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msclaritea · 1 year ago

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"Movie lovers were supposed to breathe a sigh of relief last week when Warner Bros. Discovery announced the un-firing of Turner Classic Movies head programmer, Charles Tabesh. This move was in response to a deafening howl of outrage from a passionate community that, increasingly devoid of quality options at the multiplexes, cherishes the long-running cable channel as a vital outlet for intelligent, well-crafted adult fare from a time when cinema ruled the entertainment roost. It kinda did the trick. Knowing Tabesh, one of the most respected film programmers in the world, would still be around to complement beloved classics with the deepest of cinema cuts meant TCM wouldn't become the "Casablanca"-every-other-day channel.

WB Discovery also continued to hype the programming/curation input of Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson — which is a terrific PR win for embattled CEO David Zaslav but does little to move the needle outside of the industry. It's actually more heartening to know that creative oversight of TCM has shifted from Discovery veteran Kathleen Finch to Warner Bros. Pictures honchos Michael De Luca and Pamela Abdy. You'd much rather have the genuine film buff who greenlit "Seven," "Boogie Nights" and "Magnolia" co-leading TCM than a reality-show-driven exec who lists "90 Day Fiancé" as one of her proudest artistic achievements.

But De Luca and Abdy are movie people tasked with restoring Warner Bros. Pictures to its former glory by making movies. They don't have time to manage TCM, nor does the Spielberg/Scorsese/PTA triumvirate. So if this group is genuinely committed to the survival of the cable network, and venerating the studio's vast, varied library, they've got one screamingly obvious option that'll allow cinephiles the world over to exhale.

A wolf in a movie buff's clothing

Warner Bros

If Zaslav is the classic film fan he repeatedly claims to be, he should be familiar with the observation, "It's no trick to make a lot of money, if all you want to do is make a lot of money." This saying applies to saving money as well.

Zaslav, who inherited a debt-ridden WarnerMedia when the company merged with his thriving Discovery, is currently in slash-and-burn mode to please shareholders and, perhaps, make the studio flippable somewhere in the near-ish future. Per his company's own PR, he's personally due nine-figure compensation if he more than doubles the company's stock price. So he's doing the easy part first: firing as many people as possible, and selling off assets (like half of its music, film and television catalogue).

It's filthy business, but Zaslav has his Hamptons reputation to worry about. Still, as ruthless as he promised to be when he seized control of WarnerMedia, he assured movie lovers that he was one of us. He valued WB's history. He fell in love with movies as a regular, middle-class kid growing up in Brooklyn, and dreamed of running a studio. He works from Jack Warner's desk in his office, where TCM is always playing in the background. He spoke at last April's TCM Classic Film Festival (alongside Spielberg and PTA), and assured the audience the channel's future was secure.

Prioritizing vanity projects

Warner Bros.

His first greenlight after the merger was to blow the dust off of Hamptons lunch-buddy Nicholas Pileggi's "Wise Guys," a gangster project that had been kicking around the studios since the early 1970s; attaching Barry Levinson as director (who hasn't made a commercially successful film since 1997's "Wag the Dog") puzzled several industry insiders with whom I've spoken. It was old Hollywood chumminess that reeked of rich white-guy back-slapping, and this was before Zaslav erased Adil El Arbi and Bilall Fallah's already finished "Batgirl" movie. Shot on an apparent $50 million budget, the film is in post-production, and has a slated release date of February 2, 2024, although that could always change.

So when Zaslav cleaned house in June by firing five of TCM's top execs, while slashing the staff from somewhere around 90 to around 20, cinephiles were furious. You don't need an MBA to know that a personnel cut that deep is meant to hobble, not sustain. Zaslav didn't care; however, his Hamptons buddy, Steven Spielberg, didn't appreciate being used as a rubber stamp at the TCM Fest. A Zoom call was arranged, which resulted in an empty press release assuring viewers that the three aforementioned filmmakers would mind the short-staffed store. When absolutely no one bought this, Tabesh was reinstalled as head programmer.

Zaslav must make TCM whole again

Warner Bros

Though I'm amused that Zaslav has turned Tabesh into a rock star amongst movie lovers, he is but one man. Tabesh can't do what he's done so brilliantly alone. He needs a team steeped in every facet of film history to help him track down and license those obscure titles that nourish our desire for, ironically, discovery. Basically, he needs everyone Finch and Zaslav axed.

On a practical, strictly corporate level, this should not happen. TCM is currently only available on cable (streaming-wise, no one associated with the channel has anything to do with that embarrassingly shallow hub on Max), and cable is speeding toward total obsolescence. Its 70% profit margin is evidently meaningless to Warner Bros Discovery. If Zaslav hadn't so shamelessly dampened Spielberg's backside over the years, TCM could've easily been shuttered last year.

According to a recent Hollywood Reporter article by Kim Masters, Zaslav underestimated the widespread industry love for TCM (even Ryan Reynolds leaped into the fray). But what jumped out to me in that piece is that he was most miffed that outsiders "were telling him how to run his business," which is not the sentiment of a chastened man. Indeed, that he's still holding firm on the decimation of TCM's staff — which, to give you a sense of the petty scope of this brouhaha, was hastened by a $3 million cut in the channel's budget — suggests that he's still determined to win this battle. And if that's all he wants, TCM is living on borrowed time.

You bought it, you honor it

Warner Bros

What's his endgame? My most charitable read is that he'd like to have a boutique outlet that flaunts his prestigious industry connections, e.g. Scorsese presents "The Treasure of the Sierra Madre." This is where the directors he supposedly worships need, as gently as possible, to remind him that in acquiring WB, he became a steward of Hollywood history. Name-dropping a handful of black-and-white movies as evidence of his love for classic cinema won't get it done. Sitting at Jack Warner's desk is the emptiest of gestures if you're disinterested in sharing his studio's output with the public.

TCM is small potatoes financially, but, as a reflection of the company's dedication to the art that made it what it is today, it's invaluable. You re-staff, eat that $3 million, and declare the channel off-limits. You run it at a (presumably minuscule) loss if need be. If Zaslav does this one, culturally good thing, and once he pays his writers what they're worth, his legacy might not be a disaster in the long term (though I know the short term is where his CEO ilk lives). He also might actually earn the love he seeks from the directors he purports to adore (which will make it so much easier for De Luca and Abdy to lure Christopher Nolan back into the fold, not to mention build out the studio's stable of top-tier filmmakers).

This isn't easy in our fiercely risk-averse age. Because while it's no trick to make a lot of money, it takes vision and fearlessness to make a lot of good movies. It is, however, financially feasible to show a lot of great movies 24/7 on TCM.

Probably costs less than a summer of fine dining in the Hamptons — and, uh, which card are we using out there, David? Because that's an easy snip..."

Zaslav & Crew are deliberately killing 1000s of Hollywood jobs to hurt the economy and Zaslav gets rewarded with an Academy of Motion Pictures membership.

Academy officers[69]

President – Janet Yang

Vice president – Teri E. Dorman

Vice president / Secretary – Donna Gigliotti

Vice president – Lynette Howell Taylor

Vice president – Larry Karaszewski

Vice president / Treasurer – David Linde

Vice president – Isis Mussenden

Vice president – Kim Taylor-Coleman

Vice president – Wynn P. Thomas

Chief executive officer – Bill Kramer

Governors[69]

Actors Branch – Whoopi Goldberg, Marlee Matlin, Rita Wilson

Casting Directors Branch – Richard Hicks, Kim Taylor-Coleman, Debra Zane

Cinematographers Branch – Dion Beebe, Paul Cameron, Mandy Walker

Costume Designers Branch – Ruth E. Carter, Eduardo Castro, Isis Mussenden

Directors Branch – Susanne Bier, Ava DuVernay, Jason Reitman

Documentary Branch – Kate Amend, Chris Hegedus, Jean Tsien

Executives Branch – Pam Abdy, Donna Gigliotti, David Linde

Film Editors Branch – Nancy Richardson, Stephen E. Rivkin, Terilyn A. Shropshire

Makeup Artists and Hairstylists Branch – Howard Berger, Bill Corso, Linda Flowers

Marketing and Public Relations Branch – Megan Colligan, Laura Kim, Christina Kounelias

Music Branch – Lesley Barber, Charles Bernstein, Charles Fox

Producers Branch – Jason Blum, Lynette Howell Taylor, Jennifer Todd

Production Design Branch – Tom Duffield, Missy Parker, Wynn P. Thomas

Short Films and Feature Animation Branch – Bonnie Arnold, Jon Bloom, Marlon West

Sound Branch – Gary C. Bourgeois, Peter J. Devlin, Teri E. Dorman

Visual Effects Branch – Rob Bredow, Brooke Breton, Paul Debevec

Writers Branch – Larry Karaszewski, Howard A. Rodman, Eric Roth

Governors-at-large[29] (nominated by the President and elected by the board) – DeVon Franklin, Rodrigo García, Janet Yang

#Zaslav #Warner Bros Discovery #DC #Killing Hollywood Jobs #WGA #SAG AFRA #TCW #GQ #GQ Efitor Welch #Movie Contract #SFGATE #CNN #CONDE NAST #Advance Publications #Billionaire Newhouse Brothers #WB Stock Owners #Stock Manipulation

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sweetdreamsjeff · 3 years ago

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Jeff Buckley- The Courage, The Strength, The Grace.

