Dusty Rose and Daffodil Yellow for the writeblr asks!
Dusty Rose: Your personal favourite character in your wip
that's like asking me to pick a favorite child! ok but fr I probably have to say Alya from Fear Me bc writing in really deep first person pov just gets me really attached. (And also Mar, who I never talk about bc she shows up in book 2 and pretty much everything about her is a spoiler).
But mostly I'm a main characters type of girl so unsurprisingly we'll have to go with Trip and Lya from DaDBaB bc I'm obsessed with them if you can't tell. honorary mentions to Pasha, Iadra, and the Highking for being really fun to write.
Daffodil Yellow: Does worldbuilding come easily to you?
it depends. Certain topics are pretty easy like linguistic considerations,* magic systems, biomes, but other things are harder bc I know less about them. For example my wip Fear Me has always been kind of tough to worldbuild bc it involves ships and government and idk how either of those things work practically lol
*I'm not a huge conlanger but I'm talking about like different dialects, formal vs. informal registers, slang, bilingualism, etc.
colourful writeblr asks
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I know this has already been said and I’m super late, but Mia as the protag of RE8 would have been so good. The contrast between Mia, the Lords, and Mother Miranda would have been absolutely interesting. I'm shoving everything under a read more because damn I have so many thoughts about Mia.
Lady Dimitrescu is a woman that cannibalizes and drinks the blood of her servants and intruders. On top of that, she tortures before preying on them. She does this willingly and very much derives pleasure from doing so. Lady D’s gothic triplets hunt any poor fool that wanders in. It’s a fun family activity for them just as much as it’s for sustenance.
Do you know what this parallels? The Baker family under Eveline’s control. They patrol the estate and anyone who rejects the “gift” either ends up molded or on the dinner table. This family also partakes in a fucked up version of a family dinner, eating the victims that refused their little girl’s “gift.”
However, a major difference between the Baker and Dimitrescu family is their willingness to participate in these activities. A family of cannibals; one forced while the other relishes in it.
Mia is still very traumatized by her three years in the Baker’s estate. Breaking into the castle to find her daughter would force her back. Hello to all the emotions that come with those memories, the ones Mia has been trying to forget. The harder you try to forget something, the more you think about it. What better way to make Mia acknowledge Dulvey, Louisiana than by forcing her into something so similar?
And while she’s still reeling from remembering her time in captivity, why not push her a bit further down memory lane with House Beneviento? Mia has demonstrated at multiple points in RE7 that she does care about other lives. She lies to Ethan to keep him from getting caught up in her work. She tries to save Alan and crew members of "The Annabelle" (the crew members are a bit more indirect, she mainly focused on Alan) by containing Eveline. After Jack finds her, Mia keeps her distance to keep from infecting them while trying to write a warning. She tries her hardest during RE7 to save Ethan.
Mia’s hallucinations could center on her guilt. The failure to stop Eveline and the lives ruined as a result. How she was always too late to help anyone. Ethan curing her, a criminal, over Zoe, the person helping him. Leaving Zoe behind in the shattered remains of her home and family. Surviving. Visions of Ethan hinting at his “condition” could lure her to the manor. A little nudge to the whole “he was mold the entire time” plot twist without fully giving it away.
Moreau, lacking in self worth and very attached to a woman who doesn’t give him the time a day, yet still he considers her as his mother. Most of his actions are for the attention and validation from his “mother.” No matter what Moreau does, he’ll never have her affection or time. It’s sad, isn’t it? To witness a man try so hard only to be rejected. And isn’t that familiar? Mia once felt compassion for someone with similar traits.
Remember the little girl who considered you her mother? The one that spent three years waiting for you to love her after you promised? The one you had a hand in killing? What makes you think you could ever be a good mother after what you did? Why are you trying so hard to save Rose when you didn’t even extend the same courtesy to Eveline?
Y’all know how Mia’s past is a mystery? Like why she was working for the Connections and how she was even recruited and all that. Heisenberg would be a great way to explore it. A man taken, forced into becoming something else, and stuck in a family he doesn’t want. Mia can relate. He wants to use her daughter as a weapon. She was willing to let another child be used as a weapon. They’re alike, so surely Mia would be willing to side with him.
But Heisenberg is cocky and Mia isn’t the person she was prior/during 7. Even if she was on board with using Eveline as a weapon to end all wars or whatever bullshit the Connections told her, she’s not willing now. Not after what she’s seen and been through. This section could be Heisenberg goading her through the tvs/intercoms about her past to change her mind with Mia remaining steadfast in her refusal.
