into the basis behind some of his choices while writing. Still others pertain to characters. We get to the meat of it. This particular character is known, through the writing, as a brutal man, who let nothing stand in the way of his goal, who, while cleaving the noble class of his society in twain, uplifted the peasants and upended the thousand-year reign of his deity and ruler. Yes, we’re talking of Kelsier, the Survivor of Hathsin, hero of the Final Empire, and a character that leaves many people puzzled.

Reddit forums are frequented by questions about him. r/Mistborn and r/Cosmere alike have had their fair share of debates, and there was one thing I noticed in many of these: they take the words of Sanderson very, very seriously. Why shouldn’t they? He’s the author, is he not? Back in 2013, Sanderson had a Q&A session where someone asked him who his most disturbing character was. The WoB is as follows:

I_are_pant

1.Which of your protagonist characters do you dislike the most as a person? Taking in account that you know all of their inner secrets and motivations. 2. On the flip side, which of your antagonists do you connect with the most? The Lord Ruler seems an obvious choice as he was misunderstood by everyone for so long. But still, I’m curious.

Brandon Sanderson  This is a tough one, as while I’m writing, I HAVE to like everyone. However, the most disturbing of them is probably Kelsier. He’s a psychopath—meaning the actual, technical term. Lack of empathy, egotism, lack of fear. If his life had gone differently, he could have been a very, very evil dude.

 This Word of Brandon has had a decided effect on the fandom, namely in the fact that critical thought surrounding Kelsier, his motives, his struggles, and his successes, has all but been erased. He has been branded a psychopath, and there is nothing anyone can say against it.

The word “psychopath” is a very negatively charged word. To preface things, I want to be clear that this essay is going to refer to “psychopathy” as Antisocial-Personality Disorder. The term psychopath is very old, and largely refers to individuals with this particular disorder. The traditional definition of psychopath is someone who both lacks a conscience and lacks empathy.

Through this essay, I plan to painstakingly showcase that Kelsier fits neither the outdated term nor the criteria for the actual disorder, through canon book citations. I will break down each diagnostic criteria for Antisocial Personality Disorder (Henceforth shortened to ASPD) and Kelsier’s character traits at large. I wish to not only prove Brandon wrong (It is a very old WoB and I doubt very much he still believes this.) but to prove to the fandom at large that Kelsier is a good man. A flawed man, but a good man. I will also note specific character traits that I feel are of note in discussing him, his motives, and his current ideologies.

(Please note that there are plenty of individuals with ASPD that are not bad people. Your actions make you bad, not your mental health. I will be using terms such as “bad” and “wrong”, but this is in regards to a fictional character, NOT a real life human being.)

Antisocial Personality Disorder is a disorder characterized by the DSM-V as a Cluster-B personality disorder. It shares its family with Narcissistic, Borderline, and Histrionic disorders, and is characterized by a “continuing disregard and violation of the rights of others, occurring since the age of fifteen. To be diagnosed with ASPD, you must show a pattern of three or more of the following characteristics:

·         Failure to Conform with Laws and Social Norms

·         Deceitfulness (Repeated lying or conning of others for personal profit or pleasure.

·         Impulsivity or failure to plan ahead.

·         Irritability or Aggressiveness (Repeated physical fights or assaults.)

·         Reckless disregard for the safety of others.

·         Consistent irresponsibility. (Failure to keep a job or honor financial obligations.)

·         Lack of remorse.

Psychopathy is a term that was coined before this disorder was identified and refers specifically to a person lacking in both empathy and a conscience. The term is still widely used today, along with the term Sociopath, often interchangeably. For this essay, I’ll be largely relying on the psychiatric standards set in the DSM-V.

[frodothefair]

This is merely a philosophical point, but I don't quite understand the "threat" of fanfiction to published authors.

For instance, in the LOTR fandom, we do a lot of writing about minor or obscure characters, some of whom are mentioned once -- such as Celebrían, Lothíriel, Háma, Marigold Gamgee, Rosie Cotton.

Let's say a fan wrote a story about Sam's life with Rosie after the quest, or Sam's initial romance with Rosie (which, per Tolkien, is "nowhere elaborated"). Let's say someone wrote about Lothíriel and gave her a life and a history, when in LOTR she is but a name in an appendix.

This expands on canon -- something Tolkien can no longer do, as he is deceased. What harm, exactly, is there to Tolkien's estate, if someone else did that?

If such a book were to be commercially published -- not saying that it will be, or should be -- then would this pull people away from reading the original LOTR, Silmarillion, The Hobbit, etc? Would it take away the market share? Hardly. There is a decent amount of Jane Austen "fanfiction" on the market, because Austen is now in the public domain. A couple prominent titles are "Mr. Darcy Takes a Wife" and "An Assembly Such As This" -- a sequel and a retelling of Pride and Prejudice, respectively. But has this diminished the popularity of Austen? Not at all. (In fact, I've read a bit of "Mr. Darcy Takes a Wife" and frankly I could barely get through the first chapter, it's so cringey -- I've seen far better things on AO3. But I still think it has a right to exist, and to have been published.)

But anyway, I digress. Back to my point -- I don't believe people are going to read Tolkien fanfiction if they have not already read his original works. But if people like Tolkien's works, and they want to read more about his universe than what he originally chose to provide, then why not let them? And why not reward the creators who give them what they want? This is not out of disrespect for the Professor -- not at all. Rather, it is an homage and a celebration.

And yet, we are forced to be so careful in insisting that we are making no profit from our fanworks, that it's all non-serious, and all in good fun.

Personally, perhaps this is an unpopular opinion, but I think copyright really should end when an author dies. Either that, or there should be some sort of royalty system or limited fans works license if someone chooses to publish fanfiction for profit -- just like there are royalties if someone chooses to put a book to the screen, or make licensed merchandise. The royalties could be a percentage deducted from the proceeds of the fan work sales. It could be a win-win situation, for the original author and the fan authors alike.

Of course, there's an argument to be made about authors wanting to go back and write more about the characters they previously created, and there's a small chance that fanfiction writers might accuse an author of taking their ideas. For example, if I wrote a sequel to LOTR about Sam and Rosie, and Tolkien were alive and decided to do the same at a later date, I could (in theory) accuse Tolkien of stealing my characterization of Rosie -- because I elaborated on her first, when he didn't.

