#but placing episode shadow either before or after the main game kills the dramatic timing i feel like

[curetapwater]

If anyone has a youtube video of someone who cut together footage of Sonic Forces into a "game movie" that places Episode Shadow immediately after the part where it's revealed that the Shadow we'd been seeing was a copy so that it's like a dramatic flashback reveal then that'd be great.

[hello-nichya-here]

Ok, so what in your opinion is the WORST mistake that the showrunners for Game of Thrones made in terms of content, either it's addition or redaction?

WARNING: Looooooong post ahead

Themes are for eighth-grade book reports

This absurd quote by one of the showrunners explains why exactly the show fell appart. They wanted to make a story... without themes. Anyone with a minimally functioning brain will tell that this is impossible because every story, even the simplest and least complicated story there ever, has a theme. Even a nihilistic story has a theme "Nothing matters". Every. Story. Has. A. Theme.

But Game Of Thrones didn't, at least not after the writers ran out of books to adapt and did their own thing. Everything every character did was no longer to build a narrative, but to essentially act as click-bait. The focus was to make people keep watching, not on making any content that was worth watching.

The first four seasons had it's problems, just like the books had it's problems, but Martin's writting was so brilliant that it managed to stay good even while being handled by absolute clowns. The moment season four ended was the moment the show stopped being an adaptation and became it's own thing - and like I explained before, said thing wasn't a story.

Shock

Both the show and the books had MANY shocking, heart-breaking and downright horrifying scenes: Daenerys being raped by Drogo; Bran being pushed out the window after accidentally seeing the queen fucking her brother; the whole deal with Craster and his daughters; the Dotrakhi destroying Mirri's village and her revenge against them and Daenerys; Ned's death; Melisandre giving birth to a shadow baby that killed Renly; The Red Wedding; Jeoffrey's death; Tyrion killing his father; Theon being tortured by Ramsay...

The difference is there were REASONS behind the shocking scenes Martin created. Even when you look at things like rape and torture scenes and threats of rape/torture - Martin used those scenes to remind us that the world he created is an EXTREMELY dangerous and downright vile place, and that the characters are never truly safe, and that there are WAY worse things than just being killed.

Dumb & Dumber on the other hand, gaves us scenes like an evil, former man of the night's watch evily making an evil speech to his fellow evil men, evily drinking whine from a human skull while nameless women were being raped in the background - but little does he know that Jon Snow, the hero, is about to wreck his shit. It takes something that could realistically happen (and that did happen in the books) and takes it up to eleven because the writers think shock is the same as quality and that the audience is SO STUPID that they need to practically make the actor jump out of the TV, grab us by the shoulders and scream "I'M EVIL! I'M THE BIG BAD! ROOT FOR THE HERO TO KILL ME!"

Pretty much every bad guy became a parody of Jeoffrey, ironically enough because the writers took Jeoffrey too seriously. He was a cruel, sadistic character, who had WAY too much power - but he was also a spoiled baby whose reply to Tyrion bitch-slapping him wasn't a threat, but "I'M TELLING MOM!" Jeoffrey worked because he was only allowed to do his thing whenever smarter, more competent characters like Tyrion and Tywin where not around, meaning his actions, while inhumane, never reached the point of no longer being believable.

The horrible things that happened to the characters no longer felt "right". For instance, Sansa had just been taken to the Eerie by Little Finger, who has a weird complex in which he sees her both as the daughter he never had with Catelyn AND as a replacement for Catelyn, and she was starting to truly be a player instead of a pawn... and then the writers realized "Oh shit, we should have not cut the Jeyne Pool/Fake Arya' plot, that was important" and forced it on Sansa, making Little Finger hand her on a silver plater to Ramsay and turning her into a victim AGAIN, this time to a man that dramatically fights his enemies without a shirt own, practically saying "come at me bro"

Compare this to Ned's beheading, or Catelyn and Rob being betrayed and killed by the Freys. These moments were shocking and downright depressing - but they were earned. The writting was on the wall for anyone to see: Ned was at the mercy of Jeoffrey, and the Starks had given the Freys, who are notoriously disloyal, a reason to resent them. These twists felt completely natural, were the only logical way for the situation the characters were in to play out, AND they had consequences to plot instead of just making the audience gasp and then being forgotten about.

Plot armor

It's kind of ironic and almost tragic that the show that became famous for killing characters later became the worst type of high-stakes series, putting the characters in situations they could NOT survive, not even if a goddamn miracle happened, and having them live anyway. What's even worse is that it happened repeatedly. If I had to see Jon Snow almost die and then survive anyway one more fucking time I was going to lose my mind.

There's no bigger proof that there were just no consequences for the "main" characters anymore than watching the second, third, and fourth episodes of season either. The first sets up that this battle against the night king and his army of undead is likely going to kill the majority of them, if they're lucky... and then in the third we see the plot armor in all of it's "glory", and then in the forth we find out that the Dotrakhi, who had ALL been killed, actually still have half the numbers they had the night before, somehow. Even red-shirts weren't dying anymore.

DORNE

This disaster needed it's own session because HOLY SHIT, it's a miracle/tragedy that everyone didn't go "Fuck it, I'm never watching another episode of this stupid show."

The Dorne plot in the books isn't perfect, but what the show did to it was so fucking bad that I'm pretty sure the writers didn't even read the Dorne chapters in the books, they just looked at a wiki, wrote down the names of a few characters and then did their own shitty thing.

