#but literal interpretation is a useful tool in dealing with trolls

[princeescaluswords]

Let me see what I can do for you.

First, develop empathy for Scott. I'm not talking about sympathy; it's not necessary to like him. Remember how he was at the beginning of his protagonist's journey at the beginning of the show. He was a severely asthmatic loser nobody. His father was gone; his mother works long hours at the hospital. The girlfriend of the captain of the lacrosse team doesn't know who he is, even though he's actually on the team. His best friend is clearly dominant in their friendship and pushes him around, considering him a pathetic nerd, even though he does like him. As he says, he's spent his whole life sitting on the sidelines, but one night, that's no longer possible. Suddenly, he has to make decisions of life and death and determine who he is going to be right then and right now.

Second, recognize the difficulty of trying to do the right thing. Too many people think that being good is as simple as not being evil. But Scott had a lot of far less painful and less dangerous options in the show. He could have told his mother. He could have told his father. He could have left everything in the hands of is best friend's father. He could have sat things out. Or, conversely, he could have did what Peter wanted, what Derek wanted, what the Argents wanted, what Deucalion wanted, etc. Hell, he could have even let Stiles tell him what to do and, for example, left Derek and Peter to die at the hands of the Argents at the end of Season 1.

Third, recenter Scott as the protagonist of the story. An antagonist is an obstacle that the protagonist must overcome in order to continue their arc. Scott was no obstacle to any character until they made him one. He didn't go looking for Peter; Peter came to him to make Scott his murder beta. He didn't go looking for Derek, Derek stalked him and used him to find the alpha. The Argent hunters wanted to kill him because of what he was. Deucalion wanted to add him to his collection, etc. Meredith put a bounty of 25 million dollars on his head. He can't really be their antagonists, since they came after him.

Fourth, emphasize his strengths alongside his weaknesses. Scott was very kind to people, and that's not an easy thing to do. He was Stiles best friend, when most of the other cast members didn't like Stiles that much. He didn't judge Allison by her last name, but by who she was. He had hope for Peter who violated him again and again. He wasn't going to let Derek die or face the Argents alone, even after Derek lied to him about the cure, sold him out to Peter, and stepped on his neck because he had the nerve to talk to Boyd. All of this takes strength of character, virtue, and force of will. Of course Scott has flaws and they shouldn't be ignored, but he can't work as a character if you ignore his merits.

Fifth, focus on how the other characters see him. If you can't get into Scott, embrace why the other characters get into Scott. Why does Stiles panic at the idea of Scott not liking him any more? Why does Derek only come back to Beacon Hills for Scott? Why does Chris Argent abandon hunting werewolves to ally with them? Why does Lydia embrace her powers? These actions can lead you to see how his behavior affects them. It wasn't a coincidence.

Sixth, discard meta that has an ulterior agenda. Deaton didn't steal the Hale spark for Scott; Scott was manifesting alpha traits long before Peter suggested Derek sacrifice his alpha spark for Cora. Scott was not an unreliable narrator; he was talking about Alec's story, not the series. The only unreliable narrators were Peter and Gerard, who were shown to be unreliable. There's no way Scott could know about Peter's and Kate's conversation in the sewer, Derek's and Paige's private moments, or what Marcel and Sebastian did in the French and Indian War. These metas and other metas like them are designed to decenter Scott from the story and justify ships or other characters being the center. If you want to write Scott in Scott's voice, you can't let these things -- designed to make him unimportant and unlikable -- influence your writing.

I hope this helps you find Scott's voice. He's a wonderful character and much different than the broody anti-heroes that seem to be so popular nowadays.

Genuinely struggling to write Scott. He's just such a bland character like a piece of white bread. An unseasoned chicken breast. Pisses me off

I found every character's voice except Scott's. Every time I write him speak I immediately want to reach through my screen and bonk him on the head like shut UP. Maybe that's because he's an antagonist (who's actually a protagonist bc of the unreliable narrator and the moral greyness of the plot) but still, he's so frustrating.

Fellow writers, how do you write Scott? What's he like in your fics? How do you like to portray him? Or how do you like to read him?

[underestimated-heroine]

I have to say that there's a huge issue with how I see a lot of up-and-coming writers deal with criticism, these days.

Like, look, having your work critiqued is hard. Some of us will deal with it better than others naturally, some of us will learn to deal with it relatively easily, some of us struggle with it--and that's okay!

But let me tell you right now that if you plan to publish your writing--either in print or online or whatever--you absolutely cannot reasonably expect never to receive critique, or to have online communities shield you from it.

This is less about trolls who are like, "this is shit!" (who you will inevitably encounter and have to learn to disregard entirely, unfortunately) and more about when someone will say something like, "I love your story, but this one thing you're doing is driving me crazy because it doesn't make sense!"

And the author and every one of their readers gets hysterical and goes off about "unsolicited criticism" and drops words like "bullying" and "harassment" like they're goddamn Pez candies.

Firstly, you published it online; it's summarily open to criticism.

And secondly, it's so often not bullying or harassment; it's a valuable insight from someone who was really bothered or even hurt by something you wrote, or even just noticed something technically wrong, or noticed something you could improve on.

You don't have to take the criticism. In fact, letting irrelevant/stupid critique roll off your back is a skill you need to learn. But there are a lot of times where, honestly, you should be taking away at least one thing, even if it's just to reflect on to decide why it's irrelevant/stupid.

What a lot of you don't want to hear is that you simply lack the tools required to learn swallow your pride and take a note without taking it personally. And in that case you have a much bigger problem.

*edit: this got rediscovered by some users recently, and after re-reading it I just want to make it clear that this is NOT about pro/anti discourse or what art "should" be allowed to be made public (the users who reblogged this weren't talking about that either, I just realized the post might be interpreted that way by someone else who saw it).

I am very specifically talking about criticism, not censorship, and I am speaking from my own experiences as a writer when I say this. Being criticized for the first few things I published/shared was brutal. I was humiliated, devastated, and angry, and to say it bruised my confidence is a huge understatement.

But after I let some time pass and sat with those feelings, I went back and re-read the criticism. I'm so glad I did. It was an early and important step I took towards understanding myself and my goals as a writer to the point that I knew how to distinguish between good criticism, scrap criticism, and trolls. Nasty words and advice that won't help me write the story I want to tell really does just roll off my back, and good criticism really can be invaluable.

I'm aware that this is just my opinion. I have mutuals and favorite authors who disagree with me and I respect that and them. I, personally, will never ask people not to criticize my work. But when other artists do I respect their wishes and make sure I have a read on what kind of feedback they want to receive before I comment questions or whatever (which I don't really do very often, anyway). And I think we can all agree that people need to be nicer online.

My whole issue with this is the general attitude and sense of entitlement I see throughout Fandom where fans who are openly critical of original artists often to the point of being rude act very literally persecuted when it turns out they're not immune to the realities of sharing something publicly. who decide that harassment, censorship, and criticism are all perfect synonyms but only when the discussion is about fan content creators. Fandom is still situated in the real world and it's unreasonable for us to act picked on over that fact.

[latulasbian-1]

what are your thoughts on kankri? personally i never understood the appeal and im interested to hear your take since he Was on the b tier of your list

OK! Sorry for lateness but I only noticed your question at like 2:00 AM and needed a full tank of brain-gas to be able to convey my thoughts even semi-coherently. 

So Kankri’s a weird one, probably one of the most convoluted and self-contradictory characters in Homestuck. Its fitting given he’s pretty much a one note joke and hussie’s one-note joke characters actually wind up being either his most oddly complex (see: equius and feferi for instance) or most sympathetic (see: Nepeta). Kankri’s a bit of both imo, though I wouldn’t call him a favorite for me. 

Kankri’s characterization is built almost entirely on one fuckin’ note: “LOL AIN’T TUMBLR SJWs FUNNY AND ANNOYING!?!?!?”. If you disagree with this then I don’t even know what to tell you, bc everything from his style of long-winded monologues (that wind up running up on Hussie Ableism Moments bc in-narrative his infodumping is supposed to be annoying???) to his inability to take social cues to his supposed-to-be-interpreted-as-excessive use of trigger warnings to his unapologetic killjoy attitude to his supposed hypocrisy/”privilege” are literally all just a fucking layer cake of anti-SJW stereotypes. This is where the issue of how the fandom interprets Kankri kicks in, as people’s opinions on him (aside from a few diehards) tend to scale from “DAWWW CUTE WIDDLE UPPITY BEANBOY” to “fucking annoying neoliberal”. For the matter, neither of these are intended by Hussie, while he did design him to be cute he wasn’t meant to be hateable for leftist homestuck fans as a (neo-)liberal or faux leftist. Hussie just designed him after everyone hussie found annoying in the social justice community primarily on tumblr. Even his political monologues, though not WITHOUT hypocrisy and bullshit, tend to actually skew towards “pretty fucking reasonable hussie just thinks people being upset by bad stuff is stupid”.  

Now, people cite Kankri being ableist in his criticism of certain other dancestors for ~conforming to stereotypes~, which yes from an in context scenario is pretty fucking bad. If someone IRL is dealing with their disability in a way you think seems pretty stereotypical keep that thought to yourself. HOWEVER, AS ONE OF THE MOST CRUCIAL POINTS TOWARDS KANKRI BEING GENERALLY SYMPATHETIC, WE GET THE META ELEMENT. Hussie, in writing a hypocritical mansplainer who goes on and on and on about everything thats politically incorrect about the people around him, practically beat-for-beat replicates talking points PEOPLE HAVE USED TO CRITICIZE HOMESTUCK ITSELF. YES! MITUNA’S PRESENTATION AS A CHARACTER IS 100% UNAMBIGUOUSLY AWFUL IN ITS PORTRAYAL OF PEOPLE WITH BRAIN INJURIES AND MENTAL DISORDERS. DAMARA IS A RACIST STEREOTYPE SO BAD HUSSIE SHOULD GET THROWN IN JAIL. INCEST IS BAD. If ANYONE in homestuck should’ve pulled the meta knowledge shit in post-canon, kankri would’ve been a WAYYYYYY better candidate than dirk for it, especially since kankri seems halfway to realizing he’s fictional just by political analysis of the story he’s in! Kankri seems to exist at the apex of Hussie’s confusion about fandom, given he’s baffled enough by people being obsessed with his work yet so intensely negative that he can only seem to think of them as obsessive manchild wierdos with no sense of rational thought. As someone who myself unironically loves Homestuck and yet have an entire third of my brain dedicated to ripping it apart on an ethical level, I can see some of myself in that turtleneck’d contrarian. Just because someone is a fan of something doesn’t mean they will or should unthinkingly defend it from all recourse. This is something homestuck as a whole struggles with, I think back to the aspect or extended zodiac quiz where one of the questions amounted to “someone is talking shit about a show you like, how do you respond” and there wasn’t even an answer for “actually listen to what they’re trying to say and consider if they could be right”. Kankri is a symbol of sorts for those critical enjoy-ers, in a way. A stupid silly not-that-meaningful way, but a way. I think people should reclaim him. 

