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signanothername · 2 months ago

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if Nightmare uncorrupted by a miracle, do you think he would find his happy ending or mend things with Dream?

Ough y’know I genuinely wanna say yes but-

Ok i’d say it’s gonna be way more complicated than a simple yes and a happy ending where Nightmare and Dream suddenly are on good terms

But it’s also not a simple no either

Nightmare’s and Dream’s relationship is beyond scarred and their pain runs way deeper than just simply like Nightmare’s corruption, it’s also important to keep in mind that they fought for years before Nightmare lost that corruption, and they both said and did some bad things to each other during that time in the high of their fights

It’s kinda like, how do you heal a relationship that’s beyond healing at that point? You mend and save what you can but accept that it can never go back to how it used to be

Not to mention, it’s important to keep in mind how Nightmare lost that corruption, and to me I feel like Dream’s the only one who can genuinely somehow get him out of his corruption at any capacity, and that in of itself would leave a big sore spot in the twins’ relationship, cause Nightmare sees his corruption as the only thing keeping him safe, it gave him power and strength and to lose such a thing and get back to feeling weak and helpless and it’s your brother’s fault?? Yeah Nightmare would not be happy with Dream at all

To him that’s just Dream hurting him more than he already is hurt

Like when Nightmare loses his corruption at first he genuinely sees Dream as the biggest threat to him, cause he’s the only one who can kill him and after so many years of fighting, Nightmare has no reason to believe Dream wouldn’t just take his helplessness as an opportunity to kill him

Like i want you to understand that this is the extent of how fucked up their relationship is, it’s so fucked up that Nightmare genuinely fears for his life around Dream without his corruption

And it’s not cause Dream has shown any true signs that he’d be willing to hurt Nightmare at all, Dream doesn’t find joy in their fights, it hurts him emotionally way more than any broken bone Nightmare bent out of shape, but just like Dream fears for his life around Nightmare during his corrupted state, Nightmare fears for his life around Dream in his uncorrupted state

And I think seeing the fear in Nightmare’s eye as he looks at Dream would just hurt Dream more than anything ever did, cause Dream is a bit deluded to think he’d finally see Nightmare’s old smile when his corruption is gone, but in reality all he sees is a look of fear he only saw Nightmare show towards the villagers and god does it absolutely fucking kill him inside

Another thing to keep in mind is what I mentioned before, how Nightmare views his corruption as part of himself, but to put it in clear bold words, Nightmare sees his corruption as a genuine part of his identity as a whole, and Dream took that away, it isn’t just even simple feelings of helplessness and weakness, if Nightmare loses his corruption he’d fully experience his already deep rooted identity crisis

And that in of itself makes Nightmare too disoriented and emotionally unstable, further contributing to how hard it is to mend his relationship with Dream, if Nightmare even wants to mend his relationship with his twin at all

That being said, Dream on the other hand, while he’s extremely forgiving and he genuinely doesn’t hold Nightmare’s actions against him or thinks/loves Nightmare any less after being hurt by him so many times, it still leaves marks on him, both physically and emotionally, and Dream would have to work through so much of that hurt to get to a point in which he can be close and look Nightmare in the eye without flinching away or feeling uneasy like death itself is looking back at him

And while Nightmare’s thoughts are a lot clearer without the corruption suffocating and plaguing his every waking thought, that doesn’t mean the hurt he experienced for so many years can just be forgotten and forgiven in a single conversation

I’d even dare say both twins aren’t even ready for a single conversation yet

For their relationship to even start its healing journey, both twins have to heal themselves first, separately

They have to stay away from each other for a while, just, take a look at themselves and process their emotions, trauma and whether they still even want that relationship to heal, cause sometimes, the true best course of action is to let go than keep digging

And while I think Dream would want their relationship to heal, Nightmare might be a bit hesitant on that front, Nightmare might give it a try, but I still don’t think they’ll just magically become as close as they used to, their relationship is beyond that at this point

So I think the closest their relationship can get to being better, is that they’re not actively trying to kill each other, maybe Nightmare would allow Dream a day in which they hang out, but that’s far in the future

It took 500 years of hurt to get where they are now, and it’ll probably take another 500 years for their relationship to recover and mend to a point where it’s as close as it can be to how it used to be, but there will always be those days in which they don’t get along at all, those days in which they need their alone time away from each other

But still, a calm genuine and honest conversation between these two would do them so much good, if both are willing to take the gut wrenching truth about their feelings with stride, which I think would take so much time before that conversation even happens in which they actually keep calm instead of it escalating into a fight

Dream is more than ready to let go of the past and to make new memories, he’d already started out as stuck in the past for too long and then later just wanted to move on, and that was his opportunity to do so for good

Nightmare isn’t, he started out as someone too stuck in the future cause of the trauma he experienced cause he wanted to move on so bad that he didn’t process any of his trauma or emotions at all, only for his mind to catch up to him way too late and he’s suddenly stuck in the past, unable to let go of the hurt he experienced, he’s too stuck in the past to simply let go of everything that led up to this point of his life, too hurt, too scared of making new memories only for them to be tainted with more pain somehow

Nightmare doesn’t want to move on out of fear, not out of any actual genuine hatred, Nightmare fears that if he moved on, his past would simply catch up to him all over again

I think the true best course of action is that Nightmare and Dream stay in separate places, work together through their broken relationship slowly, but never force the process, just let it happen naturally, it’s best if each just lived under a different roof, they need to spend time with each other to heal, but not spend too much time, they both need to find their separate roads that don’t revolve around each other if they wanted to truly heal themselves and their relationship

Nightmare wouldn’t simply go back to the same Nightmare who was so open, gentle and happy to receive Dream’s hugs or smile at Dream every time he sees him, he won’t tell Dream how much he loves him or cares for him and he won’t be as openly affectionate as he used to be, he’d still deny his love for Dream and live in the delusion that he doesn’t care for Dream as much as he does, he won’t suddenly become a merciful, gentle and loving person like he didn’t inflect so much cruelty upon so many people, cause it isn’t as simple as “corruption is what made him a bitch”, it runs way deeper as his corruption shaped him as a person, and Dream has to accept that if he truly and genuinely wants their relationship to heal at all

But i’d say that no matter how long it takes, the twins’ relationship would mend enough that they don’t fight at every single conversation they have, mend enough for them to actually hang out with each other, it wouldn’t be exactly like it used to be, but something close, not too close, but I think close enough for both of them to heal and grow bigger than their grief eventually

I wouldn’t say it’ll be a genuine happy ending for them, but it’ll be a bittersweet one

But hey, Dream might get what he wants and see somthing akin to Nightmare’s old gentle smile one day <3

#dammit Anon you made my heart so soft /pos #anothers art #anothers ask #nightmare sans #dream sans

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lilislegacy · 6 months ago

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I'm not a big fan of Percabeth. But, I'm still open to see different sides of a thing. So, I would like to ask what do you see in the couple? What made you like Percabeth? Was the ship important to you when you were a child/teenager? Can you list the positive things that you may remember about Percabeth, please? If you can't, it's okay too. For the last one: What is the thing you love the most about them?

Oh my god I could go on and on about this question. I will try to keep it as short as possible. Basically, I just love how deep their relationship goes. There are so many things about them that makes them such an incredible pairing to me

1. There is so much mutual respect and support between them. They are battle partners. They respect each other's strengths and capabilities to the highest degree. Annabeth deeply values Percy's bravery and loyalty, while Percy deeply values and admires Annabeth's intelligence and strategic thinking. They support each other no matter what. No one respects Annabeth more than Percy, and no one respects Percy more than Annabeth. They trust one another explicitly. And that deep-rooted trust and respect is what separates them from so many other pairings.

2. They perfectly complement each other. Their contrasting personalities balance each other out so beautifully. Percy is impulsive and unpredictable, and Annabeth is thoughtful and strategic, which makes them an incredibly strong team. In any situation, whatever one of them lacks, the other has in abundance. Percy gets angry and worked up easily, but Annabeth can calm him down. Annabeth overthinks things and stresses herself out, but Percy can simplify things and bring her back down to earth. They keep each other level on a deep mental/emotional level. And the biggest one, in my opinion: Annabeth’s biggest fear is being betrayed and abandoned, and Percy’s defining trait is unwavering loyalty. They are like two different puzzle pieces that fit perfectly together.

3. They’ve been through so much togeher. The two of them share a history that no one else could possibly understand. They have learned and grown so much together. They started going on dangerous quests together when they were little baby 12 year olds, and have been fighting by each other’s side ever since. From going on quests, to being part of a prophecy, to dealing with the complexities of their identities as demigods, the challenges they’ve faced have impacted them both tremendously. And no one else would understand exactly why they’re the way they are. And you know, there’s the fact that they literally walked through hell together. Their experiences deepen their connection and understanding of each other more than words can describe. No one else could possibly understand them like they understand each other.

4. The chemistry is off the charts. The heat and attraction between them is abundantly clear, which adds a layer of realism and excitement to their relationship. In PJO it’s mainly tension - that’s clear in their banter and arguments and angsty thoughts - but when they’re older and together, it’s shown more through attraction and physical affection. Let me give some examples. When Annabeth touched his back in TLO, Percy says he feels as if jolts of electrify course through his body. In the demigod diaries, Percy mentions how beautiful she looks while in combat. There’s also a scene where he can’t focus because he’s literally staring at how her camp beads lay against her throat. Annabeth is constantly wanting to hug him and be in his arms. When she sees him in MoA, she literally has to restrain herself from continuously kissing him. And when they are about to fall into tartarus, to either death or torture, her dominating thought is how handsome he looks. Throughout all of HoO, they are super touchy and affectionate with each other, always touching and cuddling and kissing one another whenever they can. And of course, I have to mention the time that they literally made out in front of Piper in BoO, and Annabeth makes “grunt-whimper” sounds. I just love how down bad for each other they are. No one who can read can deny it. There is so much heat and attraction and affection between them.

