#but that doesn't mean someone might not find it hurtful

[beautifullilacsky]

I have been feeling weird these days. Frankly, just not great. Pretty bad. I have been belittling myself, trying to hide and disappear. What has helped me? Going for a walk by myself. Listening to an audiobook and realizing there are things that I enjoy doing and that make the time pass. Belasting music through my earplugs while in the bathroom, and looking in the mirror as I start to move my body and dance. Write with myself; so pure and vulnerable. So understanding and loving towards myself. I felt like myself again. I reflected on a drawing, where I added a text. I realized that I was, or am, trapped. I try to disappear, trying to hide from everyone. Hoping to protect myself from dissapointing people and being too much. From them leaving, or realizing they no longer love me. Then I went on to mention how lonely it is here, isolating me and who I am, while there is someone out there who does love me for me. It then turned into wondering why I am here. And why these leaves, in which I tried to disappear, are so heavy. I realize that I am no longer wanting to hide. Rather, I am trapped. Trapped into my own hideaway. Where the leaves are no longer lovingly embracing me, they are cutting into my skin. Reflecting helped me realize it, and realize I want to get out. And I have the power to do so.

Frankly, I want to be like in the gif every single day. I also honestly know that I could. I can find casual magic in everything. I can be so passionate about life and everything it has to offer. That feels like the true me. The one who experiences it all, and is grateful for it. Sure, the other parts of me are also me. But I feel my best when I am I that mood. The mood from the gif. My boyfriend is out right now, volleyballing until the very early hours. His roommate is also not home. It is just me, and gash. I am excited. I have already listened to music and danced, but I also ate too much and feel very full right now. Either way.. it is scary to be so me. To be so vulnerable and truly myself in front of someone. I know I can do it. I acted this way during our vacation. Why is it so hard to just be myself? To trust someone enough to be my true self? It's a safe space, babygirl. Sure, sometimes it hurts in this place. But don't you dare pull back because of it. I mean, to be fair, how could anyone ever do anything but smile when they see someone living life like that? What do I expect? The worst that could happen is that someone finds it interesting how you can enjoy and aren't ashamed in public. BUTO BE FAIR EH? WHHHHHYY IS IT SOMETHING TO BE ASHAMED OF? I fucking LOVE people who enjoy like that. I wish I could be surrounded by them. So baby, if the people around you aren't like that, okay and??? Be like that for yourself. He doesn't show his emotions the way you do? Okay and??? Let him experience his emotions the way he wants to. He can honestly count himself blessed to be with a person who can enjoy life so fully. Please, love this part of yourself. Well, you already do. But do it without shame. Do it proudly. Embrace it, truly. You have been taking everything for granted. It's time to be grateful, and be so without any doubt. Please, enjoy life the way you were meant to. Learn to be yourself, the way you are yourself when you are alone. He might not vibe on the same level, but that doesn't mean you should dim your own light. Yoyoyo, please learn to be yourself. Your silly, cute, life-enjoying self. I love the way you are , babygirl. So will he. And if he doesn't, that's big time his loss. Though, I'm pretty sure he loves this part of you, too. I know you love this part of you, so show off that you love her. She is yours. Show your love off by letting her out, the way you'd want someone to love this part of you. She deserves to come out and enjoy life with you. Whoever else is around. She feels safe with you. Please let her feel safe around him, too. He'd embrace her the way she wants to be embraced. Just like on our vacation. That you can still come out during the daily life without any judgement, you know?

[pauleentology]

lets talk about...

Ashlyn Banner 💚

Ashlyn Banner's character isn't limited to a typical antisocial introvert who hates people. She's so much more than that. She, like everyone else in the SBG group, has trauma and pain of her own, that wasn't brought about by the phantom realm.

Let's firstly talk about her introversion. Ashlyn has built walls and defenses around herself that have gotten so high nobody even dared to climb them. She didn't do this just because she didn't like people and having to interact with them, because deep down, she takes shame in her sensitivity. Her tinnitus and hyperacusis aren't just physical conditions for her, but a reminder of her fragility. The world is a cacophony of sounds that continue to overwhelm her senses, highlighting her internal chaos. She longs for peace but finds herself in an endless battle against the very sounds of life. She didn't want people to portray her as weak or sensitive, so she's built this entire cold front to distract everybody from the fact that she's just like everybody else. The irony in that though is that her very defenses end up pushing away the people that might understand her pain.

She's a clueless, troubled, socially-deprived teenager. It's only natural we expect her to not know what to say every time she speaks with someone, which sometimes ends up in her just blurting out whatever comes to her mind, often having her come off as abrasive and painfully straightforward. But she never means to be rude, she just doesn't know how to sugarcoat her words or soften her sharp tongue.

Despite her introversion, Ashlyn is more than capable of asserting herself when needed, and her bluntness is merely a defense mechanism for her to navigate her complex emotions even she herself doesn't completely understand. She's unfamiliar to the social construct of friendship, and avoids it as much as she can.

So when Ben and Aiden come into her life all the sudden, she's prompted to confront her fears of social interaction. After getting entangled in the supernatural events of the phantom realm with the others, she began to slowly soften and get attached to them, eventually trusting them with her life, and they begin to trust her with theirs. This puts her under the impression that she's responsible for their safety, and is obligated to protect them. She takes the lead, and protects them all with her life, just like she would her family.

Everytime they were together, she always felt some underlying guilt for their predicament. She always felt responsible in some way, and she vowed to take the lead from there. If she felt responsible, she thought it best she would take responsibility, and be the reason they were safe. She was the only one who didn't understand that she was allowed to show them her own vulnerabilities and hurt. She thought nobody else would understand if she just broke down into tears, that everybody expected her to be perfect as the leader. If there was anything she was scared to death of, it would be fucking everything up.

Her guilt that was already eating her up inside only got worse when Tyler died. She hated seeing her friends like that, seeing Taylor absolutely inconsolable for Tyler's state in the hospital, to see everybody else worried and shaking, she thought everybody blamed her, and even she blamed herself. To think that if she'd just taken a safer route, or driven a bit more carefully, or if she'd just listened to Taylor's pleas, none of this would've happened. She saw everything as her fault. If she had just been better, Tyler wouldn't have died.

Imagine how strong she must've been to be the one to get Tyler off that tree that night. To inject into him the sedative, having to use all her strength to stop herself from trembling in those moments— the slightest slip-up could compromise any chance they had of saving Tyler.

In the hospital, all she needed was comfort, which Aiden unexpectedly provided her. It wasn't meant as a romantic act, it was just basic human decency. A tap on the hand and the light squeeze of her palm was enough to break her. She never expected that of Aiden, and Aiden never expected that of himself. They only reacted like that because— well, what could you expect from two clueless teenagers? Their development is amazing excluding romantic interests, and they aged beautifully as characters.