But really, how petty do you have to be to do that? And once again, if there was a limited fan works license, it could have a clause where a fan writer foregoes my rights to sue the original author, acknowledging that their ownership of the characters, events and places takes precedence. And finally, if Tolkien's dead, then there's no chance of him deciding to write any more about Sam and Rosie anyway, so case closed.

[sakuravalelp]

Don't eat anything else - Part 2 - DP X DC

Previous part

Masterpost

This is the only chapter where I'll tag people. Please, if you want to follow the story from this point on, follow the master post :).

-_-_-_-_-_-_-_-

"You both should stop eating the food." Came Babs voice through the comms. "Danny asked Tim to not eat anything else. We suspect the food may content poison."

Bruce subtly shared a look with Cass before returning to nodding at Masters' proud rambling about his latest contract. They had both stopped eating long ago. The soup was good; Masters’ words about Danny being a good cook weren’t a lie. However, Bruce couldn’t identify the chunks of meat in the soup.

He initially thought it was pork, though the texture seemed somewhat similar to veal. By the fourth piece of meat he ate, he could confidently say he didn't recognize it. When he looked at Cass, he saw her using her spoon to play with one of the pieces of meat on the edge of the plate, a frown hidden behind her polite smile. He was sure then that the meat couldn't be one they had tasted before.

Bruce has tasted every kind of meat that should be available to Masters. He has even tasted exotic meats that Masters would probably never encounter, having represented humanity in intergalactic meetings as Batman. Not being able to identify the meat discouraged Bruce from eating more, and it seemed to have had the same effect on Cass. They had kept their food mostly untouched, using the excuse of waiting for Tim and Danny to return before eating. It was a good call; the meat being poisoned could be the reason it was unrecognizable.

"If any of you feel any symptoms, turn off your comm." None of them made a move to do so, and after a couple of minutes Babs continued, "I'll call Bruce in 10 minutes to create an excuse for you guys to leave."

Bruce would have liked to think that they had not yet consumed enough poison for it to affect them, but there's always the possibility of it being a delayed-effect poison. If Masters' plan with the poison was to kill them, then a delayed-effect poison would allow Masters to avoid being immediately connected to their deaths.

However, Masters shouldn’t have a reason to kill Bruce Wayne and his wards. Unless the man had discovered that they were investigating his contracts, which Bruce doubted. It was more likely that the poison was some sort of chemical restraint or chemical submissive, which would explain why Masters' contracts always seemed to end ridiculously in his favor. It would be easy to make such deals with someone who was drugged to be more agreeable with you.

Not that Bruce would be willing to take the risk to find out, especially with Cass having also ingested the tainted meat. He was glad he had brought the poison antidote kit with him. Despite this, Bruce wasn't sure about cutting the visit short, at least not for all of them. Tim had been gone with Danny for a while now, and if Danny had informed Tim about the food, they were probably exchanging information at the moment. Maybe Tim was in the process of offering Danny help, and Bruce didn't want to interrupt that.

"Renovations will be starting next week, and I'm sure the place will end up being quite popular," Masters finally finished his rambling.

"It sure sounds like it will. You certainly got yourself a great deal with Kensington, Mr. Masters. I'm curious, what is your negotiation method?" Bruce asked, hoping to gather more information.

Masters had been surprisingly adept at avoiding any conversation about the negotiations themselves, always sidetracking the discussion or giving half-answers. Drugs in the food was a good hypothesis and would be the best outcome for them, as such substances usually shouldn’t take too long to get out of their system.

Yet, it didn't explain how Masters' business partners seemed to stay committed to their contracts long after they were made. The furthest they had gotten from them was confusion about how they had reached the point where they accepted the contract's conditions. However, they all seemed convinced they had gotten the best outcome possible, despite obviously getting the short end of the stick.

It pointed to something besides drug usage. Maybe Masters got blackmail material from them while they were drugged? It would be easier to draw conclusions if Masters had even the smallest slip about it.

Masters smiled, taking a sip from his wine. "Ah, it takes years of practice, Wayne. It isn't something one can learn in a day, and only those with the capacity can master it," he said. Then, before Bruce could ask any follow-up questions, he continued, "Now, Daniel and young Mr. Drake sure seem to be taking their time."

"Oh, that doesn't surprise me," Bruce said, shaking his head with a fond smile, playing farther into his "Brucie" persona while lamenting the lost opportunities to get more leads on what Masters was doing. "They're around the same age. Surely they got distracted talking about whatever is of interest to kids their age these days."

"I would be glad if my godson got along so well with your son, Mr. Wayne," Masters said with a practiced smile, though a hint of calculation flickered in his eyes. He gestured vaguely with his wine glass, his tone deceptively sympathetic. "The loss of his family hasn't been easy for him, and building a connection with someone like Mr. Drake could be beneficial. However, it is quite rude to leave the guests waiting. As his guardian, I must address this. I’ll go search for them." Masters stated, standing up from his seat.

Luckily, Bruce didn't need to interject to stop Masters from interrupting his son's conversation with Danny, since the two boys appeared by the door as if summoned by Masters' comment. Danny visibly tensed the moment he spotted Masters standing in his place.

"Daniel, it's good you're finally back. I was about to go search for you," Masters said, throwing Danny a stern look.

Danny opened his mouth, probably about to apologize for the wait, but Tim beat him to it.

"So sorry, Mr. Masters. I had to take a shower before changing clothes."

"Oh, don't worry about it, Mr. Drake," Masters said as he looked Tim up and down, evaluating if what Tim was saying was true. His eyes lingered on Tim's wet hair for a moment, and the tension in his eyes relaxed a bit. "It is Daniel's fault for throwing the soup on you. Now, shall we continue with the dinner?" Masters sat once more on his chair.

"Should—" Danny started, slightly stuttering when Masters' eyes returned to him. "Should I serve new portions? Since the ones on the table are probably cold by now?" the intensity of Masters gaze increased with every word Danny said. In response, Danny lowered his gaze to the floor, and shifted nervously.

Danny's voice was way too small by the end of his sentence, but Bruce could sense some hidden urgency in his tone. Remembering that Danny was the one who had warned them about the food, Bruce could infer that he was trying to further prevent them from eating it. It gave Bruce the impression that Masters had also caught onto that fact, given how tense the man was.