5. Their loyalty to each other is unwavering. They consistently prioritize each other's well-being over anything and anyone else. They always have each other’s backs, both in battle and verbal interactions. They quite literally go across the country/world to find each other when they each get kidnapped. No distance, no person, nothing will stop them from finding each other and protecting each other.

6. They are equals. Given they are both legendary greek heroes who will go down in olympian history, it’s hard to find someone who compares. But they are both so equally extraordinary. Sure, they have different strengths, but neither is better than the other. They are both incredibly brave. They are both super witty. They both would do anything for their friends. They are both leaders. They just GET each other. They are on another level - and it’s the exact same level.

There’s more too. I could go on and on and on. (And on.) There is so much I didn’t say. But all of those elements combined is why I love them. They were made to love one another. They choose to love each other, every single moment of every day.

And my favorite thing? Probably that above all, they are best friends. There are all the things I mentioned above, but at the foundation of their relationship is an unwavering friendship. They just love being together. They love joking around together and hanging out, but also holding each other when times are rough. They take care of each other. I love that they are BFFs. Two besties who also happen to be soulmates, together against the world.

Ugh I just love them. I need to stop talking

#pjo #percabeth #percy jackson #annabeth chase #heroes of olympus #answered

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popironrye · 7 months ago

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Max's reveal at the end of The Lost Boys is another one of those scenes I've been overthinking about. Particularly the few seconds post revelation that the boys were all dead.

When Max and Lucy return home he takes little time to head to where David died. An obvious choice given the fates of the other boys what with Paul being soup, Dwayne blown to pieces, and Marko's body being way back in the cave.

In the background Sam, the Frog brothers, and Lucy are pretty loudly arguing and talking over each other in the other room but this scene is eerily quiet. The scene plays out is a realistic view of mourning. Max's actions here are rather tender and you can tell by the look on his face that seeing David like this does have an affect on him.

There's a blatant pause. I like to think that was Max grieving, coming to terms with what's happened. His boys are gone, probably reliving a lot of memories. It's never revealed, but I choose to believe Max turned David first, and the following boys were slowly turned the same way Michael was, by drinking Max's or David's blood. And I headcanon he was turned a long time ago, meaning Max had a lot of years with the boys. He is shown as hostile in the beginning to them when they come in the video store, but I like to think that's just Max wanting to keep a reasonable distance to keep suspicious eyes from prying (and to keep things a twist for the audience) especially since he's playing the childless bachelor as that's what's has worked for them for so long so far (although come on Max, if you played up the single father to Lucy, you would have totally won. Just saying.)

But what about the rest of that scene? Max recovers pretty quickly from losing his boys. While some may argue it's because Max didn't really care for them, I choose to believe that's not the case at all. I think he's putting on a face to remain calm in front of the others, especially Lucy. Since he still wants to turn her into his vampire bride, even without his boys to mother. Perhaps he could just be thinking he can start his vampire boys over with others boys, but then there's THIS scene!

The scene where Star reveals to the audience that David was hiding Max's involvement from her and Michael. David wasn't just keeping Max a secret, Star declares that he was "the secret David was protecting." Key word being, 'protecting'. Max's identity as the head vampire is important and it's in his best interest for the vampire boys to be seen around him as little as possible. Especially since Sam figured it out early on in the movie he was one of them. And so, David and the boys choose to act on their own most of the time. Not only to give themselves the feeling of carefree freedom, but also to keep Max safe. And it's clearly a situation they all like, or at least tolerate, as while there is no hope in them turning back if Max were killed first, but David and the others had no intention of ratting him out and letting him die.

My favorite part of this scene. Max's smile. After Star says her line, Max nods in agreement, but the smile afterwards is interesting. I think he looks proud. Proud of David. Proud to have heard that David, even as he died, was protecting him. I choose to believe Max cared a lot for the boys and I also choose had he be given the chance later, would feel very lonely without them.

#the lost boys #the lost boys 1987 #max the lost boys #max tlb #discourse #discuss #film discourse #share your thoughts #character analysis #my gifs

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ijustliketoreadstuff · 3 months ago

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Gabriel was a monster to them now.

When Felix brought up ending Gabriel's reign of controlling other people, he mentions his mother as well as himself as part of the list of people Gabriel was turning into what he wanted them to be, and no wonder. Aside from hiding the existence of the peacock miraculous from Felix, the very jewel that controlled Felix's entire existence in the world, Gabriel was deliberately trying to make sure Felix and Amelie remained as naïve as possible, unaware of his true nature and the secrets he hid from them.

Ever since Amelie's first introduction in "Felix" it was obvious she had a lot of love and care for Emelie's family, wanting to be there for them even in their darkest times, but Gabriel for one could not care any less for Amelie.

Amelie may be Emelie's only sister, but Gabriel viewed her and the rest of her family as more of a nuisance. He hated Colt, Felix's dad, to the point of not attending his funeral, hated Felix for everything he did that led up to their confrontation in "Strike Back", where Felix threatening to expose his secrets if he didn't give up the peacock miraculous. And while Amelie made past efforts to keep their families close by visiting, Gabriel for one disliked having her around.

(Back in "Felix", Amelie planned a surprise visit to the Agreste' mansion, hoping they could all be together on the anniversary of Emelie's disappearance, something Adrien greatly appreciated, but not Gabriel.)

Aside from her timely visits, it was Amelie's willingness to confront Gabriel’s lack of attention over important matters within their families that only ever wound up clashing with Gabriel's secrets, such as the subject of returning his and Emelie's wedding rings, the very items containing Adrien's amok, but were rings that were still very important to her too as they were originally part of the Graham De Vanily family, not the Agreste's.

In "Emotion", Amelie did eventually questioned why Gabriel had become so cruel after Emelie disappeared, but she never imagined he actually cared so little about her and Felix.

When Felix set out his plan in "Emotion" to create a world free of anyone like Gabriel who would control others, it's shown at the end of the episode that he wanted his mom to open her eyes and realize that the people she thought were her family and friends, were all just monsters.

Back in "Multiplication", when it was shown that Amelie was secretly hiding Felix at home after the events of "Strike back", Amelie never told anyone that Felix was never missing, and yet despite the heroes questioning and regardless of his actions in "Emotion", Amelie never saw Felix as the bad guy, partly because she was his mom, but also because she had a great deal of trust in knowing that whatever her son was doing, he had his reasons for doing it.

Of course, Felix's past actions would not be easily forgiven by the heroes, he still had to face the consequences when the time came for him to return to the public eye, but Felix's willingness to reveal his identity as Argos to his mom, likely meant that Amelie was willing to give him the benefit of the doubt and trust her son on the matters of questioning who she was committing her life to.

When Amelie showed up to the Diamonds Dance, Amelie pointed out that a search had taken place for Felix after he went "missing", but despite her hopes, Gabriel and the rest of his friends never reached out to her to offer a helping hand. It's unknown how much Felix told Amelie about what happened in "Risk" and "Strike back", but regardless, Amelie got the point of why her son wanted her to question Gabriel's lack of effort in helping her. Amelie made a lot of effort to show she still cared for Gabriel and Adrien, even after Emilie disappeared, but it was Gabriel's, and the rest of his club members, lack of compassion towards her struggles in "loosing" her son that finally made her realize she had wasted much of her life caring about members of a high society who never cared about her.

Felix's decision to show his mom the reality of her connections, and thereby ending them, might have been crushing for his mom, but odds are, the final straw Felix had in continuing to stand by and watch his mom waste her love on people who did not deserve it, was the secret hiding under the Agreste mansion, Emelie.

(The shock of finding Emelie's body under the Agreste mansion, was enough to nearly make Felix blow his cover when he was pretending to be Adrien in "Risk")

In "Risk", Felix found Gabriel's secret underground lair, the very place Emelie's body was being contained, but at the time, Felix was only searching for the peacock miraculous, he never imagined Gabriel was secretly hiding Emelie's body under his mansion, and this was of course extremely horrifying to discover, because he and his mom thought Emelie just straight up disappeared one day, that no one, not even Gabriel, knew what happened to her. Adrien, Gabriel and Nathalie went through their own grief after Emelie was no longer able to be part of their lives, but for Amelie, that grief would have been just as terrible to bare when she found out she had lost her only sister. Much like Adrien, Amelie had to live with knowing that she had to accept that Emelie was just gone, she would never know what happened to her, and Felix was there by his mom's side when it all happened. It doesn't seem like Felix told his mom the truth about Emelie, but given the severity of it all, he didn't want her to suffer anymore grief over the truth about his aunt.

Felix holds a great deal of respect for his aunt Emelie and obviously would have had his share of grief when he thought she was gone forever, but to know that Gabriel hid the truth behind Emelie's disappearance from his mom, along with everyone else, never giving her the chance she needed to know what really happened to her only sister and say goodbye before she finally succumbed to her illness, must have infuriated Felix.

But to know that Gabriel would even go as far as making threats to get rid of him and leave his mom to suffer the loss of another loved one ("Gabriel Agreste"), all to obtain the ring that controls Adrien, and dissuade him from further pursuing his secret as Shadow Moth, only further convinced Felix that Gabriel was the one who had to disappear, before he made things any worse for his mom, himself and Adrien.

