#but its at least interesting to understand where other people are coming from

[du-hjarta-skulblaka]

A really odd trend in my delving into assorted polItical/philosophical/sociological video essays lately is how often a youtuber will be like. Okay. Listen. Bare with me here. I'm gonna talk about something that might sound really radical and crazy and false to you but just have a lil think about it okay :))) its ok if you disagree just consider it :)) and then proceeds to just say things I have with full confidence believed for as long as I can remember

[headspace-hotel]

im reading a lot of research about the mycorrhizal network because this is a HUGE emerging area of research and there is so much new stuff coming out its sooooo neat

So basically "the mycorrhizal network is how trees send each other nutrients and help each other" is wrong,

but the main reason people were mad at it—because they thought everything in the ecosystem is selfish and competitive acting for its own interests—is much wronger.

How come?

Well...fungi aren't just a postal service for trees. They have lives of their own! Plants aren't just controlling the mycorrhizal network to send nutrients where they want, they are communicating with the fungus and negotiating the terms of that relationship.

The genetic basis in plants for forming the mycorrhizal symbiosis is old. REALLY old. Like, "before plants even came onto land" OLD. Other forms of symbiosis, like what legumes have going on with the Rhizobia, are using the same genes to do their thing. There's a LOT of genes involved with creating the symbiosis, including some redundancies just to be safe, and we're only just now starting to understand them.

Why so many genes? What are all these genes for? Everything! Communication chemicals, hormones the other partner will respond to, flipping switches in the other partner's genes. There was a lot of arguing over which partner, the plant or the fungus, was "controlling" the partnership, but this question turned out to be total nonsense. Both symbionts have to recognize each other, respond to each other, prepare for symbiosis by adjusting how their genes are expressed, form the symbiosis, and continuously negotiate the relationship by exchanging chemical signals. Both can actively select the partner that offers the best benefits. There's even experiments where it's been shown that if the fungus turns parasitic, the plant will start secreting fungicidal chemicals. (But also the mutualist fungi in the experiment outcompeted the parasitic one when the pots were seeded with both.)

Mycorrhizal symbiosis is an incredibly intimate relationship. Like, the fungus produces special organs that literally grow inside the plant's cells, and the plant is actively participating in allowing this to happen. The plants and fungi have genes for hormones used by the other species, they have soooooo much stuff encoded in their DNA for interacting with their symbionts, it's like, blurring the lines for whether they're even separate organisms. There are SO many chemicals involved in communication between them and we only understand a few of those chemicals.

This is SO MUCH COOLER than if the plants were just using the fungus as a passive conduit to communicate with and support each other. The fungus is actively participating!

We were fools and assumed there had to be one partner that was "in control," but both plant AND fungus have to initiate and to some extent they're each engaging on their own terms! Or maybe it's better to think of them as one and the same organism?

We're also finding out that there's a lot more types of mycorrhizal symbiosis than we thought (at least five) and a lot more variety in how it works.

And that's not even getting into fungal endosymbionts—fungi that live inside plant cells completely instead of having part of them be outside and in the soil. They aren't considered mycorrhizae because they're fully inside the plant cells and not connected with any soil fungi network but they do a lot of complicated things we don't understand and interact with the plant's other symbionts.

Fungal endosymbionts produce a lot of chemicals that are useful to the plants in some way, and it turns out, that a lot of them kill cancer. Seriously, we've gotten a LOT of anti-cancer drugs from these guys. I think it's because they have to bypass the plant's immune system, but they also fight each other/other little guys that get inside plant cells, so they kind of...are part of the plant's immune system?

And what's MORE

Is that plants and fungus aren't the only things part of this system! There's also bacteria that are symbiotic with the plants and fungi! Even the endosymbiont fungi have bacteria that are endosymbionts inside THEM. Double endosymbiosis.

I think I read one paper saying the bacteria use the fungi to get around? Like that's how Rhizobia find their way to the legume roots in the first place? Have to double check that one

[suiana]

(yandere! co-actor x gn! co-actor reader) (theyre co-stars who act as lovers n have to act like they love each other but they actually don't)

"but oh, darling, how i adore your face in all its glory..."

"cut!"

your co-actor immediately pulls away from you, face scrunching up in disgust as he completely refuses to acknowledge your presence. you do the same, wiping your hand with a cloth as you walk to the opposite side of the set.

yes, the two of you were co-stars who secretly hated each other. shocking.

to be honest, it was shocking because you didn't hate him initially. you had actually admired him and even wanted to act together in a movie! he was once your idol after all.

and by some stroke of luck, your manager had gotten you the opportunity to be a co-star on a romance-horror movie that was predicted to be the biggest film of all time.

but now that you had achieved that dream... you really wish it hadn't come true. for people's facades come down once you get to know them.

you and him did not get along at all. constantly butting heads, fighting over the littlest of things... yet, you two manage to act out the roles of obsessed lovers who would die for one another.

the fact that the movie was about how you (the love interest) and him (the male lead) were dating and how he would go crazy and stuff-

ugh you can't believe you had to act this out! you're too annoyed to even think straight now! like, what kind of false reality is this?!

...

well i mean, it is kinda your job as an actor to sell a false reality but still! the way you two can pull a 180 each time you have to get on set is crazy!

"oi you, don't breath all up in my face next time. yoy are repulsive."

"we're literally supposed to stand close to one another! how am i not supposed to do that-"

"then don't breathe."

"you two stop it!"

the director barks at the two of you, shaking his head as the both of you roll your eyes. seriously, to everyone else it looks like little kids who are fighting over the smallest of things. how childish!

"we're gonna be filming the next scene. get in position!"

you begrudgingly walk over to the middle of the set at the familiar phrase, getting into place as your co-star unwillingly holds you in an intimate pose. with him pressed up against a wall and you pinning him up against said wall.

you shudder in disgust as the cameras begin rolling once more. ew, you really can't understand what you used to see in him. like he's so dramatic and sassy! what-

"ack!"

your eyes widen as you see him shiver fearfully, a spider crawling on his head. what the hell?! where did this spider come from?!

you wanted to back away from your co-star but the second you saw how his eyes started to water, the way his lower lip trembled... you knew you couldn't just leave him to suffer. even when you hated him.

"don't move..."

you mumble, eyebrows furrowing slightly as you use a shaky hand to approach the spider. hm... it's not like you were scared it's just... why's it so big?

you gulp nervously, eyes widening slightly as you watch the spide crawl up your arm. damn, if you were a bit more of a coward...

you set the spider on a nearby desk, humming softly as you let out a shaky sigh of relief. oh well, at least it's over.

as you were drinking some water, your co actor couldn't help but feel his heart race, cheeks flushed red as he tries to regulate his breathing. what the hell? why is he getting so flustered over you getting close to him?

his eyes drift to your figure, taking in your carefree attitude. he quickly looks away as your eyes glance at his staring. hiding his face in his hands, he huffs and turns around, grumbling something about you as he feels his heart rate spike even more.

all he can think about as the rest of the shoot goes on was whether you had looked this beautiful before.

[mrfoox]

Wtf is my fascination with this little freak.... Hes just a dude but I'm so intrigued, I'm tired

[laurasimonsdaughter]

The dragon – astonishingly – was a surprise. Even in his worst nightmares there hadn’t been a dragon. But the chains were too well fastened to fight and he supposed that getting eaten was at least quicker than starving to death on this damn mountain. He closed his eyes, but the thundering shake of the ground as the dragon landed was as bad as having seen the claws dig into the earth. He closed his eyes tighter.

“Are you the seventh son of the seventh son?” The voice was inhumanly low and it shook the fear in his bones loose.

“Yes!” he screamed. “Yes! Cursed, blighted, whatever you bloody want! Just get it over with.”

There was a short, tense silence.

“I have not come to kill you, human. I want to offer you a deal.”

His eyes opened in shock. “You what?”

The dragon was sitting a few paces away from him, its scaly claws crossed over one another and its massive, shimmering wings folded behind its hulking back. The look in its glittering eyes was intelligent and calculating, but not unkind, certainly not threatening. It waited.

“What—what kind of deal?” he stammered, heart racing with a wild, terrified hope.

“I understand that you have been left here to die by your fellow humans, because you are an extremely rare type of human, that they are afraid of. Is that correct?”

He studied the dragon’s interested expression for any trace of sarcasm, but there was none. “That’s one way of putting it.”

“Well then!” the dragon exclaimed. “I propose to you this: I will break your chains and save you from the humans, and in return you will join my hoard and live in my nest.”

“I’m sorry. Join your—what do you mean live in a nest. Humans don’t live in nests.”

The dragon gave a sideways movement of its massive head, scales glinting in the sun. “There is plenty of room. It used to be a cavern in a mountain, of very respectable depth and dimensions, but during one of my hibernation some humans built a castle on top of it, so it is very suitable for humans.”

He was almost baffled enough to no longer be scared. Almost. “What happened to the people who built it?”

The dragon, somehow, managed to arch a nonexistent eyebrow. “They live there,” it replied, slowly, as if it feared that he was rather slower on the uptake than expected. “That was the start of my hoard, you see.”

He hadn’t misheard it. It did say ‘hoard’. “But...dragons hoard gold, jewels, riches…”

“Uninspired amateurs,” the dragon sniffed. “All very well for one’s hatchling years, but honestly.” The glittering eyes squinted down at him. “Do you not want to join my hoard?”

“I…” Living in a castle with a dragon for a protector sure beat being chained to a rock by feral townsfolk, there was no doubt about that. And what other choice did he have? He swallowed. “I do.”