Posted on March 30, 2014 by musicmusingsandsuch

FEATURE:Jeff Buckley:📷The Courage, The Strength, The Grace.___________________________________________________________________________His majestic voice and entrancing songs have inspired legions of modern-day artists; a truly remarkable and singular human being. I investigate the incredible legacy of one of the music world’s greatest ever lights.___________________________________________________________________________IT is hard to believe that Grace was released twenty years ago now…I shall go into more depth about its release (and the year 1994) later on, but I guess that is the wonder of enduring music- it seems fresh and current, so long after its release. For me, Jeff Buckley (or Scottie Moorhead to give his birth name) is a unimpeachable icon- and my all-time music idol. Buckley is the musician that resonates most in my heart; a human I relate to and understand. Although he died seventeen years ago (this year), I still think about him every day: strange given we never even met. Watching and listening to various interviews, I always sit and sigh; his voice is so mellifluous and calming, it is hard not to become seduced. The way he spoke about music; his idols and influences; what it meant to him- it is something you do not hear often in the modern climate. In a capricious music industry, tastes and trends change; ‘idols’ are almost disposable, and fickleness mandates critical minds. Buckley seemed like a pure drop of sound in the ocean: few musicians have ever seemed so genuinely in awe of music and what it can do to a human being. When trying to distil the essence of Buckley into a single thought or semblance, it is impossible- vast and layered is his influence. I guess my opening paragraph is dedicated to one core responsibility: to offer thanks to the man. Buckley was-and is- the reason I picked up a pen (to write my first song). As a man (whom experienced much heartache and setback) his tenacity and focus is an awe-inspiring tapestry that has guided me past some tough times. His voice gives me shivers, and compels me to bend, mould and nurture my own- in quest for perfection that will never be realised. As a human, Buckley remains a relatable and down-to-earth figure whom resonates hugely with many; as a voice and musician (in my mind) he is untouchable. Many have tried to mimic and match the legend (I will touch more on this later), yet none have equalled him, and with good reason: his originality and talent are his and his alone. I know there will be some reading this- if any are reading at all- whom are familiar with Buckley’s back catalogue; some whom are intimately enamoured of his every move- and some unaware of the U.S. icon’s glorious- if brief- career. I shall do my best to fill in any blanks; reignite something in those (whom may have a dusty copy of Grace in their C.D. collection); as well as pay tribute to one of the most important- and underrated- musicians of the past twenty-or-so years.In November, 1966, Jeff Buckley arrived into the world. Born to Mary Guibert and Tim Buckley in California, the star-in-waiting’s embryonic years were fraught with upheaval as well as musical influence. Tim Buckley- for those unaware of his name- was a key name in the music world during the 1960s and ’70s. His albums were paragons of Folk purity, free jazz experimentation- as well as Sex Funk sweat. Buckley senior’s voice was a multi-octave instrument of pure force; something that scored some remarkable songs and fascinating movements. He went on to make nine (studio) albums, and inspire a wave of enamoured and inspired musicians- each impressed by Buckley’s fierce talent and prolific output. Although the quality of Buckley’s albums varied, and in spite of the fractious relationship between him and his son, you cannot deny: fathering Jeff Buckley was his greatest triumph. Tim Buckley died (from a heroin overdose) in 1975 (aged 28; Jeff Buckley was an eight-year-old at the time), and abandoned Jeff when he was a child. The bond between Jeff and Tim Buckley was non-existent; our feature-ee did not consider Tim to

be his dad at all. The Buckley household was awash with various genres and styles of music- peaking our icon’s mind from a tender age. The family (Jeff, his mum and step-dad Ron Moorhead) moved between various towns in Orange County- it was a nomadic and dislocated upbringing. The one stable constant in Buckley’s childhood years was music; from U.K. acts such as Queen, Led Zeppelin and The Who, through to U.S. legends such as Nina Simone and Kiss. Physical Graffiti (by Led Zeppelin) was the first L.P. Buckley bought (and fell in love with), and amidst a turbulent and anxious period of his life, music offered a sanctuary and safe haven. Buckley attended music school, yet considered it a huge waste of time- his talent was a birth right, and could not be taught or improved upon. Buckley’s instincts and upbringing enforced his music ideologies and ambitions, and it was the sounds he grew up on- not the teachings of any academy or college- that moulded the star. Buckley’s climb to prominence had humble beginnings. In his teenage years, the American played in various different bands- performing gigs in a range of hotels, bars and locations. Dividing his time between L.A. and New York, Buckley was initiated to new and fresh sounds and forms of music- yet in terms of performing, started out as a backing singer. One of Buckley’s first public appearances was signing at a tribute concert to his father (in New York in 1991), yet it was not until a few months later things started to really click- and begin an extraordinary trajectory. Collaborating with Gary Lucas, the two worked on songs (which would feature on Grace) including Mojo Pin and Grace. No longer was our hero a loner; no more was he a backing singer- he was finding his feet in the spotlight and starting to set tongues wagging. Towards late-1991/early-1992 a transformative (and elemental) period of Buckley’s life began: performing around Lower Manhattan and East Village in New York. It was not huge venues and arenas that were being charmed, but small and intimate cafes and bars. I shall expand more on Buckley’s interpretive talents and the importance of Sin-é (a small Irish café in East Village), but that moment and that tiny café seemed like Buckley (perhaps first) natural home. Buckley himself has some particular views on his itinerant travelogue: “Moving to the East coast from California was the most extreme and successful self-rescue operation I’d ever implemented. Otherwise I was going to rot from the inside. It was do or die. I’ve always done music, been in bands, but at the time I was staring at the walls, with no hope and no confidence”. It was here (in New York) that his formative moments were consecrated and gilded; it was here that many had the fortune of witnessing a young man, at the start of a wonderful career. A lot of various components and elements went into shaping and moulding a truly extraordinary musician.I shall take you inside Sin-é shortly, but want to give you some lead-in. Buckley did not merely rock up to the café one day, ready-made and complete- his influences and music collection was a vital composite. I have touched upon some of the acts which peaked Buckley’s (young) mind- but it only tells part of the tale. When many think of Buckley, it is perhaps his voice that is the most synonymous facet. To me, anyway, I feel that this is our hero’s calling card. Buckley’s voice is something that he worked hard to foster, yet also influenced and shaped by his musical heroes. In many interviews, Edith Piaf and Nina Simone have been cited as major idols. As well as Led Zeppelin (and Robert Plant), the likes of Morrissey and Van Morrison featured highly in Buckley’s regards- helped to add additional colour and imperialism to his treasured pipes. Diverse artists such as Nusrat Fateh Ali Khan, Judy Garland, Bad Brains and Elton John were important too- the combination of all these disparate and wide-ranging musicians left their mark. When analysing Buckley’s voice in pure terms, it is hard to explain. There have been several artists (since his death) whom

have tried to evoke some of Buckley’s essence (I shall highlight this towards the end of the feature), yet in the early ’90s, Buckley gorgeous and rarefied tones were certainly not commonplace: few male vocalists had the same capacity or ability as our hero: He was a tenor capable of reaching a falsetto pitch. A tenor’s range in the bass clef spans middle C to high F. Jeff’s actual range was four octaves. A student from the University of Queensland studied Buckley’s voice; and came to the following conclusions: “Jeff Buckley was a light lyric tenor. His very different registers were blended marvellously. His chest, voice, and head voice were perfectly integrated. His falsetto was good, too, and his fluctuating between falsetto and head voice is something most singers are very jealous of. His tessitura (or comfortable singing range) was between E below middle C, which he often started verses on- (“Grace”, “Lover …”, “Last Goodbye”), and the notes D right above middle C and F# just above that- in most of his choruses. He also used his high A frequently. A typical lyric tenor tessitura. In other words, to the unacquainted, the same range as Pavarotti. Except, Jeff was very fond of the alto register, which he would exploit in falsetto, or coordinated head voice (a fuller, wailing type of voice). His lowest note was on a live version of “Dream Brother” (on the Australian Grace album pack- it must have been the weather!) and it was the second A below middle C — this is quite low for a high tenor voice. He loved to wail in head voice on the high E, which he did on half the songs on Grace, but mysteriously stopped doing them on Sketches. He could sing in an alto range quite effectively- check out “Strange Fruit” on the “Man in the Moon” session — breath-taking; or the Edith Piaf cover on Live at Sin-é”. Buckley never really mentioned his voice, and was always modest about its genius. As much as his idols helped to shade his tones, a natural ability and instinct made it what it was. Buckley explained by saying that “there is no ‘good’ singing, there’s only ‘present’ and ‘absent.’ That’s it—it’s the balls. Just the utter deathlessness, fearlessness… What really fuels your art is the courage to express yourself, and just, sometimes you get kicked in the nuts for it“. Before I open the doors of New York’s aforementioned Irish café, I want to mention Buckley’s song writing. In interviews- with self-deprecating humour- Buckley claimed he did not really know how to write songs- in a conventional manner. Often dreams and poems would influence songs and movements- our hero was not a fan of the traditional verse-chorus-verse structure. He was enamoured and impassioned by words; seeing song writing as a deeply personal thing. Buckley explained song writing, thus: “Your thought is your right, your art is your right. You are allowed to invent and explore your song. You are allowed to make it real through your concentration and hold onto your gift, man, and let go… I daydream thinking about great songwriters. I was brought up with all these different influences—Nina Simone, Nusrat Fateh Ali Khan, Patti Smith—people who showed me music should be free, should be penetrating, should carry you“. The original semblances Buckley was compiling around 1991/2 were filled with romantic declaration, and paeans to cherished love. The young man was experimenting and finding what he had to offer as a songwriter. Buckley had views when it came to ‘sensitive’ song writing, and expressing himself this way: “Sensitivity isn’t about being wimpy. It’s about being so painfully aware that a flea landing on a dog is like a sonic boom As Buckley was ready to bring his songs to East Village, everything was going t change for him; as he saw it: “Just feeling is a subversive act. Expressing it is rebellious“.I am not sure what Sin-é looks like today- or whether it has been re-named- yet in 1993 (when Buckley recorded the songs that appeared on his Live at Sin-é E.P.)it was an intimate, homely and charming venue- small bit filled with character. Buckley would often

