#but the fun of fandom is that you get to interpret things beyond the text

[15000bugs]

no bc in retrospect why did (and probably still does) the dr fandom have ZERO media literacy its insane. ive never seen that level of cognitive dissonance in any other fandom in my LIFE

[nikethestatue]

Maybe it's the wait for the next book or the peculiarities of this fandom, but it's baffling how people analyze these books and then say things like 'SJM changed her mind' and 'we don't have this person's POV!' and 'she is an unreliable narrator' and 'SJM changed the ships' and....well, it's endless.

As if...SJM is not in control of these books????

But what do you mean 'unreliable narrator' or 'we haven't had his / her POV'???

That's what the author herself wanted you to read. There is a reason for the 1st person narrative. That's ALL you are going to get. That's the POV that SJM chose for all of us and we aren't going to get everyone's POVs just because someone doesn't like Feyre, or whoever. We aren't getting deep thoughts by Tamlin. We aren't getting Lucein's musings. We haven't even gotten Rhysand's POV beyond the flashbacks and some of it in ACOFAS.

Everything that SJM wants us to know is IN THE BOOKS.

We do not need a PhD in Slavic fairy tales. Neither do we need a deep dive into Norse mythology. We don't need to have gone to Harvard or Oxford to understand the intricate complexities of SJM's books.

Everything that she wants us to know--all the hints and all the backgrounds are IN the books. And whatever isn't, means she hasn't written it yet, chose not to include it, or it's just OUR imagination at work. Yes, she puts Easter eggs into the narrative, but no one needs to re-read the books 15 times to catch them. The 2nd re-read should really give you all the information.

Furthermore, there is no 'interpretation'. This is the info, and we are meant to understand this info as it's presented--as in, no, Elain was not overcome with an orgasmic need for Lucien, and then sought out.......Azriel. She didn't care, knowing that her mate was sleeping upstairs. That's the text. That's what SJM wanted us to gather from the bonus. Elain doesn't care about Lucien. She cares about Azriel. It's not open for interpretation.

A bonus is an addition to the main material--it expands on the general narrative. The general narrative, for example, never implied that there is a romantic entanglement between Azriel and Gwyn. Therefore, SJM will not show something as important and detrimental as a mate bond snapping between two random characters in a BONUS!

Elain, who is barely present in Nesta's book, would not, for example, break her bond or discuss her bond with Lucien in Nesta's book. It's not because she is dragging her feet or she is in love with Lucien. It's because just like Nesta didn't consummate her relationship with Cassian in Feyre's books, Elain won't make the most important decisions of the story in Nesta's book.

I feel like everyone's lives would be so much easier if they just recognized the intent of what SJM was writing. Theories are fun and often interesting to read. But they should be based on some semblance of reality.

[bestworstcase]

Hi, just joined Tumblr earlier today as part of an unrelated thing, thought I'd check your page out on a friend's rec, and... wow. Just, wow. This is practically the nine-dimensional chess of media literacy. I would have so many question, but everything you discuss is promptly explained in such great detail that I can't even say that. One question remains, though: *how?* Where do you get the absurd amount information and brainpower required to connect the show's many, many dots at this high of a level? It's something I struggle with myself (though that may be due to there being over a year between watching V1-V8 and seriously starting to reflect on the show beyond "well, that was a fun sequence of events"—thank you, newish fanfic writing brain—but that's besides the point), and I was wondering if you had any tips for expanding one's thinking in this direction, as the show still means a *lot* to me—there's a reason, however unexplainable, that I stuck with it so long before the reflections started—and I'd love it if the deepest parts of my brain could reflect it as such.

...Unless that's too much to ask, in which case, whoops! Either way, thank you.

really fundamentally the most effective thing you can do to practice is make a deliberate effort to cultivate a sense of curiosity toward the text. and what i mean by that is, get in the habit of asking yourself questions as if you’re in a high school english lit class: what happened in this scene? why did this character say or do that? does this conversation remind you of anything that happened in an earlier scene, and if so, what’s similar? what’s different? what did you learn about the characters from this scene? what did you learn about the world they live in? why do you think this scene was important enough to be in the story? what changed in this scene (something will always have changed)?

it may feel a bit patronizing at first BUT over time if you’re consistent about it, doing this will train you to approach reading or watching as an active participant. analytical interpretation is a skill and like any skill it takes sustained effort and practice.

after that it’s sort of just pattern recognition. this is true of all stories but it’s especially true of theme-driven stories like rwby because they tend to be very deliberate about repeating and refracting their ideas and often develop rich symbolic vocabularies. so you identify a pattern and then examine the text until you can develop a compelling argument for what it means.

one thing to keep in mind if you’re generally familiar with fandom is that fandom encourages a lot of practices that are cool and fun in fannish contexts but will poison analysis because they are (by nature of being transformative) untethered from the text. headcanon, for example, is things held to be true irrespective of the text—one could have as a headcanon that ruby is allergic to bee stings or that qrow is her father or whatever and it doesn’t matter that there’s no textual evidence or that the text says otherwise because the text is not relevant—but analytically, you must be able to back every part of your argument with textual evidence. so it is useful to practice compartmentalizing to keep headcanon strictly separated from the text in your mind.

(that’s also a practice i recommend in general because being able to say “i like this idea and i have it in mind when i create fanworks, but it isn’t canonical” is healthy)

a good habit to get into is arguing against yourself and holding yourself to a high standard of proof. the reason my argumentation tends to be so thorough is that i try to be as skeptical of my own theories as i am of other people’s. if i have an idea that seems right but doesn’t withstand textual scrutiny, i discard it. (or i might toss it into the headcanon/au idea pile, if i’m very fond of it.) i will often develop more than one argument about a given subject and then lay them all against the text before i commit to one. being skeptical will push you to pay closer attention.

cultivate curiosity about your own emotional reactions, too. what did this scene make you feel? why? how do you feel about this or that character? what draws you to your favorite characters? what distances you from the characters you don’t like? what ideas come to mind when you think about the story and what it means to you? if you have a strong reaction to something—good or bad—try to trace that feeling to its root. what sparked it and why?

once you start digging into that you’ll find that your intuitive reactions to the story are non-arbitrary—you’re subconsciously picking up on certain patterns or themes that resonate with you. so paying attention to what the story makes you feel and asking how and why it incites those feelings will guide you to conscious discovery of things you’ve already noticed without noticing.

and another good point of entry is to look for recurring symbols / imagery—for example, silver-eyes get associated with death and reincarnation through a combination of harvest/reaper imagery (scythe, sickle, ‘the grimm reaper’) and butterflies (ruby’s first glare resembles wings, butterflies everywhere when she and maria discuss her eyes, butterflies symbolizing ascension in the ever after). adding this pattern together with the white light in the liminal void between realms (the threshold of life and death!), the implication that silver-eyes came from ozma (who dies and reincarnates cyclically), the stated purpose of the glare (to preserve and protect life), ruby hearing pyrrha’s final words in her dreams (which she didn’t hear in reality), and the glare having destroyed the hand cinder used to kill pyrrha, is how i got to “silver-eyes are psychopomps,” because both the symbolism and the narrative facts about the power line up in that direction.

the one thing to be careful with in relation to symbolism is not to treat it like a secret code! symbolic meaning isn’t universal so you should always consider symbolism in context with the narrative. the first question should always be “what idea does this image appear in connection to, when it appears?” i.e. the burning rose in rwby symbolizes mourning. think of symbols as more like trail markers that the narrative has placed to help you understand the story by connecting dots. we see the burning rose on summer’s grave and then we see it on ruby; she carries her mother’s absence with her. she gives the brooch away in the ever after right after the blacksmith shows her a glimpse of summer, and then in the storm her reflection is summer but ruby doesn’t look, doesn’t see: she’s avoiding her grief, trying to pretend it isn’t there. and then the brooch returns to her once she faces what the blacksmith wanted to show her about her mom: now it’s a symbol for acceptance of loss.

and with a story like rwby that uses allusion to develop its thematic narrative it’s really helpful to read the texts it alludes to! the core narrative allusions are the marvelous land of oz, maiden in tower fairytales (petrosinella, persinette, rapunzel), cinderella, and the little prince, plus alice’s adventures in wonderland & through the looking glass for the ever after. and then every major character has a specific character allusion. both kinds of allusion are symbolic/thematic (you can’t use allusions to predict specific plot events but they help tie together emotional arcs and character relationships cohesively, and the narrative allusions are pretty good weather vanes for very broad-strokes things like ozma’s symbolic blindness being ‘healed’ in the end).

rewatching the show a couple of times will also help, especially if you take notes. i’m not sure how many times i’ve rewatched v1-8 but it’s a lot and i’ve watched v9 in full twice, plus rewatching a lot of specific episodes or scenes for reference. rewatching will help you spot patterns that you missed before and increase your familiarity with the text in general, both of which help tremendously.

[bellshazes]

I was going to reply on your post about C vs CC distinction but I couldn't, so I hope you don't mind me asking here - my brain wasn't cooperating today so I was struggling to read it and comprehend it properly as written. But does it basically boil down to the fact that it's difficult to create a distinction between what's considered "character" vs "creator" in the digital medium Minecraft offers for storytelling? That there's no real way to draw a distinction between "this PERSON did this in the game" and "this CHARACTER did this in the story's world" because it's told on a platform and in a way that makes it hard to find a non-fuzzy divide, and that we shouldn't necessarily try to find that line anyway? Basically that - when it's so hard to define canon when "canon" is influenced by the person both on and beyond the screen, and interactions between "characters" are often colored by the creators behind them, and when the story being told is never really fully concrete anyway, it's just...better and, honestly, more fun to just enjoy the nondefinable art form for what it is? Because if that's what you're saying, I wholeheartedly agree. ^^

When the story's medium is a sandbox game, it's much more fun to interpret canon and its connected fanon as a sandbox too, something malleable and formable and explorable in a flexible way that doesn't rely on defined boundaries to be enjoyed. It's sand. You can make a solid sandcastle for a while, but eventually the water that packed it together dries and the wind blows and things shift again, because that's what sand does. Just - let sand be sand. :3

(And if I've totally misinterpreted then I apologize, it's been a long day and like I said, my brain's not cooperating hah.)

~ Pixie

I definitely didn't get back to my original point in that rambling reblog, so I think you've gotten what I was trying for up until the idea that the SMP Thing is nondefinable. I really struggle articulating this all the time and people often do take it the way you have, so it's a failure of explanation on my part...

It's not resolvable into a single truth, but currently the dominanf response to that is to throw the baby out with the bathwater and say if there is no canon, everything is equally true no matter what the text says, because the text is as (un)real and unknowable as my own imagination. I comprehend that this is very fun and believe this approach has absolutely no moral valence. often this evolves into annoying (imo!) fandom standards that become quasi-canonical due to sheer popularity in the group sandbox but whatever.

