#but omg this album

[swiftsgetawaycar]

A surprise Taylor Swift black & white album is THE epitome of swiftiehood 🖤🤍

[ajearthlinggg]

everybody stop what you’re doing, put on both headphones, and LISTEN TO WHITE KNUCKLE JERK AT FULL VOLUME. THE FLUTE. THE XYLOPHONE. THE LOWER OCTAVES IN THE CHORUS. THE BASS IN THE PIANO SOLO. DEAR GOD THIS SONG HAS SO MUCH DETAIL IT TOOK ME ALMOST A YEAR TO REALLY APPRECIATE IT OMGGGGG

[gatoburr0]

supa!

[venompinks]

JISOO 𓆩☆𓆪 ELLE KOREA DECEMBER ISSUE

[valeriapryanikova]

navigating

[hawkinsbnbg]

It was a well-known secret that Jonathan Byers sold Steve Harrington’s photos at cutthroat prices to the students of Hawkins High.

People wanted to get mad at it but a picture of shirtless Steve in tiny green shorts was enough to silence their protests.

Although his buyers ranged from all genders, Jonathan wasn’t surprised at all. Because he, too, was a victim of that Harrington Charm—the very reason he had started collecting every picture of Steve in the first place.

His side business was just a front for him to do so without being harrassed by Tommy H. who, ironically, was one of his regulars.

And why was it a well-known secret?

Well, because Steve had no idea about it.

In a rare sense of solidarity, the whole school had joined forces and done their best to keep their king out of the loop.

(Even Eddie ‘The Freak’ Munson—who loved to run his mouth—seemed to understand the gravity of the situation and managed to keep the secret.)

Jonathan had never enjoyed photography more in his life.

When Steve eventually figured it out, he was surprisingly willing to let Jonathan take more… audacious photos of him.

Suffice to say, the profit had skyrocketed once Jonathan found the right group of customers.

(i.e. Eddie Munson had paid for the Bunny Collection with three bags of weeds, Tommy H. had paid a hefty amount for more Stockings, and Billy Hargrove kept coming back for Higheels & Lipstick.)

[cordiallyfuturedwight]

bangtan gif challenge ☆ ↳ a concept that you cannot forget → love yourself: her ☁️

[stealingpotatoes]

guys it's under 120k minutes this year im a normal girl now 🔥🔥

[potato-lord-but-not]

guys help I can’t stop drawing him

[arthur-lesters-spinal-cord]

…well its better than the alternative

[gvnchyno2]

ARTPOP!

[its-kinda-snowy]

Do you know I could break beneath the weight? Of the goodness, love, I still carry for you That I'd walk so far just to take The injury of finally knowin' you

[mykpoppers]

ARTMS ‘Pre2 : Flower Rhythm' Official Track Video

[voidmade]

[sainz100]

Carlos Sainz | F1 London Live in 2017 | x x x x x

[art--harridan]

[Image description: A digital drawing of Billy Whitney from the film Society. He is the focus of the piece, shown from the shoulders-up. He is looking to the side with a paranoid and scared expression on his face. Sweat is streaming off of him, plastering his hair to his forehead. It is highlighted with an uncannily bright white. This same white is used to colour the kitchen knife he is clutching in his hands, pulling it close to his chest. Above him, there's a close-up drawing of an sickly green apple with a bite taken out of it. The hole left behind is teeming with worms and maggots, dark red in colour. Below the apple, the phrase "all my fears are real" is written. To his other side, there's three panels which show different scenes of fleshy uncertainty. They share the same colours, deep reds and unappealing greens and browns. The only truly clear panel is the first one, which seems to show a face twisted in agony. The lineart is scratchy and unpolished, and a deep brown. There's a lot of stark shadows. The background is a gradient, with a light pink at the bottom and white at the top.]

Inktober - Day 2 (Discover)

Film - Society (Brian Yuzna, 1989)