In the books, Doran Martel is a clever, dangerous man, who pretends to be harmless so people will understimate him and step right into his trap. In the show, Doran Martel... died. That's it. I can't remember anything else that happened to him. Add him to the list of "Brilliant characters that became stupid due to shitty writing", I'm sure Tyrion, Varys and Little Finger will love making him company.

The sand-snakes, one of the main driving force of that plot, were all distinct characters in the books, with their personalities, goals, methods and motivations - basically they were created by a writer who knew what he is was doing. In the show they were all the same "character" who could be perfectly described by that horrible, cringy, PAINFUL line one of them (I can't even remember which) said to Bron "You want a good girl, but you need the bad pussy" (Seriously, if that actress ever kills the show-runners as revenge for having to say that, she'll be 100% justifyed in doing so)

And we cannot forget the driving force behind that unwatchable shit show: Ellaria Sand. In the books, the death of Oberyn made her believe that revenge only leads to more blood-shed. In the show, his death enraged to the point of wanting to avenge him and his family, and she did this... by killing his family. If that doesn't explain how insane and stupid this plot-line was, I don't know what will.

Hype = Character assassination

Many shows are based around the conflict between the bad guys and the good guys. Game Of Thrones is not one of these shows. Or at least it wasn't. As they ran out of ideas, the writers started mutilating every single character until they could be label as "Good" or "Bad", regardless of what felt right to the story and to the point that there was nothing left of said characters. Stannis's actor, Stephen Dillane, straight up said that the only thing he got from being on the show was money and that his character's motivations and decisions were nonsense - ironically enough, that kind of brutal honesty means that the writers had THE perfect actor play Stannis, and wasted his fucking time.

Here's a list of the characters that fell victims to this horrible fate: Catelyn Stark, Tyrion Lannister, Sansa Stark, Arya Stark, Jon Snow, Melisandre, Stannis, Jorah, Daenerys (bonus points for being mutilated into being both a generic, shitty "hero" and a generic, shitty "villain") Greyworm, Rhaegar Targaryen, Lyanna Stark...

Pretty much the only character who became more complex in the show than she was in the books was Cersei. While her book self was never just a "Generic Evil Queen", the show version of her was far more sympathetic, which made the stories she was part of interesting. Too bad the writers ran out of ideas of what to do with her after season six and just left her by the window drinking whine until Dany showed up to kill her. Which brings us to...

Why is this happening?

Cersei was seen as a threat in the last two seasons based on nothing but the things she HAD done. Her story just ended the very second season six did, but since she was still alive despite being one of the bad guys she had to die... I guess. She (and by extention Jaime) joined the list of characters that had nothing to do, but were still around: Davos, Theon, Yara, Melisandre, Bron, Sam, Gendry, Bran (the last one being SO unnecessary that he was cut from season five and no one noticed)

To combat that issue, the writers gave characters "motivations" that made no sense. For exemple: Sandor Clegane. His only reason to be in the show was so he could kill his brother. The problem was that Gregor was already dead. He was a walking corpse. There was nothing left of the abusive brother Sandor once knew, meaning he had no reason to fight him, and that, to keep Sandor around, the writers should have come up something new (like the redemption that book fans have been waiting for, and that has a lot of backing evidence). You might as well have had HIM be the one to randomly fly out of nowhere and kill the night king despite having no connection to him.

And since we're talking about the night king... Arya was the one to kill him. Why? Because the writers ruined Jaime's redemption arc, meaning that the only fitting ending for him was to die with Cersei, and so Arya could not kill Cersei despite wanting to, having the ability to do, AND having heard a prophecy that said she'd "Shutting brown eyes, blue eyes, and green eyes forever", the last one being the only one she had not done AND applying to Cersei. But Dumb & Dumber admitted they had no plan for this, so now that they were at the last season, they needed to do something with it, and they retconned it to mean Arya would kill the night king...

But Arya killing him meant Jon had nothing to do, so Dany had to go mad so he could kill her. To "hint" at that, they ignored all the not at all subtle foreshadowing the previous season had of Dany and Jon having a kid, and they even showed her getting jealous that he was technically the true heir... even though that made no sense since they were going to rule together anyway, and even after Dany went full "Mad Queen" she ASKED HIM TO RULE WITH HER. But anyways, he kills her and becomes king...

Except he doesn't actually become king and him being a secret Targaryen has no effect in the plot, because Bran needed to become king so there'd be a reason for him to be alive, because his magical powers turned into a plot-device. A plot-device that wasn't used at any goddamn point. Seriously, the only thing as bad as Bran becoming king was Euron's existence - dude was THE most useless villain ever AND the worst Jeoffrey parody.

A darker story (literally)

I could not end this rant without bitching about this. What is the point of spending an ungodly amount of money on sets, costumes, make-up, special effects... and then using such poor lighting that no one can see what the fucking is going on?

Anyway, this disaster of a series was so absurd it should be used as an exemple of what NOT to do.

[blueskittlesart]

My hot take on vld season 6

Because I’ve seen a lot of discourse about this season so I figured I’d do my opinions in an episode-by-episode breakdown. It’s pretty log sooo:

Episode 1: Omega Shield

Okay. So upon first seeing this episode I was MAD. (Mostly because of how close Lotor and Allura seemed to be) But I get now why that had to be done and I actually like the direction they chose to go with Lotor, but I’ll get to that later.

