#but there is no improvement without mistakes
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jimmybutlrr · 7 hours ago
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I Love You But Do You Love ME?
Part 2 to The Love, I have Longed For
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Pairing: Aaron Pierre x Tall Thick Brown-Skinned Women
Warnings : 18+. Romance, Mature Content (Cursing and Teasing), "drama", Fluff, Sensitive Topic
Summary: The After Math Of The Problems You Create.
A/N: There will be a part there as I did not want this too long, as always, to improve I would love Feedback. There also will be a part 3, which will be the final chapter or not?
*Please let me know if you want to be tagged in future writings.
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How could he cheat on me? We've been together for 4 years and married for 2. I gave him my early twenties…how could I be so dumb to believe he was different”. Estella cry’s into the arms of Amir in the parking lot of her home.
 “That British buffoon, Fucked up something good for a few quick fucks with his co-star not being man enough to leave first”. He picks up Estella’s head, making her look in his eyes, “He’s gonna try to convince you to take him back back, don't, stand up to him and never lower your confidence for a man ever. Ok you are too beautiful and intelligent to do so”. She nodded her head , agreeing with his statement. “Ok, I’m ok” Estella mumbled wiping her tears.
Days after, Estella goes to pick up her things while Aaron is at work. 
 “Now let's get out of this car and pack up your things before that big - green eyed bastard child comes”. They share a hug and a laugh then exit the car. As they walk to the door, a few cars pull out, her friends exit the cars. They walk up to her with a pity look, ready to help her pack her shit. 
A few hours later they are in the last box ready to leave when Aaron pulls up in the driveway. 
Getting out of the car, he recognizes the cars in the driveway, one being his wifes. He rushes to the door and up the stairs, trying to make it to his wife. Seeing him, everyone rolls their eyes, signin in unison that he's here, he walks up to her standing directly in front of her, seeing her disguised expression, his heart breaks a little, tears threatening to fall out his eyes. He opens his mouth to speak, when she puts her hand up to stop him from speaking “The audacity that you have to stand here in front of me after cheating on me with tears in your eyes when I should be the one crying.  You made the drastic decision to cheat on me, for god knows how long, with your co - worker of all people. to put more salt in the wound”. 
Her face starts getting hot, but she takes deep breaths to calm herself down.
 “You ..Said..You.. Loved..her, right after saying the bullsshit you said to me” Her voice breaks. 
“Honey..I..want to apologise, I regret what i did” He gets down on his knees, grabbing her body close. “ I love you with everything in me, ignore me, make me sleep on the couch but please don’t leave me, I love you with everything in me. You are my heart, my soul, I don’t know how to live without you” Tears fell down his face. “ Are you dumb or fucking stupid, which one quick”, Estelle snaps her fingers pushing him off of her, “To say that knowing you have been cheating long enough to exchange I love you’s is mental”, she turns to pick up her last box, to meet up with her friends. When she turns back around, he slaps the box of her hands “it was a simple mistake, your really going to leave me for it, baby I love please stay” With tears still falling down his face, she picks back up her box ignoring him, and his foolishness. “I”ll be filing for divorce in due time, I don't know when you will receive the papers” before he could protest. She walks out, leaving him gripping his chest to calm himself down due to the best thing on earth walking out on him.
A few months later, She managed to find her own apartment to stay in and started to finger out how she's going to continue life without him. She filed for divorce and is now waiting for Aaron to sign the papers. In the house that they once shared, the doorbell rings and he goes to open it. “Are you Aaron pierre? The strange man questioned leaving Aaron confused “yes, may i help you” aaron questioned confused “You have been served” Aaron takes the papers from the man watching him walk down his driveway, getting into his car driving away. Aaron locks the door, walks to his living room, and sits down with one thin thigh over the next, while he opens the orange envelope, reading it to realise that it’s divorce papers.
 He clutches his chest, as the room starts spinning, he squeezes his eyes closed, bending over into the couch, forcing himself to take deep breaths which slightly works as he feels a sharp pain in his chest every time he inhales. After a few moments he manages to calm himself down, tears dripping down his face like he's been holding them in for years. He takes the papers and throws them into his garbage. 
She texts him “Did you get the divorce papers” “I have received it, they are not getting signed though” Aaron texts back. “Be soo for real, how about we meet up at the diner on kingston st and discuss this because I'm tired of talking to you”. “Ok, I love you”. She leaves him on read, making him wipe his face, and walk up to his room to lay down. 
“Can I have the 10 wing combo with honey garlic and extra sauce on the side?” Estella said to the waitress, who wrote her order down “Thank you” she said to the waitress, who walked to the kitchen. Feeling disturbed, she looks up from her phone and see’s Aaron staring at her. “Can you put down the phone so we could have a civil conversation?” Aaron mumbled to Estella, which she obeys to. “You're right, so who's getting the house and I would like to terminate our shared financials. You also need to sign those papers”. 
“No, I want my wife back” Estella opens her mouth to speak but the waitress comes by with their food. “Thank you” Estella said to the waitress, sighing “Can you not do this right now, let's figure out what we are going to do with our financial situation first before you start with your bullshit”. Time goes on and they settle out their situation breaking their agreement and leaving Aaron with the house, which he ends up selling. 
At the end of night Aaron pays the bill and  Estella rushes out before he could say another thing. They settle out their situation, breaking their contracts and leaving Aaron with the house, which he ends up selling. 
6 years had passed making Aaron and Estella are now 30 years old.The diner was the last time Aaron saw Estella in person. Due to her being absent, not knowing where she is and what her new life was like. He moved on, went to therapy and started putting his focus in the gym, getting bigger roles and being healthy.  
Estella on the other hand, moved to another state, finished law school, while enjoying motherhood to the fullest.
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gojoonsaturn · 2 days ago
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pairing: singer!Suguru Geto x fem reader
wc: 8158 (i'm sick)
summary: Suguru Geto returns to university after spending a year in treatment for his drug and alcohol addiction. At his friend's party, Shoko Ieiri, he meets you and helps you when you get into trouble. What happens next?
a/n: I would like to explain why Y/n and Mahito are a couple at the beginning of the story. As I love all of the male characters in JJK (except Mahito), so I wanted none of them to have a negative role in this story. Therefore, I decided that Y/n should be dating Mahito at the beginning. Oh, and if you want, you can imagine Suguru sings "Call out my name" by The Weeknd.
warnings: song inspired fic, university au, Shoko and Suguru are singers (actually, everyone is singer here except y/n), mention of drug and alcohol addiction, drug intoxication, swearing, fluff, a little angst, mention of the death of minor characters (y/n's mother), sex. In short, read!
english is not my first language, nor even second, so there may be mistakes, but i really spent a lot of time proofreading and improving my works.
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Suguru left the principal's office and felt a sense of familiarity with the university atmosphere, which seemed to have flown out of his mind during his year-long break from Tokyo University of Arts. He was glad to be back on campus.
He called Shoko, his new classmate, to ask about the class schedule. A cheerful voice came from the other end of the line.
"I'm so happy to hear from you!" Geto said, with a smile that Ieiri could hear in his voice. "I just left Yaga's office, and he said he'll put me in your study group, so, I need some information about assignments and the schedule."
They agreed that Shoko would email him all the information about her classes.
"By the way," she added in a tempting voice. "I'm throwing a party tonight! You should come!"
Geto hesitated, as parties hadn’t ended well for him in the past, but Ieiri reassured him that there would be nothing to worry about – there will be just food and low-alcohol drinks.
"I can't make any promises, but I'll keep it in mind." He said, hanging up the phone.
He then went to the parking lot and from there, to the apartment he had rented the day before.
Suguru was a student at the Faculty of Arts, studying music. He often received offers from producers who came to the university to arrange auditions. His voice was exceptionally beautiful, and his lyrics were so soulful that his works were sold for good sums. With the money he earned, Geto was able to purchase a good car and rent a comfortable apartment near the university. Even though the treatment at the clinic was not cheap, he had enough money to maintain his previous standard of living.
The musician entered the apartment and looked around at the empty studio, feeling a sense of loneliness gnaw at him. He thought about how he would spend the evening alone and felt a bitter realization that all his friends had moved on without him. Memories of past parties sent shivers down his spine, but he made a decision not to go back to those types of gatherings.
But he didn't want to disappoint his friend. Suguru changed into a black polo shirt and jeans, checked himself in the mirror, and left the apartment.
