#but still i was so surprised to see this scene

[mirohlayo]

F1 DRIVERS AND YOU (their crush)

KISSING THEIR CHEEKS

( include piastri, norris, leclerc, sainz, hamilton, russel, verstappen & ricciardo )

warning : none just fluff

note : little nod to max's 4th championship win, congrats to him, sooo proud !!

─ OSCAR PIASTRI

I know for sure boy was blushing so so hard. But it's absolutely adorable and cute. Oscar is very patient with you, and even though he dreams of being able to touch you in a more than friendly way, of being able to at least have the right to a little kiss, he restrains himself and tries not to act under his impulses. . However, when you decided to quickly kiss him on the cheek, out of nowhere, he actually felt himself melting from the inside. His cheeks have never blushed so much, and his heart has never beaten so quickly.

─ LANDO NORRIS

Ugh, you guys can barely hold eye contact, but he's already so in love. So mad in love even. Despite the fact that you are still shy, especially him, that you struggle to make eye contact without blushing afterwards, Lando can't help but ask for more. Just a little extra. So, when he walked you to your doorstep, he immediately asked you if he could have even a mini kiss. Your lips naturally landed on his cheek, brushing against it, almost like a ghost kiss. And when you pulled back oh... He was already touching the place where your lips rested, cheeks as pink as yours.

─ CHARLES LECLERC

This was absolutely surprising to Charles. But he would love to be able to feel that feeling again. When your lips pressed naturally against his cheek, your hands framing his face perfectly. He didn't move for at least a good two minutes, trying to figure out what just happened. If it was real. He was so shocked that he didn't see you lean in again to place another sweet kiss. He blinked a few times, and you could only giggle silently. Oh, it was the best day of his without a doubt. And if he could live it again, he wouldn't hesitate for a single second before saying yes.

─ CARLOS SAINZ

He only had eyes for you. And he loved seeing you smile, and making you happy. So from time to time he spoils you, and although you don't like it when he buys so many things for you, you always end up thanking him warmly because after all, it's adorable. You always hugged him, hugging him a little tighter each time, but this time it was different. You wanted a change from hugs, so with a surge of courage and love you gently kissed his cheek to thank him. He was dizzy, almost on the verge of passing out. He couldn't hold back a shy smile, and above all he couldn't settle for a hug from now on.

─ LEWIS HAMILTON

He waited there patiently, sitting in a corner of the garage before getting in his car. You were a few feet away from him, watching the mechanics adjust the final modifications to the car. He couldn't help but admire you. And stare at your lips. God, he would give anything to be able to feel them against his skin. And as he was about to get in the car, he stopped when he felt your arm rest on his forearm. And without knowing how, your lips crashed onto his cheek in a quick kiss. His best smile appeared on his face, as he tried to hide his blush by putting on his helmet. Finally, his wish came true, right?

─ GEORGE RUSSEL

He can't stop replaying the scene in his head. He already found you so perfect, so beautiful and incredibly intelligent. It wasn't just a crush anymore, it was George, a simp for you. But already his heart was speeding up just by looking at you, he really thought it was going to stop beating when you gently kissed him on his cheeks. It was pure, sweet and... terribly affectionate. He tried to appear as normal as possible, but inside he was a mess. His whole body was telling him to kiss you and tell you everything he has in his heart right now. And he's sure that day will come soon, because there's no way another day will pass without a kiss from you.

─ MAX VERSTAPPEN

As the race draws to a close, Max is finally a 4th time F1 world champion. And getting out of his car, as he proudly waves his arm to greet the crowd, only one thing is on his mind. You, you and only you. So it was natural that he found you among the crowd, looking at you as if only you existed in the world. His hair was still damp, his face still covered in drops of sweat, but that absolutely didn't stop you from pressing your soft lips against his cheek, for a long time. Passionately. And oh, that sweet gesture was better than any championship. His eyes spoke for themselves.

─ DANIEL RICCIARDIO

He will never, ever stop teasing you about the kiss you gave him. Quite simply because he loves seeing you smile and laugh, but above all because he secretly wants you to repeat this gesture over and over again, for eternity. Honestly, you wouldn't even have to ask him for permission as he will already be ready to receive another kiss from you on the cheek. It was by far the most beautiful experience of his life, and oh, his heart always asks for more when he sees you. So, he hopes to feel your lips on his skin again, even if it costs him to tease you all day long.

[dcxdpdabbles]

Hi Drabbles,

I wanted to ask if you still do prompts and if you do can you do the one below?

So Danny is the Ghost King and was friends with Bruce’s parents so he felt when they died. They could become ghosts but I’ll leave that up to you. But either way, Danny feels their death and assists Alfred when he can to raise Bruce. Due Danny’s visits and Bruce’s holidays in the infinite realms they (Bruce and Alfred) became very Liminal. So they have slight powers. One day, Danny comes over with Ellie and Dan (who are like siblings to Bruce as both we deaged/destabilised and Danny raised them) but Bruce forgets he never told the newer kids about them as Danny hasn’t come over in a while. Dick has meet them, Jason has heard about of them but the rest don’t know about them.

There were three strangers in their house. Usually, that would be okay, as multiple people came and went through Wayne Manor. It was customary to hire random crews to help set up for a Gala, or maybe some representatives from the various charities they helped would come over for dinner or a meeting.

Sometimes, a few of Bruce's old party buddies would pop up to get him to stop being a dad and return to his party boy days. They've all learned how to dance around visitors and hide their identities.

The thing was, these strangers were kept from the main parts of the manor. Their rooms, the sitting lounge, Bruce's Office, Damian's art studio, Jason's library, Tim's game room, Cass' dance studio, and Duke's music record room were all inaccessible.

Bruce would always ask if someone attempted to sneak away and stop them. There was a time when paparazzi disguised themselves as crew members—the three idiots even got jobs at the cleaning company—and tried to see if they could find a scandal on the children.

Brucie Wayne was seen crying hysterically on the news that night for accidentally pushing down a piano on them. He was trying to take it up to the Music Room as a surprise for Duke and wanted to avoid bothering the cleaners to have them help him. He had no idea the rope he was using to drag the grand piano up the stairs would have snapped and rolled backward onto the paparazzi, who had previously been taking pictures of Cass practicing without her knowledge.

People told him not to feel bad, as Bruce had cameras in the hallways of his home due to the last time someone broke in, and it was obviously not his fault. Some people said they deserved it, but Bruce wouldn't hear it. He paid for all their medical bills and gave them enough funds to tie them over for three weeks while they recovered.

Everyone shook their heads at poor Bruce. After all, the piano had fallen so far that the only real harm was that each of them got a few bruises and a broken arm, but that was all.

The point was that no one went up there that shouldn't be.

Yet here, standing in the middle of the Gaming room, were three strangers who were all aggressively battling it out on an old remaster shooting game.

"This is way harder than I remember," said the oldest one, who seemed to be Alfred's age.

"That's cause you always sucked at games," The woman taunted, but her words were countered by the other man shooting her down. "Hey!"

"Ha!" Barked the last man from where he was twisting his elbows, moving alongside his running character. "I'm unstoppable!"

Tim turns to his siblings, about to ask them how they want to play the dramatic scene where they would throw these people out, but his words catch in his mouth upon spotting Cass' expression.

Her narrowed, guarded eyes watched the three with the same amount of steel she had reserved for only the worst of their enemies. Whoever they are, they set off so many alarms in her. She knows they're dangerous.

At once, this minor inconvenience turned into a severe risk to his health. He snaps back towards the strangers, tense and ready for battle. Around him, the rest of his siblings are in similar stances, quickly signing how they would attack.

What kind of message were they sending if someone on Cass's danger scale was able to break in undetected and choose to play with their things? Was it a show of what they could do? Claim that they could beat the Bats without really trying?

The woman's eyes snap towards them so fast she could have been a speedster. He had even noticed her turning around; one second, she was back to them. The next, she was half-turned, staring at them. It looked like a poorly edited video. Everyone jumps, but all she does is smile. "Hey, it's Bruce's kids! Anyone want to call the winner?"

The older gentleman drops his control, turns around to fully face them, and gasps. He puts one hand on his chest and the other right above his mouth. "Look at them! There are so many! Alfred must be so excited to be a grandfather. Why aren't you two giving me grandbabies?"

"Ugh, not this again." The man sighs, continuing to play despite the fact that the other two are no longer paying attention.

"It's fine time you find someone nice." The other protested.

"I'm not nice," Countered the player. "I highly doubt someone would want to find me."

"That's not true, Dan. Most of my co-workers want your number, " the woman chirps. "Also, stay away from my office. It's gross."

"Aren't half of your office married?"

"That's why I said most, you idiot."

"Just for that, I'm going to your office dressed like a romance novel protagonist. The modern professor who goes home for the holidays and finds his humanity again. I'll have a trench coat and everything."

"How dare you. Then I'll strut by your friends in a bikini."

"That's mean. It's not Halloween; there is no need to scare them."

"I'll kill you-"

"Enough! Honestly, you two, you're in your late thirties. Stop bickering."

"No matter how old we are, Dani will always be my little sister."

"Aw. " Dani poses the same as the older man—hand on chest, hand over mouth—and looks close to tears. "I love you too, you big waste of space."

Cass creeps into the room, somehow vanishing from view as the three strangers chat. Tim is still determining where she is, but he figures she'll strike when she has the opening. He feels Duke palm the knife in his pocket, and Damian lowers himself in preparation to throw a ninja star.

Dan snaps his head up with a laugh. "Wow, you're fast. A little too loud, though. Make sure to flatline your heartbeat when sneaking up on people."

Cass drops down over him, but Dan only laughs. Her blade goes right through him, and her fast place kicks do nothing. She accidentally cuts the controller in half, stopping the man's laughter.

"No! I was winning!"

"Ha!" Dani barks, uncaring the ninja star that goes through her right shoulder and flies through her body to exit on the other side. "Dan forfeits!"

"How does this count as forfeiting-"

"Guys, the children are trying to kill us." The older man cuts in. He levels the Waynes with large, grandfatherly eyes. "Children, why are you trying to kill us?"

He says it the same way someone would as a child why they were putting things in their mouths.

"Not kill. Just harm," Duke responds, voice low and dangerous. " Why don't you answer our questions. How did you get in here?"

"Alfred, let us in. He said we could make ourselves at home while he stepped out." The old man frowned. "He went to get Bruce from his office."

"Who are you?" Tim demands next, filing away the claim that Alfred let them. The butler would have told them days in advance if someone would have access to the game room.

"I'm Danny Fenton. These are my children, Dani and Dan." Danny introduces, eyeing the crowd. "We're close friends of Alfred and Bruce."

"How-"

"It's so good to see you all again!" Dick cheers, running down the hallway and still in uniform. He jumps over his siblings in an impressive flip, not breaking stride to race into Danny's arms.

The older man holds them open seconds before they crash together. "Dick! Look how big you've gotten. Oh, it seems like only yesterday you were waist-high!"

"Ha ha ha, it has been a few years, Granpa Danny. Hi Auntie, Uncle! How are you?"

"Dickie, my sweet pea, look at you!" Dani squeals, leaning in for her own hug. She passes through a confused Cass like a ghost. "So handsome! And Tall! Who told you that you were allowed to grow taller than me?"

"Seeing that you are barely over five' six, everyone," Dan laughs, clapping Dick on the shoulder. "It's a shame we're twins, so I'm no taller."

"Um, Dick?" Tim calls as his brother breaks in fast-paced, reassurances that no matter how tall he is, he will always be open for hugs from the shorter adults. "Who are they?"

"Oh these are Fentons. Danny helped Alfred raise Bruce, so their like our extended family."

Tim blinks, wondering if this feeling of confusion is what his classmates mean whenever they joke about being at family functions and people who last saw them as babies walk up to them like they should know them. It's an odd feeling.

"Oh, them?" Jason says from behind the hallway. He peeks in casually, lowering his gun and raising the soda can in the other hand. "I heard about them but never met them. They have level purple clearance."

"Of course we do! We build that stupid cave for Bruce." Dan scoffs. "He got stuck down there as a kid and thought it was safe just to make an entire headquarters in a hole. Honestly."

"At least Bruce has a career and children," Danny says pointingly.

"Please don't compare me to my cousin." Dani groans. "It's exhausting."

Yeah, this is definitely extended family.

[hyuckworld]

need to binge the masterlist…. long overdue but ๐·°(⋟﹏⋞)°·๐ (˃̣̣̥ᯅ˂̣̣̥) "(っ- ‸ - ς)ᶻ 𝗓 𐰁 (꩜ᯅ ꩜｡) ദ്ദി˙ ᴗ ˙ ) interpret this message

also i have almost (almost......) forgiven you for The Crime™ but i will be mourning its loss while i read this #seventeen fluff fic…….. also can’t say i’m surprised about mingyu being bullied but mc better than me because i would Not let him be my EX

vernon already going through it at work and then there’s mc god (Pretending I Don’t Know What Vernon’s About To Be Put Through) but oml him geeking over how pretty she is what if i Die <///3 the disney movie discrimination is CRAZYYY if vernon was woke enough he would’ve been even More down bad after the disney princess movie question

He tried, as confidently as he could, to voice out his supposed opinion. “Nolan’s Inception is one of the greatest films ever made.”

LMFAOOOO THIS MADE ME LAUGH TOO SORRY VERNON of course he’s a christopher nolan fanboy 🤮

HIM TAKING HIS SISTERS MOVIE SET IS INSANEEEEE i would never forgive him fr but also from mc’s perspective…… waoww ❤️ he want me so bad ❤️

vernon: Mingyu was the biggest piece of shit to grace the halls of his university me: 😍😍😍😍😍😍😍 #NEEDTHAT

Your smirk deepened. “Judging by your blush, you’re either terrible at lying…or,” you offered, voice lowering a little as you drummed your fingers against the counter, “You’ve never had a hot girl this close to you.”

my queen why en GET HIM AGAIN!!!!!

this might as well be a contract killing with the way they’re about to swipe mingyu’s entire collection Tbh but ACTUALLY SO VALID BECAUSE WHY IS MINGYU SLANDERING MC LIKE THIS 😡 also vernon feeling guilty for being an asshole because of his hate boner for mingyu #truelove

AND VERNON AGREEING TO THIS PLAN WITH ZERO CONTEXT OF WHAT IT IS LIKE HE IS DOWN HORRENDOUSSSS he’s so valid tho don’t let anyone hurt ur queen <3

“Please tell me, Miss Bond, how are you planning to carry this out?” You offered him an incredulous look. “I don’t know what that reference means, I’m too pretty.”

LMFAOAOOA THIS IS THEE BEST TWO LINER ok three but like. ok just the dialogue. ok.

vernon malfunctioning because he insinuated he wanted to see mc again and in the context of robbing mingyu’s house again GODDD WHAT A LOSERRR (i want him so bad u have no idea) (god i should’ve bullied u harder into writing that smut scene)

You still could not believe how your ex-boyfriend was taking this long for the realisation to hit. Even when Eric jumped up on the screen, holding onto the ship’s ropes, the watcher only regarded the character intently, as if he was somehow part of the stranger film.

LMFAOOO WHY DID IT TAKE HIM SO LONG TO REALIZE FUCKKK he just secretly really enjoyed watching it ❤️ AND HIM TAKING SO LONG ON MULAN TOO i love my men useless with innate babygirlism so somehow this isn’t even giving me the ick .

VERNON HALFWAY OUT THE WINDOW AND MINGYU STILL CALLING HIM A NERD GODDD HOW ARE U GONNA ROB SOMEONE AND STILL GET GAGGED . okay wait my bad i read further and he actually followed up with the craziest line ever #ThankYouAmourCheol like wow. true literature

the way he’s so endeared even though she’s geeking out to disney Omg that is called real true love <3 UR KIDDING HES GONNA KISS HER TO THIS SONG….WWAOWW oh i killed myself i really did <3//33 WOW WOWW….. and she likes him sm missing out on TANGLED for a man like gawd. and the shrek reveal was so perfect he really matched her freak in the end

worst timeskip of my life TELL US WHAT HAPPENED IN BETWEEN. also the fact that it was to shrek goddd they were boning to all star

THE BARBENHEIMER SCENE LMFAOOOO kitten and the reader killed themselves after reading that thank u mc Okay waow. CUTEST FACKING FIC EVER i need to die at the way he was ready to commit crimes for mc from beginning to end. his down badness needs to be studied. in a lab. with me as head scientist. anyways that was beautiful and i think fia ficology also needs to be studied because how does it hit every single time!!!!!!!

𝐟𝐢𝐥𝐦𝐛𝐫𝐨-𝐳𝐨𝐧𝐞𝐝

❝Who knew all it takes is a hot girl with top-tier taste for a man to admit he's wrong?❞

𝒈 𝒆 𝒏 𝒓 𝒆 : fluff, comedy, suggestive, college! au

𝒘 𝒐 𝒓 𝒅 𝒄 𝒐 𝒖 𝒏 𝒕 : 21.7k words

𝒔 𝒖 𝒎 𝒎 𝒂 𝒓 𝒚 : self-proclaimed movie mastermind chwe vernon minds his business—whether that be avoiding the popular, problematic kids in his college to reducing customer interest in his parents' film store. his plan of isolation, however, is completely destroyed when you, a seemingly insane disney fan, slam his perfect movie taste and ask for his help to take down an evil ex.

𝒄 𝒐 𝒏 𝒕 𝒆 𝒏 𝒕 : loosely inspired by watching the detectives, film major! vernon who owns an outdated film store, fem! reader is the baddest (but also the craziest) bitch in this fic, vernon is a loser, film major! mingyu who will be violated many times in this fic sorry king, mentions of many filmbro films which will also be violated, self-indulgent mentions of some of my favourite films, a few super dark jokes nothing serious though, kissing, mentions of sex and the act of cumming (all joking wise) but no actual sex because im fearing god today (super suggestive at best), barbenheimer reference <3

𝒕 𝒂 𝒈 𝒍 𝒊 𝒔 𝒕 : @hyuckworld @junyangis @hiraethmae @lllucere @intoanothermind @kokoiinuts @shnnzsworld @lilifiedeans @talkyoongitome @vanishingboots @cookiearmy @person1fys

𝒂 𝒖 𝒕 𝒉 𝒐 𝒓 ' 𝒔 𝒏 𝒐 𝒕 𝒆 : she is finally here !! so so sorry for taking so long </3 i never thought it would be finished atp but thank you addy and alice for pushing me to complete this lil fic !! addy ur film major info birthed the filmbro slander, and alice...no smut LMAO LOSER anyway do enjoy homies <33

𝒑 𝒍 𝒂 𝒚 𝒍 𝒊 𝒔 𝒕 : if you're too shy (then let me know) by the 1975 || q&a by seventeen || wonderful women by the smiths || confidence by ocean alley || talk talk by charli xcx || oh my! by seventeen

back to masterlist

“NO, THE HOBBIT IS SET BEFORE THE LORD OF THE RINGS.”

This particular customer, however, refused to grasp the concept. “But the Hobbit was released after,” he repeated, as if he had not heard twenty minutes ago, when he first entered the store. “Wouldn’t it make sense to watch the more recent movies?”

Vernon clamped his lips together, stopping himself from saying something that would lose him a potential buyer. Well, not that it would matter much, considering the man before him could not comprehend what a prequel was, but still—he had to make this idiot understand.

“I understand that, sir, but the Hobbit is a prequel to the Lord of the Rings.” Holding onto the DVD set, he pointed to the grand picture of the movie’s protagonist. “It’s based on Bilbo Baggins’ adventures.”

“But was that not the little fellow from the Rings?”

“No, sir, that was Frodo. Bilbo is Frodo’s uncle.” The boy then clarified, tone heightening, “You know, where he reclaims his home from Smaug?”

“Smog?” The customer parroted incorrectly, scratching his hair as if the action would jog his memory. “Now why does this hobbit’s home have health violations?”

The twist of his lips was inevitable. “Smaug,” he corrected. “The dragon…the villain…the whole reason the movie was created?”

“See, I only know that one slimy creature with the ring. What was he always saying…” The man snapped his fingers, a lightbulb switching in his otherwise empty brain. “Ah, yes!” He then completely distorted his voice, rasping, “My presh-shious!”

For a split second, Vernon was a little gob-smacked at the impression. Then, he remembered he needed sales, and made sure to laugh as if that customer was the funniest man that ever stepped foot in the store. 

This particular joker, who was clearly not understanding Vernon’s analogies, instead asked, “Well, which one do you recommend?”

Ah, the fated question. 

Besides from the Lord of the Rings collection, he had been asked this very question a few too many times, when customers would browse the films on offer and ask for his opinion. Not that he considered himself an all-knowing master of movies—

He smiled. Now that was something he could chuckle about.

“Well, sir, the Lord of the Rings is a timeless classic. I would recommend it to anyone interested in a well-written, well-produced fantasy.”

The man twisted his lips. “But I don’t really like fantasy, though.” 

Vernon could not help his smile dropping. I don’t get paid enough for this.

With as much strength he could muster, he persuaded the idiot to get a rom-com instead, and ushered him out. 

He sighed, going back to the desk. The store was never busy—unsurprising, since nobody buys DVDs anymore—but that was how he liked it. The less customers that bothered him, the better. He did not want to be that type of guy, but he would rather have his own company than those who thought that the Marvel movies were God’s gift to man. (The Spiderman movies, however, he had to leave out of his apparently controversial statement).

Vernon was about to close the shop out of pure boredom when someone stepped in. 

His eyes darted to the newcomer. 

They stayed as he beheld you.

Perhaps this was a gross generalisation, but he did not expect someone so cute walking in a store this run-down. Maybe you had mistaken it for a vintage shop, planning to rob the CDs, or thought there might be decades old clothing in here. He was certain you had walked in by mistake, but then you began to browse the movie sections.

His first thought was that you seemed to have excellent taste. 

You slowed your steps in the classics section, eyes roaming at the Fan Favourites shelf which was simply movies Vernon had seen this week. Still, they were amazing fucking movies, hence their place on the shelf, now being admired by the likes of you. He wondered what you thought of the one DVD you picked up, assessing the blurb at the back. Roman Holiday. The boy could have smiled—you truly had a knack for picking out special films. 

Your fingers lingered on the movies for only a couple of minutes before you saw the desk—first the counter, and then the person behind it. 

The fact that your first instinct was to smile at the boy behind the counter had a profound effect on him.

Now, he did not want to sound pathetic; he did not know you, had never seen you before, but someone this aesthetically pleasing did not come to stores like his. Someone who picks up Roman fucking Holiday and be this cute did not acknowledge boys like him.

But Vernon Chwe will be cool about it. He will not look like a loser in front of you.

He pretended to look over some DVDs on the counter desk as you approached him. “Hey, there,” you greeted, and only then he allowed himself to look up, glancing you over. Already you had propped your arms on the top, eyes darting around the store as if finding something which deserved your attention. “I wanted to ask about a specific film. Well, films.” 

Films? Vernon really thought all the intelligent minds had rotted in this lifetime, but clearly you were an exception. “Of course,” he said, setting the movie on the side. “What genres are you interested in?” he ticked his head towards the Fan Favourites. “You were looking in the right place, to be fair.”