I’m a bit annoyed that this seems to be the “Hunk development” we were told we were getting. (Heads up, vld, one episode does NOT count as full development.) However, it was really refreshing to see him be the focus of an episode, and we really got to see the growth that’s been going on for him in the background these past few seasons. Like, at the beginning of the show he was this timid little teenager who couldn’t fly without getting motion sick, constantly tried to take the easy way out, and generally avoided confrontation at all costs, not because he was cowardly, but because he was, understandably, really fucking scared of space. (And I don’t blame him. Space is huge and terrifying.) But now, we get to see him being a commanding force. We see him take charge of a situation and whip others into shape, using his capacity to learn new material (arguably his most important trait) as a weapon to get his job done. It was amazing to see that side of Hunk, even if it was just for one episode.

And then of course we have Lance just fucking dying. As much as my allurance heart wants to appreciate that scene, I can’t entirely ignore the fact that Voltron continued its pattern of having a life-changing, traumatic event happen to a character (other examples include Lance almost getting sucked out into space through the airlock in season 2(?) and Keith being ready to sacrifice himself for the greater good in season 4(?)) and then never address it or the trauma it may have caused again. Lance died. He fucking DIED, and two scenes later we see him smiling in the background as if nothing happened. Maybe they’ll use it for some angst in the future, but it honestly just feels like bad, neglectful writing to me at this point. They want dramatic scenes without having to address the way those scenes will impact the characters and the story. 

Episode 2: Razor’s Edge

Finally, the Keith and Krolia development we’ve been waiting for!! There’s very little for me to complain about in this episode. I loved the subtle details, like the way Keith’s dad wore the jacket that was later given to Shiro. I think Keith’s parents’ backstory was done really well, and I’m really happy that he gets to reunite with his mom again.

Honestly the second they saw that giant space fish thing I thought “lion turtle.” A huge animal with a forest on its back where the characters get trapped for a while?? Come on. I’m glad Keith and Krolia got that time to bond, even though it hasn’t really been addressed yet. Also I’m in love with Keith's dog (I had him pegged as a cat person but hey, at least I know Shiro is still on my side.)

Plus we finally!! got!! the “boy from Cuba” line!!! and yeah, it was in reference to Allura, but it suggests a lot more Lance in the seasons to come, especially since they’re going back to Earth soon. That line, at least to me, seems to really put a lot of emphasis on how connected Lance is to his Earthen heritage, and I really, really hope that will be explored more in the coming seasons. 

Also side note, but that Lance scene where he knocks over the metal thing (tool of some sort?) and just kind of stares at it as it clatters to the ground was so fucking funny?? That was one of the top comedic moments of this season, not gonna lie.

Overall I was really happy with this episode. It was plot-driven and interesting, and everything seemed to fit really well.

Episode 3: Monsters & Mana

I have never once played D&D in my life, and I’m just gonna state that now so no one comes after me for this section

I’ve seen some complaints that this was a filler episode, and yeah, maybe you’re right. But it was a GOOD filler episode. It was engaging, realistic given the timeline and story, and provided a lot of subtle foreshadowing in an interesting way. 

It makes sense that everyone on the team would need a fucking break after all this excitement. At that time in the story, they were relatively inactive, since they were working with Lotor and all that. They couldn’t have been working on the castle at every waking moment, and playing a game like M&M is a great way to pass their time. 

I’m gonna get into some elements of the characters that I found interesting here too. Namely, Shiro and Hunk’s backstories. Shiro’s “master” in his little cutscene had one messed up eye, dare i say Iverson? yeah, we don’t know much about Shiro’s life on Earth before Voltron. But the parallels from what we DO know suggest to me that there’s correlation between the M&M character backstories and the main-story character backstories. Which bring me to Hunk. His character Block’s backstory was that his “village was turned to stone by an evil sorcerer.” I don’t know what this means, but I have a few speculations:

1. Hunk’s hometown was ravaged by some sort of natural disaster while he was in space (we know he’s a Pacific Islander, right? So I don’t think this is too far off base)

2. If the Earth has already been invaded by hostile aliens (Sendak’s “I know your weakness: you value the lives of others”) Hunk’s family or home were directly impacted (this one seems to be the most logical to me, since Block’s quest is to “save” his village, which Hunk could easily do by defeating the Galra/other hostile aliens on Earth)

3. Some other form of disaster has and/or will affect Hunk’s family/home and he’ll have to either save them or deal with the after-effects of it 

Either way it’ll be interesting to see how next season plays out back on earth!

As for some of the other foreshadowing, I take you all now to the way Shiro keeps fucking dying. Shiro’s “twin brother” was played off like a joke in this episode, but thinking about it, I see it as a subtle reference to the whole clone Shiro ordeal. the original Shiro, now dead, was the clone Keith killed, and “Gyro” (his “twin brother”) is the Shiro who was revived at the end of this season. And judging by the big role he played in defeating the boss at the end of the episode, the newly-revived Shiro will be extremely important in upcoming seasons.

Episode 4: The Colony

“But even if they do reach the quintessence field, then what? The last time anyone got in there, it turned Zarkon evil.” THIS IS WHY YOU FUCKING LISTEN TO LANCE.

I honestly really, really love the direction they decided to go with Lotor. they totally brought him back around into the interesting, dynamic villain I knew he could be and I’m so happy about that.

On to what specifically I noticed about the plot of this episode. One big thing for me is the revelation that quintessence can, in fact, be extracted from other beings. This only brings up more questions, though: What did Lotor want the quintessence for? The Galra Empire already seems to have plenty of fuel. How was he harvesting the Alteans’ quintessence? Did he have druids helping him, or did he discover another way to do it? Did anyone else in the Galra Empire know about this? The whole operation raises more questions than it answers.

