#but it will be emotional first

[trappedincabinetsfic]

Notes: The final cliff-hanger before we head into the climax! Originally the end was going to be all one chapter, but for the sake of pacing, it's now split in two. Honestly, the next part is my favorite, and was the most fun to write. Keep your eyes peeled, it should be up next weekend! (I really want to get this fic finished and out the door so my brain can rest, lol.) Please be well, folks! Thank you for reading <3

Sample: Finally life became something manageable. He wasn’t sitting in his bedroom waiting to die. He wasn’t advancing a tour while parenting three, grown-ass Demon Lords and their crew. He was driving a van, and that was all! He didn’t deal with venues anymore. He didn’t deal with event promoters anymore. He hardly even had to schmooze! All he had to do was sit back and manage the band. The hardest task was making sure everyone was punctual for bus call, and all that took was a little food-related bribery. Time went steadily on, and soon it was the end of April, though somehow it still felt like winter. The band was in Minneapolis, where the wind often carried a few flakes of snow. On their rare day off, Shuanghua woke again, haunted by the feeling he had something to tell Mobei-Jun. Maybe this was his lot in life. Maybe everyday he would wake with this feeling stuck to him.

[beets]

9-1-1. 7.04 Buck, Bothered and Bewildered [details]

[hinamie]

I don't want to regret the way I lived

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[potofsoup]

I was pecking away at a fic (as one does when one is in-between binge-reading of fics) when I was taken by the cracktastic idea of Tim Drake having a Roomba as a best friend growing up and then somehow my hand slipped

Edit to add: [more pix of Roombie and Batfam] [fic that spawned this]

[lotus-pear]

11/20

[ash-and-starlight]

Sokka baulked. "I'm not getting on that." "That," said Zuko, "is my baby." Zuko's baby, a fifty foot dragon, huffed. Great white plumes of smoke issued out of his nostrils and buffeted around Sokka. "Play nice, Druk," said Zuko, laughing

for The Mercy of Magpies chapter 2!

as always written by thee wonderful showstopping incredible @ranilla-bean ✨

chapter post || cover || map and characters

[bluegiragi]

quid pro quo

early access + nsfw on patreon monster!AU masterpost

[souporsaladnatural]

Obsessed with the sudden shift in Cas' willingness to say insane romantic shit to dean in season 8. A couple of seasons ago, he would tell dean that they had a profound bond to his face. That everything he did, he did for Dean. Now? He's hesitating. He clenches his fists to avoid hugging Dean back in purgatory. He stutters and looks away before saying he stayed away from Dean to protect him. When asked what broke through heaven's brainwashing, he looks away and says he doesn't know. It's so interesting to me

[ruushes]

every time i draw them being cute together i have to also draw them being deeply irritating to maintain perspective and universal balance

[feralforbeanix]

He loved her immediately I'm gonna cry

[sushiisiu]

we’ll meet again soon

[perplexingly]

“He never had any real hope in the affair from the beginning; but being a cheerful hobbit he had not needed hope, as long as despair could be postponed.”

The comic is based on a scene from the chapter “The passage of the marshes”

[chloesimaginationthings]

The death of Vanessa and the birth of Vanny in FNAF

(Inspired by this art by Yuto Sano)

[idolomantises]

Man is it just me or are a lot of TV shows nowadays are written to have big emotional episodes in scenes with very little build up.

[seventeendeer]

ppl are too quick to point to laios' disability as the reason his friends think he's a freak sometimes. so many instances of laios getting yelled at are, in my eyes, a case of "this guy had to emotionally mature very early in order to be there for his little sister" combined with "much older friends who never had to learn to manage their own emotions to the same degree"

a lot of the time he's right about needing to be more direct/deal with things in a way that may seem scary/needing to put your gut reaction aside. he tries not to make his friends uncomfortable and he puts up with a lot because he's trying to keep the peace, but he also pushes the others out of their comfort zones purposefully to try to get them to think more constructively. everyone else in the party is prone to acting on their gut instincts and avoiding uncomfortable situations even when facing them head-on is very much necessary. part of what makes laios such a great leader is the fact that he knows from experience how to put his own feelings aside to help someone else grow.

yes, he does make a lot of social blunders by accident and he does struggle to connect with others, but not all of his positive influence on others is accidental or "despite" making people uncomfortable. a lot of the time, I think it's clear he knows exactly what he's doing and he's trying to help the people around him process emotions in a healthy way as they all go through some truly harrowing shit. all the main characters support each other as well as they can with their unique emotional skillsets. laios' skillset just happens to be "gently talk child into eating her vegetables"