#but there is admittedly less than there should be
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poorly-drawn-mdzs · 6 months ago
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Unsolved Mysteries.
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mantictiger · 2 years ago
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me, every single time i consume a piece of media with no lesbians in it: very good but what if there were lesbians?
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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.
#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends#a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public#klavier gavin#kristoph gavin#i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's#singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general#mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin#products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you#see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than#needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a#'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate#and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis#that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin#to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is#or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless#thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you#natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears#jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just#makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too#annotations
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withthewindinherfootsteps · 1 month ago
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Wei Wuxian and Narrative Agency – Part Two
For Xiantober Day Three: Conviction (of a sort)... in which the author temporarily forgets to focus on narrative agency or on Wei Wuxian, in favour of analysing relevant themes and characters that relate to Wei Wuxian. But he does get focus, and again, contextualising him is why i’m exploring these other things, so no harm done.
(Part One | Part Three | Full version on AO3)
It’s Not Just Optimism: Resentment and Self-Definition 
Before we discuss the narrative again, let’s take a break to discuss one of my other favourite aspects of Wei Wuxian. We’ve seen how the narrative treats tragedy, and we’ll soon explore how it reflects Wei Wuxian’s views on tragedy. But what actually are these views? 
Because the thing is – the narrative and plot can emphasise agency and choice all it likes, but focusing solely on that leaves out the character. And it’s Wei Wuxian’s character that deserves the credit for how he defines himself (…in-universe). If someone had gone through everything he had, who could blame them for being unable to keep going, unable to let go of resentment, unable to see anything that was still worth living for, to see any value in altruism?
(Also, I do have to emphasise this: you can have perfectly healthy coping mechanisms, but still get extremely traumatised. Everyone has a limit to what they can take, that limit differs, and that isn’t your fault. It just so happens that Wei Wuxian’s limit is extremely high (and even he reaches it when everything falls apart in such quick succession near the end of his first life!))
This isn’t something that’s ignored in MDZS. We see multiple characters who have gone through similar levels of suffering as Wei Wuxian, or even less suffering than him*, who do react in some of the ways mentioned above. Whether or not the narrative condemns them depends on if they hold onto resentment from their tragedies and use it to harm others – Xiao Xingchen and Qin Su, for example, aren’t condemned for their suicides (nor should they be, suicide/suicidal ideation isn’t anything anyone should be blamed for), because nobody was intentionally hurt as a result. But people like Xue Yang, who was treated cruelly and senselessly lost his finger, but went on to murder an entire clan as a result; or Jin Guangyao, who remembered the slights against him and his mother down to the exact wording of Jin Guangshan’s dismissal of her freedom, which may have justly hurt him but also unjustly lead him to both burn down a brothel and (separately) kill or imprison multiple innocent prostitutes; or Jiang Cheng, whose resentment for Wei Wuxian due to the latter’s actions lead him to harm many others after his death simply because they were similar**, are condemned.
Why mention this? Well, these different reactions show it isn’t just a quirk of the universe that people are more tolerant to pain – Wei Wuxian’s reactions are a deliberate choice on the part of MXTX, not a writing flaw stemming from misunderstanding the severity of trauma***. But more importantly, many of these characters deliberately foil Wei Wuxian, and so they can give us a good insight into what sets him apart from them (or rather, from the characters who aren’t completely broken by their pain, because that way we know it isn’t simply a difference in tolerance but rather one in attitude). And as I’ve discussed, this has to do with accepting events and letting them go, rather than holding onto resentment.
