#but its so well executed

[aidenwaites]

The thing about Halloween (1978) is when you don't watch Halloween (1978) for a few years you forget how good Halloween (1978) actually is

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[quartzeikek]

THIS FANFIC BY @ohmaerieme IS SOO GOOD I HAD TO DRAW IT !!!

[ladyloveandjustice]

I was stubbornly not wanting to cry at dandadan I was like "single mom doing sex work supporting her child backstory! obviously some guys are gonna come attack her and her kid will die or be taken I've seen this I refuse to cry for this basic ass woman suffers story wanting to tug my heartstrings I REFUSE"

but then it was so well directed and Momo's reaction and the hug and "to a kinder world" and I cried anyway. you win this one dandadan.

[gunstellations]

{🩷 +5 𝒂𝒇𝒇𝒆𝒄𝒕𝒊𝒐𝒏 }

Inspired by: To Dream in Shades of Green - Intensely_Reading

[inafieldofdaisies]

Squid Game / 오징어 게임 (2021—) | Season 2, Episode 1 "Bread and Lottery"

[aimlesspost]

Prompt 2 /// Most Epic Battle

[bajablastable]

little kitty dazai gif for my daily art

[kayawolfhorse]

Day 7 — Between Your Teeth

—☾—

Pearl kisses the top of Tilly’s head in a hasty goodbye before scrambling down the rickety ladder at her tower’s core. When the ground is close enough to make out the individual blades of grass, Pearl releases her hold and curses when she feels the damage tick in her ankles. Normally, she wouldn’t mind sending a tickle or two Scott’s way, but Scott definitely knows what she’s planning now.

The forest is a blur around her as Pearl careens through dense underbrush and just barely avoids getting caught on low-hanging branches. Birch turns to oak and gentle hills give way to a steeper uphill climb until finally, Pearl reaches spawn.

The clearing is about the same as she remembers it to be; a meadow overlooking the plains below, miraculously untouched by the snow that cascades down the side of its crest. The only difference now is a group of seven stones in its center, arranged in a perfect circle, a golden apple set upon each one. It stands empty, the apples untouched; Pearl is the first to arrive.

Pearl slowly approaches the circle. Every apple is identical, but as she looks between them, something tugs at her heart, like a string suddenly pulled taut between her ribs. Extending her arm, she allows the invisible line to guide her hand until it closes over the easternmost apple.

Nearby, a twig snaps. Pearl snatches up the apple and holds it in a tight fist as voices draw nearer, rustling in the boughs of the forest around her until they emerge into spawn.

Scott’s bright blue hair is hard to miss amidst the brown trunks, and the laugh he shares with Cleo is achingly, hauntingly intimate.

“I figured that’s why you were in such a hurry,” Scott says to Pearl after he looks from her hand to her face, and Pearl swears he sounds smug.

Pearl grits her teeth before displaying them in a too-wide smile. “Well, wouldn’t you look at what we have here! I couldn’t let just anyone get a hand on this, now could I?”

She holds her victory aloft, and in the morning sun its golden flesh shines with the faint purple sheen of enchantments. Pearl’s next inhale is a little sharper. They all know what regular golden apples are rumored to do, but this—Pearl’s not sure.

Scott’s gaze is calculating as he takes it in. Scoffing, he says, “We both know we’d be better off if you ate it.”

Before Pearl can respond, Martyn comes crashing through the trees, stumbling at full speed towards the stone circle before stopping abruptly when he catches sight of the two empty spots.

“Cleo-oooo!” he whines, to Cleo’s smirk.

“You really think I’d trust you with this?” Cleo says, raising an eyebrow. “You’d get us both killed!”

“C’mon, we’ve got no clue what it does!” Martyn says. “You’re just going to eat it for yourself.”

“You’re damn right I am.” Cleo raises the apple to her lips and bites down. Martyn flinches hard, half-reaching for them. Scott looks on with vaguely detached curiosity and Pearl holds her breath.

Nothing visibly happens. Cleo frowns at the fruit in their hands, and Martyn straightens up in relief. Its unbroken skin is a punch to Pearl’s chest when Cleo twists their wrist to reveal it. Her win over Scott suddenly feels very hollow.

“It didn’t even work,” Martyn says, between a short laugh and a cheeky grin.

Cleo fixes him with a stare. She’s not glaring, but the sentiment behind her unwavering yellow eyes is all the same. Pearl’s tempted to clap her hands, just to see what would happen.

Soon enough, Martyn shifts, and Cleo tosses their hair over their shoulder. “I’m not breaking a tooth for this fool,” they declare, and walk back over to Scott. Addressing him, they ask, “And you?”

Scott shrugs. “She’s got the apple. I don’t care.”

Cleo glances at Pearl before looking back at Scott with an expression that speaks of concerns she won’t raise until they’re back in the safety of their base.

“Can I at least have the apple, then?” Martyn asks, joining their little group.