I’ve touched on it a bit before, but the last main sympathizing aspect of kankri for me (aside from personality things like his frankly unearned patience with a friend group that entirely fucking hates his guts) is a trait share by almost all the dancestors: Hussie’s fucking disturbing use of mental illness & psychiatric disorders with them. Between Kankri’s unwillingness to observe common social cues, his overtly poised and practiced manner of speaking, his obsession with using trigger warnings to warn off confrontation in leu of not just speaking his mind with everything, his tendency to cling to certain articles of clothing for long periods of time, his implied difficulty taking care of himself physically, and the fucking insulting “mom-friend useless-manchild-who-needs-nannying” dynamic he has with Porrim, he comes off (intentionally or no) as a beat-for-beat embodiment of an autistic person as seen through Hussie’s tropey and horribly ableist worldview. This is a common trait he shares with both Aranea and Mituna, as well as many of the other dancestors to lesser degrees (many of them, like Mituna, also have OTHER mental disorders flat-out-stated in such a way that makes their depiction just fucking confused and bad). For me, and for at least SOME other people, it makes unbiased critical reactions to them damn near impossible. They deserve better than how hussie can write them. In a lot of ways I have friends like Kankri, and Hussie’d almost fucking certainly find them just as embarrassing and annoying as he meant for Kankri to be. 

So yeah, Kankri isn’t my favorite by any means but i don’t feel like i can or should condemn him. He’s fun. I’d watch his video essays. 

And this isn’t even BEGINNING to touch on how much I loathe Porrim as an example of “good cool fun feminists that hussie can sexualize!” And her more open bisexuality than other trolls being both a tool for fetishization by Hussie and a fucking skin-crawling thing to use as a contrast for Kanaya’s status as either “the only confirmed lesbian in homestuck (until postcanon showed rose was a lesbian too)” or “the only lesbian troll in existence ever bc thats totally how sexuality would work with aliens” (sorry if you ascribe to the “all trolls are bisexual bc they’re supposedly binormative as a get-out-of-jail-free card for hussie’s hetero-ass ship tease shit” then. well get better soon) 

(seriously though everyone who pulls the “kanaya is the only lesbian alternian” shit owes every lesbian 100 dollars) 

[blazehedgehog]

Should fortnite avoid trying to do serious stuff considering how trolls and kids like to goof off during these events and turn them into something awkward?

Not really, no.

It's a tough thing to shake out, admittedly. There were tweets by Errant Signal with replies by guys like JP Lebreton that I tend to agree with, specifically about Fortnite's recent Martin Luther King "Step through time" event.

They likened it to holding a funeral at Chuck E. Cheese, or teaching someone about racism at a Mall-based laser tag arena. They suggest that it's too loud, and colorful, and more importantly, capitalistic. Fortnite is covered in marketing and brand deals all the time. The MLK event opens with you literally entering through an issue of Time Magazine, where you can run around meeting other players as Rick Sanchez, Superman, Deadpool, and The Predator. That's player expression, but it's also marketing. You're wearing corporate logos.

Which can, and sometimes does, cheapen the message. Especially when you remember that Doctor King was assassinated, and sometimes you would load in to the Fortnite map getting tool tips on how to improve your aim with guns. That's a bad look.

But also, like... nobody's going to go to a Martin Luther King Fortnite map if you lock it all down and make it this stodgy, somber, quiet, boring museum exhibit thing. Fortnite is that Mall laser tag arena, people come to the game to be loud and colorful and to dress up as Street Fighter's Ryu so they can make him dance gangnam style.

The idea is that by bringing information about Martin Luther King and the history of civil rights in America to these kinds of places, you expose people who would never normally go to a museum exhibit. You go where people are comfortable, and you let them be comfortable. And maybe, through sheer osmosis or some other method, they absorb a little bit of culture. Yes, they're fooling around with friends and strangers in an area dedicated to learning and racial tensions and a legitimate tragedy, but the human brain is more than just conscious understanding and some small piece of something is going to stick in their head, in theory.

Isn't that better than not trying at all? Embracing ignorance? I don't think this is necessarily a substitute for school or anything like that, but learning is also more than a sleepy classroom and memorizing test answers.

It may feel weird, there may be a hard tonal mismatch, but I don't see why they can't try. As long as what's being presented by Epic is respectful, then that's good enough. Users can and will interpret that however they choose. And it's their right to. It's the same thing that lead to all those dumb Mega 64 skits where they would dress up in costumes and run around public places, right? They weren't usually doing anything illegal when they made those. Some of the parks or buildings might've had history attached to them, but they are allowed to do whatever they want there, within reason.

Fortnite could be doing better, mind you. Again, the tool tips in how to shoot guns look really bad when you're loading in to a map about someone who was famously shot. Epic has taken some steps to curb that -- I believe tool tips have been disabled, and Epic locked down the emotes you can use in the map. But it's important to note that they still give you "funny" emotes, like an emote that is basically Snoop Dogg's "Drop It Like It's Hot" dance. Again, the idea is to let people be comfortable. Even if they're goofing around, they're at least there, and something worthwhile might rub off.

There's a quote I think about a lot, and it's "Though I am always ready to learn, I am not always willing to be taught."

I know it seems cringy and tonally dissonant but the potential gains make up for that, I hope.

[drlauralwalsh]

The Lusty World of Lesbian Widows

I’m really frustrated that COVID has gotten in the way of my grief achievements.  I figured 3 months in, I’d be doing the television talk show circuit, sold my book, and set up a non-profit foundation.  If only this pandemic hadn’t gotten in my way.

In my life before, if I spent too much time alone (like, over 4 hours), I’d start texting my sister-in-law that I was unsupervised and feral.  Uh oh.  I’d start going down rabbit holes and come up with weird stuff like how buff male kangaroos get.  Or questioning if my parents were really married since I couldn’t find a record of their union in the limited online databases. I could have paid for real records but I’m cheap.  I know, sounds crazy.  

But now, I’m alone for long stretches of time.  I’ve managed to channel some of this agitated energy into writing essays that speak to weirdos like me (shout out to my fellow weirdos!).  I spend hours researching (me-searching as we said in grad school) and discovering overachieving methods to dam the waters of my new spouse-less life.

I’m not just your average widow.  Oh no no no.  Of course, I have to be special so allow me to tack on some extra layers - lesbian, stepmom, and young (-ish, right?).  At 45, I have finally found a way to inch back towards the youth and relevance lost as you enter the fourth decade of life.  Today, I’d like to let you into the wonders of lesbianism.

I’m going to assume you’re not submerged in this subculture so I’ll tell you some secrets.  People are fascinated by lesbians.  To be fair, we live pretty mysterious lives.  We leave you hanging on profound questions like who takes out the trash and how do they have sex without a woody woodpecker? Sometimes, other communities get lumped in with us but they are actually quite different.  Of these witches, spinsters, and women who wear comfortable shoes, I only belong to only one of those so far.  I’m working on my stovetop skills and hope to someday conjure a penis.  Not a real one; that would be weird.

Amazon’s book market best represents the variable interests of our fan club members.  Right after my wife died, I launched a search for books on “lesbian widows.”  You’d think the algorithms would have pegged me by now (ha ha).  I was dismayed yet amused by the grand interpretation of what Amazon thought I meant.  The following is an unedited list of the top books recommended for me to purchase under these auspicious terms:

Lesbian Widows: Invisible Grief

by Victoria Whipple (Kindle $25.98, Paperback $46.95, Hardcover $907.71)

I’m impressed that the first one actually included my search terms but dang, it’s expensive to be a lesbian widow.  To be fair, you can rent it for $9.21 a month.  It’s also terribly niche within an already  small niche - invisible lesbian widows?  Published in 2014, you’d think it would be a little more hip.  Maybe it’s because I live in Chicago but even as an introvert, I’m decently visible.  Still, glad it exists and appeals to all eight people who each gave it a 5-star rating.

The Care and Feeding of Waspish Widows: Feminine Pursuits

by Olivia Waite (Kindle $3.99, Paperback $6.99)

I must quote the basic plot description for you to get the full impact of this novel: “The last thing the widow wants is to be the victim of a thousand bees. But when a beautiful beekeeper arrives to take care of the pests, Agatha may be in danger of being stung by something far more dangerous…”  The cover depicts said wapish widow sit/leaning against her handsome, pants suit-clad beekeeper.  At the much less expensive price for kindle and paperback, I’m only slightly put off by labeling bees as pests.

Odd women?: Spinsters, lesbians and widows in British women's fiction, 1850s–1930s

by Emma Liggins (Kindle $73.24, Hardcover $95.00)

The period is a little off but at least it includes diverse, international women.  I was looking for a self help book but this seems slightly more academic.  Not sure why there’s a question mark in the title as there’s no question about our oddity.  The description reads, “Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’.”  Aw shucks, I *am* ahead of my time.  Dang that price tag!  No renting option for this one.