“Wonderful!” Joyful sparks snapped off the dragon’s jaw as it gracefully leapt upright. “I shall do away with those pesky chains.” And he came towards him with remarkably light steps.

“Do you live very far away?” he blurted out, nervously watching the dragon as it studied the iron rings hammered into the stone. “Will I be able to—I cannot just leave my brothers behind!”

The dragon, who had just crushed one end of the chain to warped bits of broken iron in its claw, looked up distractedly. “Whatever are you talking about? All your brothers are at my nest already. Who do you think told me where to find you?”

His heart leapt in his chest. He didn’t even notice the heavy weight of the chains fall away as they slid to the ground. “You...you’d want to keep my brothers too?”

The dragon made an indignant noise, bowing down low and motioning rather impatiently for him to climb on its back. “What kind of dragon do you take me for! I must have the whole set.”

[woso-dreamzzz]

Grouchy II

Katrina Gorry x Baby!Reader

Summary: Mini thinks she's not giving you enough attention

It's a random tweet that sent Katrina on this tailspin.

It shouldn't have even caught her interest but it did. It shouldn't have even made its way onto her feed but it did. It was just a throw away tweet, like one of those inside jokes fans randomly have that the players could never really hope to understand.

But, still, Mini read it and now, she couldn't stop thinking about it.

'Still kind of funny that we see Harper all the time but not y/n. Favouritism perhaps? 🤪🤪🤪'

At first, she thought it was complete crap. Of course there was no favouritism in the house. Mini loves both you and Harper equally. You're both her kids.

But, as she lay caged in Clara's arms one night, she couldn't stop thinking about how right the tweet was. Not the stuff about favouritism but the stuff about not seeing you as much as Harper.

Harper is all over Mini's and West Ham's social media but you aren't. You feature a bit more heavily on Clara's account but that's only because you're usually in Clara's company more because Mini's at training.

There's no favouritism, at least nothing that Mini does on purpose. But she can't help but think.

Harper goes to kindie and Mini is quick to take care of you in the morning. It was her only day off in a while and the plan was for Clara to drop Harper off at kindie and take you out to meet some of her friends while Mini got to sleep in.

Mini, instead, insists that she'll get up at normal time so the two of you can hang out while Clara can fully enjoy her time with her friends.

"Alright, bubs," Mini says as she all but shoves Clara out of the door," What do you want to do?"

You wrinkle your nose up at her before turning away to play with your drum.

Mini sits down in front of your as you bang your drum with a closed fist. It's a bit embarrassing to think that she isn't quite sure how to play with you. You've got such a grumpy disposition that even doing something you enjoy is usually done with a frown.

Mini isn't quite sure when you're actually having fun and when you're not.

She reaches for your other drum and you stop banging to look at her. Mini bangs on her drum too.

She watches your reaction but you don't really give one so she bangs on it again and again.

You screech once in warning and Mini freezes.

You bum shuffle towards her and grab her hand.

She's been banging on the drum with an open hand instead of a fist so you force her hand into one before shuffling back to your drum.

You demonstrate with your own fist and wait.

Mini hits the drum in the same way and you seem satisfied, going back to playing again.

"Are you having fun, Bubs?" She asks and you kind of just grunt in some semblance of an answer.

Eventually, you get bored of your drum, kicking it away and standing up.

You fetch a book from the book corner before collapsing onto Mini's lap. Her arms come around you instantly and you clumsily open the book.

"Do you want me to read that for you?" She asks and you shove it into her hands.

It's one of those silly books made out of cardboard but Mini can't remember the last time she read to you so she's happy to do it, putting on an excited voice to try and draw you in.

You keep bringing her more books after that and Mini can happily say that this morning has been a success in her eyes.

You're still open to her affection and attention. She hasn't messed up too badly. So long as she makes sure to lather you in attention behind closed doors then it doesn't matter what people on the internet say.

"I'm home!" Clara calls out as she opens the door and suddenly you're shuffling away from Mini over to where the stuffed toys are waiting.

"Clara!" Mini laughs teasingly," You scared her off!"

Clara gives her an odd look. "I'm surprised she was even sitting on you. You know what Bubs is like."

Mini frowns. "Huh?"

Clara keeps talking as she takes off her shoes and coat. "You can never get that girl to willingly have cuddles with someone."

Objectively, Mini knows that. Capturing you for your bedtime kiss and cuddle is always a bit of a struggle and Mini's never really seen you sitting on Clara's lap during the day either.

"We read a story together," She replies and Clara laughs.

She crouches down in front of you, swiping a hand through your hair. Your brow wrinkles in answer as you turn to look at her.

"Did you read a book with Mummy because you see her do it with Harper?"

You don't answer.

"Huh?" Clara continues, poking you in one of your chubby cheeks that you puff out in annoyance. "Were you trying to make Mummy happy by doing something she does with your sister? You're such a sweetheart, Bubs."

"I...What?" Mini demands and Clara keeps laughing.

"Mini," She says," You know Bubs doesn't like playing with people. She did it because it makes you happy."

"But the book-"

"They're Harper's books."

"The drum-"

"Harper's drum."

"Did...Did I get duped by a baby?"

Mini must be imagining it but she's sure that she can see a smug little smirk on your face before you turn around to gnaw on the arm of one of your toys.

"Apparently so."

[thesirencult]

PAC : 1ST KISS WITH YOUR FUTURE LOVE

PILE 1

First of all, let's start with some details I'm getting. Pile 1, this pile might be connected to Pile 2 in a way. Maybe, Pile 1 is you and Pile 2 is your future spouse. I'm getting really pure vibes from one of you. One is more shy and reserved and this could probably be their first kiss. The other one is so caring and thoughtful. They are paralyzed by the other person's beauty and sweetness and they are trying to create a calm environment for the other person to open up.

This is my pile that could be for a same sex relationship, particularly for two beautiful ladies out there.

Now, the KISS! I'm getting a very specific scenario. At first, you two are in a room or place with other people. This could be a house party, a wedding reception, a club or another "noisy" event. You will be friends or in the beginning stages of dating/courting. This person may even bring you in as their plus one and look forward to have you meeting their friends and family. On the other hand you are feeling a bit out of element.

This person will find you absolutely stunning. I'm seeing a guy holding out his hand for a girl with a beautiful dress and jewellery, looking like a princess. Even if you are two women, the same still applies.

Your person will understand that you're feeling uncomfortable and that you may need some time alone to recharge. A friend or family member might tell them to approach you more romantically. They will whisk you away and when you two are finally alone, talking alongside eachother or looking at the stars, they will take your hand in theirs, profess their love to you and touch your face/hair.

The kiss will be very tender and soft and I'm getting that you will both be nervous, especially this person, even if they look composed. As soon as they pull away they will be thinking about the day you two will get married, lol !

PILE 2

I'm seeing a clear distinction between a masculine and a feminine energy. The masculine is SMITTEN. They don't know how to act properly around the feminine. They appear calm, coll and collected but the way they touch and caress the feminine, says otherwise. On the other side, the feminine is completely unaware of the effect they have on the masculine. They've never met anyone as interested in them as the masculine and they are also a bit naive when it comes to love.

The masculine will be looking for an opportunity to pounce but it will take them a very long time until both them and the feminine are ready.

The feminine, unaware of their charm, will slightly touch the masculine on the chest or the arm and suddenly the floodgates will open. Every single emotion they held back is coming out full force and they are ready to risk it all.

The masculine may have a fascination with the feminine's hair and the way it falls down their back or they might enjoy touching and kissing the feminine's fingers, especially if the feminine wears rings or has tattoos on their hands. I'm also seeing a fascination with touching certain curves of the body, like the part where the head meets the neck and the small of the back. Little things like these set the masculine OFF.

PILE 3

Pile 3, you are last but not least. Your first kiss with this person will be quite euphoric. This relationship has been thorugh its ups and downs and when you finally reach the next level it will all be worth it.

Both you and your future lover are people who have not lived a passionate love story. One of you might be more daring and prone to taking action and they will try to bring the other's wild side out.

The first kiss will emulate just that. A push and pull moment, until the both of you decide to be vulnerable and just let go of rules and expectations.

Kissing will take you to another place, one where everything is possible. This person won't be afraid to show their love to you but you have to keep your heart and mind open when it comes to this connection.

Appearances can fool us and you never know what the heart is holding inside its gates. Take the chance and find out, or else you might miss out on a very big and passionate love story, one for the books.

[cosmicsully]

OBSESSED WITH YOU

aged up!Neteyamx aged up!human(f)!reader

Summary: In which…. Neteyam crosses paths with a human, but what is that sudden obsession with her, where did that need to protect her come from?

Word count: 3.1k

Warnings: fluff, Y/N’s personal space is quite literally violated by Neteyam, Y/N is the first Human Neteyam has ever seen, Neteyam barely speaks/understands English, kissing, slight make out, lowkey unrealistic storyline lmao

My Masterlist <3.

What are you called? = fyape syaw fko ngar Stay calm = mawey beautiful: (of people) = sevin take it off = kämunge tsal I want to see = Oe new ne kame hurry up = win säpi nefä so soft = nìftxan 'ango

I hope you enjoy! If you do, feel free to reblog, I might consider writing more parts to this :) <3

I can still remember how it happened. The day that I met Neteyam still lingers in my mind, the young Na´vi boy consuming my attention at all times.

About a week ago, I can still feel the soft breeze of air flushing against my legs, I remember smelling the green plants that had just been drowned in the heavy rain the previous night. The loving light of the warm sun embraces my figure as I walk across a muddy path, trying not to step on any kind of animal. I was outside although I was not allowed to leave the lab. Secretly slipping out of the back door, the mask that is pumping oxygen into my lungs well secured on my face, as I made it my new goal to explore Pandora further.