Shoko's house was located right on the shore of Tokyo Bay. As Geto drove there, he felt a sense of determination to meet new people and understand what university life was all about.
On his way to the house, he heard muffled music and joyful screams from people. He called Shoko and asked her to meet him. She came out, happy, and rushed over to give him a hug.
"Oh, Geto, I've missed you so much!" Ieiri exclaimed, pulling away and smiling at him. "Let me introduce you to my friends!"
Suguru's expression softened, and he agreed. After a few minutes, they were standing in front of a group of people, and Shoko introduced him as her friend and new classmate.
One of the guys, Mahito, greeted Geto and complimented his music. "I've heard some of your songs. You make great music."
Mahito was standing with a girl who was holding a drink. She seemed bored at first, but when she saw Suguru, she smiled and greeted him as well.
"This is Y/n," Mahito introduced his girlfriend. "She's from Sophia University and studying English literature."
Y/n smiled at Geto, but then seemed to lose interest in the party and disengage from everything around her.
After some time, Shoko approached Suguru and invited him to join her to perform a song they had written together before his departure. Suguru accepted the invitation and joined Shoko on the makeshift stage.
"Friends, I am delighted to introduce you my friend Suguru! This song is the work of both of us, and it was written even before..." Shoko paused, as she was the only one aware of the reason for Suguru's absence the previous year. "A year ago! You will be the first to hear this track, which in a few months will surely be on all of the world's best charts!"
Shoko began playing the song and clapped her hands to get the audience excited. As she sang, Suguru felt goosebumps on his skin. He noted that Shoko had significantly improved her vocals and was now singing as if she was breathing. Suddenly, a wave of anxiety washed over him, as he had not practiced for a long time. His eyes excitedly scanned the crowd and settled on Mahito's girlfriend. She smiled at Shoko and, surprisingly, started singing along with her. Then, she looked at Geto and winked.
And as soon as the first line was sung, the crowd cheered on him even more and started to whistle with encouragement. The singer listened to the music and recognized that he felt it no worse than he had been a year ago. Overwhelmed by the experience, he closed his eyes in pleasure, only opening them when Shoko joined him in singing. After the song, they bowed to the audience and clapped for each other.
"I have heard this song performed by Sho many times and thought it was perfect, but when I heard it with your part, it's simply heavenly!" Y/n ran up to the performers and hugged Ieiri, then turned to Suguru.
Geto smiled at her and thanked her for the compliment. That's how she knew the words!
Mahito stood next to Y/n, but Suguru didn't notice any encouragement on his face. He tugged at her arm, and she almost looked at him in fright, immediately falling silent. Geto looked at Shoko, who had clearly seen similar behavior from her classmate before. She rolled her eyes and gave Y/n a sympathetic look. The couple moved away into the crowd, and Suguru continued gathering applause with Shoko.
A few hours later, Suguru realized that he was better off without alcohol and drugs. He met some of his classmates and other students from different departments. It was nice to chat with people who shared his interests and discuss music. While chatting with a girl who flirted with him, he saw Mahito leading his girlfriend upstairs. For some reason, Y/n seemed about to faint. Suguru had a bad feeling and left the girl to follow Mahito and Y/n.
On the second floor, Suguru saw Y/n trying weakly to wave Mahito away. However, he continued to approach her.
"Damn, I told you..." She tried to swing him, but he caught her hand and pushed her back against the wall.
"I think she made herself clear," Suguru said, covering the distance between them and pushing Mahito away from her.
Geto didn't know how Y/n had become so drunk in such a short time. Mahito, on the other hand, seemed very sober, even though a glass of something other than soda was constantly in his hand.
"Mind your own business! Go sing with this bitch!" Mahito snapped, pushing Suguru's arm away and moving towards the girl again.
Suguru didn't want to start a fight on his first day back, but he hated when his friends were insulted. So, he calmly pushed Mahito back again, this time with more force, sending the guy flying towards the stairs.
"Leave him alone, please! He's not worth it..." Suddenly, Y/n grabbed Suguru's arm. Through her glassy and intoxicated eyes, he saw her serious expression. "Just help me, please..."
Geto noticed that Y/n was struggling to stand up, and there was a trickle of blood flowing from her hand. Mahito must have hurt her in some way.
He picked up Y/n and carried her into the bedroom, laying her down on the bed.
"I feel like there's something wrong with my mind... I understand things, but I can't seem to control myself..."
Something clicked in Geto's mind. It wasn't just alcohol. "Tell me, have you taken any drugs or pills?"
Y/n shook her head vehemently. "No, I don't do drugs! I wouldn't take anything like that!" But then, a look of realization crossed her face, and she added, "Not intentionally, anyway."
Geto opened her eyes and saw enlarged pupils. The girl began to tremble. Beads of sweat had formed on her forehead, and he realized what was causing her condition.
"Listen, you don't need to move too much right now. Just lie down and rest. I'll bring you some water. We need to wait for this to pass and give you plenty of fluids." He helped Y/n lay down and covered her with a blanket.
Downstairs, Suguru explained the situation to Shoko. She promised to deal with Mahito and started winding down the party. Guests started saying goodbye and leaving the house. Shoko got a bottle and filled it with warm water, then they headed upstairs to see Y/n.
"I'm so mad at that bastard!" Shoko said, pouring some water into a glass for her friend. "I've told you time and time again that he’s not good for you."
"You're making things worse!" Even in this state, Y/n managed to smile.
Suguru looked at her and remembered how many girls he had seen in this condition. And the worst thing was that he was the one who had brought most of them there. The guilt he felt before his treatment at the center came back to him, and Geto hated himself again. But then, the next moment, Y/n turned to him.
"If it wasn't for you…" She said, struggling to speak. Shoko handed her a glass of water, and Suguru felt all the symptoms that Y/n was experiencing at that moment. Dry mouth, thirst, nausea, chills that were replaced by fever. "In general, thank you..." She smiled weakly and closed her eyes, trying to control her shaking.
"You can go home." Ieiri whispered. "I'll stay with her. I have experience with these things."
She looked at Y/n with sympathy and at Geto with a sense of guilt. She had been there most of the time when he had brought himself to this state. There were countless apologies in her eyes for not being able to protect her friend at that moment.
"Don't worry." He said. "You've done your best and you're doing great." He hugged Shoko and crouched down next to Y/n, stroking her cold cheek with his finger. "She's strong." He continued. "She'll be okay."
For the next week, Suguru joined the learning process. Some teachers were pleased to see him, while others were skeptical, knowing the reason for his absence. The groupmates assisted Suguru with his learning, and he in turn provided them with tips that helped them improve their musical skills.
At the end of the month, each student had to create their own project and present it to a professional music producer. The producers selected the best performers, recorded their tracks in their studio, and promoted them. Naturally, each producer had different criteria and ideas about what music would appeal to their audience. The teachers explained that not being chosen by a specific producer simply meant that the student's music was not in line with that producer's taste.
Geto recalled with a smile his audition experiences, which in 95% of cases ended in success. The secret to his success was that he looked through the producer's repertoire beforehand and created a song that he would perform. His versatility as a musician allowed him to pull off this strategy.
"Yoshiki Yamada!" A joyful Shoko announced to her group a week before the audition.
"His label is the best in Japan for today." Nanami said with excitement.
"Yes, it will be success if we manage to work with him." Geto replied.
Geto turned his attention to Mahito, who turned even darker when he heard the name of the producer. He thought about the incident with Y/n and how Shoko had said she was okay, but he wanted to check on her anyway. Looking at Mahito, Geto decided he would go see Y/n after the audition to see how she was doing.
Geto flipped through the list of artists from the "TOUCH" label and listened to their latest tracks. Love ballads seemed to be the focus of the most recently released tracks.
The young man sighed and leaned back on the couch, feeling like it was time to finish the song he'd started writing before his drug problems started. All he needed to do was improve a few details and it would be finished.
On Friday evening, his band gathered in the auditorium, anxiously waiting for the producer. Shimizu-sensei, the professor who was responsible for organizing auditions, assured his students and prepared them for success.
The door opened, and a man in his middle age wearing a long black coat walked in, taking it off as he came. Shimizu greeted him and guided him to a seat in the center of the front row. Yamada appeared to be a friendly person, smiling warmly at the students and wishing them luck. His eyes fixed on Mahito, who seemed to be pale.