Having to drag Aiden's limp body to safety at the school, after witnessing him die just after Tyler did— all under her care, that was already too much to bear. Seeing Aiden look like that just before waking back up to his seizing body, she was completely frozen. Overwhelmed. If she had just reacted faster, or had kept them closer, maybe she would've been able to save Aiden in time. But no. She fucked up, again, and the guilt she felt for it crushed her. If she had just been better, none of this would have happened.

She always felt responsible for their safety, and always blamed herself for things even she had no control over. She thought everybody expected the best of her at all times, and she'd be letting them down if she were to just cry or crumble where she stood. She's a character who'd choose to go back to the past and fix all her mistakes. The new her wouldn't have traded them for the world, and if she were given the chance to go back, she wouldn't even dare to change being friends with them, she'd just keep them even closer, and make sure none of those bad things happened again. She would do it all again if it meant they'd be safer.

[mybworlds]

Chapter 9: Emptiness

Pairing: joel miller x f!reader (no use of Y/N) | Rating: 18+ Minors DNI | W.C.:

Summary: Your life sounds perfect: you live with a perfect man, you live in your dream house, you do the job you love, you don't miss anything, except love and passion.

Warnings: no use of Y/N, use of you, reader is a photographer, reader has no physical descriptions except hair (no type or color) long enough to hold on to, unspecified age gap, Joel and reader are two cheaters, for a while. Smut, use of pet names, dirty talk, masturbation, unprotected PiV but the first time, creampies, comeplay, oral (both f and m recieving), exhibitionism, size kink, personal use of an unspecified sex toy. No outbreak here. Let me know if I missed anything!

Masterlist

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Thx for the dividers @saradika-graphics

Taglist @harriedandharassed

The air suddenly becomes suspended, as if charged with a strange electricity. Patrick no longer speaks and Joel seems to have become a statue, you don't know what to do or say. You wish you hadn't been so direct and hasty in your words, but now it's done, you can't go back.

“Patrick?” you resume “I'm sorry, but I had to tell you the truth. It's not fair that you still believe or hope that we'll get back together.” you are lapidary even though you don't know if there will actually something with Joel, but you really hope so.

Patrick sighs, “I see.” He sighs again, “Are you happy?”

You feel a tightness in the pit of your stomach, you close your eyes and look up at Joel who instead is not looking at you anymore and you feel empty. Is he afraid? Does he not want to? Does he not care about you?

On the other hand, he’s always been clear, he told you since your first meeting that he doesn't want a relationship with you or anyone else, why should he change his mind now? For you? Not even before you were in bed, he told you that he wanted a future with you, he just told you that he was fine, but... while for you that might mean having feelings, for him it might not be like that.

“I'm confused.” You are sincere in your response to Patrick.

“He doesn’t want you?” he asks you.

You look up at Joel who has his back to you now, his body turned toward the kitchen and his hands resting on the sink, his head still low.

“I don't know.” You answer him and in those moments, seeing his reaction, you can't help but wonder if deep down you didn't do everything wrong with Joel and Patrick. “Patrick, I'm sorry,” you add, clutching the phone tighter.

“We’ve both hurt each other, baby.” He sighs. “I don’t know what’s going to happen with him, but I hope he makes you feel more important than I did.” he adds with a regretful tone.

You wanted to tell him that given Joel's expression, it's highly unlikely that you can or he will want to continue seeing you. But you don’t say anything.

“I wish you every happiness,” Patrick tells you again.

“Yes, you too.” there’s still a moment of silence between you, then he ends the call.

You place the phone on Joel's kitchen peninsula and then look up, taking in the weight of the words you just said: Joel is silent and motionless as if everything he has heard has robbed him of the strength to move and speak. He still doesn't look at you.

“Joel?” you call, getting up from the stool. “I’m sorry you heard it that way, but… it’s the truth.”

He sighs, looking towards the window next to the kitchen, “Do you know why I never wanted to bond with someone again?” he asks without looking at you.

You shake your head, even though you know he's not looking at you.

“Because I can’t stand to see or hear words like the ones I heard. D’ you know what my ex-wife said to me when I tried to find a way to get back together?” he pauses, a long one and that's when he turns towards you “That she had fallen in love with someone else, that she was confused, that things between us weren't workin’. Do you know how that made me feel? Useless, a useless man." he nods “And the worst thing is that Patrick is my friend and I did what I did to him.”

You frown, “There were two of us, there have always been two of us who were together, in confiding in each other.” You tell him almost in a pleading tone “Please, don’t feel guilty. We both wanted it.” he shakes his head. “Joel? Please don’t.” a horrible creepy feeling spreads inside you, Joel doesn't want you. He's pushing you away.

Your eyes fill with tears, your lips tremble, you look down, while timid tears fly towards the floor. You feel like throwing up, a feeling of rejection, of pain tightens your stomach making you almost unable to breathe.

“Please, talk to me.” you beg.

His face becomes tense, then he finally looks up at you and the sweet look you had found there until a few minutes ago has disappeared. He looks cold, his gaze hard, then shakes his head, “I can’t.” his gaze is empty, unrecognizable.

“Maybe we could...”

“No.” his tone is cold, he doesn’t allow for replies “There’s no us.” you freeze in place "You better go.” he adds, looking everywhere but at you.

The world around you is spinning wildly. Suddenly nothing seems to make sense, every thought you have is jumbled together so meaningless. Your lower lip is trembling, shy tears are streaming down your cheeks, “That was the reason why I just fucked. Now even that won't be possible anymore because every time it’ll happens, I won't be able to help but wonder if I will see your same look in another woman, or if any other woman won't want to change her life because of me." his is a thin whisper in which each word is well articulated and impossible not to hear.

You’re about to tell him not to shut himself away, not to treat you like this, but he interrupts you again, “When you go out, make sure you close the door tightly.”

You're about to repeat his name and beg him not to treat you like this, but nothing comes out of your mouth, not even a sound. He gives you one last long, silent look, then you're left alone in his house.

You look desperate and absent at the same time, you don't even know where you're going. You only know that you're empty, completely empty. Your heart is beating hard in your chest, it hurts. You are speechless and almost breathless. What happened has completely shaken you. You are struggling not to give in to the tears that are building up in the back of your eyes.

Everything is destroyed. Everything is lost.

You have lost everything.

You have nothing left and what could have been a beautiful project that you could have shared with him, with Joel, has disintegrated because by his own admission he himself has already lived everything and does not intend to do it again. He's always been clear from the beginning. His previous relationship burned him so much that even his heart is reduced to ashes and now maybe hearing it beat again for someone pains him so much that he doesn't want to feel it.

You wipe away your tears a couple of times, not wanting to attract anyone's attention. You know that surely no one will even look at your face, but crying for you has always been an act to be done alone.

You have now arrived in front of your shop, the seat of your great infinite pride, your job. Maybe everything can start from here, from who you are, a photographer, a good photographer. And it's not you who says it, but the people who turn to you.

You struggle to concentrate, your mind often goes back there, to that silent goodbye. Joel won't go back. If his ex-wife hurt him as much as he says, he won't look for you again.

No matter how hard you try to think positively, to focus on something else, your mind always takes you back to that exact moment, to when you destroyed three lives at once, when you uttered those fateful words.

