#but of course i make one that already has the most art

[firelightmlpoc]

This is Pansear (if you want proof, look at my pinned blog; I'm well aware that there are a lot of imposters out there). I wish to say thank you for being open minded while also acknowledging that- yes- I did fuck up at times. I didn't treat Azriel the best. I was selfish towards the MAP collaborators. I wasn't a particularly great person in general- all that I admit, and I have my own separate posts for those. Overall, I'm sorry.

The harassment was too much and the screenshots were obviously fake. It wasn't fair to me. It wasn't fair to anyone either including those who believed were fake too, even to future potential victims of allegations and former victims of harassment campaigns. I left not in admittance of guilt, but to everything else that has boiled over (again, I detailed this in a post).

I know there's people beaming to know that I'm alive and well (and of course, people who are angry that I'm not). I just want to say that I'm sorry for having to leave everyone in the dark for so long, and that I was basically a POS back then.

It saddens me as well that this whole situation not only affected me- it has affected most of the fandom. It has affected the other artists, who no longer feel safe and comfortable. It has affected my friends, who missed me and feel lost in the dark. It has affected my fans, who worry about me and feel so conflicted about everything. It has affected friend groups who are distanced in their conflicts.

Even for the things I didn't do, I still felt horrible. There were no winners in the end, and any winner I could describe are those vile people hiding behind anons who have hurt the most.

People can already predict that I will never return and that is definitely the case. Not just for the sake of my well-being, but I believe it's for the best for everyone in general. It's been far too long that I danced through the harsh weathers- some strange fucked up game of ping pong, and it's time to put it to rest. I don't care if people will hate me still, all I care about is everyones' safety and for those who have been hurt to heal from this.

I have no real say on the Emily side of things. Indeed what she did to Azriel was irresponsible, but she doesn't deserve the harm and harassment she's got and been getting. Nobody does. Not even my calloutters and my harassers. Looking at their responses and posts just makes me feel bad. I can't help but feel sorry for them.

I hope you yourself are doing well. To all others reading this, I hope you all are too. The fandom isn't the same but I know love can persist somewhere. I am leaving it all up to you to make this place so much better, and that one day everyone can laugh again.

For now, I'm hoping things can rest.

I’m glad to hear you’re doing alright. And as you’ve said: Yes, you have done things wrong, but the actions taken against you were far beyond the pale for what you actually did.

An apology backed by action towards self-betterment is a good apology, & is what you’ve shown to be doing, though I truly wish that the cost you’ve had to pay for this all wasn’t so steep. I hope that you’re still able to find enjoyment in your art still, & hope that you’re able to heal from all of this, even if it takes a good bit of time to do so.

May the path you walk no longer hurt to stand on, & may you find yourself at peace with all of it some day.

[welcometohellfilm]

Congrats to everyone who has been working on W2H2! 🎉 If it's alright, I'd like to ask to ask 2 questions:

Is there by chance an official ref of colors for Debbie, or is it still up to interpretation at the moment?

Would you say that your personal, real life experiences within the 10 years moving from W2H to W2H2 shifted the tone/story of the series in some way? Something that I've always been fascinated with when I started looking more into W2H was the shift in Sock's character from the original comic -> first film -> second film, and Jonathan's character from the first film -> second film.

Thank you! ✨

I actually just made some 'official'-ish colors for Debbie! Her voice actor Kaitlyn wanted something to use on a banner for conventions haha... so here you go!

2. I'm not really sure how to answer this one, haha. I mean I've definitely changed as a person over the course of making each iteration of W2H. I started the comic while I was at community college, before I went to art school. I adapted it into an animation for my graduation project. And I started W2H2 a couple years after I graduated college. So there's a good 2-3 years between each attempt at W2H I've done, haha. I think a lot of my original ideas from the comic had to change because it needed to be condensed into a short film. I didn't even GET to Jonathan yet in the comic! Some things just didn't make sense to me anymore, like the idea of Sock already having a human body count. It'd just be absurd for him to be able to hide it for so long! Plus, if I made it so that Sock has only ever entertained the idea of murder, it makes his new job that much more appealing-- it's a chance for him to really lean in to this thing he's always had to hide. Between the first and second films though, I mean... I think there's been some tonal shift, for sure (I don't know about a character shift? We'll get to that haha) But basically, when I was first thinking about W2H2, my idea was "Sock and Jonathan hang out and attempt to figure out touch physics, also there's some drama about a journal Jonathan keeps." All of the hell stuff is something that came from bouncing ideas around with my friends, Michael and Neil. I was worried that sending Jonathan to hell would be too bonkers for a "2nd episode", but we all kinda agreed that enough time had passed that the fans would probably enjoy something higher stakes, so it would be fine. (I'll give everyone a moment to realize this conversation would've been happening in 2015-16... ha.)

We also kind of thought, y'know... I have no idea how many more of these there's even gonna' be, so why not go a little bigger with this one? W2H2 is a higher stakes story than what I set out to make in the beginning, that's for sure. It is interesting to compare all of them.. the employee handbook was actually from the comic and I cut that because it wasn't helpful for W2H... but then it became helpful for W2H2, so it came back! Haha. I'm curious to know in what ways people think the characters have changed though. (And is that a good thing or a bad thing?) Especially a character like Jonathan, no one's really even seen that much of him yet, I think most of the characterization comes from fandom, or like... art I've drawn, I guess? Haha... I'm not sure! I guess Sock's a little more confident and antagonistic in this one (though he'll have his moments of hesitation... we're only at Part 1 right now!), and Jonathan has had to become a more vocal/active character, just by nature of the kind of story it is, I suppose. But yeah, I'm not sure! Happy to hear your guys' thoughts though!

[liskantope]

I'm going to get myself an onslaught of pushback that I in no way have time to deal with this week for making the points I'm about to make, but here goes. (I also may learn some new information from some of you, which would be good.)

Argumate's point, as a conditional statement, is 100% correct. I would also say the various Republican proposals of the past three years are, in my opinion, varying levels of reprehensible and idiotic in how poorly they're defined/enforceable. But, unless there are specific ideas on the table that for some reason I haven't heard of despite being on Tumblr and progressive social media bubbles all this time, the implication that Republicans are attacking the right to present as one pleases and choose one's name, even the right of adults to choose to medically transition, is suspect. And distorting that side's political behavior seems counterproductive.

Everything, first of all, seems to revolve around "protecting" the children rather than restricting the rights of adults.

There's clearly been a push to ban drag shows -- that is, a certain kind of performance art based around people cross-dressing (often in a sexualized way) in places where children could be exposed to it: schools, it seems sometimes public areas as well. This seems to have arisen in direct response to a quite novel trend of schools going out of their ways to show children this art when schools re-opened after COVID, not as a direct backtracking of civil rights that they were okay with ten years ago (even if in effect it is a sort of walking back of rights). For the record, I think banning drag shows in public sucks, and if I had my own kid, I would want them to be exposed to a "drag queen story hour" or two in school. But what has been happening there is a far cry from disallowing people from going about their own business cross-dressing or otherwise presenting as a given gender.

Where changing names is concerned, I can only imagine posts above this are alluding to Ted Cruz's proposal to make it impossible to fire someone for deadnaming or using a pronoun different from the referent's biological sex. (The naming thing would depend on the person's legal name; of course if they transitioned and changed their name legally -- which I realize may present its own slowness and difficulties -- there would presumably be no problem.) This seems like one of the weirder, harder-to-enforce hypothetical laws (how would one even prove that someone's pronoun doesn't correspond to their genitalia??), but it's one of those People Resent Being Forced To Utter Things They Feel Are Lies issues in the form of protecting someone from being fired for not making those utterances. I don't support it and hope it never becomes law, but characterizing it as "losing one's right to choose one's name" seems disingenuous.

Banning transition surgery and other medicine is clearly a huge thing right now but completely restricted to minors -- I think the closest I've heard to proposals for banning it for adults is (1) stretching the concept of "minor" here to age 25 due to questionable "mature brain" ideas, and (2) some bill in Missouri requiring six months of therapy before getting the go-ahead for medical treatment. It seems not unreasonable to imagine that if Republicans manage to get enough bans through for minors (by far the lower-hanging fruit, by far more popular among Americans) and are feeling sufficiently confident while running rampant, some will try to ban stuff for adults too, and there's the whole issue of which forms of gender medicine get provided by insurance and so on. I totally get a trans adult not being willing to live in a red state. At present the issue seems to be for minors, though, and again, while a rollback (one that was already happening in most of Europe I believe), it's mainly in response to something -- namely, an abrupt spike by more than an order of magnitude in minors seeking gender medicine.

I don't call for moderate stances on these issues but for some care and moderation on how we characterize them, especially at a moment when trans people are upending their lives to flee the country. I don't see how we're going to get out of this culture war mess with trans issues without engaging with what each side is actually doing (obviously I've believed the same about every type of current issue but this one has gotten especially out of control).

The state of gay rights in the early aughts was not good; criminal penalties for homosexuality were rarely enforced but were on the books in many places, there was no right to marriage, and the morality of homosexuality was hotly contested in public. Big culture war issue. In that environment, where substantive protections were lacking, Democrats could be tepid on gay rights without actively giving anything up—if, like Obama in 2008, you didn’t support gay marriage, you could still be seen (correctly) as advocating for an overall better situation for gay people, or at least one that was no worse, in contrast to your right wing opponents.

Trans rights are not in the same position. Before the big trans rights backlash started, access to gender affirming care was pretty widespread, was everywhere legal, and was a matter for private concern only. Trans people could play in school sports subject to whatever their league’s rules were, and the idea of trying to make it illegal to cross dress in public was absurd. The conservative position since has become one of an explicit rollback of rights: revoke access to gender affirming care, create new criminal sanctions to punish trans people, make it illegal for them to participate in school sports, etc.

In that environment, tacking to the right on trans issues means deciding which elements of trans rights you are willing to concede to this project of actually rolling back trans rights. The only thing comparable from the gay rights fight is maybe state constitutional amendments to ban gay marriage, or DOMA—all of which were, IIRC, passed despite gay marriage not being legal in affected jurisdictions. Their enactment, while deplorable, had no material negative affect; gay people already couldn’t get married.

And that this project of rolling back trans rights is not a particular fetish of the religious right is more worrying. Plenty of liberals and liberal institutions are pretty transphobic. Britain has been working to export its flavor of (Moderate, Sensible, Secular) transphobia to other countries in Europe and the Anglosphere. Transphobes winning these fights isn’t a status quo situation—it’s a sharp increase in repression of trans people.

In light of that, I regard calls to “moderate” on trans issues with at best scorn. I think the party of civil rights condoning the rollback of citizens’ civil rights is really bad for its brand, won’t win it more votes, and may sufficiently alienate members of the base—who are invested in the party specifically because of its historic support for civil rights—that they simply don’t bother to show up in elections.

[justjoshlynaround]

oc reference sheet that I might fix up later but probably won't

[fatedroses]

More than just the Demon.