It is a memory I cherish. The adrenaline that runs through my veins as I took one step after the other, putting as much space as possible between me and the lab.

With the feeling of well-secured safety and no one having caught me fleeing from my home, I slowed my steps, taking in my beautiful surroundings. All kinds of exotic colorful plants surround my form, my eyes darting to one and then another, trying to see everything all at once. My ragged breathing slowed down as I sprinted across the mud, my feet now slightly covered in it.

I can’t help but feel joy consume me whole.

The beauty of Pandora yet again swallowed me, pulling me in. I let my feet work on their own, deciding on taking a small walk to find new interesting and unexplored corners. My fingertips glide against a pulsating bluish plant, as it vibrates against my hand in return, letting myself smile at the uncommon feeling.

This world is so alive.

It is beautiful, I hope its owners treat it well, with respect and cherish it just as I do. Although from the stories I have been told, Na’vi are very spiritual species who inhabit these forests. And now that I think of it, I have never truly seen a real Na’vi.

Dreamwalkers don’t count.

Not letting my mind linger on the thought of facing a real Na’vi, I continued my exploration, It felt like mere minutes, but because it was slowly becoming darker around me it must have been at least a few hours. The only sound that reaches my ears is my breathing from behind the thin glass that is covering my entire face, and the nature that I’m currently moving in. Deciding that I have seen enough for today and that Norm is most likely worrying about my well-being, I take a turn and walk to the path I have been walking all along and slowly but surely make my way back to the lab.

Just as I took a few steps, I heard a quiet huff and leaves moving behind a tree a few feet away from me.

Midway through me turning my head, a blue figure emerges from the bushes. There he stands. A tall male Na’vi. His stripes-covered skin glows underneath the small amount of light that is still falling on Pandora.

He is beautiful.

So beautiful the nature around me is no longer on my mind. All my focus and attention is now drawn to him as I see his fist tightening around a weapon that is firm in his right hand.

With quick movements, he is pointing an arrow at me.

“Wait- Wait- Wait-“ I start as his face wears an angry expression, his frown-covered face facing my direction. I can see his ears perk up at the words that left my mouth. The foreign language fills his head as he decides on killing or spearing me.

“fyape syaw fko ngar?” he hisses, flashing his fangs at me. His white teeth sparkle in the sun as he takes a big step closer to me. His sudden movement made me trip over, my backside making contact with the now slightly dried ground. Him now towering over me even more, his height is scary.

“I- I’m sorry I don’t understand you, please talk slower,” I say, trying to speak slowly, he probably doesn’t understand my words. He tilts his head in confusion, his eyes widening as he takes in my form. Here I am, halfway sitting up in the slightly muddy forest of Pandora. My eyes are fixated on the Na’vi that is towering above me.

“fyape. syaw. fko. ngar?” he repeats, now trying to talk as slow as I did. His pronunciation is now much clearer, his eyes squinting close as if he can see the wheels whirring behind my eyes. This situation throws me back multiple years, remembering the Na’vi lessons we were put through at the mere age of ten. He must have said something about me. Asking about my age? No that would not add up to the situation I’m currently in. Maybe he asked what my name is. That makes way more sense, him emerging from the forest, probably taking me in as a threat.

Slowly, I raise my hands on either side of my head a little, to show that I have no weapons on me, and don’t mean any harm to anyone. At my gesture his ears stand up, their previous position flattened against his head long gone. While doing so, his curiosity must have grown, he lowers his weapon, no meaning to harm me for now. The unknown Na’vi male lowers himself into a crouching position, as he fixates his bow on his back and secures the arrow back in its holder. With me still staying put on the ground, he starts to crawl over my much smaller form to take in my face.

His expression is still confused, but the curiosity must be getting a hold of him. He slowly makes his way above me, his face getting closer to mine, I can feel his warm breath hitting my cheek, his sparkly yellow eyes boring into my own. Pupils now grown bigger and bigger with each second that passes.

“What are you doing?” I whisper, my questioning tone must have shown him that I asked a question. He shakes his head in a way to tell me that he has no idea what I just said, but he doesn’t leave his current position, instead, he’s only inching closer to my body. His face slowly moved to the left side of my face, flattened nose touching my cheek and slowly moving down to my neck. His way of moving and actions remind me of an animal, I can feel him take a deep breath through his nose when it hits my pulse point. It’s like he’s taking in my scent, trying to burn it into his brain to never lose the smell of me.

His actions makes a shudder run down my spine, a shaky breath leaving my mouth only now realizing that I have been holding my lungs oxygen-free for the past minute, them now aching and burning for more.

He breathes me in again, this time with eyes closed, my scent filling his nostrils. My breathing stays unsteady, his presence making my heart quicken in my chest, he seems to notice that, his eyes now fixated on my chest, watching it rise and fall again. When my eyes caught his never leaving my chest, a frown forms on my face, my mouth gaping at him and my arms moving to cover my chest. Slightly uncomfortable under his stare that is on one of my most intimate parts.

He quickly shakes his head and uses one of his three-fingered hands -that is at least twice as big as mine- to move them away, his now gained free access to my chest making him move his head closer, the side of his face making contact with me, his ear hovering above my heart. My heartbeat echoes in his head, its beating pumping hot blood through my veins. Although he does not seem to have the intention to hurt me in any way, my heart doesn’t slow its fast beats. His heavy head makes contact with my chest, I can feel him resting his head completely.

He stays put for a few seconds, the sound of soft breaths leaving his nose hit my ears. My heart still hammers in my chest, continuing to reveal my unsure feelings about the moment and this stranger who is quite literally breaking the definition of personal space. He stirrers up removing his ear from my chest, now much softer yellow eyes meeting mine.

“Mawey.” he whispers. His soothing voice makes it seem like a sweet gesture, the way he talks, the way his eyes move from me to my chest, no, to my heart, its like he wants to tell me to relax. The next thing that catches his attention is the oxygen mask that covers my slightly blushing face. With one of his fingers he taps against the glass, the tap rather harsh as it shoots through the glass and right to my ears echoing softly.

"Neteyam." he speaks up, the pronunciation lingering in my mind. As he speaks, he points the finger that just tapped my mask to his chest, gesturing to himself, it seems to be his way of introducing himself to me.

"Y/N." I say telling him my name. His ears perk up as my voice hits him.

"Y/N…" he tries to pronounce my name just like I did, but fails miserably. I can´t help myself but let a giggle slip past my lips at his terrible attempt at pronouncing my name, squinting my eyes closed in the process. He doesn´t exactly laugh at my reaction, but what seems to be a small smile makes its way across Neteyams face. I like the way my name sounds when he speaks.

"Sevin." he whispers pointing at me again. His hand glides downwards to my own and he takes a look at it, his eyes fixated on my little finger. He slowly but surely wraps two of his fingers around it, completely engulfing my pinky with his. His hand is huge compared to mine. If he wanted to, he could cover my entire hand with his and nothing of my hand would be visible.

"Sevin?" I ask, questioning his last words, why did I barely pay attention when we were told simple words that are commonly used by Na´vi?

"Beautiful?" he now repeats, his accent thick as he tries to translate his words.

"You mean me?" I ask a little unsure, it is not unknown in the lab that Na´vi and humans don´t usually interact with one another, let alone find any interest in each other. He points his finger against my chest again, still trying to get me to understand that he thinks I´m pretty.

I can´t help but blush at his actions, not quite used to being complimented by someone.

"You´re beautiful too" I answer, already aware of the fact that he probably doesn´t understand what I just told him. So I point my finger at his chest just like he did to me and say

"Sevin."

His eyes fall to my pointer finger that is currently resting against his chest, his hands now following his eyes, a blue hand yet again engulfing my own. I feel a certain warmth spread through my chest.

Am I supposed to feel like this?

Probably not.

No, definitely not.

Then why does his presence feel so good? Why do I feel this special security with him? When his warm eyes meet mine?

His attention is now back on my face, the way he is now directly in front of me, allows me to take a closer look at his facial features. His yellow, big, cat-like eyes are pulsating with warmth and softness, his slightly flattened nose wrinkling when he senses new smell. He seems to be studying me just as I do him.

"kämunge tsal" he whispers, now again tapping against my oxygen mask.

Although I could not exactly translate his spoken words in my head, it must have been something about my mask. I shake my head hastily, if his intentions are about me taking it off he can forget it.

"Oe new ne kame" he urges me on, his eyes filled with curiosity and desperate pleading.

"Off," he says quickly his demanding tone fitting to his accent, his hand already finding the bottom of the mask and lifting it off of my face. His sudden actions make me gasp and quickly breathe in, to catch another wave of oxygen.

The mask is now all the way off, Neteyam places it on one of his muscular tights, but his vibrant eyes are darting across every moving muscle on my face. He studies me carefully as if he is afraid of breaking me with a grip that might be too firm for my body.

His left-hand moves to the right side of my head, the warm palm of his softly meeting me. His palm swallows half of my skull, it’s like a puzzle fitting, his piece connecting with mine. A few seconds later I have a sort of ticklish feeling against my upper thigh, his strong tail curling twice around it. The movement makes me blush, I feel my cheeks and half of my neck warming. It’s like Neteyam is trying to be as close as possible, though I can not really tell why.

His face inches closer to mine, he’s so close again that I can feel his breath on my lips, his eyes dare to look at them for a quick moment but just as he meets them he averts his gaze again. I can’t help it but copy his movement, my eyes darting down to his lips.