I fell in love with someone else.

You feel stupid because for a day you really had illusions that Joel could choose you, but then all of that dissolved before your eyes, shattering your hopes and your heart.

Emptiness.

That's what you feel.

Emptiness.

Just a deep, unbridgeable void.

As the hours pass, the situation does not improve, indeed it seems always be worse.

You feel weak, cowardly, maybe the problem is not Patrick or Joel who clearly rejected you, but you are the problem. Maybe you need so much love, passion, desire that you don't care about making others feel bad if you're fine.

What kind of person have you become?

Daisy's words that should comfort you make you collapse into a state of great despair. She’s very sweet, she takes great care of you in every possible and imaginable way, but all this doesn't lift your spirits.

You don't know what kind of person you are anymore. You once knew exactly who you were and what you wanted, you thought you knew it and you went straight down that road.

The result?

You hit a wall called Joel Miller. A wall that left your heart broken, bleeding and humiliated you like no one had ever done before.

But you want to make a last desperate attempt, you want to talk to him. You want to do it calmly, find the right words and not be reckless. You know it will almost certainly hurt to hear certain things, but you want to hear them. You have two.

Are you a masochist?

Yes, maybe.

But then you tell yourself that if he's cruel to you again, you'll be the one who doesn't want to think about him anymore. You want him, you want him in your life, but you don't want someone who makes you feel weak and vulnerable, who uses you and then throws you away like that.

You are not like that, you know it. You know you are worth so much more than this. You deserve better. And if that better is being without Joel Miller, then so be it.

Daisy of course advises you against it. She says you aren’t thinking clearly yet. You feel confused, but determined.

It's been almost three weeks and now you're sure you want to talk to him, you need to. Even if you know you probably won't get a different answer than the one you've already had, but as much as it may hurt you now you want to put an end to it.

The emptiness he left in you has given way to disappointment and anger.

You reach his house thinking about what to say to him, but everything seems stupid or incoherent. You are in front of his place.

You ring the bell.

What the fuck are you doing here?

You hear a voice shouting ‘comin’, it’s a woman. Your heart skips a beat. A moment later, a beautiful woman opens the door. The woman is wearing a bathrobe, she looks strong and determined, but above all happy. She smiles at you, “You’re the delivery guy, aren’t you? You were fast!”

You're shocked, “No... uhm, is Joel there?”

“Yes, are you a colleague of his?” she asks you, pulling the edges of his bathrobe a little tighter.

“No.”

“So, who are you?” she asks.

“Uhm…”

“Tess, who’s there?” another voice from inside reaches your ears. It's Joel.

Joel appears behind her, opening the door a little wider. His expression changes from puzzled to astonished, then he becomes gloomy, “What are you doing here?” he asks you.

What are you doing there? You're wondering that too.

Tess looks at your face, then at Joel's. You don't know what to answer.

You kind of expected it, but not in such a brutal way. He replaced you even though he told you he couldn't do that anymore after what you told him.

“Sorry, I was wrong to come.” You don’t know what else to say to them.

How stupid!

You turn your back on them, feeling a lump in your throat. You move away quickly from Joel’s place. You were wrong to go there, but now more than ever you feel like you can move on and stop thinking about him. He has already replaced you. There’s nothing left for you.

You decide you don't want to think about Joel Miller anymore, since you met him you have fallen into a vortex of passion, he has satisfied you every time, but no one has shattered your heart like he did. You hold your hair with both hands, tonight you stay in your shop where you tinker with the computer. You look back at all the photoshoots you've done over the last two years and think about how many times you've put yourself aside to please others, but making yourself unhappy and pretending it was your decision.

Now all this has to end. From now on you will only think about yourself, for a while enough with love. You have only known how to make a lot of messes. You go through some old emails and find one from a few years ago that you received for a fashion show of a prestigious fashion house. You never wanted to trash it because you liked to remember that moment and then because in the email as a post scriptum they had written to you that if you had been interested there would always have been a place for you. It was really a great service that you did, you remember that they wrote to you that the sales had even tripled after your work!

You smile while looking at the screen. Why not!

Maybe Saint Barbara will do you good.

[burningcheese-merchant]

I know that it is highly unlikely that it is the case, but come and give it a thougjt with me (Yandere Spice with a twist).

What if: Burning Spice, despite being completely obsessive and being the sadomasochist he is, routinely cuts off the heads of animals and cookies and brings them to her the first time with a love letter (he used to be the Herald of Change, so I'd imagine he's got- and retained- some brains, enough to at least write a psychotic obsessive love letter).

Now, Golden Cheese is obviously gonna freak the f out and gape as he shoves the head into her arms (probably throw it into the air and back up in panic) while Burning Spice- though displeased at first, just grins manically at her reaction soon enough (maybe even laughing), before he grabs it and shoves the letter and head onto her hands again and leaving.

Golden Cheese, having noticed his reaction to her throwing it, becomes concerned with what he might do if she doesn't accept the 'gifts', decides to keep it (She flies hella fast and enters through her window and hides it in a secret compartment in her room, before creating a hidden room the other gifts in the future).

Now, here's the twist:

Despite the shock and horror she displayed to Burning Spice's gift, she knew that deep down... She fucking loved it. She silently revels in it, even. At having so much of the Beast- A cookiebeing you could practically almost consider primordial and all-powerful-'s attention and taking up so much of their headspace. To be obsessed over adored by someone like that, so much so that they would go out of their way to behead someone and something and write a love letter daily, just to give it to her as a gift-

In short, she absolutely loves the attention she will never say it and will keep that to her grave and Burning Spice and everyone else is none the wiser of it. Of how she'd kept every letter and laminated every single one with the care and cautiousness and love one would use when holding thin glass, of how she intentionally goes out alone every day for a few minutes just so Burning Spice would 'see an opening' and give his gift, where Golden Cheese would then act terribly disgusted and horrified, and then keep the gifts. Ignorant of how she has a room full of the 'gifts' he's given her- which she'd taken the time to personally taxiderm each and every one, before hanging it on the wall like a reward or trophy. Of how she'd come to the room every night to just adore it just the sight makes her want to coo and purr in delight for a few minutes to an hour, before going to bed and resting.

Sorry for the rambling and the long paragraphs 😅😅

This is such a horrifying (in a good way) concept that I MUST acknowledge it and give my take!!! Gonna put it under a cut because this is particularly dark

Yandere Spice basically acting like a cat is so fucking funny to me lol I love it

I'm so glad you think Spice is a smart guy due to having been the Herald of Change/History, because I think that too! He simply HAS to be intelligent, even wise to a degree. It would be ridiculous if he wasn't; being buff doesn't automatically mean you're dumb. And I LOVE the letter thing, I've always headcanoned Spice (the "normal" one, not the yandere one) as writing Golden romantic poetry (and her liking it lol. It helps win her over).