The Grass Widow

by Nanci Little (Kindle $0.00, Paperback $14.95)

It’s unclear where we’ll find the lesbian widow in this 2010 novel but the description yields some mild foreshadowing: “As a familiar civilization fades into the distance, she is nineteen, unmarried and pregnant, and has no reason to think that the year 1876 won't be her last...Joss, in her brother's clothes and severely lacking in social graces, has no time to mollycoddle a pampered, pregnant New England lady. It's work or starve, literally. There are no servants, no laborers - just a failing farm, impending winter and the two of them to face it together.”  It sounds like the shameless Joss needs her own dose of mollycoddling (wink, wink) to get through the chilly nights.

Her Widow

by Joan Alden (Paperback $18.00)

More popular with 10 people giving it an almost stellar rating, this tomb’s immodest summary insists it belongs on every bookshelf.  YOU WILL PAY ATTENTION TO US!  That’s how I read it.  Seriously, of all the books this one comes the closest to what I actually wanted.  Waiting for the kindle unlimited edition….(having no man money makes us frugal).

Made For You 3

by K. Shantel (Kindle $4.99)

Apparently, Made For You 1 and 2 were not as popular. Despite the fair price, this tale omits widows opting for the groundbreaking combination of lesbian romance and football.  While tragedy surely threads through this plot, it falls short of crossing the threshold from football to death (it probably does).  Shocker, I defy the sporty lesbian trope and instead prefer to spend time among my vast, treasured collection of power tools.  Just to be clear, I mean the ones for home repair (get your mind out of the gutter!)  If the lady protagonists of this book had been thrown together building a Habitat for Humanity house with their 10 dogs using only their Subaru to transport lumber, I might be more captivated.

The Lady's Guide to Celestial Mechanics, Book 1 of 1: Feminine Pursuits Series

by Olivia Waite (Kindle $3.99, Paperback $6.99)

I’ll give the author the benefit of believing there are more to come in the series. The title of this one intrigues me (I may steal it later) but sadly, it also defaults to worn stereotypes.  This collection of lesbian tropes finds my kin scoring yet another toaster for the conversion of a hapless straight lady.  Lesbians for the win!  Lady Reads-A-Lot gave it 5 stars and commented, “This was poetic and lovely, full of beautiful descriptions that knew exactly how to leave you breathless and then stop just before tipping into tedious.”  I’m guessing she means the sex scenes?  If you’ve ever watched any real lesbian porn, you know that it’s far better for the participants than the viewers.

Erotica: The Forbidden Adventures Of A Grieving Widow (Seduction, Lust, Lesbian Sex, Interracial Sex, Bondage and More)

by Amy King (Kindle $0.00)

This one is hands down, my favorite title and you can’t beat the price.  The author keeps the marketing short to sell you her novel: “All Ava wanted was to erase the memory of her recently departed husband. Little did she know that in trying to do so, she would experience mind-blowing adventures and lust across the globe. Ava would never be the same again as she ravenously eats up whatever adventure blows her way.”  Even though it’s another toaster novel, as a grieving widow ‘ravenously eats up’ does resonate.  I don’t think she means jars of cookie butter.

Of the eight masterpieces on the list, five are romance novels, one is academic, and two are in the ballpark (excuse the sports metaphor).  Scrolling further only yields more erotica including another novel titled, “Football Widows (lesbian)” by Amanda Mann and Deadlier Than the Male Publications.  Now I get it that we make up a small percentage of the population but this is some seriously messed up shit.  

Removing the lesbian and searching only for ‘widow’ yields twenty pages of books. I know what you’re thinking - “C’mon Laura, what’s the big deal?  Just get the standard widow book.”  And believe me, I’ve amassed quite the collection and am waiting for just the right intersection of not too devastated but ready to sob.  Bear with me for a sec - think about how we just want to be seen when we’re at our lowest.  When I first typed those words into the search bar, I just wanted something that used wife instead of husband.  

Every grief has specific salient elements and it’s too super niche to touch on all at the same time.  It would be weird and/or maybe nice to find another lesbian widow stepmom psychologist who lost her cop wife of almost 5 years to a PTSD-induced psychotic break and suicide.  That’s a Subaru full of identities.  If this person did exist, I’d be suspicious we’re the target on Incel trolls, longing to read the words of more seductive, witchy lesbians.  Instead, I plan on taking the high road.  I’ll get my knowledge and support from those who accept me by the category.  Obviously, one out of one lezzies agree there’s a market for lesbian widow self help guides - at the right price.  I may still write that book but if I want to get rich, I’ll definitely have to add more sex scenes.

[chatterbox-meta]

Katsuki Bakugou and The Five Stages  of Grief

Or, the essay in which I argue Bakugou was a great character way before S3 rolled around. The title will become relevant eventually. Speaking of, the following contains spoilers for the entirety of the My Hero Academia anime (S1-S3) and some mild spoilers for the manga. I repeat, this is an in-depth analysis of Bakugou’s entire journey.

(Originally submitted anonymously to @heroes-never-discourse over here.)

In the early parts of My Hero Academia, Katsuki Bakugou was defined almost completely by his role in Deku’s underdog story - as an obstacle in Deku’s path to becoming a hero, an arrogant bully and therefore an antagonist you really want to see go down. And he served that role really well, but there wasn’t much more to him. And what little insight we got into his character didn’t make a lot of sense. Why would he think Deku was hiding his Quirk all this time? He hates Deku for wanting to help him up, fucking really? And he doesn’t even have a tragic backstory! Etc. etc. The audience was left with the impression that he’s just a cruel spoiled brat lashing out because the kid he hates for being Quirkless won’t let him do what he wants. That he wants the number one spot because he believes he deserves it. That impression slowly started to change when Bakugou defied expectations by refusing to join the League of Villains just to get more power. Then, it was completely flipped on its head when Deku vs Kacchan revealed that Bakugou never hated Deku for being Quirkless, but that he was always afraid that Deku, despite being Quirkless and clumsy and a crybaby, had whatever it takes to overtake him, knew it, and looked down on Bakugou for it. Of course, Deku’s reply is “I wanted to surpass you because I thought you were amazing, not weak, you fucking asshole” (paraphrased, obviously lol), but that’s not the point. The point is that the audience finally has what was missing from Bakugou’s early characterization - context. With that context, the underlying setup for his character arc becomes visible. Let’s go back to the beginning and take a closer look!

When we first meet Bakugou, he seems completely secure in his place in the world. He’s loud, brash and at his most arrogant. But when the teacher reveals that Deku wants to go to U.A. just like him, he doesn’t laugh along with the rest of the class, he’s shocked for a moment and then he flips his shit, to the point of telling Deku he has a better chance of getting a Quirk and being a hero in his next life. The first time, it’s just meant to make us hate him. In hindsight, with context, it’s the first crack in Bakugou’s facade. I’m not saying Bakugou’s arrogance is fake. He wouldn’t care so much about being the best if he wasn’t prideful, but let’s put it this way: Deku’s confidence is a foundation being built brick by brick, while Bakugou’s is a tower of cards. And all because when they were kids Deku cast doubt on that security in his place in the world, making him doubt whether the things he was praised for all his life meant anything at all, if he was weak despite being strong. However, Bakugou is still in denial of these doubts and fears when the series begins. The Sludge Villain incident and Deku rescuing him bring them to the surface, but he quickly pushes them down again by pretending he totally could have handled it himself (though he knows he couldn’t, which is why he doesn’t accept the praise from the pro-heroes on the scene) and avoiding Deku. But then Deku suddenly gets a Quirk and Bakugou is furious. He accuses Deku of hiding his Quirk all this time and laughing behind his back. Again, on a first viewing, this just sounds like Insane Troll Logic, but knowing that Bakugou always feared Deku had some hidden strength, it makes sense he’d connect that with One For All’s sudden appearance. (Though it’s still not a reasonable conclusion since it’s based on a false premise lmao.) During Deku vs Kacchan Part 1, Bakugou can no longer deny what he thinks is the truth about Deku, so he lashes out. It’s his last chance to make Deku give up on being a hero. He’s not just looking to beat up Deku, though, he wants Deku to fight back, to show him that power so Bakugou can snuff it out. After all, a victory over an opponent who’s holding back isn’t a victory at all. But Deku does hold back, focusing on his mission, and in doing so, defeats Bakugou. And it’s here that Bakugou’s security in his place in the world is completely shattered, not just by Deku, but also by seeing other students, especially Todoroki, whom he doesn’t think he can beat. He can no longer deny it and his anger has only blinded him to the path of true victory, as Yaoyorozu points out. And Bakugou, despite all appearances, can take criticism and learn from his mistakes. In the aftermath, both Deku and Bakugou basically declare war on each other, but despite Deku saying he’ll surpass him, Bakugou feels that their situation is flipped. That Deku is the one who’s ahead and Bakugou’s the one scrambling to catch up. (I don’t think he realises that during the time spent chasing Deku, he’ll work harder and grow more than he has in a decade.) And he wants to catch up. Despite his sense of self as a winner being taken from him, Bakugou is not willing to let it go. And the Sports Festival is Bakugou’s attempt to regain it. It’s a bargain. He has a pretty detailed and strict set of rules for that, too. First, he’ll announce that he’ll take the number one spot to the entire stadium. As Deku points out, he’s not bragging, he’s pushing himself, knowing he’ll look like a complete tool if he loses after a declaration like that. Secondly, he has to defeat Deku or Todoroki (or both), the people he perceives as the greatest threats. Finally, he has to win against all of his opponents at their best. If he fails at any of those things, if he doesn’t prove himself to be the indisputable strongest, he will have failed, completely. This period of the story also showcases a subtle shift in his personality, one that was already somewhat visible during the USJ arc. Bakugou was never stupid, but asides from designing his weapons and costume for maximum efficiency (seriously, despite looking exactly like what happens when you give an edgy 15-year-old free reign to design a costume, his is the most utilitarian, mitigating recoil and absorbing sweat and all that), he used to rely solely on his admittedly above-average combat skills. But the fight against Deku proved that it wouldn’t be enough, so he (probably subconsciously) takes a page out of his book and starts carefully analysing his opponents’ moves to find their weaknesses. He’s also rather less nasty. He isn’t kinder or more polite, but he doesn’t go out of his way to be cruel. And he’s starting to look around himself and see other people, recognizing their strengths, if only so he knows how to beat them (he doesn’t underestimate any of his opponents) or use them to his advantage (Cavalry Battle).  This is also when his friendship with Kirishima officially starts, since Kiri approached him as an ally. Unfortunately, he’s still a disrespectful tyrant in an environment where people aren’t willing to follow him just because, and he doesn’t deal with that well, exposing himself to be a huge antisocial weirdo when he’s not in control. For me, this was when I started to like Bakugou as a character. He still didn’t seem great without the context provided later, but his personality wasn’t just “Deku’s bully,” as he interacted with people other than him. Back on track, all of this is particularly emphasized during his fight with Uraraka. Just like in his fight with Deku, he’s giving it his all not because he enjoys beating up the weak, but because he knows his opponent is stronger than she looks.* Unlike the fight with Deku though, he has no grudge that makes him act like a rabid animal and isn’t letting his guard down for a second. And when it’s over, he’s disappointed because he’s gained respect for Uraraka and was excited to fight her. (*Though maybe that is an overly charitable interpretation of DvK1 lmao.)

