#but its just too entertaining not to think about

[curtins]

going to a cafe with the jujutsu kaisen men a/n: (based on irl experience with a wide variety of subpar men) 😭 gojo's order being my order...aurkay!

gojo — def the type to walk in and push his sunglasses down to check out the place. his order def goes something like a venti caramel macchiato with almond milk, two pumps of vanilla and two pumps of hazelnut, and a little caramel swirl at the top. smiles and is friendly to all the baristas, he's never rude to workers. tells the barista is gojo, with an o. whoever's unfortunate enough to be stuck next to him is doomed to hear him wax poetic about how coffee beans are the soul of the earth, and its 'really deep, you wouldn't get it lol'. if you order a black coffee, he'll ask if everything is okay at home. can't leave the cafe without ordering a $8.00 sweet treat and then wondering why all his purchases are adding up

geto — walks in as if he's a regular and tells the barista that he'll have his 'regular'. the barista has never seen him before. probably orders a flat white, double shot of espresso, no foam. he always says he doesn't have to pretend to like foam because he's chill like that. he'll ask for the wifi password, but only so he can show off how good he is at working in a cafe, but his ass is on coolmathsgames. will nod and pretend to care about whatever you're saying but he's still thinking about coolmathsgames. will also drop random metaphors like 'life is just like coffee. you either take it strong or with sugar.' you tell him to save the bad metaphors for his cult.

nanami — doesn't wander or hesitate when he enters the cafe. checks his watch every five minute. orders a black coffe, medium, and adds one packet of sugar. he's pretty good at ordering what he wants efficiently, and it leaves even the barista worried. he's here to relax so don't ask him any unnecessary question because this man needs a break. actually enjoys eavesdropping on people's conversations, and ends up tilting his angle to snoop on gossip better. avoids small talk like its another curse. you can't really make him react too much in a cafe, unless you spill coffee on his freshly pressed suit. will be passive aggressive and suggest that the cafe chooses better music. likes a good, dependable pastry. apple danishes are a favourite.

sukuna — prefers tea, without debate. but still orders relatively normal things. likes a good latte with chocolate syrup. but the king of curses kinda has to look cool, so he powers his way through a black coffee, with no sugar or milk. you swear his eyes are tearing up as he pretends to like it. after every sip of coffee, he sighs really loudly and it gets a bit annoying. even after you ask what's wrong, he says its nothing and continues to sigh loudly. nanami may be the one who eavesdrops, but sukuna is the one who interferes. will turn around in his chair to give unsolicited advice, but he genuinely thinks he's being helpful by telling schoolgirls to buy cleavers to chop their friends' hands off. is mildly offended when they move tables and give him weird looks. passes loud comments on other people and tells couples when he thinks they will breakup. attempts to connect to the wifi three times before threatening to burn the router.

toji — the barista asks if he wants a pastry with his drink and he asks 'do i look like the type of man to eat a muffin?' but if they're free, he'll take two. sits with his back to the wall like he's in a mob movie. god help anyone who sits too close to him, he really just doesn't trust anyone in his personal space. doesn't even acknowledge the existence of others until he's had at least three sips of his coffee. you could tell him his house is on fire, and he’d just mutter that he can't do anything about it now. types the wifi password on his phone with one finger like a caveman. tells parents to 'control their spawn' but entertains kids with coin tricks when no-one is looking. sometimes struggles to fit the lid on his go-to cup, and refuses to asks for help. wrestles with it for five minutes, getting increasingly annoyed before rushing out the door.

choso (this one is dedicated to pookie @creamflix) — frowns at the menu like it's written in an ancient language, like wtf is affogato. if someone behinds him coughs, he scolds them and says he's going as fast as he cans. spends 10 minutes deciding and then panics at the last second, tells the barista to give him whatever. if the barista asks any follow up questions (like milk preferences) he genuinely short circuits, "what kinds of milk are there?" he's genuinely baffled that there are options beyond 'cow.' he'll point at a pastry and ask what's in it. the barista explains and he replies with 'okay i trust you.' always ends up picking a wobbly table by accident and spends 15 minutes trying to fix it with folded napkins. if someone asks to share his table, he'll look like they just asked for his kidneys. if someone asks for his opinion on his pastry, its always a dumbass cryptic answer like 'its interesting.' uses his phone on full brightness and everyone can see him look up 'how to pronounce cafe au lait.' cleans up after himself because he's nice like that. if the staff get his order wrong, he never says anything even if it tastes like dirt.

[no-thanks-im-stuffed]

I have a Gravity Falls Theory I've been meaning to write down for a WHILE so here goes:

Stanford Pines is no genius and I'm gonna pick apart every single one of "Ford's" scientific inventions/accomplishments to prove it.

Grab a beverage, this is gonna be a long one

[Gravity Falls spoilers, a little bit of The Book of Bill]

Contents:

Ford's "Grand Unified Theory of Weirdness"

Codes and Secrets

Inventions

Ford's Tragic Backstory

McGucket

Why Would He Do This??

After Weirdmageddon

TLDR

1. Ford's "Grand Unified Theory of Weirdness"

I can support most of my claims with the help of Journal 3. Unless Ford had actual, scientific research papers, this is the only research we have from him and it's... not scientific in the slightest. Ford treats his "research notes" like a personal diary. I get that they had to design the Journal to be entertaining to kids, but from a scientific lense (which is what he wants to be perceived through), most of Ford's discoveries are very surface level and sometimes (especially later on) border on paranoid conspiracy theorist rambling.

His Grand Unified Theory of Weirdness is the reason he came to Gravity Falls in the first place. His goal is clear:

but, on the very next page, the ramblings start.

It gets worse once he finds the invisible ink.

"The pyramids were built to appease Bill!" sure, buddy.

(And yes, Bill confirms most of these ramblings about his history in The Book of Bill, but a) he too could be lying about this and b) I don't think he had a nice chat with Ford about who he tricked and tormented to build his portal. It wouldn't really fit into the timeline.)

The one bit of "science" I found him doing was his experimentation with the Bottomless Pit. He threw objects in the hole and only saw some stuff coming back while other stuff went missing. Ford hypothesizes it might be a "Möbius Pit" and even spends enough time experimenting on it that he found out "nothing ever seems to get lost on Friday the Thirteenth". Credit where credit is due.

Anyway, he's documenting all kinds of fantastical creatures in the Journal - adding his whimsical commentary and making random assumptions about stuff without any scientific basis. As he admits himself later on, this is getting him nowhere to actually start his Grand Unified Theory of Weirdness, let alone finish it. It's been SIX YEARS.

BUDDY WHAT ARE YOU DOING.

It took a spark of "divine intervention" to even start doing any meaningful research and it was just Bill telling him "hey there's a weirdness dimension btw".

Ford even admits that he didn't come up with it himself. The next pages are the first actually scientific looking ones so far, but more on that in the Inventions section.

He doesn't really advance on his Weirdness Theory for a while (see McGucket chapter for more), but later in the Journal, Ford has a little adventure with Dipper, talking about "The True Theory of Weirdness". He drops a "weird" jelly bean on the floor and watches it roll uphill towards Gravity Falls. He then states that Gravity Falls is a "Weirdness Magnet" and every oddity is eventually drawn to this place. Which is not a theory scientifically speaking, more like an unproven hypothesis. He didn't develop a model to, let's say, predict which oddity will find its way to Gravity Falls next or when it will happen.

"I explained that I felt in my bones that my arrival at this town, and perhaps Dipper's, too, was not an accident. That we were part of some greater fate the town had in store for us." Very scientific.

2. Codes and Secrets

The Journal has several hidden messages from a good handful of characters, some more encoded than others.

We all know about the Map leading to the secrets of Nathaniel Northwest's fraud from the show. Ford found it somewhere in the library.

It just needed to be folded. Layton ass puzzle. A 12 year old figured it out. Ford couldn't do it. Even Mabel is poking fun at him.

Now on to the ciphers.

One of them is a letter from Blendin, encrypted with the Vigenère cipher. To this, Stanford "aced cryptology" Pines says the following:

He was given the key and still couldn't make sense of it. Of course a cool puzzle for people reading the Journal, but not really helping Ford with upholding his image of being an undeniable genius.

Ford himself mainly uses the Atbash and Caesar ciphers, both being a) literally thousands of years old, b) incredibly simple and c) not his own invention.

Bill uses two symbol substition ciphers.

Now I don't know about you, but if a divine being chose me as the genius of the century to inspire me and said being left tiny hidden messages in my diary, I would stop at nothing to try and decipher what they're trying to tell me. For some reason, Ford did not do this. The first message Bill leaves says "I'VE BEEN INSIDE YOUR MIND SIXER, I KNOW YOUR SECRETS". He could have seen all of this coming wayyy earlier (or just had yet another red flag to ignore).

Anyway, I accidentally solved the code before finishing the Journal just to discover that Bill is literally handing him the solution on a silver platter towards the end.

Girl, what do you mean "???" ??

Now, I know Ford at this point is incredibly sleep deprived, paranoid and traumatized. But come on. If I can solve it 6 coffees in while dissociating, our genius can find the solution to Bill's alphabet using the A1Z26 cipher that he put in the journal himself. Plus, as mentioned, he could have deciphered his alphabet way before The Betrayal when his mind was still sound.

So again, not a good look for Ford in the whole genius department.