“Hmm?” you only spared that shelf a momentary—dismissive—glance. “Oh, sorry! I was looking for a specific box-set, but I can’t seem to find it on the shelves. I was hoping you could have it out back.”

Specific box-set? Vernon tried to contain his smile. Of course you were looking for a collection of timeless classics. “What’re you looking for?” he asked you, hoping you were going to request Hitchcock’s best. If you asked for Wong Kar-Wai’s trilogy, he might have fallen to his knees. 

You smiled at him.

Then dropped the bomb.

“I don’t know if you’d have the Disney Princess box set? You know, the complete edition?”

Vernon’s eye twitched a little. What the fuck?

Your gaze on him did not shift. “Are you okay?”

It took a moment for him to realise that you had asked him a question. “Huh? Right, sorry,” he said hurriedly, mind rushing for the many possibilities as to why you had requested a set like that. Perhaps you were braindead? No, that was too harsh. But then, who was watching Disney movies at that age?

Then an idea came into his head, and it made him feel much better. 

“So sorry about that,” he reiterated, scratching the back of his neck. “Anyway…Disney Princess set, huh?” He sighed out a laugh. “A sweet treat for your younger siblings, then.”

“Younger siblings?” A swift shake of your head, still smiling. “Haven’t got any of those.” 

The twitching was back. “...anyone under the age of 12 you know?”

“Now you’re making me sound like a freak,” you mused, locking your hands together. “Is it that shocking that I’m getting the set for myself?”

Vernon’s any attempt to diffuse the conversation died the moment you said those words.

Disney. Princess. Movies. The box-set you wanted was a Disney. Fucking. Princess box-set. 

At this rate, his eye-twitching was very much visible to you. “Don’t tell me no one’s ever bought a Disney movie from you,” you said, surprised by his change of attitude.

“Well,” he jeered, “I usually have first-time parents with their toddler kids asking me about sets like that.” 

You then titled your head back a little, taken aback with the comment. “Are you saying I’m too old to watch Disney movies?”

“No!” he instinctively defended himself, though he had virtually no defence to offer. He had, in his own words, called you a hag. 

This was it—he was usually stellar at keeping his opinions to himself. Now, the one time he could have kept his mouth shut, it spluttered open and not only embarrassed him, but one of the only cute potential customers. He was his own saboteur. His own destruction. 

After catching the flurry of emotions on his face, you had a realisation. 

Did his stupid comments get to you? Perhaps they would have, had you not seen his like before. Not only that, you had a sneaky feeling he himself had no clue on what category he was slotted into.

So you let the corners of your mouth curve upwards—up to the point where you were smirking, completely catching the boy off guard. 

“My god, you’re a filmbro!” 

Those emotions that you had witnessed now all conjoined into confusion. “Huh?” was his intelligent answer to the accusation. Filmbro?

And then you began to chuckle—little bursts of soft giggles, which escaped your mouth the more the revelation settled over you. “Wait, wait,” you began, “I need to ask this first!” You wiggled your finger at him. “What is your favourite film?”

Again, the fated question. This time, though, he felt as if his answer would not be the right one. Still—if there was one thing he was confident about, it was his expertise in films.

He tried, as confidently as he could, to voice out his supposed opinion. “Nolan’s Inception is one of the greatest films ever made.” 

There was one, solitary, quiet moment.

It was ruined by the subsequent laughter, courtesy of your mouth, which could not shut after his answer. You had to grip the counter, cackling at the response, and Vernon could only gawk at you, face reddening with every second spent watching you keel over. 

After what seemed like a lifetime (but was only about thirty seconds), Vernon finally cleared his throat. “Alright now, that’s enough comedy,” he muttered.

Another thirty seconds later, you finally seemed to calm down. The mischievous mirth on your face, although would have had any man swooning at your feet, seemed to irritate him all the more. “I’m sorry,” you gasped out, wiping a slight tear from your eye, “You just…you reminded me of my boyfriend.”

Of course. Vernon nearly clicked his tongue in disappointment. Of course the pretty, borderline-mean, borderline-terrible-taste-in-movies girl was taken. Fuck my life, son.

Your smile flickered—almost as if it turned cruel. “My mistake…ex-boyfriend.”

His eyebrow then raised a little. Maybe life can be unfucked; maybe the pretty, not-that-mean-as-he-thought, changeable-taste-in-movies girl was still attainable. 

Your eyes wandered once more, but this time to your hands. “I was actually going to get the Disney Princess set for him.”

The eyebrow decided to raise further up. He was dying to know why you were 1) getting your ex-boyfriend a present and 2) getting your ex-boyfriend the worst fucking present. But of course, due to the lack of balls in his pants, he did not ask you.

The crazier notion was, maybe you knew the lack of balls that should be present in his pants, because you iterated for him. “I’m surprised you’re not asking why I’m giving my ex a Disney Princess movie set, Mr. Filmbro.”

That term had him immediately frowning. “I don’t particularly care,” he lied as best as he could. He then crossed his arms. “Plus, I’m afraid the store doesn’t have the sets. I’m gonna have to order them in.”

A tilt of your head. “Are you lying?”

The cross of his arms was gone—now his hands were raised in surrender. “No, no!” At least not the set order bit…

Although it was quite clear that you did not believe him, you spared him this once. “Alright…” you receded your arms from the desk, taking a step back. Instead, you pointed at him. “But don’t think I’m gonna leave you alone on this!” 

Vernon’s insanely suave, cool, mystique response was giving you a thumb’s up. “Of course.” 

As you walked back to the entrance, hand on the door, you looked back at him. “I’ll see you soon, Mr. Filmbro.” 

The eye-twitch was about to come back. He did not bother waving as you left the shop.

VERNON COULD NOT STOP THINKING ABOUT YOU FOR THE SEVEN DAYS BETWEEN YOU AND TODAY. 

It was slightly embarrassing—he supposed he should have expected some extraordinary meet-cute, where someone who looked and acted like you would waltz into his dusty-ass film store and ask for possibly the worst movie collection to grace the western cinema. 

But then you called him a fucking Filmbro, and now the self-hatred might bubble to the surface of his usual calm demeanour. 

The boy scoffed as he fixed the alphabetical order of the CD covers, located in the Classics section. Filmbro…what the fuck do I look like a Filmbro for…

He firstly supposed that he should consider it a compliment—so what if he had superior knowledge of movies over the average morons that wandered into the store? He was paid minimum wage for this knowledge! Fuck, he was doing a degree within this field! (Not that he was quite sure he would end up as a blockbuster director at the fine age of 21, but the arts majors were always told to dream beyond the realistic limits.)

The more he contemplated over the vicious term, the more it began to bother him. Filmbro…Film. Bro. God, it sounded like a classist clique—a club where the members considered themselves above the laws of society, but were horrendously ridiculed by the outsiders. At the end of the day, he had always been an outsider in these clubs—he did not enjoy being the laughing stock, even if it meant being a member of an elitist group. 

Whatever. So what if you called him a Filmbro? He had only spoken to you once; the opinion of one girl—regardless of how pretty she was—was not of any relevance to him.

But then you sauntered into his store, and suddenly he forgot that he was seething over you for an entire week. 

There you were, footsteps harmonising along the bells of the entrance, and he swerved back to see you. You, in all your frill-skirted, layered-shirted, gum-chewing glory, catching his eye and bringing back the smile which you had offered him the moment you bestowed him that term of little-endearment. 

“Hello again, Mr. Filmbro.”

Don’t be a prick, don’t be a prick, don’t be a prick—

It was fine—it was okay. Vernon was a man now—no longer in his teens. He could have a normal, pleasant conversation. He was mature and able enough to interact with a girl who just happened to disagree with him on certain interests. 

He would be cordial—kind.

“How can I help you, Miss Disney-Hag?”

His skin nearly crawled. I need to kill myself immediately. 

A bit of a low blow from his nickname, but you were laughing, a silly little melody. You must have been crazy, because any other sane, rational human being would have been offended—should have been offended. Vernon fought to keep his face straight. 

“I see you’ve been thinking about me then,” you said. 

That had him looking away, walking behind the counter. “It’s not everyday I get a grown-ass woman asking me about children’s films.”

You mocked a gasp, slapping a hand over your chest. “Ouch. Do you hurt every girl that walks into your filmstore, or is this special treatment reserved for me?

Vernon focused on the cash in the register. “When another girl asks for the special edition for the Cinderella trilogy, then I’ll hurt her just the same.”

You clicked your tongue. “I should have known all men suck in their own ways.” You then approached the counter, propping your elbows atop the surface. “At least show me you’re good at your job and bring me the movie set I ordered.”

At this precise moment, all the thoughts about your stubborn addiction, playful smirk and how terrible the Little Mermaid was had completely vanished.

Shit. 

Maybe his irrational dislike ran further than he thought.

“Yeah…” but then he realised he sounded incredibly suspicious, and cleared his throat, forcing a little assurance in his usual monotone. “Yes! Yeah, of course! The movie set.” He took a step back, nodding his head ever so slowly, as if his head was not churning out a million different plans. “Give me one second…”

“Sure,” you could barely get out before Vernon whirled on his heel, bursting through the backstage door, and into the Chwe flat. 

He did not know whether this was going to work out. 

Like lightning he ascended the stairs, hands brushing against the bannister as he went past his bedroom, door slightly ajar. Not the destination he was seeking, he stopped before the neighbouring door—this one firmly closed. 

The boy made sure to knock first. No answer. Perfect. Slowly turning the knob, he opened the door, peeking around just in case there was someone in the room, and then he would have to resort to more planning. Since the coast was crystal clear, though, he put his mind at ease, only focusing on the main plan.

The room he had entered was a myriad of pop culture references and childhood memories, plastered on the butterfly-covered walls, sitting atop bedside tables or hanging off the hooks. Vernon never realised how invested his sister was with certain TV shows or films till he saw Lindsay Lohan’s mugshot plastered next to her bed. He had asked about it once, but she only waved him off. You wouldn’t understand her impact, she had said to him, and went back to shitting about him to her friends. 

Prying away from the poster, his eyes settled on what he came for, settled in the middle of the huge book shelf.

Sofia prided herself with her book and movie collection, a hereditary trait which Vernon shared: the top and bottom shelves were filled with her all-time favourites, even resorting to furthering her obsessions with the merch related to her treasured characters. He remembered laughing at her ideas until he saw a Barbie FunkoPop figure staring back at him one day. That notion was already horrendous, but the black, soulless eyes had guaranteed its spot in his sleep paralysis the next day.

Thankfully, the little horror was not on show on her bookshelf—this time, right in the middle, was the very prize that he sought. 

The Disney Princess Movie Set—Complete Edition.

Packaged in pink casing, Sofia’s most treasured piece sat, almost with its head held high as the other movies orbited around its pull. As far as Vernon remembered, it held all the Princess movies, and was worth at least 6 hours of his wages.

The boy looked around the room, as if his sister would appear any second.

Then, like a thief in the night (even though it was broad daylight, and would definitely be caught), he swiped the set off the bookshelf, and hurried out of her room.

“Sorry, Sofe,” he could only murmur under his breath as he dashed down the stairs, hoping you had not been bored by his absence, and left him with stolen goods at the scene of the crime.

He opened the door adjacent to the shop, and he almost sighed in relief when you perked up, eyes darting straight to your apparent order. When he saw your face light up like fireworks in the night sky, he titled his head back a bit, stunned by your boisterous reaction.

“You actually bought it!” you exclaimed, drumming your hands against the counter as he set the movies down. “I had a feeling you would blow me off.”

“Business is business,” Vernon said, crossing his arms, “Shit taste in movies will not stop me from making my money.”

You clicked your tongue. “Spoken like a business major.”

“Film major, thank you. I would rather kill myself than submit to the horrors of finance.”

“Don’t die on me just yet.” Bringing out your purse, you fished through its contents, first setting your card on the counter. Then, you brought out a crumpled piece of paper. “I actually have a few more films I want to ask about.”

The boy was expecting another long list of early 2000s rom-coms—perhaps an opinion for every Disney movie ever made in its existence. He swore if he had to hear about Rachel McAdams’ versatility one more time, he might blow his brains out in front of a customer. 

Then you dropped the names, and he had to surge his head forward.

“What are your thoughts on Wolf of Wall Street, American Psycho, Pulp Fiction…Fight Club, Saving Private Ryan, Scarface…” You squinted at the list, finding the names neverending. “Jeez, this list keeps going, huh?” 

He could not help the scoff. “And you called me a Filmbro.” He set his forearms on the counter, locking his hands together. “What do you need these movies for?”

“They’re for my ex-boyfriend.” 

The term had him pausing. Of course—the ex-boyfriend. How has he heard of this man, but not know a thing about him? Shit, he did not even know your name.

“This ex of yours has…an interesting taste,” he said slowly. “What’s he like?”

“I can tell you he attends the same college as you. Well, us,” you clarified, jerking your head towards the college colours of your server’s hoodie. “Film major. Just like you, actually.” 

“Oh?” Small world. “What’s the name?”

“Kim Mingyu. Do you know him?” 

Vernon Chwe nearly shit his oversized jeans.

A hesitant nod of his head. “I have a few classes with him.”

“Oh?” Your stare was a little more intense now. “What do you think of him?”

Right. 

Another fated question—the people around him had to stop asking him such controversial questions, or else he was bound to piss someone off. You were already letting him off the hook too many times; one more judgemental comment, and he was having that Princess movie set smashed on his head.

Kim Mingyu. Fuckass Kim Mingyu. Film major—just like him. One of the most popular boys in the year—very unlike him. All the teachers love his essays, all the girls love his freakishly-perfect six-pack, which Vernon is extremely irritated (and devastatingly intimidated) by. 

What all these people failed to realise, though, was that Mingyu was the biggest piece of shit to grace the halls of his university—and the planet, if dramatics were in order. If you thought that Vernon was a filmbro, then Mingyu was Filmbrother. Filmcomrade. Filmnemesis. 

It was as if you could hear the thoughts churning in his head. “You can be honest, you know. He did dump me at the end of the day.” A smirk began to appear. “Say your worst.”

The reassurance did not help. “I mean,” he started, swiping your card, “He’s okay? I haven’t talked to him enough to have an opinion on him.” 

A half-truth—that should suffice. 

But because the fates like to shit on his head every now and then for kicks, they decided to leave you unsatisfied with his answer. “Or, you can keep lying!” 

Excellent intuition, really. “I’m not!” he exclaimed, slapping the card back on the counter. “I really don’t know much about him.”

The big man upstairs was testing him even further, when, with a determined gaze, you set your elbows atop the surface. You leaned closer, tilting your head to the side as you inspected him, and Vernon blinked back at the sheer lack of space you had created. His mouth twisted, eyes frantically darting at the features of your face, not quite taking in the entirety of your being. Your vision seemed to work perfectly, because it caught the slight flush at the tops of his cheeks, where it was just pale skin seconds before.

Your smirk deepened. “Judging by your blush, you’re either terrible at lying…or,” you offered, voice lowering a little as you drummed your fingers against the counter, “You’ve never had a hot girl this close to you.” 

Fuck everything and everyone, because that only made him blush more furiously. You could not help the chuckle that escaped, deciding to cease torturing him and take your card. “I’ll not say the answer, Mr. Filmbro, but I think you already know.”

Since he had no plans of turning into a human form of a ketchup bottle, he evaded the topic entirely, instead focusing on interrogating you. “You still haven’t told me how Mingyu is related to the movie list you made.”

That seemed to hold your interest. “Oh, of course!” Putting the list back into your bag, you began, “Well, the list holds my ex-boyfriend’s favourite films. I wanted to know your opinion on a few.”

He could not contain his sigh. Oh, he had an opinion on these films that you mentioned. Again, he would rather be buried with his thoughts on the specific genre than ever tell you. The curiosity, though, was eventually going to eat him alive.

So much for minding his business.

“I mean…” he began to think, trying to find the right words. “I don’t mind them? Godfather is a good film, but I’ve seen better from Brando. I like American Psycho, but again, people tend to miss the point of the movie.”

As you nodded, listening to his two-cents on the movies you mentioned, he paused, furrowing his brows. “Why do you care about my opinion?”

You smacked your lips together, folding the list back. “I don’t know much about you, Mr. Filmbro,” you began, “But you don’t run a filmstore without knowing a thing or two about the films you sell.”

“So?” He crossed his arms atop the counter. “Shouldn’t you have asked the guy who you made the list about?”

“Trust me,” you said, your smirk turning more into a rageful flash of teeth, “I know exactly what he thinks of these films.”

Don’t particularly know what to make of that comment. “Well, I don’t know what my opinion for these films is going to help you in any way.”

“It has helped.” You paused then, waiting to see if he would egg you on, asking how his seemingly tame opinions would play into the grand scheme of things. “All part of my master plan.”

Master plan? Vernon may have been interested before, but he was certain that, before, he could have hid it without letting you catch onto it. In a sudden flash, though, as if his mouth was beyond his control, he regrettably slipped out the words which had you smiling more than he would have liked.

“What master plan?”

He almost closed his eyes. Shit. Now I’m fucking invested.

The corners of your mouth, lifting upwards, had him almost nervous. “I was hoping you would say that.” 

Great. Brilliant. Fantastic. Fucking Stupendous. Vernon could not think of other pretentious synonyms. “I will tell you, Mr. Filmbro,” you began, once again settling your locked hands on the counter, “If you help me out with it.” 

That had his eyebrow shooting upwards. “What does that mean?”

“Exactly what I intended.” A pause. “Look, I know it’s a little crazy…being asked by someone to help in some mysterious plan. But hey!” you added, “You know who the target is, and you know I can be trusted.”

“Calling your ex-boyfriend a target makes this sound like a contract killing. Also, I actually don’t know that,” he corrected, crossing his arms. “The only thing I know about you is your weird obsession with children’s movies.”

“Well, buddy, that’s basically my entire personality, so you don’t need to know any more!”

Vernon sucked in a breath. “I don’t even know your name.”

Your eyes darted to his features, the sharp brows, the speculative eyes, the flared nostrils. His lips, which were twisted in a curious, bemused line. “That’s an easy problem to solve.” You decided to battle his frown with a smile. “_____.”

_____. At least he knew one important thing about you. He swore Mingyu had mentioned your name before, but then he should not also hold certainty—that boy’s favourite subject had always been himself. 

You snapped him out of his thoughts. “This is when you tell me your name now…or do you enjoy being called a filmbro?”

Man…he could not look you in the eye afterwards. “I don’t…” he got out, stuffing his hands in his pockets. “And it’s Vernon. Chwe Vernon.” 

“Vernon,” you repeated, lips curling upwards. “Alright, Vernon, since both of us know each other’s names, you can definitely help me now!” 

The said-boy tried to smile, which was more a grimace. “Well…”

“Tell you what,” you said, trying to find something in your bag. “Wait, give me a second…shit, where is that piece of paper…?” You finally managed to fish a crumpled piece out. “Right!” After catching sight of a pen lying around the counter, you took it and scribbled something quickly, sending it his way.

Taking it, he looked at the messy scribbles—your number. “You’re looking at it as if I passed you a death threat,” you snickered. Vernon gave an uneasy smile. “Just think it over. I need movie expertise, and there’s no one else I know who can help me more than a guy who runs a film store.”

The boy behind the counter listened to you, paper still in hand. Maybe Mingyu made some points breaking up with you—you did not know who Vernon was, save for the name that was tied to him, and the job he was forced to do by his parents. Realistically, he had to decline, because if he has ever learned something in his life—or from watching a myriad of golden age romantic tragedies—is that you never trust the beautiful, crazy girls. 

“Hey,” he heard you say, and he swore your chirp had softened. “I’ll go ahead with my plan in a week’s time. If I don’t hear from you, then I’ll know your answer. You don’t have to tell me now.” When he looked at you, he saw your expression shift. “That’s why I only gave the paper.” 

He supposed he could appreciate this sentiment. “Thanks,” he could only say, pocketing your number. “Is there…anything else you want? Aside from the—” a snide glance at the DVD set—”the movie?” 

“I saw that,” you scoffed, taking hold of the movie set. “And no, I’m alright. I’ll bother you about children’s movies another time.” 

“I’ll make sure these children’s movies are all conveniently sold out when you come,” he countered without thinking. 

You could only shake your head, trying to contain your laugh. “Careful, or I just might bother you after the plan.” 

Vernon did not know what he felt at that notion—would he want that? However, he did not have time to ponder, since you were already heading for the door. As you nearly left the store, bell ringing, he did not hear the door close. He glanced up, catching you looking at him with an indecipherable expression. “Yes?”

You waited a moment before parting your mouth. “I hope to hear from you, Mr. Filmbro.” 

With that, you swiftly exited the store, leaving this Mr. Filmbro even more helpless than he was between the seven days between your first encounter, and now this very second. 

“JO MADE SENSE WITH FRIEDRICH AT THE END. SHE SIMPLY…NEEDED A MAN AFTER PINING FOR LAURIE.”

The professor listened in the small circle, the rest of the students typing or writing down the answer. “Like, realistically,” Mingyu went on, twisting his mechanical pencil between his fingers, “The whole point of the movie is her relationship with Laurie, and that was shattered the moment he married Amy. Friedrich was like…” he pouted in thought, furrowing his brows. “The light at the end of the tunnel…does that make sense, Minghao?”

The said-man nodded. “Interesting take,” he noted, walking closer to the circle he was teaching. “So you agree that Jo needed Friedrich at the end of the film?”

“Absolutely.”

There were a few murmurs around the room, majority of them agreeing with the golden boy who was sitting at the head of the circular, white table. Vernon, who was sat one girl away from him, typed furiously in his laptop, adding to his notes. MINGYU IS A FUCKING IDIOT…CINEMATICALLY ILLITERATE…BORDERLINE MISOGYNIST…Okay, perhaps he was exaggerating on the last one, but his analysis of the question pissed him off. 

Did Jo need Friedrich at the end of the movie? Was what Professor Minghao had asked them about an hour ago. Vernon knew the answer immediately, and, although did not share it with the seminar, was surprised to be disagreed by the majority of the class. Not surprising, however, when his class was filled with men who could not imagine a woman in a film wanting anything else but a man beside her. 

Whatever, he thought, straying from the web page and instead checking the release date for Oppenheimer when he heard your name crop up amongst the discourse in the table. 

“Did _____ actually?” 

“Oh, yeah, said she thought Jo should have been on her own.” A click of tongue. “Not surprising, coming from her.” 

Vernon instantly perked up, fingers pausing on the keyboard. Not surprising? The boy was actually floored at that opinion—and how valid you were for expressing it. 

“I mean,” another girl, right next to him, chimed in, “Didn’t you say she was really stupid, Gyu?”

“God, I don’t know where to begin,” Mingyu said, aghast, and the boy who eavesdropped felt a little dread at every word that escaped his mouth. “Everytime I watched a movie with her she always got bored, or argued with me when I tried to explain shit to her.” 

“I remember we sat with her while we were tryna do our film project last semester,” the boy beside Mingyu recalled. “She had no fucking clue who Martin Scorcese was, man!” 

The group audibly gasped, save for Vernon, who could not help himself, refusing to mind his business. Nasty habit this—he made a note to call you out for this later on, should you walk into his store again. 

Fuck. He did not want that. Of course he did not. He should stop thinking about it too. 

You, that is.

“She’s gotta be the dumbest one yet, Gyu,” the boy snickered, snapping his laptop shut. 