I can feel the atmosphere between us get turned upside down within one quick glance at his lips, a sort of tension building up.

What I’m doing here is insane.

I should be home by now.

Just as I can feel him getting even closer, the need for oxygen is growing and growing, my lungs aching for relief. My eyes shoot down to his leg hastily grabbing the mask that my body so desperately seeks. The moment it hits my face I take a deep breath, my heart beating at a quickening speed. Neteyam groans in response his hand falling from my head, instead both of his hands land on either side of my waist. As I try to steady my breathing, he pulls my smaller form into his lap.

"win säpi nefä" he lowly whines, making my eyebrows raise in confusion at his whining. He waits a few seconds for my chest to raise at a normal speed again, his eyes boring through mine as if he is asking for permission, although I can not quite tell for what.

"Enough" he orders now quite needy ripping the mask off my face, but before I can respond in annoyance, warm lips are pressed against my very own. My eyes widen at his sudden actions, I can`t hold back the quiet unexpected sigh that sounds like a soft moan leaving my lips.

Neteyam responds eagerly, his tongue now parting my lips ready to claim my mouth, the taste of me lingering on his tastebuds, he pulls me closer by my hips, the close proximity making him groan. The kiss quickly becomes feverish and passionate as his desire for more keeps growing. His hand moves to the back of my head keeping me in place to continue his almost assault on my lips. His rough palms skim down my waist to hook around my hips, pulling me flush against his chest.

It is something I have never felt before, the adrenaline coursing through my veins making my head dizzy. Or maybe it was the lack of oxygen that was making me feel lightheaded.

I can´t help but try to pull away from him, his much stronger grip on me only tightening in response, in order to gain focus again I let my fingers tangle into his braids, softly tugging his lips away from mine. Neteyam growls in protest, chasing my lips with his but I lean back and reach down to put the mask that dangles down my body back on my face. As I keep filling my lungs with air, I look up through the thing glass with heavy-lidded eyes, my chest still heaving and my heart thrumming in my chest.

Neteyam pants softly, just as breathless as I am.

Behind Neteyam I can see his tail swaying with excitement from side to side, his own heavy eyes now focused on a part of my neck. He quickly connects his lips with my neck, softly coating it with open-mouth kisses. With his other hand, he gently tugs on my hair to expose my neck to his mouth. Not caring about the noises that could slip out of my mouth, I let a soft moan leave my lips at the feeling. That seems to urge him on further, his lips traveling from my neck, to my collarbone and lastly to my pulse point. It is the place he breathed me in earlier, he growls at the memory, lips quickly working at sucking on my delicate skin.

I close my eyes at the feeling of his soft but rough lips as they work against my sensitive skin, my mouth slightly agape at the pleasure that is shooting through every inch of my body.

"nìftxan 'ango" the Na´vi male moans against my neck, at the sound of a twig breaking somewhere in the distance, Neteyam quickly breaks away from my sensitive skin. His tail tightened around my thigh in a protective manner.

"Come" he hushes at me, now raising to his feet and full height, With one swift movement he claims my wrist in his hand sneaking around it in a soft grip. He pulls me up in no time as if I weigh nothing to him. I can feel myself hovering over the ground for a split second before he lets go of my wrist now fully placing me back on the ground I was laying on only minutes ago.

[maxknightley]

on the one hand I do understand where people are coming from when they respond to The White American Desire For Authentic Culture by going "you already have a culture" and pointing out that this desire often has reactionary undertones

that being said, I think it's largely sidestepping the actual issue, which is that American culture fucking blows chunks. American culture is strip malls and military worship and the elevation of mass-market pablum to Bold Artistic Statements.

and subculture is only partially an escape from this, because most subcultures exist within the same constraints of American culture as a whole; they are captured and redefined by capital on such a frequent basis that it often feels impossible to hold onto them in any meaningful way.

moreover, even the parts of American culture that aren't complete garbage are more or less inextricable from the colonial, imperialist, and racially-stratified history of the country. like, I think of that post that went around a while ago talking about "America sucks but has some good parts," and one of the things it listed was national parks, and people (rightfully!) pointed out that the national park system is fundamentally flawed and tends to shit on indigenous nations by design.

the only thing I can think of that's even sort of an exception is pop culture - jazz and rock music, superhero comics, Hollywood. and all of those are, again, captured and defined by capital, and in one way or another have historically been built on screwing over the artist.

so we come to a position, one way or another, where a lot of people say something like: "I'm alienated. I'm surrounded by traditions and institutions I think are shit; I have no way to meaningfully undermine them, and I can't escape them without effectively destroying my life. the culture I was born into is a gravestone on top of another gravestone, lifeless and miserable, and people are constantly shouting that I should be grateful because it's The Greatest Country In The World."

at that point, one seeks an escape, and I think there are three major routes here.

one is to become a weird lib obsessed with the Real Soul Of America. America is really about the good parts, not the bad parts which outnumber them and which they are built upon.

another is to fixate on the Exotic, for lack of a better word. cultures which you do not have an obvious "connection" to, but which fascinate you or appeal to you. obviously this can be pretty fucking fraught, though I would argue that taking an interest in other cultures is a good thing if you aren't shitty about it. (That's its own conversation.)

the third is to fixate on the culture(s) you feel you "ought to have" had, that which was sacrificed on the altar of whiteness by grandparents or great-grandparents who, frankly, had different concerns. to look at a culture that may still be defined in many ways by cruelty and stratification - the way I would argue most human civilization has been - but that seems to have had something else going on, at least. a culture that may not have been recognizable 500 years ago, but at least it existed.

again, none of these impulses is beyond criticism, and I think it would be naive to say that the last one can't have reactionary undertones. I also doubt these impulses are unique to the USA! alienation is extremely common in today's world, and it's not as though the USA is the only settler state in existence.

what I am saying is more that I think the conditions that lead to these fixations are worth paying attention to, and that dismissing them with "you already have a culture" kind of misses the point in favor of getting in a zinger. people wouldn't want a different culture if they were happy with the one they had. like so many other things, people want one that Doesn't Completely Suck. failing that, they'd probably like to not be defined by any culture at all - but that, tragically, is just as impossible.

[demonslayerunhinged]

Unhinged analysis - Sanemi

Why's Sanemi so aggro? (Part 1)

Sanemi is one of the most controversial characters in Demon Slayer and the most misunderstood, along with Obanai. People in the fandom just take him at face value, and it is a disservice to his character. You don't have to love him, but at least try to understand him, his background and how it all contributes to his behavior. So this is a character analysis on, in my opinion, the coolest motherfucker in Demon Slayer. Lesssgoooo!

His introduction

Sanemi's Hashira intro remains one of my favorite in the series. This is because we're fed so much information about him in such a short time.

The first thing we see are the W7s, the uniform belts around his shins, instead of the standard kyahan that other characters wear.

Then we see his back, his white haori which tells us nothing about his breathing style. At least with the others we can make an estimated guess at theirs. The only decoration is the kanji 殺(kill). Which is interesting because it's in the same position as the 滅(destroy) that we see on the backs of other slayer's uniforms.

Then we hear his voice for the first time. His speech is similar to that of a Yakuza member. I'll explain more later.

We then get the first glimpse of our man.

We notice a bunch of things. One is the fact that he's holding Nezuko's box with one hand, which tells us yea, this dude is strong as fuck. Then we see that his uniform is open at the chest, indicating a lack of care for his safety. We see the scars which lets us know that this guy has been through some shit, and he still keeps his chest open??? Nah.

Then we finally see his face and woah! The scary jagged scars, wild hair and bloodshot eyes combined with his rude way of speaking. We come to the conclusion: Oh my God! This guy's a crackhead!

Only kidding! But we can tell that this guy is not to be messed with and from the Jaws music that plays in the background and his signature Hashira theme, we also know that he's going to be trouble for our protagonist.

So let's break it down further with the first aspect of his introduction.

His haori, the kanjis, and their significance

Destruction has a certain impersonal feeling to it, like you destroy bad things not because you want to, but because you have to. Within the context of Demon Slayer, it's no different, the slayers have to destroy the demons because they are a blight on the world and there are no personal feelings about it. We can see it from the way Giyuu almost killed Nezuko, the way he killed Rui, the way Shinobu and Kanao almost killed Nezuko, and the way Zenitsu and Inosuke also killed demons.

Even in this episode where the Hashiras are introduced, their plans to execute Tanjiro and Nezuko show no personal feelings towards the situation, no maliciousness, and no hate. Nezuko is a demon she has to be killed. Tanjiro was harboring a demon so he has to be killed too and something tells me this isn't the first time they had to deal with a situation like this.

Kill, on the other hand, is very much personal and malicious in its intent. It doesn't matter if the target is bad for the world or not. What matters is that the killer thinks they're bad, and that alone is a justification to eliminate them. It's not about duty, it's a want spurred on by hatred, and Sanemi is full of hatred. We can see it from the sadistic way he stabs Nezuko, and the way he laughs at Tanjiro’s pain. Even when he wanted to test Nezuko with his blood, he gives her more unnecessary stabs instead of just simply opening the box.

Honestly, just by the kanji alone, I would’ve been surprised if he didn’t stab Nezuko. A demon can save baby orphans and kittens and sweet little old ladies from a burning building, and Sanemi will still gut the motherfucker.

Then there’s the color of his haori. The haoris, or absence of haoris, of the other characters (excluding Muichiro and Mitsuri) reveal information about their heritage, past, beliefs, and other aspects of their identity that extend beyond their role as Demon Slayers.