He was grateful for the kid doing their best to protect them, but lamented putting them in a position where they had to risk confronting their abuser. Bruce really hoped Tim had convinced Danny to leave with them. It shouldn't be difficult to create a reasonable invitation for Danny after Masters' comment about how he was isolating himself.

"Good idea," Cass said with a gentle smile directed at Danny before Masters could make any move.

Masters' eyes narrowed slightly, but then he nodded. "Very well. Daniel, go ahead."

As Danny hurried to the kitchen, Bruce shared a subtle glance with Tim, who was retaking his seat beside Cass. Unfortunately, instead of the nod indicating that they could get Danny to leave with them if they created the opportunity, Tim just shrugged. It wasn't the sign for Danny refusing help, but the one for things being more complicated than they seemed. Bruce sighed, and before Danny returned from the kitchen, his phone rang. He excused himself to answer Babs' call, lamenting not being able to take Danny with them.

-/-/-/-/-/-/-/-/-

Bruce came back from his brief call with Babs with a worried face that Cass knew wasn't the one he made when actual "family emergencies" happened. It was exagerated and dramatic, it screamed "something terrible had happened," and was perfect for this kind of situations. Bruce quickly ushered Cass and Tim out, apologizing to Masters for the hasty departure. They barely had time to say goodbye to Danny, who had hurried back from the kitchen after Masters had shouted about seeing off the guests.

Cass noticed a subtle shift in Danny’s demeanor as they prepared to leave. His shoulders dropped slightly, and there was a fleeting look of relief in his eyes. However, that relief was overshadowed by the palpable fear that clung to him; his tense posture betrayed the anxiety he was trying to hide. It was hard to leave him behind, and Cass almost ran back when she caught sight of Vlad’s possessive hand on Danny’s shoulder and his venomous, angry eyes as she was walking out the door.

As soon as they were in the car, Tim immediately began checking the vehicle and himself for hidden microphones, with Bruce and Cass following his lead with little more than a raised eyebrow. Tim’s decision to search for bugs made sense once he explained that Danny’s room had been bugged,

"Honestly, Danny's so careful with his actions and words everywhere, I wouldn't be surprised if the whole property is bugged."

The drive back to the house they had rented was tense, the atmosphere in the car thick with unspoken concerns. Tim decided to use the ride home to update them on what he had seen. In turn, Bruce spoke about the dinner with Masters, detailing their regrettable failure to extract any additional information from the man. The evening ultimately boiled down to the suspicion that the food had been poisoned. Cass remained silent, not feeling up to talking.

She had her doubts about the food being poisoned; even if the poison hadn't shown any symptoms, her past training should have allowed her to identify it if she had consumed it. It seemed unlikely that Masters possessed a poison so sophisticated that she couldn’t detect it, and the thought only deepened her unease. She though back to how their hosts acted at the start of the dinner.

Danny looked like he was carrying the weight of the world on his shoulders. His eyes darted nervously between them and Masters, his hands trembling slightly as he served the food. The guilt and fear radiating from him were almost palpable, as if he believed he was committing an unforgivable sin by offering them the meal.

Masters, however, didn’t seem like he was planning to poison them. He behaved more like Damian’s classmates had when they once tried to trick him into eating non-vegan food at a gala. His smile was too easy, his gestures too casual, like someone who thought they were pulling off a harmless but cruel prank. It felt like he was purposely feeding them something he knew was outside their comfort zone and ethical beliefs, testing their reactions with a detached amusement.

From the very beginning, Cass had felt a deep discomfort about the food. The way Masters and Danny acted around it had set off her internal alarms. When she took the first bite of the meat, something immediately felt off. The texture was unfamiliar, and the taste was oddly unsettling—not in a way that clearly indicated poison, but in a manner that was subtly disturbing, she didn't know what she was eating. It made her skin crawl, and she couldn’t bring herself to take another bite.

The car coming to a stop in the house’s garage jolted Cass out of her thoughts. They all exited the vehicle, and Jason’s motorcycle was parked beside them as he opened the door. tightly clenched jaw. Like the rest of them, he was frustrated by their inability to take Danny with them, but he wasn’t vocalizing it because he was also worried about what they had eaten.

Once the door was opened, Bruce was ready to rush into his bedroom to get the poison antidote kit, but Jason stopped him,

"Hold on old man, I want to know what the note the kid gave Tim says. It may even say what poison was used; save us time."

"Mnn" Bruce said with a slight nod, and Tim started unfolding the paper in response.

The folded paper was as small as a pinky, but once unfolded, it revealed a full letter-sized sheet, and the text filled at least half of it. Tim skimmed the text as he usually did before reading aloud, but his face quickly drained of color. His eyes widened in horror and disgust. Instead of reading aloud, he kept running his eyes over the first line repeatedly, his gaze darting between Bruce and Cass. His jaw was clenched tightly, and he struggled to keep his composure, fighting against the bile rising in his throat. Cass couldn’t help but frown deeply, a growing sense of dread settling in as she wondered what the paper could possibly contain.

"Forgot how to read, replacement?" Jason said, his tone lacking its usual edge. He stood beside Tim, his expression a mix of uncertainty and concern, unsure whether to reach for the paper or not.

Tim takes a shudering breath, and Cass herself can't help but shift in her place, her anxiety growing, as they all wait for Tim to gain back his voice and finally read what Danny's note says.

"The meat on the food is human meat." Tim finally says with a strained voice.

There's a moment of silence in the room. Cass keeps her eyes on Tim, hoping, pleading, to find any signs that what she heard is wrong, but Tim only repeats the sentence. Her stomach churns violently as bile rises in her throat. Without effort, she sinks to the ground, her legs giving out as she begins to vomit. The pounding of her heart fills her ears, as black dots fill her sight and her hands tremble uncontrollably. She is dimly aware of Bruce doubling over beside her, and the sound of Jason hitting the wall.

She ate human meat. It may have just been a bite, but she ate human meat. The dinner had been made from human meat. Her mind recoiled at the abhorrent thought. The thought of the soup they were served makes her vomit once more. She gasps for air, her body shaking as she fights against the rising tide of revulsion, desperately trying to rid herself of the lingering taste and the horrifying realization of what they ingested. She feels Tims hand doing smalls circles in her back and realizes that tears had been falling from her face.

