#but so far that part of his character doesnt seem to be particularly important

[lisandyk]

(IDs in alt text)

honestly i have no excuse for this

[iikisa]

part 1

so. this is part one of a red dragon!krs fic ive been building up… this first chapter doesnt really have much much interesting scenes as of right now, and I’d love love love the input from everyone on how to continue, ideas for characters, and if theres anything i should consider changing!! that doesnt mean that i’ll be changing everything according to commenters, but i’d value all opinions to help build this plot 🥲

I’ve already finished around 3 similar length chapters and recently got stuck, so think of these posts as drafts and final revisions will probably go officially on AO3. thanks everyone 🤪

———

Oh, Pitiful Dragon (1)

-

Ever since his birth, the child longed for death. If it could take away his pain and grant his freedom, he’d trade anything he had so scarce of already. And on a particularly horrible day— the day that terrible man decided he would rip out his heart and use it for evil— the little child met a god.

The God of Death.

He thought it was ironic, seeing how soon his own demise was due soon. But this God didn’t come to reap his death, rather it came to propose a deal.

And the red dragon would accept any deal to be free of this pitiful life.

-

Kim Roksoo awoke suddenly from his slumber. His vision was black and only began to adjust to his blurred version after continuous blinking. Why was it so dark? And how had he fallen asleep? He was just finishing Volume 5 of The Birth of a Hero series and now— wait, are those chains?!

His eyes blew open and his vision was finally adjusted to the pitch darkness that surrounded him. He tried to stand but winced when pain spiked all across his body. Only then did he realize just how badly injured he was. Why was he so weak? Had someone kidnapped and beat him to a pulp?! He was completely blinded by the inexplicable pain that he hadn’t realized something much more important. No— wait, pain is important! It’s definitely concerning! But… why was his whole body covered in crimson scales?

‘Oh geez, well isn’t this new.’

Shortly after he had that thought he passed out from exhaustion and shock.

-

When Kim Roksoo woke again, he was practically being strangled. He quickly gasped for air and focused in on his current situation. He was being held up tightly by a metal collar on his (very, very sore) neck by some strange man in front of him. His hair was a long, spiky mess of blond and didn’t look very well-maintained. But his eyes… they were bloodshot red and had a crazed glint to them.

‘Crazy bastard…!’

Roksoo’s breathing was beginning to strain more and more, and suddenly he felt something prick beneath his scales painfully. He looked down and saw a clear tube running from his body all the way through an open passageway not so far from him. His blood began flowing through it.

‘Blood— They’re.. taking my blood?’

His thoughts were becoming even more incoherent by the second but after securing the clear tube into the little red dragon, the crazed man dropped him to the floor.

“You’re blood is so pure and vibrant, it’s so beautiful.. just like the color of your scales! It will definitely aid our liege and his cause. Haha!”

All Roksoo could think of was how crazy this lunatic was. He was still heavily panting, because honestly when was he not at this point, but thankfully he hadn’t passed out again. Instead, he glared with all his being towards the crazy bastard standing above him. Unfortunately, it only seemed to excite the lunatic even more.

“Maybe I really should visit you more. That look in your eyes gives me chills!”

Mumbling to himself, the psycho soon left the room through the very passage his blood was being drawn towards, and Roksoo was left alone; unprotected and cold. He hated feeling this way. These people didn’t seem to want him alive for so long, considering his “luxury” treatment. He was going to miserably die at their hands sooner or later. And he was too weak to do anything about it.

His eyes suddenly flashed with memories— no, records— of his fight with the second unranked monster to plague Korea. Lee Soohyuk and Choi Jungsoo… he had let them die. It was his fault and he knew it. It was something he’d regret for the rest of his life. But… they had told him to keep living. To keep living for them. He couldn’t die. It didn’t matter how he got into this situation. He’d rather crawl in shit than die this pathetically. He’d survive his new predicament— this new life that’s been granted to him. He’d survive.

He’d definitely survive to smack these bastards in the back one day.

-

Roksoo had spent weeks in that dark hell. His blood continued to flow from his body to somewhere unknown, he was paid violent visits by that lunatic, and he got weaker and weaker because of it. But his will didn’t waver for a second. Whenever someone came in to check on him, he’d mark it in his mind every time. Soon enough, he learned their patterns and found openings. He finally had a plan to escape this hell, no matter how many holes there were.. it was a chance.

With his limited information, there was only so far he could get, but somewhere deep inside him, he knew he’d manage. So, he followed his instincts. The minute his opening came, he used all the strength he had gathered and focused.

‘Concentrate. Concentrate on that feeling you’ve been accumulating, Roksoo!’

Suddenly, Roksoo felt as if he’d achieved some sort of enlightenment like the ones described in murim stories. He felt an overwhelming warmth spread throughout his body and a rush of adrenaline pumped through his veins exponentially. This power… He didn’t know where it had suddenly manifested from, but he was sure now. He could get out of here using it. His mind and body began working beyond their limits, and eventually everything around him felt like it was moving at a snails pace.

‘Instant..?’

His second ability from his past life, Instant. Time would seize and he could move freely for a short while. With a heavy cost on his body of course.

‘But this… it’s similar to instant, but it’s not completely it. I think— No, I can definitely handle this much better than what I’ve been able to before in Korea.’

His new body must’ve integrated Instant into another power. And this new power was about to help him escape. A small smirk graced his torn and bloodied face. Perfect.

Shackles that were tying his limbs down shattered beneath the little dragon’s feet in the blink of an eye, and in a literal instant he was darting across the passage with his slashed and scarred limbs.

‘Keep going. I have to keep going and get out of here!’

He was sprinting through the corridors, and if anybody had looked his way all they would’ve seen was a long, red blur. A bright light was beginning to seep in between the cracks in the ceiling of the dark man-made cave he was confined in.

‘Screw the consequences, we’re blasting through!’

With incredible speed, Roksoo was right beneath the seeping cracks of light and expanded his unused wings for the first time. His wingspan barely fit within the wide corridor as he spread them out and up, blasting off from his spot on the ground and flying like a rocket towards the ceiling. He was making it out.

Just as he impacted and the dust and debris had shot up everywhere, he spotted a few individuals standing far off in the sunlight. The most notable was a red haired main of fairly tall stature completely frozen in place by Roksoo’s sudden escapade. He wore a strange white mask over his upper face, his eyes a bright red with hints of brown. The person looked far to similar to Roksoo. His prominent crimson red and his own piercing reddish-brown eyes. They would’ve looked entirely the same if it weren’t for Roksoo’s current form.

He only locked eyes with the man for a split second, and continued shooting up into the sky. He began to hear shouts and alarms blaring within his vicinity. He had been encaged in a mountain with a large encampment stealthily surrounding it. He’d remember this exact spot.

Massive fireballs and arrows began piercing the sky in an attempt to bring Roksoo down, but he clumsily maneuvered around each and just barely grazed a few on his crimson scales. Suddenly, a blinding white spear had crossed his vision. And before he knew it, another had pierced right through his wing, tearing it open a considerable amount. Roksoo stifled the cry of pain that threatened escaping his lips, and instead gritted his teeth and continued to fly towards any kind of safety. Anything other than here will be safe, he just needs to lose these bastards first. The adrenaline rush he had originally received numbed all the pain in his body, but he knew that wouldn’t last with his current levels. He had to make use of every last bit of this power that he had in him.

He flew over an ocean and kept flying as far away as he could. Eventually he reached the mainland. The forest underneath him was dark and vast, a perfect hiding spot. He glides over the tree-line and with his remaining strength he just barely managed a suitable landing right by a flowing river. His landing was a little on the rough side and he was still so sore, but… he had finally made it out. He was successful. Now, he could truly live a slacker life! Wait— he still needs to get back at the bastards who had tortured him in the first place. Ah.. he also needs to secure enough funds for his slacker life as well.

Sigh.

Roksoo had much to do before he got to live a peaceful life.

‘But first, let’s just lay here a little while longer…’

Roksoo succumbed to his exhaustion and pain, entering a deep slumber.

———

THANKS FOR READING to the end !! please let me know ur input, things i could change, add, etc, i lack a lot in this field and value ur feedback ! 😋

[pandashr00m]

One problem I've always had with zombie apocalypse media particularly from 10~ years ago, is that it's always during the set in the same initial outbreak, and is always about how humans 'are the real monsters'.

Of course bad people will always be present in any society, that much is a given. But when that is the majority of the types of stories in a genre, the audience will only learn the lesson that; 'once things go bad, there's no coming back'.

Especially, after living through a pandemic (so far), growing up in a wolrd with a climate catastrophe, and the now almost ignored threat of nuclear holocaust, the stories that have really gotten through to me are the ones that cut past despair. Stories about people surviving isolation, loss, societal collapse, yet still living in hope, no matter how hopeless the situation may seem they find a way to rebuild and live better lives.

Something about having anxiety and being really trapped inside the internet these past 2 years, has really caused me a sense of doom about the world but, its these tales that are the only thing I feel, that actually recognize the fears I have and reassure me that things can be better.

And most zombie stuff doesnt do this!

Zombie apocalypse stuff is all about guns and murder and lootin', and how bad people can be -which again, isn't inherently a 'wrong' but, too often those types of story just leave you feeling shitty, with no resolution or way out. It's just despair porn.

I personally, would really love to see zombie apocalypse media that follows characters you wouldn't usually see depicted as survivors i.e, those with disabilities, the homeless, and very socially oriented uplifting people. Because not everyone can survive solo or in a small family unit, some people need a stationary base of operations and, everyone NEEDS friends and family in the apocalypse. Usually, encampments of people trying rebuild society in the genre are a very pessimistic look at parts of our current societies.

I've seen teen oriented zombie stories where zombie factions are based off of stereotypical high school cliches, where focal character will be a socially avoidant gamer, and everyone but his party as a 'bad' way of forming groups. Whether it be jocks, band kids, teachers, other less cool nerds, -all of then can't compare to the mc and his close knit band. The problem here lies with authors writing characters that reflect their introverted ways of forming friendships and neglecting the benefits of other organisations of social connection.

For sure, the 6 or less group of survivors with the main character will have an easier time moving around and being sneaky but, the encampment of survivors in the hundreds has better odds of weathering zombies until they decay and stop being a threat, and surviving after the initial outbreak.

Raiding stores and warehouses will help at the start but eventually you'll need your own renewable food source after all the canned beans run out. At which point the main character will have to settle somewhere to get them sorted, but the encampment just down the river has a head start in that department!

Its not like these clustering of people are not immune to hubris being their downfall or a broken fence but, in disaster stories it is important to show humans being good to each other, coming together to compliment each others strengths, and surviving the initial threat. All roads of human organisation lead to the formations of society, it is especially important with tales of those societies 'collapsing', to show what the fundamentals of why we band together in the first place.

Imagine if rather than shows and books about a white man raiding walmarts and shooting anyone he wants, they were replaced with optimistic stories about the value of working together when fear might urge a 'every man for himself' mentality.

I think that would've helped our sort of global reaction to the covid pandemic, so many of us where scared for ourselves only and where quick to drop the safety of others for our own comfort. Having these types of stories are important and respectable because they give us the strength and understanding to face specific types of adversity that we might never had thought we'd face.

Individually, but somewhat unrelated, there where to books that helped me out during this time. With my mental health struggles and emotions about the pandemic. They were "year of wonders" by Geraldine Brooks. A story about an English town that volunatarily self isolates when the black death appears. And Vinland Saga by Makoto Yukimura a story initially about revenge and war and then about, redemption and building a better life for those you love.

[weirdmageddon]

five years too late let’s analyze this. the commentary has gotten me back into gravity falls reigniting thoughts and insights i came to years ago

i love everything about this commentary in general it hits the points of humor, genuine analysis of the characters, but most of all im so glad hirsch addressed that the droid not detecting any fear from dipper here doesnt make any scientific sense because that was a massive CinemaSins moment for me

IDK the fact that dipper can fucking stand after an airship crash because theres a bigger threat at hand is literally one of the defining capabilities owed to adrenaline lol...... IM SORRY im a biopsychology student if i dont point that out iwill seethe and die because that was just . its a grudge ive held for a long time about this episode but didnt rant about because it was something so minor and i’m sure nobody would care.

i was 13 when this episode came out and i’m almost 19 now, i had a special interest in biology and i still do but now i’m actually having college classes in biopsychology so i can give my arguments more oomph now. and i have to say, now that i know more about the brain and autonomic nervous system the more this scene bugs me, if that was even possible. and it says a lot of dipper and ford’s relationship.

if dipper clearly wasnt calm before, why would he be now just because he’s put up an outwardly confident facade? before he was in the flight but now hes in the fight. my boy just rode on top of a spaceship by nothing but a magnet gun that could detach at any time if it failed and then the ship crashed, he sustained injuries, is in emotional turmoil because he thinks his uncle is Fucking Dead and the threat of a security droid that detects adrenaline is on his tail and produces a Big Fucking Gun in response to dipper saying “i hAvE a MaGNeT gUn” and hes screaming and has his teeth clenched but sure there’s no adrenaline coursing through his body in that moment i can totally believe that

when dipper asks what happened, ford says “the orb didn’t detect any chemical signs of fear, it assumed the threat was neutralized and self-disassembled” but i don’t think measuring someone’s heartbeat alone is particularly relevant in detecting ... chemical signs of fear?? they dont really tell you this shit but noradrenaline (and maybe adrenaline too if the acetylcholine from sympathetic outflow always activates the adrenal medulla??, theres two pathways) is always active in small quantities to make sure your parasympathetic nervous system doesnt slow your heart to dangerous levels on its own, regardless of your emotions. it’s just a homeostatic mechanism. your sympathetic and parasympathetic nervous systems are CONSTANTLY modulating control of your organs on a see-saw, literally with every breath you take. simply standing upright causes specialized mechanoreceptor neurons in blood vessels to signal your brain to project signals to release catecholamines via the sympathetic nervous system to constrict your blood vessels so that blood is able to reach your brain and not pool in your legs. i have a deficiency in my body’s ability to adapt to this which is why i know so much about it. if i stand up my heart races to compensate. i’m not feeling fear, my body is just adjusting—albeit grossly and incompetently lol.

but what im saying here is that the security system is flawed. it’s a cool idea to have security droids detect fear, but in practice by detecting adrenaline, and not even directly by detecting the molecule itself—it’s done in a roundabout way by reading the heartbeat, could be a recipe for false alarms. like what if someone’s on beta-blockers. that’s not really an adequate way to measure “fear”; there’s so many variables that could interfere with the measurement the farther you abstract from what you’re really trying to detect. and besides, adrenaline is NOT just a sign of fear, it’s just for preparing the body for action. i know the sympathetic nervous system and adrenaline is constantly linked with the “fight-or-flight” reaponse to a stressor, but 99.9% of the time the sympathetic nervous system is used in your life is to balance out your parasympathetic nervous system to maintain homeostatic equilibrium for mundane things.

i think detecting amygdalar activation would be more efficient in detecting fear. the amygdala sends projections to the hypothalamus which then in turn modulates the autonomic nervous systems. but the amygdala is intensely activated specifically in response to a fear-inducing stimulus (it does activate in response to other emotions but they’re mostly negative and is most activated by startle and fear), and wouldnt be highly activated by many other confounding variables like measurement of the heartbeat could be. the amygala is one of the first stops directly from external stimuli.

to show you how integrated the amygdala is as the first step in registering fear after receiving input from sensory stimuli let’s look at the auditory-amygdala connection for example

see how the auditory thalamus projects to the primary auditory cortex and auditory association cortex? the cortex is where conscious awareness of what the stimuli is comes from. this is the “high road”. it goes sensing -> perception -> emotional response. but sometimes you can be startled without even processing what it is you’re sensing, like the startle response of an alarm or a phone ringing in a quiet house before you even register what it is. this goes sensing -> emotional response, without perception happening until after you’ve already felt the startle. that’s when it takes the “low road”. here’s a simplified version:

even if that were the case with these droids though it’s obvious dipper is still fearful on some level here. his body language, voice, expressions all give it away. for the amygdala, aggression isnt too off from fear so it would be detected equally.

the reason this is so important is because ford uses this as evidence for why dipper is special, “i did it?” “you did it. this is what i was talking about, how many 12 year olds do you think are capable of doing what you’ve just done?”

but like....did he really? i’m not saying this to shoot dipper down or make him out to be more of a wuss, he was incredibly strong-willed here and i dont want to take that away from him because it WAS growth on his part. but the underlying psychophysiological reactions of aggression and fear shouldn’t be that different and this was a total asspull. maybe the droid was so old that it fucked up. maybe dipper being covered in grime and dirt made it harder for the droid to measure the correct heart rate through photoplethysmography (im assuming since they use a camera and are non-contact).

and in all honesty everything i just said brings into question the interpersonal healthiness of ford’s judgements, what he thinks, his expectations, and how he communicates that. in this video alex already talks about how ford is projecting onto dipper. and i think ford may be projecting his expectations for himself onto people who are not him, and the fact that it’s on dipper here makes it far more unfortunate. you realize how much this boy idolizes ford, right? how much impressions matter? dipper even tells himself before he leaves in this same episode, “all right dipper, this is your first big mission with great uncle ford. don’t mess this up.”

