#but like with him. i blame jkr too. she told us a whole lot but showed something completely different

[padfootastic]

McGonagall herself called James and Sirius “exceptionally bright,” and during a time when she believed Sirius to be a traitorous mass murderer, James and Sirius were absolutely brilliant. McGonagall would not mindlessly flatter someone, she does tell Neville not to continue with NEWT transfiguration after his OWLs, and also, why would McGonogall falsely flatter a man she believes to be scum of the worst kind? At this time in POA, McGonagall thinks Sirius betrayed his closest friend, spat on the memory of the two people who took him in at 16 and welcomed him in their home, orphaned Harry whose father made him godfather during a war James and Lily were actively fighting in and had become major targets due to the prophecy (meaning the godfather position was something James and Lily knew might actually come into play, they knew it was very possible they’d die and Sirius would have to take care of Harry; they made that decision because they trusted Sirius with their son, the most precious thing in their lives), murdered his other friend who tried to confront him after Sirius sold the Potters out to Voldemort, murdered over 10 innocent Muggles, and had escaped from a previously-inescapable prison to kill Harry and finish the job from 12 years ago; if McGonogall is saying Sirius (and James) were brilliant students, she’s telling the truth.

basically, this. we have, at a time when everyone hated sirius, so much evidence telling us he’s brilliant and exceptional and practically a genius yet there’s so many who just,,,refuse to do that? i don’t get it tbh

[theoriginalcarnivorousmuffin]

You wrote your opinions on the Order of the Phoenix, what about the Death Eaters? That's another way of saying Lucius, Bellatrix, and anybody else. I honestly feel that we're running out of HP characters for you to write your opinion and reasoning about, so yeah~

We honestly are. When people start asking me questions about Harry’s nameless and faceless classmates I feel like we’re scraping the bottom of my barrel of Harry Potter opinions.

Though, that said, this is still a very large ask if you want me to analyze very Death Eater ever or even the Death Eaters as a whole (which is worthy of its own post).

So, we’ll compromise, and I’ll just look at the two you name dropped.

Lucius Malfoy

To me, Lucius is by far one of the more intelligent Death Eaters. He’s the guy who makes them almost look classy. I say almost, because Lucius is still a racist domestic terrorist and as the series goes on Tom gleefully drags him into being less classy by the minute (his house becomes a POW camp and housing for the dregs of society, Lucius just sobs, trying to be thankful he’s somehow still alive).

Lucius is rich, sophisticated, and is probably the most politically powerful man in the country. He has a beautiful wife he has... a son (sorry Draco, but you do not live up to your father) the guy has it all.

Which makes it very surprising that he got dragged into this mess. But you see, Lucius is paying for that tragedy we call youth.

Also, as a caveat, I’m about to headcanon hard and will not bother to get into the details of why I think x, y, or z in this post.

Ten years prior to the start of canon, Lucius is a very young man, probably very charismatic, certainly believes he’s intelligent and probably gets decent grades, but nonetheless the kind of stupid you see in men ages 15-25.

He’s likely chafing under his aging father’s strict guidance, knows he’s not going to be Lord Malfoy for years yet, wants to get out there, prove himself, and make a difference for his country. More importantly for Lucius, there’s this hip, exciting, new thing that all his cousins and friends are getting into called “The Death Eaters” (yes, I don’t believe the Knights of Walpurgis/Death Eaters 1.0 ever happened, I think it’s ridiculous that fandom and JKR does, I could go into why but not in this post). 

The Death Eaters are led by the single handedly most beautiful, charismatic, man in Britain. (Yes, I headcanon Tom’s still blindingly attractive at this stage, because it makes much more sense to me but we’re not getting into that here.) A mysterious man by the name of Voldemort, Salazar Slytherin’s long lost heir, who has come to resurrect the wizarding world’s true heritage and purge the land of the muggle stain. (Yes, I do believe that no one, not even Lucius who is later given the diary, knew who Tom really was. I believe Regulus’ had only the vaguest idea, informed mostly by Tom’s use of Kreacher to place the locket.) This is the most exciting thing to have ever happened, the rallies probably consist of rich kids drunk out of their minds and maybe even high on a little wizard cocaine, and Lucius is down for it precisely because his father says “Lucius, this is stupid, please don’t embarrass the family.” WELL LUCIUS IS GOING TO EMBARRASS THE FAMILY, DAD! WHAT ARE YOU GOING TO DO ABOUT IT?!

And for a while, it looks like Lucius made the right choice. Things are happening, they’re actually going out and killing the mudbloods! Unlike Regulus, Lucius never has that “wait a minute” moment as he realizes that Voldemort’s actually far more efficiently eliminating pureblood families and sowing dissention in what was once a unanimous force among the Wizengamot (the other pureblood lords aren’t necessarily pro muggleborn, per se, but they get a bit queasy at the thought of blowing them up or Merlin forbid actually blowing up their own public venues wizards use). 

And then October 31st, 1981 happens, and it all comes crashing down. Lucius has to desperately lie his ass off, having only the flimsiest lie to rely on, has to hand out a shit ton of bribes, and manages to squeeze his way out of being imprisoned in Azkaban. 

I’m sure Abraxas looked at his son, with his tattoo on his arm that makes him another man’s slave, at the utter destruction of the Black family, and just shook his head going, “Clean up your mess, Dumbass Son”

And Lucius does to the best of his ability. While some will always suspect him of being a Death Eater, while some know it, he’s able to climb very high in influence in their ridiculously tiny community. Granted, I do think he messed up, and could never for example run for minister given everything (if Crouch can’t rerun then Lucius certainly can’t). He also shows us that in some ways he is not above the law, he’s very afraid his house will be searched without warrant in The Chamber of Secrets, and this is in part why he dumps Tom Riddle’s diary off onto Ginny.

However, he wields total control of the Prophet, has a seat on the Wizengamot, has the ear of the current Minister, is on the Hogwarts’ Board of Governors, and has his hands in pretty much every pie he can.

I imagine during this period Lucius grows up. He brushes the indiscretions of his youth under the carpet, gleefully leaving it all behind him, and the only real friend he maintains contact with from that period is Severus, the least zealot like of all of them. (Crabbe and Goyle Sr aren’t friends, they’re minions). 

Don’t get me wrong, he’s still a racist slime bag, and I don’t think he really regrets the domestic terrorism. He just regrets nearly getting caught and putting his entire family’s security on the line. He witnessed first hand what happened to the Blacks.

And then the worst thing happens: Tom Riddle rises from the dead. He rises, impossibly, from the dead when Lucius has his own hand caught in the cookie jar.

Lucius has been living a life of luxury and influence while his great master, the man he had pledged everything to, was dead. Worse, Lucius took what was described as a treasured item to be protected at all costs, and not only threw it away but sent it to Hogwarts where it caused massive havoc and was ultimately destroyed. 

And Lucius, I imagine, no longer wants to serve a master.