(In "Gabriel Agreste", Gabriel spoke through his sentiGabriel to threaten Felix. In this moment, Gabriel was no longer an ordinary uncle to Felix, he was a monster)

#miraculous ladybug #miraculous tales of ladybug and chat noir #tales of ladybug and cat noir #adrien agreste #mlb ladybug #thomas astruc #mlb s5 spoilers #felix fathom #felix graham de vanily #amelie graham de vanily #emelie agreste #gabriel agreste #ml s5 analysis #mlb s5 analysis #ml emotion #mlb emotion #ml emotion analysis #mlb emotion analysis

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cosmicatta · 4 months ago

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An analysis of Portgas D. Ace through the light novels

Yes, I'm here again with my bullshit. After reading the Law novel, I was very excited to get my hands on the Ace ones too. And because I feel very intensely about him, I couldn't help turning my reading experience into a character analysis essay. Again.

So here we go!

Some notes before I start:

The edition I've read of this novel is the official Spanish translation by Planeta. When quoting and mentioning numbered pages, I'm referencing that edition.

I originally posted this on Twitter as a thread! If it sounds familiar, that might be why.

I've also posted an essay/thingie about Law's novel here!

These are just my personal impressions, I'm not trying to tell anyone how they should interpret the novel or Ace's character. I'm just doing this for fun!

Much like the Law novel, these are kind of a “prequel” to the source material. The story starts with Ace getting stuck in Sixis Island, where he meets Deuce, and follows their journey as Ace builds his own crew and later ends up joining Whitebeard.

The difference is that Ace’s novels, unlike Law’s, rely a lot more on canon events that we already know happened, because they’re mentioned or briefly shown in the manga (especially in the second volume). I’ll go a bit more into detail about this later, but either way, we can say that the novels are very canon-compliant at the very least.

Also, it’s important to point out that volumes 1 and 2 are written by different authors. I do think this has an impact in the way the narrative flows from one part to another, but it still reads like a cohesive story as a whole.

Overall, it offers a very different reading experience from Law’s novel. I guess the biggest contrast here is that we already know what’s going to be Ace’s tragic destiny, so the narration can’t really feel too hopeful.

Even if the story is lighthearted and adventurous most of the time, the tone that surrounds it all is bittersweet. And the core points of Ace’s journey are always marked by his fatal wounds: love, identity and the concept of deserving.

There is no real resolution for any of these themes throughout the novels; there can’t be, because we know Ace will only reach true understanding right before his death.

In this sense, I think the first volume does a better job at capturing that feeling of “tragic hero” that the story seems to go for, without necessarily getting too grim about it. And there’s a few things about it that get lost in the second part:

Volume 1 is written in first person, but it’s not Ace, the protagonist, who narrates the story. It’s Deuce. I think this is an interesting decision because it allows us to see Ace from the outside, through the eyes of someone who loves him.

And what we see from Deuce’s perspective contrasts with the image that we know Ace has of himself. This is especially interesting for 2 reasons:

He shows what Ace craved for all his life but didn’t know he already had until the end: love and respect.

He’s offering the readers a version of Ace’s identity crafted by an outside viewer, which is also what Ace keeps doing all the time: defining himself in relation to others.

These are going to be the main ideas that shape Ace’s journey from the start and what both novels try to explore.

Although Deuce and Ace’s relationship doesn’t start off in the best way, from the beginning Deuce sees a light in him that he has never known in anyone before. This even reflects in the way he describes Ace physically:

(Quotes roughly translated from Spanish):

P. 27: “He played with his radiant black hair.”

P. 129: “His pupils glowed with the colors of the sea floor.”

But what is most emphasized about Ace throughout the narration is his kindness and gentleness—he shares his fruit with Deuce while he’s starving too, he has a place for all kinds of rejected outlaws in his crew, he helps Isuka even though they’re supposed to be enemies, he gives the rice crackers he’d just bought to some children in Sabaody, etc.

Ace just goes around giving away his endless love without thinking too much about it. It’s in his nature. And people love him in return.

P. 66: “What does it mean to be a captain? To me, it means people love you. […] Ace was born to be a captain.”

There’s a small episode that I find very interesting in this sense—right before attacking him, a bounty hunter declares:

P. 67: “Ace! I love you!”

Ace assumes the guy only said that because his head would have granted him a ton of money. But it’s still a weird way to word it. It’s as if Ace was a shooting star that everyone couldn’t help but admire in awe, friends and enemies alike.

But, as I said before, Ace seems to be completely unaware of this, despite the very explicit ways in which people show him appreciation.

It’s at this point that we start to see the conflict between Ace’s “goals” that he set for himself and his true desires (though this will be explored in more detail in volume 2).

Although he keeps claiming to be in search of fame, he doesn’t really seem to be that interested in it. He only reacts to his own popularity when his loved ones do, because that is what he actually wants: acceptance, validation.

P. 82: “Whenever the number increased [Ace’s bounty], we celebrated it. And him, in seeing us all so happy, celebrated too.”

What Ace is doing is just constantly looking for the answer to that dreadful question he asked Garp as a child: “Did I deserve to be born?” And he tries to find clues in his crewmates’ faces, in his enemies’ words, in the way the whole world around him reacts to his existence.

But what’s interesting is that he’s not just passively contemplating, he very actively tries to earn that right to live, in his own twisted way.

Yes, the world had already decided who Ace was even before he was born, but now it’s his turn. Now he can try and recreate his own image for them to see. And if he has to be a monster, it will be in his own terms.

It’s not about fame, it’s about identity. Because Ace’s identity has never been truly his own.

This is a very delicate subject for him, especially when he realizes that his bounty is growing at an abnormal speed, indicating that the government probably knows who he really is. And so, he is tormented by the idea that, despite all his efforts, he can’t escape the portrait that others have painted of him without permission.

Even those who don’t know the truth about his origins feel free to decide Ace’s worth as a human being. In this regard, his fight with Vice Admiral Draw is notable—he judges Ace not as Roger’s son, but as a regular pirate, and yet he still reaches the same conclusion and says the words that Ace fears so much:

P. 148: “You don’t deserve one more second in this world. It is because of you that so many people live in fear. […] If you didn’t exist, no one would be unhappy.”

Ace wins this fight, but he leaves with an open wound that never closes and only seems to get bigger with time.

And with this, the first volume closes in a very bittersweet tone:

P. 159: “Ace didn’t believe he deserved anyone’s love. […] But Isuka didn’t think the same, and she wasn’t the only one. The problem was that Ace wouldn’t realize. […] He was like the Sun. Everyone adored him, his enemies respected him. Ace was the center of everything. But, like the Sun, way too bright, he was always alone. […] Ace had created a home for us. But what about him? Could we find a home for him, where he’d be able to smile in peace from the bottom of his heart?”

The second volume starts where the first left it, with Ace and his crew entering the New World.

I have to say that I didn’t like this one as much as the first because, for a book that’s supposed to be about Ace’s relationship with others, it kind of falls flat at some points in that sense. Sometimes the novel seems more concerned with describing action scenes that aren’t really that interesting, or events that we already know from the manga without adding much to them.

Also, I feel like I have to mention that some scenes and description choices were a bit questionable (casual misogyny, etc.), but overall the book was still enjoyable to me.

The style and structure is a bit different from the first volume too—for starters, it’s written in third person, although the perspective is a bit all over the place sometimes. The POV keeps switching back and forth between different characters, which could a useful and interesting approach, but you need to know how to do it right, and I’d say it was a bit messy here.

But there is a good side to this, which is that we get a peek into Ace’s thoughts too sometimes.

And we see, as volume 1 already hinted, that his motivations are unclear even to himself. He insists that he wants to surpass his father’s fame, but he isn’t interested in titles or riches.

P. 61: “I don’t aspire to be the King of Pirates or anything of the sort.”

P. 74-75: [In response to “What brought you to the sea?”] “I guess I expected to find out at the sea… Though there’s something I do want to achieve. […] I’ll make sure everyone knows my name.”

Part of the reason why Ace despises the title of “Pirate King” is very obvious—it was his father’s title. But this disinterest also reveals the true reason why Ace thinks he wants the fame: it’s not ambition or vanity; it’s, again, his way of crafting his own identity.

In reality, although he directs his resentment towards his father, it’s not him he really hates, but the world that built a monstrous myth around his figure, a myth that Ace inherited.

P. 80: “This world killed Sabo. Unless you’re someone like Roger, whose execution brought a new era, it doesn’t matter if you live or die. […] Even if I can’t win their recognition, even if they hate me, I’ll become a pirate and take revenge on them all. […] One day, people won’t say ‘Ace, Roger’s son,’ but ‘Roger, Ace’s father.’”

Again, if he must be a monster, he’ll be one he’s created himself.

But it becomes clear in this volume that he has no idea how to do that. He wants to change the world, but has no plan to do so, and doesn’t even understand what that means exactly.

And here’s where Whitebeard is key, as we already know. He sees through Ace, and eventually makes him reevaluate his own ambitions, until he ends up admitting that he has no idea what he’s doing.

P. 159: [Thatch asks him] “You want your reputation to surpass that of the Pirate King, but you’re not interested in the One Piece. You don’t want to break the code either. What the hell does your flag even represent?” [And Ace answers] “I don’t know. Honestly, I thought I did, but not anymore.”

P. 224-225: “Whitebeard inviting him to be his son had seemed to him like another ‘father’ attempting to take control of his life. But […] now he understood the word ‘son’ a little differently.”