Soon afterwards, Deku loses to Todoroki, but not before making him use his fire side. So all Bakugou has to do to complete his mission is defeat Todoroki. Bakugou isn’t upset that Deku lost, after all, he didn’t believe he himself could win against Todoroki’s ice alone before.

But he does. And he’s not satisfied. Because he didn’t beat Todoroki at his full power since he, due to personal issues, couldn’t bring himself to use his fire side, which he did against Deku. Yes, Deku lost after Todoroki used it, but he forced Todoroki to give him all he’s got, something Bakugou couldn’t do. To him, it’s like losing to Deku by proxy.

(He probably thinks Todoroki didn’t use his fire because he didn’t see Bakugou as worth it, unlike with Deku, but the actual reason is that Bakugou couldn’t reach out to him the way Deku could. That’s what he’s missing, he just doesn’t know it yet.)

Okay, so, Bakugou wins the Sports Festival, but fails to accomplish what he set out to do. He feels desperate and lashes out again. Though I actually doubt he would have kept beating Todoroki’s corpse (so to speak), he’s put to sleep just in case and chained up for the ceremony like a wild beast. Certain people take notice.

Before, that, though, it’s time for some work experience! He’s still behind Deku, but maybe working for the number three hero will help him! Wait, what do you mean, Deku is out there improving his fighting style by copying Bakugou’s moves (and Gran Torino’s, and also fighting a literal serial killer, but Bakugou doesn’t know that), while Bakugou is - what, modeling jeans?!

In fairness, Best Jeanist’s intent was to teach him to be respectable, but, like, he came up to a delinquent teenager and told him he should overhaul his entire look and personality, what did he expect was going to happen? XD

Ooooh, but this next part is super interesting. The End of Term Exam. Deku and Kacchan vs All Might.

The in-universe reason for having these two team up is something like “Bakugou needs to learn to work with someone he doesn’t like and Deku needs to assert himself and force an uncooperative teammate to work with him.” Both of those are likely scenarios in their future careers. The narrative reason, however, is twofold.

Firstly, before this point, Deku and Bakugou have grown mostly separately from each other. This means that while they’ve changed individually, their relationship didn’t. And it has to. Bakugou’s issues with Deku were actually only made worse due to how far behind he thinks he’s fallen, so he attempts to prove he can defeat All Might on his own. When Deku objects, Bakugou even relapses into his cruel personality and pretty much bitchslaps him. Deku can fight back now, but he doesn’t want to, he wants to talk.

Secondly, the fact that they’re teamed up against All Might is vital. Because while there were hints of it beforehand, this is the first time we learn about the two sides of All Might that Deku and Bakugou admire - saving and winning. Deku wants to save people, but hesitates to take on All Might, even though escaping him would be impossible. But he doesn’t run, because Bakugou doesn’t. That is our first glimpse into what Deku admires in Bakugou and what he can learn from him.

However, Bakugou charges at All Might alone and predictably gets the crap kicked out of him. Even though he’s beaten to the point of vomiting, Bakugou refuses Deku’s help (saving), saying that he would rather lose. This is when Deku punches him, and not just to get him away from All Might or because Bakugou hit him earlier, but because he doesn’t want Bakugou to give up on the one thing Deku’s always admired about him.

Bakugou seems to remember himself then. He remembers that he’s the guy who wins, at all costs. Even if it means accepting Deku’s help. Oh, but not just that - he starts emulating Deku in turn. He sacrifices his protection from pain by giving his gauntlet to Deku and making bigger and bigger explosions. When Deku uses the gauntlet, he hurts his shoulder from the recoil, but Bakugou should already be used to the strain, so how far is he going for his arms to hurt?

…Yeah, okay maybe the whole “break all your bones to achieve your goal” isn’t the part of Deku he should be emulating, but the saving part? Absolutely. And he does emulate it, when he jumps in front of a blow meant for Deku and gets smashed into the ground so Deku can get to the gate. Deku being Deku decides to attack All Might so he can carry Bakugou to safety with him. They win by saving and save by winning.

This fight was a pivotal moment for both characters as it shows what their relationship has the potential to become. Though Bakugou probably doesn’t realise it because he’s too busy thinking he failed by accepting Deku’s help. Yet it’s his greatest victory yet.

Speaking of pivotal moments, summer arrives and Bakugou gets kidnapped by the League of Villains. Deku tries to save him, but he tells him to stay away. The others take this to mean Bakugou is too prideful to be saved by Deku yet again, but while that might be partially true, I think it has more to do with the guy whose name literally means “cremation” holding him by the neck and Deku having two broken arms, fucking moron, stay away.

Anyway, in the villains’ hideout, Bakugou is offered a chance to join the League. He refuses immediately and attacks Shigaraki despite being outnumbered, even refusing to lie to get out of trouble. He then explains that he’ll never join the villains, not just because of Shigaraki’s less-than stellar persuasion skills (seriously, Bakugou’s the last person to believe he’s “wronged” by society), but because he wants to win like All Might, like a hero.

This is supposed to be a big twist on a first viewing, but if you pay attention to everything beforehand, it really shouldn’t be. Bakugou has many flaws, but his ambition was never portrayed as a bad thing and now, it’s what’s keeping him from throwing in the towel and becoming a villain.

(Also, I don’t know how anyone thought he’d pull a Sasuke, it would make no narrative sense. Like, the reason Sasuke joining the villains had any impact was because him and Naruto were friends, Bakugou joining Deku’s enemies would have changed what exactly? Lmao.)

So the heroes arrive to the rescue, but All For One appears and they’re all in even deeper shit now. All Might can’t go all out because he’s busy protecting Bakugou, who’s busy holding off the League who presumably want to make him into a Noumu now. Luckily, the Rescue Squad comes blasting through the sky with Kirishima’s outstretched hand. Bakugou takes it. I shouldn’t have to explain why that’s important.

Despite being free to go all out, All Might can’t defeat All For One and his true form is revealed. This is Bakugou’s first time seeing the greatest hero be vulnerable and things look bad. The crowd is desperately cheering All Might on and both Bakugou and Deku are screaming for All Might to win. Which he does. But he’s spent and he points to the cameras saying “you’re next.” Everyone starts cheering, except for Deku, who bursts into tears, and Bakugou, who looks pensive.

When they get back, Bakugou is nicer than normal. He cheers up the class using Kaminari and gives Kirishima money for a new camera as a way to thank them for risking their lives and careers to save him. He respects All Might’s decision not to tell him about Deku and OFA and verbally thanks him for saving him.

This is because Bakugou ended up taking this entire fiasco as his greatest failure yet. DvK1, the Sports Festival, the End of Term Exam - all of it pales in comparison. If he didn’t get himself kidnapped, his idol wouldn’t have lost his powers in order to save him and society would still have its Symbol of Peace. That’s right, society is in disarray and they must all think that it’s his fault. Whether or not it actually is his fault is besides the point, what matters is that he thinks it is.

What’s worse is that he knows Deku now has that power. His worst fear has come true. But he can’t talk to anyone about it, so he tries to bury it. He’s been in denial before, he can do it again, right?

No. It’s always on his mind. And I think this was the reason why he was so harsh on the pretend hostages during the Provisional Hero License Exam. It wasn’t (just) his usual jackassery, he screamed at them to save themselves because that’s what he thinks he should have done. Unfortunately, it’s what caused him to fail the exam.

Now, he’s failed plenty of times, just recently caused the end of All Might, surely that’s nothing? But Deku passed the exam and Bakugou has never been more aware of Deku’s back, getting further and further away. That was the last nail in the coffin.

He goes to confront Deku at Ground Beta, the site of DvK1, to get some answers about him and All Might. And so Deku vs Kacchan Part 2 begins.

I won’t repeat what I’ve already said about what’s revealed in this fight, but I’ll elaborate on what Bakugou wants from it. First of all, he didn’t go into it expecting to win. He’s already lost - he ended All Might and Deku was chosen as his protégé. What Bakugou wants is to know why. He’s always feared that Deku was worthy somehow, but he could never put his finger on what made him worthy.

Why did Deku lose? If he’s the true hero, he should have won. Surely that idea is not wrong. Bakugou won, but he’s not satisfied, he knows he’s missing something.

Why did the kid he spent ten years trying to put far behind him overtake him? Why did Deku become the prodigy and Bakugou the failure? Yes, after spending most of the series fighting tooth and nail to hold onto his image as the strong one, he’s accepted that he’s weak, he’s despairing, but why?

All Might provides the answer that was blindingly obvious to anyone but Bakugou. Deku had the heart of a true hero, even though he lacked the power to win and that made him worthy. but Bakugou’s view of a hero that always wins wasn’t wrong either. It was just incomplete, just as Deku’s was. But together, learning from each other, they can be the greatest heroes the world has ever seen.