But he has no choice. And so begins Lucius’ descent into misery and hell as he’s given an increasing set of impossible, horrific, tasks in punishment that involve him watching as his wife and son are put through hell.

I believe Tom holds a special place in his cold, black, passive aggressive heart for Lucius Malfoy.

First, Tom makes Lucius’ house his headquarters. Oh, Lucius, you have a very nice, very large, estate? Why don’t you host your beloved, mad, cousin, her equally mad husband and brother-in-law? Oh, Bellatrix threatened to cut off your ear? Well, she’s just so passionate! 

Second, Lucius is told to go get the prophecy. Well, this is easier said than done. He nearly succeeds but then it all turns into the world’s largest clusterfuck that ends in two notable things. First, the prophecy is lost forever, shattered. Second, the government admits that Voldemort is truly resurrected. Both of these things are very bad in Tom’s book. And the blame can easily be put on Lucius’ head.

In response to this, Draco is now given an impossible task that Draco is too stupid to realize is designed to cause him (and his family) as much misery as possible. Draco is to assassinate Dumbledore. 

Likely, Tom was already informed by Snape that Dumbledore was dying. The blackened hand was too obvious a tell coming from too obvious a source for the pair to have hid it. I think trying to hide such information would have immediately blown Snape’s cover. So, Tom knows the man is dying, and doesn’t see fit to tell Draco this.

Instead, he tells Draco, “Kill Dumbledore as soon as possible or I deliver you to Fenrir Grayback.” Draco, however, is young and stupid, so he honestly thinks he is doing this to restore the family honor, earn glory for himself and for the cause, and is expected to do this entirely by himself. As a result, when Narcissa begs Snape to aid Draco, Draco blows them both off and only accepts help from Bellatrix because HE CAN DO THIS ON HIS OWN! DRACO IS A MAN.

This, of course, doesn’t work out either. Draco doesn’t deliver the killing blow, Snape does, but Tom decides to give him a pass.

Instead he moves on to his next plan which is making the Malfoy manor his torture chamber and POW camp. Even Draco, at this point, realizes this all kind of sucks. 

And then Voldemort finally dies a second time, and I’m sure Lucius just stares numbly at his malformed corpse, wondering if it will really take this time.

So that’s Lucius for you, paying always for his mistakes, and pretending he’s just as much of a nutcase as Bellatrix to fit in.

Bellatrix LeStrange

God, compared to the novel that is Lucius’ ridiculous life, I really don’t have much to say about her because I feel like there’s not much too her.

Bellatrix reminds me a lot of the Manson family, she gives off those same vibes. Point being, I think even before Azkaban (while Azkaban certainly didn’t help), she was insane and a little too worshipful of Voldemort.

I guess I can start there, I don’t think Bellamort is a thing, at all. 

Tom may have, probably did, have sex with her before he died but afterwards? In that body? Forget about it.

That said, I’m sure Bellatrix both wanted to have sex and is convinced she did have sex to produce whatever the hell Delphi even is. It just wasn’t with Tom, and probably was Rodolphous with a Halloween mask on his face as they got a little too into role play.

And there we go, I suppose, I can’t take Bellatrix seriously. You often see her portrayed as sexy femme fatale Death Eater, the most competent of all of them, if a bit of a sadist.

Oh she might be a very good duelist but she’s... Bellatrix.

She prances around in corsets, shrieking madly, and just what part of that is supposed to be femme fatale? I literally cannot take her seriously on any level. When I even try to write her seriously, in very serious stories, I end up with lines like the following:

"My lord, if there's anything you need… Anything from me, specifically, as a woman…" 

- Bright Eyes

That was my best attempt. That was the best I could come up with. It’s still something that belongs in a comedy.

So, I don’t think Tom really corrupted her. I think without Voldemort she still probably would have been blowing up Diagon Alley, just in a much less organized manner.

Even in canon she does ridiculous things. For example, Bellatrix, frankly, could have easily avoided prison.

For weeks after the dark lord fell neither she, her husband, Barty, nor her brother-in-law were arrested. Bellatrix in grief and utter disbelief that the dark lord could ever do something so mortal as die, said “remember that other house our lord mentioned, THEY MIGHT HAVE INFORMATION, LET’S GO MURDER THE LONGBOTTOMS!” They torture and kidnap Frank, demanding he tell them where their master is, THEY KNOW HE KNOWS. He doesn’t know. They go too far and torture the man into being a vegetable. “Shit, GET THE WIFE!” They go get the wife, do the same thing, with the same results.

They now have no information on the dark lord, two well regarded aurors tortured into brain damage, and are quickly caught and brought before the court with absolutely no “I was imperiused” excuse they can give out. 

How am I supposed to take her in any way seriously?

I mean, to end your life killed in a duel with Molly Weasley. That just says it all.

[sissytobitch10seconds]

I feel like we should not judge whether Bakugou grew up in an abusive household or not based on one scene that we saw with his mom. Bakugou and Todoroki where raised completely different, noticeable at this one scene in season 4 as well "Well that's how I was raised and I turned out awesome" followed by Bakugou remembering what Todoroki told Midoryia about his family (Manga, the Anime kinda cut that scene). If Bakugou really had experienced any abuse or trauma from the way he was raised I think Horikoshi would have hinted that properly too. I also do not know where you're from but in a lot of households (specifically some more eastern countries in Europe) it is considered quite normal that the parents slap their kids when they've done something wrong. (I personally don't agree with that) A lot if friends of mine who were raised that way would never call it abuse.

I hope this whole thing didn't come off as rude because that was definitely not my intention. Have a good day and keep doing what youre doing :)

The post that I did was mainly about the scene after the Sports Festival where they have him chained up in a way that is very reminiscent of how he was when he was being attacked by the Sludge Villain. 

 However, we can see that Bakugou is abused and Hirokoshi wants to have his cake and eat it too. He shouldn't be allowed to portray a serious story about abuse if he's then going to show a mother blaming her son for his own kidnapping, calling him a nuisance directly after getting him back from a potentially lethal situation, and hitting him repeatedly for minor offenses of talking back but just say that it's for comedy. Just because Bakugou doesn't realize he's being abused doesn't mean that it's still not abuse. 

 While Enji abused Todoroki outwardly and never showed any affection for him, Mitsuki is doing the kind of abuse that a lot of parents do. I know a lot of people use their own upbringing as an excuse about why this isn't abuse, but I can argue that as well. My own mother used slaps and spankings as a punishment when I was little but they eventually got phased out. She hit me once when I was older then ten and I still have issues from it. To this day I'm terrified of saying the wrong thing to her and getting slapped again, I can't have an argument with her without crying out of fear, and I don't trust her with some of the more serious things in my life because of emotional abuse as well. Just because the abuse doesn't look the same doesn't mean it's not still abuse. 

