#but maybe the writers as well

[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[writingpoorly]

me: *aroace* how do I write a date?

[maythedreadwolftakeyou]

idk man been sifting through my feelings on all this. and i think what it comes down to is i don't really care/mind that there are non-canonical (BY DEFINITION, if it is not IN the media, it is not in the 'canon', and this info was in tweets) statements about Lucanis' sexuality being demi/ace/him being a virgin. and i'm glad for people who like to incorporate that into their headcanons about the game/interpretation of his character and expand on that more than the game itself does, like, this is our space now baby do what makes you happy!

but personallyyyyyyy i just do not think these new labels are some magic bandaid that solves the flaws in the pacing and writing of his romance. Lucanis never talking to Rook about his feelings as they get to know each other (but sure is willing to talk to Rook about his feelings for Neve if you don't romance him) is not solved, for me, by saying "well he wouldn't be attracted until he got to know you and also has no experience with sex". the same way calling it a "slow burn" did not solve this for me. especially because right up until release he was being advertised as a "bisexual mess". but now was secretly a "panromantic demisexual" the whole time. it just... idk. you can say anything you want online, you know? but if you don't Show Me... well. i also don't like that people who are saying 'well this was Not part of his story in the game so i don't see it' are getting labeled as anti-ace when like, many of the criticisms i am seeing are coming from people who are themselves demi/ace lol. it's not asexual representation bc it is not in the game itself. (though honestly. i AM glad that that was not jammed into his story arc, and that his quests were about his agonizing over his family and the fact that he's now bodysharing with a demon. because his writing was never going to get MORE lines, and to take away any of the ones he had to put in a sexuality arc beyond an offhand mention would have really crashed that because the existing writing barely holds together as is. like there just was not room to have more so personally i am not criticizing Mary Kirby for her decision not to add it. but you can't not add something and then also claim it's a definitive part of his character. plus i dont think a character needs to know/understand/use modern labels anyway).

and personally i DO prefer an awkward/fumbling Lucanis, to be clear. Before Veilguard came out I was never expecting the sexy antivan lover angle because we got that once already: Zevran. I didn't want poor-imitation Zevran, and bioware would not write Lucanis like that to make sure he is a more distinct character anyway. BUT i do think it's reasonable in a bioware game to expect that a romance is going to have romantic content--and the number of times after his cutscenes i literally said aloud "go girl give us nothing" after he failed to react to a flirt was pretty sad. If he's awkward and nervous give him a line where he stutters and doesn't know how to react, not just a blank stare and back to business, or whatever. Or a scene where you can literally ask "you never respond to my flirting do you want me to stop" and for him to say say he likes it but doesn't know how to reciprocate or. ANYTHING. Idk. I have seen 10 different posts/takes on how the Wall Lean Scene fits in, be it that he was imitating a romance novel or it was crow seduction training or he was just pretending because that's how he's seen Illario do it but at the end of the day. It is all just speculation because nothing in the game EVER addresses how wildly different the tone of that scene is from every other one of his romance scenes. And as much as i love the Sexy Wall Lean, given the rest of his characterization in EVERY other romance scene, i think I'm at a point where i think the romance would have been better served by cutting it out and having a different scene where you actually get to talk to him instead.

but! that is not the game we were given. we only have what we have, which is the Veilguard content by Mary Kirby, and The Wigmaker Job written by Courtney Woods (where for reference, he mentions stumbling into an orgy on a previous job, and having an "interesting" time getting out of that, so i already think we have 2 different interpretations of his character between them anyway). but yeah idk man to me "well he's ace" is not an excuse for either gaps in the writing or cut content or whatever was going on. because 1. HE IS NOT AN ACTUAL PERSON he is a storytelling vessel that i felt failed to satisfyingly communicate the entire romance story and 2. even if he was a person saying 'well in ace relationships communication sucks' would also be, not great, you know. everything beyond the text itself is just interpretation and headcanons

[nibbelraz]

Thank you @wildbeingwild for the prompt! I went a BIT overboard and colored it because I was having fun with them

[vaguely-concerned]

seeing people claim that lucanis is 'bad representation' is hilarious to me because in so many ways he's really the closest anything has ever gotten to capturing my own personal experience. sorry for being bad real life queer and mental health/neurodiversity representation folks 😔 I'll take time to reflect and do some work on myself and try to do better in the future

[gayofthefae]

There is something in a story structure called a cave. It is when all hope is lost, the lowest point for a character; they hit rock bottom. It happens right before the climax to force them to make an important decision, force them into a dilemma.