And with all of their complicated emotions that have been festering for years out of the way, they can finally move forward. Bakugou can finally accept his weaknesses to make himself stronger, he can finally accept Deku as a rival who pushes him forward instead of a threat. And he can support Deku in turn, he does need to make up for years of pushing him down.

…

I think this is as good a time as any to go back to the title of this meta. The five stages of grief are, well, exactly as it sounds, the five steps of the grieving process: Denial, Anger, Bargaining, Despair and Acceptance. Not necessarily in that order. Bakugou spends most of his time pinballing between the first three, actually. Yet his overall character arc, spanning the time between chapter one and DvK2, still follows roughly that formula.

But what is he grieving? Well, grief is a general feeling of loss and Bakugou is grieving the slow loss of his identity. Ever since he was a child, he’d put so much stock into his strength and abilities to the point that he didn’t know who he’d be without being the best. Bakugou has no Freudian Excuse, he’s pretty much had it all, yet when I was watching DvK2, I didn’t see a spoiled brat throwing a tantrum because he didn’t get an honor he didn’t deserve. I saw a lost kid who doesn’t even know who he is anymore.

But as painful as all that was, it was ultimately for his own good. His fragile ego needed to be broken in order for Bakugou to rebuild himself into a stronger, kinder, better person. He needed to pick up the pieces that were still useful and fill in the gaps with things he learned from All Might. From Deku.

And the manga is already delivering on that. Bakugou does take a backseat for the next few arcs, but when he appears, he’s always seen making a concentrated effort to be better. I think that’s when his “redemption” truly starts, previously him becoming a better person was more of a side effect of everything else going on and he was dragged into it kicking and screaming.

Bakugou gives comfort and encouragement to Kirishima prior to his internship. He waits up for the interns with the others.

He listens to Todoroki when he suggests a better way to deal with children than physical discipline. He warns a child that reminds him of his past self that if he’s always looking down on people, he’ll be blind to his own weakness.

He integrates himself into the class during the Culture Festival, getting offended on their behalf - because they’re not extras, he’s one of them, now - when the other classes blame them for villain attacks. He listens to Jirou when she tells him to stop improvising because, as a drummer, he’s the support, not the lead.

Finally, he looks out for anyone in danger and jumps in to save them and lets himself be saved in turn. He keeps an eye on Deku and tries to aid his progress, like he promised.

Of course, he’s still got a long way to go. He’s still rough around the edges and he does have a literal decade to make up for, but I believe he will. With him being in on the secret and getting his license, it’s about time he and Deku get into hot water with the League again.

But everything that’s happened so far has been built up from Day One. This is Katsuki Bakugou. In hindsight.

~B

[heroes-never-discourse]

Katsuki Bakugou and The Five Stages of Grief

Or, the essay in which I argue Bakugou was a great character way before S3 rolled around. The title will become relevant eventually. Speaking of, the following contains spoilers for the entirety of the My Hero Academia anime (S1-S3) and some mild spoilers for the manga.

In the early parts of My Hero Academia, Katsuki Bakugou was defined almost completely by his role in Deku’s underdog story - as an obstacle in Deku’s path to becoming a hero, an arrogant bully and therefore an antagonist you really want to see go down. And he served that role really well, but there wasn't much more to him. And what little insight we got into his character didn’t make a lot of sense. Why would he think Deku was hiding his Quirk all this time? He hates Deku for wanting to help him up, fucking really? And he doesn't even have a tragic backstory! Etc. etc. The audience was left with the impression that he’s just a cruel spoiled brat lashing out because the kid he hates for being Quirkless won’t let him do what he wants. That he wants the number one spot because he believes he deserves it. That impression slowly started to change when Bakugou defied expectations by refusing to join the League of Villains just to get more power. Then, it was completely flipped on its head when Deku vs Kacchan revealed that Bakugou never hated Deku for being Quirkless, but that he was always afraid that Deku, despite being Quirkless and clumsy and a crybaby, had whatever it takes to overtake him, knew it, and looked down on Bakugou for it. Of course, Deku’s reply is “I wanted to surpass you because I thought you were amazing, not weak, you fucking asshole” (paraphrased, obviously lol), but that’s not the point. The point is that the audience finally has what was missing from Bakugou’s early characterization - context. With that context, the underlying setup for his character arc becomes visible. Let’s go back to the beginning and take a closer look! When we first meet Bakugou, he seems completely secure in his place in the world. He’s loud, brash and at his most arrogant. But when the teacher reveals that Deku wants to go to U.A. just like him, he doesn’t laugh along with the rest of the class, he’s shocked for a moment and then he flips his shit, to the point of telling Deku he has a better chance of getting a Quirk and being a hero in his next life. The first time, it’s just meant to make us hate him. In hindsight, with context, it’s the first crack in Bakugou’s facade. I’m not saying Bakugou’s arrogance is fake. He wouldn’t care so much about being the best if he wasn’t prideful, but let’s put it this way: Deku’s confidence is a foundation being built brick by brick, while Bakugou’s is a tower of cards. And all because when they were kids Deku cast doubt on that security in his place in the world, making him doubt whether the things he was praised for all his life meant anything at all, if he was weak despite being strong. However, Bakugou is still in denial of these doubts and fears when the series begins. The Sludge Villain incident and Deku rescuing him bring them to the surface, but he quickly pushes them down again by pretending he totally could have handled it himself (though he knows he couldn’t, which is why he doesn’t accept the praise from the pro-heroes on the scene) and avoiding Deku. But then Deku suddenly gets a Quirk and Bakugou is furious. He accuses Deku of hiding his Quirk all this time and laughing behind his back. Again, on a first viewing, this just sounds like Insane Troll Logic, but knowing that Bakugou always feared Deku had some hidden strength, it makes sense he’d connect that with One For All’s sudden appearance. (Though it’s still not a reasonable conclusion since it’s based on a false premise lmao.) During Deku vs Kacchan Part 1, Bakugou can no longer deny what he thinks is the truth about Deku, so he lashes out. It’s his last chance to make Deku give up on being a hero. He’s not just looking to beat up Deku, though, he wants Deku to fight back, to show him that power so Bakugou can snuff it out. After all, a victory over an opponent who’s holding back isn’t a victory at all. But Deku does hold back, focusing on his mission, and in doing so, defeats Bakugou. And it’s here that Bakugou’s security in his place in the world is completely shattered, not just by Deku, but also by seeing other students, especially Todoroki, whom he doesn’t think he can beat. He can no longer deny it and his anger has only blinded him to the path of true victory, as Yaoyorozu points out. And Bakugou, despite all appearances, can take criticism and learn from his mistakes. In the aftermath, both Deku and Bakugou basically declare war on each other, but despite Deku saying he’ll surpass him, Bakugou feels that their situation is flipped. That Deku is the one who’s ahead and Bakugou’s the one scrambling to catch up. (I don’t think he realises that during the time spent chasing Deku, he’ll work harder and grow more than he has in a decade.) And he wants to catch up. Despite his sense of self as a winner being taken from him, Bakugou is not willing to let it go. And the Sports Festival is Bakugou’s attempt to regain it. It’s a bargain. He has a pretty detailed and strict set of rules for that, too. First, he’ll announce that he’ll take the number one spot to the entire stadium. As Deku points out, he’s not bragging, he’s pushing himself, knowing he’ll look like a complete tool if he loses after a declaration like that. Secondly, he has to defeat Deku or Todoroki (or both), the people he perceives as the greatest threats. Finally, he has to win against all of his opponents at their best. If he fails at any of those things, if he doesn’t prove himself to be the indisputable strongest, he will have failed, completely. This period of the story also showcases a subtle shift in his personality, one that was already somewhat visible during the USJ arc. Bakugou was never stupid, but asides from designing his weapons and costume for maximum efficiency (seriously, despite looking exactly like what happens when you give an edgy 15-year-old free reign to design a costume, his is the most utilitarian, mitigating recoil and absorbing sweat and all that), he used to rely solely on his admittedly above-average combat skills. But the fight against Deku proved that it wouldn’t be enough, so he (probably subconsciously) takes a page out of his book and starts carefully analysing his opponents’ moves to find their weaknesses. He’s also rather less nasty. He isn’t kinder or more polite, but he doesn’t go out of his way to be cruel. And he’s starting to look around himself and see other people, recognizing their strengths, if only so he knows how to beat them (he doesn’t underestimate any of his opponents) or use them to his advantage (Cavalry Battle).  This is also when his friendship with Kirishima officially starts, since Kiri approached him as an ally. Unfortunately, he’s still a disrespectful tyrant in an environment where people aren’t willing to follow him just because, and he doesn’t deal with that well, exposing himself to be a huge antisocial weirdo when he’s not in control. For me, this was when I started to like Bakugou as a character. He still didn’t seem great without the context provided later, but his personality wasn’t just “Deku’s bully,” as he interacted with people other than him. Back on track, all of this is particularly emphasized during his fight with Uraraka. Just like in his fight with Deku, he’s giving it his all not because he enjoys beating up the weak, but because he knows his opponent is stronger than she looks.* Unlike the fight with Deku though, he has no grudge that makes him act like a rabid animal and isn’t letting his guard down for a second. And when it’s over, he’s disappointed because he’s gained respect for Uraraka and was excited to fight her. (*Though maybe that is an overly charitable interpretation of DvK1 lmao.)

Soon afterwards, Deku loses to Todoroki, but not before making him use his fire side. So all Bakugou has to do to complete his mission is defeat Todoroki. Bakugou isn’t upset that Deku lost, after all, he didn’t believe he himself could win against Todoroki’s ice alone before.

But he does. And he’s not satisfied. Because he didn’t beat Todoroki at his full power since he, due to personal issues, couldn’t bring himself to use his fire side, which he did against Deku. Yes, Deku lost after Todoroki used it, but he forced Todoroki to give him all he’s got, something Bakugou couldn’t do. To him, it’s like losing to Deku by proxy.