Though there’s no real resolution to Ace’s big questions in life, he slowly starts finding his own place and learning to accept the kindness he’s given, even if he doesn’t fully understand it yet.

P. 229: [Deuce asks him] “Do you think you’ll find what you’re looking for with Whitebeard?” [And Ace answers] “Yes. […] Because here I feel at peace.”

The book finishes with Ace offering his back to get Whitebeard’s Jolly Roger tattooed. With this, he’s constructing his image around the figure of a different father, one that he’s proud of. He still builds himself in relation to others, but is now more benevolent in doing so.

This is the first step of a healing project that we know will never be fully complete. And because of this, despite the ending having a hopeful and gentle tone, it’s still a bit heartbreaking. Like the first act of a tragedy.

There's a lot more interesting stuff to talk about in the novels, like the way Ace talks about Luffy and Sabo, and how it becomes clear that they are what really made him want to live and keep fighting. But this is already way longer than I originally intended, so I'll leave it here.

So, if you read this far, thank you! ♥ I hope you enjoyed it or at least found it somewhat interesting.

#one piece #portgas d ace #one piece ace #one piece meta #one piece light novel #irene.ppt

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incognitofox · 8 months ago

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In Defense of Charlie x Vaggie:

Hazbin Hotel is far from a perfect show. I quite enjoyed it, of course, but that doesn’t mean that it lacks significant issues (not that I mind, nothing is perfect, and I believe people should be allowed to enjoy flawed media). One such complaint that I see often is that the show’s “main couple,” protagonist Charlie and her girlfriend Vaggie, are “boring,” or that they “lack chemistry.”

Personally, for me, the relationship between these two ended up being one of, if not my favourite part of the show. I’ll admit my bias that as a lesbian myself, I’m always a sucker for any kind of wholesome sapphic relationship that I can get in the media. Even so, though, these two stood out to me particularly well.

And while, yes, I can absolutely see why their dynamic isn’t the most favorable to some people, I don’t think it’s correct to say that the writers “can’t write meaningful relationships” or “don’t understand love” (which are both real comments that I’ve seen whilst I’ve been a part of this fandom).

The first and most blatant criticism that I come across is that the two are rarely affectionate with each other, and while this seems to be the case at first glance, I can’t help but disagree. Though we rarely see the pair actively kissing or engaging in other activities that one would perceive as romantic, it’s clear that they find comfort in each other’s presence, even if it’s subtle.

Throughout season 1, the viewer is shown numerous instances of Charlie especially being comforted by her lover’s touch. For example, while Charlie is on the phone with her father, Lucifer, at the beginning of episode 5, we can observe that she is clearly anxious about the interaction. When it’s clear that Charlie is getting stressed, Vaggie opts to take her hand, and it can be inferred from her expression in the moment that Charlie appreciates this gesture, even if she finds herself preoccupied.

Keen-eyed watchers of the series will notice that the two are frequently seen in contact with each other, or at least in close proximity, implying a love language related to physical touch. However, while frequent, some argue that these little exchanges aren’t enough to sell the idea that the couple are truly involved with each other.

People seem to be disappointed that we don’t get to see any more intimate or outwardly romantic interactions between the pair outside these small snippets or the More than Anything reprise (which in truth was unfortunately very short). But in my personal opinion, I think this dynamic makes them even more compelling. Sure, they may not be the most affectionate of partners while on screen, but I never needed them to be in order to be convinced of their love for each other.

Keep in mind, Charlie and Vaggie have been together for years, they’re out of the honeymoon phase. They’re also both incredibly busy people, especially with the updated, much sooner extermination date introduced in episode 1. As much as it sucks, doing cute stuff with their respective partner probably isn’t their priority.

The beauty of this, though, is that despite it all you can still feel their love. Vaggie would do anything for her girlfriend, and she does. Their relationship is built on such genuine, wholesome trust and support for each other.

You can tell from the way they look at each other, and from the way they talk to each other, that even despite the chaos and despite the time, they are in love. So much so that even a potentially devastating reveal like Vaggie’s true identity is nothing more than a speed bump for them. It’s really quite lovely to see.

That’s why I can excuse the atrociously short run time of their duet, it’s their first moment of peace in months, and possibly their last ever, they don’t have time to do much, and yet they choose to spend this time declaring their love for one another, because they are still the most important things in each other’s lives. It’s so blatantly clear that their love is genuine, in this moment and outside of it.

I personally feel as though, in the world of the show, the relationship between Charlie and Vaggie is very realistic given the situation they’re in, and if I’m being honest, they have the kind of relationship that I myself would love to have.

In short, I understand why some people don’t like this pairing. I can understand liking other things better, and I don’t dislike anyone who does. I can understand wanting more from it, and hey, I’d appreciate it if they sprinkled in a few extra kisses next season just to feed the fans, but that doesn’t mean that what’s there doesn’t already exist. In my opinion, I think Vaggie x Charlie is beautifully written.

There are honestly so many other little things I could bring up about why I love these two so much. You are, of course, welcome to disagree, but I encourage those who do to avoid harassing those who contributed to the writing of Hazbin Hotel, or those who actually do appreciate this aspect of the show.

However, I also insist that people try to look beyond the surface, to see the detail and the beauty of this pairing, as well as other aspects of the show, or other pieces of media.

Because art is beautiful.

#hazbin hotel #charlie x vaggie #chaggie #charlie morningstar #vaggie #lgbtq #theyre in love your honor

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sneakyboymerlin · 2 years ago

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Some people don’t seem to get the gist of Gwaine’s character so let me break it down:

Gwaine deciding that Arthur is worth defending as a king and wanting to repay him for saving his life�� does not mean that he loves Arthur the way he loves his literal best friend. Gwaine is deeply bound by his sense of morality, and his moral compass points him to Arthur. The anger with which Gwaine responds to threats against Arthur is identical to his response when, say, the Cailleach laughs at the knowledge that innocent people are dying because of her own inaction. Gwaine posits himself as a defender of good, and Arthur proved himself to be “noble” in his eyes. Ergo, he protects Arthur, as he protects civilians.

All in all, there is nothing really personal to their bond, just as there is little personal about Gwaine’s duty to the people of Camelot. Gwaine and Arthur have a begrudging respect for each other, and both have a sense of duty to ensure that the other does not come to harm. This dynamic does not need to be construed as anything other than what it is, but since we have been conditioned to believe that people can only act altruistically given a motive of friendship, romance, or family, their actions are subsequently read as such—contrary to the onscreen evidence.

I cannot stress this enough: this series is based on Arthurian legend. The knights are meant to display chivalry. That is the bond between them.

This differs greatly from Merlin and Gwaine’s dynamic, wherein Gwaine’s attachment does not stem from a sense of duty but, rather, his own personal feelings. He is drawn to Merlin from the start, finds an understanding and emotional support from Merlin that he’s never had with anyone before, and is stunned touched that Merlin hasn’t grown tired of him, despite the burden he’s placed on Merlin’s shoulders since his arrival in Camelot. By contrast, Arthur grew sick of Gwaine… almost immediately, and their dynamic was established as one of mutual duty the moment Arthur said, “He saved my life… He’s to be given anything he needs.” This is very much a discernible difference. An important one, too.

This is the reason that, despite how he is willing to lay down his own life for Arthur as early as 3x04, Gwaine explicitly does not consider him a friend afterwards in 3x08, but does for Merlin.

Furthermore, given Gwaine’s moral code—the very same one he used to judge Arthur as “noble”—Gwaine would indeed side with Merlin over Arthur in the case of a magic reveal (not to mention the fact that Merlin is his friend, he knows that Merlin is good, and he doesn’t want Merlin to be hurt). Gwaine believes that one’s actions determine their goodness, rather than their birth circumstances. Therefore, Merlin being born with magic is not proof that he is corrupt.

Outside of magic reveal scenarios, and despite his sense of duty to Arthur, Gwaine is still shown to put Merlin first. There is nothing wrong with Gwaine placing Merlin above Arthur. It’s not “unfair” to Arthur that Gwaine cares more about Merlin, and it’s not something that needs fixing. Arthur is not entitled to Gwaine’s love or loyalty. It’s beautifully satisfying, both emotionally and narratively, that Gwaine’s loyalty is to a servant first and a king second. That is the entire crux of Gwaine as a character. It is a deliberate choice on the part of the writers, and it’s perfect as is.

#bbc merlin #merlin meta #sir gwaine #merlin emrys #merlin and gwaine #merwaine #mergwaine #my meta

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ambermotta · 11 months ago

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Working with Dragons — My POV

When you look up "draconic magick" or "dragon magick" there is not really a lot to read. In fact, a lot of the info you'll find looks like a copy-paste from one another.

So I thought I would bring my own insight into what working with dragons feels like to me. Not exactly an informative post, just a "personal experience" one.

I believe it is important for newcomers to read about variety of experiences because otherwise, they might start feeling their practice is "wrong" if things are different for them.

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If it wasn't clear already...

UPG WARNING!!!

This is my experience only, other practitioners WILL have different takes on working with dragons.

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Regarding Identity

For the majority of my journey with dragons, I have only worked with one dragon. They reached out to me, but took me years to finally feel ready to work with them, and since I was still a bit insecure, I didn't really seek out other dragons.

By the way, I use they/them pronouns because I don't feel a particular gender signature coming from them.

They are strongly tied to energies of the ocean and I have only seen them as very serpent-like.

The other main dragon I have worked with, who showed up a lot later, is a dragon strongly associated with fire and protection, and his energy is mostly masculine from what I can tell.