Every scene has one, every episode has one, every season has one to varying degrees. But Stranger Things as a whole is also a single story. A 5-season single story.

It's why season 4 is the only time they lose the battle. It is at the perfect point of the cave in the story - 4 of 5. "All hope is lost". It is the cave of the story as a whole.

So, though it may be played as his season climax, Mike Wheeler's story cave is this:

"Forced to make a decision between bad and worse" in my screenwriting teacher's words, he chooses that she live and he lie irrevocably over that he be honest and risk her dying. I once said he spent the season wondering whether he would have lied if he'd known it'd keep her safe; now he knows. A dilemma.

And I must say, it is genius to place it right here. Exactly here. The perfect way to convince you. It is his season climax: everything he's wanted achieved...But it is his story cave: rock bottom.

Yes, he achieved what he originally wanted - to love her. But he has reached the point in the story where he realizes what he wants and needs are not only different but at odds. He always wanted to love her. He always wanted to love a girl. He always wanted to avoid this fate

But unfortunately, he really did end up loving El, not just in concept or cover, so when what he needed was to be true to himself against their relationship, he acted in favor of his previous wants - and of her, not his needs.

Mike's story is confirmed to be incomplete. This is why.

Additional support to this analysis if you have doubts:

Will's decision would much more obviously be considered an all time low in this same structure. He had a dilemma Mike and El continuing to be sad or himself being sad and chose to sacrifice himself.

This clearly supports that the structure is being applied. Narrative structures aren't just applied once. That would make an incoherent mess in an ensemble cast. Mike and all characters follow the same structure we can prove is present with Will.

Will built up to giving Mike the painting, what he wanted to do all season, but sacrificed what he needed, to share his feelings. Mike is the same. Mike cannot be different. That's just not how writing works.

[rox-of-iu]

(i made these back in Dec 2023 but forgot to post them. but i still like them so here they go)

anyway these are character sketches/concepts for a fic As the incense burns, which is basically Misadventures of PIDW late-game Mu Qingfang

((pardon the scrap paper, most of them were just side doodles from next to my notes lol))

some more scraps under cut ↓

these are silly goofy doodles which do not correlate with the overall vibe of the fic (with some exceptions) but i am not making fun of the fic dont worry the author gave me explicit permission to make these :) (lol)

[lucky-clover-gazette]

tbh i think volo would have been significantly more normal and fine if he hadn’t been hiding so much of his true feelings and personality. like when you deny yourself genuine human connection to that degree you’re probably going to come off as a machiavellian monster who wants to make the world and the lives of others worse, but looking at his actual stated motivations and intentions it’s clear to me at least that the guy is deeply empathetic and idealistic and more than anything disappointed that the world can’t be better

[skyward-floored]

Things about redeads I learned doing fic research and am sharing because it’s interesting:

Strict redeads are only in five games: ocarina of time, majora’s mask, wind waker, tri force heroes, and echoes of wisdom.

Gibdos, another undead enemy, appear in even more games, but despite their often similar attacks, are technically a different enemy (though it should be noted that in some games when you remove the bandages from a gibdo, they’re revealed to be a redead (or stalfos) underneath).

Redeads in oot, mm, and eow all look nearly identical (with slight variation with the eow version), but the ww and tfh kinds look much different. Attacks vary between them all as well.

Oot/mm redeads are the original redead, undead bodies with wooden masks over their faces. They’re blind, but attack by listening for their pray, then trapping them with a paralyzing gaze, shambling forward and then leaping atop and biting. If you walk by slowly and quietly, they might not hear you and attack. They’re weak to light and fire, and are frozen if you play the sun’s song.

All of this is true for mm redeads as well, though you can make these kind dance with the right masks, which makes them way better in my opinion.