Now, with the murder gifts: of course Golden is horrified. Not only has Spice ended innocent lives, but he did it for her. In a way, it's her fault, and she feels horrible. Animal, person/cookie, doesn't matter, Spice has killed again and he gives the fruits of his sinful labor to her as a declaration of "love". It's sick. No matter how deranged she finds him, he finds a way to sink lower. (But... one thing: he never hurts birds. He has never once brought her a dead bird, because even he knows that's a step too far and she REALLY won't like it. It's the one little drop of care and tact that he possesses.)

But that twist: somewhere beneath all those layers of shock, disgust and righteous anger is... flattery. Sick, twisted flattery. There's nothing Golden loves more than being praised, than being worshiped, than being showered with attention and gifts... and Spice is doing that. He's feeding her ego, albeit in the worst way possible. And so great and terrible is her ego, no matter what she does to temper or suppress it, that somewhere deep down inside, she enjoys what he's doing. That he'll gladly kill for her. That he'll show off his hard work in search of her praise and admiration. She is a goddess and he knows it. He is giving her the adulation she rightfully deserves.

Now, of course, this contradicts her normally altruistic nature, and she has a massive crisis of conscience. She keeps everything Spice gives her, she keeps the heads and the letters and stores them all properly, because... Well, she tells herself that it's better this way. If she refused them, he would retaliate, if not against her then against another innocent. If she preserves the heads, she can later discover who they belonged to and hopefully return them to the person's family (and it was the least she could do; clean them up, give them back even a fraction of their grace and dignity...). If she reads the letters, she'll have better insight into his mind and how he thinks, and thus be able to formulate a better response to him and his behaviors. These excuses are what she mutters under her breath over and over as she sneaks the heads into her room, through the window so no one sees her. As she tidies and laminates the letters, and stores them in a secure folder that she tucks into a box under the bed (which eventually becomes boxes, the more and more letters she gets). As she expertly taxidermies the heads and places them on nice shelves in a hidden closet in her room. It's better this way. She has to do this.

...and these are all true, they really are. But at the same time... Existing alongside this pain and terror and crushing guilt, is the sick joy in knowing that she has someone wrapped around her finger this completely. And a Beast, too. The Beast of Destruction, no less. Burning Spice himself, heads over heels in love with her, willing to do anything to have her. It shouldn't please her to have a monster practically at her beck and call, but... it does. It really, truly does. And no matter how much she hates herself for it... It's never enough to make it stop.

Sometimes, she'll hint at a specific person she doesn't like - usually a known enemy of her kingdom - just to see if he'll do what she thinks he will. Sure enough, the next time they meet, he has that person's head ready for her, all but puffing his chest out in pride and grinning that hideous, face-splitting, cruel grin of his. She acts upset, but she's actually pleased to know that she was right: he WILL do what she tells him to, just to please her.

Sometimes she'll stand there admiring her ever-expanding taxidermy collection, congratulating herself on her hard work; she does a better and better job every time. (And when the guilt comes bubbling to the surface, asking her why they're still here and not with their loved ones so they can have a proper funeral, she tells it that Spice will lose it if he catches her giving them away. Or she'll be made out to be the one responsible, since she's the one who has them. Or they're dead, their souls have departed to the afterlife, what happens to their mortal vessels matters not anymore...)

Sometimes, when she's in bed at night, she'll pull out the letters and read them. Sometimes she'll read one, sometimes a few, sometimes all of them. Some are surprisingly sweet and romantic, full of oddly gentle and doting words; she can feel the warmth and affection soaked into the page. Others are downright vulgar; she feels her own face catch fire as she reads through what are obviously his fantasies, the list of ways in which he wants to pleasure her so long and graphic that she suspects he wrote them one-handed, if you know what I mean. The rest are just flat-out deranged: feverish rants about his ownership of her, how he hated and wanted to get rid of those around her, how she took everything from him (his power, his sanity, his heart, his soul) and he was willing to pardon it if she gave him everything of hers in turn. How he will never stop hunting her. How he will slaughter thousands to get to her. How he will bring the world to ruins just to have her to himself. Madness. All-consuming delusion that she fears is incurable.

But the worst part is... she doesn't know if she wants it to be anymore.

All she can do now is... hope he never finds out. Hope he never knows she feels this way. That she relishes his kills, his gifts. That she has a godforsaken trophy room now. That now she's as starved for his attention as he is for hers. (And he will. The idea is simply too tantalizing. He WILL find out eventually, someway, somehow - and when he does... Oh boy.)

TL;DR: Golden is so greedy that her greed has warped her into being as bad as Spice, at least in her own way. They probably deserve each other at this point. Pure, incorrigible arrogance and psychopathy all the way down. God/Witches have mercy on us all

[maxdibert]

Look who's back, I hope this isn't bothering you, but my friend really thinks that suffering violence doesn't justify being a violent person and I really need to talk to someone about Severus.

Not long ago I asked my mother with exactly these words “if a person grew up amid violence and only suffered violence, is it abnormal for them to be violent?”.

And she said: Not always, it depends from person to person. Some will be different from the experiences and environment they lived in, while others will not. But the chances of a child who has suffered violence also being violent is 98%.

And it made me think about how people see Severus as an exception and not a statistic. And, for some reason, they make it a competition of traumas and belittle his suffering because he is not a perfect victim who swallows his spite, forgives those who hurt him and pretends that everything is fine when it is not.

Experiencing violence doesn’t justify being violent, but it can explain it. There’s a substantial difference between justification and understanding. The reason why someone is the way they are doesn’t mean that behavior is acceptable, but it helps to understand their character. This is essential if you’re working with that person professionally, for example.

That said, this has many nuances because experiencing violence is just one of many factors that can lead to antisocial behavior. If violence occurs in isolation and the victim has resources and support, the likelihood of them developing violent behaviors is significantly lower. For example, take an average bullying victim. They may have suffered a lot at school, but that’s just one part of their life. What if they had a group of friends outside school? What if they had a stable relationship with their parents? And if none of that happened, what if they found a safe space with people who respected and valued them when they went to university? The environment is crucial both for healing trauma and for the development (or prevention) of problematic behaviors. The problem for victims of violence, in terms of their cognitive development, isn’t so much the violence itself but the resources and tools they have to heal afterward. And healing requires many factors.

Severus represents the case of a victim of violence who suffered it not just in one environment but in all of them. As a child, he experienced abuse at home, and as a teenager, he was bullied at school. He comes from an environment where he has no tools to cope with that violence because he grew up extremely poor, and his parents were participants in the abuse. The abuse continues at school, where bullies make his life hell, and once again, the adults around him not only fail to intervene but either force him to keep quiet or even reward his abusers (James being made Head Boy, for instance). He grows up in an environment where violence is normalized, and the adults in his life constantly justify or validate it. The only people who accept him are the Death Eaters, who are themselves a highly violent group. Everything around him during the most crucial stages of his cognitive development fosters not just a normalization of violence but a justification of it.