Part of this may come from differences in personality (though that’s never an excuse for hurting others) – but, though Jiang Yanli may claim Wei Wuxian was someone “born with a smiling look” (Chapter 24, EXR), there are two philosophies Wei Wuxian consciously holds onto that have to do with this attitude:
“Let the self judge the right and wrongs, let others decide whether to praise or blame, let gains and losses remain uncommented on.” Chapter 75, EXR translation
“Remember the things others do for you, not the things you do for others. Only when people don't hold so much in their hearts would they finally feel free.” Chapter 113, EXR translation 
And crucially, these ideas directly contrast the actions and mindsets of the antagonists above. All three focus on their ‘gains and losses’, with their suffering at the hands of others being a major motive to harm those others/those affiliated with those others (Xue Yang’s finger; the slights against Jin Guangyao and his mother due to the latter’s job; Wei Wuxian’s ‘betrayal’ and his role in Jiang Yanli’s death, as well as false blame on him for the deaths of Jiang Cheng’s parents, and Jiang Cheng’s inferiority complex). Jin Guangyao and Jiang Cheng are also very focused on their reputation, or in other words, on whether ‘others decide (…) to praise or blame’ them (according to Chapter 10 of the EXR translation, in what seems to be omniscient POV heading into Jiang Cheng’s, the latter ‘cared about maintaining his reputation above anything else’. Meanwhile, much of Jin Guangyao’s actions were taken to protect his reputation, including the brothel burning, as a part of the aim was to conceal which brothel he grew up in (Chapter 104)). 
Additionally, much of Jin Guangyao’s resentment stems from how others treat (‘blam[ing]’ him, insulting him), compared to how they treat others (‘prais[ing]’ them):
“But do you know what it was that made me lose hope completely? I’ll answer your first question now. It wasn’t that I’d never be worth a single hair on Jin ZiXuan or one of the holes in Jin ZiXun, it wasn’t that he took back Mo XuanYu, it wasn’t that he tried every possible way to make me a mere figurehead either. It was the truth he once told the maid beside me when he was out indulging himself again.” Chapter 105, EXR
Though the other points didn’t make him lose hope completely, the implication is that they did affect him too (as shown by how he speaks about them), with Jin Guangshan’s words about Meng Shi being the final straw. ‘Los[ing] hope’ here of course relates to holding onto resentment, as Jin Guangyao’s loss of hope is what led him to murder out of his hatred.
Finally, both Jin Guangyao and Jiang Cheng also hold resentment due to holding onto what they’ve done for others, or even onto who they themselves are, without being treated accordingly – and though it makes sense to be hurt by all these things and these reactions are valid, the pain from holding that in your heart and the danger from holding onto it is precisely why MDZS condemns it:
“Why is it that even if I face everyone with a smile, I might not even receive the lowest form of respect, while even though your father was extremely arrogant, people flocked to him? Could you tell me why we were born from the same person but your father could relax at home with the love of his life playing with his child, while I never even dared be alone for long with my wife, shivering out of fright at first glance of my son? And I was ordered to do such a thing by my father as if it was natural—to kill an extremely dangerous figure who could flip out and conjure up a bloody massacre with his corpses anytime! “Why is it that even though we were born on the same day, Jin GuangShan could host a grand banquet for one son, and watch with his own eyes how his subordinate kicked his other son down Koi Tower, from the first stair to the last!” Chapter 105, EXR
(He brings up his role in Wei Wuxian’s downfall due to this as well, in addition to creating any excuse he can to absolve himself of others’ blame – he’s being treated unjustly and hated for something he’s done, even though he was ordered to do that thing by his father and it made sense!)
Jiang Cheng, “Are you stupid? You only counted the time to return and not the time to go there? Let alone the fact that after I got there I had to lead people and search through the entire mountain for the old banyan tree, then dig open the hole that got blocked up by Wen Chao and his people, and rescue you within seven days. Where’s your gratitude?!” (…) He raised his voice, “You killed the Xuanwu of Slaughter together with Lan WangJi, bathing in blood! How great is that?! But what about me?!” He punched his fist into a pillar in the hall, clenching his teeth, “… I have also been running around for days, completely exhausted, with not one second of rest!” Chapter 56, EXR
(And, a bonus to show this being a part of Jiang Cheng’s mindset without stemming from being hurt by a specific event, even when he’s being encouraging:)
“So it seems that both of you killed it together. What’s yours is yours. Why would you give him all the credit?” Chapter 56, EXR
(This moment is a nice display of the contrast between Wei Wuxian’s and Jiang Cheng’s mindsets as well, with the former focusing on what Lan Wangji (‘others’) did for him instead of seeking credit for his role!)
To repeat – of course these feelings are understandable, and I’m not blaming them for feeling this way. What I am placing blame on is letting those feelings drive you to murder many innocent prostitutes, or to let this sense of a debt you’re owed (which is what the philosophy is actually warning away from, because if you hold onto what you do for others, the natural expectation is that they’re indebted to you and should do something for you as a result) turn into resentment towards someone for not acting the way you think they should, leading you to help murder them, even if your sister sacrificed herself specifically to save their life.