Ww redeads are greyish-blue with black eyes that turn red when they use their freezing gaze. They sport no mask unlike oot redeads, and seem to be weaker, as they only bite Link once before pulling back. They’ll quickly trying to bite again though. These kind aren’t blind, and will attack no matter how quietly you walk past them if you get too close. They’re also weak to light, but not to the same extent as oot/mm redeads, only getting stunned instead of hurt.

Tri force heroes redeads appear very sparsely, and are only in a handful of areas. They are much different from earlier redeads, possessing a mud or clay-like body that sticks up from the ground, and can melt into a puddle to move quickly around an area. They also have a bright blue mask on their faces, unlike the wooden ones of oot/mm redeads. They attack differently from their counterparts, standing in place and screaming out a petrifying shockwave of sound. The redead will then rush over and grab the frozen victim, biting them until it is either attacked by a companion, or the victim loses nearly all their health.

Eow redeads are largely unknown to me so this will be short, but they’re most similar in appearance to oot/mm redeads, though they also bear resemblance to the tfh version. They have the same brownish body as the two mentioned, as well as a purple mask and pants, interestingly. They seem to attack by stunning their victims with a scream.

And because they deserve a mention, redead knights in Hyrule Warriors are a sort of mix between gibdos (specifically the tp version) and redeads, as they shamble slowly and possess a scream attack, but also carry a weapon, which gives them the knight distinction. They have the unusual ability to scream either in a long blast straight ahead, or in a circle around them, which can make them hard to beat. They also possess a poison-based attack, which shoots a sickly purple fog around them in a similar radius to the scream attack.

[thefandomenchantress]

We’re all familiar with the Xander-Ace arm wrestling scene. A lot of people cite it as one of their favorite funny moments from the series. And yeah, it is pretty funny when you don’t think about it too much.

The joke is pretty much, “Haha, Ace is such a wimp! He’s totally freaking out about a minor injury like it’s a really big deal!”

I don’t know if it was just me, but I sort of had this internal notion that Ace must’ve mentioned that his hand really hurt or something, and the joke was that he was wimp because it was such a minor injury, and it probably didn’t hurt at all.

But, uh. He never says anything about his hand hurting. Here are the lines he says (not all of which are featured in a text box, since Teruko and Xander are talking over him):

“AAAAAHHHHHH MY HAANNNDDDD!!!!”

*falls on the ground, gets up, screams again*

“OH GOD! You’re gonna put me down like a horse with a broken leg!!!”

“I’d rather die than not be able to eat cereal with my hand!!!”

“I’M NEVER GONNA BE ABLE TO RACE AGAIN!!!!”

Listening to all of the voice lines again, it seems less like Ace is panicking because his hand is hurting, and more like he's panicking because of what may happen to him if his hand is indeed badly injured. So it's less so about the injury itself, and more about what may happen because of it.

He first, of course, panics over Xander being a threat. That's completely expected, since making Xander angry just broke a table and assumedly hurt him in some way or another.

The cereal line is a bit confusing, especially considering his secret. A while back I came up with an out-there theory that he said that in order to try and deflect any suspicion about his secret, since an eating disorder can weaken your bones and if he got hurt too easily, people might begin to suspect something. So he rather clumsily brought up the subject of how he did in fact eat food. If we consider the fact that he's lying here, then him saying he'd rather die than do something makes a lot more sense, since we know he doesn't mean that at all. But in hindsight I may have been overthinking it...Still, I can't think of a better explanation, other than dismissing it altogether as a throwaway joke that didn't have much thought put into it.

The last line is what really makes this interesting. Ace hates his talent and anything to do with it. And yet one of the things he's panicking about the most is how he may not be able to race after sustaining an injury. And I think that this moment probably gives us our earliest insight into just how far Ace will go in order to race. In his first FTE with Teruko, he claims he doesn't do much work at all for his talent, until his performance anxiety forces him to. By saying that, it makes it sound like his talent doesn't completely dominate his life.

But this scene, in the same exact episode of his FTE, quickly proves to the viewer just how desperate Ace is to continue his talent, to the point where his own well-being becomes less important than it. Ace's extreme reaction to being injured isn't because he's a wimp that can't deal with pain, it's because he's spiraling about what this could mean for his career and, therefore, his status as a failure. "What if this injury prevents me from racing?" is the question that comes first, causing him to panic instead of being able to focus on how bad the injury actually is.