(He probably thinks Todoroki didn’t use his fire because he didn’t see Bakugou as worth it, unlike with Deku, but the actual reason is that Bakugou couldn’t reach out to him the way Deku could. That’s what he’s missing, he just doesn’t know it yet.)

Okay, so, Bakugou wins the Sports Festival, but fails to accomplish what he set out to do. He feels desperate and lashes out again. Though I actually doubt he would have kept beating Todoroki’s corpse (so to speak), he’s put to sleep just in case and chained up for the ceremony like a wild beast. Certain people take notice.

 Before, that, though, it’s time for some work experience! He’s still behind Deku, but maybe working for the number three hero will help him! Wait, what do you mean, Deku is out there improving his fighting style by copying Bakugou’s moves (and Gran Torino’s, and also fighting a literal serial killer, but Bakugou doesn’t know that), while Bakugou is - what, modeling jeans?!

In fairness, Best Jeanist’s intent was to teach him to be respectable, but, like, he came up to a delinquent teenager and told him he should overhaul his entire look and personality, what did he expect was going to happen? XD

Ooooh, but this next part is super interesting. The End of Term Exam. Deku and Kacchan vs All Might.

The in-universe reason for having these two team up is something like “Bakugou needs to learn to work with someone he doesn’t like and Deku needs to assert himself and force an uncooperative teammate to work with him.” Both of those are likely scenarios in their future careers. The narrative reason, however, is twofold.

Firstly, before this point, Deku and Bakugou have grown mostly separately from each other. This means that while they’ve changed individually, their relationship didn’t. And it has to. Bakugou’s issues with Deku were actually only made worse due to how far behind he thinks he’s fallen, so he attempts to prove he can defeat All Might on his own. When Deku objects, Bakugou even relapses into his cruel personality and pretty much bitchslaps him. Deku can fight back now, but he doesn’t want to, he wants to talk.

Secondly, the fact that they’re teamed up against All Might is vital. Because while there were hints of it beforehand, this is the first time we learn about the two sides of All Might that Deku and Bakugou admire - saving and winning. Deku wants to save people, but hesitates to take on All Might, even though escaping him would be impossible. But he doesn’t run, because Bakugou doesn’t. That is our first glimpse into what Deku admires in Bakugou and what he can learn from him.

However, Bakugou charges at All Might alone and predictably gets the crap kicked out of him. Even though he’s beaten to the point of vomiting, Bakugou refuses Deku’s help (saving), saying that he would rather lose. This is when Deku punches him, and not just to get him away from All Might or because Bakugou hit him earlier, but because he doesn’t want Bakugou to give up on the one thing Deku’s always admired about him.

Bakugou seems to remember himself then. He remembers that he’s the guy who wins, at all costs. Even if it means accepting Deku’s help. Oh, but not just that - he starts emulating Deku in turn. He sacrifices his protection from pain by giving his gauntlet to Deku and making bigger and bigger explosions. When Deku uses the gauntlet, he hurts his shoulder from the recoil, but Bakugou should already be used to the strain, so how far is he going for his arms to hurt?

…Yeah, okay maybe the whole “break all your bones to achieve your goal” isn’t the part of Deku he should be emulating, but the saving part? Absolutely. And he does emulate it, when he jumps in front of a blow meant for Deku and gets smashed into the ground so Deku can get to the gate. Deku being Deku decides to attack All Might so he can carry Bakugou to safety with him. They win by saving and save by winning.

This fight was a pivotal moment for both characters as it shows what their relationship has the potential to become. Though Bakugou probably doesn’t realise it because he’s too busy thinking he failed by accepting Deku’s help. Yet it’s his greatest victory yet.

Speaking of pivotal moments, summer arrives and Bakugou gets kidnapped by the League of Villains. Deku tries to save him, but he tells him to stay away. The others take this to mean Bakugou is too prideful to be saved by Deku yet again, but while that might be partially true, I think it has more to do with the guy whose name literally means “cremation” holding him by the neck and Deku having two broken arms, fucking moron, stay away.

Anyway, in the villains’ hideout, Bakugou is offered a chance to join the League. He refuses immediately and attacks Shigaraki despite being outnumbered, even refusing to lie to get out of trouble. He then explains that he’ll never join the villains, not just because of Shigaraki’s less-than stellar persuasion skills (seriously, Bakugou’s the last person to believe he’s “wronged” by society), but because he wants to win like All Might, like a hero.

This is supposed to be a big twist on a first viewing, but if you pay attention to everything beforehand, it really shouldn’t be. Bakugou has many flaws, but his ambition was never portrayed as a bad thing and now, it’s what’s keeping him from throwing in the towel and becoming a villain.

(Also, I don’t know how anyone thought he’d pull a Sasuke, it would make no narrative sense. Like, the reason Sasuke joining the villains had any impact was because him and Naruto were friends, Bakugou joining Deku’s enemies would have changed what exactly? Lmao.)

So the heroes arrive to the rescue, but All For One appears and they’re all in even deeper shit now. All Might can’t go all out because he’s busy protecting Bakugou, who’s busy holding off the League who presumably want to make him into a Noumu now. Luckily, the Rescue Squad comes blasting through the sky with Kirishima’s outstretched hand. Bakugou takes it. I shouldn’t have to explain why that’s important.

Despite being free to go all out, All Might can’t defeat All For One and his true form is revealed. This is Bakugou’s first time seeing the greatest hero be vulnerable and things look bad. The crowd is desperately cheering All Might on and both Bakugou and Deku are screaming for All Might to win. Which he does. But he’s spent and he points to the cameras saying “you’re next.” Everyone starts cheering, except for Deku, who bursts into tears, and Bakugou, who looks pensive.

When they get back, Bakugou is nicer than normal. He cheers up the class using Kaminari and gives Kirishima money for a new camera as a way to thank them for risking their lives and careers to save him. He respects All Might’s decision not to tell him about Deku and OFA and verbally thanks him for saving him.

This is because Bakugou ended up taking this entire fiasco as his greatest failure yet. DvK1, the Sports Festival, the End of Term Exam - all of it pales in comparison. If he didn’t get himself kidnapped, his idol wouldn’t have lost his powers in order to save him and society would still have its Symbol of Piece. That’s right, society is in disarray and they must all think that it’s his fault. Whether or not it actually is his fault or not is besides the point, what matters is that he thinks it is.

What’s worse is that he knows Deku now has that power. His worst fear has come true. But he can’t talk to anyone about it, so he tries to bury it. He’s been in denial before, he can do it again, right?

No. It’s always on his mind. And I think this was the reason why he was so harsh on the pretend hostages during the Provisional Hero License Exam. It wasn’t (just) his usual jackassery, he screamed at them to save themselves because that’s what he thinks he should have done. Unfortunately, it’s what caused him to fail the exam.

Now, he’s failed plenty of times, just recently caused the end of All Might, surely that’s nothing? But Deku passed the exam and Bakugou has never been more aware of Deku’s back, getting further and further away. That was the last nail in the coffin.

He goes to confront Deku at Ground Beta, the site of DvK1, to get some answers about him and All Might. And so Deku vs Kacchan Part 2 begins.

I won’t repeat what I’ve already said about what’s revealed in this fight, but I’ll elaborate on what Bakugou wants from it. First of all, he didn’t go into it expecting to win. He’s already lost - he ended All Might and Deku was chosen as his protégé. What Bakugou wants is to know why. He’s always feared that Deku was worthy somehow, but he could never put his finger on what made him worthy.

Why did Deku lose? If he’s the true hero, he should have won. Surely that idea is not wrong. Bakugou won, but he’s not satisfied, he knows he’s missing something.

Why did the kid he spent ten years trying to put far behind him overtake him? Why did Deku become the prodigy and Bakugou the failure? Yes, after spending most of the series fighting tooth and nail to hold onto his image as the strong one, he’s accepted that he’s weak, he’s despairing, but why?

All Might provides the answer that was blindingly obvious to anyone but Bakugou. Deku had the heart of a true hero, even though he lacked the power to win and that made him worthy. but Bakugou’s view of a hero that always wins wasn’t wrong either. It was just incomplete, just as Deku’s was. But together, learning from each other, they can be the greatest heroes the world has ever seen.

And with all of their complicated emotions that have been festering for years out of the way, they can finally move forward. Bakugou can finally accept his weaknesses to make himself stronger, he can finally accept Deku as a rival who pushes him forward instead of a threat. And he can support Deku in turn, he does need to make up for years of pushing him down.

…

I think this is as good a time as any to go back to the title of this meta. The five stages of grief are, well, exactly as it sounds, the five steps of the grieving process: Denial, Anger, Bargaining, Despair and Acceptance. Not necessarily in that order. Bakugou spends most of his time pinballing between the first three, actually. Yet his overall character arc, spanning the time between chapter one and DvK2, still follows roughly that formula.

But what is he grieving? Well, grief is a general feeling of loss and Bakugou is grieving the slow loss of his identity. Ever since he was a child, he’d put so much stock into his strength and abilities to the point that he didn’t know who he’d be without being the best. Bakugou has no Freudian Excuse, he’s pretty much had it all, yet when I was watching DvK2, I didn’t see a spoiled brat throwing a tantrum because he didn’t get an honor he didn’t deserve. I saw a lost kid who doesn’t even know who he is anymore.

But as painful as all that was, it was ultimately for his own good. His fragile ego needed to be broken in order for Bakugou to rebuild himself into a stronger, kinder, better person. He needed to pick up the pieces that were still useful and fill in the gaps with things he learned from All Might. From Deku.

And the manga is already delivering on that. Bakugou does take a backseat for the next few arcs, but when he appears, he’s always seen making a concentrated effort to be better. I think that’s when his “redemption” truly starts, previously him becoming a better person was more of a side effect of everything else going on and he was dragged into it kicking and screaming.

Bakugou gives comfort and encouragement to Kirishima prior to his internship. He waits up for the interns with the others.

He listens to Todoroki when he suggests a better way to deal with children than physical discipline. He warns a child that reminds him of his past self that if he’s always looking down on people, he’ll be blind to his own weakness.