This goes into a kind of 'death of the author' situation where the main argument people have for why Bakugou isn't in an abusive relationship with his parents is because Hirokoshi said he wasn't. This is kind of like people immediately taking everything JKR said about Harry Potter after the last book was published as gospel. You can write abuse without knowing you wrote abuse (Take 50 Shades of Grey for example.). Regardless of whether or not Hirokoshi intended it to be abuse or not doesn't matter because what he portrayed (especially to someone that has been emotionally abused and gas-lit) is a very, very unhealthy and abusive relationship. 

 Sorry for the super long paragraph, this is just something that I feel very deeply about and have a lot of opinions about. You seem like a very reasonable and well-thought out person. Thank you for your contributions to this discussion :D

[slytherin-team]

On Petunia Evans Dursley, or how I imagine & re-imagine her character

So, I re-read HP and Snape’s memories of Lily and Petunia really stood out to me. 

Since re-reading the whole series, I’ve become a bit obsessed with Snape and Petunia.

I want to talk about Petunia’s character.

Now, I like starving-her- nephew- and -locking- him -in- a- cupboard Aunt Petunia as much as the next person (which is to say, not at all)

However, Petunia’s character has to be one of the things that bothers me most about HP or one of the things that I see as the biggest missed opportunity on JKR’s part.

Now, I don’t entirely blame JKR for making Petunia a one-dimensional villain. HP started out as a children’s book and the Dursleys are very much like Matilda’s family. They’re just there to be entirely awful and also to contrast muggle “ordinariness” with wizard “specialness.” Additionally, everyone is familiar with the fairytale evil stepmother and Petunia fills that cliched trope as well.

But as the series becomes darker and less for children and as we learn more about the complicated history between muggles and wizards, the presence of only one-dimensional (Dursleys, at least the parents) or barely present (the Grangers) muggles becomes rather irksome, considering how the war is all about prejudice towards muggles and muggle-borns.

These things didn’t bother me or even occur to me so much as a kid reading the series and that’s why I can’t entirely blame JKR on this one thing. She knew her target audience (kids) would identify with the witches and wizards, see the muggles as boring and dull like the adults around them, and not care so much about the broader picture. 

I don’t know if my new way of looking at the series comes from simply re-reading it, or more specifically, from being an adult re-reading it, but I find myself super interested in examining what it means to be a muggle who is aware of the magical world and this what draws me to Aunt Petunia.

If I could make any change to the series, I would make Petunia a more gray, nuanced and fleshed out character, much like Snape (who I actually think she is very similar to and I’ll get into that). She would still give preferential treatment to her own son, but she would not outright abuse Harry by starving him or locking him up. She would ensure he’s well-fed and healthy but she would not be affectionate with him, but rather cold and distant, so similar to how she already acts but minus the serious abuse. 

 I would pepper in moments where Petunia stares at Harry with empty eyes or glances at him while he’s not looking. I would have Harry notice these small moments from time to time and wonder why his Aunt takes care of him yet is so cold towards him. He would unravel this mystery of her behavior, just as he unraveled Snape’s and Petunia would get a redemption arc, like Snape. I haven’t thought of all the details but I like the idea of her getting more involved later in the series and being a useful muggle character. Eventually, she would open up about Lily as well and reveal her regrets. She would also have a heart to heart with Harry and wish him luck before going into hiding.

Vernon would still be a jerk but not outright abusive because Petunia wouldn’t allow for that. Dudley would still get away with his bullying, particularly when Petunia is out of sight, but maintain the growth he did show in the series, perhaps taking it a bit further.

As much as I prefer my version of Petunia, the actual Petunia we get, while not a good or redeemable person by any means, is still really great as a character and as a villain, she has a good origin story.

Hate adult Petunia all you want, but child Petunia, in my opinion, is nothing but sympathetic and probably one of the most relatable characters in the series, and I will go through this.

We all wish the HP world was real, but of course, if it was, we’d all want to be witches and wizards. We all want to go to Hogwarts. 

Severus tells Lily, “It’s real for us, not for her.”

He’s right and he’s wrong. It’s real for Petunia, she just can’t be a part of it.

Now, personally, I think being a squib would feel a lot more unfair than being a muggle with muggle parents whose sibling just happens to be a witch and even if Petunia’s parents did favor Lily for being a witch, they can’t be prejudice towards Petunia for her lack of magic when they lack magic themselves. 

But squibs might actually be looked down upon by their magical parents and they seem to have no choice but to enter the muggle world even though they grew up in the magical world, and if they do stay in the magical world, they’re seen as lesser and I can’t imagine there’s much for them to do. Maybe they could work in Muggle relations but that’s not given much prestige (even though it should be an important thing) Petunia feels barred from the magical world but at least she doesn’t have to leave her own world. 

Still, Petunia is just a kid and she doesn’t know about all the intricacies of the magical world or about squibs. She just sees that her sister has abilities that she doesn’t and access to a really exciting world that she doesn’t. So, her jealousy and feelings of inferiority are totally understandable. 

Of course, in her jealousy of Lily, lack of knowledge about the intricacies of the magical world, and overall myopic view because of her youth, I think there’s something that Petunia doesn’t realize.

Lily is also in a difficult position, perhaps in some ways more difficult than Petunia. At least Petunia has a clear line. She’s a muggle and can fit into the muggle world.

Lily is a witch, so despite being born into the muggle world, she’s different, but that doesn’t mean she can fully integrate into the magical world. In some ways, the prejudice against muggle-borns and the specific slur for them makes them seem more hated and distrusted by certain segments of the wizarding world than even muggles themselves. 

And Lily graduated Hogwarts at the time of Voldemort’s rise and we’re told that the first wizarding war was much more intense than the second. Marlene Mckinnon and her entire family were killed. Voldemort had a bunch of creatures on his side. Petunia could be blissfully ignorant of all this and cocoon herself in her safe “ordinary” world at least. Safety didn’t seem like a choice for Lily, although she certainly had agency and chose to fight for the Order. But it seems that muggleborns would be hunted regardless.

Perhaps if Petunia had realized this, she would have had more sympathy for her sister and also realize that she herself  is lucky in some regards. Maybe she could have cultivated her own talents and focused on them instead of putting all of her energy into being jealous and petty.

I also have this other idea I like, of Petunia developing healthy coping mechanisms to deal with her jealousy and then finally embracing the magical world - instead of turning away from it entirely to be as “ordinary” as possible- and then becoming the muggle version of Arthur Weasley- that is, a muggle who is a bit of a “magicphile” 

Getting back on track, Petunia’s ordinariness could be her strength, at least as a character, it makes her relatable. Young Petunia, like young Severus, is the underdog, and that sort of makes you want to cheer for her or at least see her get a slice of the cake at least once in her life.

While I’ve grown to like Lily as a character more because of my re-analysis of her situation - which makes her an underdog too- I used to really hate her, for the same reason Petunia hated her. Like really? This girl has powerful magic, is beautiful, gregarious, kind, brave, strong, loved and desired by everyone...yadda yadda yadda...gimme a break! 

And so many fans who love Lily don’t realize that they’re probably Petunias, not Lilies.