This is the danger of holding onto resentment. And are these actions not a choice? Would you, independent of MDZS, absolve someone of a crime because their ‘personality just leads them that way’?
The same is true for acting on these two philosophies, and letting resentment go. And it’s all the more impressive when someone has as much potential resentment to hold onto as Wei Wuxian does.
Of course, Wei Wuxian himself isn’t completely infallible – which further supports the idea that this isn’t just a natural, unalterable quirk, since we see him act contradictory to his usual self as well. But the narrative’s view of resentment in these moments doesn’t change. Importantly, the times he does let resentment drive what he’s doing, during the Sunshot Campaign and Nightless City (as well as him being quick to anger at Phoenix Mountain, etc), it isn’t presented as in the right**** — and though he still lets go of it quickly enough to protect a group related to the one that hurt him (people of the Wen sect, the cultivators who participated in the Siege), it doesn’t prevent the harm done during these times. Additionally, the times he metaphorically can’t control and reign in his resentment in the form of guidao – at Qiongqi Path and, again, at Nightless City – pain is caused to innocents (Jin Zixuan and Jiang Yanli). This is what his internal thoughts have to say when he comes across cultivators gossiping about him, shortly after Wen Qing and Wen Ning have sacrificed themselves:
No matter what he did, not a single good word would come out of these people’s mouths. When he won, others feared; when he lost, others rejoiced. Chapter 77, EXR
He’s hurt by other people praising and blaming him! Holding onto this philosophy isn’t automatic, that decision isn’t simply encoded within him somehow.
But that brings us to another relevant theme: that these characters aren’t infallible, because they’re not mythical creatures or concepts brought to life. Everyone is human.
However, although he thought that his heart was like a stone, in the end, he was still human, not some emotionless grass or plant. Chapter 8, EXR
OuYang ZiZhen, “HanGuang-Jun, why did Senior Wei collapse?” Lan WangJi, “Fatigue.” Lan JingYi was amazed, “I thought that Senior Wei would never get tired!” The other boys felt somewhat astonished as well. That the legendary YiLing Patriarch could collapse from fatigue from dealing with walking corpses—they all thought that the YiLing Patriarch should be able to settle them with just a snap of his fingers. However, Lan WangJi shook his head. He only said four words, “We are all human.” They were all human. How could a human be tireless? How could they stand forever? Chapter 84, EXR
Even with Wei Wuxian’s temperament, even with his attitude, he’s still human! Just as he’s not immune from being affected by harsh words to do with his past, just as he’s not immune from being affected by exhaustion, he’s not immune to being hurt by or angry at his circumstances. As we see in the Sunshot Campaign and at Nightless City, he’s not immune to dwelling on his misfortunes, to being driven by his hurt and anger and by resentment he holds onto (consciously! At Nightless City, Wei Wuxian deliberately accepts the curses thrown at him, because ‘anger was the only thing that could suppress the other feelings within his heart’ (Chapter 78)). 
But nearly always, he chooses not to. The Wen remnants he saved were innocent, yes, and Wen Ning and Wen Qing helped him previously – but in his second life, he could’ve easily kept holding onto his resentment and left the cultivators who besieged him, who killed him and those under his protection, to die at the Second Siege. But he didn’t! He held true to his own philosophy, to judge the right and wrongs yourself independent of what others do, and saved them.
Because this is what’s important to him, because this is how he wishes to act in the present, and because he doesn’t let himself be defined by the tragedies he went through.