Sanemi has no heritage like Rengoku. We’re not given anything that tells us about his past like Giyuu. The kanji for Kill on his haori is in the same position as the Destroy on the standard uniform because, for Sanemi, being a Demon Slayer or more specifically a killer of demons IS his identity. It’s all he cares about, his entire life and the core of his existence. He has a one-track mind, and Kill Demons is the only song playing on a loop.

He doesn’t have time for anything he deems ‘frivolous’, has no special variation to his uniform aside from the fact that he keeps the chest open, and the uniform belts he wears around his legs are probably faster to put on than the standard kyahan.

So from his haori and kyahan alone we can tell that this guy is very strong, very wild and very dangerous.

Extra note: While doing research for this post, I also noticed that Sanemi’s haori is similar to the shirt he wore as a child, which could indicate how much his childhood affected him and how it led to his hatred of demons. Instead of the sleeve stripes, there is now the Kill kanji on the back.

Now let's move onto the other aspect of his introduction

His way of speaking

This part is based on my little understanding of the Japanese language and the research I did. So please don't attack me!

Sanemi kinda speaks like a thug or a Yakuza member. It isn't really noticeable in the English subtitles, but he uses particles and sentence endings that are typically used by men and can come across as rude, unrefined, and uneducated.

He doesn't use honorifics (unless speaking to the Master) when talking to people, even his fellow Hashiras.

He uses sentence endings such as ぜ (ze), ぞ (-zo), な (-na), か (-ka), かよ (-kayo) and だな (-da na) that make his questions and statements sound commanding, rough and forceful.

Not only that, but he often uses words such as:

"Urusee!" - a rough and rude way of saying "Urusai"

"Temee" - a rude way of saying you.

"Ore" - a very informal pronoun for "I"

Sanemi's way of speaking bears a teeny tiny resemblance to the Kansai dialect, which is like the Southern accent in the US. Kansai people are stereotyped as being uneducated, stupid, loud and aggressive.

That's why Tanjiro(bestest boy ❤) was shocked when Sanemi switched up real quick as he was speaking to the Master.

His default manner of speaking, even when it's to those who he likes or is okay with, is rough, forceful, aggressive and sometimes confrontational. It tells us about his personality and most importantly his upbringing or lack thereof.

I'll be going into his background in the Part 2 of this post, I'll also talk about how all these aspects makes our boy act the way he does.

In Conclusion, to be continued?

[morinuu]

Hello!!!!

I’m so happy to see your requests are open I absolutely love your writing!!

Kyoya x fem reader where they have an arranged marriage because it will help both there parents companies, and Kyoya and reader start to actually have feelings for one another, even though they weren’t sure about marrying the other at first?? Just thought it would be super cute!!

Hope your day/night is going well!!

hiii im so glad u like my work! :3 added a wee bit of angst turnt fluff cus why not. its not exactly what u asked for but i hope u like it anyway!

❄｜kyouya x reader where you're both forced to marry under your families' order. 1.7k words. this doesn't follow the canon for the events after the ouran graduation.

the noiret paced around his room in uneasiness. he knew one day his freedom would be cut short, he'd been waiting for that day, but he also had learnt to have the slightest, stupidest hope that his father's newfound respect for him had changed things.

he wonders, however, how he of all people could have been so naïve.

outside, the fairies of the winter had been drawing pretty little drawings of ice on the edges of his windows, as if to try and distract his racing mind from the events that would unfold the second he got out of his room. he was used to the noise of social events, the people chatter and the pressure of socialising, so this should be nothing for him, right?

right.

he didn't understand this feeling. it wasn't that he necessarily hated an arrangement for marriage, life would go on whether or not it would happen.

looking at the fairies' drawings of comfort one last time, he took a deep breath and exited his room to leave for the wedding venue without a word.

the car ride was uncomfortable. his family had already arrived so they weren't there to talk his ear off and the bride would come some time after than he did as the tradition goes. he had time left to think and contemplate again and again.

he looked down at his tuxedo. the bride requested that if she wasn't able to marry of her own free will, that she at least get to have her dream wedding. not a bad deal, kyouya thought. their outfits had been in matching colours, and both were over-the-top decorated. he felt slightly embarrassed at the outfit, but it wasn't anything too extreme in comparison to what he wore in highschool. the only concern was that his whole family and many important people would be there, though he swallowed that as well, as he'd been doing the entire year of the wedding preparation.

he'd met his fiancée plenty of times in that year. the first time they met was at his university graduation. she was smiling brightly standing next to his sister who rushed to hug him and congratulate him. he remembers her bowing politely and introducing herself, before his father stepped in to explain the situation. he remembers the slight surprise on her face at the lack of comments about his sons' achievements.

the next time they met was at a museum. his sister had advised him to ask her on a date so they could get to know each other. she was intelligent, charismatic, and he couldn't deny her face was pleasant to look at. her interest in history was a plus - at least she had an interesting characteristic.

their second date was a dinner at a restaurant, only the best to serve the ootoris. she'd picked steak and juice - quickly explaining she doesn't drink at the slight raise of his eyebrow. he nodded and changed his own wine order to juice as well. 'you don't have to do that!' she rushed but he assured her he's just being considerate of his fiancée. he never forgot how to be a gentleman.

the fifth date she asked to meet at a commoners' shopping mall to show him around. kyouya wasn't surprised by this. he'd learnt early on from his investigation on potential wife that she'd been adopted into the l/n family due to some sort of an affair. despite it being well-known, the gossip around the situation wasn't very clear, so he decided to wait until she talked about it instead.

at some point down the road, the two had become something akin to friends, and although not very close, y/n claimed she was satisfied with the bond they'd created regardless of its strength.

nine months later, he now is at the altar, bouquet in hand, a performative smile for all the guests to admire - until a beautiful woman comes through with her arm linked to her father's.

the ceremony didn't last long, the after-party however? most guests had already left but the couples' friends continued to act like it was the last day of their lives. the bridesmaids' laughter and his friends' drunk dance moves tired kyouya, but he was having fun, so what's another night sleepless?

a tap in his shoulder by his wife.

"you okay? you seem tired. we can call it a night." she exclaimed into his ear through the music. he'd read enough women's blogs to understand what that meant.

even if he wasn't tired, she was, and that was a roundabout way of telling him. what sort of husband disobeys his wife?

the second they got to their new house, y/n rushed to the bed and flopped on it like a sack. she had no energy to get changed or move, instead asking kyouya 'if they could complete their duties the next day, nobody was rushing them anyway'. kyouya he helped her out of her dress and comatosed with her in peace.

the next morning, nobody bothered to wake the couple. soon they'd leave for their honeymoon anyway. everything happened way too quickly and kyouya didn't know how to handle it. the weeks passed, and he refused to communicate any issues to his wife that weren't work or family related. he felt conflicted, but he didn't know about what. the woman lying next to him was kind, beautiful, clever. what right did he have to complain?

i mean, what did it matter if he didn't feel any connection in bed? why would it matter if she had a disappointed look on her face whenever he had to cut their time short? would it make any difference if he had an heir later and ignored his parents' whines about it? it was a tough thing to do, but each time he failed to satisfy his wife, it felt like a stab in the chest wounding his male ego. so did it really matter that he was away for long periods of time? it was a marriage of convenience, after all, and she wasn't missing out on anything.

she claimed that whatever friendship they had felt like it was dissolving because he 'didn't make an effort'? him? when he's the one working hard to make sure his dad's company doesn't make the wrong decisions? what does she know when she sits at home all day getting princess treatment despite being illegitimate?

"you chose this, kyouya." what?

"you refuse to leave your father's shadow." that's not it.

"maybe if you stood up for yourself, half the issues you're complaining about would be gone!" you're wrong.

he doesn't have free will, he never did. since he was a kid his life had been dictated by those around him, and surely you under-

"you're nearing thirty, kyoya! i'm tired of your self-pity! do something! i'm sick of this!"

it felt like yesterday when he saw his wife in her wedding dress for the first time. back then, he didn't really understand the concept of forever.

yet it had already been seven years.

seven years of obedience. seven years of keeping his head down. seven years of neglecting his wife to dedicate his time to his work. seven years for him to realise he was serving the ootoris. he was never on an equal level.

the issue wasn't his father, it was him. and on his twenty-ninth birthday, a snowy day just like his wedding day, with the winter fairies for comfort, he announced to his old man his retirement from the company.

"i'm sorry, y/n. i'm sorry for everything. let's try again."

you took his hand and embraced him. you knew your husband was broken somewhere inside him. you'd known for years. you'd seen how his family treated him, how they took him for granted. but no matter what you did, how much you pressured him, he only let you see specific parts of himself, and you couldn't help but blame yourself.

you refused to leave his side, no matter how exhausting your marriage felt. you rarely went on dates anymore, he never made the move to touch you, it wasn't marriage, it felt like... a business transaction.

deep down, you knew that that's what it was. you'd considered divorce plenty of times but at the end of the day, even if not your lover, kyouya was your friend. the man whom you ate breakfast with and lied on the same bed with. the man you'd seen you at your worst and gave you strength, and you knew you had to support even if he refused to let go of what was familiar to him. even if he refused his own happiness.

the sobbing man in your arms reminded you of a younger version of him. years ago, on your third anniversary when he'd planned a trip to chongqing because he remembered you saying you always wanted to go. during your two week stay, he got wine tipsy at dinner and eventually drunk by nighttime, spilling feelings he'd kept to himself for years.

he'd kneeled in front of you, furiously crying in your lap as he held your legs tightly, begging you not to leave because he could feel himself changing and neglecting his personal life.

you'd carried him to bed and admired his face as he fell asleep, naïvely thinking that this was just a rough patch and he'd go back to putting effort in just like he did in chongqing.

but the years passed and he proved to you his fears were legitimate.