/-/-/-/-/-/-/-/-/-

Danny's hands trembled as he injected himself with another dose of ectoplasm. The shaking made the syringe jab painfully as he withdrew it, causing drops of blood and ectoplasm to fall to the floor while the injury quickly healed. Ten minutes of continuous electrical shocks wasn’t the worst punishment he had received from Vlad, but it had the most severe drawbacks. His body had a harder time recovering from electrical damage than from any other kind of harm, and Vlad often exploited this weakness.

He took a deep breath as the last of the Lichenberg marks disappeared from his legs and arms, leaving only the ones he’d gotten from his death. He sat on the bathroom floor, staring at the ceiling, his legs and arms still trembling. He wasn’t sure if the tremors were from the electrical aftershocks or his own anxiety. Vlad had been furious about his little stunt with the soup and had once again reminded him that they weren't eating Danny’s friends because he was such a "compassionate guardian."

The reminder had thrown Danny into a couple of panic attacks once he was allowed to return to his room. He thanks he's advanced dissociative abilities for not having those panics attacks in front of Vlad. He doesn't wan't to know how the man would try to exploit that.

But even as his whole body trembles and aches, he doesn’t regret his decisions. This is his only chance for things to change. The Waynes are a powerful family with connections to the Justice League. While the League has not interfered with what has happened in Amity Park up till now, they might get involved if the Waynes reach out to them. It’s wishful thinking, and he’s risking a lot, but this gut-wrenching dinner has become the first glimmer of hope he’s had since his family’s death, and he’ll hold onto it with his half-life.

Once he's body stops trembling and he's head feels a bit clearer, he needs to text Sam and Tucker. He'll depend on them for this to not backfire on all denizens.

[c-rowlesdraws]

(Note: I’m writing this in good faith and not trying to come across confrontational)

Have u forgotten u can vote 3rd party? I know there will likely not be enough people voting independant party for a non red or blue president to be elected THIS voting cycle. But. If enough people vote independent maybe america will wake up and realize there are more than 2 shitty options. (It takes time to change, and change for the better)

Look the problem with the blue no matter who mindset is that these people know you are going to vote for them no matter what. Not because you necessarily like them but because at least they aren’t the other guy. Which gives dems absolutely no incentive to not be a piece of shit. Like do you get it? They will be awful and endorse genocides and all other terror because they know you will let them get away with it. Maybe biden isn’t as bad as a republican would have been but he is still pretty fucking bad. Personally, morally, I cannot in any way justify voting for him again.

voting for someone as damage control in an election does not mean you can't heckle the shit out of them once they are in office. You elect the officials you think you and groups you belong to have the better chance of pressuring into better policies, and who will do the least amount of damage in the meantime.

Democrats are relentless towards their elected officials-- at least the ones I know who are actually politically active are. They call, they protest, they campaign. Plus, as you're demonstrating, people on the left do not blindly vote (that's the other guys). It's totally unrealistic to say that elected Democratic officials just think they have an easy ride.

people can and should vote for whoever they want to in local elections, primaries, etc. But in the big one, the president one, the one in the fall, voting third party is like drawing up plans for a nice new extension on a house that is actively being set on fire. Voting for president is damage control. Voting is your hard-fucking-won civil right. Voting in smaller elections can also be damage control; when there is no-one to feel "good" about voting for, you vote for the less-worse one, because maybe that one is more receptive to the idea of climate change being real than the other one, and you can work with that.

Sometimes you get to vote for the option you align with the most. But sometimes voting is about picking the option with the cracks that you can dig your fingers into and pull open. Or at least the one who won't start taking a sledgehammer to civil rights and environmental protections (and, and) with all his buddies while you work to build support behind a candidate you can feel good about voting for in four years.

Biden has shown he can change his policies over time, with pressure. Democrats can be swayed in ways Republicans cannot. One major party can be pushed more left. The other one will drag us into a darkness that I don't even want to think about. The presidency is about so much more than just the individual sitting in the Oval Office.

Voting is strategic. It is strategic. It is not negative moral karma to vote strategically. It is one action amidst all the other actions you can take to fight for the future you want.

[radioactive-earthshine]

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

[starbuck]

Ravenous is Haunted

Within the lore of Ravenous, eating people causes you to “absorb [their] spirit,” but what does that mean in practice?

Ives mentions that eating someone brave gives you a surge of bravery, which is exactly how Boyd goes from too scared to move to single-handedly capturing the enemy command. The spirit of his fellow soldiers and specifically his commanding officer compel him to do it. But we know that this personality shift is not permanent, it abates. However, I believe that there are other more subtle influences that remain. 

There’s a whole collection of things Boyd, Ives, and Hart do and say that mirror the actions and words of the people they’ve eaten…

The protectiveness that Boyd shows towards the Fort Spencer crew after Ives arrives as colonel is a new trait for him and highly reminiscent of Reich’s protectiveness towards Toffler. From the moment he’s stuck with Ives at the fort, Boyd also immediately decides to murder him, the thing that Reich died furious at him for not doing, and never strays from this mission at all. Boyd and Ives both headbutt each other in their final fight, a Knox fighting move, and Boyd also attempts to strangle Ives at one point, which is Reich’s. Another example that I like is when Hart says to the chickens he’s feeding “run away! run for your lives!” which is what Toffler died doing. These are all small moments in isolation, but together they form a compelling picture. 

For another thing, you have Boyd mentioning to Hart near the end the “nightmares” he’s “still” having about Reich, Cleaves, and Knox. These aren’t just random trauma nightmares, they are specifically about the three people of the Fort Spencer crew that he’s eaten. And, considering how strongly Hart reacts to the mention of this, he is likely experiencing the same thing. Since it is canon that they have actually ABSORBED these people by eating them, I don’t think it’s a stretch at all to call this a haunting. 

Put these together and you have the people who have been eaten haunting the cannibal characters at night and maintaining at least some sway over them by day, often without them even realizing it… Fun stuff!

As far as Ives goes, I think that he is less affected by this phenomenon than Boyd and Hart are. He’s been eating people for much longer than they have, he has no moral compass whatsoever, and he has a very strong personality, so he’s not gonna let a little haunting get to him. That being said, who knows what quirks of his personality we might be able to attribute to people he’s eaten in the past if we knew more about them? I also think that his assumption that he is unaffected by the people he eats is a part of his downfall, and I’ll explain that in a moment. 