He integrates himself into the class during the Culture Festival, getting offended on their behalf - because they’re not extras, he’s one of them, now - when the other classes blame them for villain attacks. He listens to Jirou when she tells him to stop improvising because, as a drummer, he’s the support, not the lead.

Finally, he looks out for anyone in danger and jumps in to save them and lets himself be saved in turn. He keeps an eye on Deku and tries to aid his progress, like he promised.

Of course, he’s still got a long way to go. He’s still rough around the edges and he does have a literal decade to make up for, but I believe he will. With him being in on the secret and getting his license, it’s about time he and Deku get into hot water with the League again.

But everything that’s happened so far has been built up from Day One. This is Katsuki Bakugou. In hindsight.

~B

(This meta is dedicated to Celcius-senpai and Kali. Also, I’ll put in a treat in the fake email name every time from now on. ;))

This is fucking amazing, B-non, like no joke, the best character dive I’ve read, maybe ever

also

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[fantroll-purgatory]

Hello! It’s 2am, I’ve been rewriting this for 3 hours because words are the hard and I’m just tired. (Sounds like you are ALSO dealing with Time! But, that doesn’t make you a Time player either- let’s get into it.)

World: Alternia

Name: Tempus Facrem

“Tempus” means “time” in Latin, and “Facrem” is derived from “factorem” which means “maker”. Assuming I’ve not beansed the name (which is very, very possible), it should mean Time Maker which compliments her story and classpect nicely.

Age: ~8 sweeps

Theme/Story: Tempus is a hobbyist clock maker who’s hive is located in a quiet area of Alternia who tries her hardest to keep to herself and keep out of bother. Despite this, she’s often commissioned by trolls higher up the hemospectrum than herself and almost never has time to do her own thing or even make a clock for herself. I try to follow the general theme of time with her overall.

Goals: A general overview would be appreciated, as well as some suggestions for whatever I couldn’t decide on. As Tempus were originally created for a casual and definitely not canon-compliant Lords and Muses only RP session, I couldn’t adapt everything. (I am going to open my review here, because a General Overview of a character like this, by nature, turns into a Overhaul. I talk about Overcommitment To Gimmick A LOT in my reviews, because it plagues many fantrolls, ESPECIALLY Time Players.) (Your Troll is not the first Clock Themed Time Player Fantroll I’ve received, and I always point to canon. Aradia? Damara? Dave? When are any of these characters clock themed? You use the word “Time” 28 times in this profile, which points, once again, that that’s kind of her only thing.) (I will tackle alternate Aspects for her under Classpect. Much of this review is going to be trying to tease a more rounded character out of this. Perhaps your initial RP had more character for her? But, if there was, it hasn’t translated through to here.)

Strife Specibus: Sniperkind (or maybe riflekind, I can’t decide) (Riflekind is more general, and it’s what Jade uses!)

It also leads to some interesting questions you can ask yourself about her character- is she good or bad at guns? If she’s good at it, where did she learn and is this a passion? Is it just for protection or is there more? And if she isn’t good at it, why did she choose to pick it up and why does she stick with it? 

Fetch Modus: Honestly no ideas here, chief.

I could probably make a cuckoo clock joke here, but I honestly don’t want to reinforce the already drowning-in-time theme. 

God I could more jokingly apply a TikTok reference here. She has to make a musical.ly about the object in question. 

Or if she’s fascinated with universal constants, she could have a more abstract time system, like an Orbit system. All the cards are locked into a central ‘orbit’ and can only be uncaptcha’d when they line up in particular ways. 

Really, fetch modi usually involve alternate interests or coding jokes and it’s hard to think of any of those to apply here. I’d expand on her interest set and then come back to this!

Blood Colour: With reference to Fir3h34rt’s hemospectrum chart, between scarlet and cardinal.

I know we’re already making a lot of change recommendations and we’re hardly even half way, but I have to say that she really doesn’t read like a rust to me. We have to remember that rusts are rooted in Aries. The extended zodiac says rusts are wild, they crave adventure, they love drama, they’re dynamic, they’re quick to anger, they’re incautious- where is that in Tempus? 

Further, clockworking isn’t a very low maintenance career. Most of the rusts we see have “menial” labor or things they can do on their own, adventuring out into the world without much equipment. If a rust can’t have prescription glasses, how are they getting a clock studio? Where is she getting the materials? Where did she get the startup materials? Did someone else act as her patron? Why? 

This kind of niche skill and dedication to a craft isn’t something we see as emblematic of rusts, it’s something that’s more in line with bluebloods. That’s not to say I necessarily think you need to make her a blue (though I think it would be an interesting twist on the character and a good way to migrate her away from the obvious Aradia association). I just think you need to bring more of that Rustblood Fire to her, even if it’s repressed. Where’s the boiling under the surface tension? The desire to throw off her shackles and run free? 

Her theoretical EZ symbol with your current assignments would be The Headstrong. Where’s the headstrong? 

Symbol and Meaning:

A minimalist empty hourglass. Represents a lack of time. (I don’t have a better sign off the cuff, but refer to my comments above as to why I think this is a poor choice.)

Handle: I’m also not sure what to put here. This was another detail that I just couldn’t adapt. Her original handle was timeyWimey because she was meant to be a Lord of Time and my humour isn’t very creative. (I… actually think that’s pretty cute.)

Quirk: Regular capitalisation. Vowels are replaced with respective numbers, unless if the number created from the quirk is greater than 12. e.g. My n4m3 1s T3mpu5 F4cr3m.

Again we can kind of see the overcommitment here. I can’t fault you too much for it, but you might want to step away from the clock thing Too strongly here. You say she likes rhythm, tempo. Maybe you could think of different speaking patterns instead. Find syllabic patterns to give her, or even just chop her words curtly, monosyllabic. Ex: Give. Her. A. Drone. One. Syl. La. Ble. At. A. Time. It. Is. Slow. But. She. Is. Pa. Tient. Are. You? 

But I again recommend looking more into her interests and then coming back to this later. 

Lusus: Greater Skarthi, a dog-sized beetle with two horns. A very relaxed lusus who taught Tempus the value of patience. They share a good relationship.

I honestly think she could use at least a little conflict. Having a soothing lusus relationship is easy, sure, but how about the interest of trying to focus on her craft when her lusus routinely wrecks her shit? The stress. The Drama. 

Interests: Tempus is fascinated with clocks and rhythm as a whole, seeing time as a universal constant that should be respected. She chooses to respect time by making clocks, and prior to her being frequently commissioned she used to make them in a variety of shapes and sizes through different methods for entertainment or to pass the time. (So… her entire interests are clocks and Time. A Time Player is not like this. Let’s look at Dave’s intro page:  “Your name is DAVE. It is an UNSEASONABLY WARM April day. Your BEDROOM WINDOW is open to let some air in, and your FAN is cranked. Arguably even more cranked would be your FLY BEATS, which brings us to your variety of INTERESTS. A cool dude like you is sure to have plenty. You have a penchant for spinning out UNBELIEVABLY ILL JAMS with your TURNTABLES AND MIXING GEAR. You like to rave about BANDS NO ONE’S EVER HEARD OF BUT YOU. You collect WEIRD DEAD THINGS PRESERVED IN VARIOUS WAYS. You are an AMATEUR PHOTOGRAPHER and operate your own MAKESHIFT DARKROOM. You maintain a number of IRONICALLY HUMOROUS BLOGS, WEBSITES, AND SOCIAL NETWORKING PROFILES. And if the inspiration strikes, you won’t hesitate to drop some PHAT RHYMES on a mofo and REPRESENT.” Homestuck ACT 2, Page 312) (Aradia gets kind of a free pass for her intro page because she is… well… a ghost. And her stated remembered interest is Archaeology, not Clocks.)

This is where you have to ask your self some additional questions. How might she have gotten into clock making? Did she start with woodworking? Was she inspired by something else? Did she just do it out of convenience because she didn’t have one? Does she just like DIY in general? Because DIY could be a very interesting origin point for a character like her. A lot of self-crafts DO take a lot of patience and you can capitalize on that character trait in ways besides saying it. 

And, of course, you should ask what she does in her downtime. Unless she’s a workaholic or is in extortionist circumstances, most people have downtime. Does she have unfair contracts keeping her working constantly and stopping her from pursuing old intrigues? Does she miss her other interests? Or does she choose to burn the candle at both ends and neglect leisure? Because if neither of these are the case, she needs other hobbies. 

Appearance: Has long black hair, similar to Aradia’s but slightly shorter and a tad tidier. Her horns share the ram aesthetic of Aradia’s too, however they have significantly less curling and point downwards and forwards. Wears a tool apron with her symbol on it over a dark grey jumpsuit. (I would absolutely love it if you could draw your interpretation of her to see how it compares to mine, but it’s absolutely not necessary.)

Personality: While she isn’t particularly optimistic, Tempus is good at looking at a situation from different perspectives which can be confused for optimism. In reality, she’s far more calm and relaxed under pressure than she is optimistic. She’s incredibly patient, both with people and in a literal waiting sense, thanks to her lusus. As she has the patient of a saint. when she does rarely get frustrated it’s usually very small scale. In spite of this, she’s prone to cursing, but not often to directly insult someone or something and more for comedic effect. (I think we have the beginnings of a solid character here. The thing that she’s really missing is the Time sense of fighting. She’s got this serene, steel will which is a useful trait, but where’s the STRUGGLE? Where is the drama, where is that draw to cyclical destruction.)

^^^ You’ve given us red on red, here. Time and Rust together have an inherent drama and tension. I really think that’s what we’re missing here. I think you could easily do something with the fact that she’s been put on commission to so many highbloods. Is she playing up her patience? Is she putting on airs for her professional career? Does she have a fury boiling beneath her skin? If she about to snap? Is she one snide violetblood comment away from tearing a clock off the wall and committing murder? Is she trying so hard to be a patient person but god people make it so HARD don’t you just want to go APE SHIT? 