help serve coffees and clean up tables (after and before gigs) and seemed comfortable and ensconced within its safe walls. Buckley felt naturally secure here (“I could never be tired of New York“), and it was at Sin-é that his firmest early steps were made. I will mention Buckley’s vocal range later, but if you listen to the Live at Sin-é (Deluxe Edition), it is a hugely impressive collection of songs, that highlight just how staggering his voice is. Tracks from the likes of Van Morrison and Bob Dylan were reinterpreted and redefined by Buckley: each was given a unique stamp of authority. As exciting as it was to hear original words from the young master, it was his huge interpretive talents that were wooing audiences the most. I have provided a couple of links (at the foot of the feature), that go to show just how good he was. Tracks such as Sweet Thing and I Shall Be Released became tender and hugely evocative tales: imbued with a falsetto vocal of purity and clarity. Each night he played, there was a new set list; songs played previously were given a different take, and one would never hear the same performance two nights in a row. Buckley had his own with regards to his music, and singing: “Music comes from a very primal, twisted place. When a person sings, their body, their mouth, their eyes, their words, their voice says all these unspeakable things that you really can’t explain but that mean something anyway. People are completely transformed when they sing; people look like that when they sing or when they make love. But it’s a weird thing—at the end of the night I feel strange, because I feel I’ve told everybody all my secrets”. Given the fact that Buckley was performing in a café, it was obviously a very small location: making the overall sound that more personal and intimate. Each night, the young hero would be on the (tiny) stage: just him and a guitar. I cannot do full justice to how great the performances and recordings from this time are- and I wish I could have been there. The way Buckley employed his guitar as an additional vocal element; changed chords and direction mid note: making each track as mesmeric as possible. Buckley himself said: “It’s all about supporting the voice—any real guitar player should know that. Rhythm and melody are the king and queen and it’s all to support the voice—ask Keith Richards, ask Robert Johnson“. Original numbers (which would appear on Grace) such as Lover, You Should’ve Come Over, Last Goodbye and Mojo Pin were being worked on and witnessed for the first time. It is a shame that more modern-day performers do not take the route Buckley did: playing live at homely and character-filled locations, rather than bigger venues. Buckley himself understood the importance of where he was playing (“I like low stage volume. I want the idea and the sound of the idea to intoxicate—not the voltage“). Very soon, the young American was about to get his big break. Record label executives would watch his performances, and it was the eyes and ears of Columbia Records whom would get the signature of Jeff Buckley.📷“Grace is what matters. In anything. Especially life, especially growth, tragedy, pain, love, death. About people, that’s what matters. That’s a quality I admire very greatly. It keeps you from reaching for the gun too quickly; it keeps you from destroying things too foolishly; it sort of keeps you alive and keeps you open for more understanding“. It was Buckley’s debut- and only- L.P., Grace, that contained a lot of these elements and considerations. Joining together with new band recruits Mick Grøndahl, Matt Johnson and Michael Tighe, the quartet laid down the movements that formed the basis of one of the greatest albums of all time. Retreating to the heat and striking landscape of Woodstock, the sounds and sensations of Grace took shape. As well as recommending you seek out the album and enjoy every moment, I would say it is well worth watching a promotional documentary about the album (the first link under Interviews). It was clear how much making music meant to Buckley,

and how important it was. With producer Andy Wallace, a masterpiece was unveiled. Tracks such as Mojo Pin were based around dreams and psychedelic images; the title track is an epic song dedicated to true love- both containing Buckley’s mix of powerful belt and transcendent falsetto lines. One thing that struck me about the album is the maturity and range of Buckley’s lyrics. The title track was filled with evocative images and pain-ridden sacrifice (“And the rain is falling and i believe/My time has come/It reminds me of the pain/I might leave/Leave behind“). Mojo Pin blending emotional romantic sways as well as striking and detached images: “Precious, precious silver and gold and pearls in oyster’s flesh/Drop down we two to serve and pray to love/Born again from the rhythm screaming down from heaven/Ageless, ageless/I’m there in your arms“. Our hero was turning scribbled notes and verses into hugely emotive and stunning songs. Last Goodbye– perhaps his most effective track- defines what made Buckley whom he is: an impressive lyricist with a voice that brings every word to life. As well as being one of his most direct and memorable vocal performances, it also contains some of his most emotional and racked utterances (“Kiss me/Please kiss me/But kiss me out of desire, babe, and not consolation“). I shall go more into the vocal displays that augmented each track, but Grace demonstrated what a confident and talented songwriter Buckley was. It was the shared kinship and tightness of the entire band that added the colour and weight, but the strength of the lyrics and music was evident. It was obvious that Buckley would include some cover versions, and the likes of Lilac Wine were included: a song that Buckley wished he had written, and adored. That particular song- which has been performed by the likes of Nina Simone- was transformed into something that Buckley made his own. It was perhaps the lyrics of that track that Buckley connected to, and vibed from. When it came to his own words, Buckley had opinions on what made (great lyrics): “The thing is that I also like to have lyrics that are inclusive, that give you space to be inside them, to put your experience on to them, so that they can move through other moments“. The ‘inclusive’ nature of lyrics is perhaps an elemental focus when one looks at Buckley’s interpretive skills. He clearly identified with songs such as Lilac Wine, and found ways of making these tracks his own. I shall get onto one particular number soon, but want to mention a few more tracks. Lover, You Should’ve Come Over (a track moulded and shaped during the Sin-é regency) was Buckley longest track, yet one that was rife with scenery, fascinating characters and above all, pure declaration. The opening lines brought the listener right into the song: “Looking out the door I see the rain fall upon the funeral mourners/Parading in a wake of sad relations as their shoes fill up with water“. As it progresses, we see our hero parading the floor; hungry for his lover, but regretful, too (“And much too blind to see the damage he’s done“). As our hero waits in the rain, lonely and pining, the final words are unveiled: “Sweet lover, you should’ve come over/Oh, love well I’m waiting for you/Lover, you should’ve come over/Cause it’s not too late“. Eternal Life is an angry song that rallies against corrupt forces and men behind desks and masks, whilst the swan song Dream Brother are filled with lyrics that could have double meaning (“Don’t be like the one who made me so old/Don’t be like the one who left behind his name“). Before I complete my survey of Buckley’s 1994 masterpiece, I have to mention one song: Hallelujah. Originally written by Leonard Cohen (on his album Various Positions) it was owned by Buckley. This is the song that bring many to the wonders of Jeff Buckley- depressing, considering all the terrific work he has left behind. I suppose it is unsurprising that so many are in awe of Buckley’s rendition- it remains one of the greatest vocal performance of all time. Of course it was Leonard Cohen’s

spellbinding words that provide the basis, yet Buckley gave the song a lease that the original did not contain. In a sense it was a perfect marriage: pair phenomenal words with a voice capable of bringing them fully into life. According to producer Andy Wallace, Buckley took many runs at the song. Versions ranged from hard and angry, through to ‘manly’ renditions: the young artist endless sought to hit that ‘perfect rendition’. The definitive take that we hear on Grace is the result of several takes sewn together: the result is one of the defining songs of the ’90s. I have mixed feelings about the success of Hallelujah. I am ashamed that so many reality stars and ‘YouTubers’ have covered it- they have watered down and eradicated its potency. Buckley’s version is the definitive version, and the song requires no further reinterpretation. It is a shame, but I suppose inevitable, given the potency of our hero’s voice. In a way, mind, I am glad as no one has even a modicum of Buckley��s talent: no subsequent version has got even remotely close to Buckley’s take. You can listen to it and come to your own opinions, but it remains the focal point of an album filled with huge confident, nuance, wonder and intention. The reaction to the L.P. was a bit slow-burning, and initial sales were pretty slow. It is one of these albums that arrived at a difficult time. Grunge was still present, and the likes of Britpop were beginning in the U.K. Grace seems somewhat alien when matched against these diffident genres, and it took many years for people to truly latch onto, and appreciate the album. The likes of the U.K. and France took the album more to heart than Buckley’s native fans, and a lot of post-Grace touring took place here. The album’s purpose what to highlight what a force Buckley was, and what a talent the young man had become. Many- in its wake- were keen to see the master in the live domain- witnessing the songs first-hand.Buckley spent much of the next year and a half touring internationally to promote Grace. From the album’s release, he played in numerous countries, from Australia, to the UK (Glastonbury and the 1995 Meltdown Festival). Following Buckley’s Peyote Radio Theater tour, the band began a European tour on August 23, 1994, starting with performances in the U.K. and Ireland. The tour continued in Scandinavia and, throughout September, numerous concerts in Germany were played. The tour ended on September 22 with a concert in Paris. A gig on September 24 in New York dovetailed on to the end of the European tour and Buckley and band spent the next month relaxing and rehearsing. A tour of Canada and the U.S. began on October 19, 1994 at CBGB’s. The tour was far-reaching with concerts held on both east and west coasts of the U.S., and a number of performances in central and southern states. The tour ended two months later on December 18 at Maxwell’s in New Jersey. After another month of rest and rehearsal, the band commenced a second European tour, this time mainly for promotion purposes. The band began the tour in Dublin; Buckley has remained particularly popular in Ireland. The short tour largely consisted of promotional work in London and Paris. Touring recommenced in April with dates across the U.S. and Canada. During this period Buckley and the band notably played Metro in Chicago. Buckley’s Mystery White Boy tour, playing concerts in both Sydney and Melbourne, Australia, lasted between August 28 and September 6 and recordings of these performances were compiled and released on the live album Mystery White Boy. Buckley was so well received during these concerts that his album Grace went gold in Australia, selling over 35,000 copies. Between the two Oceania tours Buckley and the band took a break from touring. It was clear that Buckley meant a lot to people, and the demand was huge and consistent. After the consistent rigours of touring- which saw the young star tour relentless pretty much until early-1997- Buckley was keen to take a break, as well as work on new material.“Relentless, endless joy peaking into tears,