3. Inventions

Now let's take a look a the inventions which are most commonly associated with Stanford:

The Portal

The Bunker

The Magnet Gun

The Quantum Destabilizer

The Perpetual Motion Machine

The Portal is not one of Ford's inventions, that much is pretty clear. He "comes up with the idea" after Bill told him about some kind of "weirdness dimension".

Now maybe Ford built the portal. Or McGucket built it (which I find more likely due to his tendency to build large scale metal structures) and Ford helped him. We can't really say for sure.

What we CAN say for sure is that McGucket left the day before the big test, which means the portal was basically finished at that point. So if there was still any work left to be done, it would have been minimal and "even Stanley" could figure it out without help, so Ford probably could have, too.

The Bunker. Designed and built by McGucket (and possibly the lumberjacks before zapping them with the Memory Gun), including the death trap of a security system.

Notice the wording. McGucket insisted he could do it on HIS own. But then went out of his way to ask the lumberjacks and not Ford to help excavate the whole thing.

Why? Why not include Ford? Maybe because McGucket could tell Ford was overworked. Maybe because he thought even with Ford's help, they wouldn't have been able to do it in a timely manner and he didn't want to memory zap more people than neccessary, I'm not sure.

Anyway, the Bunker consists of the Bunker itself, a Security Room, an Observation Room and a Storage Room. On top of that, a Temperature Control Apparatus, a Cooling System and a Cryogenic Tube.

Again with the phrasing. "HIS skill for construction". "telephone HE built". "my assistant really topped HIMSELF with the security precautions". "once F starts inventing, HE can't stop".

A man like Ford wouldn't pass up on an opportunity to tell the world about his own accomplishments, yet they are strangely missing in these pages. However, the sketches documenting McGucket's work have become more technical than they've ever been. They even have small annotations that seem as if Ford asked McGucket what he was currently building.

"F has explained" implies McGucket was once again doing this on his own. Why else would he need to explain anything to Ford if they were doing this together? Plus, again, surely Ford would have mentioned something, anything, if he had participated in any way.

The things he DID mention is that he found a mole man skeleton and "Shifty", the shapeshifting creature. And he saved McGucket once Shifty broke out of their cage (Remember this for later, it'll come in handy). And he conducts tests on Shifty (remember this as well).

On to the Magnet Gun.

Again, passive form. If Ford had modified the gun himself, he would have told us. Chances are it was once again McGucket. Or it was just taken from Crash Site Omega as Ford says in the show that he and McGucket came down there often to loot the UFO for tech.

Lastly: The Quantum Destabilizer.

He actually admits he worked on it. However, he spent 30 years between dimensions. In these 30 years he couldn't find anyone (including himself) to get the Destabilizer working. The Other McGucket, however, was able to do it in less than a week.

Ford claims he was missing a suitable power source which The Other McGucket found, but there's no way of knowing if there was more to those "minor adjustments" to Ford's blaster than Ford would like to admit.

The only invention left is the Perpetual Motion Machine which I will save for the "Tragic Backstory" section.

Honorable mentions:

The Hyperdrive needed to power the portal:

"F's mechanical know-how" vs. "my keen intuition." implying Ford merely found the Hyperdrive, but McGucket extracted it safely.

So the Hyperdrive was looted from Crash Site Omega. Plus, McGucket was the one to realize it was even needed in the first place.

While between dimensions, he was given a Dimensional Translator. Also not his own invention.

The metal plate in his head? Not his invention. Not even his idea. The Oracle did that for him.

The Book of Bill has another example that Ford can't invent for shit: He found the blueprint of Abigale Blackwing's Anti-Bill-Suit in the library (once again, not even his own invention) and drafted a more modern blueprint. And either he completely failed to build it or it didn't work because we never hear from it again. Instead, he installs a retina scanner to keep Bill out of the lab. Which he (probably) ALSO didn't build himself.

In summary:

Portal: blueprint by Bill, (probably) built by McGucket.

Bunker: designed and built by McGucket (probably with the help of the lumberjacks).

Magnet Gun: likely looted from Crash Site Omega.

Quantum Destabilizer: a mess before McGucket fixed it overnight

Perpetual Motion Machine: see below.

Dimensional Translator: Not Ford's invention.

Metal Plate: thought of and installed by The Oracle.

Anti-Bill-Suit: invented by Abigale Blackwing.

In fact, he mostly doesn't even say that he did any of this. He openly admits whenever he took something or McGucket built stuff, and barely calls any of the inventions his own. We just assumed that he can (on account of him being a genius), so we assumed he did.

4. Ford's Tragic Backstory

would only make sense if he ACTUALLY couldn't get the Perpetual Motion Machine to work. We already know Ford is an unreliable narrator and I'm probably not the first one to point out that it doesn't make sense that Stan supposedly cost Ford his entire scholarship by breaking his Perpetual Motion Machine (accident or not).

Think about it from a college's point of view: You hear about a young man who apparently built a machine that violates the laws of thermodynamics. You don't just pass up on something like that just because it didn't work the ONE TIME you came to visit. That would be an exceedingly stupid thing to do. I think they would have given him that scholarship if he even got close to achieving such a feat.

Now let's briefly assume Ford IS a genius whose invention got sabotaged. Ford could have easily fixed it and asked for a second appointment with the judges. This did not happen. And even if he didn't get into his dream school, he could have used this perpetual motion machine for the good of humanity. He didn't do that. If the Machine had ever worked, it would have made international news. It didn't. He would have been world famous. He isn't.

What does that tell us?

Does he even have 12 PHDs as he keeps claiming? In what? For what reason? Wouldn't he get a scholarship for his dream school at some point given his seemingly endless potential? It all seems like overcompensation to me. Reminds me of Tommy Tallarico and his ever-increasing number of Guinness World Records.

However, there is a reason Ford is like this. It is connected to his tragic backstory, but I will include this in the final chapter for narrative reasons.

Also note how even in A Better World, he did not go do his dream college. The science center was built around the Shack that he went to later in life:

And even there, he only manages to make a name of himself with McGucket's cooperation. We already established he couldn't build the portal on his own. My guess that McGucket once again did the heavy lifting and didn't mind Ford taking the credit (as you will see in the McGucket chapter).

5. McGucket

At this point we've already gone over how McGucket built (probably) most of the Portal, the Bunker and everything in it, and got the Quantum Stabilizer to work. We also know that in his free time, he loves to tinker. He canonically built a laptop (with extra keys for Fords fingers), a cellphone, the Memory Gun, several killer robots, the Shack-O-Tron and started an entire ass cult along the way.

And that's just what I picked up on from skimming the Journal.

We only see McGucket make stuff on screen. All this time he's welding together contraptions, piloting giant killer robots, having a blast.

We never see Ford tinkering ONCE. Still, he constantly praises McGucket for his "brilliant mind", "mechanical knowledge" and "skill in construction".

I think Ford was McGucket's assistant. He didn't get ANYTHING done before he called McGucket over for help. In the bunker, all he did was find a skeleton and conduct "experiments" on Shifty (by showing them pictures of creatures and documenting what happens). He led McGucket to the UFO crash site, McGucket was the one to actually extract the Hyperdrive. All of the stuff Ford does sounds more like an assistant's job to me.

I'm also pretty sure McGucket knows that Ford isn't the genius he claims to be. Upon seeing Bill's blueprints, he immediately gets suspicious:

Why would he say this to a fellow genius?

And he's the one who recognizes something is wrong with the portal earlier than anyone else.

The day before the test, he meets Ford at the diner to warn him cause he knows something is deeply wrong - and offers him a thesis paper.

Now here is where things get interesting.

Ford gets angry. But instead of saying something like "How dare you insult my scientific integrity / intelligence", he thinks McGucket wants the Grand Unified Theory of Weirdness to himself, which obviously couldn't be further from the truth. But Ford is too insecure about his intelligence and too curious about the portal to care.

This makes me wonder if McGucket had done this before. They went to college together. What if McGucket wrote Ford's final assignment as well? What if he'd seen him have a meltdown over the introduction and whipped up a fantastic final thesis in an afternoon?

We know McGucket cares deeply for Ford, and we can tell his intentions at the diner were sincere. He doesn't really want or need any credit - meanwhile Ford is starved for it. This is probably also why he's fine being "Ford's assistant" even though he's the one putting in most of the work.

6. Why Would He Do This??

Before we talk about Ford's plans after Weirdmageddon, I have to mention that there's a good reason Ford is pretending to be a genius. This is pretty speculative territory, but I think it makes sense given what we know about the Pines family.

When you're a twin, at least in the Stan Bro's case, you're constantly being compared to one another. Once it has been established that Ford is the "smarter" of the two (true or not), their father latches onto that and soon Ford's intelligence becomes his entire identity. I think just like Stan was looked down upon and neglected for being the "stupid" twin, Ford was burdened with expectations for being the "smart" twin. "You're gonna go far, kid. You're gonna make us so much money, you're gonna get us out of this dump." An INSANE thing to burden a child with.

This goes well for a while - Ford gets straight As and is the pride of the family. His ego inflates. But then something strange happens which I'm sure many "gifted kids" can relate to - he hits a wall. At some point he can no longer brute force things with his intelligence and he has trouble keeping up with his family's expectations. His massive ego gets damaged beyond repair.