Lunar Sway: Prospit, as she’s loyal to her acquaintances and often employs a creative approach to problems, even if they aren’t the most efficient ways of doing things. She also lives in the moment as she doesn’t always have the time to plan ahead. (Checks out to me.)

Title: Maid of Time. Don’t have much commentary regarding that :/ sorry

(And here it begins. Is this character a Maid? I don’t think so- Maids have a pretty classic character arc of being pushed around and then snapping and going absolute bonkers- Aradia beats Vriska to literal death, Kanaya chainsaws Eridan, and Jane���. oh boy, half of Act 6 is Jane’s.) (Is this character a Time player? I often use the phrase “Chosen by Time” in my reviews, because Time players are so DISTINCT, and required by Sgrub/Sburb. Time players aren’t chosen to be such because they like clocks or time, but because they have traits that allow them to whether the endless destruction and struggle that the Red Mantle puts on their shoulders. She needs a core of restlessness, a core of churning, if placid. EZ says that “at their worst they are ruthless, defensive, and impulsive”, which I think helps put them into perspective. Time players can and will lash back out at you.) (I think… this might be a Void player. She’d need an overhaul just to be something other than a walking clock reference, but she has the makings of one of those. A draw towards creation but in a lowkey sense, expanding on things that are already known…) (Otherwise, she may be a Space Player. She has that creation focus, and she reminds me more of 1-4 Jade than any Time player in Canon. Jade also leaned very heavily into her Time inversion for most of her life, to the point where she received Seer of Time powers for quite a while.)

I have to agree here. I think if you wanted her to be a Maid of Time you’d really have to lean into what I addressed under the personality section. She has to be ready to SNAP. Her narrative would have to be about being pushed around and then she lets go and finally embodies the full chaotic force of time.  Otherwise, she’s just not a time player or a maid. Space player is where I’m leaning, personally. They embody the patience and mutability you describe here way more and they also tend to be of the craftier and more hands-on sort. Void player is also a great way to go for a creative. You’d have to lean into her interest in the universe, in the unknown- you address her caring about universal constants, but why? That’s the sort of question the Void assignment would ask. 

[existentialspiral]

Classpect Analysis: Knight of Space

DEFINITION:

Space, as an aspect, is mostly literal, albeit with associations with the creative forces of reality. With regards to its shown domain, we only ever see it used to much affect a few times, most notably by Jade Harley (Witch of Space) immediately after reaching God Tier and by alternate future Calliope (Muse of Space) who used it to destroy the Green Sun. In these events, we are able to see the direct abilities of the aspect: that it manipulates the actual properties of their reality. Jade was able to alter the velocity, volume, mass, density, location, inertia, and other related attributes of objects, entirely without apparent effects upon the world at large other than those caused directly be her manipulation. Meanwhile, Calliope is able to, with little actual effort, create a singularity, literally creating a point of infinite gravity, something which so violates the normal conditions of space-time that it cannot be truly accounted for; put simply, Calliope was able to force reality to divide by zero. With these examples, it becomes apparent that the aspect of Space is indeed literal, referring to the physical, intractable world. It would include everything from gravitational forces, to physical objects, to the too-complicated-to-understand bosons and fermions that define existence. Put simply, Space is everything that Time is not, and has power to equal this claim. As well, it should be noted that Space players are charged with the task of breeding the Genesis Frog, and are often associated with the Denizen Echidna.

The role of Knight is one of warrior and protector, one who wields their aspect as a weapon and acts themselves as shield. It is, admittedly, difficult to pin down an exact meaning to the role of Knight, as two of the examples given managed to fail in their quests, albeit to different degrees. That said, with the two successful and one partially-successful Knights, we are given a fair display. Dave Strider (Knight of Time), the most proper Knight, is shown to wield time travel as a weapon, exploiting as many as hundreds of stable time loops, allowing himself to fight as a legion, to speak as a prophet, and to cheat the market like a robber baron, as well as literally wielding Time in the form of a time-traveling sword. Karkat Vantas (Knight of Blood) is shown to be the only person able to force anything resembling unity out of his team, leading them into battle against the Black King, and was able to strike an alliance with the notoriously antisocial Jack Noir; while Karkat himself might be one of the weaker members of his team, he was able to accomplish much more than he should have by wielding his friends and allies as his weapon, inspiring them to act as one. Lastly, while Latula Pyrope (Knight of Mind) herself was, to be frank, an utter failure of a Knight, her post-scratch counterpart, Neophyte Redglare, certainly displayed all the markings of one, weaponizing her own mind as tool of law, and weaponizing Mindfang’s preconceptions to capture her; it would not be true to say that Redglare was a proper Knight, being one who matured outside of Skaia’s light and was slain by her own error in understanding the minds of those around her, but her actions do shed a certain amount of light on the class. Lastly, it should be noted that, in both successful sessions seen so far, the Knight has been tasked with aiding in the Space player with frog breeding duties.

With all this, we may parse out “Knight of Space” as, “One who wields the physical world as a weapon.”  While other aspects might be limited in what they might weaponize, and other classes limited in how much offence they can draw from their aspect, the Knight of Space stands above them, utilizing the underpinnings of creation as their sword and armour, shielding themself with mass and velocity and striking back with diamond blades of incomparable density. The Knight of Space is not merely a warrior, dedicated to their weapon, for everything is their weapon. Standing against them is foolishness, for existence itself is their sword.

ABILITIES:

When I said above that everything is the weapon of a Knight of Space, I meant it. The Knight of Space is able to weaponize any facet of the physical world, and would be able to do so to a frightening degree. At lower levels, it would be entirely possible for them to already have a Strife Deck with multiple weapon categories, or even a specialization that would allow them to use anything they wanted as a weapon, such as a theoretical Improvkind Abstratus, and would certainly be expected to gain the Universal Specibus Badge soon after Ascending.

At God Tier, they would be able to actually start weaponizing physics as well as objects, as well as other esoteric uses of their aspect. While a possible teleportation ability is far from out-of-the-question, the main abilities would likely be dedicated combat skills; increasing the density of their weapon as he swings it, accelerating projectiles to significant fractions of lightspeed, dramatically decreasing the volume of an opponent’s weapon, and more. At this level, a Knight of Space is one of the most immediately dangerous opponents in a physical battle, with their only real threat being a Rage player with an appropriate class.

At max level, the Knight of Space has gained such mastery of their aspect that the mere act of using an actual weapon is, for the most part, a formality. A sword of multiple AUs in length is, at this level, one of the less dangerous abilities in their arsenal. Pea-sized projectiles with the mass and inertia of planet-cracker nukes, sudden gravitational changes crippling an opponent and grounding incoming projectiles, weapons of infinite sharpness, strikes of near-infinite inertia, all these and more are possible. It would be impossible to truly fight off someone who has fully immersed themselves in their role as Knight and truly weaponized Space.

Of course, there are limits to the Knight of Space. First and foremost is that, as a Knight, their powers are channeled through actual physical items. While other aspects might be able to use less-traditional items as their weapons (such as the Knight of Blood using friends and allies as their weapons), a Knight of Space would be forcibly limited to actual objects that they could wield, Space not holding much sway in the area of concepts. Next, there’s the obvious fact that their powers would be limited to things which are primarily combat oriented. While things like teleportation and mass/volume control would have uses outside the field of battle, a Knights place is always going to be in arms.

QUEST:

The Knight of Space is rather interesting regarding their quest, depending on how you interpret some things; specifically, the quest of a Knight of Space depends on gender restrictions for breeding the Genesis Frog. While it isn’t outright stated, I find it likely that, as every frog breeder in canon (and, for that matter, every Space player) is female, the gender that actually gives birth (and, in the case of trolls, is of the blood caste that manages the continuation of the species), it seems not unlikely that only those who could possibly create life may create a frog. As such, if these restrictions do actually exist, then the quest splits into two paths: that of the Breeder, and that of the Knight.

The path of the Breeder is both simple and complex: they must forth into your land, capture frogs, and maintain causality as you manipulate the genetic imprints of paradox slimes to create the Genesis Frog. The main obstacles for a Knight of Space are two-fold. Firstly, as a Knight, they are a combat class first and foremost; actually having to find the frogs will be far more difficult than fighting the imps and other monsters that might attempt to stop them. Next is that, unlike most classes, a Knight of Space doesn’t get to receive the aid of a Knight because, well, they are the Knight, something which will certainly make their task take longer.

The path of the Knight, meanwhile, is the Quest of self-acknowledgement. A Knight is always standing taller than he are, guarding his hearts as well as his body, and to complete their quest a Knight will have to overcome his own guarded nature and preconceptions of who he is. Just as Dave had to accept that, as shown by his failure to pull Caledfwlch from the stone, that he wasn’t the great warrior and hero his Bro tried to make them, so to must the Knight of Space face down his own delusions and come to terms with himself.

The Land of a Knight would vary depending on their Quest, with Breeders always having a land of X and Frogs, but a Knight might also have a land related to Lenses, Moonlight, Planes, Distance, and more. As well, while a Breeder seems to be assured to have Echidna as her Denizen, a Knight might be saddled with Yaldabaoth, or another Denizen we have yet to see.

VERDICT:

The Knight of Space is, quite possibly, the single most dangerous physical combatant there is at higher levels of power. Although lacking some of the more esoteric uses of power utilized by other classes and aspects, this is more than made up for by their twofold focus on physical objects, turning them into an unstoppable armed combatant, rivaled only by classpects such as Knight of Rage and Knight of Hope.

Although powerful, even a Knight empowered by Space can’t do everything themselves. A Seer or Mage would be needed to make the Knight useful to the group, pointing them at whatever needs to be done, and a hero of Breath would certainly help give them direction. As well, it would also be to a team’s benefit to have a hero able to deal with foes in less direct ways, such as a Mind hero or a Thief or Rogue, or at least a hero able to destroy things that the Knight of Space can’t fight, such as most Princes. As well, a Knight of Space would surely synergize well enough with a good defensive hero, such as a Page or Heir.