resting in calmness, a simmering beauty. If you let yourself listen with the whole of yourself, you will have the pure feeling of flight while firmly rooted to the ground“. This was a quote from Buckley, and perhaps summarised how he felt about music, and what it meant to him. I guess some of its beauty had been lost in the mesh of touring commitments, so our hero was eager to reconnect with music’s wonder. Buckley said it himself: “I don’t write my music for Sony. I write it for the people who are screaming down the road crying to a full-blast stereo“. Buckley wanted to give something to the fans; explore new territory- and put as much new and original material onto tape as possible. Buckley became interested in recording at Easley McCain Recording in Memphis. He rented a shotgun house there, of which he was so fond he contacted the owner about the possibility of buying it. Throughout this period, February 12 to May 26, 1997, Buckley played at Barristers’, a bar located in Memphis, underneath a parking garage in an alley off of Jefferson Avenue. He played numerous times in order to work through the new material in a live atmosphere, at first with the band then solo as part of a Monday night residency. The new atmosphere and scenery compelled Buckley, whom spend time alone writing new material. Most of the time Buckley was in Memphis alone (whilst his band remained back in New York). Buckley would send tapes back to the band, whom would listen and digest- keen to meet up with their frontman. All of this activity would result in the (posthumous) recordings that would feature on Sketches for My Sweetheart the Drunk. Ultimately I will have to mention Buckley’s death, and it is all the more tragic, given that our young hero was in such inspired mood. Buckley was reconnecting with music, and saw it as a curative and healing process: “My music is like a lowdown dreamy bit of the psyche. It’s part quagmire and part structure. The quagmire is important for things to grow in“. Ensconced within a tiny house in Memphis, Buckley would commit rough sketches to four-track; seeing what he could come up with. Our hero was a perfectionist, and would often be unhappy with songs. Tracks were recorded and scrapped, as Buckley continued to chase his ideals of perfection. If you listen to Sketches for My Sweetheart the Drunk, you can hear some of the completed cuts- as well as the rough demos- and Buckley never intended them to be heard. Grace was a pivotal moment, yet Buckley wasn’t to create an album that was original and different- to break away from his previous sound. Tracks were taken into the studio and recorded with (producer) Tom Verlaine: yet Buckley was dissatisfied with them. Our hero parted ways with Verlaine, and called Andy Wallace up- keen to start from scratch and try to regain the energy and enthusiasm he had during the recording of Grace. Perhaps it was expectation and market pressure that got to him; or the strains and fatigue from touring, but Buckley was restless and constantly questioning himself. He suffered from Bipolar Affective Disorder which would have effected his creative process and put stress and pressure on his shoulders, and it seemed that a lot of the magic of music had been lost. In spite of everything, in May, 1997- as Buckley’s band mates were due to fly to Memphis to start recording new material- our hero was in good mood; excited by a new lease of life. Unfortunately, Buckley’s new enthusiasm was to turn to tragedy. On the evening of May 29, 1997, went swimming in Wolf River Harbour, a slack water channel of the Mississippi river, while wearing boots, all of his clothing, and singing the chorus of the song Whole Lotta Love by Led Zeppelin. Buckley had gone swimming there several times before. A roadie in Buckley’s band, Keith Foti, remained on shore. After moving a radio and guitar out of reach of the wake from a passing tugboat, Foti looked up to see that Buckley had vanished. Despite a determined rescue effort that night, Buckley remained missing. On June 4, two locals spotted his body in the Wolf

River near a riverboat, and he was brought to land. It is typical of Buckley that he went into the river- he was a romantic that was impulsive; yet it was a move that cost the music world a true great. I shall not go into more detail, but in my conclusion will state why Buckley’s death hit me hard. Just when our hero was on the precipice of a second L.P., he died- at the tender age of 30. Luckily, a lot of the studio versions and rough takes have been released (on Sketches for My Sweetheart the Drunk). The quality varies- not surprising as our hero was still working on the songs- yet there are clear glimpses of where Buckley was heading. The overall sound was harder and heavier, evident in tracks such as Nightmares by the Sea and Witches Rave’. Buckley wanted to move away from the pure ethereal aspect and beauty of Grace and inject some elementary grit and force. Amongst the harder numbers, soulful gems such as Everybody Here Wants You and Opened Once remained; trippy swirls like New Year’s Prayer were delightful, and- one of my favourite songs from this period- Vancouver showed how Buckley’s song writing has developed. It is perhaps ironic that the dozen or so ‘professionally-recorded’ tracks would have made a terrific album- yet Buckley was not satisfied enough to take that leap. That makes Buckley’s death even more potent: just how good would have Sketches for My Sweetheart the Drunk been? It is well worth seeking out the album, and hearing our hero’s intentions- and imagine what could have been.“The only way to really make it—anywhere—is to put every bit of your being into the thing that only you can provide. The only angle is the art that you choose, that only you can provide. And to do that, you have to be quiet for a long time and find out what you bring forth. You have to know what’s in yourself—all your eccentricities, all your banalities, the full flavor of your woe and your joy. What does it look like? What does it feel like? What makes it different from everybody else’s? It’s totally subjective. You’re just given the task of bringing it up“. Buckley’s words, music and beauty still resonates with many- nearly seventeen years after his death. Birthday celebrations and tribute concerts are held each year (in November), with fans and musicians remembering Buckley’s brilliance and legacy. Tribute concerts and events take place regularly, with new acts all keen to pay homage and keep his legacy alive. It seems that- even after his death- many cannot (and will not) forget what the man gave to the music world. In New York, an annual tribute concert is held, and I am sure that this will be taking place for decades to come. In spite of having a brief career, it is clear how much the music means- and how hard it resonates.When asked if he (Buckley) had any advice to new musicians starting out, he stated this: “I have no advice for anybody; except to, you know, be awake enough to see where you are at any given time, and how that is beautiful, and has poetry inside. Even places you hate“. To Buckley, music was the most important thing. He did not want to be remembered as a human (he did but it was secondary to the music); the songs and his musical memories were most important. Songwriting, to him, was a calling and something that defined his life. He said that “songs come out of poems, and sometimes poems come out of dreams“. The U.S. dreamer gave the world a hell of a lot of beauty, and changed the music world forever. Before I give my personal thoughts (and sum up), just think about the legacy he has left. As well as the live recordings, Grace and various other tracks, we have the interviews- both recorded and written- that inspired a wave of musicians and artists. Thom Yorke said that The Bends (by Radiohead) would not have sounded like it did- and have been as good- were it not for Buckley. Radiohead watched Buckley perform in 1994, and following a particular mesmeric performance, Yorke was overcome. He rushed to the studio, and without anyone else, laid down a vocal take (that actually is the album version we hear)

of Fake Plastic Trees. Such was the effect that Buckley’s music had; that it hit musicians and fans that hard. The softer and purer moments of The Bends was inspired directly by Buckley- that album, to me, is the greatest ever recorded. New and upcoming artists incorporate elements of Buckley’s voice and artistry, with musicians such as Matt Bellamy counting our hero to be amongst their all-time greatest icons. The greatest legacy the man can have, is for his music to be remembered and kept alive. If you have never heard any of his music; or have not visited it for a while, take the time to do so. I not writing it to be sad and to use this as a late obituary or eulogy; more to pay respects to a hugely inspirational figure. Because of Buckley, I picked up pen and paper and decided to write music. Listening to his voice reduced me to- and still does- goosebumps, and he is my music idol for so many reasons. As a human, he was down-to-earth, sensitive and beautiful. His speaking voice was a whispered and entrancing instrument, and the way he talked about music was infectious. Buckley was jocular and witty; upbeat and playful. He has a tragic and affected side; he was mysterious and alone, but as much as anything: he was Jeff Buckley. There was no fakery or sob story; no tinsel or scandal- it was just a young man trying to bring his music to as many people as possible. For me- being 30-years-old- feel more inspired by Buckley more than ever. By my age, the man had recorded everything we have heard from him, and covered so much ground. Being someone trapped inside a crappy life, in a place I do not want to be, I am always looking for the back door- to escape and be somewhere else. As a songwriter, I need to overcome nerves, financial poverty and depression (as well as procrastination) and make a move: whatever the outcome. The man compelled me to start writing music and to want to become a good a songwriter and singer as possible. Buckley was brave and bold; he moved between cities and took huge personal risks to make his music. For me, he defines what it is to be truly inspirational: do what you need to do, no matter what. I wish I could be more like him, as I hate myself for being trapped in a rut; for being in a stressful environment that I hate (more than I can say). Perhaps revisiting his music will spark an idea in my brain (I hope it does), but as much as anything I want to say thanks. Buckley is my hero and has made me into a better songwriter, and someone whom wants to follow dreams; and f*** ‘real life’ and all the boring stressy crap that comes with being ‘ordinary’. I guess you cannot ask for more from a human being: that is why I am writing this. Of course one cannot ignore Buckley’s voice, as it seems to be what he is more synonymous for. I am obsessed by the voice, and strive to reach to Buckley’s levels: knowing I perhaps never will. The year 1997 was so sad, because it was the year that a huge musical force was taken away. It was a senseless death, and I cannot do anything about it. It makes me sad thinking about it; how upsetting it must have been for his band (and family); what could have been. I guess it is not worth dwelling on the past, but celebrating what Buckley gave the world: the music, the influence and the beauty. He is someone we will never see the likes of again and was a true original. We are lucky for having him in the world, and his music and songs will remain long after we have all gone. As much as anything, listen to his music; hear the man talk in interviews, and don’t feel sad: feel compelled to change. If you are stuck in a rut, in misery; in a place you do not want to be; then get out- move on and be what you want to be. Buckley proved that lifer can be cruel and indiscriminate, and I guess it is pointless feeling regretful and trapped inside boxes you do not want to be in. I guarantee that, when you listen to his songs again (and again), it will compel change and something special: it has for me, indeed. I will leave you with some sagacious words, from the man himself (with regards to