[mewguca]

Faded Memories

slivermoon pen doodle

[antianakin]

Oh I LOVE the idea of memorial tattoos! That's so sweet (obviously in an incredibly sad way, but still). There was a fic I read once where Cody gave himself tattoos for people he loved who were still ALIVE, with the intention that he'd cut through them and create a scar over the tattoo if the person died as a visual representation of that memorial while also being a reminder of the people who are still with him, and that's stuck with me to this day. I have no idea which fic it was anymore off the top of my head, but it's such an interesting way to utilize tattoos because it lives somewhere in-between using tattoos to just represent people you care about who are either still alive or who have already died. But getting a tattoo for people who ARE alive but who are incredibly likely to die soon due to their circumstances and so he has a plan to sort-of... visually mar the tattoo with a different type of body modification adds so much nuance to it in a way I've never seen anywhere else.

And that's what I find most interesting about it, how the clones choose to utilize this art form to define who they are, not JUST as individuals, but as a CULTURE amongst all of them. And how is this culture different from anyone else's, how is it impacted by the experiences the clones have had and are currently having? How does this impact their approach to art, which could certainly be tattoos, especially in their early days, but might also make its way into things like songs and poetry and storytelling that are oral art forms, or things like cooking maybe that could be impacted by both the approach to their diets by the Kaminoans as well as the amount of traveling they do later and the interactions they might have with other cultures.

I just love looking at what makes the clones UNIQUE and how different aspects of their culture might be different from others specifically as a result of their incredibly unique upbringing. That's why I loved the fic with Cody's memorial tattoo because it's such a unique concept, having to build a tattoo design for people who are still alive but with the knowledge that it will very likely need to BECOME a memorial later. How many other cultures would even need something like that? The clones have such a low life expectancy because they've been built to die and they're also so often separated from each other and they probably have very few ways of keeping around things that remind them of their loved ones. So they come up with tattoos that can be a remembrance for someone still alive but separated that can be turned into a memorial for someone who has died and it doesn't actually take away from the tattoo design. What other culture would have a similar need for that kind of thing?

And of course they can have happier or sillier options, too, like putting a loved one's face on their body in tattoo form, or maybe a lot of text options later like poems or songs or recipes that mean something to them and that they want to make sure can't get lost (we don't know if they have access to PERSONAL padds of any kind where they could write things down that aren't related to work and even if they do, the possibility that it could be lost or broken is pretty high).

I feel like there's WAY more attention paid to armor than tattoos in clone culture within fandom and I think tattoos deserve more attention than they get (and armor less). Because yes, we do obviously see different armor designs and the like, but we also see a LOT of clones wearing pretty much the exact same armor design as a lot of other clones (the Doylist explanation for this is obviously that the animators weren't going to come up with separate armor designs for every single background clone, but I'm taking a Watsonian approach here), whereas any time a clone has a tattoo somewhere, it's never the same thing twice.

Armor designs are fun, they're nice, but armor breaks and gets lost while the tattoos are on their bodies FOREVER. We've also seen a few clones who have armor designs that match their tattoos, and I'm headcanoning that the tattoos came FIRST. So even some of the clones who we DON'T see have matching tattoos to their armor designs probably actually do somewhere. So like Waxer and Boil didn't just put Numa on their helmets, helmets get broken and destroyed, they got her face tattooed on their bodies somewhere, too. Rex has the shriek hawk eyes tattooed somewhere. Cody has the sunburst tattooed. If the design means something to them, it's been tattooed on their bodies, too.

I want more shared tattoos between clones who care about each other, too. Probably not the same as the one they have on their armor, but something else that's special to just the two of them. Fives and Echo could have a little domino tattoo somewhere to represent not just their bond, but their bonds to the rest of the squad they lost. Sometimes it's a memorial for someone they've lost, like maybe Jesse and Kix have a tattoo for Hardcase after Umbara, or Fox has one for Thorn after Scipio.

Tattoos are also a lot easier to hide and keep private from certain people if necessary, while armor designs are always able to be seen no matter what. So tattoos can be a LOT more personal than an armor design, too. They can represent terrible traumas or the deepest dream, something they don't dare even discuss with anyone else but don't want to forget. Clones with tattoos of coordinates to a planet they might one day want to call home, clones with tattoos of quotes that inspire them or maybe the last words spoken to them by a loved one or a promise made to someone else that they hope they can keep. Many clones have plant tattoos of some kind, the first flower or tree they ever saw, to remind them of the beauty that exists in the galaxy and what they're fighting to protect. Names are incredibly common tattoos once they've chosen it, either written out in letters or represented in an image somehow.

Over time, maybe in a happy fix-it AU where they have the ability to really let this develop, certain designs and patterns start meaning certain things to the clones and so they become shared across MANY clones as almost a shared unspoken language. A specific design might mean loss, or specific achievements in life.

Just... more about the tattoos in clone culture, they're SO underexplored.

[woolydemon]

Ok so basically I think Daphne Blake (of Scooby Doo fame) should have a minor in fashion design and a major in Law. She's studying to be an attorney

[fushitoru]

seperation anxiety! a (clan head) gojo satoru fic

pairing ⸺ clan head!gojo x wife!reader

summary ⸺ satoru begs you to attend a meeting with the higher-ups, but not for the reasons you thought. inspired by this art by @/baobei-bu!

warnings ⸺ SMUT, gojo is a warning by himself, VERY public sex, reader has a vagina, fem reader implied, no penetration, fingering, fondling, making out, panty-ripping, exhibitionism, kinda cucking but the only ppl humiliated and humbled are the higher ups, porn no plot, but plot if you squint, reader is a strong independent woman (until gojo charms her, bc who wouldn't turn into a cockslut for gojo?), this took me at least five hours to write for no good reason?, not edited (like always....)

a/n pls enjoy and thank u to the queen for making such delicious art (p.s. go to their twitter for nsfw ver i squirted)

general masterlist

“Pleaseeeee,” Satoru has his face buried in your chest, nuzzling in further while complaining. It’s almost comical how he—head of the biggest clan in Jujutsu—is leaning down to match your height. You, meanwhile, stand firm, arms crossed, regarding him with a mix of exasperation and reluctant affection as he leans down to meet your gaze. “Will you come with me?”

The question comes as the dreaded meeting with the higher-ups looms, a gathering he's been dodging all day. It technically began ten minutes ago, and you barely managed to wrangle him into his formal kimono just twenty minutes earlier. You sigh, fingers brushing his hair. “Satoru, you know what they think of me. I'm not exactly their favorite person.” You’re both standing in the middle of your shared bedroom, you imploring him to be on time for his meeting to avoid getting even further shit from the higher-ups.

Mind you, you’re the more rational one between you and Satoru—in fact, most of the people who know you would agree that you’re a very mature, wise person in general (with the exception of some circumstances, of course). And despite the respect your skill commands, the higher-ups have never warmed to you, not since you refused to play a pawn in their games. Marrying Satoru, the one jujutsu sorcerer they could never control, only amplified their discontent. They see you both as threats—powerful sorcerers bonded in defiance.

At the mention of "higher-ups," Satoru's pout deepens, and his pleading voice grows more insistent. “Pleeeease,” he drags out, practically whining. “I have separation anxiety.”

You feel a pang of sympathy. These meetings are miserable for him—hours trapped in a room with men twice his age, trying to dictate his every move. “I don’t know, Satoru…” you murmur, hesitating.

But Satoru takes advantage of your softening resolve, hugging you tighter, his face pressing into you again. “Don’t make me go in there alone!” he says, his voice muffled. “You have no idea how much you silence them. One word from you, and they all think twice. I’m already one step away from wanting to kill them all.”

A sigh escapes you as you realize he’s not letting up. And while you’re reluctant, you know that your presence, your opinion—one of the few he truly values—might actually give him a sense of calm in that harsh room. “Alright, alright,” you concede finally, hand smoothing the fabric of his sleeve. "But no making a scene." 

His answering smirk is smug, giving you a fat, sloppy kiss on your cheek that you’re not afraid to show your partial-disgust about. You all but have to wrestle him off of you white he’s smothering you in kisses, getting out something about how much loves you, oh so thankful to have such a wise wifey like you as you get ready in a kimono similar to his and head to the limo waiting outside of the manor you and Gojo reside in. 

As soon as you get in, Gojo turns sharply to Ijichi, who’s shifting the gear. “Put the divider up.”

“O-Okay, Gojo-san.” A little intimidated by the commanding tone in your husband’s voice, he quickly presses the button to activate the screen, and Gojo pounces on you, grabbing you and hoisting you up by your sides to put you on his lap.

“Satoru!” you exclaim, surprised as he captures his lips with yours. His hands roam your body as he moans, almost obnoxiously, because he knows you’re always paranoid whenever he initiates anything in public. Your crotch aligns with his thigh, big and stuffed with muscle as he drives your hips to grind on him, and despite yourself and your circumstances, you find yourself leaning into his touch.

“My pretty wife,” he purrs, now trailing kisses down your jaw and into your neck. “So pretty, so supportive.”

Despite his dizzying movements, you try to get a hold of yourself. “Satoru, we shouldn’t be doing this here. We need to discuss what to sa—”

“Fuck that,” he sighs, so breathless that you want to cave in.

“No, but—”

His eyes darken, and his hands start creeping up your legs, going slowly and slowly closer to your pussy. “Baby, you know I value what you have to say,” and his fingers graze your folds, making you leak even more with his teasing, “but I wanna listen to something else.”

He drags his index finger up and down your slit, making you whimper. His fingers then prod into your hole, putting pressure there but not quite delving in. “Satoru,” you whine out, clutching his upper arms as he has his way while toying with you.

“Yea, that’s what I wanna hear,” he groans, giving you a kiss. It is then that he rewards you with inserting his digit in, curling to hit your spot as he fingers you. HIs other arm is around you, holding your panties’ crotch to the side to allow him to touch you. “My good girl.”

As he’s touching you, the squelching sounds fills the enclosure you’re in and you’re desperately praying to God Ijichi can’t hear the lewd things the both of you are doing in the back. You’re just reduced to whimpering, unable to reject Satoru’s dizzying touches, his free hand leaving your panties to grope at your inner thighs, ass, and breasts. It’s like he’s devouring you with his kisses, urgent, as he continues curling his fingers. 

Between kisses, you try to get out a “Satoru—mmph,” smooch, “we shouldn’t be—mm” smooch, “shouldn’t be doing this here!” 

“What,” he drawls, and with the glint in his eyes you know the fucker’s trying to toy with you, knows what he’s doing is mischievous. “I can’t touch my wife?”

Before you could utter a response, however, the limo suddenly slows, and the sensation of using the brakes to stop the car makes you sober up. “We’re here, Satoru we need to go—-” As you’re trying to rip yourself off his lap, he pulls out the finger that was inside you and uses his hand instead to entangle it with the crotch of your panties, pulling and pulling until the cloth is nothing but shreds, falling off your body.

Oh my god, you were not paid enough for this shit.

With his oh-so-irritating eyes—the same ones that you spent despising in your early school years—he looks at you through his pretty white lashes as he makes a show of sniffing the now tattered shreds that were your panties and putting them in his pocket. Under your kimono, you can feel your slick escaping your panties as the cool air wafts through it, landing on your pussy. You look at him in disbelief. “I can’t believe you just did that.”

He giggles, giving you a kiss on the cheek while helping you off his lap, putting a hand on your head to make sure you didn’t bump your head against the car’s ceiling. “Let’s go and deal with those hags, my love.”