When he leaves the Death Eaters, instead of finding an understanding environment where he can start fresh, discover himself, build friendships, and maybe construct a new life, he is trapped in the same school that was a nightmare for him, with no tools or ecosystem that might allow him to heal or attempt to overcome his trauma. Dumbledore doesn’t help; he treats Severus like a soldier, trapping him in that violent cycle with his role as a double agent and feeding his guilt precisely to make him more effective for his plans. Severus isn’t a colleague; he’s a tool.

In my opinion, if he had been able to escape all of that, focus on his own life, and build something for himself, yet still remained violent, then his behavior would be absolutely inexcusable. He would have had opportunities. He would have had the chance to choose to change but refused to do so. However, a person with Severus’s past, environment, and position had no opportunity to change because he lacked the space or means to do so. No one offered him a hand. He was alone, he had nothing, and when someone finally gave him something, it was only to imprison him in the cage of his demons and use him for their own ends. He couldn’t escape from that.

It doesn’t make sense to blame someone for being resentful when their entire life has revolved around an endless cycle of suffering. People like that never end well.

[blu3-ja3]

Did I give O'Connor a phobia that I have... Yes do I care, no! Having perfect characters is so boring! I'm currently cleaning out my drafts I promise I'll start writing my story soon!

O'Connor has never liked riding in cars, very specifically cars. She can handle being on a boat going at top speed, she can handle being in a helicopter making evasion maneuvers, hell shes loved the few times she's driven a motorcycle or ATV. But for whatever reason she hates being in cars, a small part of her knows it is trauma from being in the car crash that killed her mother and crippled her father. But even before the accident she hated being in those vehicles.

Price learned early on into his deployment with Sergeant O'Connor not to put her behind the wheel or near the front. He sees how she clams up, trying her best not to shake like a leaf. She'll never admit it nor argue against driving when told too. Hell there's been a few times where her twitchiness behind the wheel has saved his and his team's asses. That doesn't mean he won't do his damnedest to keep her in the back away from the windows.

Ghost notices his new Captain is a bit nervous, it radiates off her in waves. She was fine up until they had to get into the dingy little pickup, he noticed her hesitation to drive like a deer ready to run at the faintest sound. She only calmed a little when Ghost got into the driver's seat, but her leg is bouncing so hard she might punch a hole through the rusty bottom of the truck. And when he asked if something was wrong, she was short and clipped. The polar opposite of how she interacted with him this entire mission, it's their first time on the field together. It's just them and yet she's never once steamed rolled over him like all his other captains have... Wel not Price but everyone else. No instead she asked for his opinion on every major decision and she actually listens to his suggestions adding to them or just going with them. He's worried but it soon disappears as they reach their stop, he watches her basically bolt out of the truck as soon as it stops. And only then does it dawn on him why the sudden change and he relaxes again.

Gaz is an excellent driver, he knows this, it's a point of pride for him. So he's a bit miffed when he notices the doctor gripping the oh-shit handle for dear life as he speeds through snowy hills of middle of nowhere Canada. He's used to seeing people smiling and enjoying themselves when he drives like this. There's no danger chasing after to warrant this kind of stress from O'Connor but it's there. He slows a bit much to the disappointment of himself and Roach who sat in the back. He watches as O'Connor calms a bit from the corner of his eye and he feels a little hurt. It isn't until he watches her when someone else is driving does it click, it's not just him... Though his speed didn't seem to help.

Roach finds it very odd that at every chance she gets O'Connor sits in the back seats, even though she would be far more comfortable in the front. It baffles him every time she gives the seat to someone else including himself but he's never one to look a gift horse in the mouth. It isn't until Soap and Gaz spell it out to him does he notice the panic she holds in her body even in the back seats. He takes it upon himself to distract the doctor while in transit. He's had varying degrees of success but he's noticed a pattern. When O'Connor can't see the road she's calmer, prefers to not have a window to see outside. He does his best to help her on the more stressful drives, it's only fair she's helped him with a million of his own fears.

Soap is a smart man, he's also observant, despite what people think. So he picks up on O'Connor's tension when she's riding with himself, Ghost, Alejandro, and Rudy through Las Almas. At first he thought it was due to being in a car full of men but he quickly wrote that off as soon as they met the rest of Alejandro's team. Her tension was slow to creep in when they're driving and it's only when they're in the cars. He thought it was interesting how well she handled everything else but as soon as they started driving it was tension. He also knows she calms a bit when they speak gaelic, much to the chagrin of their traveling companions. But if it helped his friend calm down then he'll deal with the confused stares.

The boys all agree behind O'Connor's back that if given the option they won't drive, if they have to she gets the middle seat and either Roach or Soap are to sit next to her. Price feels a bit of fatherly pride when they bring it up to him, knowing they're willing to help O'Connor the best they can without being told outright to do so.

[wingedshadowfan]

⚠️arcane s2 act ii spoilers⚠️

listen to me and listen well. i'm gonna analyze the caitvi breakup scene conflict in detail (and tell y'all why caitlyn is not the villain y'all paint her out to be)

first of all, caitlyn has every reason in the world to hate jinx and want her gone. there are more neutral reasons like the fact caitlyn is a police officer and jinx is a threat to piltover and zaun's law and order, any material property she can reach and basically everyone around her bcuz she's insane, unstable and more than capable of causing damage. then there are deeply personal reasons: jinx tried to blow up caitlyn and vi on multiple occasions, kidnapped caitlyn (god knows what she did to her before vi joined the tea party, but other fans have pointed out cait was so traumatized she went from not exhibiting any fear of jinx before to shuddering when seeing her after), tried to get vi to kill caitlyn, killed her "father" silco on accident, blew up the council, killing caitlyn's literal mother among others and causing injuries and damages. caitlyn at this point might even believe jinx is the one who organized the massacre at the statue reveal ceremony. she even acknowledges how easily jinx's actions and the trauma they've caused her have undone a lot of the work caitlyn has put with the help of vi by her side into seeing zaunites as people despite the way she was raised. all of her anger at jinx for this, for taking her mother, for all the pain she's caused, even her fear make caitlyn desparate. she starts taking more drastic measures in order to catch jinx like using more violence/threats towards innocents, which is the one thing vi tries to address with her. caitlyn promises she won't change. but she already has, as an unconscious and natural reaction to what she's experienced.

earlier, caitlyn doesn't offer vi the police badge just bcuz she's mentally stripped vi's zaunite identity from her and now sees her as a topsider and one of "the good ones" (i bet she's started to do that too, as alluded to by maddie's words abt caitlyn saying vi went after silco alone, but caitlyn does this just so she can compartmentalize better and separate her beloved vi here in piltover, from jinx who's taken so much from her down there in zaun), but also bcuz she needs vi's help to get through zaun and find jinx. as she's just lost someone, she badly wants to be able to keep vi close, on her squad, in her line of sight, in order to protect her and make sure nothing happens to her on the potentially deadly task of finding and eliminating jinx. (i want to add smth else here: notice how vi feels guilt for failing to keep others safe and feels responsible for protecting the people around her, so she tries to distance herself from them, like not letting powder go with the big kids, and fights short range, keeping enemies close to her and away from her allies so they can't get hurt. caitlyn does the opposite, she's a long range sharpshooter so she tries to keeps her loved ones as close to her as possible under her watchful gaze, far from her enemies.) it's never implied she wants vi to be a cop forever, or perform any such duties outside of this jinx mission. she's still at fault for not understanding what putting on the uniform would mean to vi - a betrayal of her family, her home, everything she's ever known and loved until now, which vi isn't ready for and caitlyn can't rightfully ask of her. yet vi doesn't say that to caitlyn (and continues to not say anything when their squad of misfits starts gassing up the undercity) and takes it because she sees no other way. she knows her chances alone against jinx aren't looking good.