even though it’s unstated, the implicit message dipper is perceiving from ford based on their dynamic is: “do you have what it takes for me to be proud of you?” and to accomplish this he must be like ford, even though he’s clearly not and he knows this. he says “i don’t think have what it takes. i was tricked by bill, i was wrong about stan’s portal, heck, i can’t even operate this magnet gun right.” then, by simple chance without even knowing what he did, he activates the magnet gun and pulls out the adhesive, which immediately takes the focus away from what dipper was telling ford about his feelings of inadequacy to ford saying, “yes! dipper, you found the adhesive!”

these thoughts of dipper’s hang in the air without resolve or comment from ford. we don’t know what ford would have said. but it then becomes painfully self-evident in the scene immediately after when the droids emerge and ford tells dipper, “they’re security droids and they detect adrenaline. you simply have to not feel any fear and they won’t see you”, to which dipper replies with an exasperated (and rightful) “WHAT?”

dipper goes in a panic trying to indirectly tell his uncle that this isn’t something he can do. and he is completely right and valid to be freaked out by that full stop. that IS crazy. you can’t control your fear. you can control how you interpret that fear in your higher brain regions but the physiological changes will stick around for longer than it takes to cognitively calm down. it’s easy for me to detach from my emotions to analyze them, but being able to do this does not come naturally for everyone. even i have an irrational fear of wasps and i can’t control it by detaching myself, my body is just automatically primed to get the fuck out of there. i know it’s stupid and i know it’s irrational and isn’t helpful to get myself worked up but i literally can’t stop how my body reacts no matter how i cognitively think about it. expecting composure from dipper in a situation like this when he’s being made to consciously be aware of his anxiety is absolutely fucking insane. look what you did, placing these cruel expectations on him, now he’s afraid of being afraid! this isn’t a case where two wrongs cancel out, they just stack on top of each other.

there’s a good reason these scenes were put side by side but it seems up until now it had remained unanalyzed.

what dipper fears from ford is disappointment. not living up to his uncle’s (quite frankly badly placed) expectations for a twelve year old with anxiety. not once did ford say or subliminally communicate “i don’t expect you to be able to do what i can since you are not as experienced as i am and that’s perfectly okay, no judgements”. you don’t put a child on bike before training wheels. you don’t throw a kid into a swimming pool without giving them swimming lessons. the way ford is doing it, there’s no room for trial and error or mistakes that are an opportunity to grow and learn; instead, it’s life or death. he only seems to pride dipper on what he can do while ignoring the underlying struggles that plague him and never making it known it’s okay for dipper to fail in front of his hero and that he won’t think anything less of him for it.

and that’s why i found the ending scene for dipper and ford’s adventure in this episode to feel so.. wrong. on a scientific and social level. because by the sound of it ford focused more on what dipper had done to dismantle the droid (the droid not detecting any fear) instead of how dipper displayed love and protection for him even if he was truly afraid. what if the science was accurate and the droid detected adrenaline while dipper was confidently standing up for his uncle. would ford still be proud of him regardless?

[constellaj]

16

Please talk more about your reboot!

16: If you could change anything in the show, what would you change?

okay so how i would re-do CANON is completely different from how i would talk abt a reboot so im gonna touch on a couple things in both contexts! the reason for the difference is canon rewrites imply i can go back in time and introduce dp fresh and new, before anyone knows what it is; but for a reboot, id be working with an audience that has a better understanding of the source material, so i dont need to spend as much time explaining, but i also need to keep everything recognizable

Valerie

REWRITE: i would def make it more danny's fault that her dad lost his job, like danny was intentionally being reckless and shattered some security stuff, and he has a whole mini lesson about learning to not just run in guns blazing. i would probably remove the dating stuff with her and danny (and tuckers crush) too, I think them wanting to be good friends is good enough for freshman year

REBOOT: the fandom already knows valerie exists, so i would actually skip the whole shades-of-gray introductory episode and have her be present as the huntress from day 1-- probably even before danny got his powers. cujo is also HER dog, and her backstory-- we'd find out in like, season 1, that a natural ghost portal (maybe one wulf opened) ripped open on her dog and killed him, and since then shes had a vendetta against ghosts cause of how reckless they are and their disregard for life-- of course, cujo isnt actually dead. cujo is a halfa. a puby halfa. anyway instead of a hoverboard she actually rides cujo around cause he can fly and its big and epic. valerie has BEEN amity parks ghost-eradicating superhero for at least a year (tho shes been in the shadows abt it) and her hatred towards danny actually just becomes really petty, like them flying next to each other chasing skulker just going "I got this. no I got this. no I got this" and they just get in each others' way and its a mutual grudge.

BOTH: i am NOT keeping in vlad giving her the suit to watch danny under any circumstances. it was only utilized half assedly in canon (when vlad couldve just had an invisible duplicate watching him instead) anyway, and I dont have any reason to keep it in a reboot either. instead i want her tech to be a combination of half-stolen and half-gerryrigged stuff and she slowly slowly learns how to build her own.

I also dont want anyone knowing her secret identity, except maybe her dad, and sam or tucker. i think it works better if danny isnt privy to this magic info

Freakshow

REWRITE: i would honestly just remove him. the episodes hes in arent particularly interesting, theyre just generic "we need a plot about x" filler and he's not compelling enough a character (at least in writing) to carry a better plot that another antagonist couldnt. i'm serious

REBOOT: unfortunately in a reboot he's gonna have to pop up somewhere or else ppl will be like "where IS HE" so I'm going to stick with running some kind of ghost circus, maybe a few occult things, but cut out a lot of the spooky magical knowledge and mcguffin stuff. maybe i could make him like, someone from vlad/jack/maddies college who always felt pushed around by them and so he has a vendetta? and theyd be the only reason he even learned abt ghosts in the first place. idk in either way I want to force him into being irredeemable but also include LYDIA (the tattoo girl ghost) way more-- I want to give her an arc that ends in her tossing freakshow aside and running off to be a ghost vigilante.

BOTH: dear god the infinity gauntlet is stupid that needs to GO AWAY. especially for the reboot cause it would exist in a post-mcu world and way too many people would complain about it

Vlad

REWRITE: amp him up to a far more sinister and villainous character. the crushing on maddie isnt enough, I want to show him on-screen performing experiments on ghosts and himself, dismissing everyone else cause he thinks hes smarter than them. i want him to be actively sabotaging the fentons at every turn. i would also clarify that he doesnt actually want danny as a son, but as a trophy-- a line where danny says something along the lines of "you don't want a son. you want a slave". i want to make him a character who wants to destroy the entire planet and put it in the ghost zone so he can be the true ghost king and i want to make this all evident from day one. if i'm writing a series villain you can bet i'm going to write a GOOD one. less petty drama here and more actual stakes.

REBOOT: it seems silly but sense with reboot we have the benefit of hindsight and recognizing that vlad wasn't a big series villain, theres no way i'd actually go back and write him to be such. for starters, of course, theres the fact that anything he does would really be an exaggerated part of the original, and it would bore an audience to see the same story again-- theres also the fact that it doesnt seem right to take a character who was treated as a joke half the time and suddenly make them big and important. no, instead for my reboot i want to lean into the petty gay uncle vibe. he had a crush on jack and now just casually insults him. he moves mansions every now and again by just haunting the family who lives in the one he wants, and taking over-- i mean, who is gonna believe that an actual ghost haunted you. he dislikes danny not because he has some concept of 'evil' and 'good' but bc danny is just too damn active. of course he actually does care about danny and his safety deep down, it's just on the surface they have very conflicting motivations-- not to mention that danny has been raised on legends from his parents of the villainous Wisconsin Ghost, who has to be stopped at all costs.

BOTH: i want jack and maddie to KNOW he's a half ghost and to actively be hunting him down for it, maybe bc they think hes possessed, or been a ghost tricking them this whole time, or the victim of a tragic lab accident who needs to be put to rest, etc. whatever the case it will give vlad actual tangible reason to despise them and genuinely suspect they dont have dannys best interests at heart. i think it would be neat if vlad was cynical and every time danny hit him with the "I'll expose us both. at least theyll still love ME" vlad could be like in the back of his head "oh god theyre going to kill this child"

Dani

REWRITE: cut her out. we don't need her character at all. maybe replace her with a more ominous shadow duplicate / clone that actually looks like danny himself and doesnt really have a name? you could probably combine her and dark dans characters for their arcs

REBOOT: instead of a clone from vlad, she's a guys in white creation using some of dannys dna after he was captured (and vlad broke him out bc he was like "ugh i guess i have to save this child")

BOTH: vlad actually cares abt her (duh), shes nonbinary (double duh), she gets the funny dissolve into goo powers

i had more i thought i was gonna write but this post is already very long and also im running out of coherency for this LUL

[headofhelios]

Ok I am a single follower but I like hannibal tv but would enjoy ur movie thoughts I like some of the books too and have been meaning to get around to the movies 😳😳

OKAY I'M EDITING A READMORE ONTO THIS LOL I REALIZED THATS SOMETHING I CAN DO! so now my incredibly waaayyy too long answer abt my thoughts on 2002 will is under there. apologies bc this is less "movie thoughts" and more "2002 movie will thoughts" but well thats how the chips fell

GOD okay sooo for the record i am reading the red dragon book and am like 7 or 8 chapters in and full transparency im not like. enjoying it lol. the book pisses me off with its misogyny (all the women in it are either dead or it feels like you're supposed to think theyre Selfish Bitches or theyre just there for like. bizarre and uncomfortable sexual moments like the guys talking abt that woman in the elevator, or that one part of mrs. leeds diary which is like. i guess could be there to Show Her Humanity or whatever but 1. there are more ways to do that 2. the book doesnt seem particularly concerned with her humanity considering she's barely even given a first name and so far the novel hasnt seemed to disapprove of how will thinks of her as a possession of her husband) and its inconsistency with will's most important character trait or whatever (he's so intensely, extremely empathetic towards EVERYONE, even serial killers, which makes him really good at finding them! and he can never turn this off, to the point where every time he has a conversation with someone, he ends up mimicking the way they talk, even if he tries to stop! but also he never empathizes with the victims or HIS OWN FUCKING WIFE? HELLO? so it really feels less like "extremely strong empathy for everyone that he cant control" and more like "he can empathize with serial killers extremely well and also other people if we want to Make A Point in one scene instead of letting the point show through the whole book") BUT UHHH ANYWAY. MOVIE THOUGHTS. THE MOVIE THOUGHTS YOU ASKED FOR COMING RIGHT UP!

okay this is what i am worried will either 1. draw annoying tv will graham stans to my blog like flies or 2. end with me being hanged in the town square BUT. it must be said. i prefer 2002 red dragon will graham to tv will graham. and quite frankly? so far? i think 2002 red dragon will graham is better than book will graham. i cannot lie.

my reasoning: because 2002 will actually empathizes with more people than serial killers and his boss! y'know! like you'd assume someone with constant extreme empathy would! the difference between the first scene with molly in the book vs in the movie are SO striking to me now that i've read that part of the novel. in the novel he seems very... rough, i guess, and like he doesnt care about molly's worries. he doesnt seem to see things from her perspective, which especially feels like a kick to the gut because MOLLY! SEES! THINGS! FROM! HIS! PERSPECTIVE!!! she literally empathizes with him more than he does with her! what the fuck! MEANWHILE in the movie, he does seem to care about her. his assurances that he wont get too involved seem like assurances rather than him trying to get her off his back. he hugs her and tells her he loves her and i actually believe that yeah, he loves her, he knows she's worried about him, and he wants to comfort her and ease her worries. and the victims! AGAIN such a stark difference to me! in the book, will is like... uncomfortable empathizing w the red dragon, of course, but he doesnt seem to empathize with the victims all that much, ESPECIALLY not the women. he doesnt care about them. he sees them as possessions belonging to their husbands and its so fucking gross. despite already suspecting that the red dragon chooses families based on the women, he decides to waste time focusing on the husbands as a way of "asking permission to look at [their wives]." what the fuck? meanwhile in the film, he feels for the victims so much that he can barely even say that the kids were shot in bed! when he watches the tapes, he focuses on the women! because that's his fucking job!!! and we see him empathizing with them! wow!!

siiigh okay im gonna stop talking abt the book vs the movie now bc again im only like 8 chapters or so deep. but now we come to tv will vs. 2002 will, which is admittedly gonna be more subjective and part of that it bc i cant remember a whole lot of specifics from the show bc my memory is Very Bad. but anyway

let's get the shallow stuff out of the way. yes i prefer ed norton's face to hugh dancy's. call hugh dancy "gender" or whatever have your fun i support you and your right to call any blood covered man a gender but by god is that not even REMOTELY my experience. next shallow thing to get out of the way: ed norton's line delivery is like music to my FUCKING ears compared to hugh dancy's i am so sorry. like the jokes about will shaking like a damp chihuahua before taking 5 minutes to stutter out "he's killing them....... On Purpose, jack." are funny and all but christ i had SUCH a hard time watching the show bc of that im not lying. literally hearing 2002 will just say "he's not keeping them. he's eating them." nice and quick, matter of factly is better than well im actually gonna end that sentence there but you get the idea. like YESSS you little blonde bitch get to the point i love you!!!

OKAY NOW less shallow points but also less uhh idk man i just dont remember a lot of hannibal. but basically: after seeing how caring 2002 will is, i'm kind of... idk i'm just so over tv will and how abrasive and harsh he is in comparison. like i fell in LOVE with how vulnerable 2002 will is, how he feels like he cares deeply about the people around him (and honestly... idk i cant remember a moment in the hannibal tv series that made me feel the way i felt when 2002 will can't say "the kids were shot in their beds". it's like... yeah this is a guy who feels so deeply for everyone around him at all times. i believe that.) and i just dont remember getting that same feeling from tv will. i have been gently spoon fed the most excellent chocolate pudding and everything else in my memory is just a snack pack. i guess tv will has those moments (what comes to mind is when he brings gideon to hannibal's house and is crying and he says "please dont lie to me") but idk they just didnt really do for me what 2002 will does. and then their scenes with reba! wow! i rewatched the tv version after watching red dragon, bc the film version made me tear up, meanwhile the tv version i barely remembered and i wasnt sure if that was just bc of the different mindsets i was in while watching them or what. and ok i just rewatched the tv version again and like... yeah. it's the wills lol. i LOVEEE tv reba SO much she is giving everything in that scene!! she sounds so like... broken, both bc of dolarhyde's apparent suicide and bc of finding out who he was + what he was doing, she sounds so fragile and guilt ridden! she's amazing!! but will. idk. tv will's delivery just seems... idk this feels dumb to say but it sounds like writing. i admittedly LOVE the line "people who study this kind of thing say that he was trying to stop because you helped him." and his delivery there is good. but between tv "you didnt draw a freak, you drew a man w a freak on his back" and the 2002 version, the 2002 delivery seems more genuine while the tv delivery sounds rehearsed. idk overall the 2002 version of that conversation just makes me feel more? its like. idk i can feel the 2002 version gently holding my heart while the tv version is a scene that is nice in h/nnigram gifsets or w/e.

umm ok this is already suuuper long and my brain is getting a bit mushy so i'm gonna start wrapping it up lol. i'll probably compare book will and 2002 will again after i finish the book, and then i miiight rewatch hannibal, or at least parts of s3. but right now my thoughts are basically: book will is a fucking dick who has an easier time empathizing with serial killers than with his wife. tv will is a nothing girl after being so completely catered to + also idk he doesnt have the same fragility that i want from my wills now. and 2002 will is my little caramel apple. he has this delightful vulnerability and feels like he cares so much and empathizes with more people than serial killers and his boss and 4 people in a diner for one scene! 2002 will made me care about will graham! which is honestly kind of a feat!

[likelightningafterthethunder]

Like Lightning After the Thunder: Chapter One: Damned Smile

Fic Summary:

His breath wavered as he stared into Katsuki’s eyes. He knew he could get out if he tried. He could knock Katsuki out, hope that no one else would find them, and run back into the shadows where he belonged. Katsuki may have had him pinned down but he was in Denki’s range now and it would take little effort to send a charge through Katsuki to paralyze him temporarily.

It would take barely any additional effort to kill Katsuki.

As the sparks began to charge, lighting up the air around him, Katsuki refused to back down.

–

Katsuki always knew he was destined for great things.

He didn’t think he’d have to turn his back on all he’s ever known to get there.

Rating: T

Warnings: Eventual major character death, implied/referenced child abuse, psychological trauma

Other Tags: Bakugou Katsuki/Kaminari Denki, slow burn, alternate universe - canon divergence

Read on Ao3 (links to corresponding chapter) or read below

Previous Chapter | Next Chapter | Fic navigation to read the fic on tumblr 

--

Even years later, that damn smile haunted his dreams.

There was absolutely no reason for him to still think about the event. Everything had been taken care of when it had happened― injuries were treated, authorities alerted, information secured, and a press conference to tie it all up in a big red bow. There were no loose ends, no surprise second coming, no physical reminders of what happened lingering in his daily life. Katsuki would have labeled it as done, dealt with, and no longer relevant, shoving it aside in his memory so he could focus on actual important shit.

Except his mind had different plans.

When he was lucky, he could completely forget about the event for months. Other times, his dreams would be filled with nothing but that damn smile, taunting him with its silence. He could usually predict when the dreams would come― the anniversary of the event for example― but other times, it seemed like anything could trigger the memory. He once saw a bright yellow balloon and for the rest of the day, every time he closed his eyes he saw that damned smile, never wavering despite the curses and insults Katsuki spewed.