his own music): “I try to make my music joyful—it makes me joyful—to feel the music soar through the body“. Wherever you are and whatever you are doing- just listen to his music. Do not do so for the sake of things or because it’s apropos: do it because it is joyful. After all…IT is what he would have wanted.___________________________________________________________________________📷Ten Essential Jeff Buckley Recordings:Calling You- Live at Sin-é (https://www.youtube.com/watch?v=EJk3RErKtmI)The Way Young Lovers Do- Live at Sin-é (https://www.youtube.com/watch?v=8kPUT_1d4dA)Grace- Grace (https://www.youtube.com/watch?v=eZSTTEoHVxo)Last Goodbye- Grace (https://www.youtube.com/watch?v=8II4oKMvudk)Hallelujah- Grace (https://www.youtube.com/watch?v=WIF4_Sm-rgQ)Everybody Here Wants You- Sketches for My Sweetheart the Drunk (https://www.youtube.com/watch?v=IQN_OmIboNo)Vancouver- Sketches for My Sweetheart the Drunk (https://www.youtube.com/watch?v=m0_pFAh6cbw)Satisfied Mind- Sketches for My Sweetheart the Drunk (https://www.youtube.com/watch?v=iCU3HXNGaAw)We All Fall in Love Sometimes- Live Radio Performance (https://www.youtube.com/watch?v=jYGZ4M-dXls)Dido’s Lament- Meltdown Festival, 1995 (https://www.youtube.com/watch?v=Y11AMsuh6Ls)Interviews:https://www.youtube.com/watch?v=gd_3IYzGfHkhttps://www.youtube.com/watch?v=Gip77qGXWT4https://www.youtube.com/watch?v=nFuWNMMP-twhttps://www.youtube.com/watch?v=t1nRrJ7QT9cFurther Reading:Officialhttp://www.jeffbuckley.com/pages/Twitterhttps://twitter.com/JeffBuckleyFacebookhttps://www.facebook.com/JeffBuckleyYouTubehttps://www.youtube.com/user/jeffbuckleyVEVO/videos

#Jeff Buckley #Jeff Buckley- The Courage #The Strength #The Grace #jeffbuckley

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processproductionsophielindsay · 4 years ago

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CHRISTO AND JEANNE CLAUDE

Wall of Oil Barrels - Rideau de Fer (The Iron Curtain) (1961-62)

https://doyle.com/auctions/13dd02-n-a/catalogue/133-christo-iron-curtain-wall-of-oil-barrels-color-offset-lithograph

Christo and Jeanne-Claude's first collaborations involved wrapping dozens of oil barrels with cloth and rope, and stacking them in layers across public spaces to partially or completely block access. Earlier iterations of this site-specific work on Rue Visconti in Paris included a version in the courtyard of Christo's studio, as well as 1961's Stacked Oil Barrels and Dockside Packages, both of which were installed for two weeks on the harbor in Cologne, Germany. Particularly in Wall of Oil Barrels, the artists expanded the scope and scale of the previous works, creating a larger and more impenetrable wall of both wrapped and unwrapped barrels that blockaded a section of a city street. Christo was propelled by the idea of spatially reconfiguring a specific outdoor location with a common, contextually misplaced object, a notion that would play a role in many of his future creations and collaborations with Jeanne-Claude. The piece used 89 barrels, and measured 13.2 feet wide, 2.7 feet deep, and 13.7 feet tall. It took eight hours to assemble. An expression of the artists' views on the disruptive nature of the Cold War and the Berlin Wall, which was then being built, Wall of Oil Barrels commented on the politics of space, freedom, and mobility under increasingly conservative and divisive governmental policies throughout Europe. Since they installed it without permission, Parisian authorities demanded that the piece be dismantled, but Jeanne-Claude could persuade them to allow the work to remain in place for several hours. This monumental work and its brief celebrity as a public nuisance helped Christo and Jeanne-Claude gain early notoriety in Paris. Oil barrels became an important medium for Christo in 1958. He had been using smaller, every day, affordable objects like beer cans, but the barrels started a significant shift towards larger works, while still adhering to a distinct type of sculptural form. Wall of Oil Barrels was Christo's first large-scale work, and marked the beginning of the collaborative, massively scaled, site-specific works for which he and Jeanne-Claude would become famous.

Wrapped Coast (1968-69)

http://www.panthalassa.org/wrapped-coast-by-christo-jeanne-claude/

Using one million square feet of erosion-control synthetic fabric, 35 miles of polypropylene rope, 25,000 fasteners, threaded studs, and clips, Jeanne-Claude and Christo wrapped 1.5 miles of rocky coast off Little Bay in Sydney, Australia to create Wrapped Coast in the late 1960s. This method of wrapping was something that Christo had experimented with previously, using smaller objects, but this monumental effort became the largest single artwork ever created surpassing Mount Rushmore. It remained wrapped for ten weeks, beginning October 28, 1969. The draping of the fabric over the coast helped to re-contextualize and de-familiarize a well-known natural setting, and revealed the essential form and shape of the coast as a discrete object. Passersby experienced a shift in their commonplace perspective of the landscape by having limitations - both visual and physical - imposed upon the viewing process. This selective imposition also brought about new and unexpected revelations about the coastline, particularly its formal and structural qualities as a cohesive object with a distinct shape, substance, and volume.

Valley Curtain (1975)

https://www.theartstory.org/artist/christo/artworks/

In the Spring of 1970, Christo and Jeanne-Claude began work on Valley, a 200,200 square foot section of orange, woven nylon fabric that stretched across an entire Colorado valley. The gigantic, crescent-shaped fabric was suspended on a steel cable and anchored to two mountain tops, between Grand Junction and Glenwood Springs in the Hogback Mountain Range. They tied it down with 27 ropes and spread across the valley at a maximum measurement of 1,250 feet wide and 365 feet high. Valley Curtain was a tremendous feat of engineering and coordination that experienced significant and expensive setbacks. Christo and his team first attempted to install the curtain on October 9, 1971, but a gust of wind caught the fabric and it flew away, ripping on the surrounding rocks and construction equipment. On August 19, 1972, it was at last erected successfully, but it remained intact for only 28 hours, until a wind at over 60 miles per hour threatened to tear through it once more. Workers dismantled the piece shortly thereafter. For the brief time that it was in place, the bright orange drape slung between the craggy mountains reinvigorated the valley's contours, highlighting its natural flow, rhythm, and volume. Like many of the duo's large-scale environmental works, it brought new perspective to a familiar landscape, and encouraged a refreshed appreciation of the natural world. The bold color of the fabric popped against the bright sky, the muted blue mountains in the distance, and the greenery covering the nearby hills. Few viewers could see it live in its short, 28-hour existence, which added to the work's sense of fragility, vulnerability, and urgency, while also stimulating an awareness of the emptiness that accompanied its eventual dismantling. The work was documented extensively in photographs: ultimately, the most prolific medium of earthworks, these types of works which are purposely subjected to environmental change, impermanence, and decay.

The Umbrellas (1984-91)

https://en.wikipedia.org/wiki/The_Umbrellas_(Christo_and_Jeanne-Claude)

This piece took place simultaneously in two different rural locations, one in Japan outside the city of Tokyo, and the other in California north of Los Angeles. The umbrellas were assembled in California and composed of fabric, aluminum, steel, wooden supports, bags, and molded base covers. Each umbrella was 19 feet high and 28 feet wide. 1,340 blue umbrellas were installed in Japan, a color chosen to evoke the rich vegetation and water resources of the area, and 1,760 yellow umbrellas were placed in California, reflecting the golden grass that covers the nearby grazing hills. In Japan, the umbrellas were placed closer together following the geometry of the rice fields, and they were spread further out in California, where vast expanses of agricultural land dominate much of the Central Valley. The usage of umbrellas in each location symbolizes the similarities, and the differences associated with the ways of life and the land usage in each area. They represented the varied availability and character of the land, and the temporary cycles of cultivation wrought by human industry. After years of preparation and planning, environmental studies, wind tests, and negotiations, the first steel bases went down December 1990. The exhibit was finally unveiled on October 9, 1991, and received about 3 million visitors. It became a huge tourist attraction and a popular site for picnics and weddings. The work quickly turned controversial, however, when one umbrella caught a strong wind and pinned a woman against a rock, ultimately killing her and injuring three others. The project was cited for removal and during the dismantling process, a Japanese worker was electrocuted when an umbrella he was holding hit an electrical wire. Some critics responded to these tragic accidents by taking umbrage with the egocentrism of Christo's spectacle-oriented, massively scaled visual productions, and subsequent projects became more difficult for the artists to find financial and governmental backing.