However my patented peter bellshazes perfect world involve not this kind of overwriting being a dominant fandom mode, but people taking the lack of One Single Master Story all other pieces fit into as a joyous invitation to pick apart all the threads on their own and how they relate without forcing them into anything and seeing them more clearly. It's to me like the difference between trying to force jigsaw puzzle pieces to fit that are from different boxes and - I don't know, like a complex 3D sculpture that is one object but portrays different images at every angle its viewed from. And people discovering that instead of taking photographs to find the One True Angle in 2D, walking around to examine the previously unstudied backside.

that's abstract but in practice it means like... idk treating it more like a vivisection. I love taking different perspectives apart as standalones, and also interrelating them, but finding joy and spaces to explore and discuss and feel through in those individual examinations, and not forcing them to make sense in some master truth. It makes me appreciate different approaches to the medium more, how tone and technique contribute beyond C!Cubito Is This Trait or whatever. I like it when people articulate if we think about THIS event and how it was shown in THIS way (in terms of acting/performance, editing, cuts made or not made, ) then the story is like this and what's in the gaps or what if it extended or what would it have looked like if different choices were made from a craft perspective or how does that contrast with or contextualizes a different series or scenario. throwing nothing out but never looking for a grand unified theory of truth.

Again no moral valence but i just feel like maybe if I can articulate my brand of fandom joy people might want to give it a try! and I genuinely appreciate people who care enough to try and parse what the hell I'm getting at bc it's almost always only when I try and answer questions that I feel like I get better at explaining what I was trying to say, so!

[uten4]

The readings thing is like a basic principle of media analysis I should have internalized back in high school English class but I feel like it would do me good to look into it more now that it's fuzzier lol ^_^'

For starters, it certainly seems that not everyone agrees on the guidelines for how far you can read into a text. From "Introduction to Strategies for Conducting Literary Research":

Umberto Eco stated that literature allows for a range of interpretations but some are better than others. Their disagreements center on the freedom of the reader. Should the reader be able to make any meaning whatsoever from a text? Does the text resist interpretation and insist on being read on its own terms? What constrains the reader’s freedom to interpret? Do constraints arise from the author, from within the text itself, from within the reader, or from within the culture?

But still, the basic principle is still there, and it's good to think about. My main ways of approaching media analysis where I'm extracting implications are (1) trying to figure out what the author's intent was, and (2) trying to figure out what facts and implications exist in the text regardless of what the author may have intended.

I do genuinely find that super fun and rewarding. I love being an investigator or treasure hunter searching for the ""Truth,"" even if I can generally acknowledge that other people have other ways they'd prefer to see things.

But if I have an idea about a text which is not necessarily strongly or unambiguously supported by it, I usually say something like, "Well, I'm just going to believe that _." Now I see and have more clearly in the forefront of my mind that maybe I can say, "My reading of this is _" or "My interpretation of this line is _."

But I think my brain goes totally off the rails when the idea I have about the text which is not very very strongly supported by it is, "This character is gay." Especially male characters. There's a sense of embarrassment to me in making such claims unless I have proof from the text that it is the most sensible interpretation. And there's a sense of vindication in being able to say "This is what the author intended and here's why."

I guess I have this tendency because I've always seen soooo many examples online of people getting extremely angry or self-righteous in response to gay interpretations of characters... even when it's not even really an interpretation because it is extremely obvious. Plus I really don't want to be seen as the stereotype of a delusional queer or delusional fangirl. I want to have all of the most airtight evidence for it, especially for male characters (I think claiming a male character is gay would be more likely to incite doubt or scorn towards me specifically. Not that I don't hate the idea of being seen as a crazy and cringey sapphic too 😖).

So when things are ambiguous to me-- when it's neither exactly a simple headcanon nor a Fact that I feel confident I can Prove-- I go insane.

Even if it's a work like Tower of Go/d that I don't really like anymore and that I don't plan to engage with the fandom on! I go over the lines and panels in my head obsessively to see if I could be wrong or where I'm wrong, and I feel irritated that the awesome way that I think the story could be isn't the way everyone else is forced to see it. I have to be the weirdo. Though I know I have a LOT of company on reading Khu/n as gay, I still feel like the weirdo if I can't justify it beyond reasonable doubt, if I can't prove to myself that this is what the author wants to convey above everything.

But I don't have to feel like this. There is not a singular truth for everything, and readers are free to have their own perspectives on what the story is saying. And you know, I actually don't think SI/U is under any obligation to validate me on this. He has, accident or not, provided plenty of grounds for this interpretation, while still maintaining the possibility of the alternate interpretation that Khu/n is extremely obsessive and possessive in a platonic way. Imo, it is obvious from the story (at least up to where I've read) that SI/U does not hate the interpretation of Khu/n as gay. So it's not even like I'm doing something upsetting to the author or diametrically opposed to what he would want. I have to be brave and just interpret the text the way that I think would be awesome. I have to exist within the ambiguity. Cue the Dune monologue. No one has to agree with me, and I'm not saying it's objective facts, but I read Khu/n as gay because I think it would make sense and would be very sweet and awesome. And now maybe I can rest.

[96percentdone]

I've been ruminating on fandom lately. Criticizing fandom at all will get you barraged by very defensive fans who will accuse you of hating fun, not understanding creative expression, and being an art snob, and I am about to go a LOT harder than most of the posts I've been exposed to, so in an attempt to preemptively curb that indignance: I like fandom. I have written fanfics, and theory posts, and meta, and I've reblogged countless fanart. A lot of what I engage with or have made meets the standards I'm about to critique, and I understand completely that for many, fandom is a hobby. People would like to escape from the struggles in their lives. They find comfort in the media they love, so they immerse themselves it. It can be hard to make anything in this capitalist hellscape, so if you've achieved something at all, it's a miracle. I get it. I really do. I'm not an art snob; I think it's fine if things aren't that deep, and they're primarily wish-fulfillment. I have some grievances with the critics too, and they'll come up. This post isn't about you specifically; it's bigger. Fandom content suffers a lack of substance because of superficial engagement with the source material.

Many fandom critical posts on this website bring up shipping culture as the reason everything is samey and uninteresting, often referencing ao3 in specific. I sympathize with these posts, I also find shipping prominence can be fairly tedious when you want to read ANYTHING else, but why is it when complain about fandom, we point the finger at fic? Why do we use shorthands like "he would not fucking say that," and drop ao3 tagging conventions, and mention fanfic websites? Have y'all LOOKED at the fan art you reblog? A lot of it is just posing and kissing. If you wanted to analyze it for any further meaning, I don't think you'd get very far. I am not positioning fanfiction as superior; as everyone points out, a lot of it is repetitive and derivative, but let's not pretend that this is a fanfic exclusive issue. We can take it further out! Look at the absolute state of meta. Most analysis is done in service of promoting a headcanon or a ship if it isn't just a theory wildly speculating an explanation for an unresolved or ambiguous plot point. We're gonna include those guys who make power scaling rankings, filling out the wiki, etc too. They're fans! Everyone agrees those people aren't engaging with the text in a deeper way, but that doesn't make them NOT fans. It is the way their appreciation manifests the clearest! We're all fans; we are doing the same thing in just a different form.

Most of what gets popularized I all these spaces is based on a strictly literal understanding of the work; it's about plot events and how characters relate to it and one another, and the meaning people get out of it—from shipping to theorizing to memes to tierlists—never goes beyond that level. If people don't know how to look for themes, to interpret symbolism and examine the construction of a work to see how it contributes to how the whole is operating to affect them, because their education on how to do it sucked shit, then obviously they won't. But I don't think that's enough to explain the heart of the problem.

Critics will bring up the fandom wash cycle, an analogy for how way fandom will spend more time engaged with itself than the source material, and perpetuate its own tropes and fixations ad nauseum. This is true in any fanspace you can spend your time in, including those "who would win" bros. I hear this, and I think of social media, the place most of fandom lives now. People making original work often talk about how their stuff never gets any attention compared to fandom stuff; the biggest fandoms are sprawling franchises with corporate entities behind them. Social media algorithms promote what is already popular, what will generate the most clicks, so you stay online and make their corporate overlords more money. It is the depth of human experience streamlined into easily digestible chunks.

You're spent because life is hard and the world sucks and the only relief you can find is in the media you love. You don't want to expend a lot of energy today, so you'll consume or create ship centered content, or fan theories, or memes and gifs. You'll wonder who would win in a fight. Even without social media, people feed their own algorithms, because the system is designed to encourage it. Fandom is part of a larger whole.

If fandom will ever be more than what it is, you have to be willing to put in the work to fix it. Criticism won't cut it. As the saying goes, be the change you want to see in the world. Create what you want to see, use what you make to teach what might be lacking, seek out more of the things that look like what you want fandom to be (I assure you it exists), not just what you already know. Fandom is perpetuated by fans. Being a fan doesn't make you predisposed to creating cyclical, watered-down content. Every fan has a rich internal life with a whole host of experiences that should inform both how they make their works and how they read it to begin with, because they're people.

People are far too diverse to be defined by an algorithm; maybe with enough effort, we can write a new one.

[jonsnowunemploymentera]

Me seeing the ask game: *cracks knuckles* Let's go.

I hope you don't mind answering all of these 😅.

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Have a nice day!

I won’t answer all of them haha. I had no time to write that much plus I wanted to actually give hOt TaKeS.

8 common fandom opinion that everyone is wrong about

I’ll start of by saying that I’m not one who wants to police other people’s interpretations of the text. BUT I will say this: Jon is not a below average swordsman! He’s not even average. He may not have many on page feats, but he’s only been in less than a handful of serious fights and they were against middle aged men with decades of experience over him. People like to bring up his loss to Mance, but this fight was against a man who managed to unite the wildling tribes under his rule; Mance is a highly skilled warrior.

Remember, Jon is 15-16 years old when most of these fights are happening. So he’s still young and growing. People will also say “oh, but Jaime Lannister was a god at that age”. Honestly, who cares? How many characters are comparable to Jaime at any age? It’s such a dumb comparison. I’ve even seen people argue that a 13 year old Peck is better than Jon and huh? Jon hasn’t won over any knights….because he’s not encountering them in the first place.