He wanted to forget it. He wanted so desperately to forget it. For the image to erase itself from his mind, for it to take the feelings away with it. He could deal with the anger, he could always deal with the anger, but when his memory reminded him of the wave of hurt and betrayal that nearly blinded him…

When his alarm jolted him from his sleep and freed him from the smile, he couldn’t get out of bed fast enough. He woke up drenched in a cold sweat, sheets singed and smoking lightly as he unclenched his hands, and Katsuki was, for once, very relieved that not all of his sweat was explosive. He slapped the singes a few times to ensure that all of the embers were put out before heading for the bathroom, cursing under his breath as he flinched at his own reflection in the mirror.

There was nothing particularly wrong with his appearance, if you didn’t count the dark circles under his eyes from a fitful night’s sleep or his clammy skin, but after being plagued by the smile, Katsuki could barely look at himself. His reaction to the smile made him feel weak, like he couldn’t handle himself and that there was something wrong with him. It was just a smile after all. There was no reason for him to react to it like a nightmare, no reason for him to lose sleep over it or to feel overwhelmed by emotions at the thought of it.

Yet when he saw the smile and saw how the corners of his mouth were tugged a bit too tight, how his eyes were open a bit too wide, how the only shine in his eyes were the reflections of light on tears that refused to fall…

Katsuki cursed.

The icy cold shower did little to help distract him from the memory, nor did his morning run nor the steaming shower he took after. He wasn’t supposed to head into the agency today, so he didn’t have any planned beatdowns for today, and yes he probably shouldn’t be hoping for it, but part of him hoped for a sudden emergency villain so he could distract himself by focusing on beating some villain’s ass into next week.

A few hours later when his phone refused to stop buzzing, Katsuki wondered if throwing his phone across the room until it stopped would be close enough to beating villain ass to work. He reluctantly decided that talking to people so they’d leave him alone was probably less hassle to deal with than having to replace his phone and distribute his new number (even if it would give him an excuse to ghost some of these damn extras).

A few individual texts and a group text were the cause of the buzzing. As the group text’s new message count continued to rise, he figured it would be easier to respond to the individual texts first. Just in case he changed his mind about destroying the phone.

Four Eyes (Rocket Legs): Hello Bakugou, this is a reminder about the upcoming Class A reunion. As the head of the reunion committee, it is my duty to ensure an accurate headcount for the event, and I have yet to receive your response about your attendance. Please ensure to respond via the following link by this Friday at 11:59PM. [Class A 10 Year Reunion RSVP]

Four Eyes (Rocket Legs): In case you missed the previous messages regarding the reunion, the event is March 28th starting at 7PM at the Shinjuku Hotel in Musutafu. If you need to rent a room for the night or the weekend, please alert the Shinjuku Hotel staff that you are part of the Class A reunion party by next Wednesday for an event discount.

Katsuki frowned. He wasn’t exactly looking forward to the possibility of being surrounded by all of his former classmates and even less at the idea of being socially obligated to spend the entire evening with them. At least when he met up with his friends elsewhere, he could always claim needing to leave early so he could make the last train or that work needed him to come in early the next day.

He closed out of the conversation, figuring he still had a few more days to decide if he really wanted to deal with his classmates for an entire evening.

Midoriya: Hey Katsugou! I was wondering if you’re going to go to the reunion? Tenya said the deadline to RSVP is coming soon and we haven’t heard from you, so I just thought I’d check in!

Katsuki: The fuck is Katsugou?

Midoriya: Oh sorry!! Typo!!

Midoriya: Anyway, are you coming?

Katsuki closed out of the conversation and moved on to the next one.

Shitty Hair: Katsuki! Are you coming to the reunion or not dude????

Katsuki: Fuck off.

Shitty Hair: Aww dude that’s no way to talk to your best friend, you know you love me!!

Katsuki: I’m blocking you.

He did not, in fact, block him. But he did close out of Eijirou’s texts.

Save for the newest text sent directly from Eijirou, all that was left was the backlog of texts in the group text. It had kept going off while he was reading the other conversations, so Katsuki figured it meant that everyone was either off for the day or on their lunch break.

Raccoon Eyes: guys!!!!! the reunion is COMING UPPPPPP!!!!

Raccoon Eyes: i cant wait to s

Raccoon Eyes: ee all of u guys again!!

Tape Face: lmao you saw us last week

Raccoon Eyes: yes

Raccoon Eyes: an eteRNITY ago

Raccoon Eyes: and like

Raccoon Eyes: kats left early so we didnt have everyone

Raccoon Eyes: so it doesnt count

Shitty Hair: Yeah Katsuki don’t leave early next time!!

Raccoon Eyes: we just have to hold him hostage next time

Raccoon Eyes: or like

Raccoon Eyes: AMBUSH him

Tape Face: i can always tape him up

Raccoon Eyes: YEEEEEEEEEEEEEEEEEEEEES

Raccoon Eyes: tape him to the wall

Raccoon Eyes: and then like

Raccoon Eyes: steal his wallet

Raccoon Eyes: cant get on transit w no moneys

Raccoon Eyes: ei and han hold him down

Raccoon Eyes: i run to hide his wallet where he cant fi

Raccoon Eyes: nd it

Raccoon Eyes: probs keeps kats tapped to the wall all night

Raccoon Eyes: free up his arms so he can have a drink????

Tape Face: explosion palms dude

Raccoon Eyes: oh u right

Raccoon Eyes: he can just have a cup w like

Raccoon Eyes: a REALLY REALLY long straw

Raccoon Eyes: make sure u tape him up w his hands behind his back

Tape Face: you got it

Shitty Hair: He’s in this chat guys he’s going to see the plan

Raccoon Eyes: whatevs we can still totally blindside him

Raccoon Eyes: ANYWAYS

Raccoon Eyes: ure all going right?????

Tape Face: ya I rsvpd a while back

Shitty Hair: Yep!! Wouldn’t miss it for the world!

Raccoon Eyes: what about u kats

Raccoon Eyes: kats???

Raccoon Eyes: KAAAAAAAAAAAAATS

Raccoon Eyes: k

Raccoon Eyes: a

Shitty Hair: I’ll text him separately

Raccoon Eyes: t

Tape Face: he probably has this muted lmao

Raccoon Eyes: s

Raccoon Eyes: !!!!!!

Raccoon Eyes: how dare u ignore us

Raccoon Eyes: after everything weve done for u!!!!

Raccoon Eyes: thought we were ur ride or die hoes

Raccoon Eyes: dont tell me ur not going!!!!!

Raccoon Eyes: im so offended

Raccoon Eyes: how could u do this to us kats

Shitty Hair: Maybe he’s at work today?

Raccoon Eyes: boo

Raccoon Eyes: how dare he prioritize wo

Raccoon Eyes: rk over us

Raccoon Eyes: his best friends

Raccoon Eyes: the suns of his life

Raccoon Eyes: the bit of happiness in the cold

Raccoon Eyes: cold

Raccoon Eyes: cold

Tape Face: coooooooooold

Raccoon Eyes: COOOOOOOOLD

Raccoon Eyes: thing he calls a heart

Shitty Hair: Lmao

Tape Face: its got a bit of warmth

Tape Face: most of it is his temper

Raccoon Eyes: boom boom POW

Raccoon Eyes: well while we wait for kats

Raccoon Eyes: help me pick some photos for the slideshow!!

Tape Face: are you doing only UA pics or some stuff since then

Tape Face: somehow iida managed to not specify lmao

Shitty Hair: The info email was like ten pages, how did he miss it

Tape Face: idk

Raccoon Eyes: ive got plenty for both!!

Raccoon Eyes: momo said pref UA pics but some new stuff is good too

Raccoon Eyes: show how far weve come n all that

Tape Face: oh cool let me get some opinions then too

Shitty Hair: Anyone have any pics of the camping trip from second year?

Raccoon Eyes: before or after todoroki and kats’ fight turned it into a icy hot springs

Shitty Hair: Both lmao but probably before it went to hell

Raccoon Eyes: image.png

Raccoon Eyes: ofc ive got us chillin in the springs

Raccoon Eyes: well most of us

Raccoon Eyes: kats u never get in the water w us :C

Raccoon Eyes: lets go to the beach next time!!

Tape Face: hed prob boil the water w you in it if you dragged him in lmao

Tape Face: spicy acid time

Raccoon Eyes: id like to see him TRY

Shitty Hair: Don’t tempt him lmao

Raccoon Eyes: image.png

Raccoon Eyes: image.png

Raccoon Eyes: image.png

Raccoon Eyes: i got like a shit ton more

Raccoon Eyes: should i send some of THE FIGHT

Shitty Hair: Maybe not

Tape Face: yes

Tape Face: well

Tape Face: depends on how many pissed off katsuki pics youre putting in lmao

Raccoon Eyes: OH

Raccoon Eyes: OHHHH

Raccoon Eyes: OHHHHHHHHHHHHH

Tape Face: ?

Raccoon Eyes: dude

Raccoon Eyes: do u have the POMERANIAN pic

Tape Face: o shit

Tape Face: image.png

Shitty Hair: I still think Katsuki should’ve taken that pup home

Shitty Hair: They’re matching!

Tape Face: image.png

Tape Face: i also have this one

Tape Face: when she tried to bite his nose off lmao

Raccoon Eyes: kats couldve named her king explosion murder

Raccoon Eyes: or just murder

Raccoon Eyes: p sure she wouldve tried to murder kats at least o

Raccoon Eyes: nce

Tape Face: lmao she basically tried when he found her

Shitty Hair: Maybe it’s for the best that he didn’t keep the pup

Tape Face: look what i found

Tape Face: image.png

Raccoon Eyes: AWWWW YES

Raccoon Eyes: LOOK AT USSSSS

Raccoon Eyes: we look FABBBB

Shitty Hair: Is that from the dance?

Tape Face: ye

Raccoon Eyes: guys what if we recreate that pic at the reunion

Raccoon Eyes: the fits?

Raccoon Eyes: immaculate

Raccoon Eyes: the pose?

Raccoon Eyes: perfection

Tape Face: hotel?

Tape Face: trivago

Shitty Hair: I’m down for recreating some pics!

Raccoon Eyes: yessssss

Raccoon Eyes: u have no choice either kats u gotta do it

Raccoon Eyes: wherever u are

Shitty Hair: Oh he replied!!

Raccoon Eyes: SWEET

Raccoon Eyes: what he say

Shitty Hair: He said fuck off

Tape Face: as expected

Shitty Hair: Lmao he threatened to block me again

Tape Face: thought he said he was blocking you last week

Shitty Hair: Yea exactly

Raccoon Eyes: HOW RUDE

Raccoon Eyes: as punishment for not paying attention to us

Raccoon Eyes: im gonna send this

Raccoon Eyes: image.png

Tape Face: LMAO whend you make that

Shitty Hair: Is that Katsuki with a cat face and ears

Shitty Hair: Dude I don’t know if he’s going to kill you for that or for the pink hair first lmao

Raccoon Eyes: lmao made it just now

Raccoon Eyes: well MAYBE if he ANSWERED us

Katsuki: Delete it.

Tape Face: O SHIT

Tape Face: you summoned him

Raccoon Eyes: NO I WILL NOT

Katsuki: Delete it Raccoon Eyes or else I’m coming for you.

Tape Face: are you coming for the left shoes and shittin in them

Raccoon Eyes: NOOOOOOO not my shoes!!!!!!!!

Tape Face: its just the left shoes tho

Raccoon Eyes: BUT THATS MY FAVE SIDE

Katsuki: What the fuck are you two going on about?

Raccoon Eyes: DONT COME FOR M

Raccoon Eyes: Y LEFT SHOES KATS IM SORRY

Katsuki: I’m not coming for your fucking left shoes. Or any of your shoes.

Katsuki: I will be coming for you if you don’t delete that picture, though.

Raccoon Eyes: FORGIVENESS

Raccoon Eyes: I BEG

Raccoon Eyes: PLSSSSS

Katsuki: Delete the picture.

Raccoon Eyes: ugh fiiiiiiiiiine

Raccoon Eyes: its deleted

Raccoon Eyes: i wont send it to momo for the slide show

Katsuki: Good.

Raccoon Eyes: IF U COME TO THE REUNION

Katsuki: Fuck off.

Shitty Hair: C’mon Katsuki!! It’ll be fun!!

Tape Face: ya it wouldnt do if we didnt have our exploding star

Raccoon Eyes: ill send momo WORSE if u dont come

Raccoon Eyes: nd u wont know WHAT til AFTER

Raccoon Eyes: so PLSSSSSSSSSS

Raccoon Eyes: PRETTY PLSSSSSSS

Raccoon Eyes: PLS COME TO THE REUNION

Raccoon Eyes: ill spam u a lot worse if u dont show us proof of rsvp

Raccoon Eyes: pls kaaaaaaaaats

Raccoon Eyes: kaaaaaaaaats

Raccoon Eyes: k

Raccoon Eyes: a

Katsuki: Ugh fucking fine, I’ll do the RSVP now then.

Raccoon Eyes: t

Raccoon Eyes: YAY

Four Eyes (Rocket Legs): Good afternoon, Bakugou! I just wanted to confirm with you that I have received your RSVP for the Class A reunion. As a reminder, if you need to rent a room for the night or the weekend, please alert the Shinjuku Hotel staff that you are part of the Class A reunion party by next Wednesday for an event discount.

Katsuki: image.png

Katsuki: image.png

Katsuki: Four Eyes is watching the RSVP form like a fucking hawk apparently.

Raccoon Eyes: YAAAAAY URE RSVPD!!!

Shitty Hair: You know him, always dedicated to his work

Tape Face: sweet

Raccoon Eyes: are u guys getting rooms

Tape Face: yea musutafus too far for a round trip

Tape Face: esp since itll prob end late

Shitty Hair: I got one for the weekend!

Tape Face: wbu mina

Raccoon Eyes: booked a room already!!

Raccoon Eyes: kaaaaats wbu

Raccoon Eyes: u should

Raccoon Eyes: we could have a brunch or lunch or s/t thats just us

Raccoon Eyes: plsssssss kats

Katsuki: I’ll think about it.

Tape Face: better than a no lmao

Shitty Hair: If they run out of space or if you decide last second, you can room with me dude

Raccoon Eyes: awww why not a yes

Katsuki: I haven’t asked the other Four Eyes for the time off yet.

Tape Face: is this four eyes no4 or no15

Raccoon Eyes: four eyes no69

Raccoon Eyes: no wait

Raccoon Eyes: no420

Tape Face: haha blaze it

Raccoon Eyes: BLAZE IT

Shitty Hair: It’s number 7

Katsuki: Fuck you, I don’t have that many Four Eyes saved in my phone.

Shitty Hair: I’d be surprised if you had 420 contacts period dude

Raccoon Eyes: would b hilarious tho

Katsuki: Yes, it’s Four Eyes number 7.

Shitty Hair: I was right!!

Katsuki: Why would I ask any of the other Four Eyes for time off? They’re not my fucking bosses.

Tape Face: dunno

Raccoon Eyes: idk maybe ure secretly dating one a

Raccoon Eyes: nd have to confirm that its ok

Raccoon Eyes: ARE U SECRETLY DATING A FOUR EYES

Raccoon Eyes: U HAVE TO TELL US IF U ARE

Raccoon Eyes: URE LEGALLY OBLIGATED

Tape Face: o shit

Tape Face: scandalous

Katsuki: Shut the fuck up, I’m not dating anyone, secret or not.

Raccoon Eyes: thats what they all say

Katsuki: Whatever. I’m not dating anyone.

Raccoon Eyes: kats n four eyes no420 sittin in a tree

Raccoon Eyes: k

Raccoon Eyes: i

Raccoon Eyes: s

Raccoon Eyes: s

Raccoon Eyes: i

Katsuki: I’ll blow up all of your left shoes when you’re not home.

Raccoon Eyes: n

Raccoon Eyes: NO

Raccoon Eyes: IM STOPPING DONT DO IT

Shitty Hair: Hey what do you guys think of this photo

Shitty Hair: image.png

Tape Face: dude yes

Raccoon Eyes: AWWWW OUR FIRST BILLBOARDS AS PROS

Katsuki: Do we really need to send them pictures? It’s not like we fucking forgot this stuff already.

Tape Face: you can be a killjoy if you want lmao

Tape Face: im sure mina will send more than enough to cover for you

Raccoon Eyes: U BETCHA

Raccoon Eyes: image.png

Raccoon Eyes: image.png

Raccoon Eyes: image.png

Raccoon Eyes: image.png

Raccoon Eyes: image.png

Tape Face: lmao why do you have a pic of katsuki throwing ei

Shitty Hair: I still can’t believe you did that bro

Shitty Hair: WITHOUT WARNING TOO

Katsuki: I gave you plenty of fucking warning.

Shitty Hair: Saying “I’m throwing you” AS YOU’RE THROWING ME is NOT PLENTY OF WARNING DUDE

Raccoon Eyes: im always ready to document golden moments

Katsuki: Shut the fuck up. We won the training exercise so what’s it fucking matter?

Shitty Hair: YOU THREW ME!!

Katsuki: Tape Face caught you before you could get hurt.

Shitty Hair: YOU /THREW/ ME!!!!!!