Christo's early education in Soviet Socialist Realism, and his experience fleeing his home as a refugee of political revolution, informed his career's many forays into real-world politics as a primary subject and source of his art making. His 35-year collaboration with the artist Jeanne-Claude, and the large-scale site-specific works they co-authored, stand out as his career's greatest achievements. Together, the duo created monumentally scaled sculptures and installations which often used the technique of draping or wrapping large portions of existent landscapes, buildings, and industrial objects with specially engineered fabric. Christo and Jeanne-Claude made works that stand out as some of the most grandiose, site-specific artworks ever. While they often insisted that the aesthetic properties of their art made up its primary value, reactions from audiences and critics worldwide have long recognized a broader commentary operating across their work, and themes ranging from environmental degradation, to the vexed history of the 20th century and the Cold War, to the perseverance of democratic and humanist ideals.

· Christo and Jeanne-Claude's interventions in the natural world and the built environment altered both the physical form and the visual experience of the sites, allowing viewers to perceive and understand the locations with a new appreciation of their formal, energetic, and volumetric qualities.

· The artists' choice to remain intermittently inside and outside the frameworks of legality lends much of their work a built-in aspect of dissent and resistance. It also expands upon and emboldens a long legacy of quasi-legality in art, where art exists in a realm somewhere between the "real" world and fantasy, and affords the art world with distinct privileges and restrictions.

· Christo and Jeanne-Claude often worked outside the gallery system, refusing to negotiate sales of drawings and commissions through an art dealer. In this respect, they took a definitive stance on the political and economic infrastructure of the global art market, and set a precedent for artists working outside the system who still cultivated an international level of success.

· Whereas Land Artists usually made a point of blurring the lines of distinction between the artwork itself and its natural setting and/or materials, Christo and Jeanne-Claude's art relied on developing a high contrast between the engineered, man-made elements and the site's organic characteristics. Their work therefore pushes the envelope of what makes up site-specific, large-scale installation art, and expands the genre discourse to incorporate controversial themes of industrialization, bureaucratization, and late capitalism.

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valenciadorman-blog · 5 years ago

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If you want to convert lossless Flac audio file to any other audio formats like MP3, here we advocate you a FREE FLAC to MP3 converter which permits you exchange FLAC information to MP3 information and keepquality loss to minimum. When you're a music enthusiastic fan, you may meet such form of drawback on learn how to convert FLAC to MP3 for flac zu mp3 converter youtube music gamers which may't support taking part in FLAC. Yet you don't have one effective resolution up to now. Then you definately just search for the solution online. Luckily, there're a number of kinds of strategies for you to select from. That is precisely what I want to introduce within the textual content below. Let's get right down to enterprise right now. At that time I used to be actively using both Apple Music and Spotify. Finally, I stopped utilizing Apple Music as a result of I did not need two companies, and I like Spotify's UI and proposals better. I ended my trial of Google Play Music and have not considered it since then, due to the terrible sound it produces by transcoding all the things to MP3 recordsdata. Fre:ac will convert your recordsdata to what it deems customary" quality, but should you hearken to music on good equipment and want to get as a lot high quality as you can out of your mp3s, you'll wish to fiddle with the encoding settings. The process starts with ripping or downloading music recordsdata on to either your Mac's inner arduous drive or an exterior drive, or designating a cloud site on your file storage (more on this in a minute). I store my music library on a 3TB Seagate exterior drive. Many individuals want to make use of an external drive as a result of loading up your main exhausting drive with music recordsdata can potentially slow your laptop's total efficiency, particularly while you get to the end of your drive's storage limits. Much less an album than a love letter to disco, Random Access Reminiscences won't ever be probably the most beloved of Daft Punk information - Get Fortunate apart (test it out in case you get the prospect, it is the sound of the summer season), there's nothing right here that gets its hooks into you like Around The World or One Extra Time. However due to the usage of authentic instruments and some of the most gifted session musicians (almost every sound on the album comes from a real" instrument) and collaborators in the sport, it's an beautiful body of labor. And it sounds wonderful: hardly ever has deep sub bass each sounded, effectively, so bassy, so actual and so gigantic as it does on RAM. There's a vast dynamic range here, so that is one huge current release that hasn't fallen victim to what horrified audiophiles refer to as the "loudness wars". In an try to boost her musical credibility, British swinging sixties icon Dusty Springfield decided to make an album of soul songs - and report it in a city endlessly related to the origins of soul and blues. The outcome was Dusty In Memphis, a file that did not make many waves when it was released however has since been recognised as among the finest releases of the Sixties - or any decade. The tracks are arranged and www.magicaudiotools.com recorded with a uncommon perfectionism (Springfield ended up re-recording all her vocals in New York because she was sad with the Memphis takes) and the songs hit a candy spot between soul and pop that suggests Dusty was way ahead of her time.Our online free sound and music converting instruments converts your audio information to the AAC file format. Both upload an audio or video file or enter a URL where the media file is situated at and conversion to the FLAC audio file format will commence conversion. Select MP3 as the the format you want to convert your FLAC file to. Stream internet radio to your telephone, tablet or network music player with the Raydio Android App. Supports wide range of audio file formats equivalent to AC3, AAC, MP3, FLAC, M4A, MKA, OGG, WAV, APE and many others.

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energydaiss-blog · 5 years ago

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The use of NDT Inspection Companies in the Oil and Gas Industry

The oil and gas trade includes a history of fatal accidents, with drilling trade having a mortality rate seven times more than for all USA employees. that's why the trade doesn’t compromise once it involves instrumentality standards and maintenance. It forever operates on demanding norms to make sure geographical point safety. numerous safety norms, procedures, and techniques were henceforward developed to guard employees against hurt and guarantee their safety. One such technique is Non-Destructive Testing (NDT).

Used as a descriptive term, NDT Inspection Companies used to look at materials and part in such some way that has material examination while not dynamic or destroying their utility. Such a method may be wont to establish and size the surface and subsurface flaws and defects.

Nondestructive testing (NDT) may be a wide cluster of research techniques utilized in science and technology trade to gauge the properties of a fabric, part or system while not inflicting harm. NDT is commonly used as a high-quality Assurance management tool, necessary to reassure the security and dependability of kit utilized in the oil and gas trade. Applications of NDT may be found in oil platforms, refineries, pipelines,

power stations, aeroplanes, area shuttles, motorcars, and so on. These are all inspected victimization NDT strategies.

Modern-day NDT strategies may be utilized in all stages of kit life, be it producing, fabrication or in-service. This ends up in product integrity and dependability yet because the management over producing processes to lower production prices, whereas maintaining the same quality level. the foremost often used check strategies in NDT ar Magnetic Particle Testing (MT), Liquid Penetrant Testing (PT), picture taking Testing (RT), inaudible Testing (UT), magnetism Testing (ET) and Visual Testing (VT).

NDT corporations in Oil and Gas trade: -

NDT International Inc – One among the leading NDT Inspection Companies and suppliers of inaudible pipeline scrutiny and information analysis around the globe, NDT international Iraqi National Congress may be a major NDT service supplier company. The firm provides varied solutions within the style of Pipeline Crack scrutiny, Pipeline Corrosion scrutiny, Pipeline Integrity Assessment, and so on.

Terex NDT Republic of India Pvt Ltd – US-based TesTex may be an international leader once it involves providing services of Electro-magnetic Non-Destructive Testing. Terex established its subsidiary in {india|India|Republic of Republic of India|Bharat|Asian country|Asian nation} as TesTex NDT India Pvt. Ltd. within the year 2001. It is one of the best NDT Inspection Comapnies.

Morgan Ward – Almost 5-decade previous sis round the globe, NDT Inspection Comapnies, Iraqi National Congress may be a major NDT service supplier company. The firm provides varied solutions within the style of Pipeline Crack scrutiny, Pipeline Corrosion scrutiny, Pipeline Integrity Assessment, and so on.

Advantage NDT Supplies Ltd – We cannot complete our list of NDT Inspection Comapnies without, Canada-based, Advantage NDT is another NDT Inspection Companies and is widely regarded for its NDT scrutiny services. based in 2008. The firm offers solutions like Ultrasonics, Hardness Testers, NDT Film Viewer, Remote Visual scrutiny and then on. The firm includes a huge catalogue of services that come back beneath NDT scrutiny.

Morgan Ward is wide familiar for its NDT services. The firm offers an intensive vary of NDT strategies and procedures for all types of industries. Morgan Ward has been approved by a variety of sources like CAA, FAA, NADCAP et al. for its services and therefore the quality they supply.

Conclusion

Various techniques are presently on the market within the market to notice flaws within the instrumentality used across the oil and gas trade. NDT Inspection Companies have, however, very stood apart once it involves accurately mensuration the defects in instrumentality and materials which regularly go unobserved through different tests. The above-named corporations are delivering satisfactory results, having a various portfolio of NDT techniques. It won’t be wrong to mention that the oil and gas trade can reap vast edges of deploying NDT services across all its operations.