Soon, he starts questioning everything. "If I'm not the smart guy, who am I? What's left?" He's been living like this his entire life. It's way too late to turn back so he moves forward. And if intelligence can't get him there, at least he can use the smarts he does have to make sure nobody else ever finds out. It's not unlikely for him to develop this attitude and it's the same kind of mindset he brings to taking the Hyperdrive from Crash Site Omega:

In a way, this makes him a con artist like Stanley. Which, after everything that's happened between the two, must feel like such an insult to Ford that he'd rather live in denial than face reality. The reality being that he is about as intelligent as Stanley, too. This doesn't mean that Stan is dumb (he managed to get the portal to work with barely any help, after all) - just that Ford is not as intelligent as he (and everyone else) thought / expected of him. AND that Stanley isn't as dumb as everyone always told him he was.

I think while yes, Stan broke the Machine, Ford couldn't fix it. Or it was never even a Perpetual Motion Machine to begin with. Yes, Ford couldn't go to his "dream college", but was that really his dream? Or his father's? Remember when McGucket offered him the Weirdness Thesis on a silver platter, saying with this he can finally "get his life back", and Ford still refused it? Maybe he didn't want his old life back. Because his old life SUCKED without Stanley in it.

7. After Weirdmageddon

Now that we established what Ford's dad wanted him to be, let's explore what Ford actually likes doing.

Obviously journaling and sketching what he sees, but what else?

Ford loves exploring. He goes on hikes, climbs mountains, visits caves, goes ham on Crash Site Omega. In the Bunker he looks around and discovers a mole man skeleton and Shifty while McGucket did the inventing/building.

He's also great at action hero stuff. He saves McGucket from the Gremloblin, and later from Shifty, he's jumping around the UFO with a magnet gun as if it's the only thing he's ever done, and saving Dipper from the security system, just to name a few.

He even says this in the episode: "I need to train an apprentice to help me fight monsters, solve mysteries, and protect this town." This doesn't really sound like science stuff to me.

So yeah I think Ford lied about being a genius to compensate for his (self perceived) lack of other qualities, he lied about his 12 PHDs, his scientific accomplishments, maybe even some inventions. He sucks at decoding things despite claiming to have "aced cryptology". Instead, he spends most of his time exploring, fighting monsters, stealing shit and getting in all kinds of dangerous situations. Truth is, he is much more similar to Stan than he'd like anyone to find out.

He also doesn't even WANT to do science. He likes the idea of science, like in Sci Fi movies, but not the actual labor that comes with it. Ford has been travelling between dimensions for 30 years. He probably is the only human to ever have done that in his dimension. Surely he spent these 30 years on research? Well...

There's only a single line mentioned in the Journal about doing anything scientific and he didn't even dedicate the entire sentence to it.

He "compared notes with scholars". That's it.

But surely he has so many papers and theories he can finally publish to fulfil his initial goal to "join the ranks of Newton, Tesla, & Einstein in the pantheon of science"?

Nope. He goes treasure hunting with Stanley. Ford seems to have forgotten all about his research. And I think that's not just because he wants to make up for lost time, but also because this is what he truly wanted to do in the first place, before he was forced into the "genius" mold.

To go adventuring, to be creative, to spend time with the family that matters.

8. TLDR

Ford didn't manage to write his Grand Unified Theory of Weirdness.

His Journal is entertaining, but ultimately full of unscientific ramblings.

He didn't build the portal, bunker, magnet gun, quantum destabilizer, or any other invention I could find.

All of his accomplishments can be traced back to either Bill, the town library, or McGucket.

He didn't write his own codes, he couldn't decipher any of the codes or secrets he found, including the ones he was given a solution to.

The Journal makes it look like Ford is McGucket's assistant and not the other way round.

McGucket is amazing and needs to be protected at all costs.

The tragicness of Ford's backstory makes no sense if he actually WAS a genius.

He needed to keep up the genius act because that's what his family expected of him and now he's con-artist level good at it.

He spent 30 years between dimensions committing crimes and preparing for revenge instead of doing science.

he seems to not even LIKE doing science. he prefers exploring, drawing, and getting into dangerous situations.

Once back in his home dimension, instead of doing anything science related, he goes adventuring with his brother.

Disclaimer: I have nothing against Ford, if anything this adds to his character cause I haven't seen anyone even so much as question his status as a genius yet. I just needed to get this out of my system cause this has been brewing in my brain since JULY.

This took me 10 hours to write. Thank you so much for making it this far, this post was brought to you by Autism™

[urlocaldesertdweller]

Hi hi !!!

Hope you’re doing well. Being loving your writing lately. 💞 keep up the amazing work !!

If you’re taking any requests. Could I please ask for a part 2 for Sentinel x Racer reader. I really liked the idea. Especially how you wrote it from an almost canon perspective of how it started from him just being irked that we were as popular as him lol 😂 It’d be cool to see how you continue the idea with maybe even Orion and D-16 in there.

Of course there’s no rush or pressure. Take care and I hope you keep doing what you love.

-anon

Tf1! Sentinel Prime x Cybertronain racer! Reader

THANK YOUUU!!<333333 for the compliments and ideas of my older stuff!!

(sentinel being possessive, daresay yandere, manipulation i think?)

As we know and knew, Sentinel loves to think of himself much higher than most other bots in comparison. He is a Prime after all!

However you became an exception.

An exception that would be way more special to Sentinel than he’d like to admit.

Although we know he likes to do subtle touches in public. He prefers to keep the relationship outside of business, he claims it just makes things messy for both of you. Considering you are both still highly beloved icons.

Another part of him is to protect you, when an enemy of sorts would use someone close to him to get him in a weak spot but he’ll rather die than admit he is afraid butttttt.

The media in public is so entertaining to the two of you when they talk about this “odd friendship” between The Sentinel Prime and Iacon’s best racer. A good chuckle can be shared when they describe it as nearly a mentor and trainee thing going on.

Going back to the difference of him in public and in more private quarters.

Of course the high and mighty Prime ego never falters. Its mainly the affection from touches and words coming from his lips.

The transition can be overall sudden at the very least. From being the very casual friendly Prime façade he uses for nearly everyone below him, to him sweet talking you. At times it almost feels like Sentinel is trying to drag you away from post race interviews just so he can lay his servos on you.

He almost seems pent up at times. Desperate is a word he hates but it makes things so much more interesting! Although he feels rather dominant in this odd relationship, you know some of his own weaknesses.

Whenever he leaves to “fight and fend off the quintessons, and retrieve the Matrix of Leadership” you found a very consistent pattern of him being nearly weak in the knees for you when he returns.

Tried of keeping this act up for all of Iacon. All he wants to do is rest in your arms, seeing you, hearing you, feeling you. And there you’ll sit awaiting for him, for him to rest his helm on your lap. (Totally thinking about the Jayce and Mel pose from Arcane season 2, episode 1)

Needless to say you have a very special and deep connection, where Sentinel can get to a level of weakness to you and only you. You cant help but find some power within that.

At times you can toy with him, denying your sweet love and affection. When he’s tired hell whine and beg, which is very rare. When he’s not? He’ll only tolerate so much before he’ll take you in his servos himself. Reminding you who has the power in this relationship.

When he is present in Iacon he’ll try to attend everything that you are involved in, races, trainings, interviews, meetings, speeches. Though he’ll be very supportive of your racing career, he doesn’t want the public to see a pattern.

But his support can go a little too far..

At times he still intentionally rigged a race or two just to see his lover win yet another race. From adding sudden obstacles that trigger just for the other competitors, to allowing short cuts just for you<3

If you eventually catch him he’ll try very hard to appear that he never did such a thing! From the innocent optics and gentle calm voice. He loves watching you get feisty at times. It’s what made you so interesting to him.

Speaking of your racing career, of course you have tons of fans. Dare to say you have nearly an equal amount of fans compared to Sentinel! It was one of the other reasons Sentinel wanted you.

Of course some of these fans were none other than Orion Pax and D-16. A pair of miners that get excited just like that rest when you are available to have one on one times with your fans!

Somehow through Orion’s tricky trouble making and dragging D-16 through it all. They seemingly managed to see you last minute out of breath and nearly caught by other bots, Darkwing.

You couldn’t help it! They were so charming that you stopped Darkwing from getting rid of them. To which he stomps off grumbling “miners.” under hist breath.

Orion was extremely thankful that you were even kinder in person! And D-16 was in shock from the whole entire thing alone. With each a firm and warm handshake, they both admired the action of being touched by the best Iacon racer ever.

Their compliments and praise seemed to be never ending. Even after to tried to make room for causal conversation. You couldn’t help but feel a bit of flirt from Orion? Honestly it didn’t get to you though, you are nearly always flirted by your fans. Which for along time you knew how to not let it easily get to you.

Orion and D were an adorable pair, their wonderful personalities made you smile and laugh. In fact the whole deal made you stay overtime, but it was worth it to the very end.

By the time you return to your shared private quarters with Sentinel he looks less than amused.

Turns out Darkwing snitched on you, told Sentinel that some “cog-less miners” were keeping you on overtime with your schedule one on one times with the common bots of Iacon.

Sentinel looked of a mix of emotions to say less.

But you knew right then and there it was less about the cog-less miners and more about the flirting. Since Sentinel was already pretty possessive alone with the relationship between you and your fans.

You’d try to make light of it, saying it was only just some quick praise with two fans. Then Sentinel would take your wrist in his servos tightly and pull you close.

Sentinel would scold you, as he wraps his other servo around your frame enclosing you within a cage of him.