As of now, this is what I can share about them. One of the things you'll see being talked about dragons is that you should not talk about the ones you work with unless they give you permission to, and for the most part, this has also been my experience.

They can be quite secretive — I had the ocean dragon very often remind me to stay quiet about the work I'm doing, and be very careful about what I share. Not just about them, but about myself.

Some things need not be secret forever, but when they ARE supposed to be done quietly, I will get the nagging, almost intrusive feeling, of keeping my mouth shut whenever I am itching to say something I shouldn't.

They have also shown to be secretive when we work together, as in I'm instructed to do something a certain way but not told why until the work is done.

And I understand why afterwards.

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Demanding?

From all dragons I have worked with, they have always been quite insistent. Be it regarding how something should be done, how to behave, or on what to get.

Please do not misinterpret this as being pushy or forcing boundaries.

What I mean is that some spiritual beings can be very subtle with their messages when they want to tell you something... But for me, dragons aren't subtle. They keep sending signs and messages until I get it.

by Kou Takano

As for being demanding, it depends on your relationship with them.

They were not demanding at first because I was still unsure of what I wanted, but once I decided to commit, they definitely started communicating more and giving instructions on work we should do together.

So there's a greater degree of commitment that we both respect.

As for being "demanding" with offerings, to me they seldom ask for those. If I do it it's because I want to, not because they have asked or shown they needed it. In terms of spiritual beings I have met, they seem to be the least interested in offerings or praise. But again, this is just my experience.

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Personality

It can vary drastically from one dragon to another.

For me, the Ocean Dragon is serene, regal, mysterious, but standing in their presence can also feel scary and can make you feel small. They also have a more turbulent side.

The fire dragon feels much more assertive, fierce, loyal, but at the same time less "massive" in size and less intimidating somehow. They remind me of a knight or paladin archetype to be fair.

by Carolina-eade on Deviantart

So I assume that personality and energy signature, as well as your relationship with them, will change drastically from one dragon to another.

I have not experienced finicky, prideful, or petty behaviour from them. Dragons are often considered in media and mythology to have big egos, but to me, they feel the exact opposite... wise and humble, but their presence is so massive I feel one must be very careful not to mistake their good disposition for weakness.

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Conduct when working with dragons

I find that while they are wondrous and inspiring, their energy can feel intimidating, and maybe because of that I feel like I must be more serious when working with them. I am not necessarily being formal around them, but I do have a great deal of respect for them and other creatures in their presence.

It feels more like respecting the elders than an authority figure though.

As for magical conduct, I have never had to work with them on anything that did harm to others. In fact, they have heavily aided me in works that focused on helping others.

They have also helped me through my fair share of shadow work. So, both right and left hand path.

You may see some folks claiming that dragons have no qualms with helping mages with "dark magic" and that you actually must work on keeping balance, "working on both sides of the coin" if you will.

They have never demanded that of me, though I recognize it could just be in respect for my decision of not wanting to do most baneful work.

I can't say I fully understand their nature and moral compass yet.

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Types of Dragons

So far, they seem to come in all sorts of shapes. The traditional western-type dragon is far from being the only one or the most common one. Some may look much more like snakes or birds than to winged lizards.

I can see some elemental associations, but I don't think they are restricted to working with just one element.

Unfortunately, since I don't know many dragons, I am not sure if they are always tied to an element or how many types there are.

However, the ones I met did seem to "dwell" in certain environments. The ocean dragon I only see in water, and the fire dragon I have seen on top of a rocky hill, looking down a vast, dry, sunny field.

As for dragon guardians of the elements, directions, etc – I haven't met them, haven't worked with them, so I don't know if there is such a thing.

by Kou Takano

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Mythological Dragons

I have not met a lot of people who worked with widely known dragons, such as Tiamat, Fáfnir from norse mythology, or Yamata-no-Orochi from japanese tales.

But I feel working with them would be a singular experience, just as it is with any other dragon (or spiritual being for that matter). It could be easier considering you would have at least an idea of who they are and what they may like, either from "lore", ancient worship, or SPG (Shared Personal Gnosis).

This is still something I'm thinking about exploring in the future.

Fáfnir, found on Harreira.com

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Conclusion

This was just an overview of what working with them feels like to me. I'm definitely not as experienced as some other folks I've talked to, and my practice is constantly constantly evolving.

So far, it's been great! I'd love to hear from other people on draconic magick.

If you have any questions, feel free to ask! Or share your experiences as well!

Thank you for reading!

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salpho · 4 months ago

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We need to talk about what happened with Mike D.

For those who don't know, Mike D, co-creator of Bendy, has stated that Thomas Connor is a white man. He's done this before with Norman Polk, too. Because of this, drama has arose which led him to make his account private, and shortly after, deleted.

This thread on Twitter gives details of what happened, screenshots provided for those who can't view it below-

I must state as a disclaimer that no matter what he's like, past or present, we should not seriously be wishing death on him. The person who said they wished death on him has since retracted their statement, as said and shown in the thread above.

The two characters, Thomas and Norman, were nearly universally agreed upon to be black men, and have been implied and coded to be black through their voices, their interactions with other characters (especially in the books) and likely many more things I've missed, only to then be revealed to be canonically white.

Mike D has also stated (correct me if wrong) that he believes minorities are forced, unless the character's identity helps the story. Think of Buddy from Dreams Come To Life being Jewish, and how his religion effected his story.

This is erasure. The fact they decanonised the books that show these important interactions, the fact they led us on, being told your identity or race must serve a purpose in fiction, is all erasure. If you are part of a minority and see a character like you have that part of them stripped away or forgotten, it sends the message that people like you must be censored and eradicated, especially knowing how many minorities were treated historically. Being told minorities are forced unless given a greater purpose in storytelling reinforces the idea that being part of any minority is abnormal and thus, wrong.

TheMeatly has recently addressed that the cutouts used in all games post-BATIM had (accidentally) stolen fanart and plans to use a new texture in future games. This is proof that he has improved as Bendy merchandise has used fanarts without permission years ago.

In contrast, I have yet to see Mike D improving on any of his past actions. I really do hope he does, but right now, things do not seem hopeful. He must understand the messages he's spreading, intentional or not, and improve.

EDIT - There are actually some signs regarding his improvement in other areas. When the KindlyBeast team was laid off, he did make an apology post for them, and his "We make stupid games for stupid kids" quote doesn't seem to apply seeing the M ratings newer games are getting. Courtesy to the other Bendy wiki staff to giving me these points.

However, I do think there's still an issue with how he views minorities. Here's to hoping for the best.

#From abuse in the workplace to hidden vent poems to this ? Mike does not seem like the best person. All I wish is that he learns and becomes #better. I hope you're all feeling ok after this drama #batim #bendy and the ink machine #batdr #bendy and the dark revival #bendy #joey drew studios #kindlybeast #themeatly #mike d #mike mood #thomas connor #norman polk #batim thomas #batim tom #the projectionist

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archiveofliterature · 5 months ago

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i've always wondered why robin's outward statements about colonialism never bothered me the way it did others who felt the book was too on the nose and, while i think part of it is that i'm glad someone has the guts to say it out loud after years of denial, in terms of babel as a story and its characterisation of robin, i think i've got it

one big flaw of robin's is that he ignores things that are not said. he'll acknowledge them somewhat in his internal narrative and then immediately find reasons as to why he should not give it much thought

i've said these points before but to reiterate:

babel's theme of languages and violence allows us to explore the unsaid and the times in which violence actualises what is left unsaid

robin is being introduced to colonialism for the first time. we know so much about colonialism now because we are no longer in the height of it anymore (we are definitely still in a world of colonialism, see: palestine, capitalism, after-effects in third world countries), we have resources, the words and the experiences to prove the victors wrong. robin, in the 19th century, did not

yes, we and robin were shown that colonialism is bad through the events of the story and yes, it did take robin seeing canton again to see how bad it really got, but robin needed to say those things out loud for him to understand it, otherwise it would not be in character for him to do anything about it

and maybe you could argue that his arc could've been to acknowledge things that are not spoken about because they have equal importance, but why should they remain unspoken? in fact i think in combination of this flaw and of the language theme, robin stating that colonialism is bad displays that innate love and pain he has for his identity

to me, this did not feel like a jarring, 21st century-like statement – it was entirely in character and a reasonable conclusion for robin to have made at the point he reaches in the story

#it's also kind of meta in a way because robin represents a very interesting wasian experience where those who are products of yellow fever—#—specifically may struggle to grapple with that idea as well as others and how they may refuse to acknowledge those things bc it's not said #the model minority and its roots bc these things do not start from thin air #anyway more thoughts lol #babel rf kuang #robin swift #babel or the necessity of violence #babel an arcane history

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glorious-sunset · 7 months ago

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LBFAD Opening Artwork – Hidden Meanings

The created artworks used for the opening scenes of LBFAD (Love Between Fairy and Devil) are unique and have many hidden layers of meaning! Sheer genius on the part of the artists and designers :D Here are my interpretations of these stunning works of art.

Image 1: Bone Orchid (image above)

Although I’ve posted stills, each image actually moves. Here, flowers bloom on the Bone Orchid and leaves grow on previously bare branches around the sides. This is the original form of the Bone Orchid prior to DongFang QingCang (DFQC) transforming it into a bracelet for Xiao Lanhua (XLH) in ep. 9.