To be honest, you don’t really understand why Satoru is so handsy today. He’s on some sort of man-ovulation, you think, as you stride into the room. Even ripping off your panties was a bit excessive, if not out of pocket (no pun intended). Breaking out of your thoughts, you grounded yourself in the present, noticing hostile eyes turned towards your husband, and then you. You match their barely-subtle glares with a stink eye of your own, holding your chin up as you walk past them dismissively. Just as you’re about to take a seat next to Gojo—being mindful of your kimono so you don’t flash any of these old bastards—one of them speaks up. 

“Gojo-sama, why is this woman here?”

You continue to take your seat, noticing Satoru’s jaw clenched. But right as he’s about to say something, you cut in for him. “This woman,” and you smile, deceptively sweet, “is the lady of the clan. It would do you well to remember the hierarchy of the Gojo clan.” You don’t need to turn to look at your husband to know he has a proud smile on his face, making no effort to hide his smugness. What shocks you instead is that he swings an arm around you, effectively dragging you closer to him until you’re basically sitting on his lap, and his hands go to roam your sides.

Now, some old grandpa starts talking, commencing the meeting, on their usual bullshit of the need for extermination of Sukuna’s vessel, but Satoru pays them no mind. Instead, what they receive in response is non-committal hums as his hands drag themselves up your stomach and down where your legs are crossed to the hem of your kimono, and then under. 

Any semblance of paying attention to the meeting and responding to their infuriating beliefs leaves your mind as you blank out, panicking that Satoru is trying to commit public indecency with you. As an argument erupts between the higher ups about something, you turn to Gojo to furiously whisper, “What is wrong with you today?! Cut it out.”

In your life, you’ve fought many curses, first grade and even special grade included as you climbed up the ranks of Jujutsu sorcery despite having a non-sorcerer upbringing. What you will never be able to defeat, however, is your husband’s charm. Satoru knows what he’s doing as he lets out a deep moan in your ear, making you squeak and become even more flustered, as he continues to make lewd noises, puffs of his breath fanning across your neck. 

a/n gojo the type to start moaning randomly to make you fold #sorrynotsorry 

The indecency of all of it—-Gojo basically whimpering in your ear sweet nothings like good girl, that’s my wife, gonna let me finger you in front of all these ugly hags, right?—-being loud in your ear but also just quiet enough that you’d only hear made you so wet, heat throbbing between your thighs as Satoru’s hands start rubbing your fold. It’s a teasing touch, one not enough to satisfy you but to stimulate you nonetheless. 

It’s just when his index finger starts slowly circling around your clit that you buck your hips slightly, making him look at you teasingly, peering down at you from above your shoulder. “Oh you liked that, didn’t you?”

“I hate you,” you puff out, trying to fight the heat creeping up your neck as Satoru’s circles on your clit get more tangibly, simulating you oh so deliciously. To make sure you hold yourself up, you set your elbows down on the table, Satoru’s arms engulfing you as you’re forced to take whatever touches he’s giving you under the table. 

“She’s so loud,” he whispers, pointing out the noises your pussy was making as his digits roved over your folds. The squelches were tangibly there, audible to anyone who would strain their ears. You could tell your lack of response to the meeting was catching attention, because there were several eyes towards you, waiting for something; it was then you realized that they had posed a question but were simply too fucked out to respond. 

A voice comes out to reprimand your husband sharply. “Gojo-sama, this is hardly appropriate.”

Satoru chuckles, not stopping his ministrations as he picks up a cup filled with water, his smug gaze still turned towards you while observing and appreciating your every hiccup and reaction. “Can’t my spouse attend this meeting? I value her opinion above everyone else’s in this room, after all,” he drawls, lodging his chin in the curve of your neck. “Besides,” and he flashes a dangerous grin to the man who spoke out, “weren’t you the ones who were oh so worried about me not having an heir?” 

At this point, you’ve filtered out all noises, focusing and honing in on the sensation of your orgasm coming. His digits are playful, curling up to hit your g-spot repeatedly, his palm tickling your clit. Each time he hits your spongy spot a bout of electricity runs up your body, pulling you closer and closer to your orgasm. 

“But guess what,” and he gives you a kiss on the cheek, despite the aversion the rest of the higher ups have to any displays of affection, “we can solve that problem right here, right now.” He punctuates it with a harsh sink of his fingers into your plush cunt, and, with that, you finally cream his fingers, a result of Satoru teasing you all day now. You try to temper the shakes wracking your body by slamming your fist against the table, trying not to moan out.

It seems that no one’s seen you riding out your orgasm out so visible, because there are gasps around the room at how obscene Gojo’s suggestion was. “It is shameful of you to be saying such things, Gojo-sama!” one of them sputters out, red with anger and outrage. 

Your husband not so subtly rolls his eyes. “Then don’t bring it up all the time, old man.” Satoru knows how touchy and vulnerable you are right after you cum, so he’s running his hands softly up and down your thighs to quell your quivers affectionately. “Actually, what about this? You all haven’t witnessed us consummate our marriage, correct?” He smirks. “What about witnessing the heir-making next time?”

general masterlist

a/n pls see the vision like i want gojo to claim me and rail me into next tuesday while the higher ups just watch uncomfortably like maybe i am a freak like that. like gojo would be so obsessed with how he's claiming you in front of the fuckers that piss him off so much...might do a part two if pookiesa like this :P

comment and reblog to let me know ur thots :3

[helielune]

[scientia-rex]

When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”

He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)

I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.

What is your objective?

Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.

I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.

I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.

Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.

Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.

How do you think I have gotten two clinics to start including gender care in their planning?

Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.

Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?

[anxiousbabybird]

Love and Deepspace men x fem!reader slightly unhinged and NSFW HCs, PART 2!

Once again, minors do not interact! I made you guys a part 2 of my current thoughts. No plot or card spoilers in my comments or reblogs, please and thank you 💙

Part 1

Rafayel

Have you met this man? He wants to know where you’re at and who you’re with at all times. So jealous. It’s probably in your best interest to forget other men exist once you’re dating him

Convinced you to suck his dick while he’s painting to see if it helps convey emotion into his painting—he accidentally pushed the paintbrush through the canvas when he came

Loves when you ride him—it’s so cute watching you bounce on him and use his body for your own pleasure. This also allows him to sit back a little and enjoy every sound you make, every facial expression, every feeling. Of course he does eventually get bored and flips you onto your back for his turn

Before you’re dating, he persuades you into being a nude model for him. He takes his time caressing your skin and telling you he has to “feel” the art, lets his hands wander and linger as he moves your body little by little until you’re in the exact position he wanted. Spends hours staring at your naked body, pretending to draw it (he finished his sketch hours ago but he doesn’t want you getting dressed yet)

Kinks/fetishes: biting, marking, breeding, spit, primal, spanking, mirror sex, praise, wax, shibari, choking, exhibitionism

Loves a pussy job—just sliding his cock between your folds and tapping at your clit like he’s knocking on a door until he cums all over you. Loves this for two reasons: 1) you look exquisite with your clit swollen and body spattered in cum, and 2) the banter between the two of you during a pussy job is top tier. It’s not quite degradation, but you’re both going back and forth in the most teasing way, riling each other up.

Has the biggest praise kink. He thinks he might actually die if you don’t tell him how amazing he is at least 12 times a day

Part of the pretty dick club. It’s actually perfect—thick but not too thick, long but not too long, nice veins wrapping around and well groomed at the base. Some would say it’s perfect.

Xavier

Sometimes when he’s flustered by you, his body emits a soft glow because of his evol. You notice it for the first time when you surprise him with a kiss to his cheek. He glows a little brighter the first time he kisses your lips too.

He’s fallen asleep during sex before. Usually after several rounds, he’s cum twice already, and you’re laying on your sides on the bed and he’s lazily thrusting into you from behind and all of a sudden he stops. Sheathed inside you and an arm around your waist. When you look over your shoulder, he’s sounds asleep and already softly snoring. You have no choice but to do the same, falling asleep in his arms and keeping his cock nice and warm all night

His favorite position is missionary where your legs are wrapped around his waist and he’s slowly, deeply thrusting into you. He likes seeing every expression on your face, really feeling you sucking him in, hearing every breathy moan you try to hide from him. And he likes that he can kiss you whenever he wants

Likes to read at night, even though he falls asleep doing it. When you start staying nights at his place, he convinces you to read out loud to him and you do that every night until he falls asleep with his head on your chest.

Kinks/fetishes: hair pulling (he likes when you give a little tug), overstimulation, marking, cum play, face sitting, cockwarming

Loves fresh flowers and brings you new ones every week. He thinks they’re pretty and hopes you appreciate them the way he does. Sometimes he buys them or sometimes he picks them from some lush patch in the forest. Always takes some for himself so he knows when they start dying and he needs to get you new ones.

Loves to lay his head in your lap so you can play with his hair

The kind of guy who will keep his hand holding yours no matter what because he wants to make sure you’re staying beside him. Sometimes takes one of your hands and puts it in the pocket of his sweatshirt with his just so it stays warm.

Zayne

He was very opposed to fucking in the hospital at first but then on a day he was super stressed, you stopped by and sucked him off under his desk while he reviewed charts and he was able to successfully perform a surgery other doctors thought was inoperable—he was more lenient on sex in the hospital after that

Kinks/fetishes: size kink, spanking, brat taming, choking, degradative praise, impact (spanking/flogging/paddle), breeding, edging/denial, thigh riding, dirty talk

Has absolutely bent you over his knee to spank you when you’re being a brat and talking back to him all the time with no regard for your own well being. All he wants is to take care of you because you never take care of yourself. And he would take the best care of you.

Cunt smacks. No further explanation needed.

Favorite sex position is prone bone. He likes hitting it from the back because sometimes the prolonged eye contact that can come with facing each other makes him uncomfortable. But doggy style isn’t what he wants because he wants to feel your body against his, holds you as close as possible. This position works best because every inch of him is atop you and he can feel your body there beneath him, he gets to tuck his head into your neck to bite or kiss or moan into, he’s close to your ear and can whisper filthy things or tell you how close he is or how good you feel around him, and most of all, this position has him so fucking deep inside you that he swore nothing in this life felt better the first time he entered you in this way

Allergic to saying nice things to you 98% of the time.

He runs cold because of his evol and sometimes when he cums, it feels like ice inside of you. Made you scream in surprise the first time but leads to some fun temperature play where he uses his tongue to warm you up after. He’s also often cold and loves to curl up against you and tell you that you’re his heater.

#ThickDickClub

@luffysprincess @seraphofthesimps @adaurielle

[pomefioredove]

may I please request Headcanon of the overblot gang + Adeuce when a reader that’s normally very sweet and shy goes absolutely apeshit and TEARS INTO some bully, absolutely roasting the hell out of them please? Thank you :3

of course anon!!

*ੈ✩‧₊˚ going apeshit!!!!

type of post: headcanons characters: riddle, ace, deuce, leona, azul, jamil, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

being the magicless newcomer makes you a favorite target for some of Night Raven College's less kindly students.

your loved ones know this, too, so when a group of brutish first years approach, they're ready to defend you. except...

*ੈ✩‧₊˚

Riddle had seen them coming towards you and already had his hand on his magical pen

how stupid of them to pick on you in his presence

a week or two without their heads would serve them well

but before he can even step between you and the ruffians (very gallantly, I might add; he had it all planned out in his head),

you just...