vi can't bring herself to kill her sister (despite the fact that she's mostly gone, incredibly dangerous, unstable and could've easily killed vi and caitlyn - even accidentally, like she killed silco) and doesn't want her to die either. we can even look at what caitlyn thinks needs to be done with jinx and what vi thinks needs to be done with jinx as a cultural difference betw the two bcuz in zaun where survival is essential, family is everything, you're bound together by what you've been through and you need each other to survive so you don't just cut family off, you don't judge them harshly, leave them or turn them in, but in piltover where that's not the case, there are laws and people who serve to enforce them like caitlyn so if you're a bad person who's done bad things, there's a way for you to be dealt with. vi doesn't realize she wouldn't be able to kill jinx or let herself feel that way bcuz of the amount of guilt she harbors for "creating jinx" and the responsibility she carries for jinx's actions (smth she internalized bcuz of vander teaching her that as a leader she's responsible for whoever chooses to follow her) - again, jinx stealing the hexcore, kidnapping/torturing cait, almost killing the two of them, blowing up the council, etc. so she offers to deal with jinx herself, which caitlyn doesn't want, knowing first hand what jinx is capable of and maybe even suspecting vi's weakness before vi can - caitlyn even says that she's scared that if either of them goes after jinx alone, she'll return in a box. and instead of listening to her own feelings and telling caitlyn about them, vi again decides to "toughen it out" and pull through with it. she tries to seem stronger, more ready and certain when she tells caitlyn to take the shot, but her fear of being faced with having to kill jinx becomes even more evident in the fact she basically indirectly asks caitlyn to do it for her so she doesn't have to.

when the fight breaks out, the danger is very real. sevika can take caitlyn down easily as she's a long range shooter, not a close combat fighter. while cait's fighting tooth and nail, jinx and vi are dancing around each other the way teen girls fight compared to other fights they've had (jinx hitting with her wrists, vi stumbling, etc). they're not fighting to the death bcuz they don't want the other to die. when vi finally pins jinx, who's seemed quite normal until now btw, as if she's finally in her right mind (like smth in that mind can be salvaged), vi notably hesitates. a lot. and before she does anything or moves so caitlyn can shoot, isha jumps between vi and jinx with a gun to vi's head. and here's where i need y'all to be fucking for real. the fear and anger caitlyn must've experienced in that moment are what made her completely lose it, i bet she fully had an out of body experience. now, caitlyn isn't a great shot, she's an excellent shot. if she shoots the gun out of this kid's hand, she saves vi from her brains being blown out of her head. if she misses, worst case scenario, she takes this kid's hand out. she takes the fucking shot to save vi's life, a calculated risk even if she does it rather on reflex. we even see how the bullet flies way closer to vi than to the kid because she's self correcting potential aim errors away from the kid.

now that the kid isn't pointing a weapon in vi's face anymore, instead of pulling the kid from jinx and hauling ass so caitlyn can shoot again safely (see: bcuz she doesn't want jinx to die), vi stands up and starts telling caitlyn not to shoot, even getting in front of her. caitlyn is verbally but not really mentally responsive to her surroundings in this moment, that's how gone she is. her vision tunnels onto jinx and she tries to keep shooting until sevika pulls the lever and we exit combat. vi reasonably confronts caitlyn for shooting at a kid (after caitlyn stops hitting the wall like a woman gone), which she only does because of her fear for vi and fear of jinx (and what she might do next, or if they let her get away) because she feels betrayed, since caitlyn just told her she wouldn't change. she did changed - she became more brutal, but she'd already changed long ago, when she lost her courage, her mother, her progress and when she came to love vi.

and now it's caitlyn's turn to confront vi. vi didn't have the guts to tell her she can't kill jinx, that she can't wear the uniform, that she's not okay with gassing zaun up, and even encouraged her to shoot, so cait was under the impression that this was it. that they were going to end jinx for good. when she says "i thought you were different but you're not", of course she might mean she thought vi was "better" than other zaunites, but i think perhaps even more than that, she means she thought vi had also been changed in the same way by the trauma jinx had caused caitlyn, that she'd finally let go of her hope powder was still somewhere inside jinx and realized how truly destructive and dangerous jinx is and how that necessitates killing her. while vi is immunized against the terrors, caitlyn has never experienced anything like this in her life, which is why she doesn't understand why vi doesn't understand, why she wants jinx to live despite everything.

while vi doesn't seem to understand, she's ready to try to. she's let her guard (and gauntlets) down, she's open and attempting to talk to caitlyn who has shut off completely and refuses to even look her in the eyes (which is one of the primary ways in which caitlyn connects to people). vi tries to stop her from leaving and caitlyn strikes her, as hard as she can, purposefully hitting her in her stab wound which she helped vi recover from herself - almost as if condemning their past relationship and everything they've been through. not only does that physically bring vi, someone used to taking hits, to her knees - it completely incapacitates her and breaks her heart. she can't even follow. she's officially lost the last good thing she had, the one person who cared about her.

both of them are left feeling betrayed and hurt. some of these conflicts could've been avoided by simple communication, others were by design of who they are and where they come from.

[hopetune]

She finds a pen somewhere on the piano and begins transcribing Furina's hums, eyes occasionally shifting upward to the starless sky. Robin had anticipated another surrender of another heart, but this turn of events was something she'd happily accept. A small smile begins to stretch across her face. "It's a great start. I do like what Mr. Kaveh mentioned about the stars—if we arpeggiate the notes it could sound like soft twinkling... perhaps it could comfort her."

The composition is finished after a few more moments, and Robin gently slides the sheets onto the piano's music shelf. The girl startles at this, looking around for who might have given it to her. Then, she sets her fingers down onto the piano and begins plucking away at the keys. Her technique is solid—each measure is played with precision, though it's just that. Precise, technical. There is none of the emotional nuance of the composition. When the performance finishes, the girl is quiet for a moment before speaking up:

“Is someone there? Did you write this? It’s very good, I… hope I played it well for you.”

Robin doesn't know if this girl will hear her but she speaks anyway. "We did. We wrote it just for you. You played wonderfully, but... there's a lot of tension in your fingers"

The girl evidently does not hear her, as the girls before her were unable to hear. 

Furina speaks up. "It appears we cannot cure her of her affliction. Her playing..." she shakes her head. "There's none of the emotion we were hoping for in this piece."