It’s clear that GRRM holds Jon’s skill in high regard. I mean the first Jon POV chapter established him as a noted swordsman. It also clear that Jon isn’t meant to be the warrior type. He’s a deconstruction of the archetypal fantasy protagonist. GRRM has chosen to build his political skills, so he’s not putting much of a focus on how well he swings his sword. That doesn’t mean though that he doesn’t have any skill at all. Just that it’s not the main focus of his character. But I think this fandom generally has the most wretched discourse when it comes to this stuff. Like people on Reddit this past week tried to argue that Brienne is overrated…Brienne, of all people. It’s just insane to me that people think they know more than the guy who wrote the damn books.

13 worst blorboficiation

Has got to be Kevan Lannister. Not so much on tumblr, but it’s a disease in some of the other communities. For whatever reason, he’s quite beloved. And this is rather strange because he is very much complicit in the corrupt Lannister regime. And as far as we know, he’s also fully supported Tywin in everything (which includes legitimate war crimes). He has his moments where he is shown to actually care for family members (e.g., Lancel, Tyrion), and that makes him a delightfully complex character. He’s also really funny. But we shouldn’t ignore his really bad traits. I’ve had to suffer a bunch of “Kevan Lannister is the best guy ever” posts on Reddit, and it’s absolutely maddening. That’s not to say that we can’t like “bad” people! Heck, Cersei is one of my faves. But it’s weird how certain characters get a pass for doing problematic things (e.g., Kevan or even Bobby B), and other characters get lambasted for the most tame things imaginable. It’s just the hypocrisy that’s annoying.

16 you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

Powerscaling lol. It can be fun, but the people who engage in these discussions can be so tedious and boring. Tiktok and Reddit are full of this. “Who is the greatest fighter”, “who is the best warrior”, “this is why prime Robert low diffs Barristan Selmy”, and it’s the same old arguments every time. I think we should get more creative with powerscaling if we have to do it. Like “who has the best 🛌 skills”. Let’s at least argue over something fun, damn.

22 your favorite part of canon that everyone else ignores

This is going to be twofold:

- On tumblr? Easily Jon’s relationship with magic. In fact, people on here will go out of their way to argue that it’s actually not important to the plot, which is absolutely bonkers. Beyond warging, there’s a lot of weird magical stuff going on with Jon that should be put under the microscope. And I’d even argue that Jon’s a pretty special warg and cannot be compared to the other Stark kids (even Bran) because of how his powers manifest. Ghost is also obviously one of the most special animal familiars in the series (maybe even THE most special one), but no one ever talks about how special he is. A lot of people seem to believe that Jon will be KiTN, but it’s insane how we don’t talk about why it’s magically important for him to rule the North, considering his deep connections to Northern mysticism, religion, and lore.

- Elsewhere: the parallels between Jon and Bran. They’re essentially the same character base split into two (Seoman Snowlack, Frodo, King Arthur, Paul and Leto Atreides, Odin, etc). Both arcs parallel each other and are heading to the same destination, but the details will be different. This is getting to my last point, but I firmly believe we’re getting an ending with both King Jon and King Bran. I like to think of them as two competing but complementary sides of King Arthur’s tale. Jon is the one that is true to legend, as he follows the archetypal hidden prince-to-king trope. Jon is essentially “what if Arthur actually went on his hero’s/knightly quest?”Bran is the subverted one, where young Arthur gets a little detour; so “what if Arthur didn’t go on the hero’s/knightly quest but instead had to take up a job as a part time wizard?” Both will end up kings, just as Arthur did, but it will be different versions of the legend.

- Also: WTF is up with the Watch/Wall? What magic was used to build the Wall and who built it? Why can’t dragons cross? And why can’t wights cross either? What magic dictates that? What’s up with the Nightfort? Why does one only need to say part of the vows to open the gate? And what’s up with the NW vows? Why do they give Lightbringer vibes?! Is the NW Lightbringer? The NW is directly credited with the ending of the Long Night so was the last hero a member of the original group? Who was he? What happened to him after? If the last hero inspired AA then did the NW (and their vows) inspire tales of his flaming sword? And why did the relationship between the Watch and the CoF fizzle out? When did it fizzle out? And who are the LCs whose tenures have not been recorded? Why did they only start recording in the 600s (iirc)? What other history has been lost over time? Who was the Night King? Where did his half-human children go? Need that old man to answer these stat

25 common fandom complaint that you're sick of hearing

Several people will block me for this…but King Bran. Look, I get that Bran isn’t the most popular character out there. But so many people convinced themselves that he would die in that cave or he would amount to nothing which is very, very strange. And it also doesn’t help that a lot of the complaints reek of ableism.

GRRM obviously considers Bran to be central to this series. He is the first viewpoint character (and potentially the last one). He is the most magical character in the story. The scene that birthed ASOIAF came about because of Bran. It’s also said that GRRM considered writing the books through Bran’s POV but decided against it pretty quickly.

Anyone who paid attention to Bran’s story would know that we’re going to get some huge payoff to his story. In fact, I think it’s safer to assume that kingship has always been in the cards for him. I think most of us Bran stans thought he’d be KiTN (actually some of us over at Westeros.org thought he’d end up as the final Lord of Harrenhal). I never once considered King of all Westeros but I’ve had time to think about it ever since the show ended and I’m like, “duh!”. It’s thematically relevant and sound for Bran to end up king. We’re about to enter into a winter apocalypse but Bran’s direwolf is called Summer. Not only is he the representation of summer (which means renewal, rejuvenation, etc.), but he’s also fashioned after the Fisher King. He is also the second coming of Brandon the Builder - who constructed castles all over Westeros, not just the North; and if legends are true, this happened after the Long Night. He’s following after the footsteps of the Last Hero, and is the only other character apart from Jon who is actually fighting in the front lines against the Others. He’s going to be super important!

I can understand some of the questions people having regarding King Bran, mainly those of a political nature. But we’re left with two books. And two books is plenty to move the necessary pieces for Bran’s crowning. Hell, did people expect that Dany would be Queen of Meereen as they started reading ASOS? Most didn’t. A lot can happen in two books. A lot can happen in a singular book. GRRM has enough time to set up a scenario on which Bran is the only one left to rule.

I personally think that the apocalypse will essentially destroy Westeros as we know it, leading to the creation of a new kingdom(s). D&D botched the GoT ending so people have a hard time seeing the thematic weight of a boy who represents summer rising to kingship, but the books lay enough groundwork imo. And I think ACOK shows us that Bran, despite his age, would make a wise ruler. So I’m all for King Bran. Not only is it thematically sound, but I love the idea of a disabled kid rising to power at the end since we don’t see that in a lot of fantasy.

[davekat-sucks]

After reading your recent posts about wanting to distance yourself from homestuck eventually makes me feel bad too send asks because it means more homestuck is being streamlined to you

About a year ago i dropped homestuck after losing interest once again (this happens on and off) and only got into it recently because i currently can't really play video games at the moment so i ended up returning to homestuck. I think a big reason why i can get back into it so easily is because its FREE all you need is an internet connection and you get the massive amount of content from the comic and fandom, there's just soo much too engaged with even if it's not all good. Despite all my problems with Homestuck i still do like it but one thing i wish is What Pumpkin would just let it go, HS2 and Hiveswap are dumpster fires. It feels like they're milking a dead cow, this series would be better off if the poor decision making stopped at the comic itself. I just want it to be left untouched by a company and have it be supported by the love of the fanbase. I'm homestucked out but i like the character enough and shipping them as well will probably keep me hooked for awhile.

I guess I'll throw in what i was originally going too say anyway. I think homestuck took a massive drop in writing quality after murderstuck. Like why is everyone just standing on the meteor? You guys aren't going to get more serious after all that? Was there any reason as to why no one could've texted John or Jade while separated? I genuinely don't remember there being a reason. I thought Kanaya coming back to life was stupid, the Gamzee and Terezi thing gross, Rose being an alcoholic then drunk making out with Kanaya also being gross, Karkat and Dave being bystanding asshole during all this, Wayward Vagabond being practically a stuffed animal, like what is this? After murderstuck you could definitely feel the decline but there where some decent moments spread out afterwards with Caliborn being the main one stealing the show. I think Hussie really liked Caliborn, you can tell he had so much fun writing him. I like to believe Hussie went wild with Caliborn because he could get away with all the edgy stupid stuff with him because he's a villain, Hussie had obviously gave into the demands of the fans and i think even he got tired of it, Caliborn was the perfect blank slate for him to have some real freedom in writing again, Caliborns character is really in line with Hussies older sense of humor. Despite still giving into demands every other time, Caliborn got too be want Hussie actually wanted. Oooh Caliborn how you almost saved Homestuck, at least you get to be the best character in the end.

It's fine to still send asks about Homestuck here. Moving on doesn't happen overnight and I'm often sticking around more to speak out about the flaws. From the series itself, the fandom, or the current culture that surrounds it. It can be applied to other groups like those who like anime, comics, video games, etc. Homestuck is just one niche I focus on because I'm familiar with it. There are many other people online that talk about these similar topics that do it better than I ever could. But I agree that WhatPumpkin should just let the base webcomic end just there. No need to focus more on Epilogues, Homestuck^2, or Homestuck Beyond Canon. Let people interpret their own endings. Homestuck may not have been able to leave a mark in media history like what Undertale or FNAF did, but it's better to let it end there as it is. The story really felt going down after Murderstuck. Cascade was probably the only greatest thing left behind. Then Act 6 kicked in. There are many plot holes and questions to be raised about it. From things like why can't Dave/Rose or the other living trolls on the meteor use Trollian or any of their communication devices like they had before? There's nothing said about their travel to the Alpha Session will block communication between the two parties. I hate how Dave and Karkat stood on the sidelines as Rose/Kanaya and Gamzee/Terezi go through hell with their problems. Why wasn't Wayward Vagabond doing more to try and communicate with the others? Can Town and being a mayor is his dream, but we have seen him become a leader of his own to his own people. WV had communicate with John to act as his Exile, so why not the same with Dave, Rose, and the other living trolls? Where was he when the others went into the Dream Bubbles? Carapacians are not allowed there? Is still on the meteor to 'protect' the base? Was that the only time they left him alone like he was some housepet? Wouldn't it be better to have Wayward Vagabond that's now revived, stay on the Prospitian ship that John and Jade were on so that they could be with Dave and Rose? Wayward Vagabond would have a better time to try and get all the Carapacians to be ready when they arrived in the Alpha session. Where were the Carapacians by Post Retcon and Collide? By Post Retcon, the ones on the Prospitian ship and those with Roxy should be alive by then. Casey also was there to summon undead consorts during Jake vs The Felt fight. Wouldn't that mean the other consorts were still there Prospitian ship that John and Jade were on, could have joined the battle? There are too many plot holes and vague answers still around because of Act 6 and Post Retcon that it makes people question the quality and how the story was leading up to this. I do believe as well that Caliborn was the only way for Hussie to let himself use his old edgey humor. Dave and Dirk were there, but those two had their character development and he needed another being to stand in his place. Other characters that fit would have been dead and he had to come with some bullshit reason to bring them back. So it's better to make an original OC than to reuse another character. Caliborn really was the best as he really made lots of changeups and excitement to the series. If not only in narrative standpoint, but also in meta in the sense that he was able to change the website readers would be on. You had to be there with old flash to see him banging on the console that the link and panel you were trying to read, shook with every hit and everything gets scrambled and falling apart. Calliope hasn't done anything like that despite that we are suppose to root for her as the good guy that will join the heroes. Caliborn is just that amazing. Act 6 may have been carried by people like Dirk and Roxy, but Caliborn flexed it up high like Atlas did with the World.