The group sat behind Yamada, preparing to support each other. Utahime was the first to perform, looking very excited. She began with some slightly wrong chords, but then everything went well for her.
Yoshiki took notes in his notebook, writing down various things beside the students' names. After her performance, Shoko nudged Suguru, pointing to Yamada's notebook. Suguru tried to look, but the producer blocked his view with his hand.
Suguru was the last to sing. When he stepped onto the stage, he saw Y/n at the back of the room. He smiled and winked at her.
"Good evening. My name is Suguru Geto. Here's my song, please, Haibara." He turned to the DJ and made a nod, indicating that he was ready to start.
As Suguru began singing, Y/n felt a shiver run down her spine. His voice was so beautiful and enchanting that it made her forget everything else around her. But at the same time, his words made her heart hurt in a way that was familiar. Y/n glanced around to make sure no one else had noticed her own tears, and discreetly wiped them away.
Suguru noticed Y/n looking at him with a new sparkle in her eyes, and he gave her a small smile. He then bowed to the audience and looked over at Yoshiki, who was applauding along with the rest of the group.
A few minutes later, Shimizu invited Yamada up onto the stage to announce the results.
"Dear students! Thank you for such wonderful performances. You have shown that you deserve to be in this university. For now, I won't be announcing the results. Instead, you will all receive an email with an invitation for a follow-up audition. Please don't be discouraged if I don't invite you. This is not a personal decision, but one based on my professional interest in your potential as performers. Remember that not you are looking for a producer - the producer is looking for you. Once again, thank you for coming tonight!"
The students applauded Yamada's performance. They were disappointed that they would not find out the results immediately, but the words the producer used to end the evening inspired them.
Suguru wanted to talk to Y/n, but she had already left.
Everyone in the group was in a state of anxious anticipation for the weekend. They were eagerly waiting for the much-anticipated letter from the "TOUCH" producer and were already imagining recording a solo album with him.
"Guys, check your emails!!!" Shoko sent in the group chat.
Suguru grabbed his laptop and opened his inbox, which contained an email with the TOUCH logo. He caught himself thinking that he was feeling very anxious. With a heavy heart, he clicked on the email, and a short message appeared in front of him.
"Thursday, 7 p.m., Yashio 1-chome"
Only Suguru and Shoko had received the invitation, while Yamada had sent recommendations to the other students for their tracks and overall creativity. Ieiri decided Geto to join her, but as it turned out, Yamada had scheduled different times for Suguru and Shoko - Suguru's meeting was on Thursday, while Shoko's was on Friday.
"That's great! So, you're going to tell me what's going to happen at the meeting?" Shoko sat across from Suguru, contentedly drinking coffee.
"I wish I were the first to know..." The guy smiled and took a sip from his mug of tea.
"Come on, you've met with producers millions of times, but it will be my first time!"
The time until Thursday seemed to drag on, and suddenly, Geto realized that he was even more nervous than he had been before. It had been a long time since he had attended these meetings. When he arrived at the designated location, he took a deep breath and made his way towards the building.
As he rang the doorbell, the wait seemed like an eternity. The door eventually opened, and Y/n stood in front of him. Geto checked the house number and confirmed that it was the right address.
"That’s not a mistake. Come in. Dad is already waiting for you."
"Dad?" Suguru asked in surprise.
"Yamada-san." Y/n smiled and handed him the guest slippers. "Dad! Geto-san has arrived."
He smiled at her formal address. Yoshiki Yamada greeted Geto in a casual outfit, wearing a bathrobe and slippers. After shaking hands, he escorted Geto to his office
"Nice to see you again, Geto-san."
"You can just call me Suguru."
"Well, Suguru, I think your song has a great chance of becoming a big hit. If we work together, it will definitely be number one on all the charts in the country. I want to help you achieve success. The rights to your lyrics and music belong to you, and I will only be promoting your work. Additionally, you will be recording a duet with one of our artists. I’ll send you a list of some of my singers who would match your style. Make an appointment with them, discuss the format of the song, write it, show it to me and we'll make any necessary adjustments before recording at my studio."
Suguru was excited about the idea of recording a track with one of TOUCH's artists and imagined how Shoko would be thrilled.
"In principle, everything sounds great. When can we start recording my song?"
"This weekend, I have already scheduled a recording session for Saturday. Tonight, I will send you a list of potential duet partners via email. Please take some time to review the options and let me know your decision by Friday evening. Based on your response, I will invite one of the artists to our recording session so you can meet them and chat."
Yamada seemed like a man who didn't like wasting time.
Suguru was confused by all the information. "There's a lot of information…" He said, scratching his head.
"Don't worry, everything will be in your email. Now, I suggest we start dinner. Y/n!"
A few seconds later, Y/n appeared in the room's doorway.
"Honey, is dinner ready?"
"Yes, you can come to the table."
Yoshiki stood up and gestured for Suguru to follow her. The young man was still a bit confused, as he had not expected Y/n to be the daughter of Yoshiki Yamada.
At the table, there was a boy of about eight sitting patiently. He looked at the different types of sushi on the plate.
"This is Reiji, my youngest." The man said, sitting down next to his son and patting him on the head. "Reiji, this is Suguru. He'll be recording at my studio."
"Nice to meet you, Suguru-san!" Reiji said seriously.
Suguru responded with a smile, saying, "It's nice to meet you too, Reiji-san." He heard Y/n chuckle at his response.
At dinner, the conversation was relaxed. Yoshiki spoke about the tours his team had been on, and the music his label produced. Suguru felt so comfortable that he began to reminisce about his childhood, when his entire family would gather for dinner in the evenings and share what had happened during the day. Realizing that he was only a guest, after a while, he apologized and said he had to leave.
"Dad, I'll walk Suguru." Y/n said, standing up and nodding to her father.
"Yamada-san, thank you for the meeting and dinner. I appreciate our collaboration. Hopefully, everything will go smoothly between us." Geto shook hands with the producer and headed for the exit.
"That's why Mahito looked so pale when he saw your father." Y/n and Geto went outside.
The sun had already set, and a gentle breeze was playing with Y/n's hair, which fell in disarray around her shoulders.
"I didn't introduce them, but they already knew about each other. Shoko told me that Mahito just needed a contract from my father, not me." Yamada smiled and looked out at the horizon. "Are you in a hurry?" Suguru shook his head.
He had no one waiting for him at home, and spending time with someone was a way for him to escape from loneliness. Y/n came around the corner of the house and they walked down the path leading to the embankment.
"So, you are the daughter of Yoshiki Yamada?" The guy asked. "And Shoko knew. And she didn't even mention it to me..."
"I asked her not to tell anyone."
"Is it a coincidence that your father invited just us?"
"I told my father about Shoko." She said. "She often came to see us, and Dad would hear her. I didn't have much to tell about you, as I only knew you from a party at Shoko's... Though we have a good relationship, and my father listens to me carefully, I try not to mix our personal lives with his work. I understand that Shoko may not be on his radar, but he could give her a chance and introduce her to some people who could help her."
"So, what do you think about me?"
"My father has a good instinct for performers with great potential. You may know some of his artists. I only heard one of your songs, and it was impressive. But to work with "TOUCH", you need to be flexible and able to adapt to the ever-changing trends in the music industry. Today, your song may be popular, but a month from now, people may be listening to Mahito's nonsense."
Suguru listened to the girl seriously, and then he laughed at the last sentence.
"Thank God you said that!" He said. "I don't understand how he manages to study at the university."
"His father finances the university." The girl replied.
"I'm sorry to ask, but how did you meet?" Suguru asked.
The girl explained that they had known each other for a long time, as they had attended the same school. When her mother died, the boy was there for her, and although he had not been perfect, things had changed recently. She explained that Mahito had gotten involved with a questionable company, and she felt like he had been replaced. After recent events, communication was simply not possible.
"And what about the girl you sang about?"
Suguru smiled, and they walked along the shore, enjoying each other's company.
"Well, she had the love of her life, and it wasn't me. When she needed support, I was there for her, which is familiar, isn't it? I honestly thought I was helping her deal with her feelings and move on, but she just suppressed her longing, while I fell in love with her. At some point, he called, and she rushed to him. In the morning, her things were gone from the apartment. I found out he had left her after all, and you have no idea how painful it was for me to refuse to renew our relationship. I realized that in our relationship, I was like a vessel from which water was constantly being drawn, but never returned. It was excruciating."