Of course two seasoned performers would take notice. Robin frowns. "Indeed. Maybe Alor was right. Perhaps there's nothing else we can do aside from offer our heart."

But she still wants to try. At least the girl seems to be able to read what they write. So she picks up the pen and quickly writes on the music sheet: 'Good technique. But can you try playing this piece while looking back on a memory you have? It can be sad or happy.'

The girl blinks at the writing that appears. “A memory… ” she repeats, before closing her eyes and playing a few measures. After a while, she stops, shaking her head. “If i distract myself with a memory, I miss notes… my teacher always tells me that the notes are more important than what they mean. ”

Robin writes again: 'Perfection isn't everything. A song is always meant to carry the emotions of whoever is performing it. Please, try letting go of that notion, even for a few measures, and see what difference that makes.'

Beside her, she hears Furina comment. "Goodness, well that's the heart of the problem then."

Robin looks at Furina with a sad but agreeing nod. "Some teachers are no good at all…" she looks back at the sheet music, "Ah, is there anything else we can tell her?"

"Tell her that her teacher isn't here anyway." Furina says, "Who's it going to hurt?"

Robin smiles slightly at this. She's right: who's it going to hurt? "That's a good point." Then she writes another line in the sheet music. 'Your teacher isn't here right now. It wouldn't hurt to try, would it?'

The girl is hesitant at first. "But…” eventually, she plays once more. The feeling is more apparent, though not in the explosive, raw, visceral way that it usually is. This seemed more like a whisper of that emotion, the effort to reach for the stars as opposed to the stars itself. Still, Robin finds it to be a good improvement.

The girl stops after a few more measures, face tight and doubtful. "Was that… did I..?"

"Just like that," she hears Furina say. "Technique can be learned, but feeling can't. And that's what separates art from mere replicative craft. Any meka can plunk out notes on a piano. but only a feeling heart can play."

Robin claps her hands together, smiling. "You've put it aptly, Miss Furina. This is the beauty of art... It's human." she says, before remembering again that they can't be heard. She writes: 'That was much better. How did that make you feel?'

The girls shakes her head slightly, "Like nobody would wish to hear it, if I did play that way more often. The mistakes, they… they’re all I hear. ”

The songstress feels something tug in her chest. She recalls feeling similar when she was younger, when her teachers were harsh and she had little skill. It was only through the encouragement of her brother that she was able to rise to the stage. A moon is only ever the reflection of whatever light the sun gives it. So she writes:  'I loved hearing it. So did my companions. Sometimes the mistakes are what make a song beautiful. Maybe you don't believe me now, but you'll realize this is true eventually.'

"Maybe…" the girl doesn't sound too convinced. Robin wonders if there's more she can tell her to make her feel otherwise, but it is here that she realized the upsetting truth of the matter: the girl is unable to feel anything at all, and a song is sometimes, most times, never enough to save someone. The songstress' throat feels tight, as though the jagged pieces of lilac-stained glass in her fist had lodged itself in her mouth.

Alor was right.

˚ʚ [ THREAD END ] ɞ˚

give little anguish

˚ʚ [ #GHSecondSky — week 2 ] ɞ˚

[clonerightsagenda]

Observing various takes and tags on the content warnings poll and while my initial response was 'I see their utility but have a kneejerk assumption that the work that follows will be very Online' I am increasingly persuaded that the ideal solution is a folksonomy system a la 'does the dog die'. Because, frankly, the author may not realize what's most upsetting about their work. If an author deliberately writes about sexism, for example, it's easy enough to warn for. But if the author unconsciously writes something sexist, they're not going to think to warn for it, are they? If there are content warnings for other things, that just means the reader will be even more blindsided. Author-generated warnings leave you at the mercy of what they think is most upsetting, and that's a personal judgment. If we were going to hypothetically make this a Thing, I think crowdsourcing is your best bet.

[rendnotmyheart]

Soulmate aus are so interesting in an iwtv context. Like for humans it's easy, right? They get their soulmate mark, they find their soulmate, or maybe they don't, and they live their life. For vampires though? Do vampiric soulmates even exist? How could they when the soulmate marks are relics of their human life? When the other person who has the mark will be dead before their life as a vampire has even begun? Or were they always fated to become a vampire? Did the universe take that into account? Will they have to wait some hundreds of years for their soulmate to be born? Their soulmate could be anywhere, any time. Hell, their soulmate could be the person they just drained. Who knows. Even if they were somehow able to find them, what are the chances they'd stay together for eternity? It is eternity after all. Not even the universe or fate can guarantee that.

[lususnatura]

so, like, although blamore and one of my other characters are VERY different ofc ( and this other character in particular would be barton ) ... there is one thing that they have in common + that is that they believe in the fact that no one should be killing kids. though there is an important distinction between blamore and him whenever it comes to this and this is that, it IS willing to try to scare younger vigilantes like robin for example into thinking that it would hurt them with threats and stuff. which isn't right either OFC but blamore, in his mind, thinks that it's far better than the alternative. so he would do thing's like point the sharp end of his tail towards a vital point of theirs and threaten them if they were a vigilante / hero, but he wouldn't dare actually pierce their skin and is ALWAYS going to aim for incapacitating them rather than doing any serious harm to them.

( think of like handcuffing them to something with a bone or just with their hands + feet restrained with one because there ain't no WAY that he's taking the risk of leaving them being able to move their feet JSJSJ or, if he has to and since he does carry them around with it, just kind of... using the powder form of anaesthetic herbs to disable them through skin contact and/or inhalation 🫠 because no matter what way you look at it, even though there are some chokes used in martial arts that are viewed as 'safe,' they could go wrong somehow and cause someone grievous harm to blamore. thus, even though it's still arguably pretty morally questionable at the very least to force someone to be dazed and/or in a sleep-like state, he isn't going to do CHOKES on a dang kid. )

and whenever i say 'kids,' it also considers anyone that is 21 and under to be one because of it's background in psychology + the fact that your brain isn't fully developed until you're about 25 comes into play here too. so blamore's nature as an herbalist also does come into play during fights sometimes. but yeah, so he would go ' WTF ' if someone tried to seriously hurt or kill a kid in front of him because even blamore has lines that he is not willing to cross despite seemingly being this ruthless person who wants to restart EVERYTHING. and he will falter whenever it comes to some things. and it would tell them to get behind it if someone was trying to hurt them and actually isn't a bad caretaker if one were to somehow get stuck with it for a time, because blamore is VERY capable of being like a guard dog guys, ngl ☠️ LOL

[dutybcrne]

Lumine genuinely had a crush on Dainsleif, even in spite of their reservations about the man and the grudge he held against their sibling, though said crush was quashed very quickly upon witnessing the events of the Chasm, send tweet-

[eimearkuopio]

I think every finite life has wheat and chaff. The moments that must happen for us to become our truest selves, the observations around which the spline is fitted in this specific iteration that defines the underlying truth in a close enough approximation that we can identify the infinite self (but I believe every butterfly was once many, many caterpillars, and dying in a cocoon only means being born a cocoon the next time around).