[attorneys-against-court-violence]

The ship thing is a strange subject for me. I don't ship it personally, though I don't care if someone else does. But the hatred people show for the ship goes way too far. And the recent emergence of people getting very pushy about a sibling interpretation being the ONLY interpretation feels like passive-aggressive alienation of romantic shipping. This isn't the only ship or fandom I've noticed this with, in other fandoms I'm in, they started pushing "father-son" readings on my otp & I hate it.

Suppose no one quite enjoys having their headcanons misinterpreted by people who just don't "get it" like they do. Not entirely innocent of this mind. I am a hopelessly biased man, though a bit of self-awareness wouldn't go amiss when discussing the matter.

It's an odd duck for me as well, being someone who's generally approached the subject as an indulgent bit of fun and not much beyond that. I tend to find more enjoyment in picking apart the actual text - how it's executed, what can be gleaned from that, and why it would lead myself and other people to think of it the way that we do. Fanon doesn't factor into that much so it tends to be more disposable fun for me compared to canon.

I just feel like people could stand to be a little less zealous over this sort of thing. You might have your reasons but I wouldn't call it an excuse for being mean-spirited about it.

[tadpolesonalgae]

i'll never understand people that don't like the ic but still read fanfic about them or even acotar in general? the books revolve around them, how did you even finish the series? especially because they usually feel the need to pull the "they're actually not great people" card like yeah everyone read the book, literally everyone in acotar did fucked up things. and i get that those would make you not like them but i don't understand still reading fanfic about it when you clearly don't like the characters and it is annoying to have to keep reading comments like this like if you don't like azriel and the ic why are you reading about it and trying to make the people enjoying it feel bad for liking it? idk it rubs me the wrong way because it really feels like the only reason to comment on it is to make people feel bad for liking something you don't. i've had to deal with this in a lot of fandoms and it's something that always made me feel weird because i don't like a lot of characters or books but i'll never understand the need to come tell people that clearly do like it how much you hate it. what response do you even expect from that? im sorry you don't like the character that i do? im sure i don't like characters that you like as well and that's fine, we're both living our lives (there are exceptions obviously like some characters really do beyond fucked up shit and some books/shows are just fucked up in general but the ic sits pretty in the middle of the morally grey area)

i'm probably exaggerating a bit (acotar is just a casual fandom for me believe it or not after this whole thing) but if i spent so much time writing about a character or a book and someone just came in talking about how they don't like the characters i'd feel a bit discouraged and i hope you don't, fanfic writers literally carry fandoms on their backs for free and don't deserve this

also if you post this and that anon reads this, i'm sorry if this was not your intention, i kind of used the ask as an example because i've seen a rise of this kind of thing in this fandom (and some other ones actually) and it just feels dumb to me. the ask didn't even really say they hated them so it does make me feel a bit bad to use it as an example but still wanted to say this because it really just feels mean to me most times

‘i'm probably exaggerating a bit (acotar is just a casual fandom for me believe it or not after this whole thing)’

I don’t think it depends on how invested you are in this fandom since your point is still valid regardless of what book/TV series you’re into? It’s applicable to multiple situations, not just acotar.

Irrelevant of what sort of show or series you’re into, if you like it, you like it, and it’s usually a little upsetting when people talk badly about stuff you feel strongly about?

‘and someone just came in talking about how they don't like the characters i'd feel a bit discouraged and i hope you don't’

Personally, since it was in regards to CBMTHY, I assume that they’re only upset/frustrated with the IC because of how they’ve been written in that fic? I don’t interpret it as anyone directly attacking me, because they’re expressing their own opinions (as you’re doing, too) and sometimes I’ll agree; sometimes I won’t, but it’s not a personal thing?

I love reading everyone’s thoughts and opinions regarding acotar in general because there are so many different views? Some people really hate Nesta (who I love), other people like Amren (who I really, really dislike, but oh well, I can put that aside for writing purposes), so it’s just fun to listen and dissect all these viewpoints!

‘also if you post this and that anon reads this, i'm sorry if this was not your intention,’

‘the ask didn't even really say they hated them so it does make me feel a bit bad to use it as an example’

(Thank you for putting this part at the end to clarify your own tone/intention since it’s sometimes difficult to understand through text :) )

[hanszoe]

do you fluently speak Japanese? How has your knowledge on the language impact how you perceive the aot story? I feel that a lot of people who are only English speaks or don’t read translations lack context when it comes to characters, esp Hansi

hi, thank you for the ask!

i am not fluent whatsoever, that's actually why i haven't read the manga in full. i had a lot of exposure growing up so grammar and sentence structure is intuitive to me, but my knowledge of kanji is near nonexistent and i don't know much technical vocabulary, which is difficult with something like snk that has a lot of it. when reading/translating i use https://ejje.weblio.jp/ for example sentences to get a feeling of how a word is used and https://www.weblio.jp/ to check precise definitions of words. snk is great for me because all canon text has furigana that spells out the reading of words, i'd probably have a lot less patience for it if there were no furigana lol

as for perception, i have to give maybe a surprising answer and say that i don't really think any japanese fan interpretation is unique to japan; for example het ships with hansi specifically levihan is the most popular in japan and led to all of their feminization and fanservice in the anime adaptation

for fun here's the worldwide search popularity of levihan vs the ship name written in japanese (which doesn't change noticeably when limited to japan)

and the west is much more tolerant of queerness, for example i read a japanese fan response recently to the line "levi and erwin married" from this news article about the attack on titan musical saying that the press is so free in the west. the recent response to hansi being depicted in male obi is also related, as this is hansi violating a very strict gender rule that doesn't really have a comparison for those viewed as female sexed in the west anymore.

so i wouldn't exactly say japanese comprehension is correlated with narrative comprehension, i think the only difference is some mistranslations or language/culture misinterpretations don't exist in japanese fandom. words can still be interpreted in many different ways even if you're reading the source, and narrative analysis i think exists beyond language

but if one was looking for an exhaustive understanding of the text including how isayama himself may have seen it, i do think that japanese comprehension is necessary since he uses words really intentionally, the same phrasing comes up a lot of the time in ways that may have been translated differently in each case by the english translator. i actually do see this a lot, people trying to draw linguistic similarities across parts of a translation as if they were intentional where whatever was said is written differently in original language.

the one thing on hansi i would say is pretty much impossible to communicate in english is actually the issue of their pronouns and use of gendered grammar. isayama requested gender neutral pronouns be used for hansi in english, but because people addressing hansi in the text can see them, the use of "they" would be a refutation of their status as either gender and absolutely would not happen without inconsistency or establishment. whereas in japanese isayama is able to never gender them, which i think would have been his preference if it were possible in other languages.

hansi also speaks quite masculinely a lot of the time, but people viewed as female can still speak like that. i think actually a larger contributor to this is how others address them, especially men around them, mima masafumi who is the sound director for the anime and in my opinion absolutely essential to hansi's adapted voice since romi doesn't quite get it when he's not there told her to voice hansi as "unisex" based on them being called omae by others lol. so there is an element there about how hansi speaks and is perceived that i would say unfortunately does require japanese comprehension

[presskmewleroux]

I'm just gonna rant because the ACOTAR fandom annoys the shit out of me and nothing is gonna change until SJM releases the next book and they stop being bored (although I bet they'll still be annoying because what they want to happen, won't ever happen)

I genuinely don't know if anti-cassian/nesta/nessian people didn't actually read the book or they went into it having seen other anti posts before so they went into it already having preconceived negative thoughts. Or they lack reading comprehension skills and can't understand the tone in which things are being said/done. Or they're just simply overly critical for no real reason other than the fact they had thoughts on how these books were supposed to go and are upset with SJM's direction, in which case I would say: ok then stop reading this story.

I genuinely don't think anything Cassian did or said was bad, especially in the way some people make it out to be. He said some hurtful things? Yes, sure. He also IMMEDIATELY apologized. Is that not healthy? He said things in anger, Nesta said things in anger. It is literally stated in these books how much she used words to hurt him, though it was to protect herself and push him away.

It's not like he punched her in the face and called her a waste of space, that everything would be better if she had died (bringing up Rowan and Aelin from TOG because I literally never see anyone hate on him after he did that the way I see people hate on Cassian for saying two (T W O) mean things to Nesta throughout the entire series.

"Oh but he didn't say or think that he loved her." This is how I KNOW they're not reading or are just being stupid on purpose. It is literally a literary technique to SHOW NOT TELL. I've said this before: it is better to end a scene with a kiss after one party's love confession rather than end it with the 2nd party verbally reciprocating. If you read all these ACOTAR books, you should know Cassian loves Nesta.

And don't bring that BS of "he only wants a mate." They all want mates! It's a blessing in their culture. He had suspected they were mates when they met while she was still human. Did he push it on her? No! It had been 2 years of them knowing/meeting each other before the events of ACOSF.

Don't even get me started on the people saying he's abusive lmao like WHAT!? Also saw someone say this and used Azriel as "proof" when he asked if someone pushed Nesta down the stairs, which was LITERALLY said with "amusement." Meaning Azriel was joking, he wasn't serious. This is why I don't think these people understand tonality and lack media literacy. This is 1 of the many examples of you not understanding the text, whether that be on purpose or just through not paying attention.

You can dislike the events of ACOSF, you can dislike how Nesta's problems were handled but that's just a matter of opinion because anybody who has dealt with a loved one's substance abuse will tell you one of two things: either you cut them out completely and let them destroy themselves because they need to want to help themselves; or you give them tough love and do whatever you can to get them through it because the alternative is letting them waste away and die. You can argue the logistics with Nesta's fae anatomy blah blah blah, everything she was doing was a way of self-harm. She wasn't drinking or screwing around because she was a party girl having fun. She was punishing herself and they all let it go on for almost a year, thinking she would snap out of it if they let nature take its course. So when that didn't happen, it was time for another plan.