They walked in silence, each digesting the other's story. The sun had almost set, leaving a thin purple streak in the sky.
"Yes, we both need to see a therapist…" Y/n concluded with a joking tone. "What did help you cope with this?"
Suguru didn't want to admit it, but he knew that sooner or later, Y/n would hear the rumors.
"I thought it would help. Drugs, alcohol. I spent the last year in a clinic."
Yamada didn't seem surprised. She looked down at her feet and kicked a pebble.
"I've been thinking about it too…" She said. "But after mother’s death, Reiji became ill. My father and I went to Europe and spent a lot of time in different clinics. Reiji is better now, and I realized that I needed to be a mother for him at that time. If I started using drugs or drinking alcohol, I can't even imagine what would have happened to my family."
"Are you judging me?"
"No, I'm not. I condemn the girl who brought you to that state. Self-destruction is a way to numb emotional pain, but now you're here with me, walking along the river, recording your song on Saturday and doing a duet with another artist. All of our past actions have led us to this point. Look at it as an experience, even if it takes a year out of your life."
"Wow. You should write motivational books!" Geto laughed and gave the girl a friendly pat on the shoulder.
"You know, it would be great if I followed my own advice."
"Do you still love Mahito?"
"It's a difficult question. Maybe it wasn't love, but affection. He was there for me at the right time. But his recent attitude negates all his good actions. Especially that damn party..."
They walked along the embankment and turned towards Yamada's house.
"I'm glad my father chose you. If everything goes well, then you could become a world-famous artist." Y/n said, her voice sounding slightly distant.
Suguru saw from her face that she was lost in memories of her past and didn't interrupt her. He just nodded at her and walked towards the car. The weather was getting cold, so Y/n pulled her cardigan closer around herself. She smiled at Geto warmly and reached for his embrace.
"Thanks for tonight..." Suguru was a little surprised by the closeness of the girl, but he still put his arm around her shoulders and gave her a gentle squeeze.
"Don't worry, everything will be alright."
Upon arriving home, Suguru checked his email and saw a message from the producer. He glanced over the list of artists and smiled with contentment, choosing Yuki Tsukumo immediately. Her name was well-known, and she was famous for her collaborations with foreign artists. Suguru was even pleased that Yoshiki had offered him work with her.
On Saturday morning, Suguru drove to Yamada's studio, listening to Shoko's account of her meeting with the producer. When she found out that Geto will be recording a duet with Yuki, she was elated. However, Yamada had suggested her other artists, and Shoko had yet to make a decision.
Upon arriving at the studio, Suguru saw Y/n and Mahito. He hurried out of the car and headed towards them. Already from far, he could hear blond guy hysterically shouting and waving his arms. Y/n tried to turn away from him, but Mahito grabbed her arm and refused to let her go.
Suguru looked at Y/n with concern, noticing relief in her eyes at his arrival.
"Are you all right?" He asked.
Mahito noticed Suguru's arrival and noticed his former girlfriend's gaze directed at the dark-haired man. His voice dripped with hatred as he said, "So you did fuck her that night! That's why Yoshiki invited you."
Y/n did not let Suguru answer and abruptly pulled away from Mahito's grip, surprising him with her confidence. She looked at Suguru apologizingly and said, "Mahito, please leave me alone."
Suguru was surprised by her confidence and looked at her with admiration. He then looked at the retreating Y/n and the angry Mahito.
"Just because your father finances the university doesn't mean that I can't punch you in the face." Geto's voice was calm, but his jaw muscles betrayed his anger.
Mahito grunted in displeasure, spat on the floor near Suguru's feet, and walked away from the studio.
At the studio, Suguru was given a pass and escorted to the recording area, where Yuki Tsukumo was already seated and chatting with Yoshiki. The singer seemed relaxed, and when she noticed Geto, she smiled and nodded in greeting. Yamada introduced them, and it was clear that he was excited about the upcoming collaboration.
"Suguru, the studio is all yours today, so make the most of our facilities." The producer playfully winked at Yuki, who watched her future collaborator with interest.
As Suguru sang in the recording booth, he observed Y/n conversing with Yuki through the window. The two seemed to have known each other for some time. At one point, Y/n covered her face with her hands, and Yuki comfortingly patted her shoulder. Y/n then shifted her gaze to Suguru, quickly averting her eyes when she noticed him watching.
Suguru gave the sound engineer a thumbs up as a sign of his readiness. He put on headphones and began recording his vocals. Thanks to his experience, the recording went quite quickly. Sometimes, Yoshiki himself made minor adjustments to the process, but Suguru appreciated these tips.
When the vocals were recorded, Suguru left the room for the producer. Yoshiki looked pleased and said, "You've done a great job! Your vocals are amazing!" He shook Suguru's hand.
"Yamada doesn't praise young performers often. You should appreciate these words!" Yuki approached Suguru with a smile and said, "Well, let's discuss our duet."
Y/n got up from the couch and headed towards the exit, awkwardly waving at Suguru while still avoiding eye contact.
Tsukumo and Geto began discussing the upcoming track. Inside, Suguru was happy about how similar they thought with Yuki. Their phrases complemented each other, which Yamada appreciated. He didn't interfere in their conversation, because he saw Suguru as an accomplished artist despite his young age. Yamada had never seen such seriousness in his adult performers.
"I like your ideas! Where did you find this guy, Yamada?" Yuki asked, leaning back on the sofa and tilting her head in interest.
As a result, Yuki and Suguru agreed to meet at the end of the week. Yuki offered to video call each other during the week to discuss lyrics and music.
Two days after the meeting, Yuki called Suguru unexpectedly and invited him over to her place to write music. An hour later, he was standing outside Tsukumo's small mansion. The singer came out to greet him in casual jeans and a black top, being in a good mood. It was difficult for Suguru to imagine that Yuki had ever been in a bad mood.
She invited Suguru inside. When he entered the living room, he noticed a girl sitting on the couch who immediately turned towards him. Suguru's breath caught slightly at the sight of Y/n, who was wearing a knit sweater with one bare shoulder. Her hair was pulled back in a messy bun, and she looked very comfortable. He also noticed a glass of wine in her hand that she tried to hide, but the bottle on the table revealed the truth about their pastime.
"Are you sure you need me this evening?" Geto asked, raising one eyebrow questioningly.
Y/n got up from the couch and wanted to leave when Yuki stopped her with her hand.
"Stay with us, please." Suddenly, Suguru said.
Tsukumo smiled to herself. She immediately noticed that there seemed to be something between Y/n and Suguru, though it was still in its early stages. Without hesitating, she decided to try to bring the two of them together.
Yuki invited them both into a room with music recording equipment. The room looked like the small studio that Suguru had seen in Yamada's office. Tsukumo gestured for Geto to sit in a chair next to her, and Y/n took a seat on the sofa, holding a glass of wine. As Yuki and Suguru began discussing music with technical terms, Yamada grew bored. She continued drinking the wine until she felt warmth on her cheeks and lightheadedness.
"I think I should go..." She stood up from the sofa and swayed slightly, but Suguru managed gently held her elbow.
"Woah, woah! Girl, I can't let you go alone like this! Suguru, could you take her home?" Tsukumo bit her lip, hoping for Suguru's agreement.
"Of course, no problem." Geto said, taking Y/n's arm and slowly leading her out of the room and then out of the house.
In the car, Y/n sat next to Suguru, not knowing where to look. She glanced in the rearview mirror halfway through the ride. Then, she opened the window and tried to catch the wind.
"Am I pretty?" She suddenly asked.
Geto paused for a moment. "It's subjective," he said.
"Subjectively, am I pretty?"
"Yes. You're pretty." Suguru replied.
Y/n smiled slightly.
"Yuki says I'm pretty too. Even beautiful. But I don't understand why I can't find someone to love me."
Suguru saw her serious expression.
"You're young. You'll find what you're looking for."
"But it feels like I'll always be alone."
"No, I don't believe that. A soulmate is out there for each of us. You just need to wait."
Y/n sighed. "Maybe you're right."
They drove up to Yamada's house, and Suguru looked at the upset Y/n with affection. The girl closed the window and leaned her forehead against the glass.
"Thank you for the ride." She said and hurried out the door.