The last thing I want to talk about is the bell because that’s what REALLY gets me mmmmmmmmmmm… SO! During Boyd’s fight with Ives, there’s a moment where Ives has fled the room they were fighting in and Boyd doesn’t know where he is, so he’s checking behind all these random doors and not finding him when he hears a bell ringing in the courtyard. He goes out and sees the ringing bell but no one near it. Instead of going towards it where he knows Ives is likely waiting for him though, he walks towards the barn, as if in a daze. When he enters, he sees the bear trap and gets an “Aha!” look on his face. 

Now, who do we know who is associated with both that bell and a bear trap? It’s Reich! He is the only person we ever see ring that bell and (in a deleted scene) he uses bear traps as target practice, shooting at them to snap them shut while Boyd watches. So, at the very least, we can say that Reich indirectly inspires Boyd in that course of action. 

BUT, because I am me, I’d like to take it a step further by proposing that, since Reich is haunting both Boyd AND Ives, he influences Ives to ring the bell (with Ives not consciously thinking anything more of about than “this will surely get Boyd’s attention >:)”) and then influences Boyd to walk over to the barn instead of immediately continuing the fight so he can show him how to end it once and for all. Boyd asked Reich to “tell me what to do,” and Reich answered him!

I did also write a fic about this concept a few years ago if anyone is interested!

[glorious-blackout]

Introduce yourself! What’s the story behind your username/what should people call you? 

Picked the username Gloriousblackout for my fanfiction.net account at the age of 15 because those were my favourite Muse songs at the time. Twelve years later, I'm simply too attached to bother changing it 😅

(I also answer to Rachel)

How will you be participating in the Shadowmonkeys Big Bang 2024 (e.g. organiser, artist, writer, artist, reader etc)? 

I'll be a writer, and also looking forward to taking part as a reader 🥰

What are your favourite fic tropes? 

I'm a sucker for a good 'Friends to Lovers' fic or anything with a 'Sharing a Bed/There was only one bed' trope... I also just love angst and hurt/comfort in general more than I should.

If you’re a writer/artist, what’s your favourite piece of work you’ve created for this fandom? Feel free to link it! 

It's been a long time since I revisited it so I'm not sure how well it's aged, but I'm still very proud of my 'You've Always Been Here' series for being my gateway into writing for this lovely fandom and for marking the first time in many years where I was writing a fic purely for sheer self-indulgence. The fact that other people seemed to like it was a lovely surprise 💖

What’s a fic/piece of art in this fandom you’ve loved recently?

I absolutely adore 'Four Walls' by @uhbasicallyjustmilex which I recently binged while stuck in bed for a few days with a chest infection - it was a beautiful, gorgeously written distraction which I was very grateful for and can't wait to read more of 💖

Can also highly recommend 'Maybe Tomorrow' by @applysome which is the most recent fic I read - it's such a beautiful little piece 🥰

Do you prefer reading/writing from Miles or Alex’s POV? 

Don't have a strong preference! I have more multi-chaptered fics written from Alex's point of view so I suspect I'm more naturally drawn to him, but I've finally broken that pattern with my Big Bang fic 😅

What’s an album that you love reading/writing/drawing to? 

'Songs of Leonard Cohen' was an album I kept revisiting during the writing of my Big Bang fic, but my writing playlist changes with every fic. 'Tranquility Base Hotel and Casino' has been an endless source of inspiration in the past and I find classical or instrumental music quite helpful as there's no lyrics to distract you from what you're writing.

Here are some of the songs I listened to on repeat or referenced during the planning/writing of my Big Bang fic 💚

If you’re a writer/artist, what do you struggle with most in your creative process? Is there anything that helps? 

Mostly just motivating myself to write that first paragraph - honestly that stage alone can take months. Once I've gotten over that hurdle I tend to really enjoy the planning and writing process and working through the first couple of drafts is enormous fun. The stage I'm at right now (i.e. the final few edits) are when it starts to feel a bit like a chore - the novelty's worn off and my eyes are more drawn to the flaws in the text rather than anything that makes it good 😅 Chatting with other writers certainly helps me though, as does creating a good writing playlist that fits the mood of the fic.

Have you participated in a fandom big bang before? 

I have! I wrote this fic for the last Shadowmonkeys Big Bang which was immensely rewarding, not least because it inspired the cutest artwork ever from @rock-n-roll-fantasy:

On a scale of one to ten, how excited are you for the Shadowmonkeys Big Bang 2024?

9/10. I'm docking a point for the fact that I'm also a little nervous after working on my fic for so long and the fact that the week I want to start publishing it is a nightmare in terms of my work rota 😅

✨ SHADOWMONKEYS BIG BANG GAME ✨

As we're now officially into the second posting window and the gloomier half of the year, we thought we'd share something hopefully a little fun to keep everyone feeling motivated!

If you're taking part in this year's Big Bang in any way (whether that's as an artist, writer, beta-reader, or just as someone who's going to be reading and supporting the collaborations when they're posted!) and feel like sharing a little about you and your relationship with fanfic/fanfart then please reblog this post with your answers to the questions below 🥰

Introduce yourself! What’s the story behind your username/what should people call you? 

How will you be participating in the Shadowmonkeys Big Bang 2024 (e.g. organiser, artist, writer, artist, reader etc)? 

What are your favourite fic tropes? 

If you’re a writer/artist, what’s your favourite piece of work you’ve created for this fandom? Feel free to link it! 

What’s a fic/piece of art in this fandom you’ve loved recently?

Do you prefer reading/writing from Miles or Alex’s POV? 

What’s an album that you love reading/writing/drawing to? 

If you’re a writer/artist, what do you struggle with most in your creative process? Is there anything that helps? 

Have you participated in a fandom big bang before? 

On a scale of one to ten, how excited are you for the Shadowmonkeys Big Bang 2024?

[not-poignant]

wait okay so now that you're seriously thinking of publishing, will you be writing a new prequel to game theory with the new 'Canon'? like the story as it's meant to have happened between gwyn, augus, terho and the nightingale, or are we just starting from game theory?

ALSO I'm so glad that you might be publishing the ftv soon for wholly selfish reasons -- you're clearly done writing about these characters, but personally I am nowhere near done reading about them, and I'm definitely not creative enough to write fanfiction myself either, so I'm just stuck rotating the characters inside my head like a microwave😭😭 it's really tough out here!!!

imagine the massive wave of new readers and the new community that's gonna come in once the story's more accessible... IT'S SO EXCITING

Hi anon!