Tape Face: barely caught

Katsuki: Whatever.

Raccoon Eyes: im still impressed by how eASY u made that look

Katsuki: What the fuck’s that supposed to mean?

Raccoon Eyes: o look conveniently timed distraction photo spam

Katsuki sighed as he continued the conversation, commenting here and there on the photos his friends sent for judgement. In retrospect, he probably should have tried to talk to Shion first, since there was a chance she would have denied the time off for the reunion. Although, knowing her, she would have accepted just to force Katsuki into socializing. He opened up a new text message, figuring that if Shion did decide to deny the time off, he would at least have a screenshot to send to his friends explaining the sudden change in plans.

Katsuki: I need March 28th and 29th off.

Four Eyes (Shitty Shion): Do my eyes deceive me? The great Katsuki Bakugou, asking for time off?

Four Eyes (Shitty Shion): I’m amazed! Usually I have to ask you to take the day off!

Four Eyes (Shitty Shion): Nay, not ask, but force!

Katsuki: Are you going to give it to me or not?

Four Eyes (Shitty Shion): Depends! What do you need the time off for?

Katsuki: Class reunion.

Four Eyes (Shitty Shion): Oh those are fun!

Four Eyes (Shitty Shion): Fill out the proper time off paperwork and have it on my desk by Monday. I’ll approve the time off.

Four Eyes (Shitty Shion): Just keep your phone on you in case we need you to come in for an emergency, but I’ll try not to ruin your reunion with work.

Katsuki: Thanks.

Well, so much for an easy way out.

Katsuki pinched the bridge of his nose when he noticed that his phone had already accumulated another thirty texts in the past few minutes, no doubt primarily from Mina. He scrolled through the backlog, sending a few mostly empty threats when he saw photos he did not want projected for the entire class to see, freezing when his gaze met a pair of familiar amber eyes.

Shit.

In his scramble to close out of the photo, to escape the genuine smile that somehow was more haunting than the one in his dreams, he left the group text completely. He briefly thanked his past self; he’d impulse or rage quit the group text plenty of times before that this wasn’t unusual behavior. If he was lucky, his friends wouldn’t have noticed the timing of his departure and would assume he was just fed up with the notifications or the conversation.

Shitty Hair: You okay, Katsuki?

A weak laugh escaped Katsuki’s lips as he read the newest notification. Of course Eijirou noticed.

Katsuki: I’m fine.

Shitty Hair: Okay

Shitty Hair: We don’t have to talk about it

Shitty Hair: But if you want to, I’m here dude

Shitty Hair: I’ll tell the others that you left so your phone would shut up and not to add you back yet

Katsuki: Thanks. Really.

Shitty Hair: No problem dude

Katsuki put his phone down, silently praying for the smile to leave him alone.

When he finally laid down for bed that night, he repeated the short prayer, for a peaceful night’s rest free of the smile, of the hurt, of the pain, of the guilt.

But as always, the smile came.

[readingaccountability]

snow crash - neal stephenson

my playlist (because of The Way That I Am)

final thoughts:

okay, im going to be honest right out of the gate- i cant decide whether this is a book id recommend or not. it was really fun for the most part, but personally there was a lot more exposition than id like. the early portions of the novel have exposition which feels completely fair, mostly things relating to worldbuilding. stephenson creates his own vision of future america, and some places online referred to it as cyberpunk, and some as post-cyberpunk. id be more in the latter camp, mostly due to the way he plays with tropes, leaving the reader unsure of which will be subverted and which wont.

the use of language was really fun, and i enjoyed the worldbuilding a lot. his vision of a futuristic capitalistic earth feels surreal in its immediacy and recognizability. the back jacket blurb ends with "a future america so bizarre, so outrageous, you'll recognize it immediately." which, yeah. a texan info-tech magnate? two competing corporations owning the highway system? suburban city-states? this was another enjoyable thing- everything was colorfully named, and names treated totally normally, which kind of poked fun at how we have everyday things named very ludicrously and for the most part we are totally blind to it.

one aspect i really enjoyed was that the author often doesn't make certain things clear to the audience, until he does, and then it becomes necessary to reassess the entire story and setting. this goes to underscore the theme of the importance of information and the ways we take it in and perceive the world based upon it. for example, we don't learn that y.t. is fifteen until maybe 75 pages in, at which point a lot makes sense in retrospect. the same thing occurs in the worldbuilding, as suddenly a detail is given in passing and the reader must incorporate it into the setting, which by default we assume to be similar in many ways to our idea of america. it keeps the reader on their toes as well as furthering the worldbuilding. for the most part, the tech stuff didnt feel outdated to me, despite being a future projected out from '92.

however, aspects of the book are definitely very 1992. id put these into two camps: the first, being that the book does at different times use slurs. the main character is black and asian, the n word is used a few times by racist side-character/antagonist types, as are a few other racial slurs. there was also the occasional usage of the r slur, within the narrative prose itself, rather than usage as an insult within dialogue.

the protagonist, who is named, unfortunately, hiro protagonist, is a great character and felt very fleshed out to me, though at times he reminded me more of dirk strider than normally would be ideal. (its obvious that stephenson and andrew hussie are of a similar type of writer, and play with similar tropes, lmao.) hiro is a man of many worlds. he seems to shift between them easily, though never fully existing in any of them. this is reflected in his background, both in his biracial identity and in having been raised on a myriad of army bases. this is layered further in his fluidity in interacting with both reality and the metaverse, yet remaining slightly, consistently aloof. fascinatingly the first moment i sensed this drop was when we meet juanita- aka where his real and meta realities coincide. the description of them as the adam and eve of the metaverse is both insanely romantic and thematically key (good god i wish we had more than like, two conversations between them). juanita designed the facial component to metaverse avatars, doing the majority of this work when the two were together, and hiro can see echoes of both their facial tics in the face of every avatar in the metaverse. in a way, by having done this work juanita is positioned by the narrative as one of the gods of this digital realm. she is also hiro's call to action, being aware of the coming trouble and alerting him to it, as well as connecting him to the informational database he needs to prepare.

y.t., the secondary protagonist, fucking ruled. i loved that she was just a fifteen year old punkass kid whose mom doesnt know how crazy this part time job is. y.t. being worried about her mom was a great thread throughout, and a really good balance to how obviously independent y.t. is. i do wish there had been a chance to explain more about her background (she has a dad who left who is mentioned in a throwaway sentence, and a boyfriend who is mentioned near the beginning but never again.) i really enjoyed how obviously hyperaware y.t. was at all times about her own place within the insanities of the setting, while also consistently writing her as a teen maybe in way too deep who thinks about things in typically teenage ways. but like, that wasn't ever held against her? the narrative meets her where she is. it was honestly awesome. HOWEVER,

i absolutely hated the raven and y.t. scenes. how creepy!!! he basically statutory rapes her!!! we know hes at least late 20s early 30s, because hes the same age as hiro. if this sort of content is upsetting to read for you, i definitely do NOT recommend this book. (if you want to avoid reading these bits: ch 47 y.t. meets raven, ch 50 they are in a bar eating, ch 52 things happen that result in y.t.'s anti-assault device activating- she did not activate it on purpose, but forgot it was there- and raven is knocked out.)

please PLEASE dont take any of the following analysis as like, trying to be apologetic towards this scenes. because again they were awful and hard to get through and really gross. but im also cognizant that the author was obviously trying to convey something by making the choice, like the way it was written is obviously not condoning this sort of thing.

i think maybe what stephenson was trying to get at with that, was that we see hiro internally negate any potential for anything untoward with y.t. basically immediately, since he kind of senses that she might have a small crush on him (though this doesnt last more than a fleeting moment, especially from her perspective). vs raven, whose 'poor impulse control' warning tattoo eventually elicits a sarcastic remark from hiro after he finds out raven and y.t. were "a thing". i really dont think hiro knew how far it went? like it was just suuuper weird, but i figured it was meant narratively to 1. execute the chekovs gun of y.t.'s anti-assault device, 2. contrast hiro and raven (especially considering the bike-racing argument where theyre telling the story together, which is supposed to parallel them, while contrasting the differences in how they ended up?), and 3. just to get raven unconscious, i guess. but good god it was weird and i hated every second of it, why couldnt the device have like, activated way earlier?? gah. fucking upsetting. moving past that!

honestly i was really frustrated by how little screentime juanita got, because the way she was introduced was so fucking interesting and then shes mostly off doing her own thing. the bits of explanation she gives at the end about what she was up to on the raft are so sparse and im like damn, can we get a little bit of her pov in here? please? that would have ruled. additionally, shes supposed to be hiros love interest, but we see so little of them interacting outside her intro scenes. a huge portion of why hiro is getting into the sumerian mythology is literally framed as something that will help him understand juanita, but we dont get to see him talk to her about it barely at all.

the supporting characters were quite fun, i particularly liked the librarian. big surprise, i liked the overly literal ai information-dispensor, lmfao. watching him and hiro interact reminded me SO hard of geordi laforge having honest to god conversations with the computer where he tries to coax information out of it, aka one of my favorite little aspects of tng.

and lastly, the major plot themes themselves. i adore the way stephenson approached action, it was very entertaining. usually i cant really visualize action scenes written out, but his use of language was really really effective and engaging. the plot itself was absolutely fascinating, though i found the premise pretty contrived. which isnt bad in itself, i was fully suspending my disbelief until the last hundred pages or so. which for a 550+ page book, isnt too bad.

i did like the approach of linking the ancient to the modern, that is always really neat. and i think ultimately stephenson did it in an interesting way, not how i would have done it, but definitely interesting! creating these ideas about information infrastructures, and there being words that can access those and be used to control people, was wild. not sure if i agree about the equating of religion to a virus, though he did specifically establish that it was more the approach to religion, than religion itself. (maybe if juanita had been more goddamn present in the narrative that could have been elaborated on a little more. literally her perspective would have been perfect in balancing that out!!)

ultimately what did me in was the very very very long winded MONOLOGUE where hiro re-explained the whole premise, in ways that didnt really neatly organize into a cohesive argument. a lot of the scenes where hiro talks to the librarian, which are interspersed throughout the book, are really exposition heavy, because stephenson is rooting his ideas in historical concepts that need to be explained to both hiro and the audience. and i thought all that was fine, because it was a conversation where hiro was grappling with the information, and he was figuring it out along with the reader, and most importantly it was a conversation between him and the librarian computer program.

howeverrr later on we get a full rehash of all that, where hiro makes clear some stuff that was just implied for the reader, and hes literally just telling these important men whats up in this big long monologue. utterly worthless. i kept reading it and going YEAH, we KNOW, we know this we know this. and the important men barely interjected. it added basically nothing to our understanding of the situation, other than reframing it. but everything added was already an implicit thing, and didnt really need to be said again.

the resolution to the book was stellar, the last 30-40 pages, once hiro is onto the raft, were great. ultimately after reading and giving some time to digest it, i think it was a solidly great book with a few big drawbacks near the end, but which dont carry through and sully the ending.

[justalitlecreacher]

I’m here to prove that Andrew Garfield’s portrayal of Spider-man/peter parker in The Amazing Spider-Man is objectively the best love action adaptation of the character. In this essay I will....(yes this is really happening)

Edit: 10/20/20- i want to indulge myself in spiderman content but finding non mcu spiderman content is exhausting so imma update this instead

TL;DR

Andrew Garfield is my favorite of the 3 Spider-Man actors. TAS’s Peter is more fun and dynamic than the cookie cutter “shy introverted nerd that has a crush on a girl who’s way out of his league” Peter in Tobey Maguire’s movies. I enjoy Tom Holland’s portrayal of the character, but hate the way Disney has written the movies.  I enjoy the characters, plot, and humor of The Amazing Spider-Man far more than the other 2, and i deeply wish we had gotten the third movie with the canon BIder-Man of Andrew’s (and my) dreams.

[DISCLAIMER: I HAVE NOT SEEN THE AMAZING SPIDERMAN 2 OR ANY MCU SPIDERMAN MOVIES OUTSIDE OF CLIPS AND REVIEWS ITS ALSO BEEN A VERY HOT MINUTE SINCE IVE SEEN A TOBEY MAGUIRE MOVIE]

Characterization

  Most arguments against Andrew Garfield’s Spidey( AG’s from now on) begin and ends with “he was a good Spider-Man but a bad Peter Parker”. This references an outdated post comparing all three Spidey actors.(Id attach the image here but i dont want the post to be too long(thats a lie this is so long what am i doing with my life)) The post also claims that Tobey played a good Peter and a poor Spidey; and that Tom is good at both “roles”.(Honestly I think it seems silly that this seems obey the “third time’s the charm” rule but thats just me).  Most people using this seem to be Tobey stans who have forgotten or ignored the rest of the post funnily enough, but the ones that go further into the WHY AG is a poor Peter are also incorrect. This argument also ignores the idea that there can be more than one version of Peter Parker which is blatantly incorrect.  Just look at Into the Spiderverse or the PS4 game; these provide 4(5 if you count the pig) versions of Peter themselves, and that doesnt even include the comics. 

 Arguments that go further in depth claim that the AS Peter is too cool or well liked by his peer to be a “true” Peter Parker. The evidence for this seems to be that Peter has a skateboard.(which what? didnt realize that having a skateboard would instantly make you cool brb guys). Adding to that i dont really see where people get the idea that Peter is popular or well liked. While looking for complaints i found this qutoe from reddit(theyve since deleted it looks like but i’ll add a link in the notes) “He's angsty, pretty socially awkward, has an aptitude for science, and is kind of an outsider. He gets bullied by Flash and he gets his ass kicked after trying to stand up to Flash. He isn't a "cool" person in any way (until the ending, in which he's best buds with Flash, so I'll give you that). While Maguire is more accurate to the 60s comics where Peter in high school is just a fucking loser with basically no friends, in the ultimate comics, Peter is more of the kid who has a small amount of friends, but isn't popular.”. Honesty i fully agree with this because once again, other versions of a character are allowed to exist. You can dislike one version, but its silly to dislike something for not being exactly like another thing.

Ive also heard that Peter isnt “nerdy enough” in this movie which really doesnt make any sense considering the entire plot happens because Peter was looking into some of his parents’ research. If he wasn't interested in looking further into his father’s work what reason would he have to go to Oscorp where he’s bitten by the spider? Why would he have become Dr. Conner’s assistant? If he wasn’t intelligent how did he develop the web shooters?(something that Tobey!Peter doesn't have to do out of plot convenience might i add).  

 Another complaint i see is that the quips he uses in the movie(the first one specifically it seems) makes him seem like an asshole. Honestly thats a fair complaint, but i think its a good bit of characterization; espcially if he does get better about it in the second movie like the internet suggests.The Peter in this movie is a rightfully angsty teen; of course he acts a bit of an ass to criminals(also i feel like its important to mention that he’s like that to criminals? its not like hes being a dick for no reason).

  Compare this with the Tobey Maguire(TM) movies. Like i said i haven’t seen these in awhile but as far as i’m aware TM’s Peter doesn't really do anything particularly nerdy in the film? I may have forgotten something( ok in the scene before he gets bitten he knows a cool spider fact) but he doesn’t have to invent the web-shooters because they came with his powers and he’s only at Oscorp in the first place because it’s a school field trip that he appears to be taking photos for. This Peter does fit the definition of outcast(friendless and bullied for it), but honestly i just dont like him. He’s weird and something about the character makes me feel like i should be a little grossed out every time he looks at MJ at the beginning of the movie.  

   I honestly don’t have any complaints for Tom Holland’s(TH’s)Spidey. Tom is a great actor and from what ive seen i enjoy his portrayal of the character.( He made me cry when i character i actively dislike died).  

Story

  I cant really say much for TAS story. It’s interesting but nothing special really. However, there is one scene that i don’t think i’ve seen anything like since( the closest would probably be the train scene in the original trilogy). 

 The crane scene. Early in the film Peter saves a boy from a car that has fallen off of a bridge, and at the end of the movie this becomes relevant again when it is uncertain that Peter will be able to get to the lizard to stop him in time.(as Peter is already injured and pretty far from the lizard’s location). The boy’s father is then revealed to be a construction worker who recognizes that Spider-man is going to need help to get to the lizard; he remembers how Spider-Man saved his son and organizes the rest of the construction workers to build a path out of crane arms for SM to swing from. All of them are putting themselves in danger by not evacuating, but SM’s actions in the first act of the film motivate them to do what’s right. 

  I love this scene primarily because it highlights something that i think is a really important part of Spider-Man’s character; his connection to the people he saves. SM is often shown interacting with and chatting with the people he has saved after the fact. One comic shows Peter accidentally scaring some bullies and then taking the time to ride the bus to school with them to continue their conversation and educate the students on bullying.( There’s definitely more but this is off the top of my head).

  Another scene in TAS that i love is shortly before the crane scene when Peter is originally attempting to make his way across the city to stop the lizard, and he is shot down by the police. They manage to unmask him before Peter comes to his senses( he had just been shot and fallen pretty far out of the sky in his defense). From there Peter is able to deal with the police while keeping any of them from getting a good look at his face. The one cop he cant take out happens to be Gwen Stacey’s father who had previously had an argument with Peter about Spider-Man(Peter obviously on SM’s side and Mr. Stacey against SM). Peter turns and allows Captain(?) Stacey to see his face. I believe that this is an example of an unwilling identity reveal done right. i really enjoyed this moment because Peter had just shown that he likely could have gotten out of this encounter with his identity in tact as he had just taken down however many men. This implies that it was an active choice on Peter’s end to trust that Captain Stacey would ultimately do the right thing and allow Peter to go fight the Lizard, rather than a final desperate attempt to get away unscathed. Whether or not this interpretation of the scene is correct or not it still gives the character a bit more agency than some versions have done with their identity reveals.