I understand that there will be different interpretations to literature, but at this point it's beyond that. People are ignoring what is actually happening in these books and making unsupported claims that are just based on their own fantasies.

I've read everything SJM has written and there's not one character in ACOTAR (aside from the actual villains) that I dislike. Rhys, Feyre, Amren, Mor - I like them all. I couldn't care less that not everyone gets along all the time or sometimes someone was mean to someone else. Literally do not care that the Archeron sister's had beef. I am the youngest of 4 kids, I have 2 older sisters and an older brother. My older sisters H A T E D each other growing up. I don't know why some readers act like it doesn't happen or that their relationships with one another shouldn't be depicted the way they are. It's one of the most real things SJM has ever written lol. If you associate a character with someone in your personal life that has treated you poorly, well I'm sorry but that's exclusive to you and not something you can or should force on other readers. By the time the story ends, all the characters who were mean or nasty to each other are gonna be the best of friends. I would bet money on that. Watch Mor and Nesta become as close as Aelin and Lysandra did.

Now for Eris. Y'all can like him I guess, but there is literally no reason to support any of the headcannons being made for him. "He belongs with Nesta, he would treat her better." WHERE? Where did you come to that conclusion? Where was their chemistry I'm somehow missing??? Nesta was very clearly playing him the entire ball. It literally says she forces herself to swallow, to shiver. She's putting on a show for him like she was asked. Like the OP says, "Had he [Cassian] really believed what he’d seen on this dance floor?" Meaning her reactions/interactions with him were not R E A L. And the amount of people who think SJM will do ANOTHER Tamlin/Feyre/Rhys type of romance is crazy lol that would be BEYOND lazy writing and just plain boring. Also - have we just not been paying attention to Nesta's character at all? Eris was interested in her from a political/social standpoint...something Nesta has been groomed for her whole life. She doesn't want that! And lets talk about Beron abusing the lady of autumn. Helion says it continues but Beron knows to abuse her in places that are easily hid. Does Eris stop that? I've seen someone say he does defend his mother, but literally all signs point to NO since again, Helion acknowledges that the abuse has been ongoing. Does this seem familiar? Like how Thomas Mandray didn't defend his mother from his father's abuse? No necessarily saying Eris and Thomas are on the same level, especially since it's hinted Eris may not be as bad as he seems. But again, saying he's anything other than what we've been shown so far is literally just fanfiction headcannons you WANT to happen.

Also there's kind of a pattern with SJM books/character relationships: if there's like long drawn on explicit scenes between characters, that is usually the endgame. Celaena/Chaol had their one moment, barely anything explicit in that. Aelin/Rowan there's more spice. Tamlin/Feyre have a couple of scenes, again it's barely explicit and it's barely a paragraph. Can you imagine SJM disregarding everything in ACOSF and trying to convince people that relationship was a fluke and we must all become attached to a new ship? Never would happen lol.

Also may be isolating a lot of fans on either side with this take but the way people are so quick to believe him over Mor or believe he didn't do anything wrong and she's lying or fabricating the story seems really homophobic and misogynistic to me. I can understand SJM may have dropped the ball acknowledging Mor's sexuality/queerness and didn't do it in the best way but idk the hatred for her is so weird and forced to me. Also forcing the potential betrayal storyline on her. Like if I'm wrong in the future feel free to call me out on here but I don't see any of the IC or MAIN characters betraying anyone. If a betrayal is gonna happen it's gonna be with a secondary character. It may very well be Eris betraying Beron or him betraying the Night Court. Like I think y'all are giving SJM way too much credit with these plot twisty storylines lol.

Speaking of SJM's writing and y'all giving her too much credit: there's no way this series is killing off any main character, especially the ones that have been the focus of the series. Rhys, Feyre, Nesta, Cassian are safe and you can't convince me otherwise. Because unlike some, I've read TOG and I know the core characters are getting their happy endings. Also think the rest of the IC, Elain, Emerie, Gwyn and Azriel are safe because again: they're gonna get their happy endings. SJM is a happy ending writer. The TOG characters that were killed off were secondary and although they may have had big impacts on the overall story, they were just never main characters and you knew that. If any "main" character is gonna die it'll be Tamlin if he doesn't get a redemption (which I don't think he will because the story is just not about him anymore. It's more likely for him to die than get a redemption storyline, although you can argue that his redemption will be in his death.)

Speaking of Tamlin idk where the sudden surge of defenders of him came from. The way people hate on Cassian who didn't do anything wrong aside from say two somewhat hurtful sentences, but go to the mat for Tamlin is insane to me. You can like morally grey characters, you can like characters who have done bad things but it's the hypocrisy that gets me.

OK rant over. Agree or disagree, who cares lol this is literally just a rant if you're looking to pick a fight and argue back and forth over which one of us is right please look elsewhere

Anti Cassian focusing on sentences like "everyone hates you" or the damn "shackled" or the dance scene with Eris.

As if there was no after...

Yes Cassian said "everyone hates you" but the next day he said

“I didn’t mean what I said last night—about everyone hating you.” She halted, her blue-gray eyes frosting. “It’s true.”

“It’s not.” He dared one step closer. “You’re here because we don’t hate you.” He cleared his throat, running a hand through his hair. “I wanted you to know that. That we don’t—that I don’t hate you.”

Shackled. But then this happens.

“No. I was angry—it’s not true.”

“You are my mate, Cassian,” she said against his lips, and kissed him softly. “And you’re mine,” he said, kissing her in turn.

She smiled, and damn if it wasn’t the loveliest thing he’d ever seen. “You.” “You’ve had me from the moment you met me.”

Nesta even admitted that she faked everything with Eris, the man that wasn't even able to be this interesting to distract her from the music.

Eris being interested in Nesta just for her power is red flag.

Nesta was more focused on the music than Eris. That's a fact.

Had he [Cassian] really believed what he’d seen on this dance floor?

Antis always the first to say "read between the lines" and they're blinded when it comes to Nessian.

Nesta with Cassian is just...

It softened some crucial piece of her...

His eyes did not, would not, leave her face.

Cassian smiled at her, and the world faded away. The music was no longer the most beautiful thing in existence. He was.

Antis "forgetting" those scenes, Nesta's own words, Nesta's own reaction -even if they claim her to be their favourite- and Nesta's feelings, just because they don't like Cassian.

It's poor.

It also means that being unable to take pieces without manipulating or decontextualizing them.

[13eyond13]

Well, that's the thing, he established a contrast between L and all the other characters, even though he said he could never have created the other characters either, and only said of L that he didn't feel real for him. That's why it never sat well for me, despite it being a good opinion at first glance.

And I agree. I read some similar things about both Near and Mello in the How to read while checking for that information. I'm not too surprised either about what you say about Platinum End, though I have not read it myself. I don't rely much on them either to form my opinion besides what's in the text, I agree it seems like the best choice all things considering. Like the Ryuzaki thing having to do with L and R sounding similar, I see that, but prefer to roll with Another Note here. It works wonderfully with it being Beyond Birthday's real name (I was this 👌 close to start rambling about identity again but goodness what a wonderful messy thing L has going on there). And still the washing machine bugged me, I couldn't help it. I thought for the longest time it was some kind of absurd joke headcanon popular in the DN fandom and I liked it a lot more as such xD

I don't like to dismiss completely File no. 15 though! I don't know if this is an unpopular opinion (pseudo ☕), but I love that L visits museums and likes art, and that he enjoys going to the park at times, and maybe I'm biased due to my background, but I adore and find so thought inspiring that he finished the demonstration in his first case with "Q.E.D."! The message is long again (with the new limitless asks it's easy to get carried away), but I wanted to add some positive things. I didn't mean to sound so bitter and negative in the other messages, sorry about that.

May I ask what are some of your own unpopular opinions? You don't have to reply, of course.

Oh, I didn't know the asks became limitless recently 😆 No worries, you didn't sound bitter! I tend to like being a bit critical or negative as a way of analyzing or attempting to discuss stuff honestly as well, and that's bound to happen in unpopular opinion sharing. I think it's valid to still be bothered by those things in the HTR13. I was just explaining how much I prioritize it or let it affect my feelings personally when it comes to my own interpretations of things.

Oh man, I haven't thought about my own unpopular opinions in a long time! But I think I made a list of them once in an ask I received way back in the day... I'll copy some here and then add some others, too.

I hope I don't offend anyone with these opinions, I'm not saying these are objectively true or anything but my own subjective takes, but

Some Unpopular Opinions:

-I think Misa is a worse person than Light and would rather hang out with him and be friends with him than with her. This is mostly because of how differently he acted upon losing his memories whereas she stayed almost exactly the same.

-I strongly prefer the manga to the anime because I think it's better written, more consistent, funnier, prettier, and more in-depth with all the characters and themes. I love stuff about the anime like the music, but I don't think the changes the anime made to L such as seemingly giving him regretful emotions before his death and little flashbacks to his past were automatically improvements on his manga self. I think he was far more original and complex as a character without that other stuff added in

-I LOVE LIGHT YAGAMI and can’t comprehend not loving him because he’s such a good character. Roasting him is always fun, but just straight up hating on him with no sense of humour about it is boring to me

-L is probably my all-time fave character but at the same time I think he can get a bit boring after a while if he isn’t fleshed out more in shippy fanfics and things. I love it when people give him a backstory and an interesting life in fics that go in-depth, because otherwise he can be left too much of a question mark

-Lawlight is both my favourite ship and also something I find a little overrated in the fandom at times. I think it's a really entertaining ship as an uncertain one full of tension and mind-games, but when it comes to actually putting them into a secure and loving relationship I end up getting easily bored by it

-sometimes I think Wammy's is overrated in the fandom compared to the other interesting characters and stuff in the series as well. I would love to see a little more exploration of the task force and SPK and mafia and such instead

-I think Higuchi was actually pretty nice to Misa on their date and the only thing that was awkward was that he lunged at her a little in the car when he got excited, lol

-I love Kiyomi and think it’s so silly to hate on her just because she killed Mello, he kidnapped her and made her strip at gunpoint first. I also think she gets blamed more harshly for things the guys also do sometimes, both by the characters in the story and by fans

-I don't believe Matsuda is as much of a pure cinnamon roll as some people seem to think, but he's more interesting with that darker side included in his characterization too

-I LOVE NEAR and think he’s so funny, and one of the most three-dimensional characters in the manga

-I think it was a good story choice that L died when he did and that he wasn't the final one in the warehouse showdown (though if I had only watched the anime that probably wouldn't be the case)

-I like that the story says that all the characters go to MU no matter what they do. I don't see it as just an edgy nihilistic thing which we should pretend isn't part of the story due to being too depressing to think about. In my opinion it's important to include it because it forces the audience to draw their own conclusions about the actions we see onscreen, and who we choose to sympathize with or condemn. If there was some sort of afterlife consequences based on the characters' morality it would easily become way too weirdly preachy or annoyingly nonsensical for me. And I respect how permanent the character deaths are because it would weaken the dramatic stakes and lessen the tension a lot if characters could arbitrarily come back from the dead

[omgsomeonesomewhereonearth]

Okay so @fourteenfandomfan asked me to answer some questions about Ashes and tumblr decided to be a bitch about it but I put too much effort into answering them in the first place to NOT post my thoughts so I'm typing it out again fuck you.