No prequel, I'll be starting with Game Theory (and Deeper into the Woods will be published afterwards as a prequel, just as it was chronologically in general!)

Quite a bit of Game Theory is being edited and new content being added (anyone on the Gary & Efnisien tier can already see about 2,000 words of new content in the first three chapters alone, including new scene/s with Crielle), and some content being removed where it's OOC. The events with Terho and the Nightingale will be explained in Game Theory, with Gwyn likely meeting with Terho (or learning about him) a few times within.

As for Fae Tales, you know, it's nice to think there will be some new readers, and there might be like a handful or two, but there will be no massive wave. It is the least popular thing I've written in proportion to the amount of time I've put into it. Even the AUs have all generally done better proportionately.

It's one of the reasons I've never rushed to publish, honestly. It's a lot of work to put into something that you know will never financially justify itself. To the point where I think other projects are far more viable financially (Underline the Rainbow as a series I actually think would be great, because new, meaty omegaverse has a very intense (though small) fanbase and I think that series would bring more people in).

There would be no massive wave of new readers. I think we'd be lucky to see at most about 10 or 20 new folks, and I'll cherish everyone, but I'm also pretty realistic. More people find all my other works these days than Fae Tales, The Ice Plague is still one of the worst performing things I've written in proportion to length + time + work investment (despite being one of my favourite series out of anything I've written).

I think I'm realistic, and I also think there's a chance that the Fae Tales Verse if published could draw some haters. Most people don't want that level of BDSM in their epic fantasy, unless it's much lighter 'romantasy,' which Fae Tales definitely isn't. There's even a chance I might get my KDP author account suspended because of breaching content TOS/violations.

So yeah, it's a risk, but I'll take it. It's just not a risk I'm prioritising right now, because I can't see a way that the Fae Tales Verse will ever really go that far. Hand on heart, way more people who come over from my fanfiction find Falling Falling Stars and Underline and almost no one (with maybe a few exceptions - I love y'all) goes into the canon these days unless they're older / long-time readers.

[thatfrenchacademic]

Justice as spectacle in Fontaine, or a too long word vomit from a tired PhD in Law gushing over Genshin 4.0

Alternative title: “Justice must be seen to be done”, a visual playbook by Genshin 4.0

Intro: This is a valid use of a PhD in law, actually.

I made the mistake of playing the 4.0 update of Genshin while I was finalizing my PhD in law and politics, and the result was my brain refuse to think about anything else than judicial performativity and the use judicial spectacle in Fontaine. So time to make good use of 9 years of University by dissecting why I absolutely love how Fontaine’s justice system is presented. It was initially much longer and covering why justice as a spectacle is not necessarily an issue or sign of a disfunctionning legal system,  then what exactly about the Fontainian justice system is actually fucked up, but it got too long so I’m keeping that for the indeterminate future. So the pitch of this thing is: Mihoyo is basically providing us with an animated First Person POV game version of legal ethnographic works on justice and the courthouse, and it is really cool.

And since I am a nerd with both too much time to read and to play, we are making this a proper academic, with literature and all, because listen to me, LEGAL ACADEMICA IS COOL, ACTUALLY, and law and literature at large is a genuine field of study that we, as a society, need to talk about more.

[also there is non-zero chance that I edit this brainrot and submit it for publication at some point]

Warning: I am basing this on 4.0, up to and including Act IV Chapter II (hence no discussion of the prison system) and if Mihoyo thwarts the whole thing with 4.1  [oops I am late so now 4.2, since 4.1 did not thwart it] then let’s do what we do when new results contradict existing theories in academia and just collectively agree to ignore it.

TL;DR: Someone at Mihoyo read Simonett’s 1966 essay on The Trial as One of the Performing Arts [Here, just read it, it is fascinating] and decided to make it everyone’s problem

Part 0: if this was not Tumblr.com I would make a recap explaining broadly what Genshin and Fontaine are but since you are reading this I’m going to assume you already know the context.

Part 1: Ok so how does the Fontanian Justice system work, exactly?

Alright, so each area of Teyvat has 1) one core theme/value and 2)a threat to that core theme/value.

Mondstadt has Freedom and people living in fear of a dragon.

Liyue has Contracts/order and the pandemonium of having Rex Lapis killed.

Inazuma has Eternity and being virtually frozen in time.

Sumeru has Knowledge and being entirely manipulated by the Akademia.

Fontaine has Justice and… Justice being parodied into a spectacle?

WRONG.

Because the spectacle of justice, especially the way it is done in Fontaine, is not antithetic to Justice itself. Spectacle is part and parcel of Justice and of any courthouse. Sure, all the dials are turned to 11 and y’know, it is legit called an Opera, but that is more the writers being a bit on the nose and adding drama for the player. The spectacle of Justice, itself, is not that far off from reality. And, hot take but bear with me: it is not (necessarily) a problem.

Ok, let’s dive into what we know of the justice system in Fontaine.

Broadly speaking, we have seen the criminal justice system, and it is an accusatorial, or adversarial model. It’s the US-style criminal procedure: you have a defendant trying to prove that they didn’t do it your honor, and a prosecutor proving that they totally did it your honor. To avoid this becoming a fistfight, you have a strict procedure to follow outside but especially inside the Court, and in the end, a neutral third party decides on the outcome or the trial.

Ok, now let’s zoom on a few things, and why the theatrics of them are actually very common.

Furina, our cringefail darling, is the prosecutor. And they get a lot of stuff right regarding the role of the prosecutor! She decides whether or not to prosecute, based on the information that she has, and whether she likes her odds or not. Fittingly since she is the Archon, the prosecutor in a trial represents the State, the interest of the State (the judge ! does ! not!). It makes sense that Furina, the ruler (theoretically) would be prosecutor and not judge. Moreover, and as we see plenty of times during the trials, Prosecutor Furina is not concerned with the victim, and not even necessarily with the truth; the prosecutor wants to know how likely they are to obtain a conviction in the end. Her job is to be convincing enough to establish a legal truth.

Neuvillette, for his part, sometimes look terribly powerless… but friends, that is what a Judge sitting during a criminal case often is. The first part of his job is to find sufficient information for the prosecution to decide whether or not to prosecute; he is supposed to be entirely neutral at this stage. He kickstarted the investigation straight after the death of Cowell, and was also the one starting investigation on Vaughn right after Lyney is proved innocent. He gathers enough evidence, hands them over to Furina and asks “So? Are you game or do you want to leave that alone?”