He says this is only for him to “protect” you. Though you are perfectly capable of protecting yourself. And no more one on one times unless he is there to watch you closely.

His once tight servos lets go to cradle your fave plate lovingly. He stand to guide you to your shared resting quarters. His servos forever attached somewhere on to you, like a leash you never knew you wore.

[dissapointu]

How to Rile Up the Characters of Arcane

(anger wise perverts)

These headcanons explore what irks, flusters, or provokes each character in a way that makes their reactions as entertaining as they are educational for anyone seeking to test their limits. Use at your own risk!

Jinx

1. Messing with her inventions

• Jinx is incredibly protective of her gadgets and explosives. Poking around her workspace or suggesting her designs could be improved will get you an immediate, fiery reaction.

• “Improved?! They’re perfect, you total nimrod!”

2. Stealing attention

• Jinx craves recognition, especially from figures she admires (like Silco or her friends). Ignoring her or praising someone else more can push her into an erratic, over-the-top display to reclaim the spotlight.

3. Underestimating her

• Comments like “Are you sure you can handle this?” or “Maybe you should sit this one out” will ignite her fury and determination to prove you wrong—usually in the loudest way possible.

Vi

1. Mocking her strength

• Vi prides herself on her physical prowess. Any teasing about losing an arm-wrestling match or struggling with a task will have her insisting on proving you wrong immediately.

• “Alright, tough guy. Let’s see if you can back that up.”

2. Disrespecting Powder/Jinx

• Bringing up Jinx in a negative light or blaming Vi for what happened between them is a surefire way to strike a nerve. Her guilt and protectiveness will flare up in equal measure.

3. Challenging her leadership

• Vi naturally takes charge, so questioning her decisions or suggesting someone else lead will have her bristling. “You think you can do it better? Be my guest.”

Sevika

1. Criticizing her loyalty to Silco

• She’s fiercely loyal, and any remarks suggesting she’s blindly following orders or dependent on Silco’s authority will make her defensive—possibly in an intimidating way.

• “I’d watch what you say next if I were you.”

2. Messing with her arm

• Joking about her mechanical arm or tampering with it is a fast way to get her glaring at you—or worse.

• “Touch it again, and you’ll see how well it works up close.”

3. Calling her soft

• Sevika has a tough exterior, and any insinuation that she might have a soft side will annoy her. Push too far, and she’ll feel compelled to prove just how “not soft” she is.

Silco

1. Interrupting his plans

• Silco is meticulous and hates disruptions. Questioning his methods or derailing his carefully laid schemes will earn you a cold, cutting remark—or a deadly glare.

• “Do you think you could do better, or is this just idle foolishness?”

2. Challenging his authority

• Silco thrives on control, and anyone who undermines or questions his leadership will quickly find themselves on his bad side.

• “I’d advise against testing me further.”

3. Mentioning Vander

• Bringing up Vander’s betrayal or suggesting Silco is living in his shadow will strike a deeply personal nerve, though he’ll hide his emotions behind his chilling composure.

Vander

1. Endangering his family

• Vander’s protective instincts are unmatched. Any threat—real or perceived—to his children or those he considers family will have him stepping into action.

• “If you so much as look at them the wrong way, you’ll regret it.”

2. Mentioning his past violence

• Vander is deeply remorseful about his history as the “Hound of the Underground.” Reminders of his brutal past will make him uncharacteristically curt or defensive.

• “I’m not that person anymore. Let it go.”

3. Disrespecting Zaun

• Vander’s love for Zaun runs deep. Insulting his city or its people will get him fired up—and ready to defend it, fists clenched.

Ekko

1. Treating him like a kid

• Ekko is mature beyond his years, and any patronizing behavior or comments like “You wouldn’t understand” will annoy him to no end.

• “Say that again, and I’ll show you who doesn’t understand.”

2. Messing with the Firelights

• The Firelights are Ekko’s pride and joy. Damaging their hideout, criticizing their mission, or mocking their cause will ignite his protective side.

3. Being overly pessimistic

• Ekko is an optimist, and negativity frustrates him. If you’re constantly dismissive of change or improvement, he’ll passionately argue with you about why hope matters.

Jayce

1. Insulting his intelligence

• Jayce is proud of his work as a scientist and inventor. Any comment suggesting his ideas are impractical or undeserving of recognition will hit him hard.

• “Let me remind you who brought Hextech to Piltover.”

2. Calling him a sellout

• He walks a fine line between invention and politics. Accusations that he’s abandoned his ideals or sold out for power will immediately put him on the defensive.

• “I’m doing what’s best for Piltover. You don’t understand the pressure I’m under.”

3. Undermining his authority

• Jayce takes his leadership role seriously. Any hint that he’s unqualified or incapable of handling the responsibility will make him overly defensive.

Viktor

1. Interrupting his work

• Viktor is hyper-focused on his research, and distractions—whether they’re intentional or accidental—irritate him.

• “Could you not see that I was in the middle of something important?”

2. Dismissing his ideas

• Viktor has faced constant dismissal throughout his life, so belittling his contributions or questioning his vision will strike a nerve.

• “You lack the foresight to understand, clearly.”

3. Criticizing his background

• Insulting Viktor’s roots in Zaun or using it as a way to undermine his accomplishments will get under his skin, though he’ll respond with cold indifference to hide the sting.

Caitlyn

1. Disrespecting her position

• Caitlyn is deeply committed to her role as a law enforcer. Suggesting she doesn’t deserve her rank or that she got there through privilege will earn a sharp rebuttal.

• “I worked harder than you’ll ever know to get here.”

2. Mocking her by-the-book nature

• Caitlyn’s dedication to justice and procedure is central to her identity. Teasing her for being “too rigid” or overly disciplined will irk her, even if she tries to laugh it off.

• “Someone has to uphold the rules around here.”

3. Bringing up her family’s wealth

• Caitlyn is sensitive about her affluent upbringing and works hard to prove she’s more than just her family name. Dismissing her as “just another rich kid” will immediately put her on edge.

[goreybaby]

this is the fandom i was referring to in my previous post lmao. but yeah. this. literally this.

jimmy did awful things, but there's no reason for people to literally shun him from their vocabulary, etc. it's immature, it's stupid. you can hate a character, hate the things they did, but when artists are too scared to draw him, write his name or discuss him in any way that is not direct hate, then you suck lol. you're censoring this fandom and pretty much belittling mouthwashing's masterful intent along with its various messages.

the main villain in mouthwashing is pony express. they hired a woman who was not qualified to do her job to assess real people who exhibit symptoms of debilitating mental illness, all because they do not care enough about their staff to do things correctly and safely. they are neglectful to their workers.

throughout the game, the player is constantly bombarded with posters alluding to the repercussions the crew members will face if they go against some very trivial rules.

evidently, jimmy is suffering from some kind of severe mental illness. he has hallucinations, acts in brash, violent ways, and is very detached from all the other crew members. in his psych eval, he claims he has a sexual attraction to cartoon horses — a completely inappropriate and unusual claim, something no sane person would even entertain saying.

jimmy was not given the psychological help he needed to improve. the devs even stated that the ship purposely has little to no windows to enhance the claustrophobic feel — no doubt would this affect someone suffering from whatever illness it is he is forced to endure, where hallucinations are prevalent.

while, of course, what he did to anya was vile and deplorable, if pony express was able to tend to jimmy's mental distress and actually hire someone who knows what they're doing, there is a chance this might not have happened.

now onto curly: people who claim he is at fault for not telling anyone about jimmy, or that he did not act soon enough.

for one, the time between curly finding out about anya's assault and the crashing of the ship was 24 hours. 24 hours of hearing that one of your crewmates has just been violently assaulted by your best friend. it is jarring, he needs time to process, and anya is clearly not someone who can handle high-tension situations well. so, him approaching jimmy and demanding he take responsibility would not only cause her more distress, but may also entice her abuser to react violently towards her. and ultimately, it did: he tried to find the gun after finding out about the pregnancy, and when that was not doable, he decided to crash the ship instead.

curly had to handle this situation with care. he needed time. more time. but he didn't have enough.

on the poster "Polle says lend a hand!" the small print reads: HR complaints about poor team synergy may result in collective punishment.

had curly established an even bigger problem by confronting jimmy, everyone, including anya, would have suffered the consequences. he needed to think about the best way to go about this for everyone, and especially for her, but again, he had no time.

think... pony express, the ultimate villain of the game, would have been willing to punish the victim for coming out about her assault.

look at the bigger picture. stop looking at characters as one dimensional, or as their faults. the entire crew has so much depth, they aren't meant to be taken at face value.

and seriously!! you're allowed to admire characters for their writing and still hate their actions; you can still pity a character who did something immoral.