A month and a half later, the long-awaited release of the duet between Yuki and Suguru took place. Yamada had decided to release the duo first, with the intention of releasing Geto's solo track later. Suguru had no objections to this plan, as he understood that the audience would not be as interested in an unknown artist's song if it were released before the duet with super-star Tsukumo.
Following the release of Geto's solo song, Yoshiki hosted a gala event to celebrate his new artist's success. However, Suguru was unaware of what Yamada had planned for him, so he approached the event in a relaxed state.
Upon arriving at the venue, Suguru was greeted by Y/n, who seemed to have recovered from her difficult breakup with Mahito. The two exchanged pleasantries, and Geto noticed how beautiful Y/n looked in her sea-green dress that reached the floor. Her curled hair fell gracefully over her shoulders, and her natural makeup only enhanced her natural beauty. She was not only pretty, but also stunning.
Yuki was already sitting at the table, talking with Yamada and another man with dark hair tied into two high ponytails that jut upward and outward. Suguru immediately recognized Choso Kamo, the artist for the "TOUCH" label. As their eyes met, Kamo winked at him.
Next to Y/n, on one side, was Reiji. On the other side, there was a blue-eyed man with snow-colored hair. As Y/n sat down, he whispered something to her, and the girl laughed. However, when she noticed Geto's frown, she looked guilty and bit her lower lip.
"I am very pleased to see you all here today! Unfortunately, most of my artists are currently on tour, but I believe a great opportunity has arisen today." Yamada seemed to be in a good mood, which positively affected the mood of his children, Y/n and Reiji. They looked at each other and smiled. "Today, I would like to announce that "TOUCH" is pleased to welcome two talented young artists, Satoru Gojo and Suguru Geto!"
Yoshiki gestured towards Suguru and the blond man sitting next to Y/n. Gojo seemed unsurprised, but Geto's reaction was more subdued. Yuki gave him a nod of approval and a thumbs up, while Kamo appeared calm but also expressed his approval.
"Yamada-san, I would like to thank you for this opportunity. It is an honor to work with you." Satoru said, standing up from the table to shake Yamada's hand.
"Geto, did you swallow your tongue?" Tsukumo gently kicked the man under the table, motioning towards Yoshiki.
"Yes, I'm sorry. I didn't expect it..." Geto reached out to Yamada and shook his hand.
"Your track with Tsukumo has been a huge success! Well deserved!" Gojo said, smiling encouragingly at his new colleague.
"Thank you, Satoru." Geto looked at Y/n, who seemed happy.
He didn't know why she was so happy. Was Satoru her new love interest? He tried to stop his train of thought, which had taken on a tinge of jealousy. While the company had dinner, Geto tried to sort out his feelings about Y/n. After their encounter at Tsukumo's, they had seen each other a few times at the studio, exchanged messages, but nothing more. Why was he so concerned about Y/n's interaction with Satoru now?
When dinner was over, Y/n collected the plates and carried them to the kitchen. Suguru excused himself from the table and followed her. She was putting the dishes in the dishwasher and singing softly to herself. As Geto approached her, he heard her singing a song by him and Tsukumo. He smiled at himself and cleared his throat to get her attention.
"Oh, my goodness! You scared me!" Y/n turned to him and leaned against the counter.
"What? Am I that scary?" Geto asked.
Y/n seemed flustered by his question. "No, you're not scary at all. You look great." She said, covering her mouth with her hand.
Geto tried not to show how much her compliment meant to him, but he could feel his heart racing.
"You look beautiful too."
"Yes, Yuki helped me with my makeup and hair. And the dress… it belonged to my mother." Y/n's tone took on a sadness as she remembered her mother.
Suguru and Y/n's eyes locked. Geto approached the girl and took the plate from her hand, placing it in the dishwasher. When he stood up and was at the same height as her, he felt his breath catch in his throat. He quickly cut the distance between them and gently kissed her. To his surprise, Y/n did not push him away but instead, with a sigh of relief, returned the kiss.
Suddenly, Reiji's voice echoed in the distance, making Y/n pull away from Geto. Reiji entered the kitchen, holding Satoru's hand. The boy saw his sister and happily ran up to hug her around the waist. Suguru stepped away from the girl and leaned against the table.
Y/n asked gently, "What happened, Reiji? " She stroked the top of her brother's head, her eyes fixed on Geto. "Satoru-san told me he has a collection of toy cars! Can I come with you next time you visit Satoru?" Reiji said excitedly about the upcoming trip.
"Reiji, there's no need for you to wait for Y/n to visit me. We can simply talk to your father and, if he allows you to come with me..."
Reiji happily clapped his hands and turned his attention to Gojo. "Come on, buddy!" Satoru picked him up and carried him out of the kitchen, winking at Y/n.
"I'm sorry…" Suguru said, awkwardly scratching the back of his head.
"Don’t. That's what both of us wanted, right?" Yamada turned on the dishwasher and looked at a bit confused Geto. "And Satoru is just a friend from school." She said.
Suguru sighed with relief and approached Y/n, kissing her temple. She smiled and snuggled deeper into his arms, breathing in his scent.
Without hesitation, Suguru invited Y/n to spend the next weekend with him, on a date. This news delighted Shoko, who had no idea what was going on between Suguru and Y/n but was still happy to hear that their two friends were now a couple.
Friday evening, Suguru visited Yamada's studio to finalize the details of their collaboration with the record label. While there, he saw Gojo flirting with a receptionist. When Suguru approached him, Satoru happily slapped his shoulder in greeting.
"Y/n has told me so much about you! I hear you make great music. Maybe we can work together on a duet sometime!" The blond man seemed friendly and welcoming towards Suguru.
Suguru smiled and agreed. He then went to meet with the lawyer, but after a brief thought, returned to Gojo.
"What does Y/n enjoy doing?" Suguru asked.
Satoru smiled mischievously, placed his hand on the shoulder of his friend, and began to talk about Y/n.
That evening, Suguru picked Y/n up from the university and took her to his place. She looked a little tired, but when she saw his car, she smiled and gave him a tight hug. There were some boxes and bags of groceries in the backseat of the car.
"What's in the boxes?" Y/n asked, leaning closer to Suguru and putting her hand on his shoulder. From this gesture, his body was covered in goosebumps, and he tried to restrain himself from purring.
"You'll see." he smiled, starting the car and driving to his house.
Once they arrived at his apartment, Suguru allowed Y/n to unpack the boxes. Inside, she found a portable stove and a large soup pot. She raised an eyebrow in surprise, but Suguru just smiled mysteriously. They went to the kitchen and started unpacking the grocery bags. When she saw the groceries, she covered her mouth in shock.
"How did you know?"
"My sources of information are confidential." He replied with a smile.
While Suguru figured out how to turn on the stove, Y/n smiled to herself as she washed the groceries. Shabu-shabu was her mother's favorite dish, and they cooked it together as a family on holidays.
He watched as Y/n sliced the food with care and sent it to the boiling water. He mentally thanked Satoru for his advice, as seeing Y/n happy warmed his own heart.
"Wow, this is so delicious! I didn't know you could cook." Yamada said as she shoveled a piece of shiitake mushroom into her mouth, closing her eyes in pleasure.
Suguru picked up a piece of meat and handed it on a fork to Y/n, saying, "We have our whole lives ahead of us to learn more about each other."
After dinner, they moved to the living room where Geto had a synthesizer. He invited Y/n to sit down on the sofa across from him, then he kissed her hand like a true gentleman. The girl smiled at his gesture and settled comfortably on the couch.
Suguru began playing a melody that was unfamiliar to Y/n, warming up for his performance. After a few chords, he started singing one of his own songs. Yamada had grown up in a family with a music producer. When her father started his career, there were young performers gathering at their house to compose music. From childhood, Y/n was fascinated by live singing, and it brought her great joy. She remembered how she had thrown a tantrum because she couldn’t sing. Her mother replied that it was not necessary for Y/n to become a singer to find happiness.
"Suguru, you..."
After a few songs, Y/n jumped off the couch and approached Suguru. Geto moved away from the keyboard and let the girl sit on his lap. She placed her hands on Suguru's cheeks and leaned in closer to his face. He wrapped his arms around her waist and pulled her closer. The sound of their lips meeting could be heard throughout the room, occasionally mixed with soft moans. After a long time, their pent-up feelings of physical attraction finally burst out, and they were both on the verge just because of kissing and hugging each other.