  In Spider-Man 2 Peter starts to lose his powers because he’s having internal conflict about wether or not he should be Spider-Man. Honestly thats kinda neat and i might want to give that a rewatch. As for the one i have seen i don’t have any complaints. I do however prefer the way that Peter was bitten in TAS because it was a result of him poking around where he shouldn’t’ve been rather than him just happening to be standing in the right place for a spider to land on him. 

  Onto TH’s movies; the way Disney has treated Spidey in the MCU is why TH’s is my least favorite version of the character. I feel like too much of the story revolves around Iron Man; Iron Man made Peter’s suit and equipment, Iron Man introduces Peter to the MCU(via blackmail but thats another rant for another annoyingly long post), its Iron Man that “makes” Spidey in this universe rather than Spidey being self-made. In Homecoming(which remember i havent seen outside of clips so bear with me) most of the conflict is cause directly or indirectly by Tony’s refusal or inabilty to communicate with the teenager he’s meant to be mentoring

 For one the entire incident with the ferry could have very easily been avoided had Tony bothered to communicate with Peter enough to tell him that the situation was being taken care of. On top of that at the moive’s climax Peter is shown trying to get in contact with Happy(from what ive picked up isnt he a chauffeur? like idk his deal i just know he’s someone Peter got pawned off onto after Civil War). Peter even goes as far as to somehow hack into Happy’s phone(i think thats what happened it was a weird tech thing that shouldve been a red flag that the call was important though) but instead of listening; Peter is ignored. If this was a different kind of movie Peter literally could have died and itd be the fault of Happy and Tony like..... A large portion of conflict comes from characters being incompetent and not communicating and thats just poor storytelling.

Before this turns too much into an anti mcu rant id also like to say that the way they did Civil War was really dumb considering that Peter defects to Cap’s side in the comics, but whatever.

 Also i loathe the way they handled the identity reveal at the end of Far From Home. With MCU movies most people know to expect an end credits scene by now, but typically that scene is not important to understand what’s happening in the films; they just aren’t important. Putting an identity reveal here makes it seem significantly less important than it is. On top of that i dislike their use of J Jonah Jameson for this scene.

  JJJ is a character who has been repeatedly shown to have a genuinely good heart. All of his anger comes from a place of love for his city(he even says this hemself in the ps4 game when May writes in to tell him that he needs help). He hates Spider-Man because SM reminds him of the masked man who killed his wife; JJJ has never been able to get past that( and Peter’s antagonism of him definitely doesnt help) However, JJJ has been shown to care for people; he has a son who he often brags about, and one comic shows that JJJ is paying Peter for “amateur” quality photos because he knows that Peter is having a hard time and “just need some help”. JJJ has even learned Peter’s identity before and kept his secret for him(seriously though i cant remember the name of the comic but its defiantly worth the read), and in the original trilogy when Goblin threatens JJJ he claims that he doesn’t know who sends in the photos of Spidey because he does it via email( this is a lie). The MCU will have a very difficult time convincing me that JJJ would ever out a teenager’s identity and put him in danger like that. It goes too far against his character.(this could be hypocritical of me to say considering how i just insisted that multiple versions of a character can exist but whatever ¯\_(ツ)_/¯) 

This is accidentally turning into an MCU rant but id also like to say that i hate the lack of a TH!Spidey origin movie because it gives you no motivaion for Peter becoming SM or explanation of his powers; most people will know these things but if youre unfamiliar with the character its bound to be confusing(and im a sucker for origin movies)

[gundhams-pandemonium]

Okay, okay, So now since @gundhamtanakaandthedevas gave me so motivation were doing this analysis 😎

Spoilers! For Sdr2 [particularly Chapter 4 however the end of Chap 5 is also briefly mentioned] and DR Anime The Despair Arc (only partial on the anime) The episode I'll be referencing is the Second Episode [If I got which episode wrong, I'm very sorry I'm going off of memory]. Also TW for mentions of canon deaths

I'll set the scene up: The Sdr2 class (77th?) [pre events of Sdr2] are playing video games. Each video game is easily recognizable [Racing game, that Bomberman game, and Mario Party and/or the Fortune/Captilist Game that dont have a name for it but it doesnt particularly matter]. The game well be talking about is the one Chiaki, Akane, Nekomaru, and Gundham are playing, and it is a game like Smash Brothers*. And the events in this game directly correlate to Chapter 4 of Goodbye Despair as well as a bit to the end of the game.

*In case you do not know; Smash Brothers/along with the rest in the series, is a multiplayer game where you fight against your opponents using characters from a whole bunch of differnt games (example Link and Mario can fight against each other). It's the Ultimate Crossover since Infinity War (/j)*

I'm starting with the interation between Gundham and Nekomaru, as that is not only the focal point in Chapter 4's Trial/Murder but in this scene as well. Gundham is playing as a Hamster(who looks most like Cham-P and what actual Smash Character he'd correlate to I'm unsure/perhaps one of the Pokemon) while Nekomaru is playing as a robot (who most looks like a cross between ROB, a character from Smash, and a AT-ST, from Star Wars [AT-ST was probs not intentional]).

With the robot character it's very easy to see that it represents Mechamaru, since 1. Robot 2. Nekomaru is playing it 3. Obvious thing is Obvious. The Hamster character is also very easy to corrlate to Gundham, not just do to his Talent and The Dark Devas but the fact that the Devas were actually crucial to the Fourth Murder.

With that out of the way, time to explain more about what's happening in the scene. Obviously, since it is a Smash Esk game the characters are going to fight But it's very deliberate that Nekomaru and Gundham are representing Chapter 4 and that's not just due to the nature of Smash. The two characters are the only ones seen actually attacking each other, which can only be taken as deliberate since there are two other players in the game yet we dont see on screen fighting between them two.

Nekomaru's Character charges at Gundham's. Gundham says "You fool, if you insist on pressing the attack we should both fall to our dooms!" Nekomaru yells "Your Not The Boss of Me Skunkhead!!" And continues to mash the attack button which leads them to fall to thier doom.

Now, dialouge aside for a minute [I'll be getting to that part soon] But the actions are super duper reprenstive about how they both sacrificed themselves in Chap 4. Once Nekomaru accepted to fight to the death it sealed both thier fates. In the Smash Game, when Nekomaru decides to attack Gundham and not back down the same thing happens, they both are sent across the stage and lose the match.

I first thought that I was looking to far into it, since Gundham is the one who set up the "murder" [ I can't think of a better term, but it was a mutual decision and was a Sacrifice rather] while in the Smash Game it seems more Nekomaru. However, that's where I get to dialouge

Now funny insult aside [Skunkhead is freaking hillarious, and I will affectionately refer to Gundham to that when I feel fits the mood], the dialouge is also able to be connected to Chap 4. The last words we know of Nekomaru's, were "I wont go easy on you! Dont even think of holding back!" Which is a call to a fight and parallels can be seen between the two. Both are showing that he'll continue, no matter consequences.

Even Gundham's dialouge is reminiscent, as its implied in Chapter 4 he gave Nekomaru an Opt out to leave and he does the same in the Smash Brothers game.*

*I'm now also having the desire to make an entire post about my hc/fic how the fight between them played out+ the aftermath of waking up from the simulation*

Another important detail of this scene is actually by the two other players, Akane and Chiaki. Now, the icing on the cake that I really aren't looking to far into this less then a minute scene is what happens with them. Youd think that as the Shsl gamer, they'd have Chiaki win the match. However, her character dies shortly after Nekomaru's and Gundham's while Akane wins.

Akane being the only survivor in that group of four, makes sense to be the one to win the game when it parallels Sdr2 so well.

Anyway, it was a really great scene. And I really liked the canon interaction between these two; very sad that there wasnt more/ the class didn't play many video games. Howver, despite with the lightheartedness at first glance I really like the parallels to the game it has. Even if it makes the happy scene a little sad.

[soncfseed]

reposted from my old blog

i want to post some links so people can better understand what bpd is and what a personality disorder is and is not. then, i’ll do a quick rundown of the 9 bpd symptoms and which ones ethan has/displays and how they manifest for him.

here is a quick ref of some common misconceptions about the disorder. tldr version: a lot of people think bpd isnt real, or that people with bpd are just crazy assholes but its a legitimate mental health problem that has multiple factors including ones that seem to be genetic and environmental.

a personality disorder is defined by the mayo clinic as: “a type of mental disorder in which you have a rigid and unhealthy pattern of thinking, functioning and behaving. A person with a personality disorder has trouble perceiving and relating to situations and people. This causes significant problems and limitations in relationships, social activities, work and school. In some cases, you may not realize that you have a personality disorder because your way of thinking and behaving seems natural to you.” basically, its not that a person has a bad personality in terms of poor character or is intentionally acting in a way that may seem irrational or explosive, but rather that the person has functional differences in how their brain reacts to things. personality is defined as:  “the combination of thoughts, emotions and behaviors that makes you unique. It’s the way you view, understand and relate to the outside world, as well as how you see yourself.” it isn’t just behaviour nor is it something people consciously control 100% of the time. borderline personality disorder has been linked to physical differences in the brain and its functioning, particularly of neurotransmitters and brain chemicals similar to mood disorders like depression. it is a type of neurodivergence, not a skewed moral compass, a choice, or something that people with bpd typically enjoy. the symptoms are very stress inducing and cause a lot of turmoil for the affected person, and when poor coping skills have been ingrained and then create further stress or complications in the person’s life, particularly in interpersonal relationships.

ok now we’re gonna hit the 9 symptoms and 4 domains of bpd and how ethan fits into it. the dsm-5 requires 5 symptoms out of 9 for a person to be diagnosed with bpd. ethan displays, in my opinion, 8/9 symptoms and would be a candidate for diagnosis in my experience.

domain a - emotional regulation 1) “Affective (emotional) instability including intense, episodic emotional anguish, irritability, and anxiety/panic attacks” ✅ generally, this is episodes of intense sadness, anger, irritability, insecurity and self doubt for ethan. he doesnt usually have anxiety or panic attacks, but he has had a few in extremely stressful situations. his symptoms of an anxiety attack tend to lean more towards irritability and emotional outbursts.

2) “Anger that is inappropriate, intense and difficult to control”  ✅ while ethan does become rightfully frustrated when the captain returns the book, the fact that he has what seems like a minute long complete meltdown including hitting/smashing objects, that would be a good example of the kind of situationally inappropriate anger and displays of temper ethan has. his anger spikes rapidly and it makes it hard to control his actions at times.

3) “Chronic feelings of emptiness”  ✅ while we don’t necessarily see this explicitly in game, i’d argue that’s part of his experience of bpd. he often feels a lack of purpose, a lack of self, and substitutes that with his role as the leader of new eden.

theres additional symptoms described as such: “In addition, if you suffer from borderline disorder, you may also experience emotional hyper-reactivity (“emotional storms”),  or emotional responses that are occasionally under- reactive, and frequent episodes of loneliness, and boredom. “ ethan definitely experiences emotional storms, and episodes of loneliness particularly. thats amplified by the fact that hes not particularly close to anyone in new eden besides maybe the judge. between a lack of substantial interpersonal ties with his community and his disorder, his episodes of loneliness are often very intense and distressing.

domain b - harmful impulsive behaviors 4)  “Self-damaging acts such as excessive spending, unsafe and inappropriate sexual conduct, substance abuse, reckless driving, and binge eating”  ✅ ethan deals with this to an extent, but not these specific self damaging behaviours. for ethan, its usually not eating or not sleeping for periods of time, or going on particularly dangerous missions to find the book. hunting also serves as an adrenaline rush, but because it sustains new eden its less impulsive than it is an acceptable way of spending a day

5) “Recurrent suicidal behavior, gestures, threats, or self-injurious behavior such as cutting or hitting yourself.”  ❌ ethan has suicidal ideations, but doesn’t have a history of engaging in self harm or suicide attempts.  

though not an explicit symptom, dangerous impulsivity that affects the self or others is a common symptom, and one ethan does deal with. his decision to turn new eden over to the highwaymen was in part spurred by his impulsive thinking and behaviour.

domain c - perceptions of self and others 6) “A markedly and persistently unstable self-image or sense of yourself (your perceptions of yourself, your identity)”  ✅ ethan definitely experiences shifts in this realm. this is part of why he ties himself so strongly to his identity as the leader of new eden in light of his poor relationship with his father (which will come up again). when that is threatened, it sends him spiraling because of his unstable self image. this applies to ethan’s image of himself as a person morally, his worth relative to others, and even how he feels about his body and appearance.

7) “Suspiciousness of others thoughts about you, and even paranoid ideation, or transient and stress related dissociative episodes during which you feel that you or your surroundings appear unreal.”  ✅ ethan is absolutely suspicious of others and it goes beyond his learned suspicion of outsiders that all of new eden seems to have. he is particularly suspicious of his father, and of people within his own community. some of this is completely rational, but it often extends beyond that. he experiences, in my hc, dissociative episodes and bouts of depersonalization where parts of his body don’t feel real or don’t feel attached to him/belonging to him.

“Other symptoms in this Domain include split- or “all-or-nothing” thinking, difficulty “pulling” your thoughts together so they make sense, and rational problem solving, especially in social conflicts.” ethan deals with all of these issues generally speaking. this is in part why his decision to burn down new eden was so extreme; he has difficulty at times with regulating what is rational and what is not (and making nuanced decisions), particularly when under extreme emotional duress like during an explosive emotional episode or mood swing.

domain d - unstable relationships 8)  “You may engage in frantic efforts to avoid real or imagined abandonment.”✅ this is part of why he looked so hard for the book, why he pushes himself so hard to be the leader of new eden and why he turns on them so aggressively at the end. sometimes this can manifest as lashing out, a way to “get them before they get me” mentality. he has particularly strong responses to feeling abandoned or ignored.

9) “Your relationships may be very intense, unstable, & alternate between the extremes of overidealizing and undervaluing people who are important to you.” ✅ this is definitely something ethan struggles with, especially with his father. this is also why he was willing to let new eden burn and its people suffer with it. he had swung too far back from feeling rejected that went completely into “new eden bad”, undervaluing everyone there to the point that he was able to rationalize destroying the place at the expense of the people who lived there.

none of this is meant to excuse his poor decision making, but in the context of my hc for him, it explains why he can act so irrationally at times, and so extremely. in reality, people with bpd are more likely to hurt themselves through self harm, suicide attempts, impuslive behavior, and self destructive behavior. ethan seed is 1) not a real person and 2) living under some very intense and unusual circumstances with probably the WORST person to parent someone with bpd, joseph “i talk to god and he says your soul is tainted” seed. he also doesn’t know he has a disorder and doesn’t have the knowledge or resources to get mental health treatment for his disorder. as it stands, however, he’s made some pretty bad and pretty horrible decisions, and at times can be a bad person. this doesn’t mean, however, that he is 100% bad or always awful, or that bpd is the sole cause of his behaviours. it isnt. lots of people (including myself) have bpd and we haven’t been directly or indirectly responsible for the deaths of anyone; we’ve never burned down our hometowns or tried to get our fathers killed. ethan’s display of bpd is more of a tool to explain and contextualize his behavior and character rather than to condemn him, condone him, or excuse his actions.

tldr ethan has bpd and so do i thanks 4 listening to my ted talk

[gaynickvalentine]

Give me your best Nick Valentine headcanons, I love my robot BFF

Some of these may drift into canon or the down right obvious but Ill give it my best shot :3

-he wasn’t quite as old as he sounds/acts/seems in the post war as when he died (or more accurately had the memory scan thing). We can see that Dima can develop as a person (its the entire premise of his creation) so I don’t think that it’s a far stretch to imagine that Nick is less of a direct simulation and more of an AI based on the old Nick Valentine’s experiences. It’s supported in more areas but I think that Nick is fully capable of human growth, and that he’s not just a captured personality like the robots at graygarden. With personal growth comes some sort of ‘age’, and i think Nick’s age so to speak sort of depends upon how many experiences he can remember (on top of the vaguer ones from his previous life). He’s well over a hundred, but he doesn’t remember all the time that made that up, so he’s sort of trapped in his 50s-60s

-he actively wants to move away from the old nick (identifying as a new separate entity) because with accepting that a new body doesn’t necessarily mean a new him, means accepting all of the guilt and baggage that comes with being Nick. Essentially, due to trauma he’s wanting to put it off in some sort of way with the justification that it didn’t happen to him so he doesn’t have to deal with it. This can come from anywhere from being shot (more on that big change to the canon headcanon soon), to losing his family he’d made before the war with my ‘sole’ survivor, the circumstances of his childhood, but also the guilt of being a cop in a fascistic country and basically serving ideals he didn’t necessarily agree with (but still carried out meaning that he gets fair blame for his part regardless)

- despite wanting to be separate, he has a sort of double standard where he still likes to think of the good parts of his life and the good things he had accomplished as belonging to him. I can’t blame him for being hesitant to let go of these things, but he is really shirking the blame for who he was with the worlds greatest excuse (and this isnt to dismiss his trauma, from before the war and who hes become against his will. he just needs to grow and own up for who he for good and for bad like the rest of humanity)