Even looking at the flowers themselves- petunias are actually really beautiful and come in such a wide variety (the night sky petunia is my favorite) - and yet they’re often overlooked because they’re so common.

James is an awful bully but at least that counteracts his perfectness in every other area (looks, school, sports, etc) What are Lily’s flaws? What does she struggle with other than being muggleborn? It seems that maybe both she and James were too naive and trusting (not to victim-blame her for her own death or anything) but what else? We’re not told and so she just seems perfect, not very interesting for a character.

A lot of the things Petunia says as a child that fans interpret as mean or revealing of her hatred of magic from a young age, are actually things she seems to regurgitate from the adults around her. 

For example, when Lily is flying from a swing, Petunia chides her by saying, “mom, told you not to do that!” Although we know Petunia’s parents favored Lily, I get the sense that their favoritism and even awareness of Lily’s magic didn’t come until after the Hogwarts letter, which is when a representative would have come to the family to explain things. Before then...I’m not sure but maybe her parents didn’t realize what was going on and just didn’t want her jumping out of swings? Anyway, I think Petunia is just trying to be the responsible older sister and is repeating her mother.

I’m pretty sure when Lily makes the flower grow, Petunia gets a bit freaked out and maybe also says something about how she shouldn’t be doing that but she’s also described as asking Lily how she does it, with “longing” in her voice. So she’s juggling trying to be the responsible older sister with being totally weirded out because how the heck is her sister making flowers grow in her hand, to being curious, and this is when her burgeoning envy (totally understandable) starts to emerge as well.

Then little Snape enters the picture to unintentionally erode the sisters’ relationship even further. It’s also here that Petunia makes another comment that fans point to as proof of her snobbery and cruelty from a young age, but actually, it’s just proof that she took what adults told her to heart, and since she was older than Lily, she probably heard more gossip and knew more about their town in general.

After Snape pops out to tell Lily she’s a witch and that he’s a wizard, Petunia is the first of the sisters to speak.

Here’s the direct quote from Petunia: “Wizard! I know who you are. You’re that Snape boy! They live down Spinner’s End by the river,” 

This little statement is endlessly fascinating to me, it raises so many questions.

Why does Petunia know who Snape is? Why does she recognize him? How does she know his name and what he looks like? We know adult Petunia is nosy and loves watching all the neighbors. Was child Petunia snooping around, if so then how close did Snape live to the sisters? How close is the sisters’ house to Spinner’s End and the river? 

If she was snooping around, then it’s kind of ironic that she was spying on Snape while he was spying on her and Lily ( he says he’s been watching Lily but Lily is always with Petunia outside so even if it’s not intentional, he’s watching Petunia too) Even if she was snooping around, why would Petunia wander to Spinner’s End? Does she share Harry’s deathly curiosity and adventurous streak? She says “they” so does she know what Snape’s parents look like? How much does she know about the family and his home life?

My first thought actually wasn’t that she was snooping around but rather, that she was regurgitating the nasty things that adults had said. But this raises another question, which adults? We’re told later that Snape and Lily sneak into Petunia’s room to read her letter to Dumbledore, which means that Snape was in the Evan’s family’s home, and we also know that the Evans parents are impressed by witches and wizards, so it would seem that they approved of Snape. 

So then, who would have told Petunia about the Snape family? Did she just hear rumors and gossip about them from older townsfolk? I always imagine Lily as either 9 or 10 and Petunia as either 11 or 12 in this scene, only a two year difference between them but at that age, it’s enough for Petunia to be more involved in what adults are saying and for Lily to be oblivious.

From here, Petunia asks Severus why he’s been spying, and again, she seems like the protective sister. I really like her in this scene. I don’t interpret her as snobby or classist. She’s too young. I see her as a kid influenced by the adults around her and as sort of a gryffindor/slytherin hybrid, bravely stepping between her sister and the strange boy calling her a witch, while also being judgemental of outsiders.I think she possesses a lot of the qualities of both Lily and Severus.

This scene is also when Sev spitefully calls Petunia a muggle, a word she had never heard before but immediately recognizes as inferior. 

“Haven’t been spying. Wouldn’t spy on you any. You’re a muggle.”

It’s shown later that all three of these kids love to spy and snoop around (not unlike the golden trio - except they’re not spying with each other but on each other) but Sev and Petunia definitely share a heightened nosiness, a certain degree of haughtiness, a superiority complex coupled with an inferiority complex, and a strong sense of self-preservation and pride that is very slytherin. Opposites may attract but I think it’s the couples with common ground that last, and enemies-friends-lovers will never go out of style, so the potential set-up for Snetunia is just too good to pass over and plays a big role in why I love shipping them together.

Okay, and after this, Petunia then spies on Lily and Sev. The “she’s jealous. You're special. She’s ordinary” line is in the movie not the book but I love it because it encapsulates Petunia’s insecurities perfectly and also shows how Sev puts Lily on a pedestal, and the magical world as a whole on a pedestal. It’s sad that he gets abused at Hogwarts after being abused at home but it also just goes to show that wizards, witches and muggles are all just people and not necessarily inferior or superior to one another.

Petunia overhears Sev telling Lily about the dementors and that’s when she loses her footing and gets caught spying. Sev then shouts, “Who’s spying now! What d’you want?” I find it interesting how Sev and Petunia mirror each other so much.

This is when Petunia insults Sev by saying “What are you wearing anyway? Your mother’s blouse?” She obviously has nothing to say in regards to the spying accusation because she was so obviously spying, so she tried to deflect it with an insult. She’s just as defensive as Sev. After she says, the infamous tree branch incident happens, in which Sev gets revenge by making a tree branch fall over her head. This is what prompted Petunia, years later, to refer to Sev as “that awful boy” when she reveals to Harry that she knows what the dementors are because she “overheard that awful boy talking about them.”

Okay, onto the Hogwarts letter, which raises many questions as well.

“You shouldn’t have read – ”  Petunia had whispered, “that was my private – how could you – ?”.

Lily gave herself away by half-glancing toward where Severus stood nearby. 

Petunia gasped. “That boy found it! You and that boy have been sneaking in my room!” 

“No – not sneaking – ” Now Lily was on the defensive. “Severus saw the envelope, and he couldn’t believe a Muggle could have contacted Hogwarts, that’s all! He says there must be wizards working undercover in the postal service who take care of – ”

Okay, so this is soooo interesting. 

Adult Petunia is presented as a woman with a long neck who always has her nose in other people’s business and she’s not much different as a child. But despite this trait being used to amplify her villain role, it seems the “good guys” and the “grey guys” love meddling in this way as well. 

I really feel for Petunia in this scene. I think that Hogwarts letter and Dumbledore’s reply rejecting her (even if it was kind) was one of the biggest moments of failure, disappointment and embarrassment in her life and remember, she’s probably about 2 years older than Lily so she would be 13 here and that’s just not a nice age either and I think that makes losing her sister and being rejected hurt even more. Privacy is such a big deal when you’re 13 too, that’s like peak private diary age, so to have your little sister and her gross friend sneaking into your room at that time, what an invasion that must feel like.