“You don’t even know the half of it,” the dumper groaned, raking through his locks. “You know she was always watching those fucking Disney princess movies?” Vernon’s eyes widened a little. “Man, I remember she wouldn’t get enough of them. Like, what are you, six? Why the fuck am I watching a movie about a midget dragon?”

Then, Mingyu said the words that made the eavesdropper’s spirits shot down. 

“_____ may have been hot, but she was one stupid bitch. Thank god I got rid of her.” 

The others agreed. He may have spoken more on the matter of your lack of media literacy, but the professor was back, and the seminar had quietened, all in focus. 

All except for the boy who had not given his two cents on the matter, frozen solid at the conversation that occurred. What the fuck was that? He had first thought, over and over to the point that he nearly typed it in the seminar document. He had always known Mingyu was an asshole, but what he said about you gave him a very uneasy feeling.  

What sent him over the edge was that a lot of his grievances sounded identical to Vernon’s own words. 

Miss Disney Hag he had called you—to your face he had insulted your taste in films, and you had only laughed. He wondered how you felt when it was Mingyu amplifying those very opinions on a daily basis. 

A frown marred his features. Damn it. He knew he was a loser, but he did not know he was an asshole. Like Mingyu…

Vernon visibly shivered. 

As Minghao voiced out the objectives for the second half of the seminar, the boy brought his hand into his trouser pocket, slipping out the paper. He looked over your number, the messy scribbles dancing in his eyes. Darting to his phone on the table, he held it in his free hand, looking over the contacts. 

“Damn it,” he said under his breath. 

Was he going to regret this? Most probably. Will you probably make him do something that would result in a fatal injury, and land a permanent stain on his social record? One hundred percent. 

If he knew these things already, then what he should have done was toss the paper in the nearest bin. What he did instead, as he typed in some vital information in his phone, was something that changed his life (or at least the life he will live for the next few weeks).

vernon: u dont have to wait till next week 

vernon: ill help u with the plan

There. And now, he shall wait.

Which, he pondered as he saw the immediate response, was not very long. 

normal disney enjoyer: wait who tf is this??

Oops. 

vernon: oh mb this is vernon lmao

vernon: from the filmstore

normal disney enjoyer: oh damn why didn’t u say so !! freaky ass text 

vernon: ??? ive said it now tf

normal disney enjoyer: and im happy u have ;)

Well. Vernon sighed a little, trying to focus back on his work, but to no avail.

Let’s see what you have in store for the next week.

VERNON WAS WONDERING WHETHER HE STILL HAD TIME TO KILL HIMSELF. 

It could be quick—maybe if he jumped in front of the next incoming car, full speed, he might suffer a haemorrhage in his brain, and die bleeding out as his parents took him to the hospital. Of course, that does mean that it would be slow and excruciating, but he thought that nothing would be as painful as whatever you had planned for him.

Come on…maybe it won’t be that bad. Perhaps his thoughts were spiralling too quickly. Perhaps his assumptions of you were a stretch, and that all this anxiousness, pent up in him, would wash away the moment he saw your car pulling up to the store’s driveway.

He felt himself prepare mentally as, eventually, your small, red car slowed in front of him. Right before him, he saw the passenger window roll down, and he caught sight of your smiling face, teeth showing. 

Perhaps it truly would not be as bad as he imagined. 

“Get in loser, we’re going trespassing.”

Nevermind.

“Oh my God,” was the unsatisfying answer to your perfect reference. Seriously, you should not bother saving your precious material on such a lame boy, but there was something so exciting about his eyes sharply rolling, colour staining the tops of his cheeks. “I’m not doing this if you’re going to quote terrible movies the entire night.”

“First of all, fuck you. Mean Girls birthed half of your customers.” You flicked the lock on the passenger door, pushing it open. “Second, you don’t have a choice. You’ve agreed to ruin Mingyu’s life.”

“First of all yourself, I did not agree to that.” Begrudgingly, he settled shotgun, snapping the car door shut. “Second, Mean Girls was a waste of Rachel McAdams’ talent.” 

You scoffed, starting the car. “I don’t take opinions from men who can’t drive.” 

This shut the boy up nicely, clamping his lips together in quiet shame. He wished he could argue with that—you, he feared, had a good point. Despite that, it was not his fault that his parents insisted on the reliance of public transport; the bus was his greatest villain—aside from the middle school kids in his store that always ask for the next FIFA game. 

You could not help taking a second glance at him, chuckling at his defeat. “Don’t be sad, Mr. FIlmbro,” you reassured him, changing gears. “I like my men a little pathetic.” 

That did not help at all—his eyes widened, gawking at you, but you were already looking ahead, pressing your foot on the accelerator. 

“Jesus!” he exclaimed as he held onto his seat, taken aback by your sudden rush of speed. “I thought you wanted to kill Mingyu, not yourself!”

“My bad,” you only said, turning right. “I’m just so excited! You know, getting there.” 

“I can see that,” he mumbled, looking away from you into the back. Strapped in with the seatbelt, bizarrely, was Sofia’s Disney Princess Set, as if the dozen-movie box was a toddler in need of extra assistance. What the fuck…?

“I’m having these films in pristine condition, Vernon,” you explained, though it still made no sense in his head. “You understand, don’t you?”

Of course not. “Sure.” 

He waited for further explanation, which, as the silence continued, you decided to throw him the conversational bone. “I don’t just carry the set around with me, you know.”

Sure. “Of course not.” 

“It’s relevant to today’s plan,” was all you would offer, speeding more to reach the destination quicker. Vernon held onto the belt a little tighter, still eyeing the movie set rather suspiciously before focusing back on the road. 

The drive was not long—perhaps thirty minutes at most—but he knew he was leaving the rougher parts of the city when nicer neighbourhoods welcomed his vision, the litter on the roads disappearing, instead trees in an orderly line painting the sides of the pavement. The further you drove into these suburbs, the more he was surprised at the sheer luxury of the exterior of these houses; granted, he did not originate from poverty, but his idea of a holiday was three days in the comforts of his bed, bingeing the Miyazaki collection with a lifetime supply of mint chocolate chip ice cream on his lap. 

Vernon had to save his mouth dropping to the seat of the car floor when they rolled into the Kim household’s drive. 

He was aware that Mingyu derived from wealth—the former could not help noticing his pricey, flashy brands every time the taller boy sauntered into the Film Sound classes, but he did not expect this Bridgerton-ass looking house, nestled in between the other million-dollar homes in the neighbourhood. He was greeted with a clearer picture the closer you parked in their drive, surprisingly empty; it was around that moment that you noticed that all the lights were turned off in the house, almost a haunting image. 

The boy was on his way to make a comment about your terrible spying skills when you rebuffed him immediately, saying, “I know what you’re thinking. I have it covered.”

“Please tell me, Miss Bond, how are you planning to carry this out?”

You offered him an incredulous look. “I don’t know what that reference means, I’m too pretty.”

His answer to that was a thin, long line of his mouth. You chose to ignore it completely. “Mingyu’s parents are out of town right now, and his sister’s on a ski-trip in Austria.”

A glance of confusion. “In the middle of March?” 

A shrug. “You know what rich people are like.” Weirdly enough, he knew exactly what you were talking about. “But it worked out great for us.” With a hard exhale you got out of the car, the boy beside you reflecting your actions. “All the easier for what we have to do.” You opened the car door behind the driver’s one, unstrapping the seatbelt and carefully bringing out the movie set. 

“How’re we getting into the evil lair, then?” he asked dryly, crossing both his arms. “I assume the millionaires don’t happen to put a spare key under the carpet?”

“Imagine,” you said, sighing melodramatically. “I tried making them do it so I could sneak into his house, but for some reason, Mingyu never agreed to it.” 

“I wonder why,” he muttered.

“Worry not, young grasshopper!” You strolled to the very right of the house, where a thin wooden door was almost hidden from view. “Where there is a door closed, another is mysteriously open.” 

With a hard push, the door trudged back, swinging heavily away. He stared at it, not quite believing how someone can be so careless to keep their gates unlocked. “Another weakness of Mingyu’s—” You pointed at the cleared path into the house—”whenever he leaves from the garden, he never locks the gate.”

Vernon could not quite believe it. “Either the wealthy are incredibly secured in their safety, or stupid as fuck.”

“I think you know the answer to that,” you joked, going further into the journey, ushering him over. Like a siren calling his name, he followed you, unaware of the shit you might be getting him into. 

Into the fancy garden they arrived, clean-cut hedges bordering in dozens of flower bushes, peppered also with a few fruit trees—berries of every kind ripening on the green. While Vernon admired the natural luxury, you hurried to the nearby shed, where a ladder was situated right beside it. “Quick, help me out here!” you shouted in a whisper, ushering him over. Dropping the DVD set for a moment, you grunted as you held the large ladder up with his assistance, slowly making its way to the brick wall of the house. “Wait, line it up against that window over there,” you instructed, jerking your head towards the far right window, no doubt on the second floor. Once the ladder was lined up properly, you moved the boy out of the way, shaking the rails to make sure it stayed put. 

“I can’t believe we’re actually doing this,” Vernon muttered, watching you take the Disney Princess set in one hand, the other making the first step on the calendar. “We can still…you know, not commit breaking and entering.” 

“You can happily leave, Mr. Filmbro,” you offered, looking up at your destination. 

That had him scoffing. “My ass is not walking two hours back to my house.” 

“That seems more like a you problem then!” you chirped. “Now are you following me up, or pussying out?”

Once again, pussying out seemed like the obvious choice for the boy. He was not made for missions such as these—he was merely meant to watch other people act out said missions in front of his television. Unfortunately, because he was too far away from the film store, it was either sitting it out, waiting for you to come out and do something diabolical, or at least watch over you should you cross a line (if the latter were the case, then Vernon had already failed). 

“Fuck, fuck, fuck,” he kept uttering like a mantra, waiting for you to climb up enough to hold onto the ladder as he began to follow after you. He made the mistake of looking up as you climbed up, and he got a full, HD view of your ass. He tried his very best to look away out of some semblance of respect, but you also made the mindful decision of wearing the shortest skirt known to man. His fuck, fuck fucks! rang louder, causing you to shush him.

“Stop freaking out, my guy!” you called out, right on the top of the ladder. “I know my ass is crazy built but this is not the time.”

“That’s not why I’m freaking out, _____!” he countered, but knowing you, you did not care for his explanations. He only waited as you pushed open the slight-open window, all the way to the top before climbing inside.

As he reached the top of the ladder, he watched you dust yourself before glancing back at him, ushering him inside. “Here goes nothing,” he said to himself, hands on the top of the window ledge as he put his foot on the sill, pushing himself inside. 

Vernon dropped into the unknown room, an oof! leaving his mouth as he landed rather ungraciously on his feet. Quickly, he looked up, surroundings rather dimmed due to the lack of lighting. Still, with the help of the moonlight, he could slowly make out the huge smart TV in the middle of the bedroom, beneath it a wide shelf filled with DVDs, some opened and scattered on the carpeted floor. The bed was on the opposite side, right next to the window the two of you had entered in, black and gold sheets tousled and unmade.

As you turned the light on, the boy then made out that Mingyu, in fact, did not have a bed frame, but just a mattress, with the sheets barely done properly.  The wall on his left was a full black-shutter closet, where he could see the collection of his designer clothing behind the gaps. Posters were plastered on the rest of the walls, most of them being the Tarantino classics —a reclined, raven-bobbed Uma Thurman watching him with bedroom eyes being the most prominent—with certain papers of autographs also stuck next to the posters. There was another poster—American Beauty and the girl surrounded with rose petals—which had him quickly looking away.

“Jesus,” was all he could say, but he supposed he should not have judged. He himself had only his posters in his room—except he did not have the same taste as a middle-aged incel.

“I know.” You looked around at the familiar space, and the memories you had made here. “Imagine having sex in this hellsite.”

Then the image of you having sex with Mingyu on that messy bed came into his mind, and Vernon could have combusted then and there. “I can’t imagine,” he mumbled out, walking to the door, opening to make sure no one was inside. “_____, are you sure no one’s here?”

“Swear on my life, Mr. Filmbro.”

He had to trust you now—or you had very little respect for your life. 

He kept eyeing the DVD set you had in your hand. “Are you still not gonna tell me what we’re doing with that?”

You marched over to the shelf beneath the TV, settling yourself down. “Come here and I’ll show you.” You patted the empty carpet space next to you for added emphasis.

Hesitantly, he obliged, sitting cross-legged next to you. Finger pointing as it scoured the shelf, you carefully brought out one of the films from Mingyu’s selection, all the while sliding out a Disney film from your own set. “Now, tell me,” you began, as you showed him the two movies. “Do you think The Dark Knight and Mulan are a good match?”

First pulling a face at the choice, he then resorted to keeping his twist of features as he turned to you. “What the hell are you talking about?”

“So like, you know Mulan is a woman disguising herself as a soldier in order to defeat the Huns and save her father’s honour, right,” you explained, though you had a small feeling he was not particularly listening. “And Batman is the same thing, except he dresses up as a fucking bat…stupid furry.”

Vernon could not understand how you compared one of the most beautiful, nuanced depictions of a broken, three-dimensional superhero into a furry, but he needed to get to the bottom of your plan, once and for all. “No, I mean, what are you doing? Why the hell are we here?” 

You tutted extra loud. “I’m gonna swap the CDs, dumbass!” You held up the princess movie. “Thought Mingyu could say to me that Disney princess movies sucked, huh?” Then, the classic DVD’s turn to rise. “Let’s see how he’ll like watching a talking dragon in China instead of a talking bat in Fantasyland!” 

The boy could only watch, shock growing with the successful swap of the movies, the secret Mulan CD safely tucked into the The Dark Knight’s DVD case. “It’s Gotham, actually,” he murmured, but he knew you were not listening. “Wait, _____, we really just snuck into your ex’s house to swap a few movies?”

You looked up briefly as you began opening another DVD case. “I mean, if you want to trash the place, that’s fine, but you can’t do anymore than what Mingyu’s dirty ass hasn’t done already.”

Fair point. “I think you’re going insane. Like, clinically.” He kept looking at the door, which was closed shut. “He’ll kill us if he catches us.” 

“Forget about us, you’re barely doing anything!” you exclaimed, tossing some of Mingyu’s movies to him. “Can you actually help me instead of complaining?”

What he should have done was argue with you properly, perhaps even make his escape and leave you to dig your own grave. Sure, he could not drive, but was it not just three pedals, a wheel and a dream? He could have left, never to see you again. 

But then his eyes wandered to the Inception DVD scattered beside you, no doubt collateral damage as you took out the other Nolan films, and saw a Disney Princess movie sitting beside it. Sleeping Beauty, it read out, with the picture of some skinny blonde chick slumbering with a man overlooking her. He thought it a bit strange, almost creepy how this brunette was watching her. 

And then an idea came into his head. 

He closed his eyes for a fleeting moment, clamping his lips together. Please forgive me, Mr. Nolan, for what I’m about to do. 

Hand reaching out to grasp both DVDs, he opened one of his favourites, unclipping the CD. You glanced at him, swapping the movies around. You could not help your stare lingering a little, watching his lips pout, brows furrowed as he fixed the new CD in the Nolan set, as if the task was a serious one. Well, it was a serious task for you, but you expected more complaining. 

When he looked up, he managed to catch a small smile on your lips before he quickly looked away. “And now you’re slacking,” he accused, closing the DVD and setting it atop the newly improved. 

“What’s the plot for Inception?” you asked him, cracking open The Princess and The Frog. 

“I thought you knew, since you laughed at me for saying it was my favourite.” 

“I don’t know the full thing,” you admitted. “The only reason I knew about it was because Mingyu never shut up about it…sorry about that, by the way.” 

Vernon sighed. “It’s fine…if I made fun of your Disney favourites, then bullying me for Nolan isn’t the worst…I think.” He looked at your new suggestion before picking out Alien from Mingyu’s selection. “A thief has to implant an idea into this powerful guy’s mind, and he does this through infiltrating other people’s dreams. However, he has to be asleep while he does it.” 

As you began to laugh, he threw you an irritated look. You shook your head, unable to erase your smile. “That’s a really good match.” 

His eyes widened for a moment, mouth parting. For a moment (and he did not know whether he was going to regret making this assertion), he did not care for Christopher Nolan’s disrespect, after seeing your reaction.

With that, the two of you sat in near silence, the crisp opening and closing of the DVDs, the sliding of the discs being the only sound between the two of you. The Princess of the Frog was successfully matched with the Alien—you, unsurprisingly, had not watched the movie, but Vernon had watched both (one against his will, which you could guess), and thought it the best match. Brave was slotted into The Revenant's case, while Beauty and the Beast went straight into Pan’s Labyrinth’s. 

“Okay so…” the boy held up the Pocahontas CD. “Native American princess falls for the coloniser? How the fuck are you defending this?”

You could only offer a sheepish smile. “The soundtrack is really good?”

“Knowing Disney,” he crowed, cracking open the DVD, “They probably have a song on how terrible the poor Natives are.”

You eyed him, surprised. “How the hell did you guess that?”

First, Vernon made a face, as if he himself could not believe his excellent intuition. Then, he only laughed a little, taking out the Dances with Wolves DVD from the shelf. “I’ve watched enough Disney movies with my sister to know how they work.”

“Oh, so you have watched them?” you mused, watching him exchange the discs. “All that time I thought you only watched what Mingyu watched.”

“No, I watch foreign indie films like an asshole,” he clarified, shutting the cases, and putting Dances with Wolves back on the shelf. “The thing is, I still have my grievances against the super popular films. You know the list you mentioned to me the other day?” You nodded. “Most of these film junkies get off on those movies. I’ll admit I like them, but I’ve seen so much better.” 

You snorted. “Like Inception?” Vernon watched you for a moment, biting the inside of his cheek. “What? You asked him, tilting your head. 

He followed your movement—he too, craned his head, his brown curls cascading along his forehead. “Like Inception…and better.”

“Better?” you gasped out, fingers rising to your bottom lip in shock. “Does Mr. Filmbro prefer a movie over Nolan’s grand—no, best release ever?!”

“Ha, ha,” he monotoned, only adding to your amusement. “It’s still his best film! But,” he added, shrugging a little, “I may or may not have lied to you the first time we met. Inception’s not my favourite movie.”

“What?!” you could barely contain your grin. “Oh my God, if I find out it’s a fucking Disney movie, I’m never letting you live it down!”

“Let’s not go that far,” he jeered, earning a harsh nudge of your elbow. “Hey! You should be thanking me for my honesty.”

“How about you extend that honesty and tell me which movie is your favourite?” 

Vernon mocked a ponder. “It’s a hard pass.” 

“Come on!” you pressed, scooting a little closer, almost reaching out as if to nudge him some more. “You’ve already committed a felony with me. Telling me your favourite movie is naturally the next step.” 

“Because that’s obviously how normal human interaction goes,” he countered, sarcasm clear in his voice.

“Tell me.” 

“No.”

“Tell me!” 

“Hmm…no!” he repeated, assembling the last of the DVDs. “Maybe if we raid Mingyu’s house next time.”

“Oh?” Leaning closer, you paused his hands on the movie sets. “Do you want there to be a next time?”

It was then Vernon realised the implications of your question, a consequence of his own suggestion. It was almost comical, how his eyes widened like full moons, and he immediately shook his head. “Now you know that’s not what I meant.” 

“Then what did you mean?” you asked him, and the way he exposed a slight stutter at your question had you laughing. “Would you want to see me again?”

What Vernon wanted to tell you was no, no, no, because another second with you would end with all the blood in his system rushing to his head, and other places. Damn everything and everyone, he would want to see you again—no. No. He wouldn’t. He would not. 

“You haven’t answered the question,” you said, snapping him out of his thoughts. 

The boy was about to stutter out an answer when the two of you heard a door slam downstairs. 

You whirled back, eyes instantly darting to the door. They then focused back on you, widened very much like his not long ago. “_____,” Vernon muttered. 

“Mr. Filmbro…”

The furrow of his brow appeared for a split-second before it disappeared at the shuffling underneath. “What the fuck do we do?” he gulped out, looking around to find anywhere to escape from. This was it—he thought he was getting away with trespassing just because you had convinced him to, but that fuckass ex-boyfriend was going to catch them in his bedroom, two inches away from kissing you, and—

“Wait,” you then said, catching his wrist in your hand. He barely had time to react to it before you shot up from your seated position, hauling the boy along with you. He stumbled, but then you nearly made him fall flat on his face as you ran to the shutter closets, sliding them straight open. The inside was a mess of branded clothing and boxes of sports equipment, but there was one opening with just enough for two people in trouble to hide. 

You first went in, and, with a harsh tug, pulled him in with you. He crashed into you, but you had enough control to slide the shutter door shut. There was so much commotion that when you both finally stilled, breathing harshly as you heard Mingyu enter the room, Vernon blinked back to see your face about two inches away from him. 

He was going to yelp—strong on going to, because you sensed his incoming shock, and smacked your hand against his mouth. His eyebrows could have touched the top of his forehead, but what you noticed the most was the warmth of his skin, burning the longer your touch lingered on his lips. 

The smile you offered him as you put a finger to your lips had him almost passing out. 

“Yeah, man, come round whenever,” was all Vernon could hear, still not comprehending Mingyu’s speech due to your hand. “No, Minseo’s not here, what the fuck? Why do you wanna know where my sister is?” 

Slowly, ever so carefully as not to alert him, you pulled down on one of the blinds of the shutter, spying the movie which he was about to see. Vernon should have been following your movements, but he could only sense you, inching closer and closer to him till you were pressed against him. Of course, you were only trying to better your vision of your ex-boyfriend, but the boy beside you could not focus. The hand on his mouth—God—he needed, so badly, to be put down. Your fingers were soft, and although his lips could not help brushing against your palm, everything in him resisted the urge to react.

Quickly glancing at your accomplice in glee, you dropped your hand from his mouth, silently urging him to watch. He could have rebelled against your pulling away, but he instead obliged. Bringing his face next to yours, he glanced at you one last time before peering at the vision that welcomed. 

There he was, the golden boy, raking his hair as he strolled into the middle of the room, observing the TV before him, and the DVD player sitting at the bottom. He kept humming, as if agreeing with whoever was on the phone. “Yeah, yeah, I’ll go to that party later…no, I’m not bringing _____! You know about that already!” 

The boy in hiding quickly snuck a peek at you, who soured a little at the mention. “Hmm? Yeah, whatever. What? Nah, I’m just gonna watch a chill movie before leaving.” Mingyu scanned the films on his shelf. Walking over, he leaned down, sliding out The Shape of Water from his collection, cradling his phone between his shoulder blade and his craned head as he opened the DVD. 

Vernon could not help pulling a face at Mingyu’s choice of a ‘chill movie’ being a film about a mute woman wanting to fuck a water creature. You probably did not understand the reference, but by the growing anticipation on your face, you only cared about the scene you two had created, and was about to unfold just then. 

Mingyu slid the CD into the player, pressing play as he made his way to his frameless bed, settling down in the sheets. “Yeah…no, no, it’s just starting.”

The two of you could hear clearly the opening credits, which began with the most obnoxious opening music of Disney’s intro. Vernon was taken aback by how Mingyu did not realise it from that very moment, but considering he was too busy chatting pure shit on the phone, laughing to himself, the boy assumed he was simply waiting for the action to occur.