"sure, let's try again kyouya." you patted his back when he held you in even tighter. "but this time we're trying counselling, okay?" you giggled, trying to light up the mood.

he pulled back and gave a tiny smile when you wiped his cheek.

"whatever my wife says." he caressed your hair. "let's stay married, okay? i don't want to lose you."

he didn't say the three words, but that was okay. it didn't matter much. romance could wait, because you knew you loved him more than a woman in a cheesy romcom would. you loved his soul, and you wanted nothing more than to see him bloom.

"let's stay married, kyouya. happy birthday."

it was a new beginning for the both of you and you had nothing but time on the horizon.

[ruinofchimera]

Please tell us more about Voldemort's relationship with Severus, and why you think it differs so much from Voldemort's other relationships

Whatever it is that lingers between Tom and Severus—power, manipulation, some dark bond none of us can fully grasp—it naturally ignites chaos in the mind of the beholders. And if you’re eager to feel that burn, I’ll gladly embrace you in it. To you brave, reckless souls, I say this: your wish is my command.

So, here we are, picking apart how Severus Snape—mudblood, poor, and bruised from the heavy hand of a Muggle father—managed to land himself a spot at the table with the most rabid pack of blood purists you’ve ever seen. A table, mind you, he had no business sitting at. The Death Eaters, that tight little clique of privileged purebloods, had no real reason to let in this scruffy little outsider. Sure, Snape was useful. Very useful. His skills were sharp as knives, and he could do their dirty work, get his hands filthy so they didn’t have to. But useful doesn’t mean welcome. Useful doesn’t mean accepted. You know who else was useful? Fenrir Greyback and his mangy lot. They brought terror to the doorsteps of half the wizarding world, and did Voldemort’s cause no small service. But did they get a place at the inner circle? Did they get respect? Hell no. They were the dirt beneath the boots of the real Death Eaters. Useful filth. And then there’s Snape, embodying everything these purists claim to despise—a half-blood with a tainted surname, living in squalor, dragged through the muck by a Muggle brute of a father. By all accounts, Death Eaters should have spat in his face and tossed him out like yesterday’s rubbish. But no. Not only does he get a seat at the table, he rises. He’s placed on a pedestal, standing closer to Voldemort than some of the most loyal, purest-blooded lackeys in the room. Voldemort, in all his cold-blooded glory, didn’t just tolerate Severus. He raised him up, right in front of their sneering, offended faces. Now, here’s where it gets really interesting. If you think Voldemort did this out of some sense of gratitude, you’ve missed the point entirely. Tom Riddle doesn’t do gratitude. That kind of sentiment is beneath him, an alien concept. Voldemort doesn’t reward; he uses. Deeds done in his name are expected, not appreciated. You’re not going to get a pat on the back from a man who thinks the world owes him its loyalty. Snape’s service should’ve earned him nothing more than a brief reprieve from pain. A loosening of the noose around his neck, if he was lucky. That’s Voldemort’s way—keep them all desperate, keep them all afraid. So why did Snape, of all people, get raised up? Why did he, the least likely among them, become a favorite?

Mind, it’s not just me declaring Snape as Voldemort’s favorite. That dark, twisted bond is laced into nearly every interaction between the two, as if something unspoken and festering passes between them. But it’s Narcissa Malfoy who lays it bare. A woman born into the highest echelons of pure-blood privilege, the very foundation on which Voldemort’s so-called supremacy stands, doesn’t hesitate when she calls him “the Dark Lord’s favorite, his most trusted advisor.” Let that sink in.

Here is the wife of Lucius Malfoy, a man whose lineage is steeped in the darkest of traditions. But when her family’s future is on the edge of a wand, when her son’s life dangles by a thread, she doesn’t rely on Lucius, doesn’t turn to Bellatrix. No, she comes to Severus, because deep down, she knows. They all do.

It’s something more insidious, something that slips through the cracks in the floorboards of Voldemort’s ideology. He is the one Voldemort trusts, the one Voldemort leans on, the one whose counsel can shift the dark winds of fate. That is real power, raw and untouchable. Narcissa sees it—how could she not? Even with all her aristocratic pride, even with the weight of her name and her family’s legacy pressing down on her, she understands that none of it means a damn thing next to what Snape has. Narcissa, with her family’s long, proud heritage, has to grovel before someone who, by the very logic of Voldemort’s cause, should be inferior. But Snape is different, and everyone knows it. They may not say it, they may not even want to admit it, but they know. He operates outside the lines, above the fray, immune to the very rules that were meant to keep people like him down. Snape, the half-blood, the one with the muddied past, holds a kind of sway that no one else in Voldemort’s ranks can claim.

Oh, there comes the bitter irony of Peter Pettigrew. After years of scraping and groveling, thinking he’d earned his place in the Dark Lord’s favor, Peter is handed over like a rag for Severus to wring out. Peter, one of the smug Marauders who’d gleefully hounded Snape through school, reduced now to something just shy of a house-elf, bowing and cringing under Snape’s very roof. A cruel twist of fate, no doubt arranged with Voldemort’s signature malevolence. Was this some attempt to plant a spy in Snape's house? Maybe, if you take it at face value. But think for a moment—Voldemort, who couldn’t pry Snape's treachery from his skull with all the power of Legilimency, putting his trust in Wormtail to do the job? The rat that couldn't outsmart a dormitory prank, never mind a master of deception like Severus?

No, this isn’t espionage; this is karma. Cruel, twisted karma orchestrated by the Dark Lord himself. You can almost picture Severus watching Peter scuttle about his house, casting him those withering, superior glances—knowing full well that Tom has given him this indulgence, this little taste of vengeance. Snape treats Wormtail with open contempt, because he knows he can. He knows it’s allowed, expected even. It’s as if the tables have turned in the most bitter of ways, a humiliating reversal of fortune. Pettigrew, who once revelled in Snape’s humiliation, now reduced to the lowest of roles, while Snape—Voldemort’s golden boy—sits at the top. Isn’t it delicious? You’d have to be blind to chalk it up to coincidence. Moreover, Pettigrew’s fate is all the proof you’ll ever need that Voldemort’s rule isn’t founded on something as simple or sentimental as loyalty. Loyalty? Sacrifice? Please. Pettigrew’s life was one long, groveling act of desperation to stay in the Dark Lord’s good graces. You bring your master back from the brink of death itself, and still, all you get is contempt. Voldemort demands service, sure. But service? Guarantees nothing. And when you set Severus and Peter side by side, the question gnaws at you. Why? Why is Snape the favored one, the exception, the enigma in Voldemort’s otherwise brutal, predictable hierarchy? What makes him different? There’s something between them—something that doesn’t follow the usual logic of power and punishment. Voldemort doesn’t just tolerate Snape’s defiance; he rewards it, bends the system to accommodate it. Something unspoken, something hidden behind the masks they both wear, grants Snape a level of favor that Pettigrew could only dream of.

What’s crucial to grasp here is that Voldemort doesn’t spare anyone. His entire ideology is rooted in cruelty, in domination, in the ruthless obliteration of all who oppose him. He doesn’t just eliminate enemies; he obliterates them, wipes them from existence without a second thought. And yet, here’s the anomaly: Lily Evans, mother of Harry Potter, a member of the Order of the Phoenix, and a Muggle-born witch, is offered a chance to live. Live. This decision, however, is directly tied to Snape. Snape had begged Voldemort to spare her, and it is this plea—Snape’s plea—that softens the Dark Lord’s otherwise unyielding cruelty.

To truly grasp the enormity of this act, we need to take a step back and consider Snape’s position in all of this. Remember, Severus was just 21 years old when he found himself pleading with Voldemort, one of the most dangerous dark wizard in history, to spare Lily Evans.

Snape wasn’t the imposing, confident figure we often associate with him thanks to Alan Rickman’s performance—he wasn’t a man exuding quiet menace, seemingly capable of standing toe-to-toe with Voldemort. No, at this point in canon, he was barely more than a boy, a young man fresh out of Hogwarts, with no powerful lineage or wealth to protect him.

And yet, despite this—despite the sheer imbalance of power between them—Snape dared to approach Voldemort. Voldemort. With a plea. Not for himself, but for a Muggle-born witch. At best, Snape’s request might have been laughed off, dismissed as the desperate wish of a foolish young Death Eater. But it wasn’t. For some reason, Voldemort didn’t just tolerate Snape’s plea—he actually acted on it.

Consider how critical this moment was to Voldemort’s larger agenda. At the heart of his entire scheme is a singular, consuming fixation: the annihilation of the child prophesied to be his undoing. Harry Potter is Voldemort’s obsession, the one threat he must eliminate to secure his dominion. The Potters were no longer just enemies—they were the key to his future, and Harry was the focus of his most crucial mission. In this context, sparing anyone even remotely connected to Harry was an extraordinary risk. Leniency wasn’t just unnecessary—it was dangerous. By showing mercy to Lily, Voldemort risked undermining his own carefully constructed agenda. And this wasn’t a moment where Voldemort could afford to make mistakes.

This unprecedented act of “mercy,” this concession Voldemort granted Snape, became the very thing that led to his downfall. Had Voldemort simply killed Lily Evans on the spot, as he did James, she would never have had the chance to sacrifice herself for Harry. The protection her sacrifice invoked—the ancient magic that saved Harry’s life and turned Voldemort’s killing curse back on him—would never have existed. Voldemort, the cold strategist, fell because he didn’t bend for anyone—except, inexplicably, for Snape. And that single, dangerous deviation cost him everything. That’s how it’s all started.