And once the prosecutor has decided to move forward with prosecuting, his job is to make the procedure move along, take some decisions based on new information, ensure all respect the rules (hence Childe’s immediate smackdown when he starts to act out a bit too much at the end. My man is here to make sure the rules are enforced and that also applies to Snezhnayan gremlins). In the liminal space of the courthouse, he is the supreme authority… over the procedure. He can tell anyone, including Furina, to stfu k thx. He starts and stops the trial. He allows witnesses to be heard or not.

And the last party involved at this point is the defense, usually the Traveler and any adorable twink we befriended that day [good for you, Traveler, good for you]. They present evidence, they have to be convincing, it’s basically Ace Attorney, we know that part.

Part 2: Mihoyo makes it clear that we are all actors in the Courtroom

Ok, first moment of pause.

Even though these are the most basic parts of a criminal trial, they are ALREADY steeped in drama and theatrics, both IRL and in Fontaine.

First off, Furina plays a prosecutor, Neuvillette plays a judge and the Traveller plays the lawyer.

No but really: they play their role in the Courthouse.

The game painstakingly presents Furina for the first time not as a prosecutor in a courthouse but as a cringefail princess. When we see her initially welcoming the Traveller, going “Fight Me” at them in the streets of Fontaine, she is not a prosecutor, she is just Furina the cringefail princess.  We meet Furina as Furina, and later on only, we see her with her Prosecutor face. Furina is not a prosecutor, outside of the Courthouse.

I don’t even have to explain how much Traveler plays lawyer. We are, and I cannot stress it enough, NOT lawyers (yes, even you who developed an unhealthy obsession with Ace Attorney before Genshin). The developers even took the time to develop an entire new gameplay to really, really highlight that is a behavior that the Traveler can only have in the Courthouse. Traveler is not a lawyer outside of the courthouse.

Neuvillette is a bit of a special case. We do meet him for the first time in the Courthouse, as a Judge. But once again, the moment we meet him outside of the courthouse, he is much more approachable, definitely not the same persona as when he bitchslapped my problematic Harbinger into the Meropides prison [we are so going to write something about the Meropides prison once I have played enough 4.1 my friends – update post 4.1: ok Mihoyo that was weak commentary on the privatization of prison and prison labour but I’ll take it]. Neuvillette is probably the one that is the most associated with his courthouse persona, but there is still this gap between Neuvillette-Judge and Neuvillette-reflecting-in-the-end-of-Chapter-II.

So everyone is just themselves in their daily life, but there is something about a Courthouse that turns people into their judicial role. That’s what we call the liminality of the courthouse (Hadar, 1999). And it exists IRL, in a way shockingly close to what we see in the Opera Epiclese.

Magistrates, whether prosecutors or judges, do not act in their own names, they have a role to play. Someone woke up that morning, had breakfast, swore at the neighbour who did not park properly again, spilled some coffee on their documents again ffs, stumbled a bit on the little steps leading to the courthouse, and then, they put on their costume and started to play the role of the judge. As someone who has been in what can only be referred to as “backstage”  of a court , and entered the courthouse with the magistrates, I cannot stress enough how drastic the shift in person is the moment a magistrate steps into the space of the trial room.  

From there on, they are a Role. Furina, like any prosecutor, is not a prosecutor, until they are The Prosecutor, and then they are not themselves anymore, in the enclosed space of the courthouse. Have you ever seen a lawyer talk in their daily life the way to talk in a courthouse? No. Someone is just some person, until their put on the robe and their Lawyer Face and start their Lawyer Movement and Lawyer Tone. Traveler cannot go all OBJECTION when they have a disagreement with a random shopkeeper in Teyvat. The game doesn’t even give you the option – because you are not lawyer, unless you are in the court. None actually plays a lawyer, unless they are in the courthouse.

And an adversarial model encourages this. You have character, but for it to be a play, or an opera, you need a narrative (murder, ok, that will kickstart a narrative) and you need dramatic tension. Drama is created by the opposition of two characters having opposite goals, confronting each other. Simonett, a former Minessotta Supreme Court Judge, has a fascinating article called “The Trial as One of the Performing Art”, which really ecapsulates how an adversarial system is built on this drama:

‘The trial has a protagonist, and antagnonist, a proscenium and an audience, a story to be told and a problem to be resolved, all usually in three acts”.

More than an inquisitory model (hello, fellow continental Europeans), parties are encouraged to bounce off each other, take initiative, undermine and interact with each other. US courthouse TV shows loooove that, and Genshin absolutely leaned into that. The potential for drama was so strong and intrinsic to the story that For the first time, we got to play a character that was not even with the traveler: Traveler was off investigating, and we played Navia in the courthouse, because the sheer drama of being in the courthouse is too good for the game to pass.

Do you see it yet? Here is more. A judicial role is a role. IRL, a lot of it is emphasized by the robes -the - sometimes complete with wigs and accessories- that judges and magistrates must wear before entering the space of the courthouse. You put them on like you put on a costume -defendant, prosecution, judge and even audience alike (Cabatingan, 2018), there is a ritual of preparing for the performance of a trial the way you prepare for a play. Genshin characters cannot change their clothes [give us a proper fancy-af-judge-robe for Neuvilette Mihoyo you COWARDS], so the game does all it can to realllllyy show you a separation between the judicial role and the actor playing I in the courthouse.

Part 3: Game designers said yes this an Opera and a Courthouse because these are the same thing and they are right

[The urge to include Foucault in this section, but I do not have Discipline and Punish with me rn, rip]

Ok, ok, why not. But what about the stuff that is not in your random courthouse, like a damn AUDIENCE and the fact that it takes place in an actual OPERA ?

Aight, we gotta dive a bit deeper into two things: the role of audience in the judicial spectacular, and studies on legal architecture/judicial space. I told you legal research was cool.

Let’s start with the most obvious one: architecture.

The architecture of Courthouse is actually really important for the delivery of justice. The building embodies the task itself, and targets evert single person that interacts with the building in any way? It matters specifically because we take it for granted, that this this is just a building, that there cannot be more to it. Or: “Law in its everydayness, banks on the usage of visual means of representation, for they seem to lack artifice, and thus enjoy high persuasiveness” (Kumar, 2017, also this is a study on the architecture of the Indian Supreme court and it is so good). But thi is, of course, on purpose.