And when Allura found out and just fucking YEETED Lotor across the room? I may have watched it at 3 am but I was still screaming at the top of my goddamn lungs, at least on the inside. She gave him exactly what he deserved with no goddamn hesitation and I love it.

Shiro going full clone was crazy, but we all expected it. I’ll admit that his being used to steal Lotor was not what I would have guessed, though. It kinda turned out to be a pointless use of him in the end though since Lotor escaped immediately

Another thing about Lotor’s plot that stuck out to me: He knew that there were living Alteans. He knew how much Allura wished she could have her planet and her people back, and how much it hurt her that she’d never be able to see them again. And he still kept this place secret from her. He still took her people and exploited them for his plan, and then was stupid enough to think she’d see that he was doing it “for the greater good?” Even if it WASN’T such a despicable fucking thing to do, those are Allura’s people. She’s wanted nothing but to see more Alteans for the past year at least. She’s not ever going to see things his way. 

another side note: i want romelle to snap my neck

Episode 5: The Black Paladins

Holy mcfuck is there a lot in this episode. First off, as an artist and animator I really need to take a moment to appreciate how fucking beautiful everything was in this episode. The shadows, the movement, the colors, the cinematography, everything about this episode was artistically stunning. The animators really outdid themselves with this one. 

Okay, since there’s so much to talk about with this episode, I’m gonna break it up. We’ll start with what happened on the castle.

Pidge... is fucking amazing. That’s all I can even say about this kid. This is a fifteen year old girl, she’s literally a couple months younger than I am, and she’s dealing with all this shit and pulling through. That’s amazing. She has literal adults looking to her for help in a life-or-death situation, she had to be under insane stress during this episode, knowing that what she does could mean the difference between life or death for all of them. And she pulls through. Pidge Holt is so fucking strong and I love her with all of my heart. Someone get this kid a peanut butter cookie.

It’s interesting to me that not only did she instantly recognize the code from Shiro’s arm, but also had a program ready to destroy it. It reminds me of that Voltron comic where she’s able to take down her fellow paladins because she observes them and knows their weaknesses. She watches, She listens, and she prepares for every possible contingency, no matter how badly she wants to believe they’ll never happen. And that’s why she’s dangerous. 

Okay. now for all the mess that happened with Shiro.

Mother of god, I am SHOOK. Even the SETTING of the damn thing was so goddamn thought out and interesting I don’t know where to start.

There were so many other clone Shiros. Why were there so many other clone Shiros??? Were they planning to release more at the same time, or were they backups in case the original clone was compromised? Were they tests? What???? Were???? They??? For???????

And that Galra form Keith. Is that something he discovered in the two years he spent with Krolia? Something he can consciously activate? Or did it just happen to come out because he was in a moment of high emotion and adrenaline? It also seemed to give him a boost of strength, because Shiro was only able to push him off after the form deactivated. I hope we’ll get to see him use it again!

“I should have abandoned you just like your parents did. They saw that you were broken. Worthless. I should have seen it, too.”

Holy fuck clone Shiro is MEAN. I can’t even begin to imagine what it must’ve felt like for Keith to hear that from Shiro, who’s basically the one person he’s been able to rely on dependably for his whole life. In his vlog he even said that his trust issues are BECAUSE Krolia left him, and having his older-brother figure, who he looks up to and trusts like no one else, reaffirm those doubts he already has must have been devastating, even if he learned later it wasn’t really Shiro. I doubt that’s an image he’ll be able to get out of his head quickly.

All those flashbacks of little Keith... he had that mullet his whole life I guess (I mean he probably learned how to cut his hair from Shiro so like. is anyone surprised). But in all seriousness, does the Garrison take middle school aged students too? because he looked way too young to be a high schooler. (Side note: Are they letting the middle schoolers fly the goddamn spaceships?? Who the fuck decided this program was a good idea??)

Keith also told Shiro he should “send [Keith] back to the home already.” By “the home” did he mean the shack his parents lived in? That’s doubtful, since without Shiro he’d be living there alone. I would assume Keith was put in foster care of some kind, most likely an orphanage, which is probably what he meant by “the home.” It’s a minor detail, and just something I noticed, but I figured I’d point it out anyway. 

I really, really loved this episode. It’s probably one of my favorites in the whole series. 

Episode 6: All Good Things

(My klance obsessed ass feels the need to point out that the blue and red stars are still in the astral plane, and were shown in the very first scene of the episode. Just saying.)

So did this episode just confirm that when a paladin dies in their lion, their consciousness stays within the lion? Because damn, that sets the stage for a LOT of angst fic. (Fic writers, get on this.) 

Lance supporting Allura is my goddamn aesthetic honestly. Friends, lovers, siblings, I don’t care, but I’m happy their relationship is getting development!

KEITH GOT A STRONGER CONNECTION WITH THE BLACK LION!! HE CAN USE ITS WINGS!! This gives me so much hope for black paladin Keith again in season 7 because he’s clearly got such a strong connection with Black... he deserves this. also black deserves a paladin thats a real fucking person and not a fake bitch

Coran development?? In my Voltron?? It’s more likely than you think

Then of course, we have Lotor going full Azula. I said this before, but I am so, so, so fucking happy they chose to make him a villain in the end after all. I was so worried after last season that they’d throw away all his potential as a villain in order to go for a shitty redemption plot, and I was completely fooled up until the last second, just like the paladins. And that’s a big part of what I love about it. We were in the paladin’s shoes. We didn’t know what to believe, we either liked Lotor or were suspicious, but most people truly believed the plan was for him to be redeemed. The writers really did a great job of making us feel the way the paladins did, seeing Lotor’s betrayal and eventual descent into madness, and that’s truly the kind of thing that makes me love Voltron. 

anyway lotortron (aka whoretron) is fucking ugly and im glad its stuck in the quintessence feild for all eternity

Episode 7: Defender of all Universes

Beautiful fight scenes, insane dialog, wonderful storyline. All in all, it was a perfect conclusion to the season. 