And then there’s Mother Miranda. Two mothers trying to get their daughters back through vastly different means. Because of the group photo showing Mia and Miranda with Eveline this encounter can go one of two ways.
Miranda and Mia know each other and have worked together before. Whether it be on the E-Series Project (with Mia becoming the caretaker and spending copious amounts of time at the lab) or though some other means at work.
They’ve only briefly met when the Connections were in a hurry to transport Eveline.
Either way, Miranda would compare them. As a mother, Mia must understand what she’s trying to accomplish. Would Mia not do the same as she? Maybe at this point Miranda shows she killed Ethan to demoralize to prevent her from interfering with the ceremony. Tells her she’s too late once again and to give Rose to her because she’ll be the superior mother.
Idk, I guess you could switch to Ethan instead of Chris so he can still have Eveline tell him he’s moldy. But he’s a stubborn man and he forces himself back to weaken Miranda so Mia can kill her. Chris shows up and Ethan does the same thing he did at the end by blowing himself up with Chris forcing Mia (with Rose) on the helicopter. That way the Shadow of Rose DLC can still be about Rose and Ethan.
TLDR; Mia should have been the protagonist because it would have allowed us to explore her character and background more. It was a missed opportunity especially since so much of RE8 centers around mothers. It would have played out better as closing off the Winters Family saga as well since we could have tied the loose ends that came with Mia’s mysterious past.
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i saw your post on how you were thinking about handling the Whole Artificer Thing and i say, let em be a villain! i think it would be fun
I don't have any qualms about Artificer being cruel or whatever; I just don't think that when working them into an anthro doing a 1-to-1 transfer of their behaviors and/or making them just flat out racist/genocidal is an interesting or accurate way to characterize them. (and I just have. Negative interest in working with that type of character) People can do whatever they want but ultimately I just find the idea that anything other making them aggressively genocidal is like, woobifying them, tiring.
Artificer is obviously not good in the context of the game. But the problem and focus of their actions is the scale and spiritual aspect of it, not the actions themselves. Other slugcats are perfectly capable of killing scavengers, most players likely will and many who don't are only held back by the consequences. Scavengers are also warriors, and Artificer's whole campaign is basically set up on the fact that scavengers are defensive and very much follow a 'shoot first' method of self preservation.
So why does Artificer have always be the one thats uniquely villainous in behavior (now with significantly more moral weight behind it than they had as an animal) when the other slugcats, and even the scavengers, get properly 'civilized' when people make them anthros? I just don't think its an interesting way to utilize them, and I won't fault people who do- but like- I feel like if Artificer is going to be Like That when they can walk and talk and do taxes or whatever than at bare minimum the other slugcats and scavengers' relationship with violence/murder/hunting should be touched on.
I'm not making Artificer a good person. I don't want them to be a good person, because I think the fact they are so bad that they have problems on a spiritual level to be the interesting part. Technically, the Artificer I do for anthro stuff has already done their 'Scav King' and found their 'closure'. They set out to do something awful and did it, they got their ending. So now theyre just old and tired and mean and miserable because getting what you want isnt a solution.
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It's fine to be disappointed about not seeing the Lords, but dear God stop shitting on the DLC because of it. Just because you wanted to see them doesn't mean it was gonna happen. This DLC isn't about the Lords, and it never was. It's about Rose. It's about her journey to accepting her powers, accepting that she's a little weird but that's OKAY and it's worth it because she can do cool things and she has the best dad ever. Overcoming her insecurities, learning to care for herself and know she's worth love because Ethan loves her so fucking much. It's about Rose learning more about herself. It's about Rose getting to talk to her dad, just once. Getting to hear him say "I love you". It's about Rose learning more about the events that led to her father sacrificing himself to save her, which she was apparently never told. It's about Rose gaining confidence in herself, in her abilities. It's about Rose finding a passion to fight back, to survive, to not conform. It was never about the Lords.
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hey artificer, gonna be honest here dude i think you're kind of a meanie 3:
Arti: I know! I’m a horrible person! I didn’t even realize what I was doing until Gourmand pulled me off, and now I’ve fucked everything up again! I thought I was getting better. I feel so bad about it now, but I don’t know how I could ever apologize for that. He already hates me so much, there’s no way he’ll ever forgive me for this.
(She’s realized the error of her ways guys)
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