Suguru felt the need for air and pulled away from Y/n. His chest was rising and falling heavily from her embrace.
"Wow…" He said as Y/n drew him in for another kiss.
Geto ran his hands under the girl's blouse, causing her to shudder slightly at his touch. His hands traveled down her back and then to her chest, as Suguru moved one hand to lift the edge of her shirt. He pulled it off, causing Y/n to laugh as the shirt ruffled her hair.
Yamada's skin was velvety, driving Suguru wild. His touch was gentle and careful, like he was touching something precious. Geto managed to pull away from Y/n's lips and move to her neck, trailing down to her collarbones. As he lightly bit her collarbone, she let out a soft moan. Y/n's one hand buried in Suguru's hair, pulling back slightly and revealing his neck. It was now her turn to mark him.
When Y/n moved away slightly, her back touched the cold keys of the synthesizer. Her skin covered in goosebumps made Suguru chuckle. He was impatient to be inside Y/n and, holding her back with one hand, tried to pull off his jeans with the other. However, he couldn't succeed, so Yamada helped him. Finally, his cock was free.
Suguru lifted Y/n's skirt and guided her onto his dick. Two moans of pleasure filled the room as they adjusted to each other. Geto began to stroke her back to help her feel more comfortable. When she was ready, Y/n started moving up and down, gradually increasing her pace.
Suguru had slept with many girls, but this time, his feelings for Yamada were stronger than physical attraction. He felt like there were only the two of them in the world. He pressed his face against her chest, breathing in her intoxicating scent.
When Suguru's cock kissed Y/n's cervix, she dug her nails into his back but immediately moved her hands to his shoulders.
"I'm sorry, I didn't mean to." She said guiltily.
"It's okay, baby. You're beautiful and I would only be glad if you left your marks on me." Suguru smiled, noticing that Y/n had regained some confidence.
When he felt his cock begin to pulse inside her, Y/n's movements slowed down. The sound of their skin slapping filled the room and drove them both crazy.
"May I?" Suguru asked, feeling his release close.
"Yes, don't worry."
He allowed himself to finish inside her and felt his warm cum flowing down his cock. Y/n clung to Suguru's chest, trying to catch her breath. Suguru gently wiped away the sweat from her forehead.
"Let's take a shower together, I'll take care of you." Suguru said, getting up from his chair with Y/n in his hands.
Y/n screamed and wrapped her legs around him.
"Don't worry, I've got you!" Geto laughed, hugging her tightly.
The next morning, Suguru woke up to the sound of music in the kitchen. He smiled and stretched under the covers, but then decided to get up. When he entered the kitchen, he saw Y/n standing at the stove, looking at the frying pan thoughtfully. Suguru approached her and wrapped his arms around her, causing her to flinch in surprise.
"Am I that scary?" Suguru asked, smiling.
"I’ve already told you. My answer remains the same." She replied, kissing him on the cheek.
At breakfast, they looked at each other in silence, smiling at the memory of the previous night. Y/n felt great, knowing that Suguru made her feel comfortable.
"What?" Geto asked, when Yamada smiled and tried to avoid looking at him. "Why do you keep hiding your eyes from me? They’re so beautiful…"
"Because you make me feel embarrassed!"
"I’m just sitting here, drinking tea. How can I make you feel embarrassed?" Suguru laughed, taking another sip from his cup.
"It’s not now, it’s in general…" Y/n drew a circle in the air, referring to their night together.
Geto reached out to the girl’s face, removing the sandwich sauce from her lips and licking his finger. Yamada covered her face in embarrassment, shaking her head. Suguru stood up, walked over to her, and easily picked her up, carrying her to the bedroom.
"I'll kiss you every time you feel embarrassed."
"Then you'll have calluses all over your lips! And I still need them!"
"Wow, Yamada, that's so filthy! "Suguru sat Y/n on the bed and looked at her. Her eyes were shining with joy.
"But I have a good example!" Y/n said, pulling Suguru in for a passionate kiss.
After a difficult year and dealing with drug issues, Geto found himself feeling great around Y/n. He recalled how they first met, remembering her indifference towards him and the way she looked at him while he sang with Shoko. Perhaps already then something had already sparked between them, but neither could have known what kind of spark it was. However, now, as he held her hips in his hands, Suguru felt his feelings for the girl growing by the second. Looking into her eyes, he realized that those feelings were mutual.
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gameyface46 · 7 months ago
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Who am I if not the most lonesome man in the world?
I like to talk about what went into making a piece, so here goes I guess.
I had posted a WIP a while ago with the start of the story, but I’ll repeat it anyway. One day I was waiting at a bus stop in a heavy downpour with no umbrella. I was soaked beyond belief. But it sparked an idea within me. What if I drew Magolor wet from the rain taking shelter under a bus shelter? I thought it was a good idea, but I honestly don’t know. I think if I was a better artist, this would’ve been a better piece, but that’s like saying if I was a better cook, this meal wouldn’t be foul.
This took me over a bloody MONTH to finish because things kept looking off, but honestly it’s not… HORRIBLE. You know what they say, don’t let perfect be the enemy of good.
Why did I stop here? Because I promised myself to not have a backlog of projects. One project, maybe two. THAT’S IT. I wanted to move on because honestly this is not the greatest composition. I think there might be too much negative space, or I guess too much to be noticeable, but not enough to be purposeful. I think something else is off, just can’t say what? Values? Composition as a whole? I dunno. I love my little guy tho.
Anyway y’all imma move on to something new. Shoot me ideas if you’d like cause my brain is literally dead rn. Love y’all so much. (╹◡╹)♡
*・゜゚・*:.。..。.:*・'(*゚▽゚*)'・*:.。. .。.:*・゜゚・* POST-SCRIPT!
I thought Taylor’s The Tortured Poets Department was fine. It’s okay, but I’m personally a Lover type guy, so it fell flat for me. Also, 31 songs? That is TOO MANY poems, Taylor. ‘Twas alright. Florida!!!, MBOBHFT, and I Can Do It With A Broken Heart caught me the most, and the single Fortnight, and the title track The Tortured Poets Department are pretty fine, too. Clara Bow was interesting in that it is the first song where she explicitly mentions herself (in lyric, 22 does not count).
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cavycaptain · 6 hours ago
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I tabled with Kagebros that TFCon Weekend and we've talked about the tracing and redraws--FYI I also sell redraws of famous G1 scenes to sell as charms/prints. The merch is in my own style rather than taking directly from the cartoons and I acknowledge that they're not original. I'm not one to stand against the selling of redraws because that's just hypocrisy.
Kagebros has apologized and understand the consequences of their actions and that's enough for me.
People have traced and stolen from my merch/art before to the point where potential customers have become wary of purchasing from me because they did not realize that the tracers were taking advantage of my lack of online presence/small following. I'm not a fan of dogpiling, but I admit that I have made call-out posts, because again I have a smaller audience and get overwhelmed by misinformation thrown at me and I feel as though I'm backed into a corner. I have to understand that the tracers behind the screens are human like me and if they credit or take the art down, I am a very forgive and forget person. Again this is my own personal take on the situation from my own experience, and people do have the right to be upset and angry.
When you admire an artist so much, you want to implement their style into your own--I'm inspired by DJW, Josh Burcham, Dana Terrace and many more. Tracing or 1:1 referencing helps when you want to understand how those artists could obtain certain structures in their art--like hands or faces. Its a tale as old as time when inspired by your teachers but in the end you have to take what you learn from them and create a style most comfortable for your own skillset. I see that Kagebros has their own style developing and I cannot wait to see how much they improve in the near future.
I haven't addressed anything because I'd simply be repeating whats already been stated before. There are many points to this story that I agree and disagree with and I was more of a bystander through all of this while supporting my friends. But I guess deciding to still stand by my friend was enough to fuel a different kind of rage brought into the public space and affected our safety.
During this whole ordeal, at TFCon Baltimore, I was warned that a person was following and taking pictures of me WITHOUT MY CONSENT throughout the weekend. I have reason to believe its the same people going after Kagebros. I fear for what these people are capable of or what they could have planned had I or Kagebros not stayed with friends at all times. I feel so disgusted and violated. Yes, this is a public event and I had also taken pictures with friends/visitors that wanted to visit me. There are randoms who also probably unintentionally took pictures of me in passing. But this group had sought out to film and take photos of us for the sole purpose of stalking--I would also like to add that this same group has a history of doxxing people, including minors, in the Transformers fandom.