-Jenny Lands was his partner, not his fiance, and shot Nick herself after Winter got her in a hold so to speak. I’ll admit, this headcanon really does serve my personal story for Nick and Ben (where the were together pre war), but I also thing that it does still hold interesting enough to be heard about. Or I hope it does. Basically, Nick and Jenny were partners as well as good friends, but when Winter retaliated and put Jenny’s family and lifestyle in danger she chose to do as she was told and shoot to kill her partner. Nick survives this, and its the ensuing difficulties facing the betrayal and being shot etc that hes ordered to have his brain scanned over. This change mostly comes from me wanting to keep jenny as an important character so that she would not be erased or demonised (she made a choice nick would have had the situation been reversed)so that a mlm ship could work better sdhjdfs

-He feels guilty at the prospect of liking who he is. This ties into the guilt of who he was, a not a bad person doing bad things. He was doing what he could to get by, and when doing the right thing meant sacrificing the lifestyle he’d managed to scrape up he couldn’t carry it out. Its a lot easier to see 2 centuries later how wrong that was, but he refuses to put himself in the same headspace he had back then, when opposing the status quo could land him and his family in prison or worse. He like a lot (wider headcanon here) of pre war survivors bares the guilt of the government they suffered underneath. he likes to make derogatory remarks to himself because they feel deserved and

-he gets in the habit of putting himself down to feel less off putting to others. For the most part when he’s confident in who he is as a synth, its like hes performing it because he knows he should be, but he doesnt really believe in it or himself. He cracks jokes at himself when other people do (not hurtful jokes, playful ones that do end up hurting him) because if he laughs along hes more likely to be liked, and to him, the more people like him the easier it is for them to afford him his humanity. he doesnt have enough sense of self to afford it to himself, he depends on others to let him know his existence is worthwhile. i hope im explaining that point alrightkjdlgg

shorter bitesized headcanons:

-his mouth smells and tastes like an ashtray and a great amount of his ‘skin’ particularly in his mouth is nicotine stained. With the advent of increased self worth he starts looking after himself more

-he doent need to sleep, but he likes to in his own way. how slow can he run one diagnostic and turn on his thoughts in the meanwhile? as long as he likes. the harder the case hes on the more he likes to let his thoughts rest and drift away in a grandpa nap

-he cant feel things very well, for the most part he can only feel pressure (say you were to grab his arm) or pain (say you were to grab his arm harder). textures absolutely elude him

-he writes in cursive similar to how he did before the war, but no matter how hard he tries to make it look natural all the letters are replicated the same and his writing looks like a font typeface. watching him write is hypnotic

-he really digs into books, he’ll dogear them and leave them open face down on the page fuck the binding, he highlights passages he likes and he keeps them absolutely everywhere save for his bookshelf. he wears glasses when he reads because his optics arent up to scratch any more (the kind of glasses that have a beaded string around them so he doesnt lose them lmao)

[bottlepiecemuses]

kaidos inspiration is the shuten doji and his crew shares his oni theme

  kaido resembles  the modern day oni) (the horns, and the thing that kaido wears resembles what onis wear,  the loincloth and the bracelets  onis are depicted with kaidos spiked bracelets 

en .  wikipedia . org/wiki/Oni   there is the expression “oni with an iron club” (鬼に金棒 oni-ni-kanabō?), that is, to be invincible or undefeatable. It can also be used in the sense of “strong beyond strong”, (matches kaidos description and equivalent to kaidos strongest creature title)  or having one’s natural quality enhanced or supplemented by the use of some tool. )  for it was said no one could kill him and that he is the strongest creature on land , sea and air

and the fortress of the oni  in the  momonosuke story resembles the place we saw where the guy called for kaido.

in its shape they are the same

kaidos island and the demon island that momotaro went to in the story have the same name Onigashima.

Kaido’s characteristics such as his weapon, appearance, position as King of Onigashima (for being “king of ogres/demons”), also corresponds to the character of Shuten-Dōji and Momotarō legend in which orges of Onigashima were defeated by Momotarō and three animals, a possible inspiration source of Momonosuke ( who gotten the help of luffy (monkey) and inuarashi the dog only the pheasant is missing but japanese phoenixes have the head of pheasants  so marco could represent the pheasant) ,  

or the monkey, dog, and pheasant could be luffy, garp ( who wore a dog mask) and his ship had a dog on the helm  and was one of the people who took down the original rocks pirates ) and dragon opforum . net/threads/wanos-new-monster-trio . 96982/

Tama (Her unnamed Devil Fruit power seems to be based on Momotarō of Japanese folklore, who also used kibi dango to recruit his three beastly retainers: a dog, a monkey, and a pheasant. So far, Tama is known to have befriended two of the same three types of animals that Momotarō has; only the pheasant is missing)  , and her befriended animals.

The word “oni” is sometimes speculated to be derived from on, the on'yomi reading of a character (隠) meaning to hide or conceal, as oni were originally invisible spirits or gods which caused disasters, disease, and other unpleasant things. These nebulous beings could also take on a variety of forms to deceive (and often devour) humans. Thus the Chinese character 鬼 (pinyin: guǐ; Jyutping: gwai2) meaning “ghost” came to be used for these formless creatures.

and kaido representing an oni since moriah coveted the corpse of oars  and oars jr who resembled an oni (onis skin may be any number of colors, but red and blue are particularly common.)

and kaidos top 3 guys are called the calamities/disasters ( which basically mean the same thing)

the more accurate translation

jack the drought (unpleasant things , queen the plague (diseases) , king the wildfire ( disaster)  all three of their epitaphs reference something onis bring

oni  are said to crush and destroy humans solely for enjoyment carry out horrible punishments (kaido boiled oden) and make up armies of the great generals of the underworld(the zoan army)

They all possess two horns on their head, much like Kaido, and two of them carry a spiked club similar to Kaido’s kanabō, thus giving them traits similar to those of the legendary oni

The invisible oni eventually became anthropomorphized and took on its modern, ogre-like form, partly via syncretism with creatures imported by Buddhism, such as the Indian rakshasa and yaksha, the hungry ghosts called gaki, and the devilish underlings of Enma-Ōwho punish sinners in Jigoku (Hell).They share many similarities with the Arabian Jinn.

Doflamingo’s title was “Heavenly Yaksha” and it would fit for him to work for a guy who represents an oni like how he represents a yaksha and oniare portrayed as having massive size  

and kaido was shown with an iron club

kaido doesnt just  allude to oni in general but specifically  to the shuten doji the king of the oni who had a fondness for alcohol and went on drunken rages

en .  wikipedia . org /wiki/Shuten-d%C5%8Dji

There is a proverb in Japan Oni no Me nimo Namida (鬼の目にも涙 Even ogres/demons shed tears.?), meaning “even the hardest of hearts can be moved to tears”. This also fits to Kaido’s side to be a maudlin drinker and pitied for Doflamingo.

Kaido (怪童 “Mysterious Kid?) or Kaidomaru (怪童丸?) are also old names for both Shuten-Dōji and Sakata no Kintoki in their youths

about shuten doji( 酒呑童子 or  朱点童子 )

en . wiktionary . org/wiki/%E6%9C%B1#Kanji

Shutendoji is made with the character ‘sake’ … (酒呑童子) the word "sake” (酒, “liquor”, also pronounced shu) 

nihongoichiban . com/2011/07/02/%E9%85%92/

and kaido was drinking from  a sake gourd

and the kanji for “Ten” was written on the bottle which kaido was drinking

天

en . wiktionary . org/wiki/%E5%A4%A9

the word “sake” (酒, “liquor”, also pronounced shu) 

There are three monsters who are considered the greatest and most evil yokai in all of Japanese folklore: the ghost of Emperor Sutoku, the nine-tailed kitsune Tamamo no Mae, andthe dreaded king of the oni, Shuten dōji. He met another demon child like him, named Ibaraki dōji (most likely inspiration for 1st mate of kaido), who became his chief servant. Over time, the young man and his gang gradually transformed into oni, and eventually he had a whole clan of oni (beast pirates ) and yokai thugs who prowled the highways, terrorizing the people of Kyoto in a drunken rage. He and his gang eventually settled on Mount Ōe, where, in a dark castle, he plotted to conquer the capital and rule as emperor. Finally, a band of heroes led by the legendary warrior Minamoto no Yorimitsu managed to defeat

 the kanji for “Ten” was written on the bottle which kaido was drinking which combined with shu gets shuten

en . wiktionary . org/wiki/%E5%A4%A9

so

It has been said that Shuten-dōji was the strongest oni of Japan. Academic folklorist Kazuhiko Komatsu (ja) has counted Shuten-dōji among the three most feared yōkai in medieval Kyoto, alongside the vixen Tamamo-no-Mae and the demon Ōtakemaru (ja).

shuten doji wasnt born an oni 

Shuten dōji was a troublesome orphan child. He was very strong and very smart; so much so that people believed his father must have been a demon or a dragon (some stories has shuten dojis father be the 8 headed dragon yamato no orochi ( sometimes its depicted as a dragon in others its depicted as a snake.  and he later became an oni

folklorethursday . com/legends/three-evil-yokai-japan/#sthash.EtH9NC71.dpbs

kaido as a drunk dragon going on a revelation

and kinemon has a hatred for dragons plus this supports  so it fits that kaido ate the dragon df   it reflect the parts in shuten dojis story where they were connecting shuten doji to dragons.

Kaido’s habits to favor alcohol and to lose self controls are similar to the legend of Yamata no Orochi, a famous hydra like dragon and incarnation of floods, or a god of mountains and rivers in Japanese mythology (Yamata no Orochi (八岐大蛇 (ヤマタノオロチ), “8-branched giant snake”) or Orochi (大蛇), is a legendary 8-headed and 8-tailed Japanese dragon so in depictions the yamata no orochi is sometimes portrayed as a snake and sometimes its depicted as a dragon where a character who is supposed to allude to the orochi can have a snake theme )i, and Shuten-Dōji, lord of demons and bandits who was slain by famous Shitennō 

and some storys connect shuten doji to the yamata no orochi and orochi from one piece works for kaido  (both the shuten doji and yamata no orochi possessed a matchless thirst for sake (some say orochi fathered shuten doji

and Both Yamata no Orochi and Shuten-Dōji were slain by being incapacitated with alcohol.  and their heads being cut off

the yamata no orochi was killed by susanoo the storm god ( and roronoa zoro has multiple storm based attacks) by susanoo getting all of yamata no orochis heads intoxicated  to the point it fell asleep and while it was asleep susanoo killed it  so sake played  a part in its demise

en . wikipedia . org/wiki/Yamata_no_Orochi

So His-Swift-Impetuous-Male-Augustness, at once taking and changing the young girl into a multitudinous and close-toothed comb which he stuck into his august hair-bunch, said to the Deities Foot-Stroking-Elder and Hand-Stroking-Elder: “Do you distill some eight-fold refined liquor. Also make a fence round about, in that fence make eight gates, at each gate tie [together] eight platforms, on each platform put a liquor-vat, and into each vat pour the eight-fold refined liquor, and wait.” So as they waited after having thus prepared everything in accordance with his bidding, the eight-forked serpent came truly as [the old man] had said, and immediately dipped a head into each vat, and drank the liquor. Thereupon it was intoxicated with drinking, and all [the heads] lay down and slept. Then His-Swift-Impetuous-Male-Augustness drew the ten-grasp sabre, that was augustly girded on him, and cut the serpent in pieces, so that the River Hi flowed on changed into a river of blood. So when he cut the middle tail, the edge of his august sword broke

maybe odens sword ame-no habakiri will end up breaking

 The Ame no Habakiri (天羽々斬あめのはばきり Ame no Habakiri?, literally meaning “Snake-Slayer of Heaven”) is one of the most famous Totsuka no Tsurugi, appearing in Japanese mythology as a blade used by the Shinto god Susanoo to slay the legendary monster serpent Yamata no Orochi. “Haba” (羽々?) is an archaic term for “big snake” (orochi).

maybe zoro will end up being given the ame no habakiri after he kills orochi and   the sandai kitetsu breaks   to signify his status as the person who killed orochi

and for shuten doji 

The gods give Raikō the “sake [which is] divine elixir, poisonous to demons” (神便鬼毒酒, jinben kidoku shu)[l] which will rob the ogres of their ability to fly and stupefy them

As in the oldest text, Raikō’s party pretending to be yamabushiascetics gains entry at Shuten-dōji’s dwelling-place. Raikō disarms the ogre’s suspicion by explaining that they as yamabushi follow the ways of En no Gyōja who he says was compassionate and hospital towards demons.[35] The warriors drink up the blood sake and heartily eat the human flesh in order to gain furthter confidence.[36] At the height of the drunken revelry, Raikō offers Shuten-dōji the divine sake poisonous to demons.[37] Shuten-dōji begins to tell his life story (he is originally from Echigo Province according to this text), and also recounts how his henchman Ibaraki-dōji lost an arm in an encounter with Tsuna, one of Raikō’s men.[n][38]

As in the older text, the warriors equip their hidden armor and swords and raid Shuten-dōji in his sleeping chamber. The three gods have arrived to help and chain the ogre’s limbs to the pillars. As Raikō positions himself with his sword Chisui  in hand, the ogre faults the warrior for his sneaky underhanded tactics, exclaiming: “How sad, you-priests! You said you do not lie. There is nothing false in the words of demons”. The warriors attack with their swords and sever Shuten-dōji’s head, but as in the older text, the detached head attempts to get a bite at Raikō, and the hero is protected by two helmets stacked on his head: his Lion King helmet on top the hobnailed helmet (hoshi kabuto (ja)) given him by the gods. Subsequently, Ibaraki-dōji and Watanabe no Tsunaengage in a prolonged fight and while they grappled, Raikō decapitated Ibaraki-dōji. The female prisoners are liberated and the warriors return triumphant.

so alcohol played  a part in both orochi and shuten dojis death and the original plan was to kill orochi and kaido while they were drunk partying

and one of the methods of ancient japan to ward off onis were to erect monkey statues and sun wukong who luffys based off was a stone monkey a monkey born from the stone  and given moriahs connection to luffy moria may be involved in wano and nightmare luffy will return

[saints-row-2]

film watch day 31: Every Halloween Film

happy Halloween today i watched every Halloween film currently available to me. i couldnt get to rewatch Halloween 2018 but i already wrote about it a couple of weeks back so feel free to revisit that post. anyway, i watched ten Halloween movies today. It took around 17 hours. i started at 11:15am and im writing this now at 6 am.

so lets get to the post. for the most part i went in chronological order, except i chose to start with Rob Zombie’s remakes because i knew if i didnt id be finishing the day by watching them at the break of dawn and the idea of doing that was so fucking putrid to me that i decided to get them out of the way first.

Halloween (2007)

i hate this fucking movie. i mentioned in an ask the other day but im happy to repeat here, i dont hate the idea of expanding on Michael’s backstory. like the fact is we largely know his backstory, the issue is how this film chose to portray it. the original Halloween is frightening because its based around the idea that the seemingly safe, quiet suburbs are not as safe as they seem; you can be on a street youve known your entire life, only a few metres from your own home, and still at risk. the whole idea of showing Michael as a murderer when he was six is to tell us that anyone could be a threat, that our conventions that all killers are a particular kind of person is false.

Halloween 2007 says fuck that, we know what serial killers are, and theyre those poor kids who come from shitty neighbourhoods and have abusive parents and mothers who are sex workers. everything that Halloween brings to the table is fucking tedious, played out, and massively uninspired. it wants to bring us the truth about why Michael is like he is, but Rob Zombie’s only understanding of serial killers is in the cliche and exploitative. he has nothing honest about human nature to show us, only the exact same stories that have been fed to us by crime and horror movies past.

this film is incredibly loud and in fucking constant motion. even on steady shots of still scenes the camera constantly shakes, and in every other scene its always whirling around from tracking shot to panning over the scene to just idly zooming in and out of nothing. Zombie’s favourite shot is to have something large and out of focus in the foreground -- like some plants -- and to shoot the characters standing about six feet away muttering to themselves. every single fucking shot in this movie lingers too long, every scene drags a little longer than it needs to. this film moves with the pace that i would describe as “family guy gag”.

and this film is so loud. people are always talking or screaming, largely about nothing important or interesting. theres always music, but it never particularly adds anything; for reasons i fail to fucking understand the entirety of the original theme plays over mostly uninteresting tracking shots of a minor character walking around yelling filler lines about nothing.

the writing is horseshit. everyone in this film is vile, no one talks or behaves like real human beings. almost every exchange in this movie is the characters saying the exact same thing back and forth inanely, frequently punctuated by screaming FUCK as loudly as possible and talking about sex in a way that 40 year old men really really wished teenage girls talk about sex. Halloween (2007) is thoughtlessly gross and mean and nasty, disconnected from any kind of human sensitivity and empathy. it wants to be complicated and to be deep but its crushingly simplistic and stupid. the only thing that redeems it is that its not Halloween II (2009). speaking of which...