The fight in the quintessence field? Absolutely beautifully done. Suspense, beautiful cinematography, and it all tied back to the show’s underlying theme of teamwork in the best way. I have no complaints in the slightest about how this was done. Honest to god, I loved this whole fight. (I am curious about what will happen to Lotor, though. will he be literally destroyed in the quintessence field when the power gets to be too much for him, or will he just kind of stay there festering until someone manages to travel in there again? Maybe the paladins will go back and get him later in the series.)

The castle is gone now I guess?? rip (More Coran development?? in my Voltron???? It’s more likely than you think) BUT ALSO if they do plan to make another ship like they said, they’re gonna need another Balmeran crystal to power it, which means more Shay!!

So now... that scene at the end. Shiro’s revival.

When Lance started crying, so did I. Literally, I saw his tears and I just fucking broke... my Lance stan heart couldn't take it...

and finally shiro’s white hair is ugly as fuck lmao

so TL;DR: This season was a big win in my opinion. I can’t remeber feeling this good about Voltron since maybe season two. I’m 100% ready to see some Lance and Hunk-centered storylines in season 7 if my predictions are right, and to hopefully see some main villain Haggar (FINALLY)

Thanks for reading!

[beautifulboycast-blog]

Nat's TV round up - 2017 in Review

Television is an unusual beast when we discuss how great it is. The last year marked a few key notes, notably the increasingly large presence that streaming services have thanks to A Handmaid’s Tale, which went on to win Best Drama at the Emmy's, becoming the first streaming show to do so. Normally, it would be smarter to discuss television in the middle of summer when most notable series are in-between seasons. That's no longer the case, thanks in large part to streaming services, as well as basic and premium cable.

I don't have a list of every show I watched this past year and I won't be handing out a dozen awards for how great a singular show was. Instead, I'll offer up three separate awards: Best Returning Series, Best New Series and Best Animated Series. It's pretty self explanatory. Best Returning series is for shows that are in their second season or beyond. Best New Series is for shows in their first season, mini-series included. Best Animated series is simply for animated shows in general which are no longer following the strict yearly season format of live action shows.

Best Returning Show: Game of Thrones (Season 7) There really wasn't another option. Despite the season being a few episodes shorter and arriving in the middle of summer as opposed to its usual spring premiere, game of thrones remains the best show currently airing. Season 7 had a slower start, but quickly catalyzed into one grand moment after another. The thrilling seven episodes that aired featured massive battles on the water, on the ground and in the frozen wastes beyond the wall. Gone are the slow politically driven conversations that were featured in earlier seasons, only fitting and satisfying conclusions to loose ends remain.

Perhaps the only detractor for this season is the smaller episode count. While the cast is much smaller this season, the missing few hours of content would have been appreciated to once again flesh out conversations and character motivations. And while the finale promises even greater things for season 8, the wait until then is an unpleasant one. The final season probably won't see light until 2019.Game of Thrones remains the only show on tv that sends the collective masses into hysteria. Season 7 led to more “Did you catch that?” moments than any other season yet and we hope the wait for season 8 isn't too long. Perhaps some news on those spin offs would be enough to keep us from going insane? Your move, HBO.

Highlight moment: Episode 4 - The Spoils of War This episode features the single greatest battle in game of thrones yet. It's the only time in recent memory where my jaw was on the floor in awe. I actually had a fork in my hand when the scene started and by the end it had fallen to the floor. For what was only about half an hour, I was 100% drawn in with zero distractions to my television screen. It wasn't a plot twist or a satisfying end to a subplot. No, the greatest moment in television last year was something that only multi-million budgeted movies get right and it was glorious.

Other Notable Series

Stranger Things (Season 2): This is probably the closest a returning series got to beating out Game of Thrones and it wasn't even close. Stranger Things continued the story of the first season with all of its 80’s charm. This season, however, loses points for splitting up its characters too often and the pacing issues it suffers. While there is some great action and character moments (Dustin is the star of this season), it just doesn't hold a candle to Thrones.

Comedy Series (Its Always Sunny in Philadelphia, Brooklyn Nine-Nine, Modern Family, The Good Place): This is my junk food. I love comedy series and these are the four most notable ones that I keep track of. Always Sunny continues to be one of the best written shows on tv and the season finale was fantastic. Here's hoping for at least one more season from the gang. Brooklyn Nine-Nine had an excellent year notably for tackling issues like police brutality and the rights of the accused, something that would have never happened on a network comedy ten years ago. Modern Family had a decent year and here's hoping that the series reaches its conclusion soon. Some of the jokes are starting to get old and the lack of interesting new characters has made the series start to become stale. The Good Place is the most recent series on the list. I loved the twist ending to season one and the direction season two has taken so far. There's a lot of potential here.

House of Cards (Season 5): Oh how the mighty have fallen. A year ago I was so excited for House of Cards to return and now I'm ready to put it out of its misery. Production issues aside, season 5 was a bloated mess that took an idea and spent an entire season trying to make it come off as a big deal. All it left was the watering down of Frank Underwood as a character and a sloppy gateway for a sixth season. Luckily season 6 is coming so our other lead, Claire Underwood, will have a fitting conclusion.