...oh

even he blushes at the profanity you spew

he didn't even get to scold them

...then you turn back to him with that same sweet smile as if nothing had happened

*ੈ✩‧₊˚

Ace had actually been the first student to get an earful from you

once at the beginning of the year, and never again

now, he takes great pleasure in watching you verbally eviscerate the other students

it's a... guilty pleasure, we'll say

and Deuce knows not to intervene

he tried... once

after all, he's been in your place before

nothing's better than the feeling of putting some snob in his place

BUT OF COURSE, that's the old Deuce

...he just lets you go on because he knows he can't stop you

...not because he's enjoying it. obviously

*ੈ✩‧₊˚

and here Leona was, thinking you were some helpless little herbivore...

but can you blame him?

you're always so... cute

skipping around Savanaclaw, all happy to be helping out Ruggie and Jack after practice...

you were bound to run into trouble, looking like an easy meal

he almost feels... bad for you...

but before he can step in and tell the freshies to buzz off, you...

damn, you've got a mouth on you

you switch up real quick on them, and they scamper off to go lick their wounds

color him impressed...

*ੈ✩‧₊˚

Azul was on his way back to the dorm when he heard you shout

you sounded... upset

and as much as he would like to, he can't just walk by and let you get bullied

damn sympathy...

so, he follows the sound of your voice, ready to intervene... on...

...nothing

a group of embarrassed freshman run past him, scattering in the opposite direction

he steps around the corner

and there you are, perfectly fine, if not a little winded

...of course

and he didn't even get to be your hero... tch

"Always full of surprises, aren't you? Just don't give Floyd any of those new words to use,"

*ੈ✩‧₊˚

it's none of his business... it's none of his business...

until it is his business

Jamil wouldn't have come running to your rescue like some prince

but he is in the middle of a civil conversation with you!

how insulting! honestly!

those freshmen must take him for some kind of witless fool

just this once, he'll teach them not to disrespect him...

of course, he doesn't even get a word in

he's never seen anyone so...

so...

...brutal

your insults are poignant, your tone sharp and dangerous, your usage of puns perfect...

you're like a work of art

*ੈ✩‧₊˚

Vil has no problem with putting others in their place

and he has a particular dislike of the brutish, arrogant students at NRC

he can actually sense their unwashed presence in the hall before he sees them

one little snide comment and...

...oh...

oh, my

you verbally tear them to shreds, insulting everything from their shoes to their posture, their cowardice, even their own insults

...goodness

he's going to have to have a talk with you about your language later

but, for now...

...he's enjoying this little performance of yours

*ੈ✩‧₊˚

Idia starts the most heated discourse over his faves and biases online, but this is different

this is real life

and the second he can feel a shift in the atmosphere, he's hiding behind you

you can handle it yourself, right? you've done it before!

honestly, he has no clue how you deal with the normies at this school

delusion, probably

he'd die if anyone talked to him the way they talk to...

...NEVER MIND!

you're using words he hasn't even heard in real life

even he is freaked out

you can get real scary when you want to, huh?

...maybe he'll just stick with you for now...

*ੈ✩‧₊˚

poor Malleus

he actually kinda sorta wanted to defend your honor...

he could be your fairytale prince!!! he could!!

it's the gentlemanly thing to do, anyway

and, better yet, he wouldn't even have to say anything! just one glare from him and the perpetrators would run screaming

...the one benefit to his reputation

but, of course,

you are not as innocent and weak as you seem

and he can't help but feel... impressed? with your ability to defend yourself

after this is all over, he'll have to joke that you should join his guard

[blacktabbygames]

Slay the Princess Concept Art

We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)

Going to start with the first piece of concept art Abby drew for the game.

In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.

The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:

The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.

If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.

We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.

That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:

You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!

The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.

Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.

We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.

There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.

Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.

Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.

First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)

Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.

The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.

A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.

The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.

Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.

If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.

An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.

Anyways next up is the razor's final form. We decided she needed more swords.

Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)

So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.

Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.

She's hit the gym since this concept art. Good for her :)

And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.

This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.

Anyways, that's all we've got for you right now. Hope this was fun!

[munsooooon]

Eddie would definitely be the kind of rockstar that would put Steve's moans in a song, yesterday I heard Knife Party by Deftones for the first time and was like: oh, Eddie would definitely do something like that.

I saw a video the other day that said the girl you hear in the background is representing a moan of pleasure or pain, or both.

Also when I listen to More Human than Human by White Zombie (specifically the intro) I really think of Eddie doing something like that with Steve. I think Steve would definitely agree to Eddie using his moans but on the condition that they be put on the track once the band recorded the song, even by that point Eddie probably already has some experience and doesn't need the producer to be present to include that recording in the mix.

Eddie being the obsessive artist he probably is would not want Steve to fake it for the song, he would want it to be genuine so Steve would give him consent to record his encounters without him knowing so Eddie would then have a lot of material to choose from to pick the best track. Steve would be the first to hear the track before it was released, not even the rest of the band would hear it until the album was released, when it was finished Steve and Eddie listen to it together, Steve blushes in the most beautiful way Eddie had ever seen him blush.

"Obviously it's very sexy to hear me," Steve says once his initial shock has passed.

"Of course, you egocentric bastard" Eddie says with a lovely smile.

"But I love to hear what you do to me, how you treat me and how good you make me feel and it's part of your art! I'm part of your art!"

Steve says it with incredible sweetness almost innocence. Eddie is silent for a few seconds, because of course the only one who can leave Eddie speechless is Steve. Then Eddie kiss him with all the love he can.

"You, Steve Harrington are definitely art, my love"

Steve smiles while he sits on Eddie's lap. He is quite for a few seconds.

"I love the idea that your fans and people in general will be able to literally hear how much and how well you love me"

[unstable-samurai]

Passenger

Nana x Male Reader

word count: 7.8k

A/n: special smut to celebrate Nana's birthday 🥳

You're sitting at the counter, glass half-empty. The bar lights are dim, casting a warm amber hue that makes the place seem imperfect, but in a comforting way. Most nights, someone else serves you, someone who never asks your name, and you never feel the need to say it.

But tonight, that person isn’t here. Instead, there’s Nana.

You’ve noticed Nana before. How could you not? She stands out like a wildfire in the middle of a forest. She has that kind of beauty that’s almost aggressive, as if every detail was designed to challenge the idea that perfect people don’t exist. Her hair is long, black like the night outside, and her body... Her body is like a work of art, covered in tattoos you try not to stare at for too long, but they demand attention. Her curves, her intense eyes. She moves like she doesn't care about the world, but you notice her every move, and although you haven't realized it yet, she also notices you.

Tonight, she's the one who walks up to you. When she stops in front of you, you can’t hide your surprise.

"Another one?" she asks. Her voice is slightly deep, velvety.

You nod, trying not to seem nervous, but you know you are failing.

"You come here every night," she says as she fills your glass. "But I never serve you."

"Yeah. It’s always that bearded guy," you reply, forcing a smile. Your voice feels smaller than it should.

"What brings you here every day?"

"I like the atmosphere."

"It’s not the best place to be every night, you know."

You let out a sigh.

"Still, you work here every night."

She raises an eyebrow.

"And that’s exactly why I know it’s not a good place for you. By the way, my name is Nana."

You grip your glass tightly, as if it’s the only anchor keeping you there. You do the formalities, say it's a pleasure to meet her and also give her your name, then continue: "Well, I’m new in town," you end up saying, not sure why you’re opening up to her. "I don’t know many people yet."

She pauses for a second, as if studying you. Something in her eyes changes. She doesn’t say anything, but the way her lips curve suggests she’s interested.

"New in town... and you’ve already chosen this hole of a bar to spend your time?" she teases, with a half-smile.

You laugh, a short, nervous laugh. "It’s what’s available."

She leans in a bit, resting on the counter. "And what are you looking for here? Besides cheap beer?"

You think about the answer. You don’t have one. Or maybe you do. Or maybe you really don’t.

"I don’t know," you reply.

She smiles. A smile that says she understands what you’re going through.

—

The bar is almost empty now, just you, Nana, and a few lost souls at distant tables. The conversation flows easily, slipping through words like the drink she keeps serving you. You feel a lightness in your shoulders that wasn’t there when you walked in, as if the weight of the day had melted away, dripping to the floor along with the drops of beer.

"I get off at midnight," she says, casually, as she dries a glass with a cloth. "What do you think about going for a drive with me?"

You almost choke. "Are you serious?"

She looks over the rim of the glass, one eyebrow raised, a small smile on her lips. "Of course I am. Why wouldn’t I be?"

You glance around, as if expecting someone to wake you from a prank. "I thought... I don’t know, it was just bar talk."

"Bar talk is usually full of crap, I know," she says, pushing the glass aside. "But I’m not the type to say things just to say them. When I need to clear my head, I go for a drive."

Now you’re more intrigued. "A drive?"

She leans on the counter, as if this were the most natural thing in the world. As if there were nothing strange about a bartender inviting a guy she barely knows to go out at night. "I have a hobby," she says, without rush. "I like to restore old cars."

"Old cars?" That catches you off guard. You didn’t expect that. Of all the things she could have said, that was the last.

She points her thumb outside, toward the street. "The Impala out there. It’s mine."

Your eyes follow her finger, and you see the car parked outside. A black Impala, classic, gleaming under the faint streetlights. You’ve seen it plenty of times, but you never imagined it was hers.

"You’re kidding," you say, with a half-smile. "I see it there all the time, but I didn’t know it was yours. It’s beautiful."

She smiles, a smile that feels more personal now, as if you’ve hit something you didn’t know you were aiming for. "I restored it myself," she says, with contained pride. "Took a few good years, but there it is, ready to take me wherever I want."

You can’t hide your admiration. She’s different. Very different. The kind of person who seems to have lived a hundred lives while you’re still trying to figure out your first. And she seems to enjoy keeping you off balance.

"You... seem like a one-of-a-kind girl," you blurt out, without much thought, and realize how foolish it sounds once it’s said aloud.

"I could say the same about you," she replies, with a wink.

You feel a little out of place now. She has this confidence, this raw energy that you’ve never had. And you, the opposite of everything Nana seems to represent, never imagined attracting someone like her. But, for some reason, here she is, inviting you out, asking you to get into her car, to see her world.

"So," she says, suddenly serious. "Are you coming or not?"

Your mind is still processing everything, but before you can overthink it, you respond. "I’m in."

"Then you’ll be my passenger for the night," she says, grabbing her car keys from her pocket and twirling them on her finger. She leans closer, the distance between you shrinking until you can smell her. "I’m gonna take you to places you’ve never been before," she murmurs, and the way she says it makes it feel like those places aren’t just physical.

—

You’re standing outside, arms crossed against the chill of the night that seems to grow colder by the hour. The bar has finally closed, and now you can hear the muffled voices inside, the last of the staff finishing up. The black Impala is parked in front of you, gleaming under the streetlight. You wait, anxious, unsure of what to expect.

The door to the bar opens, and she appears. Nana. This time, without the counter between you. You notice now, in a much more intense way, how her body fills the space. She’s all soft lines and yet strong, tattoos tracing her arms that you imagine extend to places you haven’t seen yet.

She pauses for a second, noticing your gaze, and smiles with a bit of amusement. "Like my tank top?" she asks casually, turning slightly as if wanting you to get a better look. "I think it fits just right, don’t you?"

You swallow hard, and suddenly, your words seem to have evaporated. "Yeah... it looks great on you."

She lets out a low laugh, tilting her head as she slips on her leather jacket. "You’re not very good at hiding things, are you?"