“Any minute now, Mr. Filmbro,” you whispered, oh-so-fucking close to him. He did not respond, merely a nod.

Craning his head to see through the shutters, he noticed the animation come to life, the ship within dangerous waters sailing with uncertainty. He snuck a quick glance at Mingyu’s face, which started garnering a little confusion. 

“Are these extra credit scenes? I don’t remember any of this,” he heard the OG filmbro complain. 

You could not help the snort that escaped you. Vernon glared at you, but with little effect. “What?” you whispered. “I don’t remember him being this thick.” 

“What the fuck is this cartoon…” the two of you heard Mingyu pipe up. Finally, the buffoon is realising this is not the two-time Oscar winning animation, but the four-time Oscar winning CGI. “This wasn’t in the director’s cut.”

You still could not believe how your ex-boyfriend was taking this long for the realisation to hit. Even when Eric jumped up on the screen, holding onto the ship’s ropes, the watcher only regarded the character intently, as if he was somehow part of the stranger film. 

Only when, fifteen minutes in, Atlantis is finally introduced that something clicked in his brain. Mingyu tilted his head, thinking out loud. “What the fuck…?”

Getting up from where he sat, he ended the call, informing whoever was on the other side that he would meet later. He took out the CD from the player, examining its exterior. “Can’t see shit on this CD…” He was not wrong—you were smart, choosing the discs which did not have any images, confusing the boy all the more. “Maybe I put in the wrong one…”

He shrugged it off, taking out The Dark Knight instead, another easy, breezy movie to watch when The Shape of Water did not pull through. Now Nolan was a hard one to criticise—Vernon himself was a huge fan, but seeing Mingyu try to watch it irked him. A good thing, then, was it not, that he was bound for a second surprise?

Repeating the routine, he slid the secret CD, settling back into his frameless bed. “Great minds, huh?” you whispered to him, and Vernon only rolled his eyes, not enjoying the dig against him in the slightest. 

“You dated him,” he griped, watching the movie start up.

“Waste of good looks,” you whispered, your partner-in-crime nodding in agreement. The movie beginning had you both falling silent as a bird of prey hits on one of the soldier’s heads. The scene is set in the cold mountains of China, but the sole audience does not catch it immediately. 

“So fucking weird…” Mingyu trailed off again, leaning forwards. “This isn’t the robbery scene…”

Of course it was not—the idiot would not witness one of the best film openings in Vernon’s humble opinion. He would not feast his eyes to the workings of Joker’s bank robbery, nor the cold one-liners from the incapacitated bank manager. 

No, what he was served was the Huns crossing the Northern border, which, as the boy finally began to clock after a good ten minutes, was not what he was expecting.

“What the…” once again, he heaved himself up, walking over to the player. “Now I know something’s wrong…”

Both you and Vernon stretched further close, as much as the closet would allow, to peek at Mingyu’s frustration as he brought the CD out once more, examining the back and front. He then took out some more of his favourites, opening their cases and taking out the CDs, observing them closely. He was suspicious now. How could he not be, when he was expecting incel excellence, but was greeted with the same shit his younger sister—his crazy ex-girlfriend, even—would usually watch.

He blinked back. 

His deathly stillness had the two trespassers pausing. You two looked at each other, faces losing any humour, perhaps recognising that he had clocked on. You watched the scene as Mingyu rapidly added one CD after another, expecting one movie only to have a Disney-fied replacement, completely botching his plans. Every movie that received such Disneyfication further enraged him, the grit in his teeth heard, the tick in his jaw visible. 

The final straw was when the Godfather was slotted in, his all-time, unmatched favourite. There was darkness for the first few minutes, and he sighed too quickly in relief, about to lay back on his mattress. 

Then, a curly-haired girl, a toddler at best, in huge green glasses becomes visible, being told to open her eyes. 

“Is this where magic comes from?”

“What the fuck?!”

And as a conversation between the little girl and her elderly grandmother blossomed, there was a specific dialogue which sent the young boy over the edge.

“This candle became a magical flame that would never grow out…and it blessed us with a refuge in which to live…a place of wonder…An Encanto.”

You nearly burst out laughing. 

Mingyu, on the other hand, could have seen red. 

“Who fucked with my CDs?!” he demanded to no one in particular, though in his mind he knew there was a culprit. “My fucking CDs, man!” 

“Did you do the Godfather swap?” you whispered, barely able to contain yourself.

“Two special families with one heir that doesn’t feel connected to their lifestyle.” Vernon grinned at you, impressed with himself. “It was too easy.”

“Where did you even find the Encanto DVD? It wasn’t in our set.” 

“I found it in his little filmbro shelf.” He ticked his head towards the boy in physical agony. “My guess is that his sister is a Disney fan and left it in his mancave.”

“Oh my God,” you got out, watching the melodramatic scene of your dear ex show rage akin to a teenage boy losing Call of Duty online. 

“That fucking bitch,” he guttered, over and over again as he threw the Encanto CD across the room. Those words came out, and the boy behind the shutters stiffened. Okay—there is rage, and then there is straight up promise of violence. Vernon may not be much of a knight, but if they were caught, he knew he would have to protect you.

He hoped to everything that existed that it would not have to come to that—Vernon would rather fake having a heart attack and have you drag his body out of the Kim Manor. 

It seemed as that might have been a real possibility, until the boy called out a threat to a name they were not expecting.

“Minseo, I’m gonna kill you!” Mingyu roared as he stormed out of the room, undoubtedly on his way to destroy her room, even take his anger out on her Jellycat collection.

As you heard his frenzy disappear down the halls, the trespassers took this as the opportunity to escape the closet, Vernon already creating a little distance in case you come too close and cause his passing out.

“We need to get out now,” he declared as you crept out of the wardrobe, his head whipping to the door which Mingyu left from. 

You nodded, not quite looking at him as you dashed straight for the final DVD. “Oh, Jesus,” He groaned, watching you scramble for the movie, trying horrifically to hide it within your clothes. “You do realise he can come in any second!” 

“Okay, okay,” you said, hurrying over to the window. “Wait, you can go first.”

Vernon raised a brow, following after you. “How come you don’t want to go first?”

You only ushered him further, grinning. “You can peek at my ass again.”

“My eyes will be closed,” he sniped, already carrying it out, trying his absolute best not to imagine your ass in his mind—maybe stakeouts for goofy purposes were not for the weak-willed. “You know, just for that alone, you’re going down first.” 

“Whatever suits you, Mr. Filmbro,” you almost chanted, aggravating him all the more as you stepped out of the window, beginning the trek down. 

He looked down as you descended with one film in hand, still stealing glances at the only door in the room, terrified that the boy would burst through the door, see you both and bring about his downfall. Subconsciously, his fingers hovered just before his mouth, biting the skin around his nails. He knew he should have run himself over with an oncoming vehicle. A messy plan, but still fool-proof. 

“Stop panicking and come down here!” your voice snapped him out of his anxious frenzy. “I know you’re biting your nails off right now!”

The boy instantly repelled his hand, instead furrowing his brow. A little irritating—scary, as well, really—how predictable he was in your eyes. How quickly you had figured him out.

“Alright,” he said, absent-mindedly as he reached for the windowsill. He peaked down again, not realising how far down the descent truly was. Rationally, he knew it was not the worst drop he’d seen on the first floor, but the nerves had started affecting his mind. Now, this entire time he was watching you take one step, two steps down, but he did not have the strength to follow you. 

Still, he knew it was now or never.

Vernon was going to be at your heels (or, more anatomically correct, at your head) when he heard a shuffle from behind him.

He whipped his head around, anticipating the worst.

The worst arrived in all his golden-skinned, empty-headed glory. Holding one of his DVDs, Kim Mingyu stood at the doorway, his eyes widening with every second they beheld the intruder, one leg out of the house, the other a moment away from heaving him up.

Oh. Jesus. Christ.

“The nerd from film theory?”

Vernon’s face dropped. 

The Nerd from Film Theory? The Nerd from fucking Film Theory? 

It was then and there, in that exact moment of time, that the filmbro in question did not give a single care for what the popular boy thought of him. Vernon knew everything about this boy (whether he wanted to or not); his every class, his every terrible friend, even his film preferences, thanks to yours truly. Yet Mingyu did not even know his name—did not even bother to remember.

It was because of that that he managed to garner some essence of his bravado, finally settling both feet on the ladder steps. 

He also decided to add in some corrections to Mingyu’s knowledge. 

“Jo March did not need any man after Laurie…in fact, she did not need any male support, asshole.”

For added effect, he raised his middle finger, as if the burn was sick enough to hurt. 

Mingyu’s devastating response was a confused tilt of his head, clearly not understanding his reference. 

It was enough time for Vernon to hurry his descent down, catching the former more off guard. 

“What the fuck—” was all the boy heard before he quickly tried to travel downwards, feet nearly slipping on the steps by his sheer carelessness. Mingyu’s head popped out from the window, and saw the great ladder leaning against the sill, shocked gaze lowering to where Vernon was descending to.

When his eyes found yours, he could have choked on his gulp. Even more so when you smirked at him.

“_____?”

As Vernon finally dropped off the ladder, dusting himself off, he watched the two of you, staring each other down. When he gauged Mingyu’s fear of you, there was a small part of him that was filled with admiration.

Mingyu’s demand sounded more like a whimper. “What are you doing here?”

You only curled your lips further upwards, grinning like a wild animal. It chilled your ex-boyfriend to the bone when you held the Tangled CD up for him to see, with your other hand raising your middle finger. 

“This is for calling me a stupid bitch.”

His mouth dropped open. That gave you just enough time to grab onto Vernon’s hand, enveloping your fingers around his wrist. 

And run for your life.

Vernon let out a yelp as he was yanked forward by your hold, barely hearing Mingyu’s loud curses and retreating back into the house, no doubt to follow after you two—the trespasser could only guess, much too occupied by your hand, a guiding beacon of mischief, never absent in his life as you ran and ran and ran out of the garden, out of the sleek maze which you two first entered, catching sight of the open garden gate.

The boy heard distant footsteps coming from the house, and as you both saw your car parked beyond the greater gates, you fished out your keys, finally letting go of his hand to dash over to the driver’s side, jamming the key in the lock. Vernon let out a startled noise as the car unlocked, wasting no time to jump inside, heart beating loud enough for the entire neighbourhood to hear. Mingyu appeared at the main doorstep at the exact same time, even more shocked to realise he had not noticed his ex-girlfriend’s car casually parked before him. 

Just as you climbed inside, swivelling the keys into ignition, Mingyu began to run after the car, a mere ten seconds between him and catching you two.

“Fuck, fuck, fuck, _____, just start it already!” the nervous boy in shotgun begged, his head swivelling back at every chance, heart lurching at every metre closer the filmnemesis crept.

The car revved to life at your signal.

It was time to get the fuck out of here. 

“GO, GO, GO!” Vernon screamed at the top of his voice, fisting the handle at the roof of the car as you slammed on the accelerator, racing out of the driveway with Mingyu’s bellowing following after you. Of course, since he was a mere, enraged college student, and you both were in a (slight) state-of-the-art vehicle, you zoomed out of the neighbourhood, his curses fading with every turn further out, you managing to escape. 

Vernon, because he had never done such a thing before, was still screaming to leave for the next ten minutes until you had had enough, swerving to the side of the road, not far from his DVD store. You almost crashed into the nearby park, frightening a few birds that expected peace within the sidewalk trees, only to be disturbed by a troublesome ex and a film-obsessed loser. 

You gushed out an exhale, fingers gripping tightly to the wheel, almost as stunned as the boy beside you, who seemed to take in the town’s worth of air in his little body. But then, you realised the gravity of the situation, the sole movie at the back which could not be swapped, and the valiant escape from something you never thought you would come out of alive.

Just then, you burst into laughter. 

The boy whirled his head to you, who could not stop the tumbles of laughter that escaped your mouth, hanging on to the car wheel as you cackled and cackled like the Wicked Witch of the West. Well, that was what you thought you sounded at that time, but you, as always, did not care.

Only that you were wrong—at least in Vernon’s eyes. You were wrong, because if you were laughing like some Disney villain, then he would have been more pissed off—enraged even. He was instead in awe, shocked at the raw guffawing that spluttered out of you without shame. Had the two of you not evaded a great danger? Nearly been arrested for your legally ambiguous behaviour? 

For the first time in his life, he was not embroiled with dread. 

There was no anxiety in his body, no essence of panic at the consequences of your actions. No, he could only stare at you and your mirth, and find himself raising his brows, the beginnings of a scoffed laugh creeping from his lips. 

The more he looked at you, the more his own laughter joined yours. 

And then you were both laughing, giggling beyond control at the narrow escape, and the near crash against some tree. Vernon knew how stupid this whole situation was, but strangely, he did not seem to care—not when you did not see it like that. A very odd prospect. 

After a few minutes, when it finally seemed as if you would settle down, you sighed, leaning back into the driver’s seat. “We should do that again.”

Despite the amusement lingering, he immediately shut the idea down. “Not a chance.”

You admired the ancient lining of the tree’s bark in front of the car. “The way you were laughing with me just now, you’d think you want to commit crimes from now on.” 

A dramatic roll of eyes. “I’m not going to jail. They don’t even have a TV there.”

“You and your fuck ass movie collection…”

That brought out another chuckle from the boy—you smiled at the notion. He then looked at the rearview mirror, where the last movie was splayed, all alone and away from the others. “Kind of a shame we missed out on one last movie.”

“Right?” You followed his line of sight. “Fuck, Tangled of all movies?”

“Wait, isn’t that the one with Rapunzel?” 

You let out an impressed hum. “A week of seeing my face, and you’re already catching on!” A mischievous raise of brows. “Another month with me and you can sing all the tracks from the film.”

“You really shouldn’t have this much faith in me, _____,” he said, shaking his head. “Plus, this might be the one movie I didn’t watch with Sofe.” He saw you perk up at the new name. “My sister. She’s the one who forced me to watch all those Disney films years ago.”

“I like her already,” you mused, a finger on your chin. You paused for a bit, looking down at your shoes, settled lightly upon the pedals. Then, you started the engine once more.  “So…Tangled is the only one you haven’t watched, huh.” 

A glance at you. “Yep.” 

You looked back, hoping to reverse away from the tree. “Right…” You checked your watch, the car slowly moving out of the pavement. “Interesting…super duper interesting.”

It was something insane, fantastical the way Vernon’s nerves seemed to hum at the implications. “I don’t like where this is going.”

“What? I just said that it’s interesting you’ve never watched Tangled…”

The boy scoffed, crossing his arms. “This is where you’re gonna force me to watch the stupid movie.” 

But then he caught the look of surprise on your face, as if you had been caught. “Oh, Jesus, you’re not gonna let me out the car, are you?”

“No, no!” you countered at once, raising your hands. “Well, yes as in I was hoping you would watch the movie with me, and no, I won’t force you.” You sighed a little, fingers back on the wheel. “You’ve already done so much today. If you want to go home, I’ll drive you straight there.”

He watched your expression, the prepared acceptance, the anticipation—the sliver of hope, hiding itself amongst the flurry of other emotions. In all honesty, he was tired; the entirety of this evening had exhausted his social battery (which he doubted he had to begin with) and he still had some sound image work left back at the college studio. If it was any other person asking, he would have happily bunked them off—pretended that he had suddenly developed a terminal illness in the span of minutes, and begged them to drive him back home to ‘live out the rest of his days’.

You, on the other hand, were a problem. He could not let you down—not anymore. Not after today.

When he let out a soft sigh, you were anticipating the worst. Then, he revealed the answer. 

“Let’s watch a fucking Disney Princess movie.”

VERNON DID NOT WANT TO WATCH A FUCKING DISNEY PRINCESS MOVIE. 

The moment you opened the door to your house—a shabby, student house about twenty minutes from campus—stepping inside, he realised there was no way back, and that he had to humour your wish, or else lose respect in your eyes. 

As you brought him down the small hallway, leading into the little living room, you quickly grabbed the takeout boxes of your flatmates, murmuring hurried apologies as you left the room. The boy looked around, the slight cracks of the blue walls, the 32” TV sitting at the opposite end of the fraying couches. Posters of Bridget Jones, Notting Hill, and other Hugh Grant movies were plastered on one end of the wall, while Vernon nearly had a jumpscare when he caught a life-size cardboard cutout of some Disney hero—this one unrecognisable. 

“That’s the love of my life you’re staring at,” came the voice behind him, and he whirled to see you, a huge bowl of popcorn cradled in your hands. “Why’re you standing in the middle like an idiot? Sit, sit!” Vernon obliged, making to settle on the sofas when you tutted. “Are you mental? No, sit on the bean bags near the TV!” 

How stupid of me to assume I could sit on furniture designed for sitting, he meant to crow, but the moment he settled on the bean bags, he instantly preferred their malleable comfort. When he let out a relaxed sigh, you huffed out a laugh, propping the bowl before him. “See?” 

“I was gonna say…” Vernon trailed off, watching you press a few buttons on the DVD player. “Where’s the CD?”

“Already in,” you said, picking up the remote as you settled in the beanbag next to him, scooting closer. Catching a look at his face, you bellowed, “Yes, Mr. Filmbro, I watched it recently!”

“How recently are we saying?”

“...yesterday evening.” 

“And this is the masterpiece you wanna show me,” Vernon murmured, sneaking a look back at the cardboard cutout. “Don’t tell me he’s the floozy that’s leading the film.” 

You turned the TV on. “Fine. I won’t tell you.”

He then looked at you. “Oh, Jesus.”

“Trust me!” you then reasoned, putting a hand on the boy’s knee—the mere touch had his brain rewiring, nerves all ceasing to work on the one point where your touch remained. You really had to stop—first your hand was on his mouth in that damned (blessed) closet, and now this soft reminder. He tried his best not to fix his eyes on your lingering fingers as you carried on, “This film is a modern classic. I promise.” 

Well shit, he thought. When you looked at him like that, you could have convinced him that Quentin Tarantino was a better foot fetishiser than a filmmaker. 

“Okay,” he said, almost believing in your words. 

With that, the landing page for the movie turned on, and there were the main characters; he assumed the chick with the long, blonde hair was Rapunzel, and the man behind her—which, Vernon thought, did not deserve to be celebrated as a life-sized cardboard cutout—was the love interest. Whatever. 

“Let’s just get this over with,” he mumbled as you pressed the fated Play, anticipating the worst. 

And as the two of you fell silent, Vernon still holding out on the popcorn, watching suspiciously at the screen, the voice of a man flooded the TV speaker.

“This…this is the story of how I died.” 

The boy immediately reacted, face dropping. “The fuck?” he got out, catching the WANTED! Poster of the very man he bad-mouthed not two minutes ago. 

“But don’t worry, this is actually a fun story…and the truth is…it isn’t even mine.” 

“Wait, this dude is already dead?” he asked.

“Just watch the movie!” you answered impatiently, making the boy sigh and lean back into the bean bag.

“This is the story of a girl named Rapunzel. And it starts…with the sun.”

You wanted to keep your eyes rooted to the screen, watch the unfurling of Mother Gothel’s backstory, but that was precisely when the incessant complaining began. 

“Now why are we already getting context of some random witch’s actions? Less telling, more showing, man!” Vernon kept his arms crossed, shaking his head at the TV. “Oh, great, poor little king and queen in their big ass castle!” 

“Having basic sympathy will take you great places, my guy,” you merely said, scoffing down the popcorn in the bowl. “Their kid just got stolen by some crazy bitch.”

“Yeah, yeah,” he murmured, piping down once more when the flashbacks ceased, and the present day was introduced into the story. On the screen, a small, green chameleon entered, camouflaging himself behind a pot of flowers. He guessed that the chick with the long hair—Rapunzel—would be finding him, and, lo and behold, he was right. In all fairness, though, it did not take a film degree to work that out.

He also did not need a film degree to guess that a musical number was about to be introduced, not even ten minutes into the movie. That he worked out all by himself, when the guitar riffs sounded. Beside him, you instantly brightened, smile widening as TANGLED morphed on the screen, the song about to begin. 

It was around that point when, as he spared you a glance, he realised you were about to sing along.

“Oh, Jesus—”

If his life was a romantic film, this would have been the perfect setup; the girl that made his heart flutter was seated dangerously close to him, bean bags already touching with shoulders barely following, watching the cheesiest animated movie. He could have seen the shot now, with his gaze turning rose-y as you would open your mouth and sing along to the song. Of course, you would sing beautifully, better than the original singer, and he would sit there, absolutely mesmerised. 

Oh, he was stunned alright. 

“SEVEN AM THE USUAL MORNING, LINE UP—!”

The boy flinched at the sheer volume of your chant—screech would be the better word for it, for he guessed singing was not one of your natural talents. 

You could not see his judgement at all, eyes closed and clutching your fists to your chest, continuing the song. “START ON THE FLOOR AND SWEEP TILL THE FLOOR’S ALL CLEEEEEANNNN—!”

A scoff escaped him, not quite believing the scene before him. He was shocked to silence, the movie’s music now in his background, the forefront being your attempt to outsing the princess. Either no one had told you how horrendous your singing was, or you simply did not care for the opinions of others. A part of him hoped that it was the latter—for you to be so comfortable in singing away, despite what others thought, made his judgement disappear. 

Shamelessly you sang the entire number, up to the point where the scene cuts and the supposedly hot love interest—whose name was Flynn Rider, apparently, which he should have known if he just read the poster at the start of the movie like a normal viewer—was now trying to steal the crown jewels. 

Vernon was too busy thinking about how stupid ‘Flynn Rider’ was as a name to realise that another song had just started. Immediately you changed your tune, your tone lowering, almost sultry. 

This time, you looked at him when you started singing. 

“Look at you, as fragile as a flower…”

“Ayo?” A glance at the TV screen, where Mother Gothel was now singing. “Another song?”

But you did not answer his question, only singing further as you reached your hand out to him. “Still a little sapling, just a sprout!” You continued, and, at that, your hand patted his mess of curls atop his head, mirroring Mother Gothel’s actions. 

Blinking back repeatedly, he could not even shrug it off, stunned once again by how you were casually able to touch him and not feel anything—while his entire system shuts down like a lagging desktop when it tries to run the Sims. 

The overdramatic flair was present in your singing, changed from the sweetness of the previous song. It was crazy how you remembered each word, not slipping at any chorus—you were a true fan, a committed admirer of the film. Even he could not comprehend knowing every single line of his favourites. 

It was admirable indeed—to love a film as you did this one.

It was what made Vernon smile a little, turning away from your melodrama and focusing on the screen, where Mother Gothel now threatened to never be asked to leave the tower. Again.

This time, he would give the movie a chance. Thank God he decided to wake up.

The movie picked up the pace instantly—he had not expected Flynn to meet—and be whacked out by Rapunzel’s frying pan—so quickly, and had reflected her dejection when the mother screamed at her. He could tell where this was going, especially with the thief now in the closet, but he found himself grabbing a handful of popcorn from the bowl without turning away from the screen.

By the time the third song of the movie came around, he was taken aback that it arrived further in, surrounded by the thugs of the Snuggly Duckling. Without realising, he turned to you, anticipating you breaking out into a song, but you were merely watching the movie, bobbing your head along to the beat.