Orange is the New Black (Season 5): After struggling to find its footing a few seasons ago, Orange is the New Black is stronger than ever, mixing comedy with real drama. Most of season five deals with the aftermath of the final episode of season 4 and the writers run with it. My only concern is the show’s main character, Piper, taking a back seat for most of the season. Here's hoping she plays a larger role in season 6.

Better Call Saul (Season 3): With it's best season under its belt, Better Call Saul remains one of the best shows on tv that unfortunately isn't garnering the audience it deserves. Season 3 picked up the pace and is slowly transforming into its own beast of a show outside of its predecessor’s shadow. While AMC isn't the Titan it was a few years ago, their commitment to this series gives me hope that its wings won't be clipped too soon as there's a lot of potential here. Please, please check this show out. It's well worth it.

Best New Series - Glow: I made it a goal in 2017 to check out new series whenever I could. While I didn't watch as many new shows as I had hoped, I found myself struggling to crown a winner for best new series. I ultimately settled on Glow, a new series from Netflix starring Community-alumni, Alison Brie. Set in the 1980’s, Glow is a show about a group of wannabe actors and wash ups, trying their hand at women’s professional wrestling. As someone who has always loved the absolute cheesiness of professional wrestling, watching a show about it is a treat. The series is a comedy with some dramatic moments, similar to Orange is the New Black. In fact, the series has a lot in common with Orange is the New Black, but wins out for having a greater sense of theming. It knows it's a comedy and plays with it perfectly.

The biggest detractor is the length. At ten episodes with a 30 minute run time, the show is over just as it really begins to get good. Netflix has renewed the series for a second season, but still at only 10 episodes. An additional 5 episodes in the season would have been perfect. It would also give the large supporting cast a chance to shine.

I'm eager to watch more of Glow and I think it has the legs to replace some of the older shows in Netflix’s line-up in the coming months. Highlight moment: Episode 10 - Money’s in the Chase The entire season is building up towards their first public performance and the season finale spends its entire run time showing us that performance. I loved this as it really feels like we're watching the show with the audience. It's full of some great twists and some absolutely corny wrestling moves. Here's hoping season 2 features more of these performances.

Other Notable series:

Ozark: My runner up for best new series. I really enjoyed this show, especially Jason Bateman as the lead. It has a similar theme to Breaking Bad, which is always fantastic. The biggest problem for Ozark is that I'm afraid it won't have the legs to last more than a few seasons. I could be wrong, but that and some pacing issues are what made me choose Glow over it for best new series.

Mindhunter: This show has an absolutely horrible pilot, but a pretty solid show follows that. I'm excited to see where the series goes from here. The pilot almost killed the series for me and hints of its problems last throughout. Poor direction, awkward camera angles and bloated writing aside, the show gets better the more you watch.

A Handmaid’s Tale: I believe I'm one of the few people out there who did not enjoy this series. It's well made and the acting is top notch. I have no major problems with the series from a design standpoint. It's the story and characters that lose me. Everything is so drab and dull. I never cared for the characters because they kept trying to keep things a mystery. Maybe I wasn't in the right mood or mind set for this show. I found the most interesting character to be on who barely appears in the show and one that they inevitably cut out entirely. I expect a season 2 for the show and hopefully it'll grab me. Until then, I would say to watch the first episode and see if it's your style. If not, it's worth skipping.

Girl Boss: There is nothing notable about this show. It isn't good. It's not necessarily hot garbage either. It can be funny, but it isn't hilarious. It's 100% average, or perhaps, mediocre. Why does that matter? Because this was the first “Netflix original series" that I experienced like this. Netflix has pumped out some garbage before, but they usually let you know in advance. Not this time. Girl Boss was hyped up to be another great series from the streaming giant and it failed to make an impact. I guess that explains why it was cancelled, a rarity for Netflix.

Best Animated Series: My Hero Academia (Season 2) If there’s one thing I watched more of in 2017 than previous years, it was anime. While it was mostly re-watching various Dragon Ball related shows, I decided to check out a new series that my friends had been raving about. That new series was My Hero Academia. I thought the 13 episode season one was good enough. It had an amazing set up for the world and the characters started to grow on me towards the end. Season 2 is fantastic. It covers three arcs from the manga in 25 episodes and really begins to put the series into perspective. I normally avoid long running series like this until they’re closer to the end, but this is my exception. Season 3 is coming sometime in 2018 and I’m excited to start reading the manga soon. This is an absolutely fantastic series with some great fight scenes, interesting characters and really well done animation.

Highlight Moment: Episode 10 - Shoto Todoroki: Origin Season 1 introduced us to a lot of new characters, but only a handful got enough time to be fleshed out. Season 2 began to fix this immediately by turning Todoroki into Deku’s (Our protagonist) main rival. The entire arcs lasts for most of the season, but it’s the fight between Todoroki and Deku that puts this show as my favorite of the year. Weaving an origin story into the series’ biggest fight yet is a major undertaking, but doing it this well is a masterstroke. Much like the massive battles in game of thrones, I was left speechless while watching this episode. What makes it even better is that the entire arc has no villain. It’s simply our heroes battling for the spotlight in one of the best made tournament arcs in recent memory.