But….what the heck was going through Sev’s mind?!?

I doubt Lily suggested that she and Sev sneak into Petunia’s room. Why would Sev want to go into Petunia’s room? She’s just a muggle after all. He sees the letter, but how? After going into her room?

He couldn’t believe a muggle contacted Hogwarts? Was he secretly impressed by her? He thinks there must be wizards undercover in the muggle postal service...well we’re never told how Petunia sends the letter but it’s often said that there’s more to her than meets the eye. I like to think she was cunning, determined, smart and slytherin enough to find out how to send the letter on her own and that���s probably what made Dumbldore even reply. I think she’s someone who always had a lot of potential but was crippled by feelings of inferiority and self-doubt, much like Severus.

Petunia and Severus both obsess over Lily to the point that it destroys them. Petunia, in her jealousy, deep down worries that Lily is better than her and compensates for this by calling her a freak. Sev never takes Lily off the pedestal even as they begin to grow apart and just as Petunia sinks deeper into her “ultra ordinary” prejudiced persona, Sev sinks deeper into his half-blood prince persona. He hates muggles because of his father, while Petunia hates magic (or pretends to) because of her sister. Sev and Petunia are two sides of the same coin then. They both also never go on to reconcile with Lily and they go on to resent her son while also protecting him.

I said it at the beginning of all this rambling, but I’ll say it again - I wish Petunia had been as layered and grey as Sev, instead of just the bland evil stepmother figure.

So, just to be clear, the adult Petunia we get in the actual books is deplorable but I still love her character because I love how many more satisfying ways there are to re-imagine her and what she could have been. Snape’s memories - the only time we see Petunia’s past - are so rich and revealing and just have me endlessly fascinated about Petunia’s potential.

This was super long but I’ve been dying to word vomit about this character - and I’ll probably do some more word vomit meta about Snape & Petunia later on ~

Oh and regarding what it means to be a muggle in the magical world or adjacent to the magical world - don’t even get me started on the statute of secrecy! Maybe one of the reasons Petunia did turn out so awful was because she had to bear the burden of knowing about magic but not being part of it all by herself, like she couldn’t just tell her friends her sister is a witch and vent. So, maybe she had to bottle everything up.

She also mentions in the book, her sister bringing home frogs and turning them into tea cups - to an outsider maybe that looks like animal abuse or raises ethical questions.

Obliviating muggles certainly seems unethical to me and the ministry does it with great abandon.

I wish this was explored more in the series.

Petunia has a right to be skeptical it would seem, and naturally fearful as well.

[douxreviews]

Fantastic Beasts: The Crimes of Grindelwald Review

By sunbunny

“The time’s coming when you're gonna have to pick a side.”

Writing this review without major spoilers seems like a Herculean task. So let’s start with this. If you’re uninitiated in the Potterverse, you’re going to be very, very confused by this mess movie. If you’re a casual Potter fan, you might like this mess movie. I honestly don’t know what it’s like to be a casual Potter fan. If you’re like me, a diehard Potterhead who definitely owns a wand and, at last count, three Harry Potter scarves, prepare for disappointment. Or maybe you trust JK Rowling more than I do and trust that this mess movie is setting up bigger and better things or has been horribly misjudged. If so, I’d love to know what you think.

Okay now that that’s out of the way, spoiler time.

SPOILERS ARE COMING. YOU’VE BEEN WARNED.

Instead of a traditional review, I’ve decided to take the controversial bits of the movie (or at least what I found to be controversial) and dissect them a bit.

First off, Minerva McGonagall was not alive, let alone teaching at Hogwarts, in the 1920s. Furthermore, you cannot apparate or disapparate inside Hogwarts grounds. Those are just straight up errors in continuity and should not have happened.

Johnny Depp as Grindelwald. Mistake. Just frankly a mistake. Before you attack me on this, know that I was a HUGE Johnny Depp fan for nearly two decades. And then he hit his wife. The first Fantastic Beasts was already completed (or close to) when the allegations became public so you really can’t blame the PTBs at Warner Brothers for leaving him in the movie. Now, the decision not to recast? A lot more controversial. Famously, the actor who played Vincent Crabbe (one of Draco Malfoy’s lackeys) was arrested for marijuana possession during the production of the original eight films. His part was cut out. Completely. No more Vincent Crabbe. This is why optimists like myself hoped Warner Brothers or whoever makes these decisions would see the light and recast. They did not. I felt so guilty that my money was in whatever oblique way, financially supporting him, I made a donation to his ex-wife Amber Heard’s favorite charity (Children’s Hospital Los Angeles) after leaving the theater.

Okay now that that’s done with onto my plot grievances and there weren’t a few of them.

Grindelwald (like his successor Voldemort) is shown to be the magical equivalent of Hilter. Allegory was a big thing in the original novels. The subjugation of muggles/muggleborns was meant to mirror racism in the world today. So why. In the world. Would they have A JEWISH WOMAN LIKE QUEENIE GOLDSTEIN JOIN FORCES WITH GRINDELWALD WHY WOULD THEY DO IT WHY WHY WHY WHY WHY. She’s a Legilimens (mind reader), which means she can hear thoughts. And, yeah, Grindelwald is probably skilled enough in Occlumency (the art of deflecting mind readers) to put her off his I HATE AND WILL ENSLAVE MUGGLES agenda but she was in a huge crowd of Grindelwald supporters and she didn’t pick up on anything in the least bit dodgy?

It is suggested that, if the wizarding world gave way to Grindelwald, the Holocaust could have been prevented. WHAT? That’s crossing a line. Bringing real world atrocities into this is crossing a line. I’d been spoiled on this particular point but that didn’t make seeing it any less horrific in the theater.

Nagini, Voldemort’s snake who he controls fairly completely, actually started off as an Asian woman (the script says she was captured in Indonesia, the actress who plays her is Korean, and the name Nagini is Indian, do with it what you will) with a curse. That is just so obscene. That a person, a real, flesh and blood person was cursed to turn into an animal and that the curse was used in a magical freak show as an attraction…I have no words. Let’s add in that, in her “wisdom,” JKR has decreed that all Maledictuses (Maledicti?) are female and the whole thing is just a disaster. The human Nagini disappears completely into Voldemort’s pet, doing horrible things like killing on command and (I still shudder to think about it) possessing the decaying body of Bathilda Bagshot in order to set a trap for Harry in The Deathly Hallows until she’s finally BEHEADED by Neville Longbottom. Gross. It’s gross.

I’m getting depressed by this litany of awful so let’s wrap it up with the Worst. Credence is a Dumbledore. Excuse me, what? Unless it turns out that Grindelwald is lying to Credence (PLEASE LET THAT BE THE CASE), Aberforth and Albus left a certain GINORMOUS FACT out of their family history as told to Harry (and Ron and Hermione). Also, I mean, if Dumbledore had a brother or half-brother or whatever don’t we think Rita Skeeter would have dug it up while writing The Life and Lies of Albus Dumbledore? She looked heavily into Dumbledore’s background and I’m not saying she’s a reliable source but she had a nose for scandal, surely she would have found some inkling of this and included it in her book.