Noticing his stare, you glanced at him. “Expecting a show?”

“Since you were giving them out without request, I figured this time would be like any other.”

You snorted, grabbing the popcorn. “I’m saving my heavenly voice for the best song, actually.”

Vernon mocked a gasp. “So you’re telling me Mother Knows Best isn’t the best feature?”

“Don’t chat shit, Mr. Filmbro, because Mother Knows Best is one of the top five.”

“I look forward to seeing which song you’re holding out for,” he only said, turning back to the movie again. The popcorn ran out about this time, and you shot up from your bean bag, promising more as you exited the room, leaving him to continue. 

By the time you returned, the protagonists were escaping, chaos ensuing all around them with the guards, his partners and that eccentric white horse chasing them. Ending up in the cave, they recognise a lack of way out, and although Vernon was aware that the movie ends on the happiest note, a small part of him filled with dread. 

That dread disappeared instantly when Flynn confessed his little secret.

“Eugene Fitzherbert?!” The boy demanded.

You chuckled at his disdain. “Yeah, Flynn Rider was hotter. Eugene Fitzherbert ages him about forty years.”

“Flynn Rider was silly, but Eugene is straight up diabolical.” 

“He is still fuckable regardless!” you shushed him, raising your pointer at him. “You wish you had his sex appeal.”

The boy rolled his eyes. “Yeah, let me just change my name to Bartholomew Whiteman real quick.”

“Hey!” you whacked him on the arm, this time laughing heartily at his quip. “Let my man live!”

He decided to spare your fictional man any more bullying, taking in the town atmosphere where the two adventurers and Maximus had now ended up. “Ooooo, the castle dances are my favourite scenes!” you gushed, scooping popcorn in one hand and eating with the other. “Wait, look, look at the braid!”

“Jeez, I’m looking!” he insisted, watching the girls braid Rapunzel’s hair. Flynn—which Vernon is continuing to identify him as, because Eugene was too much for him—stared at her longingly at the results. Vernon used the popcorn as an excuse to gaze at you matching Flynn’s longing at the screen. Your head rested on your knees, locking your hands in front of them, forming a lazy smile. This smile remained throughout Rapunzel and Eugene’s activities, even to the point when the couple were settled in a boat, waiting for the lights. 

“It’s happening,” you declared, the smile widening as you released your legs from your hands. “Oh my God, it’s fucking happening!”

Raising the volume, the boy watched the screen, where thousands of lanterns were sparking alight at the king and queen’s signal. The lanterns’ lights broke across the borders of the town, melting into the sea, the docked ships. Rapunzel had not noticed though, too busy dropping flower heads upon the water’s surface, Flynn helpfully holding out the bunch. 

As the princess dropped another upon the waterbed, she finally noticed the beginning.

It was then Vernon heard your favourite Disney song.

“All those days, watching from the window…All those years, outside looking in…” 

You followed this time, not as loud as the other songs, quiet and soft, as if letting the blonde shine in her song. “All that time, never even knowing, just how blind I’ve been…”” 

You exhibited the same excitement as Rapunzel, who, noticing the lanterns, threw off Flynn’s balance, hanging onto the curling bow of the boat.

The boy, however, was not really focused on the screen.

Because the music that surrounded the two crept into his ears, playing the strings of his senses; because the lights were off save for the TV, shining its dimmed lighting upon your face, making you glow with the dark purples, blues, golds of the Tangled scenery. He lost all interest in everything because you were looking something out of a daydream, watching the events of the movie as if they were scenes of salvation. The two of you were definitely not on any kind of boat, merely sitting on bean bags. Despite all of that, he began to float—swaying from where he sat, as if he was truly settled on water. 

“Now I’m here—” You put your hand to your chest— “Blinking in the starlight…now I’m here, suddenly I see…”

You kept singing the lyrics, voice more subdued than your last outbursts, and Vernon could only watch you, the pure love of this song radiating off your very pores. Vernon’s anticipation rose with every octave of the singer’s voice rising, eyes never leaving your face, the parted mouth. 

“Standing here, it’s oh! so clear…!”

As the viewers themselves were about to observe the thousands of lanterns Rapunzel witnessed, Vernon himself waiting, he made the mistake of averting his gaze from you, if only to see the grand reveal.

It was what made you unconsciously envelop your fingers with his, clasping his hand with yours.

He whipped his head to yours, eyes widening to the point of spilling. 

You were already looking at him. 

When you sang the next lyrics, Vernon could have melted molten.

“I’m where I’m meant to be!” 

And as the lanterns surrounded the protagonists, lighting up the entirety of the night, you sang the chorus to the boy in your little college flat, no one to witness it but two of you.

“And at last I see the light! And it’s like the fog has lifted!” 

Your voice was hoarse now, all the screech-singing catching up to you. Vernon, in another lifetime, would have instantly resisted, ran for the hills if it was literally anyone else in the room but you.

“And at last I see the light! And it’s like the sky…is new…” 

But it was you—you holding his hand tightly, you looking at him with the light of the lanterns in your eyes, you opening up to him in your little haven, away from anyone else. Granted, you could have offered this performance to anyone, but he liked to think—shit, he was truly hoping—that you would not have done this for anyone else. 

You would have only sang your favourite song to him. 

“And it’s warm, and real, and bright! And the world has somehow…shifted…”

Vernon watched you halt a moment, waiting for the next verse, your hand tightening in his. 

“All at once…everything looks different…”

You were right—the world had shifted underneath him, stilled under the dimmed lighting of this dingy living room. The two of you now faced each other, music still tuning from the TV, but the characters long forgotten, as if they never existed. Yes, you were right in that everything looked different, seemed different, as if he was seeing you for the very first time. 

“Now that I…see you.”

Shit. You were rather beautiful before him.

You paused then, watching his reaction. You tilted your head, thoroughly amused by the sheer awe that radiated from his face, but then you noticed his chest rise and fall, more unevenly the longer you observed him. 

The next detail you caught was how his eyes darted down—down to your lips.

It was the lips, which were watched so intently, that parted.

You attempted at a little humour. “Out of all my talents, I guess singing isn’t one of them.”

But Vernon did not respond with words. Sure, he would have agreed with you, but singing was irrelevant now. Out of all these infinite talents you possessed—your natural charm, your ease in making him laugh, your trespassing and eventual escaping of such crimes—Vernon could not have given less of a shit about singing. Not when you were before him, bathed in an unnatural, extraordinary light, soft music playing in the background. Almost as if he had adorned the rose-tinted glasses, courtesy of the universe.

In any romantic comedy, he would have kissed her.

The boy was not known to be courageous—anything but brave. Real Life, Not Clickbait Vernon would have left by now. The Real Vernon should have pussied out. 

You, however, looked a little too beautiful to be treated with cowardice. 

“Are you going to kiss me, Mr. Filmbro, or are you gonna make me wait till the end of the movie?”

He parted his mouth for a split second, gob-smacked at your question. The twinkle in your gaze, though, had him spluttering out a harsh chuckle, craning his head down at the sheer absurdity of it all. But then he looked up, smiling, not quite believing what he was about to do.

“I should make you wait.”

That was what he said. What Vernon instead did was finally grow the two balls that were supposed to be hidden in his pants, leaning in and pressing his lips against yours. 

Now the boy always wondered whether the movies were right—when mouths would touch, move against each other, whether a fire would ignite between souls, whether one really felt as if they were not of this world.

It seemed like Hallmark-level bullshit to him, but the moment his lips touched yours, he began to float out of this room. A soft hum reverated from you, approval at his actions, and he could have burst as he felt you smile against him. 

Maybe Disney was right. God, he really did not want to be in such accord with that stupid corporation, but they were onto something with the fireworks, the orchestral singing when couples kiss. He himself felt a choir-like chant all around him as he brought his hand to your face, angling it slightly so he could gain better access, boost your pleasure as he delved slightly deeper.

He was unstoppable. He was alive and ecstatic and delirious, opening his mouth wider, his other hand now finding your waist, snuffing out any distance between you two. It was not like he was a pro in these situations—he had only ever had one serious girlfriend, and that was at an age where a boy could get away with merely ‘french-kissing’ (as the kids back then would have gloated) your significant other. Again, he may have fooled around a little in college, too, but never had he experienced this haze of lust, this newfound desire. 

This desire enhanced further when you slipped your tongue from the seams, sliding it along his as an invitation for more, and he could have honestly thanked that heinous hag Walt Disney for making movies you adored so much, to the point of showing him and landing him in this situation. Of course he indulged you, opening his mouth enough to let you inside. The sensation of your tongue slipping past his lips had a soft noise releasing from his throat. 

Tangled was all but forgotten, the two of you too occupied being entangled with each other. You pulled him even closer, wrapping your arms around his neck, fingers brushing against the ends of his hair. The soft touches had every strand of his locks standing on edge, a wave of delight washing over him. 

You were sagged into the bean bag, Vernon’s weight upon you sinking you further, but you did not mind it—relished it, his scent engulfing you, the sighs and soft murmurs of his every exhale haunting your eardrums. Who would have thought that a boy who could recite every Joker quote from The Dark Knight—Virgin Supremism you termed the talent—had this kind of game hidden underneath? How was he able to ignite such powerful emotions from you?

How was Vernon ‘Filmbro’ Chwe able to make you feel so good you did not realise Tangled finishing right before you?

The two of you could have spent all night intertwined in each other, perhaps would have gone past the boundaries of mere making out. However, between the haze of his soft whispers to you, your own mist swimming in your head, you heard the starting music of the DVD reverting to the home page, and like instinct you opened your eyes, finding that the movie had ended.

You must have paused, because Vernon immediately stopped, concern staining his pretty features. His knitted brow, eyes laced with nervousness, shamed you for ever stopping. “What’s wrong? Did I do something?”

“Oh, no, no!” You felt like a fool for the answer you attempted to give him. “It’s just, um…”

He followed your line of sight, turning around. Once he realised, he looked back at you, you surprised to find a little shock replacing his concern. “We were going for that long?”

Your smirk had his stomach knotting. “This is what happens when you make out with someone you like, Mr. Filmbro.” 

He could not respond, looking away as his flushed face managed to redden some more. You only laughed at him, playing with the hem of his shirt, his arms still steady as they caged you. “You are so lucky, you know.”

He quirked a brow. “And why is that?” 

“I would never miss the second half of Tangled for a man.”

It was so incredibly stupid, how he felt a semblance of pride at the notion.“Happy to know I’m an exception.”

“You do know I’m gonna make you watch it again so you can say you’ve watched it.”

Vernon tilted his head to the side, lost in thought. You watched him, anticipating. “This is the part where you say you’d rather Mingyu jump you than rewatch Tangled.” 

“Well yes, but…” He glanced over his shoulder, where your shelf of DVDs were stacked, a particular movie which had caught his eye previously now standing out all the more. “I, uh…” 

He looked back at you, and the self-conscious glint in his gaze had you watching his every movement. “I was hoping to show you my favourite movie instead.”

You were ready to make a comment on how you prided on avoiding Nolan films like the plague, but then you remembered the conversation at Mingyu’s house. Your eyebrows could have touched your hairline. “You said I could never know.”

“Well…” a small smile escaped him, slowly pulling himself away. “If I am to be your exception, _____, then I suppose you can be mine.”

Gaping at him, you could only keep silent as he, with great effort on his part, heaved off you, making his way to the shelf. He was lucky, you thought—had he been a moment slower, that comment alone would have had you kissing him again. 

What quickly caught your attention was him sliding his pointer finger through your collection, a series of your favourites. The anticipation was rising, you not quite believing that Mr. Filmbro’s favourite film was within your arsenal. Weeks ago, you would have bullied him relentlessly for the ironic hypocrisy.

When he pulled out the fated DVD, you let out the greatest laugh.

The boy instantly frowned, but you did not realise, cackling and cackling away at the selection, the final boss of Vernon’s favourite film, nestled between his fingers. “Shut up,” he mumbled, but again, you did not hear him, lost in the shrill sound of your laughter, erupting the room to life. 

“Oh, Jesus—” Your chortling did not seem to stop, almost to the point of hiccups. “Your ass…this entire time—!”

“And suddenly I’m leaving!” Vernon announced, getting up and about to drop the DVD. 

He did not last long in his determination when you grabbed onto the end of his shirt, grinning still. “Thank God you’re not a Nolan kiss-ass…that’s all I’m saying.”

All he could do was stand like an idiot, the tips of your fingers caressing the skin just above his trousers. “But I am a Nolan kiss-ass,” he murmured, crossing his arms. 

“That’s what I thought, too, but this film—” you jerked your head towards the prize in his hand. “You’ve redeemed yourself.”

“Stop it,” he only said, crouching down to pull out the Tangled CD, replacing it with the new, and, in his opinion, improved movie. “This is why I didn’t want to tell anyone.”

“And nobody will know,” you assured him, watching the movie’s main menu pop up, the PLAY option highlighted. “This’ll be our secret.”

“First the trespassing,” Vernon began, sitting down beside you, “Then the tampering of movies, and now this.” He grabbed the remote, about to play the movie. “How much more are we gonna sneak around?”

You looked at him, and the smile you offered him had him glancing away—only for a second. “Have you not had fun, though? Sneaking around with me?”

Normally, in a situation where he had zero balls, he would have evaded such a question, not fanned the flames of your fire. But tonight he had watched a Disney movie with you, felt your fingers caressing his skin, had even kissed you in the purple hues of Tangled’s light. Tonight, he could conquer the world.

What would answering a heated question do any harm?

Vernon locked eyes with you then, trying to fight his smile. “I think I could have fun with you anywhere…in secret or for anyone to see.”

As something in your gaze shifted, he turned the film on (an entendre which was completely intentional). 

Once again, the two of you were in the same position, watching yet another film, this time another’s all time favourite. The narrator began in a strange, European accent, explaining the tale of an unfortunate princess, much like Rapunzel, and her dire situation. 

Although it was undoubtedly his most treasured film, the boy had a very hard time paying attention when all he could feel was that penetrating stare of yours, capable of revealing his very soul from beneath his measly shirt. Even when the stranger main character was introduced, following his main routine in his strangest abode, Vernon was not particularly concentrating anymore.

Not when he heard your voice, a soft question amongst the gaudy music of the 2000s. “Do you mean that, Vernon?”

And perhaps it was because you said his actual name, especially when your voice sounded like…like that. Like something from a perfect movie soundtrack, akin to the end-credits of an unforgettable TV show. 

Because he was too occupied with simply admiring you, he merely nodded, biting the inside of his cheek.

And because you were too busy admiring him, his words, the entire night where you had felt pure, euphoric joy, you did Mr. Filmbro a little dirty by making a decision that negated his film.

You shifted closer once more, hands reaching out to hold his face. 

This time, Vernon was prepared when you kissed him.

There was a certain eagerness in your lips this time which was newer—more enjoyable to his senses. It made sense now, why all these couples in movies made out for hours and hours on end. He felt as if he could kiss you forever, move against your mouth, delve inside until his tongue memorised your very imprint. 

You moaned a little louder this time, and the very sound had his heartbeat racing, moreso when, as he pressed you against him, shifting upon his beanbag, he knew then and there that something in the air shifted.

Last time, you had stopped. This time, there was no such indication—the very thought had him skirting his hands around you, holding you tight enough to never let go.

Still—even with such possibilities, there was no way you and him would escalate to the point of losing his virginity.

Whatever happens though, he will still watch the end of his favourite film. 

Whatever happens, Vernon would not be having sex with you if Shrek was playing in the background.

VERNON LOST HIS VIRGINITY WITH SHREK PLAYING IN THE BACKGROUND.

Certainly not his greatest achievements, considering he could not focus on his favourite movie, but it was certainly not his fault. You were—to put it quite plainly—hot as fuck.

He did not leave until the very next day because—as he had stated that night—he still wanted you to watch Shrek, and did, somehow, end up watching it properly. You did not stop teasing him, and he did not stop shutting you up by kissing you senseless. 

Unfortunately, the boy did have college the next day, so he had to leave at some point, but not without promises of meeting you again. This time, however, you two did not continue the crimes he committed with you. You and Vernon were not modern-day Joker and Harley Quinn.

When the two of you were not terrorising Mingyu’s livelihood, you decided to hang out at the filmstore, where it all began. Vernon would host weekly movie nights, and both of you would eat popcorn and watch each other’s recommendations, scoring them differently in accordance to what was most important for each other.

For the film majoring student, the rating was influenced not only by the actors’ performances, but also from the intricate storyline, the character developments, their relationships. A story, for him at least, was about relationships. Good cinema was about the chemistry between two actors, the emotional connection they had not just with each other, but also their effect on the audience. The actual editing of the film, too, was another bullet point in his criteria.

Your rating, on the other hand, differed slightly. 

“Michelle Yeoh is such a MILF,” was your only comment upon finishing Everything Everywhere All at Once. 

This comment nearly made Vernon lose his mind. “One of the greatest movies of this decade, and this is your only input?”

“But am I wrong, though?”

Vernon sighed a little at that—at the end of the day, you were absolutely in the right. There was a reason Crazy Rich Asians went platinum in his dingy little room. 

Of course, it was not just his personal recommendations that played. You had compiled a list of your all-time favourites, going beyond Disney’s borders, and Vernon was introduced to the dashing timeless genre of the rom-com. Now having a younger sister who (he thought) was a basic bitch meant he did possess some knowledge of the genre, but he had never really sat down and watched a rom-com without falling asleep in Sofia’s bed. 

For you, though, he braved the most famous romances, which he found himself enjoying more than he would have liked—more so when he found one of his favoured actors in 10 Things I Hate About You.

“Heath Ledger singing was something I never thought I needed,” Vernon commented as the ferocious couple finally kissed. 

“And this is the same fella who was the Joker in your little Nolan film,” you reminded him, as if he was not aware already. “Oh, and he was the gay cowboy in that movie.”

“Gay cowboy?” His confusion lasted for approximately thirty seconds before he groaned, pushing you over on your beanbag. “My god, are you talking about Brokeback Mountain?”

“Yes, that one!” you exclaimed, picking up the TV remote. “My guy has range, but him as a high schooler is still my favourite role.”

“You do realise how bad that sounds, right?”

“You know what I mean,” you said, waving him off as you began searching for the next movie. “Now, Two Weeks’ Notice or The Proposal?”

Vernon endeavoured to weigh in on the options. “Which one do you think I’d like?”

“Well, both have Sandra Bullock in them…”

He looked over both DVDs. “Now that’s a white woman I can get behind.” 

You scooched a little over to him, locking your hands together. “We can watch something you like…” When he knitted his brows together, not quite answering you, you went on, almost unable to look him in the eye. “You’ve been super nice, you know…sitting through all my favourites.” 

The boy could not help it, unable to let a smirk slip. “Is this _____ appreciating me for once?” The beginnings of his shit-eating attitude did not develop, since your smack on his arm completely snuffed it out. “Ow, damn!”

“You deserved that,” you muttered, beginning to scoot away until Vernon’s hand on your wrist stopped you. 

When you focused your gaze at him, he already beat you to it. “Let’s watch both today.” 

It was silly, how that made your heart beat faster. “Really? You would watch two rom-coms in a row?”

As his hand pulled you closer, his stare had you almost—almost—nervous. “I’ve done worse for you.”

“Very true,” you said, absent-minded, more lost in the twinkle of his eyes. “Very, uh…good point.”

Vernon thanked all the higher bodies that may have existed for the pure, unadulterated rizz he was attempting to spew. “I’m full of good points,” he crowed. “Now, are you going to stare at me all night, or are we going to watch Sandra Bullock?”

Although your cheeks burned, you pushed him off, earning a chuckle from him. “Don’t get ahead of yourself, Mr. Filmbro. The only man I’ll be staring at will be Ryan Reynolds in The Proposal.”

All of the boy’s suave attitude dissipated at his shock. “The Deadpool guy?!”

“Ryan Reynolds did have range before,” you explained, shaking your head. “Then the superhero bug bit him.”

“What a shame,” he only said, as if Vernon did not follow the Deadpool universe to the point of possessing special editioned comics in his room. Still, he happily slotted the CD inside the player, and excused himself to make more popcorn for the two of you.

As the boy prepared snacks, glancing back every time at the opening scene, he managed to sneak a look at you, eagerly watching the screen. 

He could only smile, putting all the popcorn in the huge bowl before hurrying back to you. 

THIS WAS PROBABLY THE FIRST TIME YOU WORE A SUIT TO A CINEMA. PERHAPS THIS WAS THE FIRST TIME YOU WORE A SUIT AT ALL.

Admittedly, it was not as if you had intended to go into the cinema in formal attire—or, at least the only formal clothing you had. Your first plan was to steal something from your father’s wardrobe, but when you tried it on, it did not fit properly, and you refused to look like an idiot in public.

Not that you cared much about looking like an idiot in public before, but there was another person to look out for. And that person, although had already done embarrassing enough actions for you, did not want to push it further. One more ceremonious act of humiliation, and Vernon would have run a thousand miles from you—or that was what you thought. 

You observed your cinema fit one last time before your bathroom mirror, fixing the lapels for the nth time. Your rented three-piece suit was almost a second skin, waistcoat snug underneath the tweed jacket, matching coloured trousers adorned alongside. You borrowed some Oxford brogues from a friend, which made you realise that you had more posh friends than you knew. You tried to find a hat similar to the one Cillian Murphy wore in the promotions, but because you did not have the wardrobe of a middle aged man, you resorted to let your head rest. 

All of this elaborate planning to see Nolan’s (apparently) greatest release yet—Oppenheimer. 

Because the cinema was not far away from you, you decided to walk, messaging your date to let him know that you were on your way. You were certain he was already there in the cinema; Vernon, since you had started hanging out more with him, had only ever talked about Nolan’s upcoming epic. You swore if you recited the IMDB plot out to him during sex, he would have spunked within minutes (a mental note to experiment on that later). His excitement had you booking midnight release tickets, which consequently made him so happy you thought you had invited Nolan to the town cinema. 

The night, furthering along, had beautified the black sky, stars twinkling on your journey. The consistent vibrations from your phone indicated the boy’s imminent excitement, and you smiled, double-checking your formal attire once more. You would have romanticised the nighttime further but living in student area brought you right back to fearing slightly for your life, so you quickened your step, cinema already a close speck in the distance. 

You knew you were nearer to the destination when the flocks of pink and black grew, the cowboy hats and fake pipes all piling up in your vision. Seeing the pink reminded you of Barbie’s influence, also being released tonight alongside the more serious counterpart. 

A small part of you really wanted to see the midnight release for the new movie. The original plan most people were following was either to watch Oppenheimer and then Barbie, or the other way around. You were so close to procuring tickets for the latter, but decided that it was important to accompany Vernon to the seemingly bigger release. After all, you were never as excited about films as the dear film major you had rather grown to like.

Another vibration of your phone, and you finally decided to stop ignoring said-film major and text him, possibly informing you of his arrival.

mr. filmbro: yo where u at

mr. filmbro: they’re too many pink mfs out here im getting suffocated

You rolled your eyes.

_____: im coming to save u kitten.

mr. filmbro: :0

Once you were inside, it was a complete sea of pink and black and grey. Two sides, which one would assume would be opposing, were all celebrating, sharing their drinks, anticipating when the theatre doors would open to let everyone in. Within this myriad of fans, you tried to search for the most mentally ill one—the one who you were certain had a finer three-piece set than you, who would have happily stolen Cillian Murphy’s set clothes to truly honour the movie. 