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[rosewaterandivy]

never quite as it seems

pairing: f!reader x choose your fighter s.h. or e.m.

themes: “they were roommates,” casual intimacy, exes, shame/embarrassment around sex, difficulty reaching orgasm etc.

thinking about people coming home for the holidays & the gang crashing at your place. the girls and their cat (free from its carrier, at long last) taking over your room and the kids back from college dogpiling on his bed.

your hair is frizzy from the humidity of the shower, piled in a slapdash bun atop your head. comfy socks scrunched at the ankles and someone’s stolen tee ghosting along your thighs. but when you make your way to the living room, the couch has already been spoken for.

bathed in the flickering glow of the tv, he’s stretched out from head to toe on the overly large sofa. head resting on a forearm as he mindlessly flicks through the channels.

you catch his eye, a wry grin painting his features. “hey there, tiger,” he drawls, dropping the remote unceremoniously on the floor. “you slummin tonight too?”

sighing in response, you amble to the couch as he makes room for you vacating the space closest to the edge. you take a seat, the cushions warmed from the expanse of his back and make yourself comfortable.

it’s not something that you entertain often, and is certainly nothing to make a habit of. but once in a blue moon you’ll find yourself at his side and in need of some comfort— a hug, and cuddle, and tender word.

nothing beyond that really.

and normally it wouldn’t give you pause. but, for whatever reason, tonight it was just all too much. call it the chaos of everyone being home again, the holidays creeping up, or maybe, just maybe your recent and inexplicable conundrum.

namely, that for hell or high water you simply couldn’t come. and it was driving you to disaster— sleepless nights, shorter temper, easily annoyed, what have you. this problem was turning you into someone you just didn’t like. and it wasn’t fair, for you or anyone else, to be inflicted with such unbridled contempt.

this is all out of sight, out of mind of course, as his arm slips around your waist and eases you back against his chest. his breath fans against your neck as the both of you move this way and that, seeking comfort in an attempt to beckon sleep.

he pulls a blanket up to cover you both, arm settling on top of it over your waist. the tv light flickers in the otherwise dark room, his steady warmth at your back as your eyes grow heavy.

��d’ya ever think i’m too much?”

it slips out of your sleep addled lips before you can think better of it.

shit.

he stiffens slightly behind you, thumb rubbing idly against the blanket in thought.

“what makes you say that?”

“nothing, just forget it.”

“someone say something to make you think that?”

you bite your lips to avoid answering.

“c’mon,” he tsks turning you to face him on the cushions. “don’t be like that.”

you watch the fluorescent splash of colors illuminate his face in the darkness. the full of his lips, the cut of his jaw sprinkled with a day’s worth of stubble. your fingers itch to reach out and trace the line of his nose, the curvature of cheekbones.

“you’re not, y’know.” he says, palming the nape of your neck. “whatever that idiot said, it’s not true.”

you roll your lips and give a shake of your head.

what you wouldn’t give to rattle their words from your skull and free up that space for more important things.

you’re too much. the effort it takes to get you off isn’t even worth it. and when you finally do come, it’s a mess.

unwelcome tears prick at the corner of your eyes.

“hey, what,” he moved to brush one from your lash line. “okay, who do i gotta kill?”

you laugh despite yourself, a wet and snotty thing.

“as if you could.”

“mmm,” he hums, eyes bright as they take in your bare face. previous expression and furrowed brow replaced with a slight smile. “i’ve got skills you haven’t even dreamed of, sugar.”

sleep claws at you now, so much so that you aren’t even aware when you slur, “oh, you can bet i have.”

and well now, you’re not exactly the one staring down the barrel of a sleepless night, are you?

but that’s a story for another time.

[leikeliscomet]

Im just gonna say it: the exact same argument about series 11 having a woman playing the Doctor but w/ inconsistent politic & fake activism applies to series 14 & a lil of RTD2 in general but in Black. Respectability politics & flimsy anti racism all over the shop

It thinks futuristic racism corrects racism "being a thing of the past" but then actively erases said racism of Britain's past. Twice. Not only that but it glorifies the 60s & regency period. Does "powerful" white supremacy commentary then slaps a regency wig on 15's head 😭

It should go without saying that 1960s & 1800s Britain wasnt some post racial utopia. The show would rather make these periods more progressive than they really were instead of telling the stories of the POC living there or hell, show us history outside of 'the West'

It treats the dehumanisation of Black people as an inevitable part of future society. Fifteen has to be a perfect non violent victim of racism but can fridge the goblin king & the chuldur easy. Racism can/must exist but fighting back or having any reaction to ur oppressor can't.

The gag is RTD understands racial oppression when it affects *him* tho. The oppression of the Welsh is acknowledged in present day Earth bc it's a real part of history. Its addressed again in 2046 bc it's still relevent in the future. & did Ruby save Roger? No she got him gone!

It sanitises its own history. The Doctor has called out racial supremacy, human or not since day. And no they didn't always save *everyone*. Against the establishment to begging it & partying with it too apparently. Rosa has issues but at least it was hopeful...

It treats Fifteen as a white character made Black which has weird implications for a non human being from a "post racial" society. Thirteen wasn't a "human woman" but she still had the agency to call out every misogynist she met. Lawd forbid she cried over Jack Robertson 😭

Despite having a Black Doctor they're written for a white audience. 'It's not about Black people, its about white people' sealed the deal. It treats their Blackness as circumstantial & not something they'll have to deal with regardless of time period playing it safe & palatable

This 1 should be self explanatory. If Donna's seen the Doctor's mind then she knows Fugitive Doctor exists so yes the Doctor comes in a range of different colours 🤪🤪 And again if he's not a human Black man but an alien then why is it a surprise that he can change race? Ugh...

Isaac Newton wasn't that deep bc he's only there for the mavity gag but it opened a fuck ton of racism towards Nathaniel Curtis & antiblackness bc the racists camping the tag thought he was Black. 'Owning the right 🤪' at the expense of POC in the show & fandom. Great job there..

RTD made the point of the Toymaker being racist then keeps him anyway? Takes a jab about cultural appropriation in Pyramids of Mars then based the finale on it anyway w/ Sutekh? Not even entertaining the Black Guardian ting. Like what's the point of any of this? It feels so fake.

Carla's not as egregious as the previous but apart from RTD copying & posting her name from Clyde's mum in SJA, she doesn't get a lot to do outside supporting Ruby's storyline. S14 then ends with Ruby calling her bio mum her "real" mum so her serving role didn't mean much anyway

The Giggle was the 1st flag bc it conflated all political related anger as bad bc it's anger instead of love 😫✊🏻without *single* look at why the current political climate is the way that it is. Pandemic, genocides, climate change & govt corruption yh ppl will be angry Russell 🥴

Series 11 at least gets to gas itself up for having women write for the 1st female Doctor and having Black and South Asian writers for the first time in the show's history (which isn't a great achievement but ah well)

Series 14 doesn't have that to its credit.

Black woman who only exists to boost white characters stories, racism stories that don't give their Black characters full agency & 0 follow up of their experiences only this time w/ no Black writers. Same tings different font. What improvement was made exactly?

Tl;Dr - We have the 1st Black Doctor in the main lineup but this series handles race and racism poorly. There's barely any improvement from how race was handled in RTD1 and his handling of Black characters in Years & Years and It's a Sin hasn't been brought over. 🥴

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[midnight-shadow-cafe]

Lost in the Stacks

Pairing: Steve Harrington x Reader

AU: Coffee Shop Owner Steve x reader

Warnings: none just Robin and Steve things

Authors Note: I hope you enjoy, I was very passionate about my Stevie boy so take this long fic :) (I’m slowly getting use to writing more- bear with me-)

Word Count: 3.2k

Masterlist

MDNI18+MDNI18+MDNI18+MDNI18+MDNI18+

The bell above the door jingled softly as you stepped into The Upside. The café-bookshop hybrid was a warm refuge from the gray skies outside, its wooden shelves lined with books, mismatched armchairs tucked into cozy corners, and the smell of coffee and baked goods filling the air.

Behind the counter, Steve Harrington was wrestling with the espresso machine. His dark green sweater hugged his frame in a way that made you linger for a second too long, and his hair looked as effortlessly perfect as ever.

“You’ve gotta finesse it, Harrington. Not scare it into submission,” Robin Buckley teased, grabbing a cloth and wiping the counter as she passed him.

“I don’t scare it—I tame it,” Steve retorted, though the machine sputtered indignantly, making Robin snort.

“Hey, you,” Robin said, looking up and spotting you. “Back for more of our famous customer service?”

You laughed, setting your bag on the counter. “Obviously. Where else can I get entertainment with my coffee?”

Steve glanced up, his expression softening when he saw you. “Hey! Usual?”

“Please,” you said, smiling. “But no rush. Looks like you’re in a heated negotiation over there.”

He chuckled, shaking his head. “Yeah, this thing hates me. I think it’s personal.”

Robin leaned over conspiratorially. “It is. And it’s winning.”

Steve rolled his eyes but couldn’t hide his grin as he busied himself with your order. Robin gave you a sly wink before walking off to restock pastries.

It wasn’t just the books or the coffee that kept drawing you back to The Upside. It was Steve, with his clumsy charm and easy smiles, and Robin, whose sharp humor always made you laugh. Together, they made the place feel less like a shop and more like a second home.

Months ago, you’d stumbled into The Upside for the first time, drenched from an unexpected rainstorm.

Steve had been behind the counter, towel in hand before you could even ask. “Rough day?” he’d asked, his grin warm and teasing.

“You could say that,” you replied, wringing out your hair.

“Well, you’re in the right place. Best coffee in town. Also, books. You like books, right?”

“I think you’re supposed to ask that before recommending them,” you said, smiling despite yourself.

“Details,” he said with a wave of his hand. “What’s your usual? Or do you want me to surprise you?”

Before you could answer, Robin piped up from where she was shelving books. “Don’t trust him. He once made me a ‘surprise drink’ that tasted like dish soap.”

Steve scoffed, though his grin never wavered. “Ignore her. She’s bitter because she’s not the favorite coworker.”