“No.” With a decisive swipe of their hand, the apple disappears into Cleo’s inventory, and Martyn hums in disappointment.

“Well!” Scott says after cheerfully letting the moment linger too long. “We’d best be on our way. Don’t want to be here when the reds show up.”

“Right,” Cleo agrees. “I’d say it’s been nice, but…”

“Yeah, yeah, point taken,” Martyn grumbles. “I’m out of here.” He trudges down the snowy side of the hill, muttering complaints as he goes.

Neither Scott nor Cleo offer Pearl anything more before they take off together, leaving Pearl standing alone. Her fingers flex. She wishes she had thought to bring her powdered snow bucket.

As she strides back home, she purposefully takes a few landings from too high up.

—☾—

Pearl tosses the wretched thing between her hands and groans in frustration. Tilly looks up from her spot beneath the window and tilts her head at the noise.

Tucking the apple into her pocket, Pearl drops onto the floor next to Tilly and wraps an arm around her. “I just don’t know what to do.”

As far as anyone knows, there’s only ever been one golden apple within the boundaries of this world, and it’s long gone now. This was supposed to be Pearl’s chance to finally unbind the shackles between her and the soulmate that never wanted her, and she can’t even eat it.

Magical foods tend to be tricky things, meant only to be pierced by the recipient’s bite. Slicing it would ruin its properties, as would any sort of denting, cracking, or otherwise tampering. Pearl had thought that maybe Cleo just hadn’t bit down hard enough. Her own aching mouth proves otherwise.

Tilly turns and snuffles into Pearl’s side. Pearl laughs and scratches between her shoulders, and Tilly leans into the touch hard enough to almost topple them both.

“I’m glad I have you, Tilly,” Pearl says, smiling something bittersweet. “No matter who the universe stuck me with, I know who my soulmate really is.”

—☾—

The weight in her pocket grows heavier as the games continue on. Pearl doesn’t know why she bothers keeping the apple on her person. She can’t bring herself to put it properly away.

It becomes a comfort in the center of her palm. It’s a perpetually painful reminder of inevitabilities outside of her control. She debates throwing it at Scott a few times.

Weeks later, after the apple against her hip has become a permanent bruise, the finale is finally upon them. Pearl begrudgingly teams with Scott until it makes more sense to split up, and she relishes in leaving him for once, even if he had technically agreed to it. Their shared health is a liability; it was never going to work out.

Pearl and her wolves hunt through the night and watch the sun rise on what she knows deep in her gut to be the final day. Death reins like lightning around her as pair after pair are sent to what lies between this world and the next.

Her vision turns red in the wake of Tilly’s death. Pearl kills Impulse and Bdubs in a blind rage; Martyn and Cleo fall to her blade soon after. Suddenly, jarringly, the world is quiet, save for the quiet yips of the few wolves still wound around her legs. Pearl gives them the last bit of food she has and wonders if this is the end.

Pearl meets Scott at spawn. The game is not yet over.

Scott strips away his armor and places TNT at his feet. Striking flint to steel, he looks up at Pearl and says, “You deserve this more.”

Lurching backwards with a yelp, Pearl exclaims, “Excuse you? What do you mean?”

“You do.” Scott crouches down and sets the TNT alight. “Tilly death do us part.”

Pearl scrambles for the apple in her pocket in the ticks it takes for the spark to eat away at the fuse. Grasping its smooth surface, she brings the apple to her mouth and bites as hard as she can, even as a tooth shatters and her jaw screams in agony.

Just as the world goes up in a catastrophic symphony, her mouth floods with sweet ambrosia and the metallic tartness of her own blood. Her scrapes and bruises knit themselves back into unblemished flesh as Pearl is flung backwards into the tree behind her.

Scott is dead. The wildly pounding heartbeat that rings in her ears is hers alone. Pearl, a lonely victor in an empty world, has won.

[biblically-accurate-dca]

stupid dumb idiot wip that i am giving up on. bye

[fjordline]

What are you even supposed to do after you finish reading something that cannot be beat. I felt like that after finishing Golden Kamuy, but now I'm really fucking feeling it after just finishing Usogui. That was the most insane incredible experience I've ever had reading a manga. I kneel.

[bidokja]

I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then

SIGHS...

Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.

I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:

There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.

Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.

I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.

No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."

Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).

So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?

This is an extremely significant turning point dressed up as a dress-up scene.

---

P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.

[thelawsofdaylight]

whilst we're on the topic, does anyone know if there's an adaptation that actually features the le cabuc scene? i realise i actually haven't come across one yet!

[blaithnne]

my timephoon hot take is that the episode was literally fine, it's the episodes that came AFTER it that fucked things up

[rowrowronnie]

why the hell has no one been talking about the pantheon show on amc why the hell is there legitimately No Way to watch the show without pirating and again, to reiterate: WHY THE HELL HAS NO ONE BEEN TALKING ABOUT THIS SHOW!!!!

[chrollogy]

yearning.