And there it is— how it’s all ends. Voldemort’s final words to Severus Snape before he executes him. But pay attention to how he begins. “Clever man,” he calls him. He suggests that Snape might’ve already known the truth of the Elder Wand’s treachery. Tom would never acknowledge someone’s cleverness if it undermined his own intellectual abilities. If he implies that Snape may have already unraveled the mystery of the Elder Wand, it undoubtedly indicates that Voldemort had recognized Snape’s crucial role in the wand’s problems long before. It’s not just idle chatter or casual flattery. No, it’s a bloody confirmation that Voldemort himself had long ago pieced together the mystery of Snape’s involvement with the wand. This wasn’t some last-minute realization that forced his hand. It wasn’t ignorance that delayed Snape’s death, not at all. It was deliberation. Voldemort, for all his cruelty, wasn’t stupid. He suspected, long before that moment, that Snape was at the center of the problem with the wand’s loyalty. He just chose not to act on it until the very last moment.

He held back from executing him, searching for any other way around the wand’s limitations, trying to find a solution that didn’t involve killing Snape. But when it came down to it, when all other options were exhausted, Voldemort finally made his move.

And what does he do? He delivers a speech. A bloody speech, full of regret and excuses—“I regret what must happen.” Does that sound like the Voldemort we know? The Dark Lord who kills without a second thought, who carves his empire from the bones of the disobedient? Hell no. This is the man who thrives on fear, on swift, brutal punishment. And yet, here he is, delivering justifications like some guilty executioner. This isn’t Voldemort’s usual method. This isn’t the whip coming down fast and hard. This is something altogether more… hesitant.

That speech, soaked in rationalizations, tells us everything we need to know. Snape’s death wasn’t just business—it was personal. It’s a messy, ugly end to the unexplainable dynamic between them. Even at the very end, Voldemort is bending, twisting, trying to justify his actions to the one man who had managed to worm his way under his skin. And in that second, we see something rare—a glimpse of the complexity in their relationship. Voldemort’s usual ruthless efficiency is absent.

His “I regret it,” spoken once more, stands out like a blade in the gut, sharp and unexpected, slicing straight through Voldemort’s usual cold indifference. The Dark Lord, who has never spared a thought for the wreckage in his wake, lets these words hang in the air, unnatural as they are. A man who’s never known the weight of remorse now offers something that almost feels like regret. Not true regret, of course—Voldemort doesn’t have the luxury of feeling something so weak, so human. But still, It’s not a sentiment he offers to anyone else. It’s almost as if Voldemort doesn’t know how to process this lingering attachment, as though Snape’s mere existence demands something from him that Voldemort is incapable of giving. Snape occupies some strange corner of Voldemort’s mind, twisted and dark it may be, that not even the Dark Lord himself seems to understand. Despite the fact that I’ve painted a whole canvas of tangled thoughts on the strange relationship between Severus and Tom, I’ve barely begun to tug at the thread of their inexplicable dynamic. There’s so much more I could unearth, layers of intrigue and tension that ripple through every scene between them, and I could easily go on for hours about the small, delicious details woven into their story. But, as it happens, my full-time job is already sharpening its knife and aiming for my back, so I'll have to bring this whole saga to a close with the following quote:

For me, the intensity of this scene speaks volumes about their relationship, capturing the very essence of what makes these two so bloody fascinating. The way their gaze alone can make Death Eaters flinch under the weight of their unspoken understanding. It’s not fear, not exactly. It’s something colder, something deeper. As though they’re witnessing a bond forged in the dark, a grim understanding that none of them can ever be a part of.

That’s what keeps dragging me back to these two. The tension, the labyrinth of contradictions, the complex tangle of manipulation. I want to look away—hell, I should look away, just like the Death Eaters did. But there’s something about it, something that coils around me, tightening like a serpent’s embrace. Can you blame me?

[saikira999]

~ Headcanons for twst characters playing Minecraft.

Another parts about:

Idia and Malleus!

Riddle and Leona!

Jade and Floyd!

[Azul]

Headcanon, what if Idia and Yuu somehow convinced Him to play minecraft, Azul...:

1) "Why are there cubes everywhere??? I don’t understand anything...."

2) When he learns that monsters are appearing in the dark, he places two stacks of torches around himself in horror.

3) Crying from the physics of trees.

4) Will try to make a copy of Mostro in Minecraft.

5) He does not like to dig in mines and fight, but prefers to engage in agriculture, construction and trade.

6) He built his own village, with a complex hierarchy, its own economy and an underground mafia, where he keeps all the villagers under iron grip.

7) Every five minutes:

<Octo_businessman> fell from a high place.

<Octo_businessman> tried to swim in lava.

<Octo_businessman> was blown up by creeper.

<Octo_businessman> was drowned.

<Octo_businessman> starved to dead.

8) If one of the players hits or kills an squid in front of Him, He will take it as a personal insult.

9) The only one on the server who goes to bed on time and swears at everyone in the chat, because he cannot miss the night while others are awake.

10) Chief of food, armor and potions (Not for free, of course)...

11) Tries to negotiate with the pillagers.

12) Most likely, his house is either a clumsy box decorated with vines and blue flowers, or a huge penthouse with twenty rooms. There is no middle ground. Also, it seems to me that his house would be somewhere on the beach, or in the middle of the lake.

13) Drowned people are his worst enemies.

14) Makes secret chests with all sorts of treasures that he clearly does not intend to share.

15) Already dug up all the gold and ransacked all the treasuries, while the others fought with the ghasts and withers.

16) He comes into the game the least often, because “I actually have my fill of things to do.”

17) He is afraid of dolphins, because he personally knew real ones and knows that they are not the friendliest guys (No, seriously. Dolphins are assholes. Just Google it).

18) Terrible in PVP and always dies first.

19) He says that He doesn’t care about griefers and considers their tricks to be child’s play, but in reality, he is very offended and complains to Yuu in PM on discord.

20) Likes to play in small groups of 2-3 people and does not like to play alone or with too many players.

(A SMALL UPDATE! Previously, this post was dedicated only to Azul, but I decided to make two characters for each post, for beauty, so I'll add another Lilia from the request here.)

[Lilia]

Lilia has been familiar with Minecraft since the game's inception:

1) "Ha-ha, I love adventures!"

2) Competes with Idia, who spends more time in the game and brazenly takes advantage of the fact that fairies do not need sleep as much as people (even the cursed).

3) Daddy's house is either a cave full of vegetation and bats, or there is none at all, since Lilia prefers to roam the entire server. Usually wanders the world on a fast black horse in leather armor painted green, but often runs on His own two feet.

4) He named His horse Samson.

5) He is constantly accompanied by bats.

6) During His adventures, Lily has found many interesting resources and items, and in order not to carry everything with Him, He makes ingenious warehouses with traps, which the entire server covets.

7) Sometimes takes other players on His campaigns. For example, Malleus, Sebek, Silver, Idia and Yuu.

8) Thunderstorm of PVP. Want to fight Him? Good luck.

9) Seriously... You will need luck VERY much.

10) His favorite biomes are forest ones. He hangs out especially often in Taiga and Tundra.

11) The second admin and dad of the server, who suggested Idia the idea of ​​creating a world for the rest of the Twst guys.

12) The most secretive player on the server after Idia. In most cases, He disappears somewhere far, far away, but occasionally, He can be found bargaining with other players, sitting in a tree, or on a campaign. He also likes to play pranks and make fun of other players.

13) For some reason, all the monsters in the area ignore Him, or quickly run away.

14) Collects records (He especially likes "Ward" and "Pigstep").

15) His favorite soundtracks from the game are "One More Day" and "Firebugs".

16) Lilia has already cleared out all the treasures, sunken ships and pyramids, and in order to further annoy other players, He usually leaves signs next to the empty chests saying “Lilia Vanrouge was here :3”

17) Didn’t go to the End because caught flashbacks because of the dragon.

18) Was the one who informed Malleus that a dragon egg cannot be hatched and raise a baby dragon, and without knowing it, he regrets it.

19) Helped Idia find suitable mods for hatching and taming the dragon :D

20) "Silver, bring Your old man a glass bottle of water..."

...And then He goes off to brew an invisibility potion so he can shoo away and banter other players around with an evil giggle.

If you like My post, please reblog Me! :3

Also, if You want a doodle and headcannons for some other twst character, I will be happy to answer Your requests. They are open :D

[queerfables]

Alright GO fans, let's talk Sodom and Gomorrah. This biblical story comes up a few times in Good Omens canon, a kind of offhand mention each time, and the most interesting part to me is the implication that Aziraphale was there.

If you only know the cliff-notes version, you've probably heard it as the story of God condemning homosexuality to the point of wiping out several cities over it. Maybe you've heard this too, but - that's not exactly what happened. Look, I'm an atheist, I have no dog in this race. If I thought it was about smiting people for homosexuality, I'd be happy to call God a wanker and move on. But I've read the story of Sodom and Gomorrah (You can too! It's very short!) and I've read other parts of the Bible that reference it, and I think a much more straightforward interpretation is that it's about offering hospitality and protection to strangers. It's also about the consequences of wanton cruelty, and God laying waste to those deemed beyond salvation.

In Good Omens, the book, Aziraphale and Crowley discuss Sodom and Gomorrah this way:

"Come off it. Your lot get ineffable mercy," said Crowley sourly.