Strangely enough, after a few minutes, you could not find him, even after confirming your seats. You searched for anyone wearing anything devoid of colour, but did not find the boy. This time, you decided to bother him, calling him and pressing the phone to your ear. 

“Where are you, kitten?” you purposely growled, lowering your voice an octave. “Daddy’s waiting.”

“Kitten actually killed himself after hearing that,” was his purposeful monotone. 

“Can you resurrect yourself for me real quick? I’m tryna find where you are.” 

“I’m next to the Oppenheimer popup.” Immediately you tried to find it, scouring through the crowds. “I figured you’d find me easier.”

Scoffing, you ignored the Barbie stalls, walking further ahead. “How very smart of you to wear Oppenheimer clothing while standing next to it. So much easier to find you, isn’t it?”

He did not retort back, instead inciting your excitement. “Wait, I think I can see you…?”

Your eyes darted over to the fresh faces of the Nolan fans, all taking pictures of the cast pop-ups. What you were observing were the men and women, all lack of colour. 

What your gaze ended up on was someone completely different. 

What you were expecting was a mini-Oppenheimer, the too-large blazer, the sashed hat upon pretty brown curls. What you received instead was a boy engulfed in all the pinks of the colour wheel.

Pink was the colour of his top, bubblegum pink the colour of the stringy fur coat sporting over said shirt. Magenta was the colour of his flared trousers, whilst rose was the colour of his converse. What topped off the entire look was the hot pink cowboy hat, sitting perfectly upon his wavy locks, completing his fit—a fit which was perfect for the Barbie movie. 

It was around that point that he caught on to your stare—through the oceans of opposing fans, he, too, finally found you.

Vernon heard your curse murmur through the phone. “Oh my fucking God.”

That was when his own gaze roamed over you, shocked and shameless amongst the crowds. Not that the crowds mattered, not anymore. He was a little nervous, he had to admit it to himself, only because there were so many people, and they were only watching for the fad, for the trend. A part of him wanted just you and him in this midnight cinema, the biggest official date yet. 

But then seeing you here, in all your black-clad, Oppenheimered glory, had stunned him to his core. Although he had specifically brought you here to watch the movie, he had completely expected you to arrive in the pinkmania fit. Because you had kindly booked tickets for his anticipated film, he thought at least to participate in the Barbie craze fit.

It was like instinct, how his steps gravitated towards you, his phone still pressed against his ear, very much like you. You followed him slowly, hearing his ragged breaths through the speaker, watching him walk closer and closer until you both were a mere couple of feet away.

Only then did you drop the call, your hands at your sides as you admired him. It was a while before any of you spoke. 

Like always, you spoke first. “Tell me the fur coat is yours.”

A ghost of a smirk. “Sofia’s.”

“Stealing’s like second nature to you now, isn’t it?” you taunted. 

Like always, he dodged your taunts. “I thought you were gonna wear all pink.”

“I thought you were gonna wear all black.”

He tilted his head. “Well, I thought since we were watching both movies…”

Your confusion was clear, the corner of his lips curling further up. “Wasn’t Oppenheimer first?”

He then went inside his flared trouser pockets, fishing out two tickets—its colours matching his outfit. “I know how much you wanted to see Margot Robbie be silly.” 

“I did!” you exclaimed, taking the tickets from him, admiring how pretty they were designed, especially when compared to the Oppenheimer marketing tickets. In your admiration, though, you noticed a detail which had your excitement faltering. “Wait, are you sure? It says the movie’s at the same time.”

Vernon then checked the timings, mouth parting. “Oh shit. Didn’t think about that.” He shook his head, mouth straightening in a line, dejected. “This is what happens when I try to do something romantic.”

“I have to give points for effort,” you offered, bringing your hands to his wrist. “Hey, it’s okay. Let’s watch Oppenheimer, honestly. Cillian Murphy is still hot when he’s old.”

“No, no,” he countered, clasping your hands on his wrist. “It’s chill.” He glanced down. “Let’s do Barbie first.”

You attempted to argue him on this, but he simply let go of your hands, with his one hand wrapping around your waist, and the other hand’s wrist being checked for the time. You bit back a smile at his mere actions, relishing his fingers skirting under the suit, the waistcoat. “Vernon,” you attempted. 

“_____,” he said back, staring at you with an awe that you would have deserved had you worn a couture gown, not some rented hand-me-downs. 

You knew he would not take no for an answer now. “But what about Oppenheimer?” you asked anyway as the two of you made your way to the cinema. 

Vernon only pretended to think extremely deeply of the situation, making you elbow him playfully. “Now tell me, Dear Disney Hag, how did we enter Mingyu’s house?”

“Why, we walked straight in!” you answered like an over-enthusiastic student, in which he sarcastically clapped for you. 

“Right on.” As you both walked towards the Barbie theatre, the opposing movie was being screened right beside you, where people were bursting in. “See how everyone is walking in right now?” He gave you a knowing glance. 

That knowing glance had you scoffing in excited disbelief. “My God! Look at you, all ready to commit crimes!” you looped a hand around his arm. “I have taught you well, young man.”

He patted your arm. “Mr. Filmbro has come a long way from chatting shit about your movie taste.”

“So you admit it?” you leaned in. “Disney makes better movies than your flop directors?”

“That’s a completely different claim,” he clarified. “My taste in films is objectively better.”

“Still doesn’t change the fact you're watching the Barbie movie before Oppenheimer.”

He rolled his eyes, tugging you closer. “That’s ‘cause I like you a lot, Disney Hag…”

You did not stop your smile from lighting up your entire face. “You’re not the most insufferable filmbro I’ve dated I guess…”

”I better be the last filmbro you date,” he muttered, watching over the last of the crowds, where they now stood, waiting to enter the theatre.

The longer you waited to answer him, the more incredulous his face became, brows knotted in disbelief. You only chuckled, leaning in and pressing your lips upon his. Of course, he was taken aback, but surprises like these were pleasant, welcomed with open arms as Vernon closed his eyes, pulling you in. 

The moment the line started quickening you broke away, only to make sure no one skipped in front of you and him, and thus deal with yours and his passive aggression. You could not help the giggle that escaped you at breaking away from his lips, relishing in his dazed state. 

Honestly—you truly would not have minded being anywhere with him.

When it was finally your turn to go inside the Barbie screening, you held tightly to his hand. “Let’s go, Mr. Filmbro.”

Vernon only smiled. “Right behind you, _____.”

And as the two of you entered the theatre, hand-in-hand, the boy learned that perhaps he, too, would have gone anywhere with you. 

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[sweettoothy]

𝐓𝐇𝐄 𝐖𝐎𝐑𝐋𝐃𝐒 𝐄𝐍𝐃

╰ SHOW ﹕ ARCANE !

︵ WARNING(S) ﹕╰ swearing ⸝ violence ﹕ sex

︵ relationship ﹕ Vi x fem!fragile!reader x Caitlyn

NOTE: short chapter ? (If you guys have any questions head to my inbox ^^, and I all know we wanna see a sex scene where they’re bumping against each others clits, and scissoring, It’ll happen soon trust me)

⟣・S2・WATCH IT ALL BURN︰

YOU WALK INTO a pretty battered up place, a hand on your hip as you walked next to caitlyn. you were still a little injured from yesterday but that’s okay, the green smoke was clouding your goggles that were attached to your face, causing a frustrated sigh to escape you. the rest of the enforcers including you, were searching for jinx after the incident that had happened.

It wasn’t just an incident, it was a pretty big one, cause caitlyn’s mom got caught in the crossfire. least to say it wasn’t surprising that caitlyn was on the verge of losing it, but she was holding her composure the best she could.

Not to mention you getting hurt was one of her biggest regrets, she wish she could’ve protected you more— but things happen.

Vi checks over her shoulder from time to time to make sure you’re alright, she doesn’t want you getting caught in her sister’s bullshit. It was pretty scary being here, if you were truthful.

You never met jinx but you’ve heard so many good and bad things about her. Honestly, none of it seemed to make sense anymore. She just sounded like a broken person overall, someone who just needed help.

Jinx was hiding somewhere near the ceiling, she could see you, caitlyn, and vi. her pink colored eyes landing on you as she raised her gun slightly, she wondered what it would be like if vi were to lose the most precious thing she’s had in her life— due to being in jail for long 7 years.

You and caitlyn really switched vi’s life around, even though right now she didn’t like having to be an enforcer. But if it was to stop her sister? It was the right thing to do, it has to stop at some point.

Jinx hand starts to shake as tears prick her eyes, she leans back and hides behind a wall— not bothering to take the shot.

She’s just hated what her sisters become, so lovestruck on you and out to get her— it wasn’t fair.

You flinch slightly when music suddenly comes on, making you step back quickly.

“It’s okay, (name).” Maddie tells you, placing her hand on your shoulder. “No one’s there.”

Caitlyn’s eye twitched when she saw the way maddie had placed her hand on your shoulder, her lips upturning into a frown as she grew a little annoyed— maddie always used the sweet act with you just to get close.

And it pissed off vi and cait.

YOU HAD TO take a minute to catch your breath as you leaned against the wall, collapsing to your knees as you lift up your top underneath your shirt, the gash still there from the time you had gotten injured after the explosion. Vi and caitlyn make their way towards you, their expressions full of worry and concern.

“Are you okay, love?” Caitlyn asks as she kneels to your level, the height difference between you three very visible. Cait being taller than vi and vi being taller than you. that was so cute.

Vi tucks some of your hair behind your ear as she rubs her thumb over your cheek, “we can take you back. you didn’t have to come with us.” she tells you, leaning forward to kiss your forehead.

“No, no,” You reply. “I want to help. I’m tired of lying in bed doing nothing.”

Caitlyn knows it wasn’t the best time to be taking at look at your boobs but they were so round and pretty she just wanted to put her hand over it and squeeze them in her possession. If only her thoughts weren’t so vivid right now, she probably would be dead set on getting revenge on jinx which—of course—she still is.

Vi reaches to grab the curvy part of your waist, her hand easily squeezing there gently. “Okay. but if you feel sick let us know.”

“I’m okay, guys, seriously.” You tell them, “I can handle myself.”

“If you’re sure.” Caitlyn replies, trying to keep her dirty thoughts away.

If they were out of sight, they’d be out of mind. right?

Wrong!

Vi couldn’t help but take a look at your chest again, oh this felt so wrong and disrespectful but it felt so good at the same time. when she first met you, she already knew she would take a liking to you.

The thought of being between your legs right now and wanting to hear you whimper was not what she had in mind but she wanted it to happen, she craved it to happen.

Standing up you dust yourself off, “okay-- let’s go get the others. I think I know a route.”

“After you sweets.” Vi replies softly, dusting herself off.

Caitlyn stood up as well, vi taking a long look at your ass before quickly adverting her gaze.

They do not know how long they’re gonna last.

END OF CHAPTER TWO

[uhbambii]

A Quiet Morning in the Dellamorte Villa

The dawn light crept through the gauzy curtains of the Dellamorte villa, painting the bedroom in soft golds and shadows. Rook stirred beneath the weight of the silk sheets, her hair spilling across the pillow. Her eyes opened slowly, the remnants of a rare, peaceful sleep fading as her gaze landed on the man beside her.

Lucanis Dellamorte, famed heir to one of the most dangerous families and a Crow through and through, lay sprawled on his back, his sharp features softened by sleep. His dark hair framed his face in messy strands, and his angular jaw was shadowed with faint stubble. Despite the peaceful scene, there was something distinctly Lucanis about the way he lay there—an awareness in his stillness, a subtle control even in his rest. He was never really unguarded.

Rook allowed herself a moment to admire him, a rare indulgence. The two of them were not exactly the sort of people who could enjoy idle comforts. But here, in the quiet of his villa, with no one watching and no knives in the dark, she felt safe enough to linger.

Sliding out of bed carefully, she cast a glance over her shoulder. Lucanis didn’t stir. Her lips curled into a faint smirk as her eyes caught sight of his discarded shirt from the night before. Why not?

She slipped the oversized button-up over her shoulders. The fabric hung loosely on her frame, brushing her thighs. It smelled like him—spiced wine and gourmand, danger wrapped in charm. She rolled the sleeves up her arms and padded silently toward the kitchen, a thought forming in her mind.

Muffins.

::::::::::::::::::::::::::::::::::::::::::::::

The Dellamorte villa’s kitchen was absurdly lavish and well-stocked, for someone who rarely ventured home. Rook found the ingredients she needed with minimal fuss. She worked quickly, her Crow training making her as silent in a kitchen as she was in the shadows.

Rook stirred the flour in a bowl, humming softly under her breath, when a familiar voice cut through the quiet.

“Well, this is unexpected.”

She jumped slightly, spinning to see Lucanis leaning casually against the doorway, his arms crossed over his broad chest. He was shirtless, his dark eyes glittering with lazy amusement, his hair still mussed from sleep.

“You’re lucky I didn’t have a knife in my hand,” she said, her tone dry but her lips curving into a smile.

“And here I thought nothing could catch a Crow by surprise,” he replied, pushing off the doorway to saunter toward her. “But this… cara mia, this is a sight I wasn’t expecting to wake up to.”

His gaze slid pointedly down to the shirt she wore, his shirt, the top buttons undone to reveal just enough to make his smirk deepen. “Is this your way of staking a claim? I didn’t realize you were so territorial.”

“Don’t flatter yourself,” she shot back, turning back to the bowl. “I was cold. And you’re lucky I’m feeling generous. I was going to make muffins.”

“Muffins,” he repeated, the word dripping with exaggerated disbelief. “I must still be dreaming. Rook, the infamous Crow, is baking muffins in my kitchen? What’s next—embroidering handkerchiefs?”

“Keep talking, and I won’t save you any.”

Lucanis laughed softly, his voice low and rich as he stepped closer. His hands settled on her waist from behind, his presence warm and undeniably distracting. “You know,” he murmured near her ear, his breath brushing her neck, “you’re whisking that flour like it’s a target, you’ve received contract on. If you want these muffins to be edible, you’ll need to be gentler.”

Rook tried to focus on her task, but the way his hands slid along her hips wasn’t helping. “And what would you know about baking?”

“More than you’d think,” he said, his tone smug. “The Dellamorte name didn’t always keep me well-fed, you know. I had to learn a few things back when I was going through training.”

She snorted. “You? Starving? Hard to imagine.”

“Hard to imagine you in a kitchen, cara mia. Yet here we are.”

She rolled her eyes but couldn’t fight the smile tugging at her lips. Lucanis always had this way of disarming her, slipping past her defenses with that wicked grin and sharp wit.

He leaned closer, his hands tightening slightly on her waist as he teased, “Though I must say, this shirt looks far better on you than it ever did on me.”

“Are you going to help, or just stand there and flirt?”

“Why not both?” His voice was low, and before she could respond, he turned her to face him, lifting her effortlessly onto the cool marble countertop.

“Lucanis—”

He silenced her with a kiss, slow and deliberate, his lips brushing hers with maddening precision. One of his hands trailed up to tangle in her hair, the other remaining firm on her waist. The kiss deepened, his usual charm giving way to something more intent, more real.

When he finally pulled back, Lucanis lingered, his dark eyes locked on hers, warm and brimming with a familiar, maddening confidence. His fingers traced a slow, deliberate path down her arm, and a crooked smile played on his lips. "You know," he murmured, his voice low and rich, "you don't have to sneak off in the morning to make muffins. You could just wake me up. Though I can't promise we'd get out of bed anytime soon."

Rook raised an eyebrow, fighting the flush that crept into her cheeks. "And what exactly would you do, Lucanis mio, if I did?"

His grin widened, the kind of grin that usually preceded trouble. He leaned in closer, watching her carefully. "Oh, I can think of plenty of ways to make it worth your while. None of them involve flour."

Her lips twitched into a smirk, but she turned her face before he could see the warmth blooming across her face. "You're trouble, you know that?"

"I've heard rumors," he replied, stepping back just enough to grab the whisk from her hands. "But if you're sneaking around in my shirt to bake muffins, I must be doing something right." His eyes roved over her, slow and deliberate, lingering just a little too long. "It's a good look, by the way.”

Before she could reply, he stepped between her legs, settling his hands on her bare thighs. His lips hovered just above hers, close enough that her breath caught. "You could have stayed in bed," he murmured, his voice a velvet promise. "And I could've kept you... busy."

"Some of us like to start our mornings productively," she managed, though her voice was softer than she intended.

"Productive?" he teased, his eyes scanning hers as he spoke. "You're in my shirt, with no pants, making muffins in my kitchen. And here I was thinking you just wanted to drive me insane."

She smirked, leaning in just enough to brush her lips against his in a quick, teasing kiss. “Maybe I did,” she murmured, her tone as sweetly provocative as the look in her eyes.

Lucanis let out a low groan, his hands tightening briefly on her thighs before sliding up to rest on her hips. His forehead came to rest against hers, his voice a husky whisper laced with amusement. “Strega mia, one day you’re going to be the death of me.”

Her smirk widened, her hands slipping to his shoulders as she tilted her head playfully. “Is that a complaint?”

“Far from it,” he replied, his lips brushing against the corner of her mouth in a maddeningly light touch. “If I go, at least I’ll die happy—and very, very distracted.”

Rook laughed softly, pushing against his chest just enough to make him step back. “Well, I wouldn’t want to deprive Treviso of its most charming Crow just yet.”

“Il più affascinante, per favore,” he laughed with a wink, retreating only far enough to grab the whisk again. His gaze swept over her once more, lingering on her bare legs and the way his shirt clung to her. “Though if you keep parading around my kitchen like this, amore mio, I might be tempted to retire early.”

“Tempted?” she shot back, sliding off the counter and standing toe-to-toe with him. “I’d think you’d have better self-control than that, Amorino.”

He leaned in, close enough that their noses nearly touched, his voice dropping to a seductive purr. “With you? Self-control doesn’t stand a chance.”

She arched an eyebrow, fighting the grin threatening to break free. “You’re full of it, you know.”

“And yet, you tolerate it,” he quipped with a grin, echoing her earlier words as he turned back to the mixing bowl.

Rook leaned against the counter, watching him work, her smirk softening. Despite all his bravado and charm, there was something grounding about the way Lucanis moved in his own space, so at ease yet so attuned to her presence. She could feel it—the way he made her a part of his world without ever saying a word.

“So,” he said, breaking the silence as he gave her a sly glance. “Breakfast today, cara mia. Tomorrow… dinner?”

“Tomorrow?” she asked, feigning surprise. “You’re awfully confident I’ll still be here.”

Lucanis grinned, setting the whisk down and stepping closer to her again. His hands slid around her waist, pulling her flush against him as he murmured against her ear, “Oh, I’m very confident. After all, tesoro, I always get what I want.”

Her heart gave an unsteady flip, but she kept her smirk in place as she leaned back to meet his gaze. “And what is it you want, Lucanis?”

“You,” he said simply, his voice low and unguarded as his dark eyes held hers. Then, just as quickly, his lips curved into a devilish smile. “But I’ll settle for muffins… for now.”

Rook let out a soft laugh, shaking her head as she pushed him toward the stove. “You really are trouble.”

“And you love it,” he tossed over his shoulder as he turned back to the batter.

She didn’t respond, her gaze lingering on him for a moment longer than she intended. Because, damn him, she did.

———————————————————————————

Is it possible to fall in love with my own writing???

IM EATING IT UPPPP!!!

———————————————————————————

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[sparkles-rule-4eva]

Gotta say I am very curious what's going on here. I'm seeing a lot of bread/snacks and a lot of crafts and uh their outfits?? 🤣 Were they making some kind of surprise for them?? Hmmm?????

I'm guessing G.U.N. contacted them and asked to meet with the boys, hence why they were in Japan (?) at the Chao Garden restaurant with who looked like Commander Walters...?

Pairing all the new info with the first trailer is confusing... The first one seemed to indicate that they first encountered Shadow and then went to Robotnik for help, but now we have confirmed info that Robotnik was responsible for setting Shadow loose and is working with him... Augh. We'll figure it out. 😂

And then—

Gotta say I was sad he called them by their names instead of the parental titles.... 🥲 But I'm fairly confident we'll get those scattered around the rest of the movie. Please. I hope. 🥹

And I love how Sonic started talking to them, stopped when he realized he couldn't see them, and asked Knuckles to turn them so he could see and Knuckles was like, in the sweetest and most innocent tone, "Oh! Excuse me," and did as Sonic asked. It was SO cute, these bros, GAAAHHH.

LOOK AT THESE BABIIIIIEEEEESS 💙💛❤️

Also it was kind of funny how, even though I'm sure the trailer shortened the scene, Tom and Maddie barely seem fazed when their kids just teleport into the living room all tied to a pole together and are like "help" 😂😂 this family is so unhinged I LOVE THEM!!!!!

Yeah haha. I'm getting bits and pieces of the plot, but overall there are still a lot of questions and gaps that I can't piece together, which is fine because that's what the actual movie is for!!! I CAN'T WAIT!!!!!!

[eldritchneuro]

One thing that I seen Stampede Wolfwood often characterized as by folks is well... distant is probably the best word for it. Mopey. Averse. The sort of guy who you wouldn't catch asking for a hug on the worst day of his life.

But I don't think that's true. Or at least, not beyond being a front he puts up. And there's one scene that for me confirms it. Because when Vash gets shot in Julai, Wolfwood's first response isn't to attack back.

It's to run over, put an arm out for support, and check in on him. Only when Vash shows himself to be okay do we see Wolfwood tell these people to back the fuck off.

You could read motivation into this act of comfort. There's fuel here for shipping, or perhaps Wolfwood is that terrified of his boss's mark getting injured. But it does also pair nicely with another scene not a few minutes later.

"My body moves before I can think."

In the split second before someone gets hurt, Vash isn't considering whether or not he should help them. He just does. The desire to protect is something so deeply ingrained in his core that it has become pure instinct.

And I think it's the same with Wolfwood. The moment that he takes to put up that shield of unbothered-ness is a moment too late. Big brother Nico has already taken action.

And even when he's just messing around, for someone who is meant to be cold and uncaring, Wolfwood's suspiciously handsy. This scene between him and Meryl would not have the same affectionate 'bickering siblings' vibe if he didn't insist on throwing his arm around her.

He's trying to mask it here by being annoying, but there's affection here. Not just emotionally, but through physical touch. Proximity too - guy's not adverse to getting up in people's faces to nick (ha) stuff.

And even at his most hostile and snappy, well, there's no strict reason why he has to get so close to Vash and grab him by the shirt like this:

But is it really a surprise that Wolfwood's like this? After all, the flashback with Livio shows that he was absolutely an affectionate and caring kid, even if edgy-teenager logic would have it utterly mortifying to admit out loud. The Eye of Michael can try to beat it out of him all they want, but a desire for closeness isn't something you can just remove from someone. It may end up muted, sure, but deep down it will always still be there.

TL;DR Wolfwood is absolutely secretly the biggest cuddlebug on this godforsaken planet and you can't convince me otherwise.

[spiderb00]

Fam out 2 - Sophia Laforteza

Sophia Laforteza X Reader 

Synopsis - Sophia still loves when you're caring, she REALLY loves it! 