“I’m your only coworker!”

That first visit had stuck with you—not just because of the cozy atmosphere but because of Steve’s awkward charm and the way Robin’s sarcasm balanced it out. You’d started coming back regularly after that, finding excuses to linger a little longer each time.

Over the weeks, your visits to The Upside became a steady routine. Steve always greeted you with a smile that seemed reserved just for you, and Robin never missed an opportunity to tease him about it.

One afternoon, Steve handed you a book along with your latte. “This just came in. Thought you might like it.”

You glanced at the cover, touched by the gesture. “Thanks, Steve. I’ll let you know what I think.”

Robin smirked as she passed by, muttering, “Smooth move, Casanova.”

Steve shot her a look, cheeks flushing.

Another time, you brought in a stack of books to donate. “Figured they’d get more love here than on my shelf,” you said.

“Great taste, as always,” Steve said, flipping through the titles.

Robin leaned over the counter, stage-whispering, “Just ask her out already.”

Steve glared at her, but his lips twitched with the ghost of a smile.

Steve leaned against the counter, pretending to focus on the list of inventory Robin had scribbled earlier, but his attention wasn’t on the task at hand. His eyes kept drifting toward you, seated at one of the tables near the window with a cup of coffee in front of you and a book in your hands.

The sunlight streaming through the window illuminated your features, catching in your hair and making you glow. You were engrossed in your book, an occasional smile or furrow of your brows giving away your thoughts as you read. Steve couldn’t stop watching, his heart pounding in his chest at every subtle movement you made.

Robin, sitting cross-legged on the floor behind the counter as she sorted through a box of new arrivals, didn’t miss his distracted expression.

“Oh my God, you’re doing it again,” she said, snapping her fingers at him.

Steve startled, straightening up. “Doing what?”

“That thing where you stare at Love like she’s the lead in some cheesy romantic movie,” Robin said, gesturing dramatically toward him.

Steve frowned, crossing his arms. “I’m not staring.”

Robin gave him a look that said she wasn’t buying it. “Oh, really? Because you’ve been ‘not staring’ at her for, like, ten minutes now. You’re lucky she hasn’t noticed.”

“She hasn’t noticed, right?” Steve asked quickly, panic creeping into his voice.

Robin rolled her eyes. “No, Steve, she hasn’t noticed. She’s too busy living her life while you’re over here acting like a lovesick puppy.”

“I’m not a lovesick puppy,” Steve muttered, though his flushed cheeks betrayed him.

Robin snorted. “Right. You just can’t stop staring at her because… what? You’re admiring her reading posture?”

Steve glared at her but didn’t respond.

Robin grinned, leaning forward. “You like her.”

“No, I don’t,” Steve said automatically, though he knew it was a weak denial.

“Please,” Robin scoffed. “You so like her. Don’t even try to deny it, Harrington. You’ve been crushing on her for weeks, and it’s getting painful to watch.”

Steve groaned, running a hand through his hair. “Fine, okay, yes—I like her. Happy now?”

“Ecstatic,” Robin said, her grin widening. “So why haven’t you done anything about it?”

“Because I don’t want to screw it up,” Steve admitted, lowering his voice. “What if I ask her out and it’s weird? What if she stops coming here?”

Robin’s expression softened, though her teasing tone remained. “Steve, listen to me: Love likes you. Trust me on this one. She laughs at all your terrible jokes, she lets you recommend books, and she spends way too much time here for someone who’s just into coffee and novels.”

Steve hesitated. “She might just… like the shop.”

Robin rolled her eyes. “Oh, come on. She likes you. It’s so obvious. You’re just too chicken to admit it.”

“I’m not chicken,” Steve shot back, though his defensive tone only made Robin laugh.

“Really?” she said, standing up and brushing off her jeans. “Then why do you freeze up every time she walks over to talk to you?”

“I don’t freeze up!” Steve protested.

“Uh-huh,” Robin said, clearly unconvinced. “Look, Harrington, you’ve got two options: keep doing nothing and torture yourself, or grow a pair and talk to her like a normal person. Your choice.”

Steve groaned again, slumping against the counter. “Why do you have to make everything sound so dramatic?”

“Because it is,” Robin said with a smirk. “This is your big moment, Stevie. Don’t blow it.”

Steve sighed, stealing another glance at you. You were still focused on your book, completely oblivious to the conversation happening just a few feet away.

Suddenly, he straightened up, a thought popping into his head. “Wait… I have an idea.”

Robin raised an eyebrow, intrigued. “Oh? Do tell.”

Steve gave her a look, his fingers tapping nervously on the counter. “I’ll just… give her coffee. On the house. You know, as a little gesture.”

Robin’s eyes widened in amusement. “Wait, that’s it? You’re gonna give her free coffee? Wow, Harrington. Such a bold move.”

“Shut up,” Steve muttered, but a smile tugged at his lips. “It’s something.”

Robin rolled her eyes. “You’re lucky she likes you, because this is honestly the most anticlimactic thing I’ve ever heard.”

But Steve wasn’t listening. He was already making his way to the counter, clearing his throat before calling out to you, who was still absorbed in your book.

You looked up, smiling at him in that warm way that always made Steve’s heart skip a beat. “Hey, Steve.”

“Hey, Love,” he said, already fumbling with the coffee machine. He was trying to look cool, but his hands were shaking just a little.

“Can I get you a refill?” he asked, focusing more on the machine than on you.

Your eyes softened, your smile widening. “I was actually just about to ask for one.”

“Well, it’s on the house today,” Steve said, trying to sound casual but feeling the heat rise in his cheeks. “For you, Love.”

You blinked, clearly surprised by the offer. “Oh, wow. Thank you! That’s really sweet of you.”

Steve just nodded, still trying to avoid looking directly at you, as he poured the coffee into a fresh cup. He handed it to you with a nervous grin, which you returned.

“Anytime,” he said, voice a little more strained than he’d intended. He stepped back toward the counter, fighting the urge to keep staring at you.

Robin, of course, didn’t miss any of this. From across the room, she gave Steve an exaggerated thumbs-up and mouthed the words, You got this, making him groan internally.

You were already sipping your coffee, and Steve allowed himself to look at you again for just a second. You seemed genuinely pleased, the warmth of your smile making him feel lighter.

“Don’t back out, go for it” Robin says as she pats him on the back before going back to fixing the shelves.

It was a slow Tuesday afternoon at The Upside. The warm light streaming through the shop’s tall windows highlighted the specks of dust dancing lazily in the air. Steve was behind the counter, pretending to reorganize the coffee syrups but really stealing glances at you as you browsed the fiction shelves.

You had a small smile on your lips, your fingers brushing over the spines of books as you debated which one to pick. Steve thought you looked beautiful—effortlessly so—and it made his stomach twist in knots every time he saw you.

Robin, perched on the stool near the register, noticed his distracted glances and let out an exaggerated sigh.

“Steve, if you stare any harder, you’re going to set her on fire,” she whispered, leaning toward him.

“Shut up,” Steve hissed, his face immediately heating.

Robin grinned mischievously. “Oh, come on, Harrington. This is painful to watch. Just go over there and ask her out already.”

Steve shook his head quickly, his voice low but insistent. “I can’t just… I don’t know if she even likes me like that!”

Robin rolled her eyes, hopping off her stool and leaning her elbows on the counter. “Are you kidding me? She comes in here all the time. She laughs at your dumb jokes. She even lets you recommend books—and you have terrible taste in books.”

“I do not!” Steve protested.

“You do, but that’s not the point. The point is, she’s obviously into you. You’re just too chicken to see it.”

Steve opened his mouth to argue, but before he could get a word out, Robin stood up straight, clapped her hands together, and said loudly, “Hey, Sweetheart!”

Your head popped up from behind a shelf, a book in hand. “Yeah?”

“Can you come here for a second? Steve has something he wants to tell you.”

Steve froze, his face draining of color. “Robin!” he hissed, wide-eyed.

You walked over, your curiosity piqued. “What’s up?”

Robin smiled innocently. “Steve was just saying he—”

“Needs help with the espresso machine!” Steve interrupted, practically jumping in front of her.

You blinked, clearly confused. “You need my help?”

Robin snorted, folding her arms and leaning against the counter. “Nice save, Harrington.”

Steve glared at her before turning to you, his cheeks flushed. “No, I don’t—look, can we talk for a second? Alone?”

Your eyebrows lifted slightly, but you nodded. “Sure.”

Robin gave Steve a smug grin as she stepped away, muttering, “You’re welcome,” under her breath.

Steve led you toward one of the quieter corners of the shop, away from prying eyes (and ears). He rubbed the back of his neck, clearly nervous, and you couldn’t help but find it endearing.

“Okay,” he started, exhaling deeply. “So, uh, this is going to sound kind of dumb, but—”

“It’s not dumb,” you interrupted gently, giving him an encouraging smile.

That seemed to give him the courage to continue. “Right. Well, I’ve been, uh… I’ve been meaning to ask you something for a while now. But I kept chickening out, and then Robin decided to, you know, stick her nose in, because that’s what she does.”

You laughed softly, which made him relax a little.

“The thing is,” he said, his voice quieter now, “I really like you. And I’ve been wanting to ask you out, but I wasn’t sure if you’d… if you’d even want that.”

You blinked in surprise, your heart skipping a beat. “You like me?”