...I guess the thing that made me want to write about this scene is just how...Smart it is. It does so much at once. On a first viewing, it's really funny, and it still is on other viewings. Yet in hindsight, it's easier to notice just how distressed Ace is, and that no one is taking that seriously. No one ever takes his fears seriously, and in the end his fears drove him to murder, proving how important they really were. Even if his worries seem silly from an outsider's perspective, they're very real to him. And that's something that no one in-universe could realize until it was too late. This scene does an amazing job summarizing just how the cast's attitude towards Ace helped push him to becoming a culprit.

...Or maybe I'm taking the silly arm-wrestling scene too seriously, haha.

[marlynnofmany]

Sometimes you start idly wondering who would put a bumper sticker on a spaceship, when surely they fly too far apart to see them -- thinking maybe you'll write a few hundred words about it, nice and easy -- then you realize you've given a metaphorical mouse a cookie, and the story is thousands of words long, not even using all the ideas you came up with.

But the story is a good one. And it includes more hints about Eggskin the medic/cook's mysterious past, so that's fun.

($3+ patrons get an early look today! Woo!)

[vaguelyaperson]

as much as i understand shigaraki's death, narratively speaking, i'm also so goddamn tired of society needing martyrs.

what made me fall in love with shigaraki is that he's an excellent villain. all his character development built towards him becoming a more competent, driven, effective villain. he became an incredible symbol of fear just as deku became an incredible symbol of peace. this is who he was, in entirety. there is nothing else shigaraki could be.

when shigaraki told izuku, in his final moments, to pass on the message to spinner that "shigaraki fought to destroy until the very end," it really emphasized how it would have dishonored him to be vegeta'd, as it were.

shigaraki made it his mission to tear down hero society. this was his noble mission. this is what made him a hero to the league of villains. because he saw the systemic evils, he saw the evils that hurt his friends, and sought to destroy it all.

there's something to be said about trying to change someone who doesn't want to change, but for shigaraki, it was more than just trying to rehabilitate him from mass murdering. because to him, and the league of villains, what he was doing WAS the right thing. to tell shigaraki not to destroy would be akin to telling deku not to save. "you may not understand, but that's what makes me the villain."

there was a binary choice here: either he'd be left free to complete his mission and destroy everything, or he'd be stopped, permanently.

Izuku, by reaching tenko's heart, but ultimately stopping shigaraki, was choosing the only third option he had: declaring that he would not let all of society be destroyed, but not without promising that he'd do everything he can to reform it here on out.

shigaraki destroys. deku saves.

that's it. that's the bnha narrative in its most basic foundation. horikoshi did not fail to tell that story.

I think what ultimately fucking sucks about this ending is that it's too realistic. society often DOES need a martyr - or often martyrs - to realize that they fucked up, that they let an evil persist too long. they need a shocking enough tragedy to point to and swear they'll never let it happen again. society needs to be rocked to its very core before people can be motivated to get their heads out of their asses and work together towards reforms.

and that in itself is an evil, that people can't see how much harm they're causing or condoning without some horrific tragedy.

i think we're all mad at horikoshi for failing to follow through on the story because we didn't WANT the realistic ending. we wanted the hopeful one. the against all odds one. we didn't want another story about society using the image of martyrs to get its shit together. because we already know that story. and we're so so so tired of it.

especially when we know it only leads to a temporary peace.

because people forget. they put in enough reforms to feel good, and then get comfortable and ignorant again. when does that cycle end? when can we finally notice the evil in time to PREVENT it? so that everyone, 'heroes and villains,' get a happy ending?

I think our anger with the bnha ending is good. we want different - not just in fiction, but in real life. we're willing to hope for different. we should hold onto hope and fight for different.

[itwoodbeprefect]

the great thing about falling really deep into a new media niche is developing opinions on many new things. the terrible thing about falling really deep into a new media niche is developing opinions on many new things

[ilkkawhat]

Hello, Sister. I would like to tell you about a dream I had.

[karaspal]

the damage this single panel has done to kara's reputation needs to be studied. "see, she doesn't care about humans." wrong! she does. it's just that this comic is bad.