What were your first impressions of the character?

HEART EYES. The biggest heart eyes you ever did see. My first impression of them was in "Underworld Blues" and frankly (ha) I don't think I've ever fallen in love with anyone or anything faster than in that moment.

I just - their voice was perfect, and I looked them up and they're literally?? So beautiful??? Hello??? I love them, your honour.

What is your favourite emotional scene involving them?

So this is where I look rather guilty and admit that I have yet to read all of the fictions that have been posted on the official website, nor have I actually even listened to hnoc or tbi yet, so my knowledge of canon is a bit scant? Most of my feelings on all the characters are just based on Fanworks I Like and personal headcanons, based on vibes tbh.

That said, I do attach a lot of emotion to Eskhatos, I am fully invested in the headcanon that Ashes had some attachment to Ulysses, beyond them being "The last thing on this planet worth playing with and not good for much at that", even if that's something they are not ready to disclose to the others yet. But again, this feeling was largely influenced by some of the amazing fanfic and headcanons I've read that sort of present Ulysses as a reflection of Ashes, when they were younger and they're just so so good.

How do your thoughts/feelings on the character compare with popular fanon and/or fanon intent?

So, for the latter, as I've said, I'm not fully acquainted with the canon and I certainly can't say what Frank had in mind when designing Ashes as a character and how that might compare to the way I've percieved them.

As for the former, it's quite complicated, because whilst my perception of Ashes is very much influenced by a couple of excellent fanworks, there have also been more than a few that have made me go "no <3". And also, I am genuinely quite new to the fandom, and I definitely can't say I've been here long enough to be able to say what qualifies as a popular headcanon vs an unpopular one, and where my own interpretations might fit on that scale?

I will say this though - I kind of wish there were more fics of Ashes where they were allowed to be slightly more...silly? Chaotic? In the way that the other mechs often are? Just a bit.

Like, obviously I recognise that Ashes is largely characterised as being one of the more mature and sensible (neither of these feel like the right word, but I really hope I'm getting my point across?) person in the crew? And I'm not against that, I do quite enjoy them having their shit together, there's a reason they're the quartermaster, and there's a reason they're so suited to these positions of power and leadership wherever they go. That said, I still think there should be enough room for Ashes to show a slightly more "fun" side to their character, I guess.

And like, honestly I think one of the reasons I'm quite sensitive to this particular thing is that Ashes is quite obviously the only poc in an almost entirely white group. And I often find, that in scenarios like this, creators will sort of resist making the character of colour as jokey as some of the others - to be fair, often this is to avoid falling into some nasty tropes, but...I also kind of think that it can also be pushed to the extreme too much to the point where you've sort of ended up with another not-that-great trope of constantly relegating characters of colour to being "the one who is always taken seriously", even when the others get to be more loose and fun? (I really hope I worded that right!!)

But, also, obviously - I can't necessarily claim that that is what's happening here, because there is also basis for Ashes being quite a serious character in text - we've seen multiple times that they are more inclined to act in measured, calculated ways, even when they're wreaking havoc, or they're immensely hurt or angry, than some of their crewmates. So, you know, I'm not at all trying to say that writers who portray Ashes in this way are problematic because they're choosing to delve deeper into a piece of characterisation that is very much already there - and again, is a characterisation that I do enjoy - I just wish that other sides of their personality were maybe explored a little bit more. (Especially, in my opinion, after several millenia with their new found family, who they obviously love very much, I think it's extremely realistic that Ashes maybe becomes more comfortable fooling around in a way that is more similar to some of the others, albeit still in a very Ashes way, if that makes sense).

(But again, massive, massive disclaimer that I am new to this fandom, I am only speaking on works that I have seen and read so far, and it's entirely possibly that my observations are not at all indicative of the fandom at large. If that's the case, please do let me know, and possibly lead me to works that have the elements I've talked about!)

[scarpool-gmk]

7

Title: Godly Marine: Killed Author: Scarpool Fandom(s): NCIS, Percy Jackson & the Olympians Pairing(s): Gen Rating: PG/K+ Summary: Chapter 7 (9/13) — Staff Sergeant Michael Kahale, Marine Corps Mechanic and Son of Athena, was murdered. Annabeth Chase is determined to find out who did it and why. She, along with Percy Jackson, Grover Underwood, and Clarisse La Rue, infiltrate NCIS where they team up with NCIS Agents Leroy Gibbs, Anthony DiNozzo, Timothy McGee, and Ziva David. Complete Genre: Fanfiction, Mystery, Drama, Humour, General, Action Warnings:  N/A

Gibbs's command to 'bring them all' was still ringing in Tony's head as he finished dropping off the Kahale kids in the conference room. Their father was waiting for questioning.

The elevator dinged, signaling Ziva's and Gibbs's arrival. They lead Patricia Kahale in, Ziva taking point and escorting her to interrogation.

Tony walked next to Gibbs to report. "One in interrogation, the rest in the conference room."

Gibbs nodded and glanced around the bullpen. "Where are they?"

The long Island Agents. "Uh, don't know, Boss. They weren't here when we came back."

Gibbs lifted an eyebrow but stayed silent.

"So, how do you want to do this, Boss?"

"Let's start with the father."

Tony snatched the case file as they passed his desk. Then, not because he had an urge to share his current opinion, Tony said, "And the evil step-mother?"

"Let her stew."

"Right, Boss. How about the kids?"

"Have McGee bring them down. He's in charge of any incoming calls."

"Right." Tony started for the center stairs.

"Hey!" Gibbs called out. "You're with me. Write to him or something."

Tony frowned as he followed Gibbs. Although interrogation was way more fun than dealing with McProbie and the kids, Tony was uncomfortable that Gibbs wanted him to send a postcard through the building.

"Write to him?"

"Through your phone," Gibbs said.

"Oh! Er, you mean send a text."

Gibbs stopped in his tracks. Tony cringed. "I'm writing to him, Boss."

Gibbs continued on, leading them to the interrogation wing and pushed open a door even though he was never told in which room the man was being held in. Tony shuddered. The Gind. What power it beholds.

"Hey, what's going on?" Johnathan Kahale questioned as they entered. "You said this was about my son? What's going on with the investigation?"

"Mr. Kahale," Tony said, "This is Special Agent Gibbs."

"Hi," Kahale said and, after a brief hesitation, held his hand out. Gibbs shook in greeting.

"So, you are also on Michael's case? I had only met two other agents before being picked up by Agent David and Agent DiNozzo here. I didn't realize how big your teams are."

"Yeah," Gibbs chuckled, "I'm getting that a lot recently."

"Oh," Kahale said, unsurely. Tony understood. He would have said the same thing to that.

"So, how long is this going to take? With the kids here, I should really speak to my wife."

"Your wife is also here, Mr. Kahale," Tony said.

"Really? Can I please see her?"

"No," Gibbs said.

"What? Why not?"

"You are both suspects," Gibbs said.

"Excuse me?! I don't know how you came to that conclusion, Agent Gibbs, but I assure you that neither of us had anything to do with my son's death."

"Then I'm sure you can account for your whereabouts during that time," Tony said.

"I was home."

"Asleep?" Gibbs asked.

"Yes."

"Your wife?"

"Right beside me."

"Did you know about Michael's presence in the area?" Tony asked.

"It's like I told the other agents. No."

"And your wife?" Gibbs asked.

"No."

Gibbs reached into the case file and placed a sheet down.

"Explain," Gibbs said.

"I don't understand," Kahale said. "Are these my phone records?"

"Yeah," Tony said, "There were three calls during the night. One of which you made. You called Michael."

"How do you know it was Michael? It could've been anyone."

"Like who?" Tony asked. "Who would you call at one in the morning that used a number that magically disappeared after use?"

There were a couple of 'um's and 'well's as Kahale fished for an answer. And Gibbs was able to fill in Kahale's awkward moment. "Adrian Rodriguez."

Johnathan Kahale blinked. "Who?"

"Don't know him?" Tony said, hoping to get any sort of recognition, although it was apparent the name was meaningless to the man. "First Lieutenant Adrian Rodriguez. He was assigned to the same ship as your son. He used the same technique Michael used. Make a call. Dump the phone. You have quite the phone history. Remarkably, so do the First Lieutenant's parents. In fact, most of the calls you received from out of service numbers align perfectly with the First Lieutenant's folks. Gap lengths and all. Same day. Same hour. Same location."

Kahale sighed heavily. "It was Michael."

"Why'd you call him?" Gibbs asked.

"Wanted to set up a place to meet?" Tony suggested. "A place to kill him?"

"No! Never!"

"So why lie about contacting him?" Tony asked. "Was it your wife? She doesn't like him. That much is obvious. So what? Keep it hidden? Keep the son you had with another woman a little secret?"

"Michael wasn't some dirty secret!"

"He went missing," Gibbs said.

"Yeah," Tony said, adding some interpretation to that topic. "Why did he run away?"

Kahale shifted in his seat. "He didn't run away," he said. But his posture displayed the doubt he had. Interesting. If he had communicated with his son, shouldn't he have known the answer to that?

Gibbs opened the file again and placed down pictures of Michael's body in autopsy. He also placed down Ducky's official report. "He had tissue and muscle scars old enough to have been done before he disappeared," Gibbs said.

Kahale's eyes flashed up at Gibbs. "You imply that he had ever been beaten in my home, Agent Gibbs?"

"He was different," Tony said, hoping to diffuse the situation and redirect some of the clear revulsion from Kahale onto himself. "No pictures. No social life. Behavioral problems. No steady school. Mother doesn't exist. Who was she? Just some random chick?"

"She wasn't random. And she wasn't just some chick. She was intelligent. Exquisite. Knowledgeable about every subject. Well-travelled. Skilled beyond measure. She knew me before I even laid eyes on her. She's a goddess. And I fell for her, even knowing the consequences."

Wow. Tony might be jealous if his partner lit up like that about a previous flame that had no records. Not to mention, bringing a kid into the picture.

"I loved his mother. I still do. No matter how much she may now despise me. And I love Michael. I could never blame him for any of the things he brought with him. How could I blame him?"

'Blame him?'