In this current political climate, its a terrible time to be an AFAB Person of Color. In a place where I thought I could feel accepted and safe and experience a little bit of escapism, I'm alarmed that even then I still feel in danger. Kagebros made mistakes but it doesn't warrant this kind of outrageous behavior. Me choosing to stay friends with someone does NOT warrant being stalked and followed.
I'm not perfect either, I've made so many mistakes, and I'm begging these people to take time to look inward, to self reflect on their actions and to realize the harm they are causing to people's physical and mental wellbeing.
This Post is by someone that wants to remain anonymous, they DM'd me this and asked me to post
The callout campaign against Kagebros has gone WAY too far. The lengths these people have gone to violate someone’s boundaries and privacy in order to “warn” people is incredibly excessive and is dealing horrible damage to their mental health and wellbeing. It needs to fucking stop.
The situation has spiraled completely out of control, spurred on by people who would rather side with a proud AI artist than have a civilized, adult discussion about tracing. Said AI artist has a history of attempting to ruin Kagebros’ credibility, spreading disinformation and rumors about them and their nonprofit charity zines, now going as far as to allegedly incite people to nonconsensually take photos of them at their booth at TFcon Baltimore, and block-evading their socials in order to find more posts to pick apart.
As they have stated already, Kagebros never had ANY intention to scam people, which understandably doesn’t change how those affected may feel. That being said, they could have very easily traced over things without altering them in any way at all, like many others within the convention vending sphere have blatantly done without a callout from these same people who care so much about “calling out tracing”. There tends to be a gray area in the realm of tracing techniques within the art industry (especially professionally), and there is plenty of merit for their actions to be criticized. As they’ve stated, they were under the impression that Official artwork/figures were okay to trace over and alter, which they now know to avoid doing so in the future. Even if the details and credibility of the piece can be scrutinized, they still made a conscious effort to alter the pieces in question to be more original.
Although said effort may not be enough for most, they now KNOW that. End of story. They can't immediately change the pieces they had available for sale, and they should be showing change through their future pieces and actions, which is something that’s up for judgment by anyone. And yet the people starting this have needlessly dragged it on, inciting others to keep spreading the accusations to further audiences, leading to more harassment.
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Seafoamsol had admittedly unblocked Kagebros and “offered” to have a talk with them about the situation, but their own intentions are extremely questionable, as a conversation should have been the first priority, rather than a callout post. They assumed Kagebros’ intentions without giving them a single chance to address it themselves before the callout, and are now going forward with the narrative of them being a scammer.
Again, if they truly were concerned, they could have unblocked them and had a conversation before the callout was made, instead of assuming their intentions were to deceive people.
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The situation is very nuanced, meaning there's a lot of points to be acknowledged on both sides in order to come to a conclusion, which could have happened peacefully if adults just had a civil discussion with each other. There is a justifiable talk to be had here, and reasonable changes to be made, but this can’t be accomplished productively if people continue to jump to conclusions and assume intentions. This has done nothing–and WILL do nothing–but hurt people, if this behavior doesn’t stop. mistakes will be made, lessons will be learned. Please look at this situation in its entirety before coming to your own conclusions based on assumptions made by people with evidently questionable motives and a history of causing problems for others and driving them out of the community. 
Thank you for reading.
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leclercskiesahead · 2 months ago
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Excerpts: [First stints] The opening stint saw graining and high degradation for all runners and lap times rose sharply from around Lap 10 onwards. On Lap 14 [Norris] was called to box for new hard tyres. He then emerged behind Ocon – and Ferrari saw a small opportunity to cover him, and so boxed Leclerc the next lap. Unfortunately for Leclerc, it didn’t work out for him and he was undercut by Norris. Leclerc’s complaints on the radio at stopping to emerge behind the McLaren were met with reassurance that the race was most likely a two-stop, and it was the correct point to box. Piastri then covered both one lap later. In [Sainz’s] opening stint, he was too far behind Norris to attempt an undercut and Ferrari were still considering the one-stop possibility. Therefore Sainz pushed to extend as he thought it was too early to stop. Later, he reported that the graining was improving and lap times may recover. This was important information for Ferrari. Sainz was then called to pit before being undercut by Hamilton so the lap time improvement was crucially not seen by the other teams. [Second stints] As graining emerged on the hard tyre for all three leaders, [they had to decide] when to stop for the final set of hards. Piastri was asked if he thought a one-stop might be possible, but said no. [On Lap 32,] Leclerc is given the ‘box to overtake’ call on Norris as Ferrari looked to attempt an undercut. But Norris then pitted, prompting Leclerc to stay out. He was then told they will extend the stint to build a tyre delta. In the second stint running in largely free air, Sainz pushed Ferrari discussion on the one-stop strategy possibility. The pit wall and Sainz discussed whether they should cover Hamilton’s second pit stop or remain on the one-stop option – with Sainz favouring the latter after reporting that his tyres were still good. At this point the information is given to Leclerc that Sainz is targeting a one-stop strategy. Leclerc agrees that it is the best opportunity to win and immediately begins work on the tyre saving required to pull it off. [McLaren third stints vs Ferrari staying out] [Having boxed with 15 laps remaining,] Piastri needed to average 1.5 seconds per lap quicker [than his pre-stop pace] to make the pit stop beneficial. His first lap after the pit stop was indeed 1.5 seconds faster than before. However, he had five back-markers to overtake as well as Sainz. The back-markers cost variable amounts of lap time and Sainz then cost Piastri around two seconds of race time – which is crucial when considering Piastri only finished 2.6 seconds behind Leclerc at the flag. So although Leclerc then took the plaudits and the glory on the Monza podium, he couldn’t have pulled off such a famous victory without the help of his Ferrari team mate.
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kifu · 2 years ago
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Sappho. I wanted to know if I could under layer shading with markers. That failed. HOWEVER, I took a picture of my greyscale marker drawing before I obliterated every ounce of shading with grotesque color so that I could play with it digitally. I'm ecstatic. She is GORGEOUS.
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jackdaw-and-hattrick · 8 months ago
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What’s with the trend in comics of Jason going on this long, insightful rant on Bruce’s behaviors and shortcomings only for B to respond like “but murder bad” and that’s considered a valid counter argument?
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shannonsketches · 6 months ago
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like why did they change where Vegeta was when Cell announced the cell games in the anime
why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?
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it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working
Those are all Great Character Details!! That the anime rails against!!
#these cowards afraid of showing Vegeta actively choosing to be around his wife and child even when he's Bad#Because Goku who is Good never ever even once makes that choice onscreen outside of filler#and then they justify that choice by making Chi-Chi seem horrid and unreasonable for (checks notes) Not Wanting Her Child to Die#anyway I am once again being bitter about anime vs manga klasjdklasd#I can't believe I let the anime convince me I hated Goku man Goku's SUCH a good and ridiculous character in the manga#the anime just SUCKS at letting him be who he's always been#and has to reframe and recontextualize and reword everything he does so that it seems like he's Actually Quite Mature and Thoughtful nO#THAT's VEGETA YOU COWARDS#also the fact that bulma said she wouldn't live with him at the beginning of this arc to him casually hanging out with her and trunks#after cell beat his ass and humbled him is REALLY GOOD SUBTEXT for their shared relationship having improved without showing it#it's great subtext for all three of them and toei just went 'nah' and decided to make it a whole group shot so ...? Master Roshi could sit#and explain how ??? Tournaments Work??? Just so Cell could log on and also explain how tournaments work?? God it's been so long#since I've watched the anime and now when I do it just makes me mad aklsdjskja the manga is SOOOOO much better#there are some spots where the pacing is more ideal in the anime like goku turning ssj for the first time but like man. everything else is.#like why are you making Goku snarky with Vegeta dude his clapbacks are SO much funnier when they're just Tactless Honesty#like Vegeta's not insulted by Snark bitch he grew up in the Freeza force that man was raised by THE bitchiest drag queens#Vegeta's insulted by someone saying something deeply and insultingly True to his face as if it's the fucking weather#Goku in the anime is like 'a battle of wits hoho' but Goku's purity is part of the joke he's not snippy he's just got no social etiquette#He's just honest! He's not trying to be insulting. That's what MAKES it insulting! That's the WHOLE GAG of why Vegeta can't stand him#Goku is always just telling the truth and it's always the rudest shit Vegeta's ever heard in his life#'it's a sunny day! i'm way stronger than you! see you out there bud!' 10000% Genuinely Friendly. Golden Retriever-Ass Pure.#Infuriating. Hilarious.#anyway I looked at anime clips to make sure I remembered things right and that was a mistake#as someone who has a soft spot for it and grew up on it -- compared to the manga it's bad and it's always been bad#and toriyama was right to be disinterested in watching it jesus christ they BUTCHERED his work#anyway this has been another shot of haterade with sketches thank you for scrolling my rambletags askljdask#dbtag#i just truly can't get over how they make Vegeta call her 'woman' in the anime and he literally only ever calls her Bulma in the manga#except for on namek when he refers to her as 'the/that woman' because she is a complete stranger#why is he calling her woman like he's a 1940s american husband and not an extraterrestrial from a deeply advanced society toei
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bansenshukai · 7 months ago
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While perusing the naruto timeline I discovered that the Academy was formed ~30 years after Konoha was founded. The Chunin exams, being a part of the formalized shinobi education system, were formed after the Academy as well.