Other Notable Series:

Attack on Titan (Season 2): I watched the first season of AoT back in 2015 and fell in love with the series. I dropped it after catching up on the manga, however. With Season 2 releasing in the states finally, I picked the series back up and I’m in love once more. Season 2 has better pacing than season 1, but suffers from a shorter episode count (12 episodes vs the 25 from season 1). Because of that the story can feel a bit uneven especially with a major plot reveal happening at the very end of the last episode. The animation is still top notch though, perhaps even better than season 1. And thankfully, season 3 will be airing sometime next year. No more half decade wait times. Rick and Morty (Season 3): Speaking of wait times, thank god Rick and Morty is back. I was considering giving this my best animation series award, but it came up short compared to My Hero. I had a blast with season 3 however. It was laughing the entire time, even if some of the episodes weren’t as funny as others. Bob’s Burgers, South Park (Season 21) and Bojack Horseman (Season 4): I guess this is like my catch all category? Regardless, I enjoy all three of these series and felt like each of them had a somewhat decent 2017. Bob’s Burgers is basically my junk food cartoon show, even if it’s starting to wear a bit thin. South Park had a decent season; one that I enjoyed more as I watched it while playing the latest south park game. And of course, Bojack came around for a fourth season. It wasn’t quite as good as season 3, but I still enjoyed it.

That wraps it up for my favorite shows of 2017. I mentioned quite a few shows that I’m looking forward to in 2018 before, but I’ll give special mention to Westworld which is returning for its second season soon. I should also mention that there are a few shows from 2017 that I’ve been meaning to catch up on, but haven’t had the time. It mostly includes seasons released in December and I’ll get to them eventually. If I feel the need to discuss them further, I’ll write up a separate piece.

Until next time. Continue enjoying the new year and stay beautiful.

[tink-bell]

Run Away || Self Para || Part One

Summary: After the evens of Ancient Greece, Tink books a flight to Peru to visit an old friend where she has to deal with demons she’d rather not face.

Alternatively....

The one where Tink visits an ex to talk about her current love life.

(Trigger warning for a brief mention of rape)

There was no denying that Tink Bell’s life was dramatic. Sure, there were ups and downs like everyone else had. But for whatever reason (Tink Bell was #dramatic), it seemed that her downs were more catastrophic than most in the town. It was those downs that caused her to drink, to find comfort in old habits that should have been avoided, of that she was convinced. Even with her trip to rehab, she wasn’t fully able to place all of the blame on herself. Yes, she made decisions, yes she was ultimately the captain of the ship called her life. But there were things that influenced her, that made her want to pick up the bottle, to find her old plugs. Those were the things that pushed her to destructive behaviour. Old stressors that she couldn’t (wouldn’t) battle. Not by herself.

But who did she have but herself? No one.

And that was perhaps the biggest lie she could tell. There were plenty of people in her life that would help her, that would battle her demons right by her side. But Tink Bell was independent, refused to give anyone any reason to say that she needed a shoulder to lean on, that she needed support to make it through her life. She could do it just fine by herself, thank you very much.

But then Peter had happened. Come back into her life like the storm that he was. He made things hectic, confusing. She supposed she would always be confused when it came to him. There was always this lingering affection, this lingering attraction. He was her Peter. Had been for so long. It didn’t matter that he had left and come back. Didn’t matter that she had gone so long without him in her life. He was back and mucking things up with Sophie. How was she supposed to navigate the pull that seemed to appear around Peter Pan? How could she even be pulled back into him and the Lost Boys and that whole mess when Sophie was so present? Sophie, who was good and wholesome and a fire cracker. Tink loved her so fully. So totally. It filled her most days and overwhelmed her. And she didn’t want to lose that feeling. Or hurt Sophie Hadder.

So, being Tink and being dramatic, she left.

Peru was the one and only place on her mind. Kuzco was there and Kuzco knew Tink almost as well as Tink knew herself. They had become close friends after their breakup and her stint in rehab. He understood. They were both recovering addicts. Both had the same demons to battle. And it was that reason only that had spurred her into action. Talking to Kuzco and letting him help her wouldn’t be a bad thing. It’d do good because she wouldn’t feel as if she was losing her independence or sacrificing it for anyone or anything.

Kuzco was half asleep when she arrived at his home, her bag slung over her shoulder and her smile more tired than anything else. But God was she happy to see him. So happy that tears had sprung to her eyes almost immediately when his arms wound around her. The tattered bag fell from her shoulder as her arms wrapped around him and her face found its way to his neck. In no time there were sobs racking her small frame and her chest heaved painfully.

Tink had cried, of course she had cried, when she’d holed up in her flat. She’d spent so much time curled up on her bed clutching her pillow and crying that Bowser had started avoiding her room. Instead, he sat outside whining pathetically and standing guard. Not that he had to. Tink didn’t entertain visitors. She barely entertained her phone. All she had wanted was to be alone. If she was alone she couldn’t hurt anyone but herself. It was better that way.

And then Ancient Greece had happened and her life had been changed. Or, she had thought it had. It was still the same, she still had all her memories of what had happened. But she could pretend to be someone else. To be the person whom she had been implanted into. And that was such a nice thing. She’d flirted, she’d been a warrior, she’d had a life where no one got hurt. But that ended quicker than she anticipated.

Back to square one.

Kuzco ushered her inside, keeping her held tightly against him as he whispered a litany of things that were supposed to make her feel better. Any other time they would have. He would have made her laugh and whatever this episode was would have been over in no time. Long forgotten and replaced with whatever joke he was going to tell her. They’d laugh and catch up and she’d lay on him as he told her about all the new things he was doing as the head of his family’s company. She’d let him bitch and in return she’d complain about all the dumb things that had happened to her. The little things. Nothing too heavy. Because this visit wasn’t supposed to be heavy. Two friends catching up and having a laugh.