My friends, your local courthouse looks like an opera. Recently, I went to a play which was entirely a trial, and they barely had to do anything to set-up the scene because… the opera looks like a courthouse, and vice versa. Fontaine’s Opera Epiclese is this on steroid, and also actually used for entertainment like the magic shows, but its architecture and structure are so close to a proper courthouse that once you see it you cannot unsee it. Not matter how different they might look from each other, all, ALL courtroom have the same setup:

Judges on an elevated position compared to all other parties : Neuvillette absolutely kills it here [my man is placed so high up I was close to writing something about the religiosity of justice.]

Prosecution and accused on two opposite sides, virtually separated by the judge, even putting the defendant in their own little liminal space in the liminal space (Zoettl, 2016, Mulcahy, 2007)

Audience space and trial space clearly separated, with interdiction for the audience to enter the trial space

Audience space allowing to clearly see all angles of the trial space

The architecture of courthouse is strikingly similar to that of an opera’s, both in its spatial organization and its grandiose. The entire building is an opera, not just the ground of the stage. You even have a lobby, the space right in the Opera but not the courtroom, which is very similar to the space where people mingle during the interlude at the Opera – the social settings were many legal negotiations happen (Hansen, 2008)

[Fun fact: I am pretty sure the design of the audience space of the Opera Epiclese was inspired by two Parisian Opera houses: the Théâtre de la Comédie Française et the Théâtre du Châtelet. The stage itself is almost more church-like ; I am curious if anyone knows what the inspiration for the “outside building” actually was, for the Opera Epiclese?]

Eltringham (2012) has some really cool writings about the architecture, and people interact with the structure of courts (in his case, the International Criminal for Rwanda) and how all these features contribute to making the courthouse this liminal space where people can play their role, whether they realise it or not.

But, Almost-doctor, I hear you say, what about the spectacle ?! The audience enjoying the show ?!

Ah, yes. The audience. Just as with an Opera, the audience and the actors enter through differentiated means (the “segregation of circulatory systems”), all with their own point of access to the stage or the seats, and never the two shall meet. It is so important to a court system that you will find this feature highlighted by the architects that renovated the Bordeaux Courthouse and the US courthouse design and planning guide [These are just fun and striking illustration I stumbled on while writing this, you can find dozens of others from any given country]. These differentiated access path help reinforce the liminality of the courthouse not just for the actors, but for us, the audience as well.

You could even agree, with Garapon, that the audience itself is “playing” the audience, in the Courthouse (go read Garapon’s 2004 book, if you read French, it’s so good I swear and like it fueled 90% of whatever this word vomit is)). You are not really yourself, you have new, liminal role of spectator. A trial has a “need for a public”, even a silent one. “'Performance always intends an audience”, for Kapferere. and we can indeed talk about a Performance of Justice, when talking about how justice unfolds in the courthouse, especially in a criminal trial (Sausdal and Lohne, 2021).

The audience is an inherent part of the spectacle of justice – because is there a spectacle if there I no audience? If comedians perform a play with no audience, did it really happen? In the words of our own European Court of Human Rights (I am quoting the ECtHR on Tumblr.com, what is life): “Justice must not only be done, but must also be seen to be done” (Delcourt v Belgium, 1970). For Garfinkel “Legal rituals ... depend on the outside witness to confer on them not only recognition but validity” (Garfinkel, 1956);

Or, to put it more eloquently: “The need for the presence of a validating public at trials is enshrined in many constitutions and built into the very fabric of court complexes throughout the world. (…) Tthe court as a whole requires its reflection in the bodies of validating witnesses in order that this created place will bring sufficient gravity to itself.” (Eltringham 2012).

If a courthouse was just about the truth, or the parties involved reaching an agreement on what the truth is, there would be no need for the theatrics. We could handle a trial in a meeting group like problem-solving session in any run-of-the-mill company. Put everyone around the table, have a moderator, have a decider. That actually exist, it’s called arbitration, and you may have never heard of it despite the absolutely enormous amount of money that are involved (we are talking literal Billions of dollars every year, here), because the whole point is that it is discrete and confidential. But that is not how trials are, anywhere. It does exist though. It is called private arbitration, a form of private justice that focuses on problem-solving, expediency and secrecy, often because my friends, it involves big names and big money.

But justice? My friend, it needs to be a spectacle. It needs an Opera. Because this is how it gains sociological legitimacy, and it needs sociological legitimacy to function. By having an audience, it gains transparency and accountability.

Conclusion: teaser on why the spectacle of justice is not necessarily always totally bad, but also I am too tired to fully argue that.

Now, you might that it’s a bad idea. That what Genshin is doing is denouncing this inherently spectacular aspect of Justice, that there is something inherently wrong in justice being public and publicized for the gain of legitimacy, and sure, spectacular justice can become a parody of justice or a manipulation of justice and this has happened many times in history. And yes, you could go for that (although show trials have typically been at the service of an authoritarian regime in a transition phase, rising or declining, and target political opponents, which we do not see in Fontaine) but… I have another take for you.

Justice being a spectacle is not…  inherently bad. 

Hear me out. Making justice into a spectacle does not have to affect its outcome. The presence of a public does not change the course of a play.

Spectacular justice brings elements of entertainment such as narrative fulfillment and catharsis. That is clearly what Fontainians want: a satisfying end to the story, the truth exposed. Justice as a spectacle help people make sense of their reality, comfort them in knowing that justice does prevail. That the guilty do not go scott-free, that the good guys win, that justice is transparent, that prosecutor need to be able to build a good story to prosecute, and there is no good story is there is not someone who caused harm, and a victim that deserves justice. And, from the information we have so far, this does not seem to lead to miscarriages of justices, or a generally biased justice system. But frankly this is too long already and I just wanted to show that the depiction of the Spectacular in everyday justice is actually present everywhere IRL, and Genshin is just providing a really handy illustration, at this point of the story.

The Fontanian system is fucked, don’t get me wrong, but that’s not about the spectacular on its own. Long story short since it be worth its own word-vomit-style essay, it’s because the jury has been replaced by ChatGPT and there is no civil court, only a criminal court, k bye.