The donkey seemed as if it knew that he wasn’t in a great mood [due to others bringing up what happened in his past], and for once, it wasn’t being loud out of impatience. A moment of silence passed, and it turned around to leave. Wei WuXian sat by the stream, not responding at all. It turned around to look, throwing its hooves onto the ground, but Wei WuXian still paid no attention to it. The donkey had to come back sulkily, biting and tugging on the corner of Wei WuXian’s collar. He could choose to go, and he could choose to not go. Seeing that the donkey had [gone] as far as to use his mouth, Wei WuXian decided to follow him.  Chapter 8, EXR*****
Immediately after this, he’ll continue investigating the puzzle of Dafan Mountain’s night hunt; he’ll come across a ghost, ask where it’s hurt and offer to take a look at it; he’ll rush off to save Jin Ling and the Lan juniors, figuring out the truth behind the dancing goddess and being the only one to do so. Just as it’s more important to the narrative, this – quick thinking, problem solving, compassion, doing the right thing, even seeking out excitement – is what Wei Wuxian finds more important about his own self, and what he chooses to focus on.
Some final questions to end things.
If you saw Wei Wuxian, without any knowledge of what happened in MDZS, without any work done by the narrative structure or by knowledge of tropes – would you have expected the backstory he had? Would you expect his parents to have died when he was at an age where he could barely remember them? Would you expect him to have lived on the streets until he was nine years old, or to have been taken into an unjust and extremely volatile household, or to have (chosen to) lose the source of powers he was very proud of – shortly before he was thrown, now powerless, into the equivalent of hell for three months? Would you expect his first life to have ended because protecting innocents (knowingly) led to the entire world crusading against him, because their siege resulted in him being torn apart? Or would you not think of tragedy when it comes to this person who gleefully jokes and teases, who’s so smart and competent and knows it, who doesn’t focus on the negatives, who acts so confidently on his morals, who revels in life so much?
If you only saw Wei Wuxian’s backstory with no context of his character, would you expect him to remain this way?
And, if you saw Wei Wuxian’s actions in the present day, without knowing what tragedies happened in his past, would he feel like an incomplete character?
It’s impossible to answer, of course – even in the present day, you get information about his past.
But I’m inclined to say no.
(Part One | Part Three | Full version on AO3)
*But again, let me emphasise – especially in real life, doing the trauma olympics is never good! As I said, everyone has limits, everyone’s limits differ, and just because one person can cope with something doesn’t mean another person can, even with the same mechanisms. And that shouldn’t lead to any judgement!
I say ‘especially in real life’ because in fiction, some characters’ experiences are often made similar or different to others’ in order to parallel or foil them  – in which case comparison is often the point. But trauma olympics (‘this person suffered x amount so the other person should be able to take it!!’) is still bad, guys (especially since, as with MDZS, those parallels or foils are often there to explore the harm they do to others as a result, not simply how much trauma they can take).
**My thoughts on rumours here. Tl;dr, if Jin Ling (someone who’d want to defend him!) is saying he did (and that he “never let anyone go” – Chapter 24), if sources like Lan Wangji and Lan Sizhui act as if this is the case (Chapter 10 – to defend, you could say personal feelings play a role, but Lan Wangji especially is someone who knows not to, and explicitly doesn’t, make judgements without conclusive evidence. Again, see my thoughts on rumours) – and if Jiang Cheng backs up this behaviour (eg by telling Jin Ling to kill every demonic cultivator he sees and feed them to his dogs in his introduction – Chapter 7), it’s probably not a simple unbased rumour. There’s enough evidence to support its veracity.
***However, do note that Wei Wuxian isn’t an outlier, either – Lan Wangji, Wen Ning and Lan Sizhui (once he learns of his heritage) are all examples of other characters who aren’t overcome or twisted by their pain, instead still aiming to make the world a better place. And this is Jin Ling’s whole arc, too!
****I delve a lot more deeply into this here!
*****The role this moment plays isn’t actually something I caught myself – it came from a post about a reread of MDZS’ earlier chapters. I can’t find it myself, but if anybody has the link, that would be great (so I can cite it)!
Also, a shoutout to this incredible meta by @righteousinadversity – it’s what made me want to delve into this aspect two years ago! It’s still one of my favourite metas, and you enjoyed this, you’ll definitely enjoy that, too.
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designernishiki · 1 year ago
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is there a comprehensive list somewhere of all the serious injuries kiryu has ever gotten because man am i curious. i want to know the Full Scope of how fucked up this man’s body must be
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kukuandkookie · 16 hours ago
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Need to vent momentarily so uh…
Had a giant fight with my mom this morning about admiring Elon Musk or Donald Trump just because they’re “successful” which also evolved into her again critiquing her own children and how I pointed out that the shit she says about us can be hurtful, even when she insists she’s trying to be “encouraging.”