#ndt

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dr-archeville · 7 years ago

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RPGaDay: Day 15

(Questions are here.)

Which RPG do you enjoy adapting the most?

Younger gamers might not realize this, but when WotC/Hasbro released Dungeons & Dragons 3rd Edition in 2000, it was a huge change in gaming. Here was a game where the vast majority of the rules (the d20 System) were available for free online (legally!), and they had a license system set up where anyone could publish compatible content for their game. Dozens of small press companies popped up to take advantage of this, publishing all manner of campaign settings and class & race guides and bestiaries and spell & equipment catalogues and et cetera, of varying degrees of quality. It really hleped breathe new life into the gaming industry (even if many of those small press companies folded after a few years), and I enjoyed seeing the wealth of stuff we were getting. And, some companies did make it long enough to go on to tweak things and make their own games/rules, like Green Ronin did with Mutants & Masterminds.

On a related note, speaking of superhero games, back in my late teens/early 20s I’d spend hours translating characters from TSR’s Marvel Super Heroes to Mayfair’s DC Heroes, and vice verse. Never really did that very much with any other superhero RPG system, though.

#RPGDay #RPGs #roleplaying games

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valiantruinssweets-blog · 6 years ago

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Nova Fashion Styles | Online Shopping site for Women, Men, Kids Fashion &; Lifestyle,womens clothing

There are numerous reasons why you should buy kid's clothing from an online clothing store. Online stores, especially in the niche of kid's clothing, offer varied selections and affordable prices-not to mention the fact that online shopping is extremely convenient. But your online kid's clothing shopping experience is only as good as the store you're dealing with. And unfortunately, not all online stores are created equal. Because of this, you need to know how to spot the best kid's clothing websites on the internet.

The best way to spot a good online store is by perusing reviews and comments. The fashion niche is popular online; hence, you will find a lot of sites devoted to kid's clothing. If you're thinking of buying clothes from a specific website, look for reviews first. Reviews will usually delve into the store's selection, although what you are considered with are comments on customer service, reliability, and product quality. clothing websites

A top children's clothing website should also be comprehensive-but not only in terms of kid's clothing products. The online medium is very vast and flexible, so look out for clothing websites that take advantage of this. While stores that merely has a catalogue of kid's clothing products should be good enough to handle your needs, a website that has a blog (with comprehensive entries on kid's clothing) and comprehensive information on children's fashion would serve you better.

The more internet-savvy individuals will probably ask: aren't blogs used for web traffic purposes? Why would it be a sign of a top children's clothing website? This is true, of course. However, a store that takes the time to offer useful information kid's clothing fashion through a blog or other means values the customer and his or her money too. It's easier to trust a store that aims to inform the customer regarding clothing basics and kid's clothing trends; this means the store wants the customer to buy the right clothes.

The store's customer service is a good gauge of quality as well. You wouldn't want to deal with an online store that does not provide the non-sales needs of the customer. Find out if the store responds to queries immediately. If they do not respond to questions as soon as possible, you can bet they will not answer your concerns after you buy one of their products. womens clothing

You may want to check the kid's clothing store's payment options-and their payment security guarantee. Online transactions are not as dangerous as you'd think, but there are some risks. Make sure the online store you chose can minimize these risks with advanced security measures.

Of course, a kid's clothing online store wouldn't be the best if it doesn't have the goods to back it up. The best clothing websites have comprehensive selections and varied choices. One of the advantages of online shopping is that you can buy products from several stores-and you wouldn't even have to get out of your house. But most of the time, you will want to be able to buy clothes from the same kid's clothing store. Buying from the same stores allows you to incorporate certain styles easily. Most importantly, by buying from the same store, you wouldn't have to worry about different sizes. Different stores have different size charts, after all. trendy online boutiques

Most women own a collection of firm favorites in their wardrobe that they wear with pretty much anything, but they will be more than willing to introduce a little chic into their closets anytime. Women clothing brands can certainly transform your look and are admired for their exquisite handcrafted textiles, their tailored details, decorative patterns, embellished jackets and signature styles.

Whether modern, retro, bold or demure, the top women clothing brands certainly give women the feel-good factor, and the next generation of designers are bringing out clothes which have a modern spin on traditional items from decades ago. online fashion store

Fashion's Trends which Show Off Success

Dolce & Gabbana were founded in 1985 by Domenico Dolco and Stefano Gabbana. This luxury Italian fashion house also delights with their trendy fashion accessories such as sunglasses, watches, perfumes and footwear. Many of the top celebrities are seen wearing the sultry styles from this leading fashion house. The likes of Madonna, Isabella Rossellini and Nicole Kidman love their range of clothing, and the pair also created costumes for Whitney Houson's 1999 tour.

Madonna herself has said that 'their clothes are sexy with a sense of humour - like me'. Women simply feel that the clothing range and accessories from Dolce & Gabanna give them a wonderful way to express certain aspects of their personality. Dolce & Gabbana is one of the top women clothing brands which have been described as appealing and unique and a range of clothing that you are never likely to become bored with. best online shopping

Trendy Clothes for every New Season

Zara was founded by Amancio Ortega and Rosalia Mera in 1975. As one of the top Spanish women clothing brands- and accessories retailer, their clothes are not only stylish and comfortable which is what every trend-loving woman wants, women the world over feel that their styles and colors are actually wearable by everyday women. This designer fashion house launches some 10,000 new designs each year, and Daniel Piette, Louis Vuitton fashion director, has even described Zara as 'possibly the most innovative and devastating retailer in the world.'

What women appreciate is that Zara doesn't just cater to a specific group of women, but to ordinary women the world over. Their gorgeous collection never goes out of fashion and can be anything from light and flirty to ladylike sophistication to heavy items in the vamp area. health and fitness accessories

Stylish Good Looking Clothes for Every Day

Guess, founded in 1981, is one of America's top women clothing brands and they also bring out a wide selection of beautiful accessories, jewelry and perfume for women. Brothers Paul and Maurice Marciano opened their first store in Beverly Hills. To make an impact, the brothers asked fashion mogul Paris Hilton to feature in Guess ads. Later they introduced their luxurious female line of clothing and accessories, named Marciano which includes runway-inspired styles which are pricey and found in some select Guess retail stores.

Today Guess is one of the top, popular women clothing brands, offering products of uncompromising quality. Guess is known for its exquisite denim range with jeans and jackets which come with lashings of lace and pearls and which no other fashion house can pull off. Opulent and ornate, Guess is all about adventurous, sexy, trendsetting clothes and accessories for women who want to celebrate good, stylish looks every day. Shop Online At Best Store

#womens clothing #online shopping sites #trendy online boutiques

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insurancefinus-blog · 7 years ago

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The Best Cheap Homeowners Insurance