"What happened?" Gibbs asked.

"Why'd he leave?" Tony said.

Kahale let out a breath. "He wanted to find his mother's relatives."

"Is she dead?" Tony asked.

Kahale shrugged. How helpful.

"You didn't know where they were?" Gibbs asked.

"No."

"So, what," Tony said, wrapping his head around this idea. "You just let a ten-year-old kid travel the country? Unsupervised? Alone? With not a clue where to go?"

"It wasn't planned," Kahale said, "He didn't say anything; he just left."

"But," Tony dragged the vowel out. "You were okay with his disappearance?"

The silence was the confirmation.

This was crazy! Who would do that? No, scratch that. Tony knew the answer to that. But these people just didn't fit that profile. This guy had to be lying. He was just following the given story, hoping that it would pan out.

"Well," Tony said, "that would explain why a couple of lawyers sent a missing person file knowing nothing would happen."

"Get someone to review his statements," Gibbs said, packing up the case file. "You're not charged with murder yet, but you will be charged with a list of other crimes."

Tony flung the door out dramatically. "Yeah, like child neglect."

Gibbs walked out, and Tony started to close the door, slowing down so it wouldn't close too fast. He waited for Kahale to plea. To bargain. To let loose.

But he didn't. And Tony had to eventually close the door. The click as empty as the amount of nothing they had gotten from that interrogation.

-Ζήβα-

Ziva sat on the corner of the table as Gibbs took up his spot on the chair.

Patricia Kahale sat on the other chair, hands folded and eyes pointed straight at the one-way viewing glass. She had remained silent on the car ride over. Interestingly enough, she had not requested a lawyer even though promising she would when last questioned.

Gibbs placed down the profiles of the two children, Jeremy Swallar and Natasha Hibashira.

"Last time you were here," Gibbs started, "You told me you did not recognize them."

Gibbs waited for a reaction. Mrs. Kahale did not so much as avert her gaze.

"Mrs. Kahale?" Ziva asked. 'If this is how it's going to be, we might as well just cut-'

"Who's on the other side?"

Ziva blinked, forced out of her thoughts.

"Another agent," Gibbs said.

"One of yours?"

"Yes."

"No one else?"

"No, just my guy."

"Good."

Ziva remembered how Mrs. Kahale reacted to Agent La Rue and seemed to dislike Agent Jackson. Did she know something they did not?

Gibbs tapped on the pictures. "You said you didn't know them."

Mrs. Kahale glanced at them. "I did."

"You lied."

"A mistake, surely."

"You were seen talking to them at a bar," Ziva said.

"What did you say to them?" Gibbs asked.

"I didn't say anything to them," Kahale stated. "Besides, aren't they a little young to be at a bar unaccompanied?"

"Who said they were unaccompanied?" Ziva asked.

"Was that not what you implied? Why would I talk to them, if they had their parents with them?"

Ziva had to hand it to Kahale. She could dance. Ziva gave her a little smile. If only just.

"They were looking for a ride," Ziva said, "We believe you suggested them to go to Tarsibo. He is your client, after all."

"I did not speak to them."

"You don't want to talk about them. Fine," Gibbs said, "How about we talk about your stepson. You haven't seen him for years?"

"No."

"You haven't spoken to him?"

"No."

"Your husband was," Gibbs said.

"N-" Mrs. Kahale stopped and threw them a questioning look. "If he was, I have no knowledge of that."

Ziva frowned. "So, you did not know that your husband was in regular contact with Michael?"

"No."

"Did you know your husband called him right before he died?" Ziva asked.

"No."

"You told me you didn't know he joined the Marines. Did you not know what happened to him? That he was even alive? Did you not care? Your husband never told you anything, and you never asked?"

"No," Mrs. Kahale said.

Ziva leaned back. One word for all of her questions. She was used to it, but Gibbs at least cared.

"I suppose it was his way of respecting my desire to not be a part of it," Mrs. Kahale said. She scoffed. "His way of shielding me from that side of his life."

"His ex-wife," Gibbs clarified.

"She was never his wife," Mrs. Kahale said.

Gibbs shrugged. "Your husband had a kid with her. He speaks very highly of her. I would understand if you were resentful."

Mrs. Kahale glared at him. "I don't hate her, Agents," she said, "But if she's so smart, why does she make so many rash decisions? I'll tell you why. Selfishness. Pride. She doesn't have to deal with the consequences of her actions. Someone else always deals with them."

Ziva raised an eyebrow. Yes. Definitely resentful.

"Sounds like you know her," Gibbs said.

"No. But I've heard plenty of stories."

"What kind of stories?" Ziva asked.

"Dramas."

Gibbs hummed. "You would describe them as tragedies?"

Mrs. Kahale lifted her chin. "I would."

"Like the epic stories of the Greek myths," Gibbs said.

Mrs. Kahale said nothing.

"Your husband said she was a goddess. So, was he a part of some cult?"

Mrs. Kahale kept silent.

Ziva narrowed her eyes. The woman obviously did not like whatever it was her husband and this mystery woman were a part of. Why keep silent?

"You can tell us what's going on," Ziva said, "We will help you. Why don't you say anything? Are you being threatened? Your children are here and safe."

Mrs. Kahale swallowed. "It's nothing like that."

Oh, but it was. There was a response at the indication of being threatened and her kids, just as clear as to when Gibbs mentioned Greek myths.

"The kids," Gibbs said, tapping the pictures. "How do they fit in this?"

The woman looked down and took a breath, collecting herself. Ziva sat back. 'Just when we were making progress.' Were they looking at this wrong? Were the kids simply an unrelated event?

Patricia gave an annoyed huff. "As I already told you-"

The files flew from the desk. Gibbs was frustrated. Ziva did not envy this woman. He slammed his hands on the table, glaring down at her. "Then tell me something new. And make it the truth."

No. Ziva did not envy this woman at all.

The door clicked open.

Gibbs turned his death glare at McGee.

"Um, B-Boss," he stammered, "you really need to know this."

Ziva quickly followed after Gibbs. Although apparently suicidal, McGee was still a dear friend, and Ziva wouldn't like to see Gibbs murder him.

Gibbs growled. "What."

McGee nervously wet his lips.

"Well, Ducky has already released his findings. All these reporters who were following the case got them and reported the info to their respective medias. Reshaun Sachs, the bartender; you knew that, of course- well know, you haven't forgotten. Well, he decided to find out what was going on since his business is obviously involved and-"

Oh no. McGee was rambling. And Gibbs's face was darkening with each word. Would her gun be helpful? Or perhaps her knife would be more practical. She decided on simply clearing her throat. Loudly. McGee stuttered to a stop. Ziva gave him a pointed look.

Ziva was relieved when she saw his face alight with understanding.

"Patricia Kahale was at The Drowsy Owl during the time of death. She could not have killed Staff Sergeant Michael Kahale."

-Αντώνης-

Tony did not like this.

He watched as Gibbs and Ziva entered the interrogation room.

"You are free to go, Mr. Kahale," Ziva said.

"Thank you. If I can just see my wife, then we can-"

"Your wife isn't cleared," Gibbs said.

"What?"

"She admitted to killing your son."

"What?! No! She couldn't have."

"How do you know?" Ziva said, clicking the door shut behind her.

"She was at home."

"Weren't you home as well?"

"Yes, but- she just couldn't have done it."

"We know," Gibbs said, taking a seat. "Although not in your house, she is witnessed being at a bar during the time of the murder."

"Then you know she didn't do it. That she's innocent."

"Mr. Kahale, aren't you curious as to why she would be at a bar so late at night?" Ziva asked. "Not telling you and lying that she was?"

"Maybe she was meeting with her friends. I trust my wife."

"Have any idea as to whom these friends might be?" Gibbs said.

"No, I did not see them."

"What did they tell you?"

"Nothing. As I said. I did not see them."

"But you spoke with them. You received a call before and after you spoke with Michael. A blocked number."

"You had to be awake to answer your phone. You had to have known your wife was not lying asleep next to you. Why did you lie?"

"No, I-"

"Did you follow her?" Ziva said.

"Were you at your house?" Gibbs asked.

"Ye-"

"We have your kids here," Ziva said, "We can ask them."

"How about you ask them?" Gibbs said.

"Stop, please-"

"Maybe," Gibbs said, "you can tell them why you killed their brother."

"THEY HAD HER!" Mr. Kahale screamed. "They had Patty! And they were going to kill her! Unless…unless…"

"Unless you killed Michael," Ziva finished for him.

A gasp broke Tony's attention away from the interrogation room to the reason he was placed behind the glass. Patricia Kahale stood next to him with her hands over her mouth, staring intently at the scene before her.

"I warned him. I called him. They gave me a car and a bullet. I needed to save my wife. I wanted him to help me. But he said there was no time and that there was no one in D.C. that could help."

He bowed his head. "They had my wife," he sobbed.

"No," Patricia whispered.

"She's not part of this life," Mr. Kahale said, "She shouldn't die from it. How could I have brought her into it?"

"No," Patricia said again, and the look in her eyes gave Tony a bad feeling. "John, no!"

Tony was a half-second too late. The woman ran out of the viewing room. Tony sped out after her to see her flinging the interrogation room open.

"How could you do it?!" She cried.

"Boss," Tony said, "I'm sorry she just…" He stopped as Gibbs held a hand up.

"I'm sorry," Mr. Kahale said, "But I couldn't let you be involved. I couldn't let them have you! And you came back home and didn't say anything, acting fine-"

"I was always involved! Michael's stench led them to our family even after he left. They threatened to take me, you, our kids. They told me what they did to people."

"You took up a deal," Gibbs said, "You help them get what they wanted, they leave you alone."

Mrs. Kahale nodded.

"How many are there?"

"Too many. It's a nest that has grown through some sort of pact between them all, and nothing is killing them."

"Why didn't you call the police?" Ziva asked her.

"That would just make things worse. Besides, Michael has obviously delivered a message to his people."

Gibbs froze for a second.

"Boss?" Tony asked. What was going on?

Gibbs snapped out of it. "You two," he told the Kahales, "Stay."

He stalked out of the room. Ziva and Tony followed, having to jog to keep up with him. Tony quickly texted McGee a heads up and to send the Kahale kids back upstairs. When Gibbs took the stairs, they knew whatever he figured out was bad.

"McGee!" Gibbs barked. "Search the Long Island team."

"But I already- okay," McGee easily complied, after looking at his boss, "Looking up Lima."

McGee shared his screen on the plasma as he loaded up the federal database.

"No," Gibbs said, "Not Lima. Don't go through any federal sites."

"Um, okay? Doing an internet search of Percy Jackson."

"News sites," Gibbs said.