Genre – Fluff, still a little suggestive at the end ;) 

a/n - Thank you anon who asked for this, I wasn't going to do second part but I loved it, so here it is <3  request

Part 1 Part 2

MAMA 2024 happened, the girls on stage, the bright lights, the well-executed choreography, the excitement, it all happened very fast. One moment the girls were on stage and the next Sophia was in your arms. The Filipino girl seemed happy and relieved that it was over, the comfort of your arms helped Sophia's breathing to calm down and everything seemed perfect.   

Until you hear unregulated breathing. But not like that one when you're just tired, no, that one looked different. Moving away from Sophia slightly, you can see a Yoonchae seemingly hyperventilating. And then it was like everything got a little murky. 

"Yoonchae, are you okay?" You said, your hand linked to Sophia's as you dragged the black-haired girl closer to the youngest.   

Panic set in when the younger girl didn't respond verbally, just looking at you with tears in her eyes. It seemed that Yoonchae's legs would give way at any moment, and that's exactly what happened. Your sixth sense helped hold the girl before her knees hit the ground. 

"CAN SOMEONE BRING A CHAIR, PLEASE!" You screamed.   

"There's a sofa in the dressing room, can you take it?" A staff member says as he points the way.    

You gently took Yoonchae in your arms, carrying it in bridal style. As you followed the staff, you could hear Sophia trying to calm the girls, who were coming quickly after you. 

"Yoonchae, dear, keep your eyes open, breathe with me, I'm here, okay. It's going to be okay." You repeated it like a mantra. 

"It's going to be okay," was what you kept repeating in your head, knowing that staying calm was best in this situation, because that way you had a better chance of calming Yoonchae down faster, and wouldn't leave the Kats in total panic.   

Laying Yoonchae on the couch, you asked someone to get some water, Megan quickly stepping up. Daniela tried to stay calm along with Lara, the two wondering if they could do something to calm the situation.  

"Yoonchae, here, I'm here. Breathe along with me, okay?" The younger girl shaking her head.   

Yoonchae tried to imitate the speed of your breathing, holding your hand, the younger girl looked into your eyes. Megan had handed the bottle of water to Sophia, who was now looking at the scene with a heavy heart.     

As Yoonchae's breathing calmed, everyone's nerves were lowered. Still holding your hand, Yoonchae drank water, receiving scratches on her head, from Sophia. Your girlfriend now looking at you, when your eyes met, you felt relieved, the comfort of knowing that you managed to handle the situation.   

As the leader of Katseye, sometimes Sophia was called to meetings and things like that, you didn't know much, but you knew that whenever Sophia came home, all she wanted was to sleep clinging to you.   

So today, you decided to go to the Kats' house to wait for your girlfriend to arrive, greeting the girls when you arrived and going to the room that Sophia shared with Yoonchae. You knocked before entering, even though Yoonchae was probably asleep. But the biggest surprise was when the younger girl opened the door.   

"Hey Yoonchae, I thought you were sleeping. I brought you some things." You said lifting the bag so the girl could see.   

"What did you bring?" She asked, dragging you inside.   

"Nothing much, just a few snacks." you said.  

Minutes later you and Yoonchae were lying in the younger one's bed, a movie Yoonchae chose playing on TV while you and the younger one devoured the snacks you had bought. 

When the door to the room was opened, none of you noticed. Sophia, who had finally arrived from a meeting, quickly got a warm heart watching the scene. The movie was still playing on television, but you and Yoonchae had been asleep for a long time. The younger girl's head resting on your shoulder, by this time Yoonchae had a blanket wrapped around herself, while you froze to death. The bag of snacks was almost empty, only one package of candy was closed, Sophia recognized that, they were her favorites.  

The Filipino girl wasted no time, taking a picture of you and Yoonchae and making a mental note to post later on her Instagram. Lightly kissing your cheek, Sophia went straight to the shower, she couldn't wait to join you two. 

Olivia Rodrigo's concert seemed like a dream for Sophia and Yoonchae. They were both extremely excited and even if you couldn't keep up with their excitement, it was great to see your favorite girls so happy.   

 Now, you've always been a calm person, few people had really seen a more aggressive side of you. Today, you didn't expect to be stressed, despite the huge queues and the large concentration of people in the same place, you were happy because Sophia and Yoonchae were happy. But now, you were no longer sure about it.   

Forgetting your wallet in the car seemed like a normal thing, at least boring, I mean, people forget things all the time. Leaving Sophia and Yoonchae in line, you quickly went to your car and grabbed your wallet, oh, how you wished you hadn't done that.   

As you walked closer to the girls, you can clearly see a guy hitting on Sophia. Normally this wouldn't make you so angry, but the fact that the guy was trying to hold Sophia against the wall made his blood boil. Getting closer you can hear Yoonchae say something, but all your decency was thrown into the air when you heard him reply "Shut up brat," while still holding Sophia to the wall with his arms. 

Coming up behind the guy, you can see the look of relief on your girlfriend's face, which soon turned to concern when you grabbed the guy by the back of the sweatshirt he was wearing.   

"Stay away from her, you fucking idiot." You said, holding on tight as the guy struggled.   

Looking at the boy's face for the first time, you can see how pathetic he looked. He was a little shorter than you and slightly taller than Sophia, he looked like he was about nineteen and had horrible bangs.   

"Sorry, please, I thought she was single." The boy said, it felt like he was about to start crying.   

"I said she had her girlfriend you idiot." Yoonchae said glancing at the boy.   

"And I told you to shut up!" The boy answered without thinking.   

"HEY!" By shifting the grip from the back to the front of the boy's sweatshirt, you pulled him up to your eye level. "You'll never talk to her like that again, do you understand?"  

The boy quickly shook his head. 

"Sorry, I'm sorry, I didn't know she was with you, please let me go."  

Not wanting to get in trouble with the security guards and also not wanting to ruin the girls' night even more, you let go of the boy with brutality, which made him trip and fall on his butt on the floor.   

"Get the hell out of here before I change my mind, you asshole."  

The boy ran away making you snort with such mediocrity.   

 "Wow, I had never seen that Yn side of you, it was always the calm Yn." Yoonchae said, while laughing.  

Sophia just looked at you with a smile.   

"Sometimes idiots make me mad." 

Finally you could enter the stadium to find your seats. With Yoonchae a little in front, without leaving your view, you felt Sophia grab your bicep as she leaned close to your ear.   

"That guy was an idiot, but I kind of enjoyed seeing you all mad..." The Filipino girl said as she bit her lower lip.   

"You liked it, did you?" you asked, seeing Sophia shake her head positively, knowing exactly where this was going.  

"I'll show you how much I enjoyed it when we get home."    

____________________________

damn, I have to stop making the endings always seem suggestive (I won't stop)

[baocean]

make up - jj maybank

(gif credit to @devilsmenu)

jjmaybank x kook!reader

summary: after jj hooked up with your best friend, you wrote both of them off. it’d been easy to ignore the both of them, until you came face to face with him.

warnings: sex baby, spitting, swearing

you were sure there was nothing more that you hated than jj maybank.

you never give into the stereotypes of pogues vs kooks, but you couldn’t help but despise that blond pogue.

sitting on a couch at the random house party with your friends, you weren’t even sure why kooks and pogues tried to party together, it never ended well.

sarah cameron walked by with john b, hand in hand, sarah’s free hand waving at you as they passed.

mya, maria, and alex sat with you, talking amongst themselves as you stared at him over your drink.

his blond hair was in his face, shaking back and forth as he laughed. he was talking to one of his friends.

like he knew you were looking at him, his eyes flicked over to you.

you rolled your own. adverting your attention back to your friends, trying so desperately to not look back at him.

but you were done with him, for good. after he got with your best friend, even though you both agreed you weren’t going to hook up with other people, you cut them both off.

the entire island knew you hated jj and that he hated you, but behind closed doors, the quiet sweet nothings and hours wrapped in his sheets told different stories.

he had called you close to a hundred times, texted you twice as much.

you were done. so, you wouldn’t look back at him.

jj hadn’t been there for more than an hour before he was getting into a fight with some kook.

you got up to see what the commotion was about, groaning when you saw jj lay a punch on the guys face. so typical of him.

and somehow, he found you in the crowd, smirking like crazy at you, right before he got hit again.

you didn’t even flinch, because you’ve seen this jj too many times to count. the no good, nasty side of jj.

he spit blood, laughing as he grabbed the guys head and brought his knee up to hit him again.

the kook went down, not getting back up right away. a few people ran to check on him, you just stared at jj.

the arrogant smirk on his face dropped when he saw the look on your face. you turned and walked away.

you headed up the stairs to the second floor, looking for a bathroom to get some space from everyone.

“sweetheart, where you going?” his voice insighted something close to rage in you, motivating you to keep walking.

“don’t ignore me.” his voice was closer, much more demanding now.

it was hard to, even if you had been doing it this past week. everytime he texted you or called you, you wanted to answer. but he hurt you, so you wouldn’t.

“fuck off, jj.” your voice was harsh as you opened a door, finding an empty bedroom, deeming it good enough.

“oh, don’t be like that, sweetheart.” he cooed, a laugh following. you knew he’d walk into the bedroom with you, closing and locking the door.

“can you not take a hint? i don’t want to fucking talk to you.” you finally turned, almost surprised to see the state of his face. there was blood coming from his nose, a bruise already forming on his cheek, more blood coming from his mouth.

“don’t care. i want to talk to you.” he shrugged.

“well, you look like shit. let me fix you up first.” you shot at him, hoping it would falter him.

of course, it didn’t, not much did. “my girl gonna take care of me? how sweet.” he was so bitter, but so addictive.

“i’m not your girl. get that into your head. just can’t stand looking at you.” you gave him a mean smile, huffing as you walked into the connected bathroom.

he followed you in, watching as you fumbled around with things under the sink, grabbing a cotton pad and running it under the water.

“come here.” you words were laced with annoyance.

this happened too often. it’d only been a week since jj hooked up with your now ex best friend. you were still familiar with this scene. him coming to you, covered in bruises or blood. whether it be from his father or some random kook. he’d come find you, you’d take care of him.

“so bossy. just the way i like it, sweetheart.” he tittered. you wished you had some sort of alcohol instead of water, to sting his wounds.

ignoring him, you dabbed off the blood from his mouth, wiped away off his nose.

“you hate me now?” his demeanor dropped, looking at you in the way he only looked at you when he was really upset.

“always have, especially now.” throwing away the cotton pad, you went to wash your hands.

“i’m sorry.” he sighed.

“you’re not, you just want to hook up with me.” turning back to him, you shook your head, then laughed.

“i do, i won’t fucking lie. but i am sorry. miss my favorite girl.” he reached up to play with the ends of your hair.

“oh, who’s your second favorite? pia?” you laugh at him.

“look, that was a mistake. really, i fucked up. i know.”

“glad you figured that out.” you pat his shoulder, heading out of the bathroom.

“sweetheart, please. give me one more chance. i won’t mess it up, i won’t.” jj grabbed your arm, pleading with you.

you sat there for a second, contemplating. you hated jj, but you missed him. you hated being alone these past few days, after being so familiar with calling jj over.

“fine.” you rolled your eyes, not letting jj’s celebration affect your features.

he pulled you into a hug, before quickly drawing back and kissing you.

his hand came up from your waist to your face, gently rubbing your check with his thumb.

“i missed you, sweetheart. went a whole week without talking to my favorite girl.” his hand on your cheek slowly wandered down to your neck.

“make it up to me then, maybank.” you bit at him.

that was the confirmation he needed, and you were on the guest bed almost immediately.

his lips kissed down your neck, down your collarbone and shoulder.

his fingers fumbled with the straps of your top and bra, pulling them down together. his lips connected with your nipple, sending you shooting foward.

his left hand rolled your other nipple between his fingers, looking up at him through his lashes.

that was almost enough right there, screwing your eyes shut from the feeling.

he left you, your eyes popping open as you groaned. “sweetheart, i will treat you so good after this but i’ve waited a week to fuck you.”

you rolled your eyes as his fingertips dipped under your waitband and pulled your shorts down.

his rough hands ran over your thighs, giving you shivers.

“god, been thinking about this for days.” jj groaned. you were about to let out a sarcastic comment, but were cut off by jj pushing into you, bottoming out.

your hand flung to his bicep, mouth wide open. he steadied his pace, rapid and hard. his hand hooked under your leg, pulling it up to give him a better angle.

it was all so much, feeling him everywhere, because he was everywhere.

his free hand grabbed your chin, your eyes opening just in time to watch jj spit into your mouth. he smiled, tapping your cheek as he continued his pace.

“fuck j, so good.” was all you could manage.

he brought his hand up to your hair, caressing your head and pushing back your hair. he always did this. something so sweet and gentle as he fucked you so hard it would hurt in the morning.

with some force and a whole lot of strength, you flipped the both of you over. jj looked surprised at first, before quickly falling back in and grabbing your tits as you rode him.

your hands were on his chest, riding him hard, focusing on pleasuring yourself, not caring about jj.

you hit your high, crashing on top of him as you came, not being able to hold yourself up.

“fuck fuck sweetheart i’m gonna cum.” jj’s eyes closed, a sour face falling onto his features.

“go ‘head baby.” you cooed, his hands tightening around your hips. he came inside you, his moans filling the room.

he twitched underneath you. you held each other for a moment, before jj flipped you over again.

he kissed down your chest, stomach, down to your legs.

“what are you doing?” you questioned, your hand sliding through his hair.

“i told you id make it up to you,” jj snickered, his hands pushing your thighs apart, “so let me make it up to you.”

[polargemini]

So I have a plot for a fic where Wade believes Peter Parker is experimenting on people (like on the comic) and this is like part of the scene when Wade attempts to kill him.

————

Wade doesn’t go right away after he shoots Parker. He stays there, right in front of him, seeing how his face morphs into a new expression. One full of affliction.

“W—“ Parker tries to say something. But his chest moves erratically, hindering any attempt to speak, and the bloods flows out of the injury, staining his lab coat.

He doesn’t have a lot of time left. That much is evident. He’s minutes away from dying, painfully, feeling each second the excruciating agony of the bullet near his heart — until it stops beating.

The fact that Wade isn’t taking the time to prolong this, to make Parker feel the same torment of the people who suffered at his hands, it’s a small courtesy to Spidey. Even if he never discovers that Parker was taking advantage of him, using him to cover his wicked purposes, Wade hopes that making it fast will make it better.

Because he isn’t supposed to be killing anyone. Less Spidey’s boss, the guy Spidey idolizes.

Wade had promised himself he wouldn’t kill again. Not after he changed. He was finally able to be someone different, someone worthy of being near Spidey. But after he found out Parker was behind the experiments, it was impossible to stand still and believe that Parker deserved a second chance. He’s probably throwing out the window all the progress of these few months.

But he has to do this.

Parker’s death will be fast — as fast as the bleed out takes — but he’s not leaving earth without suffering first. That’s why Wade aimed purposely to a spot near Parker’s heart and not directly at it.

He looks how Parker puts his hands around his chest, like he could somehow stop the bleeding just with that. What an idiot. For someone who is famous for being a scientist, he must be aware anything he does will be useless. There’s no going back.

And yet.

“W—“ Parker tries again.

He should be on the floor by now, but for some reason he keeps wanting to talk. It really is bothering Wade.

"Why? Are asking why? Gonna keep pretending til’ the end? You aren't fooling me, Parker. You know exactly what you did,” Wade snaps and Parker flinches at his words. Like they hurt more than the wound on his body.

"Wa—" Peter insists.

Wade grunts. “Is it wait now? C’mon, Parker. Not gonna spent my time trying to guess your last words. And if you’re really asking me to wait, think again. I bet they asked the same, and you—“

Wade groans, and then he aims the gun at Parker’s head, to his forehead. There’s no reason not to pull the trigger. Even if Wade spares him the pain ending things now, there’s no way for Parker to survive. He will accomplish what he came to do.

Wade analyzes the face behind the muzzle, and to his surprise, Parker doesn’t have the face of a murderer. There’s no guilt, not even a hint of anger for being discovered. Or that shame and sobbing that Wade has presence sometimes, when the people he had killed realized it was time to face the consequences of their actions.

If something, there's an indescribable pain in Parker’s eyes. He looks hurt, and it’s a different hurting, not the one he must be feeling from the bullet. It’s like he can’t understand why Wade did that to him. And not for the whole experimenting-on-people-matter. Nor the bullet matter. Its seems deeper, which doesn’t make sense.

Spidey talks a lot about Parker’s job, but Wade never got to meet him. Not until now. This is the first time they’re looking face to face. How should he take that expression? It’s feels personal, but there’s no way for it to be.

“Whatever,” Wade says as he holsters the gun. He isn’t wasting more bullets on this asshole. He turns his back, and walks away. He isn’t giving Parker the satisfaction of having someone to hear his last words — if he even manages to talk at some point.

All the time on his way out of the building, he tries to shake out of his head the look on those brown eyes.

[durgetavoc]

Yes I really want to know the horrors of the shit bucket. I’m quite surprised that he isn’t obsessed with cleanliness. He always struck me as the type but then again… I guess I’m wrong.

Oh god, here we go then.

SPOILERS FOR THE HOUSE OF HOPE

(CW for...The Shit Bucket Guy, obviously)

So, if we ever decide to go steal the Orphic Hammer, we can go visit The House of Hope, there, we obviously find Raphael's collection of artifacts, his eternal debtors, and one of them is… This guy.

You should know that all eternal debtors are condemned to a certain task/action. It's difficult to know if this has anything to do with their contract with Raphael, if it is a distortion of an already existing trait of their personality (for example, the Perfect Eternal Debtor, the Theologist Eternal Debtor or even the Voyeur Eternal Debtor) or if it's a way to completely dehumanize them (Loyal Eternal Debtor…My beloved :( ). It seems to be a mix of everything, that wouldn't be surprising if Raphael did what seemed most entertaining to him.

But let's focus on the Shit Bucket Guy, since he's the one that interested us today.

As our affectionate nickname for him indicates, we find him in front of a chamber pot with a visible green odorous cloud above it, which confirms us that it has been used (when you interact with the pot, here what the game says : "An overpowering stench singes your nostrils. Nothing good happened here."). The debtor doesn't appreciate us getting closer to it, and if we ask him if he is its guardian, this is what he answers:

His "name" in the game is "Unclean Eternal Debtor" and if you're taking a look at his face... Yeah, I guess he's not just guarding the pot. When we observe the animation of the character, he walks around the pot, makes a hand gesture to smell it, and that's it.

It has become a running joke in the fandom, particularly for us, little mouses. Those who have been to the House of Hope know about the Shit Bucket Guy... But nobody talks about him.

(Yeah I couldn't help it.)

It's not really surprising, the presence of the chamber pot, and not just any one, RAPHAEL'S, raises other questions. One might wonder if it's not a little OOC coming from someone like him.

Let's take advantage of this question to dig... A little deeper.

Here's, imo of course, why it's somehow relevant to show Raphael's chamber pot and what this tells us about him.

Shall we?

1. Don't be fooled by appearances, he POOPS like us!

Raphael. Raphael. Raphael who embodies sophistication, intellect and danger... Alluring and at the same time fearsome, a fascinating mix. Goddamnit, he's a suave motherfucker, and he fucking knows it.

In video games, it's part of the suspension of disbelief to not talk/show toilet, unless you're in a life simulation game like sims. It's not just taboo since it's one of the most private aspects of our life, but it's also... Not relevant to the intrigue most of the time.

Showing us something that intimate about him disintegrate his mysterious aura. We learnt that Raphaels shits. Yeah, absolutely astonishing. Reminding us that he's exactly at the same level as us. Like the title said, despite his charming manners, his eloquence, his theatrical gestures... He's still human, hells, part human.

2. In the Devil's house.

The first time we meet Raphael, he wastes no time in bringing us to his home, on his own terms. We only see one room, and this is what we see:

Luxurious place, lavish displays of food, ordered furniture... Promising, right? This is how Raphael wants to give as a first impression. I think this scene is perfect as a metaphor. Remember what Gale said? He's taking us to dinner! Like a date, he wants to impress us, seduce us.

But when we're back to this place during our improvised visit, what do we see?

Rotten food. Blood. Skeletons. Mess. Remind me of my room before I have to rush to clean everything because a friend comes over.

By choosing to enter Raphael's home, into his privacy, the game takes us on a tour of his home: we discover what is hidden behind Raphael's character. It is of course expected that we discover his secrets and/or aspects of his personality that he would not wish to reveal, at least not before we make a deal with him.

Haarlep, his incubus, also participates in this demystification. Through them, we can learn about Raphael's sexuality (I'll be quick on this since @bitethedevil did some really good analysis posts about it):

Raphael is only attracted to himself (hence Haarlep's appearance)

He is a bottom pillow prince

And he doesn't last in bed (a valuable information that can be used to anger Raphael later)

Once again, this is another very intimate aspect that is revealed to us. I'm sorry to say it, but Haarlep basically plays the same role as the chamber pot to accentuate the intimacy of the place and also to ridicule Raphael, thus revealing to us what he really is.

3. Raphael hates his father.

Our favorite cambion is having daddy issues, and the chamber pot seems like a nice response to the statue his dad gave him. It's a "blink and you'll miss it" kind of detail, but it's funny to point it out. Show don't tell as it's finest.

4. How bad it is to sell your soul to Raphael.

This one is easy... The Shit Bucket Guy is an example of Raphael's cruelty : "This is what could happen to you if you make a contract with Raphael."

Sure, it's funny because the whole thing is ridiculous: "Guardian of his chamber pot? Seriously?", but it's hard to really laugh at it if you take into account the other eternal debtors. The whole place is designed to make you uncomfortable, because it's not treated as a joke. They had a life, had to ask Raphael for help, and are now reduced to doing something degrading until the end of time. They don't even have a name anymore. They could be your Tav/Durge or your companions...

Suddenly, the temptation to make a contract with Raphael is less appealing after seeing all this, isn't it?

Conclusion : Now the question that burns our lips : What could this guy have done to him to be reduced to this? And why?

My first instinct when I met this character was to think, "oh boy, you must have really pissed off Raphael..." let's be honest, it's the kind of torture you could imagine to your worst enemy or at least a very annoying one.

It could be that, or maybe, mayyybe...

Remember Mephistopheles' statue?

What if Raphael was SO annoyed by this gift that he woke up one day thinking "fuck my dad, fuck his gift" and decided to literally shit on him by putting a chamber pot in front of this statue to express his thanks. And just like any narcissist/paranoid guy, he named a "guard" to be sure no one would spy on him through this (it sounds delirious, but again, we learn that Haarlep was send to distract Raphael, so why not?)

Sure, maybe Shit Bucket Guy annoyed Raphael in the past, but wouldn't that be kinda fucked up that this guy didn't do anything that would justify this treatment? He's just a dude, and Raphael is just a pissed-off daddy's boy (and a very mature one).

Or maybe, Raphael just thinks it's funny. And who are we to discuss a devil's sense of humor?

In any case, sorry Shit Bucket Guy, but it wasn't your lucky day.

PS: Hush, I can hear you wondering "do you think Raphael is scat???" and on this subject I would say: I don't think so, his narcissism is there after all, but he also seems really into humiliation. So maybe it's for the best we don't really know the answer to this question.