I won’t go into detail about it because my family issues are insane sometimes—but I wanted to add this context because maybe I still have some leftover frustration and rage from that, and I guess because I’ve experienced another weeks and weeks’ pile-up of sinophobia, and I’m also overwhelmed by how awful the world is right now with the continued genocide of Palestine but also the rise in normalization of right wing politics, but I saw something today that just added to the frustration because God I hate how people can’t see “the Other” in a less prejudiced light.
It’s not a big deal but saw some sinophobia today that with my poor mood didn’t help exactly:
Basically, there’s a short from a year ago about Chinese celebrities being snubbed at international events to the point that one of them (Liu Yifei) got cut off from a group photo and how another (Zhang Yuqi) got asked to get off the red carpet because they assumed she wasn’t a guest despite her being all dressed up.
The comments are all bullshit like “well they work for the CCP right? So they deserve to be ignored” or “why are you stirring up drama? Just because they’re famous in China doesn’t mean they’re famous internationally” or “haha a taste of China’s own medicine.”
Like oh my God, shut up.
These are international events. Why are you acting like snubbing an international guest isn’t worthy of critique? Just because you hate the country’s politics?? In that case, if you don’t even recognize the celebrity, how do you even know if they work for the oh-so-evil CCP???
It’s always “I don’t hate the Chinese; I just hate their government” until it comes to actual Chinese people because then your poor brain just assumes Chinese people are an extension of their government. You think these celebrities work for the government just by simply existing?? How? Do you think they pay their wages to the CCP or some shit???
Kpop fans mentioned for years that kpop celebrities were snubbed at international red carpets until recently. Why the hell don’t fans of Chinese celebrities get to point it out then?
#kuku vents#I know this isn’t that important#but sometimes it’s the minute things that get to you…you know?#there is bigger sinophobia stuff right now like how people think the recent 35 dead in China after a man drove a car into a crowd#is being covered up by the government#but that big sinophobia stuff is all stuff you expect#this littler instance of sinophobia is frustrating because it shows how normalized sinophobia is to the point it penetrates#these seemingly less important things#why should ‘people don’t deserve to be snubbed’ be a controversial take?? just because they’re Chinese???#also I am admittedly in a really poor mood#I think I fell into depression in October#and I finally kicked it a lot more than usual yesterday to do some cleaning and other productive stuff#but then I had the fight with my mom which made me feel like shit#we fought until the topic moved onto something less hurtful and explosive#but it genuinely made me explode for a while#and I haven’t exploded in some time because I try to avoid conflicts with my mom now and to keep her happy#but I’m the only one at home with her now so I have to put up with her attitude and temper#and I feel a lot of pressure overall from my family to ‘do well’ despite my interests being ‘less useful’#and my family still has other issues too that makes the pressure worse#I don’t even want to vent about my current personal issues anywhere (not with my friends or even my diary) because it’s that stressful#I genuinely don’t even want to think about it#I just kind of feel like I’m going insane
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cantdanceflynn · 20 days ago
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Every time I watch Pokemon movie reviews I just know which of my favorite movies are getting the recognition they deserve and which are getting SLAMMED lol
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vanessarama · 7 months ago
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New thing I started doing for fun since literally yesterday is iNaturalist and I’m kind of mad that I wasn’t already using it. It’s literally just “look at this weird/cool/cute creature/plant/mushroom I saw!! Wtf is it” and people telling you wtf it is. And since I garden, I ALWAYS want to know if bugs I see around my veggies or Friend or Foe
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creatediana · 7 months ago
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"Junho" - an exercise in willow charcoal done 4/22/2024 in about 20 minutes of Lee Junho from 2PM
#this month it will be a FULL decade since i started this blog. but we were just a few short days#of making it 10 years without my kpop obsession leaking onto this sideblog. i thought we'd make it#i thought we'd make it but we didn't#my drawing#junho#2024#2pm#lee junho#charcoal#willow charcoal#drawing exercise#i drew something else today but i'm saving it to post later#and i only wrote one poem today and it was crap. so here's an exercise#i like how most of the drawings i post to this blog are just beautiful men#it's overrepresented in my portfolio admittedly#im not exactly 'proud' of this but i do like posting my exercises now and then bc they are fun to look at#i find examining my rushed/practiced drawings to be a lot more helpful in spotting my own strengths and weaknesses#than finished drawings i put a lot of dedication in#with this one i can say that the nose is off-center and the skull doesn't go all the way around on the left#as much as it should. but since it's clearly not meant to be a fully 'good' drawing it's more forgivable#if i had slaved at this for four hours it would kill me to stare at that inaccuracy#also: this is yet another example of the 'diana likes to draw faces far more than clothes' style of portrait#it's not that i dislike drawing clothes but they are so much less fascinating to me#i could stare at faces forever. whereas fabric doesn't inspire me to craft every detail just so.#and it shouldn't. because fabric is far more forgiving than human anatomy anyway