The two parts of the Bone Orchid, the crescent-moon-shaped bone and the vine of the orchid plant wrapped around it, each represent DFQC (the Moon Supreme) and XLH (who was disguised as an Orchid), and their close bond. This is a new magical artefact that DFQC created from his blood in ep. 9 (similar to Lady Yan creating the Heart-hiding hairpin). That he chose to give it a form symbolising a bond between himself and XLH is deeply significant! Consciously, he may have meant their connection through the one-heart curse, but subconsciously he already had deep affection for her by this time.

Orchid flowers blooming on the previously bare vines of the Bone Orchid represent the blooming of their love for each other. (As their love blooms, XLH bonds with the Bone Orchid to the extent that removing it would end her life by ep. 29). It also refers to the many times that XLH makes flowers bloom when DFQC does something to make her happy :D The leaves growing on the bare branches around the sides of the image symbolise XLH’s resurrection of DFQC’s Tree of Emotions and his healing process. The Bone Orchid represents the love between our Fairy and Devil which is the central theme of LBFAD, so no wonder it is the first image we see!

Image 2: Xiao Lanhua

Here XLH first transforms from an orchid flower tethered to its stem, into human form as a young and innocent girl. The white swirls around her represent her usual spiritual powers (not her green Goddess powers). When she uses her powers to repair destiny leaves, etc., her energy appears as white light (important note - we see a different type of energy later in the opening artwork!) The pink tinge to some swirls represent her femininity and affection. XLH appears weak and vulnerable but her love and tenderness are the most transformative force in the series. Her reflection in the water below shows an orchid plant only, not a girl – this symbolises the illusion of her orchid form in hiding her true identity.

Image 3: Haishi Rescue

In this scene from ep. 3, initial obstacles to their love are presented including their power differential (symbolised by her small size within his giant hands), his view of her as an object and his underlying lack of emotions. The city of Haishi is below, the giant Sun made of DFQC’s formidable Hellfire is to the left, and the floating debris represents the destruction DFQC has wrought and is trained to continue to wreak. His mission is to destroy Shuiyuntian and conquer the three realms.

XLH looks vulnerable, her cloak resembles an orchid petal, and white/pink swirls of feminine energy again surround her. However, DFQC has just saved her life and continues to shield her within a protective bubble – an important ongoing dynamic of their relationship.

Images 4-7: Flashback

Images 4-7 are artistically presented as a series of opening doors, like opening the pages of a history book. They are a flashback to events 30,000 years ago and set the scene for current events and obstacles to the love between the OTP.

Image 4: The Two Tribes

The two different tribes that our OTP belong to are presented. Shuiyuntian is light and airy, and floats above the clouds with dozens of golden birds flying in the sky. They are the emblem of Shuiyuntian (as the crescent moon is for the Moon tribe) as shown by the golden bird brooches worn by celestials. Similar to Shangque transforming into a black dragon, the true form of some celestials may also be of golden birds and they can transform into this form. The position of Cangyan Sea below Shuiyuntian, the darkness in which their people live and their comparative lack of manpower (there is only one black dragon in the image) suggests that they are oppressed by Shuiyuntian.

Image 5: Battle of Two Tribes

Prior to Lady Chidi’s sacrifice, the people of Shuiyuntian and Cangyan Sea fight each other, their forces coordinated by Lord Dong and DFQC. This is the culmination of a hundred millenia of warfare between their tribes. Again there is only one dragon, and Lady Chidi in the forefront leaps into Cangyan Sea territory to confront it. Her red cape traces her active path through the battlefield. White and red swirls of energy (+/- blood) emanate from her.

Image 6: Lady Chidi’s Sacrifice

After invading Xuanxu realm of Cangyan Sea, this is the pivotal moment where Lady Chidi explodes her spirit to seal the 100,000 soldiers of the Moon tribe. Red blood sprays from her body and her earth magic envelops the Moon Tribe soldiers, sealing them within the earth. Her sacrifice foreshadows XLH’s own sacrifice in ep. 31.

Image 7: The Capture of DFQC

After the sealing of his soldiers, a weakened DFQC with white hair is suspended within the circular Haotian tower, his arms and legs magically bound. Magical glyphs surround him to seal him in place, representing the magical seal of the Haotian matrix.

Image 8: Xiao Lanhua of Arbiter Hall

Back to the present - the series opens by introducing us to XLH of Siming Dian (Arbiter Hall). The archways in this image are similar to the archways in the lower level of Arbiter Hall. Vines grow around the pillars, symbolising that XLH’s primordial spirit is connected to the plants at Arbiter Hall. The trees behind her may represent the nearby Shuyu Forest that she frequently visits. As XLH moves to the right, new white trees start to grow in front of the black trees, demonstrating her ability to create new life and make plants grow. White swirls of her spiritual energy again surround her.

In line with her selfless and giving nature, XLH offers up her spirit! She does this four times in the series: 1) In ep. 1, she offers up her life and spirit to protect Changheng, whose destiny leaf had changed and was destined to have his body and spirit destroyed (more detail here). 2) Also in ep. 1, she fuses part of her spirit to DFQC’s, restoring his spirit and body and giving him a part of her spirit (which he later extracts in ep. 33 to resurrect her). 3) In ep. 31, she sacrifices her life and spirit to protect DFQC’s life, to resurrect everyone that died on the battlefield and free the 100,000 sealed soldiers of the Moon Tribe. 4) She promises the Great Turtle in ep. 33 that she will sacrifice her spirit to defeat Taisui and bless the Three Realms. XLH’s fate to sacrifice herself is another obstacle to her and DFQC’s love for each other :(

Image 9: DFQC’s Tree of Emotions

Thanks to XLH’s resurrection of his Tree of Emotions in ep. 1, DFQC begins to grow beautiful glowing golden leaves on its previously bare branches, symbolising his breathtaking transformation.

Image 10: The Great Turtle

I believe this is another flashback. At the end of XLH’s first life in Xishan, her parents disguised her as an orchid plant with no human form. At this time between her first and second lives, she meets the Great Turtle. The orchid flower sprouting from her hand is the new form she transforms into, and orchid petals float around her during her transformation. The Great Turtle calls XLH an old friend in ep. 9 as they have met before – in this scene.

To the left of the image is a crescent moon with a dead tree growing on it. This symbolises DFQC (the Moon Supreme) and his Tree of Emotions which was dead at that time 30,000 years ago. There is a wisp of haze around the tree indicating that it has the potential to regrow. Despite XLH’s destiny to sacrifice herself for the Three Realms (which she might have discussed with the Great Turtle here), DFQC is waiting in the wings to change her destiny!

Image 11: Our Fairy and Devil

XLH gazes upward in hope, while DFQC’s eyes are closed and his head bowed, portraying both his reserved nature and that initially he was emotionally closed off, aloof and distant. The asymmetric gold crown that DFQC wears indicates that this scene is from after their return from the mortal realm back to Cangyan Sea – XLH also wears Moon Tribe attire.

On the Bone Orchid between them are flowers in full bloom, representing their love, which is now in full bloom :D Also between them is DFQC’s Tree of Emotions, now fully regrown with gorgeous white blossoms similar to the scene where he sits beneath his tree in ep. 24.

Despite the beautiful development of their love and of their characters, war between their two tribes is imminent. The image of Shuiyuntian between them sports a red flag, indicating their impending invasion of Cangyan Sea. Cangyan Sea is outnumbered, represented by one dragon vs. dozens of golden birds, and they face annihilation at the hands of Shuiyuntian D: Another reason for DFQC to bow his head, as he faces both the destruction of his realm and the loss of his love at this time.

Image 12: Peace Reigns

Just look at the swirls of energy emanating from XLH and DFQC as they float in a boat along the Oblivion River! There are again white swirls for XLH, but DFQC has red and gold swirls for Glazed Fire!! This scene occurs after DFQC’s return at the end of the series! :D The red belt around XLH’s waist is reminiscent of blood pooling from her wound in ep. 31 when she stabs herself with the Zhengying sword. This image (and the opening theme song Jue Ai, “Farewell Love”) pays homage to both her sacrifice, and DFQC’s sacrifice in ep. 36 which produced his Glazed Fire. Only through both of their sacrifices, were they able to bring about first a ceasefire to war, then lasting peace between Shuiyuntian and Cangyan Sea, breaking through a hundred millenia of unending conflict!

Only by creating peace are they finally able to be together happily. The boat is deeply significant for our OTP - there are three situations where they are alone together in a boat during the series. XLH reminisces fondly about this in ep. 24, and Siming sends a boat for DFQC (and fireflies for Changheng!) as a sign that she knows their most significant connections to XLH. To the bottom right are the peaceful waters of Cangyan Sea with the watchful eye of a black dragon at rest. To the top left is a peaceful Shuiyuntian with Yunzhong’s watchful “Eye of Heaven” (seen in ep. 14) accompanied by a flower in bloom, symbolising peace and prosperity. The positions of each are in poetic parallel to image 4 which showed conflict – the defensive black dragon in image 4 is now restful, and the golden birds also seem to be resting :)

Here is a link to my article: How Immortals age in cdramas – clues from LBFAD

All of my LBFAD articles can be viewed with the tag #lbfad reflections (hyperlinked) and the table of contents to these is here.

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sunderingstars · 16 days ago

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✩ ‧₊˚ ⌞ SIMULATED UNIVERSE ⌝

sampo analysis m.list

— what the stars reveal: interpretative analysis, elation!sampo & doll!sampo, theory, op trying so deeply & calmly to keep it together and not look like a conspiracy theorist

— word count: 3.9k

— overview: (as of 2.6) a look at the aha stuffed toy, curio hacker, and the *perfect* grand challenge simulated universe occurrences!