Steve nodded, his cheeks a little pink. “Yeah. I do. A lot. And if you don’t feel the same, that’s totally fine, I just… I had to say it.”

For a moment, you didn’t say anything, and Steve’s nerves seemed to spike.

“Love?” he asked cautiously.

You smiled, your voice soft. “I like you too, Steve.”

His eyes widened slightly. “You do?”

“Of course I do,” you said, laughing. “Why do you think I keep coming back here? It’s not just for the books or the coffee.”

Relief and joy washed over his face, and he let out a nervous chuckle. “Wow. Okay. That’s… that’s good. Great, actually.”

“So,” you said, taking a small step closer, “are you going to ask me out properly, or do I have to do it for you?”

Steve grinned, his confidence returning. “Right. Would you, uh, want to go out with me? Like, on a date?”

“I’d love to,” you said, your smile bright.

Robin, who had been shamelessly eavesdropping from behind a shelf, popped her head out with a triumphant smirk. “Finally! Took you long enough.”

Steve groaned, burying his face in his hands. “Robin!”

You just laughed, feeling lighter than you had in weeks. Steve peeked at you through his fingers, his embarrassment fading when he saw how happy you looked.

“Guess that means I should start planning something great,” he said, his voice warm and teasing.

“You’ve got this, Harrington,” Robin called from across the shop, giving him a thumbs-up.

Steve shook his head, but he couldn’t stop smiling.

Steve had picked you up just after sunset, his car rumbling to a stop outside your house. You’d stepped out the door wearing something simple yet thoughtful, a soft smile on your face as you slid into the passenger seat.

“Wow,” Steve said, his voice soft, his eyes lingering on you for just a moment too long. “You look… amazing.”

You felt warmth rise to your cheeks. “Thanks, Steve. You clean up pretty well yourself.”

He chuckled, running a hand through his perfectly styled hair. “Yeah, well, I figured I’d try to impress you.”

The car ride was filled with lighthearted conversation and a bit of nervous laughter, both of you falling into an easy rhythm despite the fluttering nerves. Steve drove you to a small, tucked-away diner on the outskirts of town, a place he’d discovered during one of his many aimless drives.

“It’s not fancy or anything,” he said as he held the door open for you, “but they make the best burgers in Hawkins. And the milkshakes? Life-changing.”

The interior was quaint, with vinyl booths and a glowing jukebox in the corner. The smell of sizzling food was inviting, and the soft hum of chatter created a comfortable atmosphere. Steve guided you to a booth near the window, where the glow of the streetlights outside cast a warm light over the table.

The conversation started light—books you’d recently read, Steve’s stories about running the shop with Robin (“She’s like a tornado, but I wouldn’t trade her for anyone”), and the little quirks of Hawkins.

“Okay, serious question,” Steve said, leaning forward, his elbows resting on the table. “If you could only eat one food for the rest of your life, what would it be?”

“Pizza,” you replied instantly. “Easy.”

“Solid choice,” he said, nodding approvingly. “But you haven’t lived until you’ve tried the waffles from Benny’s. We’re talking top-tier breakfast food. You’ll see—I’ll take you there sometime.”

The way he said it so casually—like there would definitely be another date—made your heart skip.

By the time the food arrived, you were both relaxed, laughing over Steve’s high school antics.

“So you’re telling me,” you said, trying to suppress a giggle, “you actually styled your hair for gym class?”

“Hey,” he said defensively, though his grin gave him away. “It’s called priorities. And anyway, it worked. My hair survived dodgeball.”

“Barely,” you teased, taking a sip of the milkshake he’d insisted you try. It was, as promised, incredible.

Steve reached for his own shake at the same moment, knocking his hand against yours. The cup tipped slightly, and a streak of chocolate landed on the table—and on your sleeve.

“Oh no,” Steve groaned, grabbing a handful of napkins. “I’m so sorry. This is why Robin calls me a walking disaster.”

You couldn’t help but laugh. “It’s fine. Really. Chocolate’s a good look for me.”

He glanced up, his cheeks pink with embarrassment. “You’re taking this way too well. Most people would be plotting revenge by now.”

“Maybe I’m saving it for later,” you teased.

After dinner, Steve suggested a walk to help you “digest” (and maybe work off the milkshake fiasco). The park was quiet, the air cool and crisp as leaves rustled underfoot.

Steve walked beside you, his hands shoved in his pockets, occasionally glancing your way as if to make sure you were still enjoying yourself.

“You know,” he said, his voice softer now, “I was kind of nervous about tonight.”

“Why?” you asked, surprised.

He shrugged, kicking a small rock along the path. “I guess I didn’t want to screw it up. You’re… different. In a good way. I wanted tonight to be perfect.”

You stopped walking, turning to face him. “Steve, it’s been perfect. Milkshake disasters and all.”

He laughed, his eyes crinkling in that way that made your heart flutter. “Yeah? You mean that?”

“I do,” you said, and for a moment, the world seemed to quiet around you.

When Steve walked you to your door, the nerves he’d managed to shake off earlier crept back in.

“So,” he said, rocking on his heels. “This was… really fun.”

“It was,” you agreed, smiling.

“I, uh, I’d like to do it again sometime,” he said, his voice hopeful.

You nodded. “I’d like that too.”

For a moment, it looked like he might leave it there, but then he stepped closer, brushing a soft kiss against your cheek. “Goodnight, love”

“Goodnight, Steve.”

As he walked back to his car, a little bounce in his step, you leaned against your door, already looking forward to the next time.

The next time you walked into The Upside, the bell jingling above your head, Steve’s grin was a little brighter. And when Robin saw the way he looked at you, she just smirked.

Hope you enjoyed! Please consider liking and reposting! -Midnight💜

[bawmbo]

hi, thank you. youve opened a can of worms that cannot be closed

killer is such an interesting character to me. i realized that im not actually too sure where to start but ill start with his timeline;

the idea of a character whose home was slowly destroyed for reasons outside of their control and beyond what they couldve ever thought was real is an incredibly interesting concept to me. i also love psychological horror and reality breaking type of things in relation to it.

to be transformed into something outside of the bounds of definition, and live with the consequences of that, of your loss of autonomy is terrifying. to be named under that total loss is horrifying. to know that everybody will only know your name and never what you went through to get there, that no one would even really care. not that you could get yourself to. theres so much potential with the idea of someone who wants to drain your world of everything for entertainment, and they can forcefully recode it, and they do not care about you because you are just a game character to them. and you are the only one aware of this. and when youre taken out of the timeline by a strange man who can also forcefully shift your control of your situation, everyone will only know you as just as bad as him. as a murderer with no reason. and every time you look at this man (nightmare) all you can feel is the same hatred you feel for yourself. you cant help but feel like youre the same. but this isnt about nightmare as much as i really do love him and writing his character (also super passionate about him)

i have a lot of problems in general with his fandom portrayal and the fact that we either see him as portrayed as either incredibly childish, dumb, very sexualized, etc. and its okay to want to write him how you want to write him, have fun, just not our cup of tea

to us, hes incredibly agile, quiet. hes eerie and incredibly smart and much more aware of whats going on than he lets on. he has lost all respect for anyone who claims theyre more powerful than him, and the way he taunts is by bringing them back to his level (or just doing things he knows pisses them off but not enough to get him killed for it. massive staring problem and wont elaborate on it). and while he can be flirty, where i understand the sexualization comes from.

i think i just crave more in depth characterization from him. how terrifying he is during battles, how he knows the knives he fights with better than the air he breathes and the placement of his feet just as much. how he could be using his magic but its difficult to fight him even without it. the absence of what he could be doing and the presence of how difficult what he is doing showing through. his disconnection from the world around him and how hard it is to realize that everything around you is just codes. that everything is malleable in the wrong hands and everyone lives their lives blissfully unaware of how quickly things can change. and how he could be deeply angry by this but never actually feel it well in his chest like he sees with others. he isnt indifferent, and at some point, somewhere he might express that care. but he cant. and this is it. and he doesnt know how to move on from that.

maybe when he gets close to people his relationships end up showing slow signs of trust. when he does trust people is he surprised if they leave? how scared is he to depend on anyone when no one was ever there to? maybe one day he finally learns to sleep with his chest or back exposed and around people. and his version of hanging out is going "hey i know a spot" and its a 50 minute walk through a closed off forest but its beautiful. and youll probably get some diseases, just gotta hope you dont. the next place is probably a feral cat colony hiding in the sewers hes been feeding and slowly gaining the trust of. hes weird.

in general i really do love complex characters and think about them a lot. and i love seeing how complex characters can be written. i love exploring the possibilities with him and i find that when we either write him or collab stories where we write characters interacting with him, we have a lot of fun and end up thinking about him a lot.

my friend @nullandvalid is a big killer enthusiast too and if you send him an ask you could probably get a big rant too. (also @thaltro. both him and null write killer super well imo. been incredibly fun to listen to them talk about how they write him and engage in writing stories with them) thank you for giving me time to yap about it, ill probably be thinking of more in the meantime but this is all i have atm fhahaha

another one for fun, pretty experimental. this one was one of those "draw regardless of whether or not you think it looks good" things. swore to myself the next utmv character i drew and posted was gonna be fell but here we are. gonna try to get used to posting things that i dont consider my best work. hi killer love you dude

[urban-fleabag]

Hi... So... You responded to my post about my shift a little while ago and I was wondering if you could give me some tips on how to be more in touch with my theriotypes. I have a good idea on how to let myself be a cat, but I was wanting to know about my (Also recently discovered) wolf theriotype. Being a cat is easy, I've been doing it my whole life without realizing it and just need to be more open to it, but the wolf is a problem. I know that you're a coyote, and was wondering if you could give me tips about being a wild canine or if you have any other sites, communities, or other advice for me to figure it out myself. I've been researching wolf behavior, so I think that'll help.