"Boss there are hundreds of Percy Jacksons," McGee scrolling through articles, "We'll never find-"

"That one," Gibbs pointed.

It was an article from a few years ago. "Percy Jackson, Criminal or Victim?" The photo had an image of a young, disheveled Percy Jackson. And by his side…

McGee was freaking out. "Boss, I'm sorry. Their profiles should have-"

"Her," Gibbs pointed, "Age her up to now."

"Right. Aging."

McGee cut out the photo of the blonde and plugged it into the program. He had wisely shut his trap. As the image began to come into focus, Tony felt his heart stop. There was no denying it.

"Gibbs," Ziva said, quietly, "That's-"

BANG! Gibbs slammed his desk drawer closed and shoved his firearm in its place at his hip. There was utter silence in the bullpen as Gibbs strode off.

A few seconds later, Tony was the first to move. No matter how angry Gibbs was, Tony was still a cop. The rest of his teammates quickly followed.

They left the image of Annabeth Chase, otherwise known as NCIS Special Agent Anne Lima, on the screen behind them.

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[millennialzadr]

WHY I LOVE ZADR!!!

HEY GUYS WHASSUP? LMAO

So this is a whole ass giant long post of me absolutely spewing my feelings of love for ZADR, it was the very first thing I wrote when I made this blog and I think it’s a nice, positive thing for my fellow shippers to inhale and enjoy 👌👌

it was originally a reply to mitarashiart’s post about why HE loves ZADR (link in replies) but I decided to delete that and make my own post since MY WHOLE ENTIRE TEXT WALL WAS SHOWN IN THE REPLIES and drowned out anyone else who was trying to talk (thanks tumblr mobile u fuckin idiot)

I had also posted a summary of an AU that I’m working on in the original post, but decided to remove it since it just about doubled the length (I’m thinking about posting it separately along with the wips I’ve been putting together, we’ll see 👀)

But ANYWAY, here is about a million reasons why I think ZADR is the fucking best, so if you like reading gushy gay ship feelings, please enjoy ❤️❤️❤️

[Posted June 2019][WARNING, LONG ASS THOUGHT BARF]

SOOO, holy hell y’all my journey back into this fandom has been a wild and unique experience for me, i went from adding invader zim to my bookmarks on kisscartoon, rewatching the series, finding out theres a movie coming out, finding out there was a shitload of content i’d never seen before (commentaries, lost episode scripts and audios, panels, the COMIC, episodes i’d never seen because the dvd i used to watch was scratched!! and a FUCKLOAD of quality modern fan art like oh my GOD) and finally curiously googling ‘zadr’ (which i was way into when i was maybeee 13/14) to see if there was any interesting new art, and holy hell, mita (the artist above) singlehandedly THREW me down the hole into modern zadr hell, first with his absolutely stunning IZ art (all his art is dope tho check him out yo), then reading the above explanation put the final nail in the coffin like, 100%

so i wanted to add onto his post here on why this ship got me so fucked up, both for anyone who might be wondering why on earth i’m shipping two characters from a kid’s show (i’m very aware how weird that is at first glance trust me) and also so i can get some ideas down for possible future reference (will i ever draw them? maybe)

(first of all, a disclaimer, and this is not pleasant to write but it’s important to address for clarity’s sake: I have no interest in romantic or sexual relationships between minors, and do not ship zim and dib as they are presented canonically in the show (as children). what i’m interested in is the conceptualized relationship they may have as modern adults, and i view zadr more as taking the concepts of existing characters and experimenting with them with different interpretations, which i personally think is a constructive and fun creative outlet, especially if these characters hold personal significance for you (childhood faves of course). growing up together is an important facet of their relationship, and certainly they were important to each other even as children (see: mopiness of doom) but as an adult i’m personally curious about what kind of adults they might’ve become, and that’s the focus of my interest. i’ll still be reblogging regular IZ art because it’s dope but if you see shippy looking art of them as tiny lil beans its either friendship or chibis (and i personally headcanon zim as getting taller with dib but some people stick with his canonical height when drawing them as adults, which is super short. it still doesn’t mean he’s a kid). aaand i wish i didnt have to write this and it would just be obvious but we live in a sick sad world and it is sourced from a children’s cartoon so i feel its necessary. end of disclaimer)

NOW THAT THAT’S OUT OF THE WAY

- ok, first reason’s a bit obvious - the nostalgia. holy hell, the feeling of rediscovering a ship that was popular when i was a preteen during the mid 2000s and discovering a totally new perspective on it as an adult comes with an almost totally overwhelming sense of nostalgia and comfort, as well as inspiration!! the kind of art that seems so common for zadr, these sketch pages of scenes and expressions and visual gags where artists would just scribble every idea they had and LOVE doing it, this was exactly the kind of art that made me so passionate about drawing as a kid, and it still sparks such a powerful feeling of love and admiration for me to this day. fan content of iz and zadr is simultaneously achingly familiar and totally new and fascinating, and it just makes me SO damn happy to consume, it is most definitely my new comfort content. and just, GOD. THE ART!! SO GOOD. FUCK

- now for the characters themselves: for some reason i just really love the thought of a mid twenties, modern Dib?? lanky goth dork, disaster bi, depressed as shit, uses bad sweaters and memes to cope?? when i was a kid i didn’t even LIKE Dib, but now i totally sympathize with him! he’s just a hyper obsessive nerd wishing there was more to life than the situation he got stuck with, how wildly relatable. he was a pretty big asshole as a kid (even to people besides zim) but he was also totally isolated and constantly bullied, so there’s a lot of room for growth. i feel there’s a lot of juicy character development potential for that boy, and there’s always been a special place in my heart for characters who are totally sad and screwed and hopeless, but there’s one thing, or person, that means the world to them and could possibly save them…

- aliens. Zim. i love nonhuman characters, i love monsters, i love aliens, i love characters that don’t understand human shit (and thus have much less room for shame or fear bc theyre just totally oblivious the negatives of modern society) and need guidance (bonding!!) from their human. i also love morally grey characters and characters with skewed logic, they’re always really interesting, and Zim himself just has such a unique personality and set of mannerisms, he contradicts himself a lot and you can never quite expect how he’ll behave, and i love that in a character, it makes them super versatile and fun, especially since there’s so many different possibilities for their development. Also, Zim is a gremlin, a little shit, and a disaster. I also love those traits in a character. And don’t even get me started on his character design?? big sparkly eyes? expressive antennae? monster teeth? complimenting colors? he’s adorable.

- mutual obsession. for someone like Dib, who seems almost repulsed by how boring and slow the people around him are, Zim quite literally personifies Dib’s  escapist fantasies, both as an inhuman entity from beyond the stars, and as a person who’s knowledge, charisma and mystery far exceeds that of anyone Dib has met in his entire life. (so basically what i’m saying is that for a shunned, jaded misanthropist, an actual alien is terribly alluring, even if said alien is dangerous, stupid, and possibly insane). not to mention Zim vindicates Dib’s entire life passion, the supernatural! Even when their relationship is totally negative, there is not a single inch of room for Dib to get tired of Zim. as mita explained, they validate each other. for Zim, WHO AGAIN, IS TOTALLY SHUNNED, ISOLATED, AND HATED BY EVERYONE HE KNOWS, Dib is the only person in the universe who gives a single shit about him!! he gives Zim credit as a threat, a capable invader, which if you ask me is the sole thing Zim is after (he’s hellbent on his mission because it would win him the approval of the tallest, all he’s ever wanted is recognition from the people he thinks so highly of). He literally gets depressed when Dib isn’t around to pay attention to him, not even the tallest were enough to motivate him before Dib came back. these two have no one and nothing without each other, and while lifelong nemeses is fine and dandy, i personally prefer friendship, affection and love, cause i’m a softie like that. how could they possibly get there after years of actively trying to kill each other?? well, i think under just the right circumstances it could become a possibility after a long, long time.

- growth. i. love. me. some. good. character growth. especially for characters with trauma/mental illness, bc again, relatable. these boys have issues, and as mita mentioned, their canon stories are actually INCREDIBLY sad! but the happy thought is, they could recover! they could help each other recover, for little reason other than the two are the only source of happiness for each other. now of course this also opens the gate for angst lovers, but at the same time offers potential for comforting, uplifting content of the boys supporting and inspiring each other, maybe even to the point of becoming happy and healthy enough to create the lives they want for themselves (as in appreciating life and doing things that make them actually happy instead of the delusions of grandeur they both sought when they were younger). gimme that positive shit and let the poor beans be happy  щ(ಠ益ಠщ)

- LITTLE THINGS. LITTLE THINGS THAT ONLY COME WITH CHILDHOOD FRIENDS. WITH HUMAN/NONHUMAN. WITH THE SHOW’S WEIRD LOGIC. Zim being the person Dib knows best and vice versa. Zim having an involuntary respect/admiration for Dib because he’s tall. Learning each other’s needs, limits, and communication methods, both emotionally and biologically. Sensitive antennae. Affectionate bickering. Being less insecure bc your partner literally has no idea why you see your flaws as flaws. Laughing at the flaws they do notice because they make no sense. Zim only wanting to eat waffles and chow mein. Dib being forced to overcome his depression lethargy and stay hygienic/keep the apartment clean because Zim has a sharper sense of smell and is afraid of germs. Endless conversation about anything and everything because they’re from literally different worlds, and endless intrigue. TOUCHING. TALKING. DOING EVERYTHING LIKE ITS THE VERY FIRST TIME AND ALWAYS NEEDING THE OTHER TO GUIDE THEM. HOLY HELL THERE IS SO MUCH POSSIBILITY FOR TINY LITTLE MOMENTS THAT MEAN THE WORLD. FUCK. GOT ME FUCKED UP.

so that wraps up the why. fuck man. its just such a good ship. if you read this big ass text post, thank you for indulging me, i hope you enjoyed it! because i enjoy it very much 👀 so stick around if you’d like to for a shit load of IZ and zadr content on this blog, possibly (MAYBE) even from me!! come roll around in alien hell with me why dontcha ᕕ( ᐛ )ᕗ its a fun time! thanks for reading!!!

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SO THAT’S MY MANIFESTO Y’ALL, FEEL FREE TO REPLY WITH YOUR OWN REASONS!! I WOULD LOVE FOR THIS POST TO JUST BECOME A BIG GIANT PILE OF LOVE AND YELLING!! GO NUTS! SCREAM ABOUT IT! INFODUMP! DO WHATEVER YOU WANT! I’LL READ EVERY LAST REPLY! Y’ALL DESERVE TO ENJOY YOUR SHIP BC IT’S LITERALLY THE FUCKING BEST!!! LOVE Y’ALL!!!!!!