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✩ ‧₊˚ ⌞ AHA STUFFED TOY ⌝

This one’s a doozy, folks! As much as Curio Hacker gets passed around as a pretty obvious Sampo Occurence™ (which it is, don’t get me wrong), I feel like Aha Stuffed Toy includes just as, if not more, lore implications as to who and what Sampo might be. So, here I am to give the breakdown:

Recurring references to currency, including gaining, losing, and most notably, dispensing it. Starting with the base occurrence, we can see that the toy is said to reward you more gold coins the “worse the beating is.” This is further shown by the tiers of Cosmic Fragments awarded to the player depending on what option they choose and what percent they happen to get. Part luck, part choice, Aha Stuffed Toy makes a clear connection between violence and money.

As for Sampo, he is the character most associated with both Elation and the transactional nature of currency, so I find this an interesting connection. Additionally, the Sampo of Finnish mythology was known for “dispensing” wealth (in this case, gold & Cosmic Fragments) onto others!

Being made in Aha’s own likeness. As detailed in my Aha Splash Art Analysis, I find similarities between Sampo’s character model and the silhouette in Aha’s splash art. While I used to attribute this to a more directly Aha!Sampo theory, I am beginning to think this may be explained by the occurrence here. If Sampo, as a toy or otherwise “creation” of Elation, were to have similar features or even be the spitting image of Aha’s silhouette, any connections between their appearances would add up.

It would also make sense why Sampo gives the Express itself a wide berth — Pom-Pom may be familiar with Aha’s physical form from Their time on the Express, and may even be reluctant to believe Sampo is a different being despite sharing the same physical appearance.

Elation path option. Heading into Swarm Disaster, this is where things really start to heat up. This is probably the most “crazy red string theory” my brain gets, since there’s so much to unpack here! It’s important to note that since this is an Elation path matching an Elation occurrence, I’m more inclined to view this as our best source of understanding what’s truly going on. Starting with the options themselves, they are split cleanly in half (a 50/50 if you will). Similar to the base occurrence, Cosmic Fragments are either gained or lost depending on chance.

The text when Cosmic Fragments are lost is, well, very Sampo-aligned in my opinion. The doll, breaking the 4th wall into self-awareness, turns to look directly at you (the Trailblazer; potentially even the player of the game) and brazenly steals your currency. Moreover, the text before making the decision mentions that “only Aha knows the secret…” — Huh! Interesting! Although I am very worried about the doll’s head blowing up in the second option, it still serves as a link to Sampo’s penchant for including bombs in his kit. Overall, this is the part of the occurence I associate most with Sampo, from the stealing of currency to the self-awareness to the hint that his identity may be some secret that only Aha knows or is able to reveal. 10/10, no complaints!

Erudition path option. Erudition is also interesting, since it gives you the option to dismantle the toy, immediately giving you Cosmic Fragments. This mirrors (in a general sense, with some liberties taken) the destruction of the Sampo in Finnish mythology, as well as connects once again to the idea of being bestowed wealth.

Venting of extreme emotions. As with the “made in Aha’s own likeness” line, I find it interesting that the doll is not only specified to have a direct purpose, but that that purpose is to… well, basically be a glorified punching bag. In an occurrence, this isn’t a huge deal, given the player probably has a passing thought of “oh, Aha’s being silly again” then continues on their way. However, if we think about the probability of these toys being real and potentially a character we know, things get trickier. Suddenly, this isn’t a fun “joke” where some pre-recorded inanimate toy acts as a stress ball, but the horrifying reality of a self-aware, sentient being who can likely feel every hit it takes — a joke taken too far, if you will.

This makes me feel much more out-of-my-depth when considering Sampo’s unknown backstory, since it may be much more traumatic than we’ve predicted so far. Also, if anyone in this game comes across as a “glorified punching bag,” I’m sorry Sampo, but my mind is immediately going to you. I’m still sad about it, though. :(

The goading. Similar to the venting of extreme emotions, this occurrence very much goads the player into getting more and more violent with the doll. “One more? There is so much frustration in your life, after all” makes me feel so yucky. Like so yucky. It almost feels like Aha (despite not being involved in the quality control process) is absentmindedly trying to push us directly towards messing this poor doll up more!

It makes sense, though, that most of our in-game dialogue with Sampo is mean or simply doesn’t have a “nice” option then — it may be Aha’s way or a result of Sampo’s own existence pushing us into that “frustration,” into that want to vent our extreme emotions.

The embedded chip. In addition to being a quite common mantra among Elation entities, the chip sticks out to me through its unique use of blended third-person references. It doesn’t feel exactly the same as when Aha refers to Themself directly in third person, but it does have that slippery feeling of the “in-between,” of a doll so at a loss for autonomy that it has no choice but to play the pre-recorded message of an entity it is bound to through no will of its own.

In a way, Aha!Sampo could still work with Doll!Sampo, albeit in a more roundabout way. Perhaps, beyond sharing physical similarities, there is also a kind of mental or referential similarity passed down through osmosis whenever a doll is created in the likeness of its creator. Perhaps, this likeness even transcends appearance.

Integer overflow. Nothing specific to say, other than that it is a useful connection to the more tech-minded “Curio Hacker” occurrence, with Aha Stuffed Toy mentioning “manufacturers” / “systems to store virtual data” and Curio Hacker mentioning virtual avatars and data forms.

Bonus: Sampo’s head-to-body ratio (despite being like every other tall male character’s body, yes, please just let me be crazy) matches with the idea of a doll whose body is several times larger than it’s head — I mean look at that man, he’s beefy and tall!

Bonus-Bonus: The voyeurism of it all definitely makes the situation more fucked up! Like imagine being this doll, already born into an existence purely for the sake of getting pummeled around like a kickball, and your creator makes it abundantly clear that They want to see this happen to you! With their own two (or many, or zero) eyeballs! I’d cry, that’s for sure.

Overall, this is a lot. This is definitely a lot. I have more I could say, but to mitigate the risk of devolving into crazed rambling, I’m going to let this section speak for itself and move on to “Curio Hacker.”

✩ ‧₊˚ ⌞ CURIO HACKER ⌝

Divergent Universe Additions:

A lot has already been said about this occurrence, so I’ll keep it short and sweet: the “blue-haired being” is a direct connection to Sampo (who is often referred to by his blue hair in a similar way) and the self-aware nature of its actions (knowing it’s in a game and trying to replicate Curios) also matches with Sampo’s general self-awareness as a character. Now, with that out of the way, I’d like to continue into a more niche discussion — that of the Curios the hacker gives us.

Organic Heart

Story: What sticks out to me the most about the text here is the merging of two distinct objects — an apple and a heart — into a single, new existence. I think there’s something to be said here about Sampo’s potential identity; his merging of Nihility and Elation, Masked Fool and voice of reason, mortal and immortal. The combination of two separate entities into one until they are unable to be distinguished from one another, folding into each other until they are both a sum and a subtraction of all their parts, hopelessly melded into a new, unique form of existence, not a heart or an apple but a heart-apple, an apple-heart, the fruit of an organ and blood mixed with seeds mixed with juice, the crunching of something not entirely edible, not entirely rotten. Something that, according to the story, still can’t be fully defined.

Gold and Gears: In Gold and Gears, the function of Organic Heart is to remove the golden dice face for four turns, then grant two cheat attempts. This matches up with both the implications of a “hacker” — someone who cheats the system by default — and Sampo’s generally shady demeanor, always trying to find a loophole he can squeeze through. The interesting part of this is the presence of the golden dice face, particularly the removal or hiding of it for a specific period of time.

If we are continuing based off the assumption that Sampo is the hacker and the Curios give hints about his own identity, this would mean he isn’t just powerful, he is ultimately powerful. The golden face is the absolute highest the dice can go, meaning the equivalent in-universe is likely Emanator or even Aeonic status. As such, it seems that Sampo may be sacrificing, removing, or hiding this power intentionally to gain something — likely a sort of universe-breaking “cheat” to circumvent whatever he wishes.

For Doll!Sampo, this may mean escaping his own purpose or reason for existence, Emanator!Sampo may wish to be free of Elation entirely, and it is likely his wishes have something either to do with protecting Belobog, protecting himself, or, if he is very pissed off at a certain Aeon, perhaps even the murder of a god.

Divergent Universe: Organic Heart’s Divergent Universe function also adds a bit of information to this theorizing, as it increases the challenge points gained (thereby increasing the rewards and how much you “win”) while causing you to take more damage at the same time. This seems to have similar implications as Gold and Gears, implying a “reward” and a “cost” closely dependent on one another. You may be receiving more “power” and more rewards, but you are also at higher risk of dying due to taking more damage.

For Sampo, this ties in to the aspect of weakness, of trading his power for some kind of “win” if he can just survive long enough to get there. Furthermore, it implies a state of vulnerability, some kind of existence where he no longer has the full protection he used to. Much like the player who takes the Curio, he likely has to be very careful about what he involves himself in, lest he meet a premature end.

Mysterious Magnetism

Story: Interestingly enough, I find Mysterious Magnetism to go quite well with Organic Heart. There is yet again a theme of combination, this time with the Fog of Thought and Rain of Sensation (perhaps alluding to the creation of Sampo as a sentient being — thought and sensation are unique to those who are aware of their own existence) being pulled together into a lens. While Organic Heart represents the more, well, organic side of a being, Mysterious Magnetism dwells in the imperceptible; thoughts, sensation, color, and magnetism are all far more conceptual than apples and hearts.