You're definitely on the right path researching wolf behavior! That'll point you in the direction of what sorts of things will make you feel more like you and give you ideas on what to try out. For me, personally, vocalizations are pretty huge- that's a very Coyote Thing, but can apply to wolves too, howling is like, one of their Key Features.

I also highly recommend making your room your den and establishing a local territory- either just your back yard, or some local places you hang out. I find it helps a lot for me to think of home and work as parts of my territory, it helps me feel secure. Some people even go out and "claim" parts of local parks with howling/vocals and hanging out, but I haven't gotten the chance to do that yet.

If you're a gamer, I HIGHLY recommend Wolf Quest on the PC- one of my partners is a wolf and they're legitimately obsessed with the game and have been following its development for years. You play as a wolf in Yellowstone and you have a pack and raise pups, and I've heard really great things.

I also personally find that adding extra meat to your diet if you're so inclined can help you feel more at home. I need the extra protein anyways, so it was a major bonus for me, but really anything you can tear up with your teeth should be good. Make sure you're still attending to your human form's needs, but feel free to indulge. I also find oranges are a good treat to rip and gnaw on if you're not a fan of meats.

Some good media that might help you feel at home is a movie called Wolfwalkers (highly recommend even to a non therian tbh it's great), and Autumn J on YouTube makes a lot of alterhuman music including one specifically about wolves if you wanna give a listen! It always makes me feel shifty in a good way.

Unfortunately, I don't have a ton of sites or community based links, so I'll crowsource this one- I hope you don't mind me answering publicly. I will say, avoid the fuck out of TikTok. It's full of misinformation and gatekeeping, and generally just kind of a warped view of what therianthropy is. Feel free to check it out for gear and quads I guess, I've heard good things about quads but I can't do them due to my carpal tunnel and they're a newer thing afaik. Just don't rely on TikTok for informative stuff- it skews super young and overall isn't helpful for education, which is fine because it's an entertainment app.

[blackchrysalys]

Mabel, someday out of random, having the realization that Dipper somehow managed to get multiple girls' phone number is so funny to me.

Like Dipper Pines, her twin brother whose so socially awkward that its painful to watch, managed to score an impossibly low score on her datability test she didn't even think was possible and couldn't even talk to his crush without a multi-step plan, 'flirted' with multiple people on a single road trip and somewhat got them to like him back successfully, something Mabel's been trying ever since she stepped in gravity falls.

That's gotta be traumatic to ponder over.

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[icantwithstormandsilence]

I completely agree with you. While I haven't read To Kill a Mockingbird(I haven't read a lot of classics), I really love seeing how other people perceive the world so I do think authors should be given a chance to show their perspective and understanding of how they see the people around them being brutalized solely based on their race and the people who do the brutalizing.

Yes, the N-word is undeniably offensive, but its inclusion in the book isn’t gratuitous; it serves a purpose.

The reason why many people were displeased by the author of Storm & Silence using a slur was because his stories rarely address racism. Seeing how Karim, a man from India, was one of the main reoccurring character, I had hoped there might've been some heavy topic surrounding how people treat(I know it's a Wattpad book but still👀). Yes people called him a brute, savage, made him sleep in the stable, etc. but as an Indian myself, I have heard how many English people treated Indians. I guess because Karim was Rikkard's bodyguard no one dared to say anything too much.

The use of the n word felt out of place and unnecessary in this series. I'm sure people would've still been outraged about it even if the author constantly addressed it. I also feel people would not have liked it if he constantly addressed it because "it's too political for a Wattpad book". Either way the author would've been seen as the bad guy because people always feel the need to put some sort of blame onto to someone😅.

When he addressed why he used the slur, he said it was for historical accuracy. That made me angry because even if he says he wants historical accuracy, there are many times where his writing contradicts that.

I wonder, does your stance apply only to works on Wattpad, or does it extend to all forms of literature?

I'm honestly not sure how I feel about this. Like I said in the beginning, authors should be allowed to express their view(they should also be aware that there will be criticism no matter what), but there definitely is a difference with stories published on Wattpad.

While it's a platform that allows anyone to publish, it is very much a social media. Many people are able to interact with each other, which includes the author. If you publish on Wattpad, you are most definitely more exposed to other peoples opinions. Other readers also get easy and instant access to these opinions.

Something you might find offensive is not something that will offend others. But once you express that it offended you and others see that, they get offended for you. Eventually it becomes a hate-train where they berate the author saying "you have offended this one person so you are bad". It was probably never purposeful on the authors side, but once people form an opinion of the author, it stays.

I understand that Wattpad allows authors creative liberties and is positioned more as entertainment than as a critical engagement with historical issues. And that's what you disagree with? That Wattpad authors may not always intend to educate or provoke critical thought, whereas canonical literature often seeks to do that?

I'm not much of a writer, but I grew up reading on Wattpad and learned to write as I pleased. It definitely taught me to improve my imagination and creativity. To many young people who read original stories on these platforms are sure to think of these stories as more than just entertainment, but because others see it as a silly and unprofessional platform, it discourages the readers from engaging with it as anything but entertainment. I find it annoying because I've read many original stories that I really loved and wanted my friends to read it too.

I come from a somewhat conservative religious community and there was a lot a things I didn't know about the world. I've only interacted with my classmates and family for most of my childhood and having access to Wattpad other than just published physical books, which I could only discuss with few people, I got to see more and learn more. If I didn't have Wattpad, I don't think I would be as open-minded as I am today.

Many authors publish on Wattpad with the intention of sharing their stories and in many ways they teach a lot of people something new.

I understand the desire to protect young readers from harm, but I worry that in shielding them from uncomfortable realities, we’re doing more harm than good.

I agree with this too. Currently, the US is in the process of getting many books banned for the most dumbest reasons. They always find some reason to remove books from the shelves saying "It's to protect the children". I've read a lot of uncomfortable topics when I was young but it also taught me somewhat of how the world works. If we're not exposed to these stories, no one will learn how to interact with other people or why some people feel the way they do about certain topics.

Thank you for sharing your thoughts. It was nice to understand how differently you saw that situation. I hadn't given it much thought because I wasn't aware of it until I read about it on tumblr. I saw how many people were outraged and I understood them too. I guess I agreed with them because I didn't fully understand why it hurt them and wanted to support their feelings😅.

One thing I'll never get over is how Storm & Silence could've easily been so much better if Rob Their(the author) wasn't afraid to actually write a compelling story.

Don't get me wrong, I adore the whole concept of '19 year old Victorian girl dresses up as a man to get a job'. But it's just so poorly written that I think about all the ways the story could be better when I'm in the bus going home from college.

I mean, that's how it is with books, they will be criticized no matter how good or how bad it may be. But then again, this is a Wattpad book. You can never expect too much from a Wattpad book. Every character feels very two dimensional after the first book that every other book after that is just plain fan-service.

The first book is genuinely good, except for the hyper feminist way Lilly is written to be. The author doesn't even bother to add conflict between any of the characters. The ONLY conflict that we ever get is Lilly arguing with Rikkard how she's capable of anything even if she's a women in every single book. It keeps going on and on like this that it just gets boring.

And the way Lilly's intelligence is suppressed makes me mad too. Like in book 3, she literally deciphers a map to find the treasure, but god forbid she recognizes her fiancé's(whether she likes him or not) initials on the waste disposal file and connect the dots on how he and her previous guy(I forgot his name) might've just disappeared. That right there could've been a good conflict. She recognizes the initials, realizes what Rikkard might've done, get angry and argue about not wanting him to interfere with it, then having to find an escape from her next fiancé and choosing to go out of town with Rikkard against her will instead of telling him why bcs she doesn't want a new waste disposal file.

Not to be mean, but the author is a man. At the end of the day, the way female characters are written by men will never be realistic. I know there might be real people out there like Lilly, but the way her "inner feminist"(I hate when she kept saying 'mY iNneR FemIniSt iS prOtEstiNg' stfu) is written truly makes me want to pull my hair out. It will never be same as writing a story from a women's perspective when you already know what it's like. I'm not saying that men are incapable of understanding the female experience, I'm saying that it's stupid and annoying when a man pretends he does.

Also the lack of historical accuracy boils my blood. Rob claims to have done thorough research on every historical details yet somehow Lilly and Rikkard goes on top of the Statue of Liberty despite the story taking place around 1840 and the statue starting its construction in 1876.

SNS was the last and final original story I've read on Wattpad. I really wish I could go back and keep myself away from that app and read an actual book. But it's the only place I could go to when I lost my sanity. Let me know how you feel about the book. I know there's barely anyone in the fandom, but please tell me your perspective.

P.S. can someone tell me where Rob used the slur. I read about many people talking about it but I cannot remember or recognize where it is.

[polliwoggers]

so. i got a comment on my magolor post and i uh. blacked out and this was on my screen. Props to merfirevulpixia for the character comparison of all time

[lumiereswig]

I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:

It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."

If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.

The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.

My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.