"Yes? Did you ever visit Gomorrah?"

"Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-"

"I meant afterwards."

"Oh."

According to the book, then, Aziraphale at least saw the city after it was destroyed. Maybe Crowley saw the aftermath too or maybe he just heard about it. They both understand it as horrific.

The show is more direct, and suggests that Aziraphale was there during the actual destruction. Gabriel asks if Aziraphale remembers Sandalphon. Aziraphale does.

"Sodom and Gomorrah. You were doing a lot of smiting and turning people into salt. Hard to forget."

Aziraphale regards Sandalphon warily during the conversation. I believe we're supposed to interpret this scene based on the popular understanding of Sodom and Gomorrah as cities that God wiped out because of the inhabitants' sins. The obvious implication, then, is that Sandalphon is the heavy, the one called in to deal with disobedience. He's trigger-happy, relishes violence, and Aziraphale has seen what he's capable of. From the careful way Aziraphale discusses their prior acquaintance, I think he feels the destruction of Sodom and Gomorrah was a tragedy and believes Heaven's actions were disproportionate and unjust.

I'm confident this is how we're supposed to read the scene. In the context of the story, we're supposed to understand that Aziraphale doesn't approve of the smiting, and that he feels threatened by Gabriel and Sandalphon coming into his bookshop and pressing him about Armageddon. But I'm fascinated by what it would mean if Aziraphale and Sandalphon's history really tracks onto the story of Sodom and Gomorrah. Because if Good Omens' version of Sodom and Gomorrah is at all biblically accurate, and if Aziraphale was there... it's kind of mind-blowing, actually, that he still feels so much compassion for the people who died and still thinks Sandalphon was wrong.

I'm going to explain why, but fair warning, it gets ugly. I promise nobody is actually raped, and I think that promise in itself says plenty.

According to the Bible, Sodom and its surrounding cities are accused of being overrun with sin. God sends two angels to Sodom to verify this, intending to destroy everything if they find it to be true. In the world of Good Omens, I think one of these angels must be Aziraphale. The other one is likely Sandalphon, but in the Bible it's God rather than either of the angels who rains down burning sulfur on the cities so it's possible it's someone else, and Sandalphon is only on smiting duty. Without anything else to go on, though, let's assume it's Sandalphon.

So our two angels arrive at Sodom in the evening, and at the gate to the city, they meet Lot. Lot is an immigrant who has made his home in Sodom, and I think the implication is that this is why he's not completely steeped in sin like everyone else. In any case, he immediately offers to put the angels up for the night, and although they'd planned to stay in the square, Lot is really insistent. He is a good host! Also, he knows the city is dangerous. So the angels go to his house and he makes dinner for them, and then before they can go to bed, a mob shows up at the door.

See, the men of Sodom have heard about the strangers staying with Lot. They surround his house and demand he hand them over. The New King James Version puts it this way: And they called to Lot and said to him, "Where are the men who came to you tonight? Bring them out to us that we may know them carnally." Several other translations say that the men wanted to "have sex with them". But I mean. It's a fucking mob. They've surrounded the house. We all get what this is, right?

So Lot goes out to meet the men, and he says "Don't do this terrible thing." Off to a good start! Then he says, "Tell you what, I have two virgin daughters. Do what you like to them and we'll say no more about it." Oh boy. Dad of the year award, right there. But still, he insists, "The angels are under my roof and my protection."

The men outside Lot's house are pissed. They say, "You're an outsider, who are you to judge us?" They threaten to do worse to him than to the angels. They swarm him and almost break the door down, but the angels pull him back inside.

The angels then strike the mob with blindness to stop them getting into the house. They say to Lot, "Look, you gotta take your family and get out of here. God sent us to see how bad things were and, uh, long story short, we're burning it all to the ground. You get it, right?"

Maybe you know the rest. Lot's son-in-laws don't believe him and won't leave the city. Lot's wife looks back and turns into a pillar of salt. Lot and his daughters take shelter in a small town called Zoar, and from there flee to the mountains. Everything else is destroyed.

It is a tragedy. The plains are leveled down to ash, until there's nothing left that can even grow. Was there really no one innocent in those cities? No children or animals? (You can't kill kids). Still, I think about that awful night under Lot's roof and I don't think I could blame anyone for giving up on all of it.

So what if that's the story? There were two angels in Sodom before it fell. What if it really was Aziraphale and Sandalphon, trapped through the night in a stranger's house, surrounded by men who want to rape them. Whatever their power as angels, that has to be terrifying.

If it was Sandalphon there with Aziraphale that night in Sodom, I have to wonder what he was like. There isn't any kinship or understanding from Aziraphale. Despite knowing the circumstances better than anyone, he still sees Sandalphon as a threat. Given that, I think Sandalphon must have taken a truly disturbing kind of joy in raining down vengeful fire and brimstone, beyond what you might expect from someone who was afraid or angry. Maybe he was never afraid; maybe instead he revelled in the violence building through the night as the reason he needed to tear everything down. Maybe he was afraid in the terrible way that exposes the depths someone will sink to to protect themselves (maybe offering his daughters was never Lot's idea). Or maybe Aziraphale just tried to reach out to him afterwards, to offer understanding and ask for some in return, and Sandalphon shot him down so coldly and viciously that Aziraphale knew immediately this wasn't something he was allowed to have feelings about. Whatever happened that night, it left Aziraphale feeling more of an outsider from Heaven than ever.

But if it happened that way, it happened this way too: Aziraphale survives a night like that, and when he looks out into the breaking dawn, he thinks, these cities don't deserve to burn. He sees the good in a place that's just shown him its absolute worst. I think that says everything about him as a character, actually. Of course he won't give up on Heaven. Of course he'll fight tooth and nail for his home on Earth. Whatever the worst is, there are still things worth saving. There are still, always, people worth protecting.

On that note, before I wrap this up, I want to go back to Lot's words to the men of Sodom, and draw a parallel that makes me feel some kind of way. Because when Lot declares the angels under his protection, what he says is essentially, "Do not do anything to these men, for they have come under the shadow of my roof for protection." And all I can think about, reading these lines, is Aziraphale standing in his bookshop as it's surrounded by hostile demons, and telling the angel under the shadow of his roof, "You came to me. I said I would protect you. And I will."

[doin-just-fine]

MAJOR UPDATE: Questioning systems or systems in a doubt spiral pls read.

I recently told my therapist about potentially being a system. This was a scary move because she has previously had some iffy takes about systemhood. But I told her because I trusted that she would meet me where I was at and help me navigate , at the least, the general idea of not understanding my own brain if nothing else which I was ok with. I told her and it went as expected. I explained why I thought I might be a system but also the doubts I had about it and how it was distressing me to not understand myself. She agreed to use the language I was using for it and was happy to help me through (as is her job) and also because whether it was systemhood or not it was something in me that was trying to be seen and we would work on figuring out what it was.

Fast forward a few session, and I was going through another bout of "what the fuck even is my brain". I was starting to realize that my "systemhood" is very different from the things I've been seeing online. In the ways that it's different to other systems is: - I'm always in the front, always in the captains chair - I have no amnesia because I never switch out - My hyper-vigilance never lets me dissociate fully though i definitely "check out" in my own way - Head mates just feel like vague ideas or emotions

But the ways that are similar are: - These vague ideas or emotions have opinions and feelings that are different from my own. - Though they are vague, I can definitely tell they are separate from what I have come to understand as "me" - I become "a different person" in the sense of my attitude, vibe, behavior, and opinions change from where they were 5 mins ago, but I am still me, just a different me.

Anyway, I was already trying to make sense of all of this and was not planning on talking about it with my therapist because nervous... However, my therapist ask me about it first. She asked some clarifying questions about my partners system vs my own and how they are different. When I explained what I just wrote above to my therapist she said "Thats what I thought and I owe you an apology."

Basically, my therapist, like any good therapist should when confronted by something they don't know a lot about, had been doing research on complex forms of trauma and coping. Things in the same vain as CPTSD and Plurality including those two topics. She had specifically been reading a book called "The Body Keeps The Score" (TW it is a book about trauma and studies of trauma so it has details of case studies that some people may find incredibly triggering). I did some research on what exactly the book was talking about in regards to "systemhood" and from what I've found, chapter 14 at the end of a section called "Writing to yourself" and the first parts of chapter 17 have interesting information regarding systemhood and how its not entirely limited to things that are diagnosable like DID or OSDD. It seems to talk about how we all have several selves and trauma can get in the way of those selves communicating effectively. My therapist told me about this book and what she learned from it and apologized to me because the book made her realize that she was wrong and that I was in fact a system....

The session ended and I just kind of sat there... not sure how to feel but definitely feeling relief and validation.

After doing research on the book to write this I have some words of wisdom. If you are a questioning system or are doubting your validity remember this: The human brain is so incredibly complex and no one actually understands how it does anything beyond its basic physical functionality... the conceptual abilities of our mind are a mystery. How we define self is just theory. If you don't fit into boxes, labels, identities, or diagnoses that does not mean your experiences aren't real. You are going to be ok. Understand YOUR mind and how it works for YOU, not through a label or diagnosis. If those things come later, great! Do not let them destroy you just because you don’t fit perfectly. I am a system. Simply. No types, labels, or diagnosis. I am a system. I have a unique experience because my brain is no one elses. I am a system. I may not have people in my head in the traditional sense but I'm also not alone up here either. I am a system. I am a system. I am a system. Nobody has the right to deny me this for they do not live behind my eyes.

As I understand myself: I am a system.

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!