Before you can respond, she opens the car door and motions for you to get in. You walk to the other side, feeling the ground unsteady beneath your feet. When you settle into the passenger seat, the smell of the leather upholstery mixes with her perfume, something intoxicating.

She starts the car, the engine purring low, deep, like a beast waking up. Nana leans slightly toward you, offering a cigarette. "Want one?"

You hesitate for a second, but... why not? "Sure."

She lights your cigarette first, then hers. The car still parked, both of you smoking in silence. You cough twice before getting the hang of it. The smoke mingles with the cold air seeping through the slightly cracked window. She seems content with the moment, like the entire scene is unfolding exactly as she had planned.

"Where are we going?" you ask.

She takes a long drag from the cigarette before answering, blowing the smoke out the side of her mouth. "I was thinking we could head to the coast. There’s a cliff along the road where you can see the sea, the bridge, and the lighthouse... it’s beautiful at night." Before you can respond, she continues, turning her face toward you with that mischievous smile that seems to be her signature. "But honestly? The destination doesn’t matter much. What matters is the ride." She looks at you for a second longer. "The company."

The way she says that — the way her eyes linger on yours — makes you feel like, yes, you will understand.

“I’m in your hands,” you say.

—

The Impala rumbles softly as she finally parks on the shoulder near the cliff. The road seems deserted now, wrapped in darkness, except for the thin line of streetlights stretching ahead. You step out of the car, the night air cooler here, damper, with the salty scent of the sea rising up to meet you. Nana gets out on her side, slamming the car door and pulling the zipper of her leather jacket up to her chin. She glances at you for a moment, her eyes gleaming, as if analyzing your reaction.

“This way,” she says, her phone's flashlight on, pointing to a trail that winds down a small hill, overgrown with weeds. “Watch your step here. It gets slippery.”

You descend slowly, each step sinking slightly into the loose soil. The wind is stronger here, whipping through the leaves and Nana’s hair, which she pushes back carelessly. You follow close behind, focusing on each movement, trying to appear confident but feeling the vulnerability of walking along a dark trail leading to a cliff.

Finally, you reach the cliff’s edge. The view is breathtaking—the suspension bridge stretching across the gap, the sea below churning under the distant light of a lighthouse. Lights flicker in the distance, and for a moment, it feels like the whole world is just this scene, this moment.

“Wow,” you murmur, taking it all in. “I’ve never seen the bridge from this angle... but I’ve seen pictures of people here.”

“Some braver tourists come here,” she says. “I think it makes them feel alive.”

She turns to you, a mischievous smile on her lips. “Want to take a picture too? To mark the moment.”

You laugh nervously but agree. “Sure… why not?”

Nana raises her phone, positioning you against the dramatic backdrop. “Stand there, try to look... introspective.”

You awkwardly pose, crossing your arms and gazing at the horizon. She snaps the picture and looks at the result, chuckling softly. “Came out great. I’ll send it to you later.”

She shows you the picture, and yeah, it really is great.

She leans against a rock, lighting a cigarette and offering you one. You take it, inhale slowly, the bitter taste blending with the night. Silence hangs for a while, until she breaks the tension with a question.

“So… how’s life treating you?” Her voice is soft, but there’s something more behind it, a genuine curiosity, like she really wants to understand.

You hesitate, thinking about how to answer. “I’m not sure if I’m doing it right, to be honest.”

She laughs quietly, but not mockingly. It’s more a sound of recognition, like she’s heard that many times before.

“Knew you’d say something like that,” she replies, blowing smoke to the side. “Most people aren’t sure. Everyone pretends they know what they’re doing, but really, we’re all just fumbling in the dark.”

You look at her, waiting for more. She seems to be building up to something bigger.

“See… the problem is, we’ve been taught to measure happiness the wrong way,” she says, her tone turning more serious now. “They made us believe that happiness is about having things. Buying a new car, getting a promotion, finding the perfect partner. And all that’s just temporary bullshit. When you get it, it’s great. It lasts for a while. And then?”

She pauses, as if giving you time to process. “Then you need something else. Another goal, another prize. Happiness has become this trophy we’re always chasing. But no one tells you the race never ends. It’s like working on a treadmill.”

“You think we shouldn’t chase those things?” you ask, trying to grasp where she’s headed.

She looks at you with an intensity that catches you off guard. “It’s not that we shouldn’t chase them. It’s that we should stop measuring our lives by them. What really matters is right now. We spend so much time trying to build a perfect future that we forget the present.”

She exhales slowly, as if each word comes from some deep, lived truth. “What happens when you reach all those goals and still feel empty? Modern culture, capitalism, they sell you this idea that you’re incomplete until you have everything. But no one tells you that ‘everything’ doesn’t exist.”

You stay silent for a moment, considering. It feels like she’s saying something that’s been lurking in the back of your mind, unspoken.

“So, what should we do? Just give up on all that?”

Nana gives a sly smile, like she’s been expecting the question. “It’s not about giving up. It’s about redefining what ‘everything’ means. For me, it’s this. The journey. The company. Not the destination. What you do now, in the moment, with the people you’re with... that’s what matters. Happiness is in what you do along the way, not what you achieve at the end.”

She flicks the cigarette to the ground, crushing the tip under her boot. “Once you start living in the present, you stop worrying so much about achieving the future. Because, one way or another, the future comes. And most people don’t even know what to do with it when it arrives.”

You stand there, staring out at the horizon, feeling the weight of her words. It’s a philosophy that challenges everything you’ve been trying to do since moving to this new city, trying to fit in, trying to find your path.

“So, what now?” you ask, more to yourself than to her.

She smiles, looking at you in a way that makes the air around you feel heavier. “Now? Now you finish that cigarette, enjoy the view, and stop worrying so much about what comes next.”

—

On the way back to the car, Nana stops suddenly, spinning on her heels with a provocative gleam in her eyes. “Get in the backseat,” she says, her voice soft but with an authority that leaves no room for questioning.

“Why?” you ask, unsure of her intent.

She smirks. “Just do what I’m asking.”

You hesitate for a second, but curiosity—and something else—wins out. You open the back door and slide onto the seat. You barely have time to adjust before Nana climbs in after you, straddling your lap without hesitation. The warmth of her body against yours is immediate, electric.

“You’ve been waiting for this all night, haven’t you?” Her question comes as a whisper in your ear, her lips barely brushing against the skin of your neck.

Before you can respond, she kisses you, and everything becomes a blur of lips and skin, your heart pounding in your chest. Her hands move down your body while yours trace the curves of hers, feeling every inch.

“You’re so hot,” you blurt out, unable to hold back.

She laughs, a low, confident sound. “I know,” she replies, her lips barely leaving yours.

Her movements grow bolder, her body pressing into yours, her hips grinding provocatively against you, making you even harder beneath her. She notices. “I drive you crazy, don’t I?”

All you can do is nod.

“I’m going to take the lead tonight,” she says, sliding down without breaking eye contact.

“Lead on,” you answer, giving in completely.

She kneels in the cramped space of the backseat, shrugs off her jacket for more comfort, and tosses it to the front seat. Then, with swift efficiency, Nana unbuttons your pants, pulling them down along with your boxers in one fluid motion. Your hard cock is now exposed, throbbing under the dim light of the car.

She wraps a hand around it, pausing for a moment as if admiring her work. “Mmm, big and thick,” she comments like she’s appreciating a piece of art. She leans down, placing a soft kiss on the tip, running her tongue slowly along it, teasing. “Relax,” she whispers, her eyes never leaving yours, “because now, I’m taking you to the edge.”

She starts slowly, teasing. The tip of her tongue circles the head as if testing your limits. “Did you expect to get a blowjob tonight?” She smiles but doesn’t wait for an answer. “I’ll show you what it’s really like.”

Her tongue trails from the base of your cock, moving upwards agonizingly slowly, every movement deliberate. One hand grips you at the perfect spot, squeezing just enough to make you pulse, while the other fondles your balls, alternating between pleasure and pain in a rhythm that makes your mind spin.

You groan, the sounds escaping uncontrollably. “Fuck, Nana…” is all you can manage.

She pauses for a second, holding your cock against her face, rubbing it against her cheek. “This is what you’ve wanted from the start, isn’t it?” Her tone is a mix of teasing and command. “Seeing me down here, driving you crazy.”

Before you can answer, she takes you fully into her mouth, without warning, without preparation. Her hot mouth envelops every inch, the pressure perfect. She goes deep, as far as she can, not giving you a chance to breathe. You try to say something, but the sensation is too much.

She begins to move, her lips sliding up and down, with force and precision. “I want you to look at me,” she says, pulling you out of her mouth for a moment, her eyes locked on yours. “Watch what I’m doing.”

You obey, breathless, heart pounding in your chest.

She returns, this time more intense, sucking hard, obscene sounds filling the confined space of the car. Saliva drips down your cock, her hands working in sync, squeezing the base, each movement pulling you closer to the edge. She changes the pace again, speeding up, then slowing down, torturing you, keeping you on the brink of orgasm but not letting you go.

“You’ll only cum when I say so,” she declares, her mouth still around you, the words muffled but the command clear. “Understood?”

You can only nod, completely at her mercy. Every movement feels designed to extract the maximum amount of pleasure. Her hand is now firm on your balls, squeezing with precise control, while the other continues to guide the rhythm at the base of your cock. She speeds up again, sucking with a fervor that makes your vision blur.

“Fuck, Nana, I... I can’t anymore,” you moan, your whole body burning, muscles tense, pressure building.

“Not yet! Only when I allow it.”

Nana grips you harder now, almost brutally, her eyes locked on yours as she intensifies every movement. Her rhythm is relentless, no pauses, no mercy. Her hand squeezes the base of your cock as if she wants to wring every drop of pleasure from you. She knows what she’s doing, pushing you to the limit, not letting you breathe, not allowing you any control over what’s happening.

“Go on, I want to feel you lose control,” she whispers, her voice muffled as your cock slides deep into her mouth. The wet, filthy sound of each suck echoes through the car, mingling with your moans, now hoarser, more desperate. Her hand on your balls squeezes perfectly, making your vision darken at the edges.

She speeds up, her hot mouth sucking harder, her tongue swirling around the tip, teasing and pressing in all the right ways. Her other hand keeps your cock steady, controlling every inch that enters and leaves her mouth. You try to hold on, but she’s in command and won’t stop until she breaks you.

“You’re going to cum for me, aren’t you?” she says, her mouth still wrapped around you, each word making your cock throb more, pushing you closer to the edge. “I want you to cum now. In my mouth. I want to taste it.”

Your legs tremble, your whole body tense. The heat inside you grows, the pressure building until it feels impossible to hold on for another second. The control you tried to maintain disintegrates when Nana increases the intensity again, sucking with a force that makes you let out a deep moan.

“Nana, I’m going to...,” you can barely form the words, your entire body ready to explode.

“That’s right. Now you can,” she murmurs. Nana takes you all the way in, her throat tightening around your cock, and that sends you straight over the edge. Her hand grips your base firmly as she keeps sucking, drawing out every second of your orgasm. You have no choice anymore, your body gives in, and you feel the first wave of pleasure rip through you, your cock throbbing violently in her mouth.

You cum hard, your body shaking with intensity, muscles clenched as your cum explodes into her mouth. She doesn’t pull back, doesn’t hesitate. She keeps you deep, her mouth sealed, sucking every last drop, feeling every pulse. You feel the warmth of your own cum fill her mouth, and she doesn’t stop, still sucking, wanting more from you. She makes sure you give it all, every drop.