At least that was how it had gone in her mind on the plane over.

She should have known she was so so so wrong.

They sat on the couch (the most comfortable thing she had ever sat her ass on) and Tink automatically curled into him. Her fists curled in the expensive shirt he wore, no doubt wrinkling it, but she didn’t care. And from the way that Kuzco rubbed her back and tried to soothe her made it seem as if he didn’t care much either.

How long they sat there, Tink was unsure of. All she knew was that eventually her sobs slowed, tapered off into small hiccuping things as she slowly pulled away from him and wiped at her eyes. A soft muttered sorry slipped past her lips as she pushed her hair back and tried to dry her eyes. Tears still moved in little tracks down her cheeks but they were at least silent now and she could tell she’d be able to talk if she needed to; if Kuzco asked her any questions. They would come eventually. Or he’d let her tell him everything on her own time. She wasn’t sure which would come first.

There was silence for long moments, permeating everything and making the small fairy shift uncomfortably. She wasn’t ready but as the silence stretched, Tink knew that Kuzco wasn’t going to ask the important questions.

“Sorry… for all this,” she muttered again, motioning towards herself with a humorless laugh. “I just… I had to get away from..” She trailed off, resisting saying the word home. She wasn’t sure why, though. Maybe because it felt less and less like home. Or perhaps it had everything to do with what was going on back there. Home was where your heart was. Not the place that continuously broke it. But could she even say it was Swynlake that was breaking her heart? She really didn’t need to get into the semantics of it. Not sitting on Kuzco’s couch with tears streaming down her cheeks.

A deep sigh fell from her lips and she closed her eyes once more. “Things went to shit… Again.” There was another humorless laugh as she shook her head. “I’ll spare you the details but… I started dating this girl. Sophie. She’s… she’s something else. And things were so good, Kuzco. Like--- Like they were with us. And I was doin’ good. Wasn’t drinking, hadn’t touched so much as a cigarette, nothin’ since rehab. Since you left. But then Peter came back.”

She paused then, closing her eyes as Kuzco asked the “who’s Peter?” question that a lot of people did when he was brought up. She’d never mentioned him to Kuzco. Never had reason to. She’d accepted that Peter wasn’t going to be coming back. There hadn’t been a need to bring him up. She ran through their history as quickly as she could, leaving out some of the more intimate details. He didn’t need to know that Peter had been her first and that playing Mother and Father was hardly a game but rather roles they had fallen into quite easily. But she’d detailed that his departure, quick and without warning, had destroyed her. That it had broken her so completely that it affected all of her relationships, even theirs. All of which led straight up to the main reason she was in Peru with him rather than in Swynlake with Sophie.

“He, uh, he face timed me and was just… He was so sad, Kuzco. I’ve never seen him this sad. So I went to Hangman’s Tree, our old hide out him and the Lost Boys still stay in, and he was just so depressed. It broke my heart, you know? He’s my best mate and it’s been like he never left. It was so easy to fall back into our routine. So bloody easy, Kuzco.” She let out a shuddering sigh, closing her eyes tight as if that would block the images that had plagued her for weeks now. “He, uhm, he kissed me. I’d got him to calm down and there was this moment and he kissed me and I kissed him back. But I stopped it before it could turn into anything. I stopped it cuz of Sophie. And he, uhm, he got… I think he was possessed or something. He was angry and he kept squeezing my arms and my hips and he tried to… He tried…” She stopped then, unable to go on any further; unable to admit that her best mate had tried to rape her. But it wasn’t Peter. It was the Shadow. The one she had spoken to and been hurt by trying to bargain for Peter’s soul. Her wing still hadn’t healed completely and she often felt the phantom twinges of his too rough touch.

“There’s a demon or a-- a shadow. It takes over him in the worst moments. It’s going to kill him. It’s going to kill him and Peter’s going to be gone forever and I can’t stop hating myself because if I try to help Peter I’m going to hurt Sophie. When Sophie finds out about everything that happened that night… She’s going to hate me,” she started crying again then, her hands moving to cover her face as she curled into herself again, shying away from Kuzco. She didn’t deserve his help or his advice. This was a pain she deserved to have to deal with.

But soon Kuzco was sitting next to her, his arms winding their way around her once more. His voice was in her ear, soft and soothing. “Even if it wasn’t your friend, whatever it was, whoever it was, they tried to rape you, Tink. That isn’t your fault. You said no,” he told her gently yet firmly, pulling her away and making her look at him. “If Sophie loves you the way you love her, she’ll understand. She’ll be hurt for you, not because of you.”

Tink wanted to believe it. Wanted to believe that she wasn’t this horrible person who hurt everyone she loved. It was hard though, to break that cycle of thinking. It had been a near constant thing since Peter had left and it was one that often proved itself right. Still, she nodded at him and sniffled, wiping at her cheeks once more.

Kuzco stood then, her eyes following his movements as he offered his hand to her. She took it slowly, moving with him as he pulled her up. “Come on, it’s late. You interrupted my beauty sleep. You know it takes time to look as good as I do. I’ve got plenty of people to impress now,” he smirked at her and his words did the job. She laughed lightly as she followed him up to what she assumed was his bedroom. Hesitating for just a moment, she crawled into the large and way too comfortable bed, realizing for the first time just how tired she really was. “Thanks, Kuzco,” she mumbled, curling against him as her eyes slipped shut and she fell into an uneasy sleep.