Cheapest Homeowners Insurance Companies in Texas

owners have a selection of options to lower the cost of their coverage, irrespective of company. however sacrificing insurance and quality of provider will come to be costing you greater when disaster strikes. To find the satisfactory cheaphouse owners coverage, we vetted businesses for their monetary power, coverage alternatives, customer service, and opportunity for discounts. Our 3 favorites nail those necessities and individually excel in those categories. To locate your first-class (and your cheapest), we suggest getting prices from all three and comparing their policies. Amica has a well-earned recognition for great customer support and long history of meting out dividends (a percent of the groups income). It earned a 94/one hundred from patron reports readers and gained the J.D. power customer supportaward. Amica offers lots of opportunity for discounts, too — along with precise savings for paying on-line and closing a devoted purchaser. With Allstate, you’ll discover ample guides for know-how and purchasing homeowners insurance. in case you Google questions about homeowners insurance, it’s likely an Allstate article a good way to pop up with independent and complete facts. Stocked with gear that examine your local risks and infographics that smartly sum up everything you need to realize, Allstate stands out for its awesome online sources. It also boasts eleven discounts, with unique rate cuts for new customers in the course of their first years and for purchasing a policy earlier than your cutting-edge one expires. country Farm offers the most particular on-line quote technique, which catalogues capabilities like the percentage of carpet-protected floors and the breed of dog you have. it'll depart you assured inside the quote you’re given. It also has the strongest economic ratings of out top picks, indicating a sturdy probability the corporation can returned its policyholders in instances of disaster. How We observed the first-rate cheap owners insurance To set some expectations: We don’t propose choosing an insurance enterprise (of any type) on rate by myself. The pointof an coverage policy is that it’ll kick in whilst you’re all of sudden faced with excessive prices. and you won’t save time or cash if the company you’ve selected can’t absolutely fulfill your claim, fails to communicate in a timely manner, or has given you a outstanding-reasonably-priced policy that is too skinny to cowl your needs. We made sure our favoriteinsurers could meet our provider requirements, then tested their possibilities for fee cuts. each business enterprise we looked at hit the necessities we laid out in our evaluate of the fine owners insurance: national availability: considering the fact that many providers don’t provide coverage in each kingdom or have constrained eligibility necessities (including army affiliation), we tested best the biggest names in coverage. countrywidecompanies also tend to be better ready for predominant screw ups. Allstate, for example, has a country wide catastrophegroup — a fleet of cell claim centers so as to visit nearby communities to assist the ones affected. economic electricity: impartial organizations together with A.M. exceptional, fashionable & bad’s, and Moody’s offerscores at the economic electricity of insurance groups. these companies asses the potential of an coverage enterprise to stay solvent in time of fundamental disaster or in difficult economic instances. a very good score is confirmation that an insurer can lower back your claim when it topics most. Endorsements: We catalogued optionally available insurance additions which could fill gaps for your coverage or cater to specific disaster-susceptible regions. Earthquakes, for example, aren’t blanketed in a wellknown policy. however for the ones residing close to fault traces, an endorsement to be able to cowl ensuing damage is smart, and it is crucial to discover a employer that offers it. consumer delight: J.D. electricity’s annual US household coverage take a look at and customer reports’ consumer enjoysurvey measure communique, price pleasure, claims manner, and well timed reimbursement. From J.D. electricity, we required groups to have a score of three/five or higher, and as a minimum an 80/one hundred Reader rating from consumer reports. reductions: We additionally took into account the wide variety and form of discounts presented. Many groups provide you with a damage for taking sure safety measures, like installing deadbolts or a safety gadget. most will knock their expenses even decrease in case you don’t have a protracted claims history or if you sign on for vehicle-pay. Flood coverage is complex. popular homeowners policies normally don't cowl hurricane and weather-related flooding, and also you’ll must bothcomplement it with a employer that gives the endorsement or purchase it one at a time from the country wide Flood insurance application. We determined a handful of notable agencies that will be there for you whilst you need them. but in relation to their costs, any of our favorites may be the cheapest for you. maximum annual charges for homeowners insurance range from $six hundred to $2,000 ($50 to $a hundred and seventy month-to-month). those quotes vary due to the fact they’re stimulated by way of exceedingly private instances. Is your private home antique or new? Is it framed with brick or wood? Is it in a busy town or a rural vicinity? Is there a high threat of natural failures together with hurricanes, floods, or tornadoes? Are you bundling your policy with other sorts of coverage, together with car or lifestyles? the ones are only a few of the instances that could have an effect on your quote. What else affects your top rate? Of all the variables that have an effect on your top rate, the maximum important may be replacement price fee. This money owed for the quantity of money to completely rebuild or update your house inside the face of catastrophe. And the higher the replacement fee, the better your top class. This fee is critical — don’t underestimate it, even in case you’re trying to trim your coverage prices. That wide variety isn’t going to be similar to what you paid for your own home (it willaccount for appreciation), nor the market price (which accounts for the plot of land and location). It’s pleasant to hire an independent appraiser to get this wide variety right after which verify it with an appraiser from your coveragecorporation. in addition to the substitute cost fee, you’ll additionally want to gather all contemporary insurance history, catalogue your home’s creation information, and prioritize any additional insurance you may want earlier than purchasing around. From there, the best way to compare costs and find your most inexpensive is to get prices from the agencies that nail the fundamentals. Our selections for the first-class reasonably-priced owners coverage Amica: first-rate purchaser score Amica - homeowners insurance Amica is the most effective enterprise to earn all 5 strength circles from J.D. strength in each of the six survey classes: normal satisfaction, policy services, pricing, billing and payment, interaction, and claims. Amica is also the most effectivebusiness enterprise to receive the sort of excessive rating in charge, which means that you have the highest risk of being satisfied with the fee of your coverage plan. in addition, Amica acquired pinnacle marks in consumer pride from patronreports, with a Reader rating of 94/one hundred. That’s a fairly vast raise over kingdom Farm (82) and Allstate (80) and willprobably mean a extra painless method in the course of instances of turmoil. With 10 discounts in total, Amica is second to Allstate for maximum reductions. extensively unique are its paperless invoice and loyalty reductions, which save you work and cash (you won’t have to mail to your take a look at or shopround for brand spanking new companies). You do not ought to sweat missing out on fashionable discounts for safetyand protection, either — unlike Safeco, which fails to offer discounts for fire extinguishers, sprinklers, or hearth alarms. On pinnacle of conventional fee cuts, Amica offers a unique dividends policy. as it’s a mutual company, the policyholders (in preference to investors or stockholders) back the corporation. Amica policyholders may want to receive a dividend at the give up of the time period if the organisation does relatively well financially. This payback can be among 5-20% of your annual premium. One downside: premiums have a tendency to be barely better for mutual corporations. but amongdividends, reductions, and excessive purchaser scores, Amica is a clean frontrunner and probably your cheapest choice. Allstate: satisfactory for brand new house owners Allstate - home coverage Allstate sticks out for its comprehensive instructional tools and sizeable sources. It’s a wonderful place to start in case you’re new to the sport of homeownership, and it additionally earns its spot on our listing of cheap homeownerscoverage businesses through having the maximum discounts. With a sturdy guide packed with statistics approximately homeowners coverage it's not provider-precise, you can arm yourself with everything you need to realize as a newbie. you can even get a customised walkthrough of coverage-applicable stats in your unique address the usage of Allstate’s GoodHome device. The device uses Google street View to show domestic info like marketplace price, energy fees, and average restore charges of the most common dangers in thelocation (like fire or water harm). It also suggests suggestions for relieving expenses and deciding on insurance. whether you want a price break for bundling, setting up computerized premium payments, or securing your home with burglar alarms and fire extinguishers, Allstate offers a discount for it. in contrast to other providers, Allstate also has a “welcome” discount that lasts to your first years, plus a reduction for early consumers who join up earlier than their modern-day coverage expires. Allstate ranked inside the better 1/2 of all property owner insurers for client pride, extensively beating out national, Farmers, MetLife, and Safeco, although it would not fare as well as Amica and nation Farm. you could get a cheaper quote from Allstate, but customers have combined views as to whether they’re getting their cash’s well worth. Its 3/five scorefrom J.D. electricity and eighty from patron reviews imply that Allstate clients are less glad than Amica customers with coverage fee, interactions, and claims. If price absolutely is the maximum essential component to you, and Allstate offersyou the most inexpensive quote, brace for capability frustration — however understand that they’re dedicated to developing the high-quality online assets for his or her customers. state Farm: most personalized on-line Quote state Farm - homeowners coverage as the most famous coverage company with the highest percent of market percentage, kingdom Farm has excelled in patron retention for its reliable economic strength, truthful reductions, and accurate customer service. We required a robust economic outlook for all our pinnacle picks, however kingdom Farm stood out for receiving the very best possible ratings from A.M. great (A++), as well as pinnacle rankings from S&P (AA) and Moody’s (Aa1). these highscores are a demonstration and guarantee that the agency is willing and able to pay out its claims, even in catastrophesituations where many clients are submitting claims. coverage groups aren’t invincible; Even American worldwide group(AIG) wished authorities bailout all through the 2008 recession. around that time, Moody’s downgraded AIG’s rating to reflect a negative outlook. whilst many instances can influence the financial country of these businesses, their agencyscores are a valuable metric. with regards to saving for your investment, nation Farm on the whole offers reductions round specific preventative domestic additions: sprinklers, hearth extinguishers, and all kinds of alarms. further, you could acquire a discount for having a new utility machine and an authorized effect-resistant roof. With an 82/a hundred pride rating from purchaser reports and four power circles throughout the board from J.D. strength, nation Farm’s customer support trends higher than Allstate. state Farm scored satisfactory in their harmquantities and coverage offering categories, possibly due to the fact they have the maximum thorough on line quote method. You’ll need a binder full of details about your own home to get a quote — with statistics as specific because thevariety of corners in your house’s body. The quote manner includes a 360Value tool that allows you calculate the expected alternative fee of your property, entire with unique snap shots to help you decide whether or not your interiorshelves are “custom” or “widespread.” All this works together to provide you an internet quote that you can senseassured in. A guide to less expensive owners coverage in case you’ve still were given fee on your mind, there are some ways you could lower your charges without sacrificing your coverage. increase your deductible. through raising the amount you’ll pay out of pocket before your coverage kicks in, you’ll decrease your premiums(monthly/every year payments). you could shop as plenty as 25 percentage with the aid of elevating your deductible to $1,000. this can be a unstable choice, although, and must be taken into consideration carefully — it’s crucial that youdon’t boost your deductible so high that you may’t find the money for to pay it while some thing goes incorrect. in case you stay in a catastrophe-inclined vicinity or have hassle saving, keeping a low deductible and investing in protection on a monthly foundation is the more secure choice. Maximize discount possibilities and restrict liabilities. while you may’t manage the vicinity of your house, (and its herbal disaster dangers), you could manage a few differentcommon liabilities and precautions that qualify for reductions. corporations universally offer a reduction for containing a couple of rules with them. through bundling automobile, home, and lifestyles coverage, you can shop cash and preserveconsistency in dealing with claims and communications. in case you make any home improvements, you might be able to reduce your top rate — however best if you tell your insurer. earlier than investing in any renovations on your property, double-test what reductions are to be had. probabilities are you have already got the fundamentals down, such as deadbolts and smoke alarms. however your insurer may additionally lessen your price in case you pass the extra mile with carbon monoxide detectors and homeprotection systems (which are monitored). that also extends to enhancements that help shield in opposition to naturalfailures, like storm shutters and more potent home windows. in addition, you’ll need to keep tabs in your private assetsto ensure any extraordinary additions or subtractions are pondered. need to realize what makes your homeowners coverage employer draw back? Trampolines, swimming pools, and “risky” canine breeds including pit bulls. They’re all legal responsibility concerns, and liability issues make quotes go up. restrict your claims. cautiously take into account the claims you file for your house owners coverage, because it will improve the charge you pay going ahead. if you make numerous claims within a few years, you could be ran into a “excessive chance” categorywith a ability 20 percent boom in charges. Don’t ignore your credit score. maximum states allow insurers to factor to your credit score score while deciding what you’ll pay. The common sense? clients with excessive credit score ratings are much less likely to make claims, and the insurer will go back some of the ones anticipated savings inside the shape of lower fees