“That’s it... good boy,” she whispers between licks, her voice warm and husky, as the last spurt escapes, your body still trembling, exhausted.

She slowly pulls your cock out of her mouth, her lips sliding along the length in the process. Her eyes never leave you, dominant, satisfied.

“I told you I’d take you to the edge,” she says teasingly, wiping her mouth with the back of her hand, your taste still on her lips.

You’re buttoning up your pants, trying to process what just happened. Your mind is a whirlwind—everything feels surreal, like you’re watching from the outside. Nana is there, still with that lazy smile on her lips, as if she’d just done something casual, something she does with anyone. But you know that’s not true, she saw something in you. Though you’re not sure what.

“How do you feel?” Her question pulls you back to the car, to the moment.

You chuckle softly, a little incredulous. “Good... Too good, actually,” you answer, letting out a breath in a sigh that tries to release the tension.

“Great,” she says, reaching over the driver's seat to grab her jacket back. “That was the plan. And we’re just getting started.”

You look at her, confused. “Wait, there’s more?”

She laughs, tossing her hair back before sliding into the driver's seat. “Of course there’s more. I haven’t even had my turn yet.” She turns the key in the ignition, and the Impala roars to life like a beast awakening.

You join her in the front seat, grabbing another cigarette from the pack on the dashboard without thinking too much. The silence between you is comfortable now, almost conspiratorial. Nana glances at you from the corner of her eye, approving. “Light one for me too,” she says.

You obey, lighting both cigarettes and handing one to her. The smell of tobacco fills the car as the Impala rolls down the streets of the sleeping city. The engine hums, blending with the sound of tires on asphalt, a buzz that cradles the adrenaline.

Nana takes a long drag and exhales the smoke slowly, her eyes fixed on the road. “Ever gotten a blowjob in a car before?” The question comes casually.

“No,” you admit.

She smirks. “And how did it feel?”

You think for a second, the words swirling in your mind, trying to find something that captures what just happened. “Indescribable... Especially coming from someone as gorgeous as you.”

She laughs, a low laugh, like she expected that kind of compliment. “Thanks,” she says, with a hint of sarcasm. She shifts gears and speeds up a little more.

“Where are we going now?” you ask, trying to understand what else she has planned for the night.

Nana shrugs. “I don’t know. But there’s a gun in the glovebox, we could go out and rob some places... like Bonnie and Clyde.”

“Too bad I’m a pacifist,” you joke, playing along.

She pouts mockingly, as if disappointed. “Of course you are... The best guys always are pacifists.” She winks, taking another drag before leaning in closer, the smoke mingling in the air between you. “But maybe we’ll find another way to have fun, huh?”

—

The Impala roars down the empty road, slicing through the quiet of the early morning like a blade. The city lights flicker in and out of view, passing as yellow and red blurs, while Nana drives with one hand on the wheel and the other holding her cigarette. Each time she inhales, the glowing tip briefly lights up her face, showing the smile that never leaves her lips.

She’s been talking for minutes, maybe hours—you’ve lost track of time. Her words are like smoke, wrapping around you in a philosophical fog that seems endless. “Freedom,” she says, taking a deep drag and letting the smoke out slowly, “isn’t what everyone thinks. It’s not doing what you want, when you want. No. It’s knowing that you’re nothing, nobody gives you a purpose. You’re free to create your own.”

You watch the streets go by, the low buildings and traffic lights blinking green. “Sartre,” she continues, never taking her eyes off the road, “he had this view... that we’re all condemned to be free. Like, the freedom to have to make choices, to live with those choices. There’s no ‘fate,’ just the shit you choose to do.”

You nod, not saying much, but taking in every word.

“Real freedom is knowing that all of this,” she gestures widely with her hand, indicating the city around you, “is meaningless. You, me, everyone. And still choosing what to do with it.”

The Impala turns onto a larger avenue now, lit by an endless string of streetlights. “We live in this invisible cage, you know? Jobs, money, house, car. But none of it matters, because in the end... nothing matters.” She smiles sideways, as if she’s just told the most tragic and funniest joke in the world.

You stay silent, processing. You’re not sure if you agree, but something about the way she speaks, the intensity with which she lives, makes sense. It’s like she’s living everything with such urgency that you have no choice but to keep up with her pace. It’s terrifying and addictive at the same time.

Another turn and you pull into an alley, where a neon LED sign marks a convenience store. Nana slows down and parks the car. “Second-to-last stop,” she says, turning off the engine and turning to you. “Convenience store. Let’s buy something to celebrate this condemned freedom.”

You step out of the car with her, the cool night air hitting your skin. She pulls the zipper of her jacket up again. “Tell me something,” she says as you walk toward the store entrance, “if you could do anything right now, with no consequences… what would you do?”

The question lingers, heavy, as she opens the store door. You don’t know how to respond, but the truth is, ever since you got into that car, it feels like you’ve been living exactly that: a night without consequences, a blur of unexpected freedom.

She grabs a soda from the fridge and tosses it to you. “Cheap philosophy, right? I promise I’ll stop here. Wait for me outside. Don't worry, I'll pay for your soda and buy some things and be right back.”

—

You’re leaning against the car’s hood, soda can in hand, but not really drinking. Suddenly, the convenience store door opens, and there’s Nana, but now she's holding something. It’s not what you expected—no bottles of beer or another round of cigarettes. She’s carrying a cake. Nothing fancy, just a white cake with frosting. And as she approaches, you can read what’s written, a bit crooked, in pink and blue icing: “Happy Birthday.”

You’re confused. “Happy birthday to me,” she says with a smile that tries to be casual, but you can see a hint of something deeper there.

“Wait, is it your birthday?” The question escapes before you can process it.

Nana lets out a short, humorless laugh, as if amused by your surprise. “Yeah, it’s today.” She waves the cake in front of you, almost like presenting proof. “Surprise, I guess.”

You straighten up, the soda can dangling loosely from your fingers. “Damn, happy birthday!” You hug her, awkward but sincere. The cake almost squashes between you, but she laughs again, this time genuinely. When she pulls away, you're full of questions. “But why… why are you spending your birthday with a stranger instead of, I don’t know, your friends, family?”

She shrugs, her eyes drifting for a second before returning to yours. “I don’t think anyone’s awake now to celebrate with me. I’ve got the whole day ahead for that. Right now, it’s just… my time. I was going to do this alone, you know? But then, I saw you alone at the bar and thought… maybe it would be nice. Maybe we could keep each other company.” She makes it sound simple, and maybe it is.

You watch as she places the cake on the hood of the car, like it’s the most natural setting for a celebration. She opens the packaging of a plastic knife—the flimsy kind that could snap at any moment trying to cut through tougher frosting—and starts slicing the cake right there, no ceremony, no ritual. Just a girl and a cake in a convenience store parking lot.

“I’ve only known you for a few hours, but this is so… you,” you comment.

“Good. You can lose everything, except your essence.”

As you take your first bite, the sweetness fills your mouth, but it’s the bitterness of the early morning that still lingers in the air. You’re eating cake in the middle of a parking lot, yet somehow, it’s the most meaningful cake you’ve ever had. She’s eating too, her eyes fixed on the horizon where the city lights blend into the dark sky.

“Everything I’ve said tonight,” she begins softly, “was more about me than you. I’m getting older, and these dates always make me think… reflect on everything. The choices. What could’ve been different, what still can be. I guess I was just trying to reaffirm something to myself.”

You look at her, chewing slowly. There’s something vulnerable in that moment, something you hadn’t seen in her until now. “Nana, you’re doing great,” you say, your words feeling a bit silly, but somehow, they make sense. “Look at you—you’re killing it.”

She smiles, but there’s a melancholy curve to her lips. “Yeah, maybe. Who knows.” She sighs, not out of exhaustion—more like someone shedding a weight they've carried for too long. “I always get reflective on my birthday. Maybe I just need to stop overthinking.”

You smile back, and something inside you, a light sense of urgency, makes you promise, “I’ll get you a present later.”

“You’re already my present,” she says, and then, with a quick move, she swipes some frosting and gently spreads it over your lips.

Before you can react, she kisses you. It’s sweet and warm, the taste of frosting mixing with the heat of her lips. And for a moment, you think of nothing—not the cake, not the parking lot, not the wild world. Just her.

She pulls you a little closer, and for a second, you get lost in the rhythm of her breathing, in the way her chest rises and falls, pressed against you. Nana’s hair falls over her face, and you feel its softness brushing against your skin.

When she finally pulls away, just enough to look into your eyes, your lips are still wet from the kiss. She quickly licks her own, as if savoring the moment. “This night…” she begins, her voice low, almost a whisper. “It’s been really great.”

You try to say something, but your mind is still spinning from the kiss, so you just manage to say, “Thanks… for pulling me out of my comfort zone.”

“The night’s not over yet, we still have so much to explore, so much to feel. And if you think that was stepping out of your comfort zone… just wait.” She pauses, her eyes drifting to your lips before locking onto yours again. “There’s more where that came from.”

You chuckle, not because it’s funny, but because it’s all you can do. The weight of her words feels lighter now, the tension between you both like an electric current that keeps flowing, even when you’re not touching. Her taste still lingers on your lips.

“You have no idea how much I needed this,” you say, finally taking in a full breath, as if you’ve been holding it since the night began. “I didn’t know it, but… I needed it.”

She gives a small nod, as if she knew that all along. “I can feel the energy of the people around me. And when I saw you at that bar… you looked like you needed a different kind of night. Something… off the script. And now here we are.”

“Yeah… here we are.”

“But seriously,” she continues, her voice lower, almost confiding. “I wanted tonight to be good. And I’m glad you’re here with me. Truly.”

You run a hand through her hair, just a light touch, but it says everything. “I’m glad you chose me for this.”

“You were the best choice of the night. And now…” She glances around, as if looking for something, anything to pull you both back into the moment. “Let’s finish this cake before it melts on the hood.”

She scrapes a bit more frosting with her finger and brings it to her mouth, but before tasting it, she smears another dollop on your lips again, with a mischievous smile. “This time, I want you to kiss me.”

—

Nana drives in silence, the car gliding along the nearly empty road. The city lights fade behind you, and the cool night air begins to seep in through the slightly open window. You feel the freshness, the smell of asphalt and dew-covered grass. She doesn’t say much, just smiles occasionally, as if she knows exactly what's coming and wants to savor your curiosity. And you, lost in your own thoughts, can only wonder where she's taking you now.

"It's a place where we can really relax," she says, breaking the silence. "You'll see. I promise."

Minutes later, you pull up in front of a motel. It's not one of those seedy places you see in mafia movies, but it's no five-star hotel either. The neon lights blink in soft tones, and the sign above the entrance looks a bit old, but well-maintained. You recognize the place by sight, but you never imagined you'd find yourself here. Nana pulls the handbrake in a swift, almost automatic motion and looks at you.

"Shall we?" She doesn’t wait for an answer. She steps out of the car, and you follow.

Inside, the lobby is small and discreet. A receptionist behind the counter doesn’t even look up from the book she's reading while Nana handles everything. In minutes, you’re climbing the stairs, walking through narrow hallways with striped wallpaper. There's a strange calm in the air.