Bits and Pieces

How dare JKR write baby nifflers into the script and give me only one short scene with the cuties? They could have lightened up a LOT of what happened later, which was almost exclusively grim.

Weirdly, there was no reference to Grindelwald’s obsession with the Deathly Hallows. I mean, he obviously had the Elder Wand, but that was it.

First mention in HP canon of…okay I already forgot what it was called. The blood oath that meant that Grindelwald and Dumbledore couldn’t attack each other. Unclear why they wouldn’t just use an unbreakable vow (which got a shoutout this movie, so you know JKR didn’t forget about them). Also a bit of a retcon because in Harry Potter and the Deathly Hallows, Dumbledore admits to being too scared to face Grindelwald because of the possibility that Grindelwald knew what happened to Ariana and Dumbledore was afraid of knowing the truth. Although that disclosure happened when Harry was in “King’s Cross” and it remained delightfully unclear whether Harry was imagining the whole thing or Dumbledore was really talking to him. “Of course it is happening inside your head, Harry, but why on earth should that mean it is not real?” As far as problems with this film go, it’s way down on my list.

You’d be forgiven for thinking it, but the ship Leta and Corvus were on was not the Titanic.

Favorite performances of the movie include Jude Law as sexy Dumbledore. Young. I meant young did I say sexy? And Zoë Kravitz as Leta Lestrange.

one out of four baby nifflers

sunbunny

[amorremanet]

2, 10, 42, 47

asks for fanfic writers

well, no. 10 and no. 42 are over here, but!

2. things that motivate you

* The stereotype that autistic spectrum people are only good for STEM-related things. Like, for all of the folks on the spectrum who are good at STEM things, that’s great and I wish them all the best — but I suck at math and I can’t do anything science-related without turning it into, “how can I make a sociopolitical sci-fi critique out of this” or, “but do gay aliens believe in me,” so nah, I’m gonna pass on doing anything STEM-y.

I’d much rather give a big middle finger to everyone who has this ridiculous notion that autistic spectrum people are completely and utterly uncreative, and that we are only ever good for STEM things, and I’d like to do it by being successful in my chosen creative pursuits, please and thank you.

* Tangentially? Temple fucking Grandin. I don’t actually have any problems with her, herself — but I have a lot of problems with how allistic people hold her up as The One True Way To Be A Successful Person Who “Suffers From” Autism™ and how about fuck that, no. I want to be a successful autistic writer who is nothing like Temple Grandin, apart from both of us being white autistic women/dfab people who are going to be identified and treated as women by other people irl regardless of any wibbly wobbly messy gender feels on our part.

* Talking with people about my projects. On one hand, it’s a way of getting feelings kind of like validation. On the other, and way more importantly for me? I love getting feedback from people, or hearing the questions they come up with — like, on NYE, my aunt and I chatted back and forth about my novel while playing a weird card game with one of my cousins, and Aunt Kelly asked some questions that got me to put a few ideas I’ve been playing with into words more concretely, which was super-helpful — and I get a lot of motivation to work from getting jazzed up about things through talking with people.

* Totally a petty thing, but? Getting cranky with JK Rowling over all of the Good Ally Cookies she doesn’t actually deserve to claim, or all of the characters of hers who Deserved Better (lol, uh. today, my therapist learned that I get Upset about Percy Weasley very easily and about my longstanding hate-on for his parents, and bless her heart, when I went, “uh, I just over-identify with Percy Weasley a lot and there’s a good deal of projection going on here but I also don’t think I’m wrong,” she kinda smiled and nodded and went, “I can tell :)” — she’s great, I love her)

or how, even ignoring all of the #Problematic things about her body of work in the Potterverse, there’s SO MUCH GOOD SHIT in the HP series but she’s so clearly invested in the plot as she envisions it and the story she wants to tell for Harry, to the exclusion of all else, that she ends up completely short-changing basically every other character who is not named Severus Snape or Hermione Granger (most of the time, but not 100% of the time)

Like, I’ve said it before and I will say it until everyone is completely sick of me saying it, then I will continue saying it anyway: JKR views all of her characters — barring Harry, and sometimes Snape and Hermione — as plot devices more than she views them as characters.

She’s a bit better about some of them (Remus, Sirius but not as much as Remus, Ron and Luna but not as much as they deserve, Neville and Draco but not in the ways that they deserve)

but she’s really bullshit about most of them (this is not a complete list, but: Cho; Ginny; Cedric; Tonks; Fleur; Albus, Aberforth, and Ariana; Voldemort — not in that I need her to be sympathetic toward him but ffs, some 101-level consistency in his characterization would be nice; Kingsley; Percy; Wormtail; James; Lily;

Lockhart — “I’m not bitter about JKR’s ableism and victim-blaming with regard to Gildylocks,” I say bitterly, with a bitter expression, while hanging up informational posters about how bitter I am; Andromeda and Ted — deserved better, this is not a question or a debate, I want to say that it’s not even an opinion, but tbh, I know that it is, so hmph; Regulus; Barty Crouch Jr. because he is my Favorite and I can’t make this list without mentioning him;

Bellatrix — again, I don’t need her to sympathize with Bellatrix because how about no? but Bellatrix Black Lestrange is one of the shittiest villains I’ve ever read, in terms of HOW she was written, and I think a lot of the flaws in how JKR wrote her could have been remedied if she actually did anything to make Bellatrix a fully realized character, which would’ve made her a more effective and meaningful villain, and not a shrieking Saturday morning cartoon caricature;

Molly and Arthur — I’m not going into full detail about why I hate them today, you lot can just go read my tag on the subject if you want to know, and I don’t think that JKR’s “plot device first, people second” method of characterization is the only problem? But I think it’s a major contributing factor to The Problem Of Molly And Arthur, because she presents them as this image of Idyllic Domestic Perfection even when their actions and the internal fabric of the Weasley Family, don’t support that claim, and it sucks)

—basically, JK Rowling motivates me by fucking up a lot, because she was one of my idols as a kid and as a teenager, and she was a relevant and immediate source of inspiration because Oh My God You Can So Too Write Novels For A Living And Make A Difference In People’s Lives, and I’m not exaggerating when I say that she saved my life a few times, albeit mostly in indirect fashions…… but she fucks up a lot, and this is motivating for me because it makes me want to do better than her.

It’s not even exclusive to HP fic, either. Like, she’s one of my biggest sources of motivation to work on my novel and put thought and love and heart into making it the best that it can be — because I want to do better than her and even if I never have her kind of money (which lol, never gonna happen), I still want to beat her at something. Once I earn it, I will happily accept beating her at artistic integrity and commitment.