And at the time of the Academy's Founding, Hiruzen and the rest of his generation (Danzo, Biwako, Koharu, Homura) are approximately age 20~21 . They didn't grow up with the Academy or the Chunin Exams! They became, presumably, fully fledged shinobi, purely through individual mentorship and field experience.
So: no Academy also means no age limit.
This had me start thinking about the kind of childhood Hiruzen led, and what he would have considered normal. People love to criticize his decision to neglect Naruto (and rightfully so), but it's also clear that Hiruzen does regard Naruto with affection. It's entirely possible he saw Naruto's childhood as sheltered compared to what he experienced growing up without the safeguards of a formalized shinobi education.
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rearranging-deck-chairs · 3 months ago
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every new doctor to their future/past self
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strawberry-pawz · 1 year ago
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Hello folks, I have not posted here in 1 quadrillion years, so here is my current blorbo after playing pokemon violet ♡
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aria0fgold · 7 months ago
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My headcanons for the named trio in The Cursing of Chateau Castle series:
Josephandre is a big bear. It just fits for him I think! He gets he/him pronouns, and as a way to make him a liiiil more relatable for Mira, he'd have two craft types (Rock type being his main one and paper craft for the other). Battle style wise, I think it fits him to be more of a self-sustaining tank. He buffs defense, heals, and puts up shields. For his weapon, he'd use his fists like Isabeau. He'll be the second fastest in the trio.
Lady Irene-Janine-Kanine looks like an elegant noblewoman on the outside but she has vibes similar to Euphrasie! She gets she/her pronouns. Her craft type is Paper. Battle style wise, she's more on the offensive side, a main dps kind of thing. Most of her skills focus on buffing attack and speed, she'd have an item that helps regen her hp a lil bit and her chosen weapon is an umbrella. The tip is a sharp blade so it's used like a spear that has a hidden sword in its handle. Open it, and it becomes a shield! That'd be one of her skills too, although it's only applicable to her. She's the fastest one of the trio.
Pierre-Jacques-Erneste looks like a nobleman and carries himself as such! He gets he/they pronouns. Their craft type is Scissors. Battle style wise, he's more of a debuffer, skills focusing on weakening the enemies, slowing them down, poisoning them. Their weapon is a sword dagger, though he doesn't seem to be able to handle it well, how clumsy! But he Is a nobleman so it makes sense! Oh but... why doesn't he have a title? They're the slowest one of the trio, how strange, he seemed to be faster than Lady Irene-Janine-Karine that one time though.
#aria rants#how do i even tag these things bro im like-- why am i such a fan of a fragmented series in isat#okay so-- josephandre relied mostly on raw strength when he was travelling all alone before meeting the others#and i think he'd have a fun uncle vibe to him. which makes it easy for others to approach him and befriend him#but he Also carries a sort of pride and dignity to him which makes the others mistake him for a nobleman cuz of it#esp considering the fact that he later became famous for helping those in need and such.#lady irene on the other hand. being a noble she's always had to keep her guard up. also doesnt help that noblewomen#got the short end of the stick what with the ''arrange marriage'' things and being below noblemen#her umbrella weapon helps a lot in warding off the assholes. i think that during the journey with josephandre's party#she got to finally be herself without needing to sugarcoat her words in a way that a noble should. she would also figure out a#way to improve on her shield spell to not only apply to just her but her entire party too. she cares a lot about them after all#meanwhile i got a Whole scenario for pierre (being an illegitimate child of a noble family and all that. i made a post bout it)#he's actually a lot more capable than what he makes himself appear as. but its like part of the plan on getting the others#to lower their guards around him for when pierre betrays them. in actuality pierre is actually faster than irene altho#not much stronger still (irene and josephandre are still stronger than him) considering that pierre mainly focused on#stealth type attacks. hes more used to using a sword than a dagger (he mightve wanted to prove their worth)#it makes their battle style and weapon clash due to the fact that swords arent that good for stealth much than a dagger#its one of the reasons why hes trying to get used to the dagger than the sword. but it is a bit difficult to learn a new weapon
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zeb-z · 11 months ago
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“Even if it’s not my fault, it’s still my accident, it’s still my mess. It’s still something that - exists, because I do” oh. and he just doesn’t know another way to help, either, because all his life has been screwing up without helpful direction in order to meet impossible standards, and so there is no other way than to bleed himself dry. for the cause, for a friend in need, for anyone he doesn’t know. especially for the problems that he himself creates, because to him his pure existence has always been the problem, because the elders were fucked as hell and traumatized him to no end - so even causing problems is a sin. a single mistake is a sin. it always has been. and it’s rough trying to learn anything other than that mindset - but Jay and Chip won’t let him struggle alone.
and it’s like - that’s what comes with being raised the way he was. punished for imperfection, but there’s no guidebook, no definition of perfect. and so perfect is never good enough anyway. it’s a trap and there is no winning, so there’s nothing else to do but take the blame and bear it, and internalize it. and it makes actual failure and actual mistakes that much more painful. of course responsibility needs to be taken for your actions - but when you’ve been taking responsibility for everything, up to and including the literal fate of the world, all of your life, every outcome is your fault. and guilt only builds, and resentment only festers. of course he hates the elders for how they treated him. of course he hates himself.
he’s grabbing his own destiny and making his own choices - but the thing about making your own choices is that there are so many of them. there’s no destiny to blame anymore. and all you can do is the best you can. and it’s not always going to be good enough. he’s learned plenty about failure, but with Jay and Chip around, maybe he’ll learn about second chances, and self forgiveness. maybe he’ll learn that accidents aren’t always met with extremes. and that he’s not the only one left to deal with a mess if he slips up and breaks something.
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dandyshucks · 3 months ago
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also I got rly scared abt this last night or the night before because I suddenly realized sometimes people interpret it this way,,
so i just wanted to say that the reason i dont interact w people very much is NOT bc i think im better than ppl or anything - i am just very genuinely Petrified of messing up in social situations, to the point that I end up isolating and avoiding rather than risk making mistakes ^^;; WHICH ISN'T HEALTHY but . i havent figured out how to work through this yet dhdjdkl
BUT YEAH i just wanted to try to make sure nobody is thinking I'm some hoity-toity goober, I am literally just Extremely Terrified fjdjdkdl
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ahhscheisse · 2 years ago
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Some of you need to realize that yeah, there is no ethical consumption under capitalism, but that doesn’t mean be completely thoughtless, y’know? I don’t use places like Walmart unless I absolutely have to. As in: no other options. I use Amazon too much but as the years go by, I’ve realized it is getting harder and harder to avoid them entirely. I don’t like meat but even if I fucking loved the homophobic chicken, I have other options in my area to choose from, so I will. It means doing the least amount of damage you can with the knowledge and morals, I guess, that you have. Don’t buy the anti semitic game. Don’t hand Jeff Bezos money when you see him on the street. Don’t kick puppies. Be thoughtful. Try. No one can be perfect but I know you can try.
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freakingweirdo · 1 year ago
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secret drawing technique: when you fail to draw the other eye draw the character winking. if you fail on both eyes you can draw them with BOTH eyes shut too. and no one will ever know
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