After all, only Haarlep can judge him (so the bar is already on the floor).

[saveyourblood]

Pretty Boy - Ch 5 (Buddie x Reader)

Summary: You can feel Buck staring. When your eyes meet his, you realize he’s staring at your hand, which is still on Eddie’s knee. You slowly retreat, which makes Buck turn his attention to your face. You smile softly. He just looks out the window. The one where you’re an advanced paramedic, Buck and Eddie are firefighters, and you think you might be in love with both of them.

Ch 1 | Ch 2 | Ch 3 | Ch 4

A/N: Me? Desperate for validation? It's more likely than you think Word Count: 3.8k Warnings: none

You make your way through more of the rubble, taking frequent breaks in an attempt to conserve your energy. It’s probably been less than an hour, but it feels like you’ve been trapped for days. You used most of your effort to free Russ, which proved futile, so now you’re simply exhausted.

At some point, you see a glimpse of light between two pieces of crumbled concrete. Using the blunt side of your axe, you begin chipping away at the space. More light begins to break through. The sight causes you to catch your second wind, and you begin swinging harder. Eventually, you make a hole big enough for you to crawl through.

You climb over some of the bigger pieces of the fallen structure and slip between others. You sneak between a few vehicles. You keep walking, though you aren’t sure what you’re looking for. Something in you gut is pulling you in this direction, and you have nothing else to go off of, so you’re going with it.

You hear a cough.

Your head snaps in the direction of the sound. You start moving so quickly that you stumble a little and have to slow yourself down so you don’t break an ankle. You shine your flashlight to the side. It lands on a little girl. She squints her eyes and lifts a hand to block out the brightness.

“Kat?” You ask.

She nods.

You laugh. You laugh with joy. You laugh with relief. You laugh until a few tears spring into your eyes. You cut yourself off—no way are you breaking down in front her. You’ve both come this far, and you’re going to see each other to the end. If you’re saving anyone today, it’s her.

You reach into the inner pocket of your jacket, eternally grateful that you took on the added weight. “You looking for this?”

It’s her shoe.

Kat smiles and nods again.

Kat’s tired, and so are you, but you carry her on your back anyway. You swear that, in the distance, you hear a car alarm, so that’s the direction you head in.

“What if we can’t get out?” Kat asks quietly.

“What? Hey, come on, don’t start talking like that now,” you gently scold. “We’ve already made it through the hard part!”

“I guess…” She says, unsure.

You hear the shifting of rubble, but only a little. You think you might hear voices, too. You take off in that direction.

Concrete shifts, and you see more light—a lot of light. Like, your headlamp times ten. You scramble towards it, ducking a little so as to not hurt Kat.

As the dust settles, you can make out at least ten firefighters standing around the scene. You can’t help but smile.

“Hello fellas,” You say, taking a few more steps forward.

A firefighter from a different crew helps Kat off of you. Your attention immediately focuses on two particular firefighters in front of you, both of which have ‘118’ on their caps.

“Welcome back,” Buck greets with a grin.

You laugh and stumble forward right into his arms. Once again, you find yourself holding back tears. You feel someone pat your back and leave his hand there, and you don’t have to look to know it’s Eddie.

You make it back to the triage area, Kat walking in front of you. The moment she sees her parents, she takes off running. On instinct, you jog behind her, but when you see her collapse into her parents’ arms, you stop and simply watch.

They look over at you and nod. You smile and nod back.

Hen insists on looking you over, testing everything from your range of motion to your vision. Even you surprise yourself a little when you pass with flying colors. Hen steals a quick hug before she gets back to work. You just sit there, dumbfounded. You’re exhausted, but you’re okay. You’re alive.

“Hey you,” Buck says, taking a seat next to you.

Somehow, that’s all it takes for the floodgates to break open.

“Woah, hey, come here,” Buck wraps an arm around your shoulders.

You wrap an arm around his waist and lean your head on his shoulder. You breathe out a few sobs but slowly quiet yourself. You can feel Buck’s lips pressed to the top of your head. You sit up straight, wiping your eyes. Buck keeps his arm around you.

“Sorry,” you whisper, shaking your head a little. “Just… rough day.”

“Russ?” Buck asks quietly.

You smile sadly and nod, a few more tears escaping in the process. “You know he wasn’t even scheduled to work? He just heard about everything and wanted to help. And now he’s dead. Because I couldn’t save him.”

“But you were there for him,” Buck points out, rubbing his hand up and down your arm. “Even if you couldn’t save him, you were there for him. He didn’t die alone. You did that.”

“Yeah, I guess. It just doesn’t feel like enough, you know?”

“Yeah, I know.”

You clear your throat a little. “When I was alone and thought you guys might not find me, I made recordings. I wanted the people I love to hear from me one last time. Can you guess how many I made?”

Buck just watches you. His expression is a mix of intrigue and sympathy.

“Five,” you answer, even though he doesn’t ask. “I made five recordings, one for each of you. That’s it.”

“What about your parents? Siblings?”

“My mom died when she gave birth to me,” you answer. “My dad fell into a bottle. I haven’t spoken to him since I moved away from home seven years ago. People tell me he changed after she died, but… that’s the only way I know him. It makes me feel like I got cheated out of both my parents instead of just one.”

The two of you sit in silence. It’s broken when you laugh.

“I don’t know why the hell I’m telling you all of this,” you chuckle as more tears form. “I guess I just need someone to know that… this job is quite literally my entire life. It’s my passion, my work, my home, and my family. Most of the time, I feel lucky. On days like today, though, it just… scares the hell out of me. Because I’m either gonna die doing what I love, or doing what I love will kill me. I don’t know which one’s worse.”

“I get that feeling,” Buck agrees softly. “I can’t think of anything else I’d rather do. I can’t think of anyone else I’d rather do it with, either.”

Once you all returned to the station, you hopped in the shower. When you got out, Buck was waiting for you in the locker room. He insisted on driving you home, making sure you were okay. When he told you, you rolled your eyes, but your heart swelled. The last thing you want to do is navigate LA traffic, so you accept his offer.

When you both started to leave, you noticed Eddie was making phone calls and texts. You learned that he was trying to find a ride to Christopher’s school; he hasn’t had the chance to buy a vehicle yet.

“Are you sure you’re okay with this?” Eddie asks again as you all get to the parking lot.

“Just get in the damn car, Eddie,” you say.

The ride is a little tense. Eddie touched base with some of the school staff, so he knows Christopher is okay, but it isn’t the same as seeing it for himself. He taps his phone against the car windowsill. You insisted on sitting in the back, and for good reason: you can already feel yourself dozing off.

Buck pulls over, and you look up to see you’ve arrived at the school. Almost before the car is in ‘park’, Eddie flings open the door and runs up the stairs. Christopher is standing in the front hall, a staff member off to the side. Eddie picks him up in a hug, spinning him around.

“They’re really cute,” you mutter, mostly to yourself.

Buck is too busy watching them to even register what you said.

Eddie thanks the staff member before opening the door for Chris. The two make their way back to the car, Christopher a little bit in front of Eddie. For a kid with crutches, he moves quickly; the poor kid is probably ready to go home.

Eddie opens the side door for his son, setting the crutches on the floor. With his father’s help, Christopher joins you in the backseat.

“Chris, these are my friends,” Eddie says, pointing at you and Buck as he introduces you both.

“It’s nice to meet you, Chris,” you smile.

“My dad talks about you. A lot,” Christopher says.

You giggle in surprise. “Does he, now?”

Even in the dark, you can see Eddie’s face get red. “‘You’ as in the 118,” he clarifies.

Buck shakes his head and laughs softly as he pulls away from the curb.

This might be the dumbest call you’ve ever been to, and that’s saying something.

A bunch of women decided to get drunk at 11:30 in the morning, and as a fun drunk activity, one of them stuck her head in a tailpipe. The only problem is she couldn’t get it out, so now it’s the LAFD’s problem. Medically, she’s clear, so you and Hen stand back and let the boys do their thing. Unfortunately, the drunk girl has drunk friends and said drunk friends are relentlessly hitting on Eddie and Buck.

“What are you so tense for?” Hen asks.

“I’m not.”

You both know it’s a lie. Until she said it, though, you didn’t realize that your jaw was clenched and your brow furrowed. You roll your shoulders and turn your neck a few times, hoping it relaxes your muscles.

The women are bothering you. And it’s really stupid and childish, especially considering that neither Buck nor Eddie is your boyfriend. They’re just your coworkers, so you have literally no right to get upset that women besides yourself find them attractive.

“I uh, I don’t think I’m what you’re looking for,” Eddie politely rejects one of them. “I have a son.”

“I’m gonna puke!” The woman says from inside the tailpipe.

“You better not!” One of her friends shouts. “These fire guys are totally hot.”

You can feel your jaw start to tense again.

After getting the woman free from the tailpipe, you all begin to make your way back to the engine. Buck and Eddie are a few steps in front of you. They’re trying to be discrete, but you make out every word.

“Hey, so is your son really the reason you don’t date?” Buck asks.

“That, and.. They weren’t my type,” Eddie shrugs.

“I’m talking in general,” Buck continues.

“It’s complicated when you have a kid.”

“Come on, that’s a weak excuse.”

The conversation is cut short when Eddie gets a phone call. He takes a few steps away while you and Buck linger behind. You don’t have to hear anything to see Eddie’s body language change. Buck sends you a knowing glance.

It’s about Christopher.

It’s always weird going past the ER of a hospital. It feels like you’re in forbidden territory, like you’ve stepped outside your bounds. The nice thing about having few family members is you barely have to cross the picket line.

You, Buck, and Eddie get off the elevator. Eddie is a few steps ahead and quickly sees his aunt in a nearby waiting area. They chat a little, and you can see that Christopher is standing near a few nurses, completely eating up the attention. It makes you smile.

Eddie’s aunt explains that it’s his grandmother who’s in the hospital—broken hip. When she was watching Christopher and called him inside, she slipped on a porch step. Christopher had to call 911.

“Who’s this with you?” His aunt asks, turning her attention to you and Buck.

“We work together,” Eddie explains after saying your names.

“Mmm, I thought you just dressed alike.”

“This is my Aunt Josefina—Pepa,” Eddie introduces.

“Hi,” you both say politely.

Pepa begins to lecture Eddie about leaving Christopher with his grandmother. You can tell Eddie feels bad, but you can also tell he has no other options. He dismisses himself from the conversation by meeting up with Christopher.

“Must be rough,” Buck remarks.

“Raising any child alone is rough,” Pepa agrees.

“Eddie’s a saint,” You praise.

Pepa smiles. It’s bittersweet. “I pray for him anyway.”

Christopher ends up spending some time at the station, and it’s one of the best shifts you’ve had in a long time. Eddie’s aunt was busy working when his shift started, and with his grandmother still in the hospital, he truly had nowhere else to take him. It was either bringing his son to work or calling in from work to watch his son. Eddie chose the former.

You’re able to take him on a simple MVC call with no suspected injuries. As you all work to free the drivers and passengers, Bobby explains everything to Christopher. He’s standing on the ground while Christopher stands on part of the firetruck, holding one of the rails for stability. Bobby has an arm around him for the same reason.

When you get back to the station, you make him a grilled cheese sandwich for lunch. He approves. Then, Chim swoops in and teaches him how to play pinball. At some point, all of you are standing around the firepole, helping Christopher slide down it.

Pepa shows up, and the fun is over. Before Eddie walks them out, he pulls Cap into a hug. You and Buck look at each other and smile.

“This was a really nice idea, Buck.”

“Eh, I figured we could all use a little stress relief,” Buck shrugs.

“Well, clearly Eddie appreciates it. I guess it really does take a village.”

Buck nods in response and begins to walk away.

“I’m thinking of going to nursing school,” you blurt out.

He turns back to face you. “What?”

You clear your throat. This wasn’t how you planned on telling him, just springing it on him in a random conversation. You knew that if you didn’t say something soon, he would hear it from someone else first. You definitely didn’t want that.

“You remember that conversation we had at breakfast a few weeks ago? You know, the one about what we’d be doing if we didn’t work at the 118?”

“You wanna be a nurse?” Buck frowns. “I mean, nurses are great; Maddie’s a nurse. Or, well, she was. You just… don’t seem the type.”

“Uh, yeah, I’ve kind of always been interested in flight nursing. You know, like, going up in a helicopter, responding to scene calls, that sort of thing,” you explain as you wring your hands.

“So that means you wouldn’t work here anymore.”

“That’s… a long ways down the line. Like, at least 18 months, probably closer to 2 years. Bobby said I could always stay on casually, pick up shifts whenever I want.”

“You already talked to Bobby,” Buck rubs his neck. “You must be pretty serious about this, then.”

“I guess,” you shrug. You’re trying to sound casual, but the thumping of your heart in your chest doesn’t cease.

Buck smiles. The expression doesn’t meet his eyes. “I hope everything works out the way you want it to.”

This time, he walks away for good, leaving you with a bitter taste on your tongue.

The 118 is called to a helicopter crash site. The pilot tried to make an emergency landing in a park football field but landed in the bleachers instead. After Buck pulls one of the victims from the scene, you do an assessment and quickly realize that, by some miracle, she’s completely fine.

Buck makes his way over to the two of you. “Hey, do me a favor and say ‘And on the 405, speeds are under five miles an hour, making your morning commute a rough one.’"

You look over at him with a raised eyebrow. “Seriously?”

“I-I know that voice. It's, uh, it's Taylor Kelly reporting, right? Skywitness News Eight,” Buck says, pointing back to the helicopter.

“That’s me,” Taylor says with a soft chuckle.

“Wow. Um, it's weird to hear that voice come out of a face.”

Taylor laughs again. “Thank you?”

They’re flirting. You clench your teeth together so hard you think your jaw might pop. You start randomly tossing supplies back into your bag, zip it up, and hop back into the rig before you can hear the end of the conversation.

The next time you see Taylor, she’s at the station. She doesn’t come alone, either—a man holding a television camera is a few steps behind her.

The first one to approach her is Buck, of course. Then Eddie, Chim, Hen, and finally, Bobby. You watch everything happen from the loft; there’s no way you’ll willingly engage in whatever conversation they’re having.

Bobby makes his way up the stairs.

“What’s all that about?” You ask as he walks by.

“Ms. Kelly wants to do a story on the 118,” Bobby says.

You frown. “Is she even allowed to film in here?”

“The chief’s office is on hold. Something tells me that we’ll be seeing quite a bit of her and her cameraman the next few days.”

Bobby’s already gone, but you still roll your eyes.

Taylor manages to track down everyone and get an interview: everyone except you and Captain Nash. She follows along on a few calls, on which you can mostly ignore her. It's much harder to ignore her when she corners you in the loft.

You’re eating breakfast alone at the kitchen island when Taylor bombards you, her cameraman beside her like always. She gives you a massive grin, and something about how it looks makes you nauseous.

“Can we have a few minutes with you?” She asks, still smiling.

“No,” you respond simply.

“...No?”

“No,” you repeat, taking a sip of your coffee. It’s cold.

“Look, I know this is probably a little awkward and uncomfortable-”

“It’s not,” you interrupt as you stand. “I just don’t want to talk to you.”

You head towards the coffee pot to warm your cup. You refill it and take a sip as you lean against the counter. Taylor just stares at you.

“I want you to know I only have one goal here: to tell a story. Your story,” Taylor says, forcing the smile back on her face.

“Oh, really?” You ask, setting your coffee on the counter behind you. You push off of the counter so you can approach Taylor. “And uh, how much money do you think you can make telling my story?”

“Excuse me?”

“That’s what this about, right?” you challenge. “You have a chance to change the trajectory of your career. You can go from the girl who talks about traffic to the woman who sheds a light on the unsung heroes. You’d be stupid not to jump on that opportunity.”

Taylor looks at you. “I suppose.”

“And I would be stupid if I actually believed you have good intentions,” you continue, “because you don’t give a damn about us. You don’t care about the 118 or what we do everyday—you care about yourself. So no, I don’t have a minute and I don’t want to talk to you.”

“You missed the show.”

You open your locker with a huff. You shrug as you pick up your shoes. “Bummer.”

“You were barely in it,” Buck continues. “Something tells me that wasn’t exactly an accident.”

You take a seat on the bench so you can change your shoes. “What makes you say that?”

The only sound in the room is you kicking off your boots and slipping into your converse. You begin tying the laces, then pause.

You look over your shoulder at Buck. “You talked to her, didn’t you?”

Buck looks everywhere but your face.

“You know what I said to her,” you say. It isn’t even a question: you can tell by how he’s acting.

“I just don’t understand why you were so rude to her.”

“Oh my god, seriously, Buck?!” you say, standing up to face him. “Her?!”

He crosses his arms. “What does that mean?”

You scoff and shake your head. “It means you haven’t changed at all.”

“What?”

You pick up your boots and toss them in your locker, which you slam shut. “You heard me.”

“That’s not fair,” he argues, moving his hands to his pockets.

“It’s not?” You ask, cocking your head. “I’m pretty sure a few months ago, you were sleeping with whatever woman fell for the whole ‘hero’ act. So how exactly have you changed?”

“Why are you so pissed at me?” Buck asks defensively. “I mean, it’s not like you care enough to stick around.”

Your heart drops into your stomach. “How dare you throw that in my face.”

“Am I wrong?”

“You’re wrong,” you confirm, stepping towards him. “Not that it’s any of your goddamn business, but I haven’t even applied to anything.”

“If it’s not my business, then why’d you make it my business?” Buck provokes. “Why’d you even tell me?”

“Because I thought you were my friend!” you shout. “I thought you would be happy for me!”

“Be happy that you want to leave?”

“Be happy that I want more for myself!”

“Well, I’m not happy,” Buck says, crossing his arms again. “You say that we’re your family, and then a few weeks later, you’re talking about other jobs. I mean, was that just a bunch of bullshit?”

You scoff again, and this time, angry tears fill your eyes. “Fuck you, Evan.”

“Yeah, whatever,” he says, turning to the door.

There are a million things you want to say. But then, you remember: you’ve already said them.

You reach into your pocket and come back with your phone. As Buck walks away, you hit the ‘play’ button on a recording you never wanted to listen to.

'Pretty Boy,' your voice in the recording crackles.

Buck stops and turns around.

'Evan Buckley… where do I even start with you? I’m not gonna lie: I really didn’t like you when we first met. And that’s funny, because now, you’re probably one of the most important people in my life. You definitely proved me wrong, man: you were good. You are good. And you have to keep being good, okay? I might not be there to see it anymore, but you should still do it. Do it for the both of us, will ya?'

You hit the ‘pause’ button and stuff your phone back into your pocket.

“You can be pissed at me all you want, but don’t you ever say that I don’t care about this job,” you whisper as you walk towards him. You poke a finger into his chest. “Don’t ever say that I don’t care about you.”

“I-”

Your shoulder slams into his as you walk out.

[theoddest1]

Okay so, ima type in what I typed to my friend here.

"Yeah Ima be so dead ass. ||Mel and Ekko carried the final for me, ESPECIALLY Ekko."

Yeah, they should have just kept [Viktor] being Ryze. That made more sense to me than whatever this is. And I am all for mlm rep, but yeah, this felt WAY too, Jayvikky. I liked it better that they were brothers to parallel Vander and Silco, who also found each other and became bros, but it seemed like they went with how popular JayVik was and stuck with it. And Jayce being strung with Viktor for wherever they went felt...kinda nonsensical. I'd rather that Viktor was thwarted and too far gone to then just suddenly have a change of heart and go with Jayce. I imagined that he would have a contingency where he, incase his body was destroyed, would then later rise again to try and enact "Glorious Evolution". It would go well with the themes of his beliefs anyway because every time he dies, he comes back stronger in a new body. I feel like that would better set the ongoing conflict and fit well with the game and why he looks the way he does currently.

I also don't like how quick he and Mel's reunion was considering how much he favored her along with his odd and sudden dislike for her decisions-- Seriously, where did that even come from!?"

[Thought it over further. Him calling her out on her actions isn't the issue. It's the timing and how this transpires that confuses me. He just came from a post-apocalyptic world where Mel, Viktor, and everything else came to mind. The lack of time for them to truly talk made the scene felt out of nowhere and not at all fleshed out. He goes on to place part of the blame on her when literally it wasn't. She DID manipulate but only politically. Everything else was on he and Viktor. Then, when he DOES confront Viktor, the vibes are different. Viktor hurt and caused a chain of events that led to several lives being taken to ensure survival and his "Glorious Evolution", why is this essentially overlooked? Maybe when I review this again, it will make more sense, but as of now, the way Jayce treats both Mel and Viktor is VERY questionable.]

"I would have been pretty happy if He at least gave her a hug, a kiss, something to make their relationship seem consistent with what we were shown. I know that he's been gone for a while and a lot more cold, but this was a very odd direction to go with. I am super happy about Cait and Mel fighting side by side and that Mel may be the main character for a new Noxus related show! [Which I knew they'd set up!] but this series, after seeing it in its entirety, DID suffer too much from the pacing issues. I assumed at the First Act that it was quick paced to go with how they've all been shifted into places they didn't see coming, but the pacing issues continued to bring down the quality. 3 seasons would have made way more sense and would go well with the 3 ACT formula they had used. I hope they learn from this and refrain from making similar mistakes.

[I responded to my friend who posted these images above] I knew they'd make a callback to this line eventually, and I am genuinely surprised people are not catching this obvious set up to Jinx living. Also, I am betting that Heimer did "die" but only that alternate version of himself. [Though obviously I could be wrong, though a life of various lifetimes where he helps each version of the main cast sounds very Heimerdinger of him, especially since he didn't wanna leave.]

The biggest letdown for me has to be Jayce and Viktor's story. It just...doesn't make sense with what we have been shown. Also, if Viktor KNOWS bad shit would happen when bringing Hextech to life and all, why TF would he give it to Jayce then???? Or if he STILL wanted magic to be tampered with shy doesn't he comvince himself in a way HE KNOWS would prevent what happens next, surely NOT EVERY timeline has it where you continue on the path of destruction! You see what I mean!?!? Leave the time crap to Ekko, man. This new inclusion makes no sense! And he does this in VARIOUS timeliness for some reason. Man, I wish it was just a random ass mage or Ryze, this added stuff kinda kills the finale for me🫠

I feel that making Viktor time travel ruins a huge aspect of the story, ngl, especially when Jayce argues that people can "craft their own path." The story also shouldn't have ended with what I could only assume both of them "dying" or traversing time instead. Also, the way Sky was treated and essentially replaced with Jayce feels....very very weeeeird."

[I believe that the ending just didn't land that well. I feel, now thinking over every character, Ekko, Mel, and Jinx carried this season HEAVY. These 3 were the most interesting parts of the season, honorable mention being Singed cause he be doing what he MUST. Also, what was the point of introducing Loris if all he was gonna end up being was a random guy who reminded Vi of Vander? I guess nothing is wrong with this, but when you're already stringing for time, these inclusions make no sense... I liked him, though, RIP Loris🤧. Oh, and Caut barely facing consequences is KINDA CRAZY but it goes with the themes of forgiveness/ acceptance. The Cycle would never end, after all, but yeah Vi and Cait made up WAY too fast and just shows that this needed another season. Let me know your thoughts!]

[vidavalor]

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.