Halloween II (2009)

jesus christ this movie is so fucking boring. Halloween II is two hours long but feels like its about twenty hours long. i felt like i was watching this film for twenty days and twenty nights. i was trapped in an eternal purgatory with this movie.

i really cant fucking emphasise how boring this film is. endless scene after scene of nothing of consequence happening, uninteresting death scenes that add nothing, and Michael wandering around doing jack shit. Halloween II fucking made Michael Myers boring, and im saying this as someone who (as i repeat once every 8 seconds) has a tattoo of him. this film couldnt hold MY interest in two of my favourite characters of all time.

the big fun new addition from the first movie is the presence of Michael and Laurie’s mother as a kind of weird goth ghost guiding Michael to kill. i dont know why Michael had to be Jason Voorhees and be a mommy’s boy all of a sudden, but this addition brings absolutely nothing of interest to the film or to his character. its meant to be symbolic of fucking... something im sure, but it feels meaningless. somehow Michael and Laurie are both able to see and interact with this ghost and the ghost has an agenda to do... something? it feels about as intelligent and coherent as the bullshit cult of thorne shit from 6, but a lot less fun. at some point Michael Myers apparently has mind control powers?

not to repeat myself a hundred fucking times but this film is insanely unpleasant to watch. every scene someone is screaming, generally wailing “fuck you bitch” at anyone in their vicinity. this is two hours of people howling swear words at each other and not infrequently making rape jokes. Rob Zombie loves rape jokes! almost as much as he loves putting sexual assault in his movies over and over again for no reason.

there is nothing to enjoy in this film. theres nothing to gain. there is too much slow-mo and far too many strobe lights and absolutely nothing of any intelligence or grace. Halloween II is a thirteen year old boy in a korn T-shirt calling his mom a bitch while he draws zombies on  the back of his homework, which he will get an F for because the only thing he wrote was “reading is for faggots”.

Halloween (1978)

what the fuck can i say. this is one of the greatest horror movies ever made, if not the greatest. its one of my favourite movies. its forty years old and still just as chilling and frightening as it ever was. it has some shot composition and cinematography thats up with the best ive ever seen, all while being shot on a budget of $300,000. it does more with less than just about any film, launched the slasher genre, shot Jamie Lee Curtis to stardom and created a pop culture icon that stayed strong for decades. its a masterclass in tension and suspense, a lean-cut perfectly paced film with heaps of atmosphere and character.

i love this film with a frantic passion that makes me unable to talk about it in a particularly helpful way. i cant “review” Halloween. I love this film beyond reason and sense and you either get it or you dont.

Halloween II (1981)

Halloween II is largely one of the less remembered entries in the franchise; its a decent enough movie, neither matching up to the highs of the original or the lows of the later films. its a pretty enjoyable little film, created under the logic of ‘well the first one did well, lets do the same thing again’. Carpenter wrote the script but didn’t direct, and while the film has a solid story, the directing lacks his signature flair. its hard to pinpoint, because the film is generally fairly well-shot, but lacks a kind of eye for shot composition that Carpenter made look easy, doesnt have as much patience for suspense.

on its own merits, theres still some great shots and great scenes in the movie. and a lot of really cool kills; II got a lot more creative with what Michael was capable of, and i think the boiling water drowning kill is rightfully pretty infamous.

this was the last Halloween movie Carpenter wrote, and it was the film where the idea of Laurie and Michael being siblings was introduced. and believe me ill defend this fucking decision to the grave. adding the human connection between Michael and Laurie gives a whole other layer to their relationship thats so fascinating to me, and i love that other films try to expand on the themes of family. in general, deciding that this film would continue to focus on Laurie and not do what later slashers did with bouncing around between different casts was a great fucking move, ironically for a franchise that was intended to be an anthology.

quietly exploring the aftermath of the first film was a good idea for a follow-up, and i especially really enjoy Loomis’ role in this movie, and his discussion about who Myers is. the biggest disappointment for me personally is that Laurie lacks a lot of presence in this film. Curtis is great, as always, but the movie dawdles on some side characters who are too disconnected from her to get a sense of what shes going through.

all that being said, Halloween II is decent. the ending is really great, with some really powerful shots. Michael bleeding from the eyes of his mask after Laurie shoots him is one of the best fucking images in horror and him swinging blindly as Laurie and Loomis slowly orchestrate his death is a fucking amazing scene. i have an immense fondness for this movie, with all its flaws. it brings a lot of really cool concepts to the table, and i think it deserves some appreciation.

heres a question tho; where the fuck were Laurie’s parents. theres a suggestion theyre missing, but theres no explanation why and we never hear from them. did michael kill them too? hello? mr and mrs strode? your daughter just fucking killed a guy and all her friends are dead. where the fuck are you.

Halloween III: Season of the Witch

Halloween III is infamous as being the Halloween movie that isn’t about Michael Myers at all. when it first released it was wildly unpopular and remained so for quite a while, but has had a surge in popularity over the last few years. i think just about every horror critic i know now considers Halloween III one of the best in the franchise. and to be fair to it, its a great little movie. not a slasher at all but rather a conspiracy thriller, Halloween III is all about the mystery of what the Silver Shamrock mask-making company are really up to, and why people are disappearing. its a weird and creative little movie, with some really fucking great practical effects that turn it from just being a thriller to being an all-out horror film. it has a few too many ineffective jumpscares and some of the plot twists are kind of disappointing and feel a little too much like the easy option -- and then others are so wildly bizarre no one would see them coming because theyre fucking completely out there. but i kind of love that sort of nonsense in a horror movie. like lets just have a fucking good time in here for once in our fucking lives.

Halloween III is not a perfect or even a really great movie, but yknow, fuck it. the idea that only perfect films are worth watching is dumb. i appreciate the weird shit this film tried and i think it deserves a lot more respect than what it got; if it had been released under another title it probably would have gone down as a classic instead of being derided for years, you ask me.

now things start going rapidly downhill

Halloween 4: The Return of Michael Myers

Halloween 4 is when Jamie is introduced as the new final girl; Laurie’s seven year old daughter, after Laurie herself died off-screen in a fucking car crash. the decision to kill off Laurie came from Jamie Lee Curtis decided not to return to the character and instead of recasting her, they went with just having her… die. off-screen. in the franchise where the previous two movies were about her triumph and determination to stay alive. like its the casual thoughtlessness of this that, the idea no one would give a shit a character returned, that in my eyes epitomises how fucking little anyone cared about this franchise going forward.

man the idea of Laurie dying completely irrelevant to Michael… thats a lot. anyway continuing on his quest to erase anyone related to him, Michael starts targeting his niece Jamie for the three movies in the franchise. this is where the series started rapidly losing any grip on reality. while Michael always had some kind of superhuman elements to him (he took six bullets to the chest and survived in the first movie) these became increasingly wildly exaggerated. now hes crushing peoples skulls with his bare hands shit like what the fuck. first of all do that to me and secondly, it was this kind of slide into unreality that let the supernatural elements of the series creep in further until you end up with the shitshow that is Halloween 6. like it was the decrease in the impact of violence and human life that really fucked this franchise over.

this film is not great. its a definite decline in quality after 2 and was on the slippery slope downwards. it has some high points, primarily in Dr Loomis. Donald Pleasance is a better actor than most movies deserve and brings gravitas to a role that in the hands of a less capable actor would be laughable. his sincere plea to Michael at one point to just kill him instead of going after Jamie is honestly fucking tragic.

outside of that, the film isnt massively interesting. Michael himself isnt particularly threatening or engaging, and his mask looks like shit in this film. the characters in this film are largely very stupid, also, which doesnt help anything much.

Halloween 5: The Revenge of Michael Myers

if theres a Halloween movie people talk about the least, its this one. II has the sibling twist, III is the black sheep, 4 is the return, even 6 gets talked about for its troubled production history. no one has anything to say about Halloween 5. and thats mostly because there is fucking nothing to say about Halloween 5. it is a relentlessly fucking dull movie that pads out its 100 minute run time with endless unnecessary scenes of shit that does… nothing. this film is dull in a way that i find incredibly detestable. i cant even watch it through a haze of impassioned anger like i can with the also incredible dull Halloween II (2009). its just fucking boring. every single scene drags like its trying to walk on two broken legs. the plot is so bare bones its nonsensical. it constantly adds new characters and new elements but all that does is makes it more incoherent and confusing. watching this movie i literally found my fucking eyes glazing over in my skull. if this film was edited correctly it would be twenty minutes long. i cannot fucking emphasise enough how much of relentless slog it is. Halloween 4 was dull but even that had the lifeline of ‘some cool ideas’. Halloween 5 is nothing. Halloween 5 is puddle dirt water.

Halloween 6: The Curse of Michael Myers

if Halloween 5 is puddle dirt water Halloween 6 is just a fresh hot glass of piss. there are two versions of Halloween 6, the director’s cut and the theatrical release, and both are wretched. this film went full ham with introducing the supernatural elements, telling us that Michael was his whole life psychically controlled by a pagan cult called the Cult of Thorne in order to make Halloween scary again or summon the devil or who fucking cares. this movie is fucking insufferably dull, totally absurd, and wildly unsympathetic. i loathe Halloween 6 and every terrible, stupid plot decision it makes. Paul Rudd defeats Michael Myers by drawing druid symbols on the ground and Michael just gives up and lies down. theres a baby that does nothing and serves no purpose. Halloween is apparently banned in Haddonfield, which makes this more closely related to Footloose than Halloween i think. this film takes itself incredibly seriously while spouting nothing but total fucking bullshit drivel and i dont believe that anyone involved in this movie, from the cast to the cameraman to the guy who served the lunch had any faith in this movie outside of the vague hope it might make money and i wish this movie had been burned at the stake. also i hate Paul Rudd.

Halloween H20: 20 Years Later

oh thank fucking god finally some good fucking food. Halloween H20 took the decision to retcon all the sequels (except II) twenty years before Halloween 2018, proving that everyone knew 5 and 6 were fucking mistakes.

this film loses a lot of the Halloween feeling in favour of making a more generic late 1990s/early 2000s style horror. theres nothing particularly interesting about the way this movie is directed or shot, the music is largely very generic, it has a generally uninteresting glossy quality to it that studio movies always do. its very obvious this movie was inspired by Scream and it looks a lot more like Scream than it does Halloween. all of this makes me kind of sad, but other films in the franchise have proved that other directors generally are not capable of imitating Carpenter’s style so maybe its better they dont really try.

what H20 does so well, and the reason i love it so much, is that it explores the relationship between Michael and Laurie, which is something im endlessly fascinated with. this was the first movie to have Laurie shake off her fear and rise up against Michael, and while it doesnt do it with quite as much depth and intelligence as Halloween 2018, it still has a fucking good crack at Laurie’s character, and its still powerful watching her turn on the man who terrorised her for years. Michael is great in this movie too; while he has a terrible mask, watching him back on his shit as a furious force of nature who wants nothing more than to destroy anyone who gets in his way.

honestly i kind of enjoy having a Halloween in a different style; theres something fun about seeing characters recontextualised and done with justice and empathy. most of the Halloween sequels before this one (and after, looking at Resurrection) are shallow, unconcerned with any kind of emotional depth or personality. and while a lot of the stock filler characters in H20 who are lined up for the chopping block arent that interesting and dont particularly standout, watching Jamie Lee Curtis’ performance and seeing her interplay with Michael is enough. and most of the side characters arent particularly annoying, which is more than i can say for half this franchise.

this film also has what is one of my absolute favourite endings in a movie ever; the final confrontation between Michael and Laurie has a particular interaction between them that i absolutely adore and that alone is enough to make this movie one of my favourites.

H20 isnt perfect; it weirdly feels like a blueprint that Halloween 2018 would later refine into a better movie, but the idea its going to be completely disregarded for Halloween 2018 in the future makes me a little sad. in the face of so many fucking mediocre and awful Halloween sequels it did the right thing in trying to focus on what actually mattered; the connection between Michael and Laurie, although i dont feel like it succeeded in making Michael as scary as 2018 would much later. that said, the shot where Michael and Laurie just stare at each other through the glass of a window? that gives me chills every time. and hearing the Halloween theme kick in as Laurie marches off into the school with an axe looking for Michael is so fucking triumphant.

i love H20 even if Michael’s mask looks like his hair was dunked in a bucket of water and then gently blow-dried. i have no idea why it looks so fucking stupid in this movie. why is it so hard to get Michael’s mask right. you wouldnt think it was that fucking hard. anyway, i really fucking love Laurie Strode a lot, which didnt help to make Resurrection any easier to swallow.

Halloween: Resurrection

so whats the obvious thing to do after you have a movie where the power and emotion all comes from the emotional catharsis of seeing a woman get her vengeance on her tormentor? you, uh, make a sequel in which she is immediately defeated and pointlessly killed after its revealed her victory at the end of the previous film was entirely false, and then you never return to focus on her and instead introduce a horde of entirely uninteresting stock characters. yeah, makes sense.

Resurrection is fucking incredibly stupid, in the kind of fucking hysterical way only really bad horror movies can capture. theres absolutely nothing of Halloween in this other than the presence of Michael, who just as easily could have been replaced with anyone or anything. the story has a group of people on a reality show staying in the Myers house to… stay there? its not entirely clear what the challenge is meant to be, other than to just be inside the house, which i imagine gets to be pretty dull viewing pretty quickly. theres no suggestion theyre like, hunting for ghosts or something along those lines, theyre just… looking at stuff.

Michael slopes around this movie like he doesnt fucking understand where he is or whats going on, an entirely out of place relic of better times past while the cast cavorts around him doing nothing of interest and having no plots or characterisation to speak of. the film has exactly two or three funny moments, including the legendary ‘Michael Myers getting electrocuted in the dick by Busta Rhymes’, but youre way, way better off just looking that up on youtube instead of watching this movie. there is an hour of pointless plot development about characters no one cares about until Michael starts fucking killing people. this movie shouldnt exist and we should all go back to pretending it doesnt.

and thats it. thats all the halloween films. i can die now.

[gay-saltasaurus]

Ok, here's my review/analysis of Death Stranding. Full thoughts in the read more, but tldr:

Death Stranding is an amazing game. There is nothing else like it. It's complex, and the story will probably make your brain hurt a little, but its fascinating. This game is SUPER not for everyone. Some people hate it, and I understand why. How you play the game is entirely up to you, and what you get out of it depends on what you put into it. Its incredibly well made, and I highly recommend it.

That was probably a bit long for a tldr, but if you opened the read more you brought this on yourself.

Context

First, a bit of context. Death Stranding was my first Kojima game. I knew of his reputation and admired his values as a game designer, but Metal Gear just didn't seem like my thing. I just saw the promotional images and stuff for DS (particularly that one of the five black figures in the sky) and was just overwhelmed with curiosity and WTF IS THIS GAME. I forgot about it for a while, then it came out, I watched maybe an hour of a let's play and read a few spoiler free customer reviews. I don't think I've ever seen reviews so divided. I saw maybe one review that gave a middle score. But the let's play showed some interesting concepts and a really strong atmosphere, so I was on board. I haven't looked at any reviews since finishing the game, so I might add to this post later to address those points. (Nevermind that will need to be separate because I am a long winded bitch)

Gameplay

Death Stranding's gameplay probably isn't for everyone. If you're looking for something fast paced or something you don't have to think that hard about, or if menu screens really bother you, this might not be for you. That being said, there is something here for everyone. There's strategy, stealth, action, exploration, ect. Like any good open world game, you create your own experience. You can go take on MULES, make deliveries to side characters to learn more about them and the world, or just go straight to your destination as fast as possible. Do you want to deal with MULEs with stealth, violence, or avoiding them altogether? Do you want to make deliveries by foot and deal with balance, or use a vehicle and deal with rough terrain and cliffs? The game allows pretty much any play style, all of them carefully balanced so that none are inherently better than the others.

One part of the gameplay that might set a few people off is the amount of menus. There are a lot of them, and navigating them is not always the most intuitive. However, they are important to the gameplay, and they are pretty useful once you get used to them. Since my brain is more of a pinball machine than a coherent train of thought, automatically going through multiple menus when taking on a delivery saved me having to go back to the terminal 8 times because I forgot something. I also love the map and being able to see the route I plotted so I don't have to constantly check the map because my pinball brain can't remember where tf I'm going. It also leaves me free to process the story and enjoy the atmosphere.

The balance mechanic might also seem tedious at first, but it seems like it's partially an alternative to the weight/speed system most games use. Excessive cargo slows you down, but balance becomes an issue long before speed does. Personally I really prefer this to the agonizing slow motion crawl that most games use, since in theory you can still carry an excessive amount of cargo, you just have to be good at balancing it. It adds to the realism and challenge to parts of the game that might otherwise feel like a walking sim. It can also look really fucking silly and I love that.

Story

Sweet baby Jesus, this story is a lot. Its complicated af, with a lot of big ideas that can make it difficult to understand. The long quiet traveling segments come in handy here, as they give the player time to process the latest chunk of exposition. This is a story that requires a lot of exposition and long cutscenes, but if you really aren't into that they're all skippable, and you can still see where to go next, but obviously this game isn't really for anyone who's that impatient.

Personally, I'd say the story is pretty good. It's not perfect, but I feel like it's not quite the focus of the game (more on that later), so it doesn't really need to be. The performances are fantastic, and Reedus adds a lot of personality and depth to Sam that would otherwise need to be shown through even more dialog. As someone who's spent years studying storytelling, I'm always relieved to find a story where I have no idea where it's going because the narrative structure is so weird. There are plenty of major twists, but they're set up ahead of time. Everytime I thought "Wait that doesn't add up" Death Stranding would later say "You're right! It doesnt!" And that's wonderful.