When you both enter the room, it’s... normal. No surprises, just a wide double bed covered with white sheets and a brown bedspread. A lamp in the corner casts a soft light, and the curtains are thick enough to keep the outside world at bay. In the background, a TV is mounted on the wall, a small fridge nearby, and the inevitable mirror above the headboard—a cliché the motel couldn’t resist.

Nana kicks off her shoes and jacket in seconds, almost like she's at home. She walks over to the bed and, without hesitation, jumps onto it, sinking into the sheets.

"Good," she says, looking at you lazily, "I hope you know how to make the birthday girl happy. You know what I mean, right?"

You give a half-smile, a bit awkward, and walk to the bed, sitting on the edge. The feel of the soft mattress under you eases some of the tension in your body. She reaches out and touches your arm.

"Relax," she whispers. "No need to rush."

She gets up and goes to the small light control on the wall. With a click, a soft neon glow, in shades of pink and purple, fills the room, replacing the lamp’s light. Now, the room has a warm, intimate, almost dreamlike atmosphere.

She returns to the bed, this time with two small bottles of tequila she found in the mini-fridge. She hands one to you, opening hers with a pop.

"Shall we toast?" She raises her bottle in the air. "To unexpected nights... and the best company."

You raise yours too. "To the most interesting birthday girl I've ever met."

You drink, and the alcohol burns its familiar path down your throat, spreading warmth through your body. She lets out a soft laugh, that laugh you know so well, and moves closer. The closeness between you grows, not just physically, but in a way you can’t quite explain. As if, with every sip, every exchanged glance, something deeper is being built.

"I like this," she says, her voice soft, almost melancholic. "Being here, now. With you. It feels like... like I've finally stopped running for a second, you know? Like life pressed pause so I could breathe."

You feel the warmth of her hand on yours and gently squeeze it. "And I like that you pulled me out of my own head for a night."

She smiles, her eyes glowing under the neon light.

The tension between you grows, but it’s not rushed. It’s slow, almost like a rhythm you’ve created together. She leans in and kisses you, this time with a softness that suggests it's not just desire—it’s connection.

She pulls back, looking into your eyes, as if she’s studying every part of you. "From now on, the birthday girl is all yours."

Then she sighs, looking at you with those eyes that, until now, always seemed in control. But now, for the first time, they seem to be surrendering to you.

She gently takes the tequila bottle from your hand and places it on the bedside table along with hers. Standing, Nana’s hands move to the hem of her tank top, and in a slow, almost ritualistic gesture, she lifts it over her head. The fabric slides down her skin like it's nothing, and suddenly, she’s exposed. Her slender body, the tattoos, her small, almost non-existent breasts, raw beauty without pretense. She sits at the edge of the bed, vulnerable for the first time.

"Do you like what you see?" she asks as she lies down on the bed. She’s not in control now.

For now.

You don’t answer. Instead, you stand up, just to be able to look down at her, feeling the power of the situation shift. She stays there, lying down, waiting, in a long, tension-filled pause. You want her even more because of it.

Nana looks at you, biting her lower lip, impatient but silent. And then, with a brief smile, you lean over her. Your hands go straight to her neck, firm but not aggressive. Just enough for her to feel that you're in charge. She closes her eyes, her breath quickening as you lower your head and begin kissing her skin—first her neck, then her shoulders. Your touch is slow, every movement deliberate, and she melts bit by bit. She moans as your lips trail down to her breasts. You open your mouth, teasing her skin with your tongue, tracing the outline of her small, dark areolas. Nana sighs, eyes closed, wordless now. She’s passive, completely surrendered, her moans soft and ragged.

"Keep going..." she murmurs, barely audible.

You obey, but at your own pace. You take one of her breasts in your hand, gently squeezing while sucking on the other, your tongue playing with her nipple. Nana arches her back, trying to move against you, but your hands on her hips keep her in place. She struggles, impatient, but you don’t let her. "Slow down, Nana," you whisper, your voice controlled, almost cold. "The night is ours."

She laughs, a short, shaky laugh. "You bastard..." she says, but there’s amusement in her voice, an acceptance of the role she’s now playing. "Are you going to make me beg?"

"Only if you want to," you reply, your lips returning to her breasts, alternating between them now, nibbling harder, your tongue circling the areolas. She moans louder, finally surrendering completely to the situation.

Nana lets out a long sigh, her fingers twisting into the sheets as you move over her with more intensity, and her breathing becomes erratic. "Damn, this... this is..." She can barely form a sentence. "This feels so fucking good..."

She tries to squirm, seeking more contact, but you hold her down again, keeping her in place. And for the first time, she doesn’t fight back. She accepts it, and that’s exactly what you wanted.

Then comes the moment. "Now I need you to eat me out," she says. And of course, you oblige. Her pants slide down her legs, and when you see it, there’s that wet spot on her white panties. You hold back the anticipation for a moment as you undress, there’s no rush, and that teases Nana in a fun way. Now free of any fabric, you trace your fingers over her panties, feeling the warmth, the moisture, while your lips travel down her thighs, following a path that leads you closer to what you really want.

She moans softly, but just enough to let you know you’re doing it right. Every second of anticipation is killing her, and she likes it. Until it becomes unbearable, and she squeezes her thighs around your head, whispering, "Lick me already. Come on, I’m about to explode."

When you pull off her panties, it’s like peeling away the last layer of something much deeper. The air in the room feels heavier, and her scent fills the space like a wild, addictive perfume. You kneel between her legs, the warm skin of her inner thighs pressing lightly on either side of you. Every breath she takes, every swallowed moan, brings you closer, deeper. Your tongue moves slowly, first lightly, as if testing, tasting the contours. The wet heat pulsing inside her precedes something big, something that’s going to break when you finally open the floodgates.

"Don’t stop..." she whispers, surrendered. "More... deeper."

You comply. Your tongue works as if following a rhythm only the two of you know. Its tip finds that exact spot, and Nana arches, her hips trembling, as if every muscle in her body is short-circuiting, rebelling. She moans louder now, unashamed, uncontrolled.

"Like that... don’t stop, fuck, keep going..." Her voice blends with her breathing, her moans becoming more spaced, almost suffocated.

You feel her taste growing stronger, the moisture increasing in your mouth, on your lips, and then, without warning, Nana’s entire body contracts. Her muscles tighten, her legs squeeze your head hard, and she cums, a muffled scream escaping her throat. Her body trembles, her hips spasming involuntarily, and you keep going, knowing it’s not over. Not for her.

"Fuck... this... my god..." She moans through gritted teeth, eyes squeezed shut, her whole body vibrating as if she’s in another dimension. And you continue, your tongue sliding faster, deeper, until she lets out a final moan, long, drawn-out, as if exorcizing everything inside her.

When you come back up, her taste is still fresh in your mouth. You kiss her, her tongue meeting yours, and she tastes herself on your lips.

"You... fuck... you drove me crazy," she says, her voice weak but still full of intent. She looks at you, her eyes bright, satisfied, then she smiles. "Now... fuck me. Fuck me like it’s the last thing you’re going to do today."

She turns over on all fours, her knees sinking into the mattress with that natural movement, without hesitation. The invitation doesn’t need words; it’s all in the gesture, in the way her hips raise, her spine arched just enough to drive you completely insane. The tattoos scattered across her slim body come alive under the soft room light, every line of the design blending with the shadows, while her desire escapes in small sighs.

You grab her hips, your fingers digging into the soft flesh as if trying to anchor her to the moment. The first thrust is slow, almost a test, and Nana lets out a low moan, something between pleasure and provocation. She loves feeling the tension building in you and pushes back, forcing you to go deeper.

"That’s it..." she murmurs through gritted teeth, "harder."

You obey. The sound of skin against skin fills the room, mixing with her moans, growing louder each time. The pace quickens, you pull her closer, burying yourself deeper, while Nana moves against you, her hips meeting yours with perfect precision at each thrust. The sheets bunch up beneath her, and her moans turn into something almost animalistic, a rough sound that makes her body tremble.

"Fuck..." she moans, her head dropping forward, hair falling into her face. "Fuck me faster."

You grip her hips harder, her body responding to yours with absolute submission. Every movement is an exchange—a silent request, an inevitable response. Her moans become more erratic, the bed creaking with the frantic rhythm you both reach. Her whole body tense, the muscles in her back and thighs contracted, almost falling apart under your hands.

Suddenly, she stops, breaking the rhythm, and turns around. Her gaze is wild, a mix of excitement and challenge. "Now let me do it my way."

She climbs on top of you, her knees sinking into the mattress next to your hips, and the sight is mesmerizing. Nana looks down at you, her eyes half-closed, lips parted, as she slowly lowers herself, feeling every inch of you filling her again. She lets out a heavy sigh and starts moving, first slow, controlled, her hips rising and falling with calculated precision, almost cruel.

"You like watching me like this?" she asks, her voice raspy, full of satisfaction.

All you can do is nod. And she smiles, that smile that says she knows exactly what she’s doing to you. Nana picks up the pace, her hips slamming against yours with force, riding you without a shred of inhibition. Her hands find your chest, nails lightly scratching your skin, her face twisted in pure pleasure. She leans forward, her small breasts pressed against you, her mouth close to your ear as she whispers, her voice broken by moans.

"You... are... perfect."

Nana's hands grip your shoulders, her hips riding your cock with the precision of someone who knows their body well. But it won’t last like this. Not for long. You need to take control. "My turn," you whisper against her ear. She lets out a low moan, a half-smile, like she was waiting for it.

She climbs off of you. You both adjust, lying on your sides, legs intertwined, and you pull her closer, your mouth on her neck, tasting her sweaty skin, the scent of desire mixing with the heat of the room. "Closer," you say, as your hands travel down her tattooed hips, pulling her into you. Nana doesn’t hesitate, grinding her hips, sinking deeper into you, her eyes half-closed, mouth open, moaning.

"You like it like this, don’t you?" you ask, one hand sliding to her neck. She turns her head to look over her shoulder, that same half-cynical, half-hungry smile.

"I love it," she murmurs, and then your fingers lightly tighten around her throat. Nothing violent, just enough for her to feel the pressure. It makes her moan even louder, her body reacting, giving in to the control you’ve taken. "Harder," she asks, eyes shutting like she's lost in her own satisfaction.

You squeeze a little more, controlling the intensity with the same precision you control the thrusts. Each time you bury yourself inside her, she grips the sheets, her whole body tense with pleasure. The heat of her skin, the way she moves against you, the sound of her moans muffled by your hand... all of it makes you lose track of anything else.

"You’re so fucking hot," you say, your entire body focused on how she’s giving herself to you. She moans in response, but her words are getting more fragmented, harder to get out. You release her neck for a second, just to let her breathe better. She swallows hard and lets out a short laugh, almost in disbelief.

"Fuck, you’re gonna make me come again," she confesses, and you realize you’re almost there too. You pull out of her, sitting on the edge of the bed, pulling Nana into your lap, and she climbs back on top of you. The heat of her skin against yours is instant, and you feel her entire body mold to yours like a second skin. Your feet are planted firmly on the floor, ready for the intensity of Nana’s hips. Her hands grip your shoulders, and her pussy sinks down slowly on your cock with a precision that’s pure wickedness.

The room is a mess of discarded clothes, crumpled sheets, and the scent of sex hanging in the air.

She settles in, adjusts, and then starts riding, slow at first, almost like she’s teasing, savoring the moment.