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fogwitchoftheevermore · 1 year ago
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i am once again wishing i was good at analysis and not just Recounting What Happened when it comes to stuff that isn’t, like, things i’m reading in an academic setting because i genuinely have so many thoughts about life series impulse all the time and i would love to be able to Fucking Articulate Them into something that matters
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oh-meow-swirls · 1 year ago
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i love how great 3 is. that's. kind of a redundant sentence. whatever. 3's a masterpice and i love it. <3
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highkingpetermagnificent · 2 years ago
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you know what slaps? alliterative verse.
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astrxealis · 2 years ago
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my mind is a mess but wow. fuuta
#⋯ ꒰ა starry thoughts ໒꒱ *·˚#⋯ ꒰ა milgram ໒꒱ *·˚#love fuuta fr!#tbh yeah 2nd trial focuses less on his 'crime' and more on the whole morality bit of it. i think#by which i mean his perception of himself and milgram as well as his guilt#so interesting... wow#hes better than in the 1st mv (doesnt see himself as much of a hero anymore) but hes still. not taking responsibility#for his acts and all. i looked away for a second and forgot what i was writing about oh my god#hes so interesting i cant think anymore#i should chillax i think. getting too heated up (just by myself? hm) haha continuing fire related puns and shit#me listening to fuuta on repeat so true#i think its interesting to think abt which milgram characters i relate to most#and w/o a doubt there is. at least. haruka and fuuta#i can go on for hours talking about this but i don't feel like it rn oops!#sometimes i realize smth whenever i realize i relate to a character#id prolly say i 'kin' haruka and fuuta but sone characters i dont Vibe as much in a vibe way uh. yeah?#going thru enw and relating to every word meteion said and knowing that it is all about despair and...... yeah#relating to fandaniel and zenos. was such an experience and helped me realize I Have Not Been Okay For A Long Time#and even now. maybe. i still kin characters like them (fanda zenos akechi)#and getting into a media that is admittedly pretty dark (milgram) is so... interesting in various ways#on a lighter note im obsessed w fuutas voice
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fantasy-costco · 2 years ago
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for the post about telling a peasant about electing an irishman president i interpreted it as telling an english peasant from the specified time period the news which admittedly is still a bit weird to call someone from that time a peasant but it feels a bit less weird than saying it to an american person from that period
I did too initially but then why would an English person of no social standing care one way or the other about what some former colony does with its government like sir it's not your business get out of here
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pride-of-storm · 1 month ago
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lmao got birth control arm implant replaced this afternoon and like. on the one hand the numbness hasn't even fully worn off yet, but on the other hand the pressure bandage is Already driving me nuts. and there is some marvelous bruising starting to peek out the top of it too, so i know i definitely can't take it off yet but-- augh
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shirlai · 1 year ago
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I need to rethink my entire understanding of these two oh my gods
Some foreshadowing of FQ's precious friendship I missed before.
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This means them working together looks exactly like them about to strangle each other.
It also means it's indistinguishable to Xie Lian, who both knows them best but also doesn't know them at all. Which is a reoccurring theme in the book, someone who is the most intimate with someone still not really knowing them.
Anyway, this literally means every time they've been seen arguing by third parties, they could have not been arguing at all. Can you fucking imagine. Seeing them at a table looking like they're hissing and barking and the end product is "...okay so we're getting the chicken and the eggplant." "And the salad." "Right, the salad, too."
Fucking maniacs.
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