Is it petty? Yes, definitely. But hey, man, fish gotta swim, dogs gotta eat, and sometimes, I gotta think about my issues with JK Rowling to remember that I need to do better than her and motivate myself to do the work

* You know those, “do it for her/him” memes based on that one thing from The Simpsons that people make with their fave characters and/or celebs? Yeah, I kind of want to make one for myself with Oscar Wilde. Because there’s a lot about him that wasn’t ever perfect (he was a white guy in Victorian England, even accounting for his Anglo-Irishness, so…… yeah), and there are several points on which I don’t agree with him (like, for example: if you are such a shit to your wife that your boyfriend, who is so completely up his own ass that it’s a miracle he hasn’t found a way to Narnia, notices and calls you out on it? I’m kinda thinking that you might want to reassess how you treat people and stop being like that, bub)

—but I also want to be a fabulous gay Slytherclaw social satirist who uses that #aesthetic and the popular tropes of the day to do my own thing and redefine outside the box, and hey, if I ever get a, “wit and wisdom of…” book published with some of my coolest quotables in it? That would be an awesome bonus.

* “Okay, but seriously: how obvious can I be that Yael and Elizabeth are a big, ‘fuck you’ to Marvel about all of their queerbaiting with Charles and Erik before I can get sued for it? Because while Yael and Elizabeth are still characters in their own right, their original inspiration was, ‘hey, what if I flipped the bird to Marvel about all of their fucking queerbaiting with Charles and Erik, and did it with extra lesbians? that’s be pretty fucking cool,’ and I don’t want to be sued, but I also don’t want for my point to be missed here”

—or more generally, “I can’t die before I finish my novel, I have a lot of people to piss off and call on their crap through the magic of the written word *makes a sparkly rainbow with my hands like Spongebob going, ‘imaginaaaaaaaation!!! :D’*”

* So, there’s this one bit in Dry, Augusten Burroughs’ memoir about the early parts of his struggle with alcoholism and addiction. In his rehab, one of their assignments for group therapy is to write letters to people in their lives and feel their feelings about these relationships. He writes to Pighead, his best friend/“it’s complicated,” who is HIV-positive.

Reading the letter at group, Augusten finds himself crying, then shares the whole tangled-up backstory that he and Pighead have together, from how they first met on a phone-sex line, to how Augusten fell hard in love with him, to how they were friends with benefits and then he told Pighead that he was in love with him and Pighead plays the, “I love you but I’m not in love with you” card (that is verbatim what he says in the book, and the way Burroughs reads it in the audiobook kills me every single time), so Augusten dates other guys and tries to fall out of love with Pighead, only for Pighead to come see him first when his HIV test comes back positive and realize that he’s In Love with Augusten only, “after he became diagnosed with a fatal disease”

—which gives us the great line, “Part of me felt deep compassion. And another part felt like, You fucker.”

(Which is seriously one of my top ten lines in all literature, ever. tbh, it’s probably top five, but the top ten list would be hard enough to come up with to begin with, and I’d have to parcel things out into Poetry, Prose [possibly split into Fiction and Nonfiction, at that], and Dramatic Writing just to get it down to ten things on each list, and? It’s just a perfect line, oh my god)

At the end of it, Augusten has a moment with Kavi, another one of the patients at his rehab, who is addicted to cocaine and sex. Kavi tells him about how he left his lover who was HIV-positive after his diagnosis, so that he wouldn’t be the person getting left for once, and about how he feels like cocaine never leaves him. And we get: “Suddenly, I want to drink.… I don’t want to drink in a jovial ‘Highballs for everybody!’ way. I want to drink to the point where I could undergo major knee surgery and not feel so much as a pinch.”

I just.

There is so much about this section of the book that fucks me up so hard, but in ways that I love so much — and there’s a lot that I love about it for a lot of reasons, but like?

Speaking entirely with my writer hat on right now?

That part is just immaculately written. Every word is perfectly chosen, and they are strung together just right. Burroughs chooses the exact right images and scenes to characterize his and Pighead’s developing relationship, and his moment with Kavi, and it’s just

This part of the book makes me remember why I write. Because I have been reading and rereading this book since high school — I have had my battered up and taped together paperback copy with the yellowing pages since Easter 2005 — and this part STILL fucks me up, every. single. time. The audiobook version of it still fucks me up every. single. time.

Back in high school when I first read it, it hit me so hard because I had a habit of falling in love with girls who were straight and/or just did not like me back (and it would get worse, because the girl I was in love with who dared me to write D*rarry just to see if I could? Would go on to put me in the position of being her Girl Friday while I got to watch her love everybody but me, and praise the creative work of everybody but me, and go on about how two of her other friends were totally brilliant and misunderstood creative geniuses because they were incomprehensible and it was totally bourgeois for me to want to write to be understood but it was okay she knows I’m ~mainstream like that, but then still call on me — which made the whole Augusten/Pighead thing hurt so much more for me because I was kind of her, “I love you, but I’m not In Love with you”)

(I will say this about that relationship: I didn’t handle it well, either. I was petty and jealous, and waaaay more damagingly? I hadn’t yet grasped the idea that you sometimes have to just let people be messed up at you about the shit they’re going though without trying to fix everything for them, especially when there’s nothing that you can actually do to fix it. In retrospect, it’s kind of hilarious that I loaned her a copy of Perks of Being A Wallflower that I never saw again, because the whole idea that you can’t just constantly put someone else’s needs before your own and call it love, and the related concept that doing this is actually kind of a form of selfishness, in a way?

………yeah, that was VERY relevant to how I handled that relationship, and she rightfully called me on a lot of shit related to those ideas, and I spent a lot of time having an unfair chip on my shoulder because I was jealous on one hand, and indignant about how her other friends got to be Real Artists™ because their shit was incomprehensible but I got to be a Poser Artist™ because I wanted to be understood and not just fap around with some neo-Dadaist nonsense — and as seen here, I still do have a chip on my shoulder about Dadaist anything, but in fairness, I’d have that with or without any of this story because Dada is the worst — and I’m not saying that I was totally pure or innocent in anything here.

But at the time, I cried a lot over Augusten/Pighead feels because I felt that whole, “I love you but I’m not in love with you” situation and trying to fall out of love with someone only to crumble when they needed you and resent them for needing you but hate yourself for resenting them — I felt all of that so hard.)