"Mmm, I knew you’d like it when I ride you… Mmm, yeah, I bet it has become your favorite position…" she murmurs, her voice low, while her nails lightly scratch your shoulders, her ass moving with pinpoint accuracy on your cock. The sensation is overwhelming, the tight, wet grip as if she was made for this.

You hold onto her hips tightly, fingers sinking into her skin, pulling her closer, deeper. "Fuck, Nana… You’re so good," you blurt out, not even realizing the words slipped out.

She lets out a little laugh, muffled by the sound of bodies colliding. "I know," she replies, and you can feel her ego swelling alongside the pleasure she’s giving you. She picks up the pace, and now there’s nothing gentle about it. No. Now it’s skin on skin, the sound of flesh against flesh, and her ass moving fast, faster, her moans coming in waves, louder and louder.

You feel everything. Her weight in your lap, her hips rising and falling in a rhythm only she controls. The way she moans when you pull her even closer, when you force the thrusts to go deeper. The sensation is brutal. You can barely think, barely speak, all you can do is moan along with her, your bodies drenched in sweat and pleasure.

"You like it when I do this, don’t you?" she gasps, her hair falling messily across her face as she rides you like she’s competing with her own pleasure. "You love it when I sit on your cock, right?"

You can only nod. Any attempt to speak would be a pathetic moan at this point.

She leans forward, her lips at your ear, her breath hot and ragged. "I’m gonna come like this… right in your lap," she whispers, like it’s a dirty secret. "And you’re gonna come with me. Together."

And there’s no escaping it. She’s pulling you along, dragging you down with her, every movement sinking you both deeper into this shared haze of raw pleasure.

Nana speeds up, riding with an almost desperate urgency now, her moans turning into muffled screams, her nails clawing at your back, leaving marks. With each thrust, you feel like you’re about to lose your mind, like the pleasure is tearing you apart from the inside.

Nana leans forward, her hair falling loose across her face, her hands braced on your shoulders as she picks up speed, and it’s like the world is melting around you. Each time she comes down on your cock, the sound of flesh slapping together is almost deafening. Her ass slides so perfectly in your lap it feels like you were made for this.

"Fuck, Nana…," you let out, almost without control, gripping her hips, pulling her even deeper, feeling your cock completely swallowed up. "I’m gonna come..."

She smirks, a wicked, crooked grin, as she keeps riding you with an almost violent intensity. "Come inside me."

Your hands slide down her sweaty back, fingers digging into her flesh, and you can only nod, speechless, your breathing ragged, your body already trembling, about to collapse. She leans in, her words a whisper against your ear: "Come with me… I want your hot cum in my tight little pussy."

And then it happens. Her body shakes, and yours follows, and everything implodes. You feel the spasm that grips her, her pussy tightening around you in a way that knocks the breath out of you, and that’s it. There’s no turning back. You come with a force that feels like it’s ripping your soul out of your body, filling her up, each thrust spilling more. Nana screams your name, or at least something that sounds like it, and she sinks down one last time, slowly, sitting fully on your cock, feeling every drop of your cum inside her.

"Fuck, Nana…" is all you can manage as the world comes back into focus, your body exhausted but still buzzing with the intensity of it all.

You stay like that, quiet, your bodies still pressed together, breathing heavy, trying to find a normal rhythm again. The room is drowned in silence, the kind of silence that only exists when the noise was so loud before it feels almost unreal now. You’re still inside her. You can feel the soft, steady heat of Nana’s body around your cock, a warmth that pulses slowly, matching the rapid beat of your heart. She doesn’t move, just stays there, relaxed against your body.

"It feels so good having you inside me like this," she says, almost like letting go of a secret, her voice low, muffled, without her usual brazen confidence. You smile, still catching your breath, and you feel a trickle of your hot cum running down your cock. "It’s your birthday, but I’m the one who got the gift," you reply. "Thank you. For this amazing night. For the conversation. For the sex. For getting to know you, Nana."

She stays quiet for a second, and you feel her body tense a little against yours. Like she’s embarrassed. Nana? Embarrassed? It’s almost funny. You can hardly believe it, but there it is, the slight blush on her cheeks, the way she looks off to the side. And before you can say more, she kisses you. A quick kiss, but full of urgency. Like she wants to stop whatever words you were about to spill.

"Shut up, idiot," she mutters against your lips, a little laugh escaping her.

You pull her a little closer, savoring the last remnants of the moment, not wanting to break whatever it is you’ve just created together. She sighs, relaxing even more, as if she’s finally let her body collapse after holding it all together for so long.

"This was a gift for me too," she finally says, letting out the laugh she’d been holding back. "And what a gift, huh? I didn’t think it’d be so... memorable." The word comes out with her typical sarcasm, but there’s a layer of real gratitude hidden beneath that tough exterior.

"I’d say the same," you reply, your voice a little lighter, your body finally slowing down, though still electrified by the feeling of being inside her.

Then, suddenly, she lets out a quiet, mischievous giggle. "Can you feel it?" she asks. "Can you feel how full of cum I am?"

She slowly climbs off your lap, placing one foot on the bed, her eyes locked on you as she spreads her legs. "Look at this," she murmurs, using two fingers to part her pussy lips, letting the cum start to drip out. "Wow, you really filled me up." The liquid drips down her fingers as she teases, "What’s better than a creampie for a birthday?”

—

You wake up to the soft light filtering through the motel curtains, making everything seem a little more golden, like the place was painted by an artist obsessed with warm tones. Your body feels heavy, but relaxed, your mind floating between dream and reality, the memory of last night still buzzing in your muscles, your skin, in the scent of Nana that seems to have fused with the air.

You barely move, and you can already feel it. She’s there. Pressed up against you. Skin on skin. Your naked bodies intertwined in a way that makes it seem like you’ve always known how to fit together, like you’re not strangers, like this isn’t the first time. And then, without warning, you feel her lips. First, a soft kiss on your chest, like she’s exploring the territory again, testing the waters. Then, the kiss travels up to your neck, and suddenly, her lips are on yours, warm and hungry. She doesn’t need to say anything. The way she kisses you says it all.

You finally open your eyes, your body starting to wake up, though you’re already fully awake where it matters. “Nana, you need to stop,” you joke, your voice raspy, trying to sound more relaxed than you really are. “You’re going to get me obsessed with you. And later, I’ll remember this and want more.”

She laughs, her lips still on yours, a quiet giggle that you feel vibrate against your mouth. “Who said we’re done here?” she whispers, gently tugging on your bottom lip with her teeth before letting it go. “Maybe I’m just getting started.”

“So, you want to see me again?” you ask, half-joking, half-serious, testing the waters.

She raises an eyebrow, like the question is ridiculous. “After a night like that? Of course I want to see you again. Many times, actually.” She bites her lip, her gaze a little challenging, like she’s already planning something, and you know she is. She always is.

Without warning, Nana reaches for her phone on the bedside table. She unlocks it and smiles, a mischievous smile. She opens the camera and points it at you both. “Let’s capture this moment.”

You frown, still half-asleep, half-disbelieving. “Are you serious?”

“Of course I am.” She says it like it’s the most obvious thing in the world. “A night like this deserves a keepsake, don’t you think?” She doesn’t wait for your answer. Her finger is already on the button, ready to take the picture.

The idea feels strange, but you go with it. You snuggle up to her, both of you smiling for the camera, like it’s something you do all the time. She snaps the photo, the two of you grinning, with no pretense. Just warm skin, relaxed bodies. Then, she takes another. This time, you tilt your head and kiss Nana, the sensation more vivid, with a clarity that comes with daylight, when everything feels more real, less driven by the adrenaline of the moment.

When the camera’s click finally falls silent, she tosses the phone aside and leans back against you, eyes closed, body relaxed. “This is going to be a good memory,” she murmurs, and there’s something in her voice that makes you believe her.

She shifts, the sheet slipping slightly, and you feel the warmth of her skin against yours. Nana settles more into you, a slow, almost deliberate movement. She lets out a quiet laugh, more breath than sound, and you feel her smile against your neck.

“I can feel it,” she says, her voice warmer now, closer to a whisper. “You’re already hard for me.” And then, as if to prove her point, she adjusts her body again, rubbing against you like she’s discovered a new toy and can’t resist.

You sigh, half pleasure, half yearning. “Yeah, I’m horny,” you admit, no beating around the bush. There’s something about the way she’s pressed against you, the smell of her hair mingling with the room’s air, that erases any notion of self-control.

“Good,” she says, as if that’s exactly what she was waiting for. “How about a nice blowjob to start the day?”

You already know the answer, but you stay silent for a second, your mind processing the almost ridiculous simplicity of the proposal, the casual way she talks about it, like she’s asking what you want for breakfast. It’s something you love about this now not-so-strange girl. So finally, you open your mouth. “Yes, please.”

She giggles, the kind of giggle that’s full of mischief, of pure fun. She leans over you, her hand trailing down your stomach to your cock, her fingers cool against your warm skin. “I knew you’d say that,” she murmurs, almost to herself, as she starts to move slowly down your body, like she’s studying your every reaction.

Nana crawls down to your hips, her movements slow, lazy, like she has all the time in the world, and then lowers her head. Her lips touch the tip of your cock first, a kiss almost chaste, before she opens her mouth and takes you in.

—

The sun is already up, it's around nine in the morning. You're in the car next to Nana after a night that felt like it came straight out of a dirty and perfect dream. The motel is left behind like a distant memory, a blur of neon and crumpled sheets. Now, you're parked in front of your house, and reality is there, knocking at the door.

Breakfast helped you get your energy back. You had to insist on paying. It was the least you could do. Nana didn’t want to accept it, but at some point, she got tired of arguing. Though, you know she doesn't really care about that kind of thing. She doesn’t seem like someone who worries about small formalities. But for you, paying for breakfast was your way of thanking her for more than just the night. It was for a temporary collapse of everything you knew.

She leans against the steering wheel, her slender fingers drumming on it. "We’ll talk on Insta, I’ll send you the photos there too," she says, her eyes fixed on the road ahead.

You smile, still a bit dazed, your muscles tired from all the pleasure and exhaustion. "That’d be great." You smile, not sure what to say in these final minutes. "I really enjoyed meeting you, Nana. I mean that."

She turns to you. “I liked meeting you too, you’re a nice guy.”

The words come out with the casualness of someone who's been through this before, but with a sincerity that makes you believe that, even if it’s fleeting, it was special in some way.

You watch her, her profile illuminated by the morning light, and realize how something so simple, a chance encounter, can turn your day, your week, maybe even your life, upside down if you let it.

"Happy birthday again," you say, your hand already on the door handle.

"Thanks," she replies. “I hope the rest of my day is as interesting as it’s been so far.”

You laugh, unsure if she's being serious or joking. But then, just before getting out of the car, something pulls you back, a final question you have to ask. "But... what now, Nana? What do we do?"

She looks at you with that smile, the one you’ve already learned to associate with the unpredictable. "Now?" She pauses, starting the car, her eyes focused on the road. "Now, we just jump to the next night and see what we find."

Of course. You knew she’d say something like that. You nod, a smile forming on your face, because there’s nothing more to say. You step out of the car, feeling different somehow, even though everything around you looks exactly the same as before.

Nana waves slightly, and you stand there, watching the car disappear around the corner, knowing that last night was just one among many that could happen.