Worldbuilding

The worldbuilding here is some of the best I've seen in a game. There is SO. MUCH. DETAIL. Everything feels well thought out, you can tell that the developers spent a lot of time just working out how society would function in this situation. And a lot of it is based on actual science to the extent that you can tell that some of the people involved here had hyperfixation level interest in some pretty advanced topics. The science here is used in a way that shows a level of actual understanding, instead of the usual "I saw an article once that said we don't use 100% of our brains. I didn't read past the headline, but here have some fancy science words." As someone who frequently hyperfixates on random science enough to see through shitty/nonexistent research, I can't possibly express how exiting this is. I'm by no means an expert on quantum mechanics or whatever, but I can tell that someone here did at least some actual research. And of course, as other people have pointed out, the discussion of the effects of isolation in this world have been shown to be pretty damn accurate in light of recent events.

Themes

OK HERE WE GO HERES THE BIG ONE. Like I said, I feel like the focus of Death Stranding isn't on its story, but on its theme of connection. Every other element of the game comes together to support that central experience. You are reconnecting a world that is overwhelmingly isolated. You are traveling through a vast, empty landscape, completely alone (except for BB). As you reconnect each region, the landscape becomes less empty as you're connected to other players. You are aware that you're working together with other people, even if you never see them, just like the preppers and other people you're connecting. Characters continue to send you emails, reminding you of the connections you've made and showing how your actions are slowly making the world a little less apocalyptic. Shoutout to the guy at the 1st waystation, who slowly got better at going outside. I don't remember his name, but I'm proud of him.

Death Stranding is a prime example of a hopepunk game. Despite its somewhat melancholy atmosphere, ongoing apocalypse, occasionally harrowing gameplay (that fucking mountain), moments of horror, and the constant presence of death, it is aggressively optimistic. All the Bridges characters are so positive, and the way they talk about the chiral network makes it sound almost too good to be true. And even when the dark secrets of Bridges and the network are revealed, it doesn't take away the positive impact. It's not one of those twists where everything was a lie and fuck you for trusting it, because you've seen the network save lives. The world in DS is FUCKED. It has been for years, and probably will be for the foreseeable future. But that doesn't mean you should stop trying.

If you actually made it this far, congratulations and thank you.

[patriotsnet]

Are The Republicans Winning The Election

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Are The Republicans Winning The Election

California Recall Lesson: Republicans Believe In Elections Only When They Win

Winning Elections: Why and How the Republicans Win

Republicans,;like totalitarians, believe in elections. But only if they always win.

New case in point? California, where voters on Tuesday appeared inclined to keep Democratic Gov. Gavin Newsom in a recall election.

Cue Larry Elder, the leading Republican to replace him, who started dropping unsubstantiated claims that the election was;rigged against him.

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The only proof Elder offered was the fact that California voters were poised to pick Newsom over him or anyone else on the long list of possible replacements.

How could that be? Republicans can only lose if theyre cheated, right?

I Do Not Buy That A Social Media Ban Hurts Trumps 2024 Aspirations: Nate Silver

sarah: Yeah, Democrats might not have their worst Senate map in 2022, but it will by no means be easy, and how they fare will have a lot to do with the national environment. And as we touched on earlier, Bidens overall approval rating will also make a big difference in Democrats midterm chances.

nrakich: Yeah, if the national environment is even a bit Republican-leaning, that could be enough to allow solid Republican recruits to flip even Nevada and New Hampshire. And then it wouldnt even matter if Democrats win Pennsylvania and Wisconsin.

One thing is for sure, though whichever party wins the Senate will have only a narrow majority, so I think were stuck in this era of moderates like Sens. Joe Manchin and Lisa Murkowski controlling every bills fate for at least a while longer.;

sarah: Lets talk about big picture strategy, then, and where that leaves us moving forward. Its still early and far too easy to prescribe election narratives that arent grounded in anything, but one gambit the Republican Party seems to be making at this point is that attacking the Democratic Party for being too progressive or woke will help them win.

What do we make of that playbook headed into 2022? Likewise, as the party in charge, what are Democrats planning for?

With that being said, the GOPs strategies could still gin up turnout among its base, in particular, but its hard to separate that from general dissatisfaction with Biden.

Georgia’s Brad Raffensperger: National Gop Figures Didn’t Understand Our Laws

But Gabriel Sterling, Georgia’s voting system implementation manager, said on Wednesday that the system is working exactly the way it is intended.

“The irony of saying ‘fraudulent votes have been found’ â he has gained in the finding of these votes,” he said.

Raffensperger has said he’s been pressured by top Republicans to find ways of disqualifying ballots that hurt the Trump campaign.

“They say that as pressure builds, it reveals your character, it doesn’t change your character. Some people aren’t behaving too well with seeing where the results are,” Raffensperger told NPR’s Ari Shapiro on Tuesday.

“At the end of the day, I want voters to understand that when they cast their ballot in Georgia, it will be accurately counted. You may not like the results and I get that. I understand how contentious it is. But you can then respect the results.”

Poll workers check voters’ identifications on Election Day at the Orpheum Theater in Madison, Wis. The Trump campaign has announced it is filing for a recount in two Wisconsin counties.hide caption

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Poll workers check voters’ identifications on Election Day at the Orpheum Theater in Madison, Wis. The Trump campaign has announced it is filing for a recount in two Wisconsin counties.

President Trump’s campaign announced Wednesday morning it is filing a petition to formally ask election authorities to conduct a recount in two Wisconsin counties. President-elect Joe Biden won the state by a little more than 20,000 votes.

Recommended Reading: Did Donald Trump Really Say Republicans Are Dumb

Gop Scores An Early Win In 2024 Race

New Census figures show the gap between the popular vote and the Electoral College is widening.

As a result of Census Bureau population figures released Monday, if every state voted the same way in 2024 that they did in 2020, President Joe Biden would win three fewer Electoral College votes than he did in November. |

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President Joe Bidens path to reelection just got a little harder.

As a result of Census Bureau population figures released Monday, if every state voted the same way in 2024 that they did in 2020, Biden would win three fewer Electoral College votes than he did in November, while the Republican nominee would win three more.

The shift is only a marginal one it would only affect the closest of elections.

But that doesnt mean the new state numbers which are used to apportion the number of congressional districts each state gets, and thus the number of electoral votes wont alter the landscape in 2024 and 2028.

Here are five reasons why:

The gap between the popular vote and the Electoral College is widening.

Biden beat then-President Donald Trump by 74 Electoral College votes. A net gain of six votes for Trump wouldnt have mattered.

But in a close race like the one in 2000, where just five electoral votes separated George W. Bush and Al Gore the re-balancing of the Electoral College could tip the scales.

Thats significant for a party whose presidential candidates have won the national popular vote only once since 1988.

But thats right now.

The Numbers Are Grim Republicans Are Winning At Normalizing Voter Suppression

Voter ID laws which are sculpted to make it harder to vote are wildly popular with voters, according to surveys

Voter suppression has been around for as long as the republic. Stories of subterfuge and ballot box-stuffing schemes are such a part of American political folklore, theres an entire book about them. So in one sense, there is nothing particularly novel about Republican politicians efforts to rig the vote, or the important revelations that rightwing groups and corporate officials are coordinating state-level campaigns to make it harder to vote.

However, a new nugget of polling data illustrates that something more fundamental has happened: voter suppression is no longer a plot engineered in the shadows and denied in public, for fear of criticism by a population that considers such measures grotesque. Instead, voter suppression is having its coming-out party because more and more Americans now consider it to be a perfectly legitimate and even laudable campaign tactic.

The data point comes in a new CBS/YouGov survey, buried under the topline finding that almost two-thirds of Republican voters do not consider Joe Biden the legitimate winner of the 2020 election, despite Bidens electoral college and popular vote victories.

Nearly half of Republicans surveyed supported the latter move, with the strongest demographics in support being female Republicans, non-white Republicans and white Republicans with no college degree.

Read Also: Democrats Have Tried To Impeach Every Republican President Since Eisenhower

Biden Avoids The Microscope

Another benefit Biden can enjoy from having his party control both chambers of Congress is that Republican investigatory powers will be greatly diminished. With Democrats in charge of Senate committees, embarrassing and potentially explosive investigations are unlikely to materialise.

Wisconsin Republican Ron Johnson will no longer run the Government Oversight Committee, so his planned forays into Hunter Biden’s China dealings and any connections to the incoming president will go away. The same applies to Lindsey Graham and the Judiciary Committee, which was expected to hold more hearings into the 2016 Russia election-meddling investigation and the origins of Robert Mueller’s special counsel probe.

Any new Democratic scandals that crop up should also avoid a full and potential politically damaging airing – a luxury Trump also enjoyed during his first two years in office and sorely missed during his final two.

The Trump-Russia saga in 350 words

Biden Flips Coveted Georgia The Last State To Be Called By The Ap

The full hand recount of the state’s 5 million presidential votes resulted in a narrowing of Biden’s lead over President Trump in Georgia, but not nearly enough to change the result. He started out with a 14,000 vote lead, and now leads by just over 12,000 votes.

The recount, formally known as a risk-limiting audit, is intended to verify the contest’s winner. As Georgia Public Broadcasting’s Stephen Fowler reported, four counties uncovered a few thousand previously uncounted votes, which subsequently cut into Biden’s margin of victory.

Douglas, Walton, Fayette and Floyd counties all experienced issues with missing or unscanned votes related to human error â but the numbers weren’t significant enough to change the outcome of the election.

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There is no mandatory recount law in Georgia, but state law does allow for a recount if the margin is less than .5%. It currently stands at .2%.

Republican Secretary of State Brad Raffensperger announced the hand audit last week, citing the close margin of the race.

The four counties with new vote totals must recertify their results. Statewide election results must be certified by Friday. The Trump campaign then has until Tuesday to request an additional recount, which would be by machine rather than by hand.

Trump has repeatedly questioned the integrity of Georgia’s vote counting, it both a “joke” and a process that led to “fraudulent votes” being found.

Read Also: Are Any Republicans In Favor Of Impeachment

Redistricting Is The Next Step On A Path To One

The redistricting process kicked off this week in Washington. The Census Bureau released initial data from the 2020 census Monday afternoon, , which means that congressional district boundaries will soon be redrawn to account for changes in population.

These changes will probably tend to benefit the Republican Party, as conservative states will get more seats for instance, Texas will gain two seats, while New York, California, and Illinois will all lose one. Republicans are also certain to use the process to try to gerrymander themselves as many additional congressional seats as possible by leveraging their control of a majority of state legislatures. And that is just the opening tactic in a long-term strategy to abolish American democracy and set up one-party rule.

Today in Michigan, gerrymandering means Republicans enjoy a 3.4-point handicap in the state House and a 10.7-point handicap in the state Senate; in Pennsylvania, it’s a 3.1-point handicap in the House and a 5.9-point handicap in the Senate; and in Wisconsin, a 7.1-point handicap in the House and a 10.1-point handicap in the Senate.

It’s impossible to gerrymander the Senate, of course, but luckily for Republicans that chamber is inherently gerrymandered due to the large number of disproportionately white, low-population rural states that lean conservative. The swing seat in the Senate is biased something like 7 points to the right.

A Late Surge In Latino Voters Helped Newsom Keep His Job

Who is Winning US Election 2020 | Full 360 Analysis | Analysts, Democrats, Republicans on NewsX

For weeks, Democrats openly worried that Latino voters were not going to show up in force for Gov. Gavin Newsom. That might have spelled doom for the party, which has relied on support from Latino voters to rise to its current grip on power in the state.

But early numbers suggest that it might have been history repeating itself: a late investment in Latino voter outreach, and a late uptick in interest and voting among Latinos. Though it was far from unanimous, the majority of Latino voters backed Mr. Newsom, with some Latino-heavy precincts defeating the recall by as much as 88 percent, according to an analysis by the Latino Policy and Politics Initiative at the University of California, Los Angeles.

Early numbers, though, suggest that Latino voters may still not be showing up to the polls at the same rates as white, Black and Asian American voters. As of Tuesday morning, 30 percent of Latino voters who received their ballots by mail had sent them back, compared with 50 percent of white voters and 40 percent of Black voters, according to Political Data Inc., a Sacramento-based research group.

Historically, Latinos are more likely to vote late, and many observers thought it was possible to see a last-minute surge among those voters. Exit polling suggests that Latinos made up roughly 24 percent of all voters in the recall, and that about 60 percent of those Latino voters favored keeping the governor in office.

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Some Republicans Including Trump Make Baseless Pre

As Election Day dawned in California, some leading Republicans were preparing to declare the results marred by fraud.

Elder had already set up a link on his campaign website to a petition asking the state legislature to investigate voting fraud. In recent interviews he encouraged citizens to report voting issues to his campaign and said a team of lawyers was ready to act if needed.

The pre-election efforts to undermine confidence in the results were led by former president Donald Trump, who sent out a statement Tuesday morning warning of rampant voter fraud. In a Tuesday evening interview on Newsmax, Trump repeated his baseless claims, urging viewers to take a look at whats going on right now in California with the mail-in ballots and all the crap that theyre doing.

Shortly after 1 p.m. Tuesday outside a voting location at the Stanislaus County Fairgrounds in Turlock, Charlotte Dutra, 68, a retired human resources analyst for Turlock Irrigation District, said she is a proud Republican and voted yes to take out.

Dutra said she filled out her recall ballot and dropped it off in person. She said she believes there was fraud in the 2020 election, and shes still skeptical of election integrity in California because the current secretary of state was appointed by the White-privileged Gavin Newsom.

There is no evidence that there was widespread voter fraud in the 2020 election.

Can Pence Affect The Outcome

While Pence has said he welcomes objections to the electoral college count, his role in the processopening envelopes and affirming the victoriesis largely ceremonial.

Last month, Rep. Louie Gohmert, a Republican from Texas, filed a lawsuit in federal court seeking to give Pence the authority to overturn Bidens win, but Pence successfully requested the case be dismissed, with an attorney for the Department of Justice arguing he was not the right defendant.

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Newsoms Efforts To Combat Coronavirus Sway Some Voters

In a rapidly gentrifying part of Inglewood, Calif., Gov. Gavin Newsoms imposition of restrictions in response to the coronavirus pandemic swayed some voters as did Republican Larry Elders statements that children do not need to be vaccinated or wear masks.

Keeping a candidate in office thats going to protect health-care workers, protect children, enforce the mask mandate at this point Im on the front lines. I work at UCLA Health in a hospital setting as a manager and am in the thick of it, seeing children get sick, Jolie Emenike, 41, said about the issue that drove her to vote against the recall Tuesday morning.

I dont want to see the vaccine or mask mandates change, she said.

For Dan Sabin, too, the vaccine rules were top of mind, though his conclusion was different.

I was subject to a vaccine mandate when I was younger in Romania. We overthrew our government, but I still have the lasting effects of that mandate, said Sabin, 33. I definitely recalled Gavin Newsom.

Although he called mail-in ballots a massive risk, the software engineer said he trusts the election process.

Im not really sure. You have to trust the people that do the ballots, he said. Ultimately, the people that work in there are people in the community.

If Rep Liz Cheney Doesnt Have A Home In The Gop Who Does

To be sure, though, Fragas own research has found that white voters, regardless of how easy or hard it is for them to vote, consistently turn out at higher rates than voters of color, so we do want to be careful of not reading too much into this. Jennifer McCoy, a political scientist at Georgia State University who studies the effects of polarization on democracy, told me that she thought the current emphasis on voter restrictions boiled down to Republicans thinking they could appeal to Trumps base by codifying his baseless claims of voter fraud. know they have to attract Donald Trump supporters who now believe there is fraud, said McCoy. So a large part of the current efforts to change voter laws was a direct response to this last election. Large majorities of Republicans continue to believe Bidens win is not legitimate, and a that only 28 percent of Republicans and Republican-leaning people agreed that everything possible should be done to make voting easy, a steep drop from 48 percent in October 2018.

The GOPs restrictionist bent sends the message that Republicans dont want Black and brown Americans to vote. In September 2020, 54 percent of Black respondents and 35 percent of Hispanic respondents told FiveThirtyEight/Ipsos they believed Republicans didnt want people like me to vote.

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Why Are Republicans Fighting So Hard For Georgia

While the presidential election results were full of disappointments for Donald Trump, losing Georgia may have been the unkindest cut.

Like Arizona, the state hadn’t been carried by a Democrat since 1992. But unlike that desert state, Georgia wasn’t considered an electoral battleground until the campaign’s final weeks.

That, along with the narrowness of the Biden lead in the state, may be why the Trump team has fought so furiously to flip the state to his column – even if it means going to war with local Republicans overseeing the state’s election.

The president’s efforts to cast doubt on the results in Georgia are complicated by the fact that the state’s two runoff contests in January will decide control of the US Senate. The more he feuds with his own party in the state, the greater the risk division will lead to Republican defeat.

Trump is making Georgia his first presidential visit since the election. The stated purpose is to campaign for the two Republican incumbent senators, but he is sure to continue to call into question the presidential verdict in the state.

Reversing the election results has proven to be a futile battle, but it seems the only thing worse for this president than actual defeat is appearing to accept it.