My appreciation for this part of the book has evolved and changed over time, and it’s deepened — as I’ve learned more about LGBTIQ history, I’ve come to appreciate the context of the story more and gain more of a sense of reverence for the LGBTIQ people who came before me and actually fought through the early days of the HIV/AIDS epidemic, and it has changed how I read this part of the book more than anything else (c.f., my passive-aggressive addition of the REST of the quote to one post of the, ‘deep compassion vs. you fucker’ part because I was really annoyed with a bunch of straight people who were reblogging it without the full context and acting like they actually had any idea what it’s like to be gay and in a situation like Augusten is with Pighead here) — and I just

The biggest thing about this part of the book that’s made it stick around for me? is that no matter how I’ve appreciated it at any point, and no matter which parts of it have been the most important to me at any given moment, and no matter WHY it’s fucked me up — it’s still fucked me up so hard every. singled. fucking. time…… but in a way that has always made me feel a lot less alone in the world

It’s sort of similar to something that one of my fiction profs in undergrad once said about creating characters: we were talking, in one of our biweekly one-on-ones, about a story I’d brought in with one of my more off-putting characters (his name is Emerson, he’s an abrasive little shit who does a lot of very fucked up things and was kind of influenced by the Kurt/Karofsky plot back in season two of Glee because that was happening on TV at the time and I had a lot of feelings about it that I didn’t have any other way to deal with because I didn’t want to write Glee fic about all of it. He was more similar to Karofsky than Kurt)

I was convinced that everyone would hate him (not least because he an asshole to basically all of the other characters and assaulted the guy he had a crush on while he was high). Instead, he was actually really popular and one of my classmates, who I admired because her writing was so lyrical and confident and she was a great person, said that she found herself identifying with him, especially during some of his worst moments in that draft. While I was boggling about this, Professor Lucy said that one of the reasons why Emerson went over so gangbusters in workshop was that, instead of going the route of creating a tabula rasa character like Stephenie Meyer wrote Bella Swan to be, I’d given him so many clearly defined character traits and behaviors

According to Professor Lucy, the specificity is what makes it easier for people to identify with characters and feel for them, because it makes them more fully realized. (The, “according to” is just for the sake of attribution because this is a point that I’ve taken to heart and that I do totally agree with Professor Lucy about.) And I feel that a lot with the Augusten/Pighead part of the book because it’s so specific and it’s so grounded and it’s so REAL

And that’s a huge part of why it’s always gotten to me emotionally, and why it’s stuck with me after all this time, and why it’s consistently made me feel less alone and irreparably freakishly weird

Anyway, this got way longer than I intended to get, but the ability to affect someone so deeply with your work — that’s a responsibility that I take very seriously when it comes to writing, with regard to all different aspects of how you can possibly do this with the written word — and this part of Dry is such a source of motivation for me because it’s such a great example, for me, of How To Do An Emotionally Affecting Writer Thingy Well

I use technical language like this because I am such a Serious Business Writer, oh yes I am

47. how many unfinished ideas/stories are you working on at the same time?

I usually don’t count, because it’s usually a lot and not all of them are really guaranteed to ever be properly finished, oops.

[trovia]

🔥 buffy the vampire slayer

Ahahah, good one. BtVS has become it’s own unpopular opinion these days, hasn’t it? It used to be really progressive but looking back now, or if younger folk watch it now, it’s not anymore. It had this really offensive episode about native American spirits. Also back then, it was considered reasonable to have a character like Xander, a boy who struggles with the existence of female awesomeness. But female awesomeness has always existed and now we’re tired of men being such pussies about it, so a lot more people find Xander annoying. Also reminds me of Friends’ Ross, who has a similar thing going on. (I remember there was a whole hate/love split in fandom about Xander, or at least that’s the impression I got from reading the fic after the fact) And Joss was the shit in terms of celebrity feminists, and he did and said some valuable thing, but he sort of... stopped in a place and rather than developing with feminism, he took a step towards conservative movie making. I can’t blame him for doing Avengers -- he’s always been involved in comicbooks, it must have been a dream come true for him. I’d have been okay with him doing work that isn’t overtly feminist / equalitarian. Unfortunately though, it seems he’d stopped understanding modern feminism, and he’d benched parts of his 90′s feminism. That quim line by Loki - he’d probably have gotten away with that on BtVS. And you know, say about Joss what you will -- he’s always been good at rolling with the punches when characters of his became popular by accident. I’m thinking Loki and Spike, who was supposed to die after a bunch of episodes. 

Okay, now I’ve been rambling at you but not told you any unpopular opinion. :p

I bet the old fight about the Spike/Buffy rape thing is still happening among the current audience, so I guess that’s an unpopular opinion? There was the whole of season six where Buffy basically becomes abusive towards Spike until there is a point where Spike snaps, makes a futile five seconds attempt at assaulting her, and runs off in horror about himself to get a soul. I think Joss Whedon miscalculated that one. He wanted to “show” that Spike is still evil, by having Spike do something that is “more” evil than what Buffy did. He went with the idea that women can’t really be abusive, and rapists can’t be victims, which... made a lot more sense to people ideologically back then. In those days, fellow feminists might have reacted with suspicion if you had suggested that male abuse victims are a thing and that Buffy is essentially in the boy position. It wasn’t really an opinion feminism couldn’t afford to support yet, not in some parts of the Western world anyway. 

However Joss ended up discovering that female audiences don’t just root for women automatically. Rather, a bigger part of the audience sympathized with Spike, because his situation was more emotionally attainable to them. 

I’ve always disliked the entire plot twist because I thought it was clunky and it broke the logic of the show, which Joss, unfortunately, sometimes did. Like the other time when one season magic was a metaphor for awesome lesbianism, and then the next season there was suddenly such a thing as black magic and magic addiction and what? Eh. The rape story broke the logic of the show because, as Joss stated himself but as you can also see from the narrative, Buffy was supposed to be that blond girl who gets dragged into an alley by evil vampires and unexpectedly turns out to be able to kick their asses. But vampires draining helpless girls has always been a sex metaphor. So if Buffy is that girl who has the power to prevent that, then Buffy is the girl who can’t be (sexually) abused by men. Insofar, it’s super interesting to see a season where the roles get reversed and Buffy finds herself in the role of abuser, because that’s what happens at the top of the power ladder. But a scene where a vampire literally tries to rape her doesn’t make sense; it’s ineffective. After six seasons of Buffy proving again and again that she has the power to prevent metaphorical rape, it’s very hard to buy the idea that she should suddenly not have the power to prevent literal rape. Also: I would assume that the event wouldn’t be half as traumatizing to Buffy as it would be to a regular woman, since for Buffy, it would be more of a lost battle -- she’s always come out on top in the end. Sexual assault trauma has something to do with realizing your own ineffectiveness and powerlessness and again, those concepts don’t apply to Buffy the exact same way they apply to real women. Never mind that Joss’ choice to imitate a “realistic” domestic abuse situation in the visuals of the scene - the bathroom, the camera, Buffy’s posture - seems inappropriate to me because of all those things above. I don’t buy that Spike could have ever won that struggle. And then Spike even came to his senses immediately and gave tail, so it’s not like the whole thing would ever have resulted in rape on his end, either. It was all hot air in the end, supposed to trigger a strong emotional reaction against Spike, but it was too clunky, and it only worked with some people, and it’s not quite that easy to manipulate an audience. ;) 

Kind of reminds me of Snape a little. Though in Snape’s case, JKR was aiming for that exact reaction; she didn’t want Snape to either be perfectly good or perfectly bad. With Spike, it was a big mess of an accident.