Maybe we have more people with disabilities for a few reasons. Maybe because we have already built a better world than the one we inherited, generation after generation after generation. Mine is the first generation to have it worse than their parents in so many ways; to have too much circus and not enough bread. Maybe our parents' generation doesn't understand that if they cling to the reins because they fear the children they raised won't care for them, or will care as little as they cared for their own parents, they are doing us and themselves a disservice.

My Nana and I are very alike. I have already identified and sought and received treatment for ailments she suffered from her whole life, and she was brainwashed into believing that her suffering was the price of her reward in the next life. She applied that principle to everyone she knew and loved. As long as she thought she was suffering the most, she didn't care how much she hurt other people, and she didn't want to understand better or do better. The treatments I need for my physical limitations may shorten my lifespan; but they also nearly made me kill myself at 28, and I suffered (AND CAUSED OTHERS TO SUFFER IN SPITE OF MY BEST EFFORTS) my entire life until maybe a month ago. I don't know if I am cured, but I know that I finally have a treatment that works for me. I think it will work for some of you.

Do no harm, but take no shit. I had to be wounded and to heal so that I could learn what was truly intolerable. Nana couldn't tolerate things either, but she never resolved the contradictions. She just came up with her iterations of the solutions.

My mother's younger sister died this summer. I didn't know her as well as some of my other relatives. We bonded a lot last summer. She wasn't part of the Church as it currently stands, and that is a tragedy, because she was the greatest livestock guardian sheepdog I have ever known. More feral than me, but that's because I have Nana's blood to temper Grandma's. Sometimes when you cross two breeds, you get the best of both worlds. Sometimes when you breed two species, you can get offspring, but it's sterile. I don't want to live in a zoo. I want to be free. I know that I will always be apart from the world, but I still want to be in it. I want to live before I die, and I want the same thing for all of you, and I think He did, too. I think that's why He sacrificed Himself.

Put down your cross. Please. He didn't want you to be crucified. That's why He let you crucify Him: so you could finally learn how to stop fighting each other. I don't think He expected you to take this long to really get the message, but it's not too late. He is a patient God.

[shinraelectricpowercom]

To add onto this, I write things I like. When someone comments on my work and says "I don't usually like [thing] BUT", they are explicitly telling me that (1) they came into my work expecting they wouldn't enjoy it, and (2) they dislike the things I make art about (because I like them) enough to say so in direct response to that art. Neither of those are things that I, as an artist, want or need to hear.

I know some people see it as a very high compliment, and I presume that the people who say that to me intend it in a "high praise of my skill as an artist" way rather than in a backhanded way, but it's still annoying to hear, because like it or not, the inherent negative implications are as much a part of this phrase as the inherent positive implications. I don't get aggressive at people who say these things about my work, because I recognize that my irritation is my own problem; but I do think it's perfectly reasonable of me to express that irritation in my own space.

i feel like there was a time where people would get mad at people saying "i dont usually like ___ but this is great!" like it was some big insult. to me that always seemed like a deliberately bad faith interpretation of what would obviously read to anyone normal as "i dont usually like ____ but this has qualities so exceptional that it overrides my usual preferences"

[creature-wizard]

Okay y'all, going forward, this is what we're doing.

Shit's scary, I know. But we absolutely cannot afford to surrender to that fear, because that benefits the GOP. They want us to feel powerless, because they know we are not powerless. That's why they have so many shills and bots discouraging people from voting.

We will not demoralize ourselves and each other by doomposting in our moments of panic. If we have a panic attack, that's okay. But we are not going to spread that fear to other people in public. We will save our most scared thoughts for our private journals and close friends. And we will support our friends who are feeling hopeless.

We will remember that spreading awareness of Project 2025 and Agenda 47 has been hurting Trump. And we will continue to do this.

We will remember that right now, our only option is Biden, because without ranked choice voting, getting a third party candidate in is simply impossible. We might not like it, but that's why we're going to push like hell for ranked choice voting once we get his pruny old ass in to office for a second term. (And thank God, he can't have more than a second term; the Democrats will have to find someone else afterward.)

We will not spread conspiracy theories. Conspiracy theories are the weapon of the enemy. We don't need them.

We will not publicly mock Trump in all of this. Making Republicans feel even more victimized is a losing strategy. "But it's my blog-" I'm sorry, are you playing for political keeps or are you just here to fuck around and put everyone's life in even more danger?

We will emphasize the ways that Project 2025/Agenda 47 will hurt everyone. And we will keep talking about it.

We will remember that the UK and France have already avoided far right takeovers in their elections.

All right? You got that? Because we got this if we stick together and keep at this. Shit's bad right now but that doesn't mean it has to be bad forever. We got each other, and we can do this.

[shotmrmiller]

getting shot down by ghost without even asking him out or anything because he'd heard from one scottish bird that your type of guy was exactly like him and thinking back on it now, all the qualities you'd listed for your dream man do sound like as if you were describing him. yikes.

you don't take his rejection to heart, even though it does lightly sting but before you get a chance to explain that said scottish bird is an idiot and very mistaken in his assumption, ghost is telling you that it'd never work, you'd only get hurt and that you do take to heart because what does that mean, exactly? does he think you some dewy eyed farm girl looking for love? that you can't have casual sex with someone without eventually wanting for more?

"tha' ain't wha' i said. you'd get hurt, i mean look at ya." what about you? it's not like you'd let any of what happens behind closed doors affect your performance or anything, you and kyle always keep things professional while in the field.

also, is he aware that he doesn't have to have a reason to not want to sleep with you, or anyone else for that matter?

"you're small," he states, as if fact.

small? small where? your irritation dissipates, shoulders bleeding tension as genuine worry begins to set in. his vision might actually be going bad. could it be the black paint he wears under his mask? is it even safe to use on the face let alone near the eyes? did he read the instructions?

but then you realize he's looking at your legs, or specifically, what's between them and things click, and now you're wondering how someone so bloody brilliant could be this fucking stupid.

"while i appreciate your concern, lieutenant," you pointedly snap, "that's not even- i'd be just fine." he's a big guy, for sure. massive, if being honest. his neck alone is easily bigger than both your hands and you've caught him once or twice having to duck his head to enter the debriefing room but him being so endowed that it poses a threat to you is idiotic at best.

he hums, long and low in his throat, as he peers down at you through heavy lidded eyes, and raises his right shoulder in a shrug. "as you like," and that's the one and only warning you got.

simon had given you as much foreplay as needed, had lapped at your pussy until you forgot what day of the week it was, curled and scissored his fingers until his bedsheets were sodden and it still hadn't been enough. he'd only fit about a fourth of it in before he took pity on you and fucked your thighs instead until he got close, pushing his ruddy tip back into your aching cunt because "spillin' outside is a waste," and sent you on your merry way.

you're no quitter though and after some shopping online, your saving grace (dilators) will be here in a week.

(now to find soap and rip the rest of his hair right out his scalp for wagging his tongue.)