The “magnetic field” mentioned is also interesting, since it is said to “disturb the senses,” which Sampo very much does on a regular basis (appearing and disappearing out of thin air, not leaving footprints, misdirection, etc.) — in fact, Mysterious Magnetism seems to imply that this is a byproduct of his existence. Despite being created by the Riddlers (a faction of the Enigmata known for obscuring language), the resulting experiment simply is. This may be similar to Sampo’s own existence, where his, well, mysterious magnetism, is simply part of who he is or how he was created rather than a conscious effort on his part to achieve it.

I also find it interesting how the Riddlers had to eventually stop because they became more and more uncertain of its “necessity” — this could, in my opinion, imply a “leaving behind” or abandonment of Sampo as a character as well.

Keyword Note: “Revelrous” implies there may be a bit of Elation involved. A little easter egg in the story, if you will.

Gold and Gears: In Gold and Gears, Mysterious Magnetism creates Elite Domains out of Combat Domains, then grants Cosmic Fragments after two of those domains. Much like Organic Heart, there is a rigor present here, an upping of the stakes for greater rewards. What would be effortless is made difficult, but if the player survives they are rewarded for their troubles. Once again, this may point towards Sampo’s exchanging of a price for a reward, a stripping away of his power that makes everything — especially combat — more difficult, but that will eventually reward him what he wants.

Divergent Universe: The occurrence here follows a slightly different “give and take” track, less focused on rewarding something after hardship, but more on gaining and losing in the same breath. Interestingly enough, the gain here is at the beginning rather than the end, awarding the player 50 Cosmic Fragments every time they enter a domain but making them lose just as much once they win a battle.

This could be seen as the nature of currency exchange — a central part of Sampo’s character — as something that gives and takes in equal measure, or it could also be seen as a means for him to avoid conflict. Perhaps whatever plan or deal he has strongly discourages fighting, likely because of the higher stakes involved or lessened powers he has. As such, it could be seen as “losing” in general for him to engage in conflict, since it might strip away even more of his already-fraying status.

Other Notes: It’s interesting that the hacker is attempting to replicate Herta’s Curios. Given that it gives us two very specific Curios, I wonder if those are the ones it’s trying to replicate? If so, why? I’m inclined to believe Sampo may be attempting to circumvent his own fate or state of being as a doll/toy, but it could be to save Belobog or someone else for plot reasons as well (or maybe even kill Aha Themself; Aeon murder isn’t off the table, after all).

I also am intrigued by “hacker” being in quotations. Paired with the “don’t ask me who I am,” I’m reminded of the toy’s secret that only Aha knows — perhaps Sampo simply doesn’t wish to reveal himself to us here, or perhaps there’s a deeper reason his identity is obscured. Basically, it comes down to the age-old question: Won’t, or can’t?

Overall, Organic Heart and Mysterious Magnetism sum Sampo up pretty well to me: an organic being straddling the grey area between different existences, as well as an indistinct combination of concepts capable of self-awareness and magnetic thought. In my opinion, these Curios point towards heavy themes of creation, combination, and being discarded, as well as the exchanging of one’s own power for a greater benefit (or “cheat”) later on.

My pet theory combines both the Aha Stuffed Toy occurrence and Curio Hacker, seeing Sampo as a toy created by Aha in Their own image, a combination of mortal and immortal existence meant to be beaten and bleed wealth, who seeks to free himself from the purpose of his own existence through sacrificing the very power that was granted to him with it — likely Emanator or some equivalent status — while hopefully protecting those he cares about and even getting back at his creator at the same time (otherwise known as Doll Theory).

✩ ‧₊˚ ⌞ THE *PERFECT* GRAND CHALLENGE ⌝

When paired with both Aha Stuffed Toy and Curio Hacker, The *Perfect* Grand Challenge begins to paint a bigger picture. Here, a toy is once again mentioned (Aha and the Elation path seem to have a strange fixation on dolls and toys), this time as a “clay doll” trapped inside an arcade machine alongside other gacha prizes. You play through the arcade machine much like the occurrence, deciding which toy to pull and how many attempts to make. Here are a few of my notes:

Prizes: The prizes within the arcade machine include “trendy gachapon figures, ether orbs, and clay dolls,” although there are only two specific ones available: “popular gacha toy” and “clay doll.” I find it notable how the clay doll is emphasized here; despite being part of a three-item list at the beginning, the options are basically simplified down to “clay doll” and “everything else.” Additionally, the clay doll is the only item to have an extended description in the occurrence, which I will explain later.

Rewards: Each reward operates in probability, with the clay doll having a 50/50 for a regular vs. negative Curio, and the gacha toy has a 40/60 for a regular Curio vs. nothing. If we are looking at this occurrence within the context of the other two, the “clay doll” seems somewhat similar to both the Aha Stuffed Toy and Sampo himself, operating on chance to give the player either something helpful or harmful, to give or to take. Additionally, it fits with the Sampo of Finnish mythology, not having an option to not give — it must give, that is its function. And so it does.

Perfectionism: It’s a bit odd how perfectionism is a major theme of The *Perfect* Grand Challenge (hell, it’s even in the name)! I never thought of Elation as being closely intertwined with being “perfect”; in fact I always considered it to be the more chaotic of the Paths. However, there’s no escaping the fact that this occurrence not only shares the same cover art as other Elation occurrences like the Aha Stuffed Toy, but it also shares similarities like the clay doll, fun game, and “playful” programmer.

So, my main question now is why? If we assume these occurrences are a manifestation of the Paths, then perhaps a subsection of Elation includes perfection. Another option is that the presence of an Erudition option points to a co-mingling of different Paths into something specific like perfection. Or, it is entirely possible that perfection is a natural emergent of Elation that we simply haven’t seen yet. Although Sampo and/or Aha don’t strike me as “perfectionist” types, there’s enough we don’t know about them that makes me think “huh, maybe they really do have some of that going on.”

If we do, for a moment, entertain the idea that Aha may be a perfectionist in some regard, we can easily make connections between the other occurrences — for example, Sampo as a creation may have been abandoned much like Mysterious Magnetism in Aha’s pursuit of the “perfect toy”; Aha may have created toys in Their own image in the first place just to attempt a more “perfect” existence for Themself; Sampo may even be seen by Aha as in some way defective, leading to feelings of betrayal and hatred (or the opposite, Sampo being perfect enough to garner a god’s favor, which may not be a good thing when it comes to Elation).

There’s even the chance Sampo was created by another Path like Erudition (although that would cause a conflict with being “created in Aha’s likeness”) that may be more susceptible to latching onto perfection. Since the Riddlers (Enigmata) are also mentioned in Mysterious Magnetism, I wouldn’t put it beyond them either. Who knows, maybe he was a pet project collab between Aha and another Aeon!

Note: Who is the “perfect man”? Great question! It could fit in as Sampo with the idea of him sacrificing something for a reward, potentially “embarking on a challenge to become the perfect man” or it could fit in as Aha creating toys, being the “perfect man” that needs a “clay doll” like Sampo. “A perfectionist wants them all” could even allude to greed on either end, reaching beyond what is necessary in the pursuit of perfection. Or, it could be something else entirely. Who knows!

Text: As mentioned earlier, the clay doll has quite a lengthy (and worrisome, if we are comparing it to Sampo) bit of writing here. Most of the other writing sets up the scene (establishing the arcade game, the playful programmer, the game having a catch, etc.) but the clay doll is by far the most detailed and intensive play-by-play we get.

The other gacha figures either rise with the claw or drop, but the clay doll is different. If you win it, you get a short line of text with everything else, but if you lose… well…

Yeah, that’s definitely a lot! The main comparison I see is to the Aha Stuffed Toy occurrence, with the toy’s head blowing up (��the head of the doll has blown up” is actually the specific Stuffed Toy line!) and the clay doll’s head exploding with “fireworks bursting out from the head”.

Both of these events happen during extreme emotion, with the toy being created with the intent of venting emotion on and the clay doll exploding when you “lose your patience” and “give the machine a vicious kick”. With such an emphasis on the clay doll and its links to not only the stuffed toy, but to the programmer from Curio Hacker, I am officially inducting The *Perfect* Grand Challenge into the Sampo-Aligned Occurence Hall of Fame!

I feel like this can slot in with my Doll Theory as well, taking my already mentioned timeline and adding the idea that Sampo is one of many attempts at a “perfect” recreation of Aha, one that is likely trying very desperately to escape from the dehumanization and danger of his kin. After all, two Elation-coded dolls exploding by the head in separate occurrences is not a fun precedent to follow!

Note: I mainly compared Sampo to the clay doll here given its similarity to the Aha Stuffed Toy, but it is entirely possible he is the programmer as well — hell, with the implications of Organic Heart he may as well be both!

Additional Note: There seems to be some connection between the Erudition and the Elation here, with the Aha Stuffed Toy occurrence’s only Path options being Elation and Erudition, as well as The *Perfect* Grand Challenge including an Erudition option despite having such heavy Elation influences. Creation, experimentation, and combination are in and of themselves a very Erudition-coded activity, though those very same concepts can also be creative and fun in the vein of the Elation.

Additionally, the story of Mysterious Magnetism (linked to Sampo who is very much linked with Elation) mentions the Riddlers conducting their experiment to “combat the determinacy of Erudition”. Just food for thought!

Bonus: This mention of the Aha Stuffed Toy in the Flea Market occurrence! Don’t mind me, I’ll just be crying at the “asking to be hit” part. (Also, four destructible Curios makes me think in plurality, meaning there are perhaps quite a few “stuffed toys” out there. It also implies awareness and the ability to communicate, making the toy much more likely to be a sentient / intelligent lifeform.)