#but it is okay because if EVERYONE valued art then NO ONE would value art

[katyspersonal]

Okay, about ‘gamer bros’...

I feel kind of... How do I explain it...? Like I’ve finally undergone a communion to become a TRUE Soulsborne fan. xd

Basically, I kept complaining about how people make up 'gamer bros' to get mad at because I honestly haven’t seen any if at all, it felt more like a cop out for the community to not notice their own faults at the expense of some abstract ‘white males’ you know? I even joked how seems like everyone in Soulsborne fandom has an item that lets them see the ‘dudebros’ but I skipped a questline to get it and that’s why all this stuff dodges me xD

But recently for SOME reason Youtube started to recommend me videos about how much Elden Ring “sucks” (I disagree) and comments are FULL of comments complaining about some Souls things in general, like ‘wahh grinding boring levels to get a useless item with information no normal person cares about’ ‘wahh boring repetitive boss why they didn’t do better’ ‘wahhh no one cares about some random NPC’ ‘wahh stupid boring map’ and just... Multiple of other comments that bash the decisions in the games that, essentially, were well-crafted to tell the story and characterise the world and depict the characters better. But some people actually see the devs’ wish to not only entertain with the PLAY but also tell a compelling story as something bad, evil and not belonging in the gaming?

(Beyond, of course, drooling for some female characters if they feel nice today)

My only introduction prior recent couple of months was second-hand because people were overthinking the implications of many gamers hating Malenia as a boss (that is not fair and gamer rage seems fair imo), and I still think it is understandable that people are so unhappy with the boss, but like... Currently I sensed just how WIDE is the rift between us (people who loredig, want to know more about characters, make theories and want to create headcanons) and them (people who cannot see past the gameplay point at all).

Now it feels like a necessary part of being in the fandom of Soulsborne games - to be hit in the face with the ‘not caring’. I mean I get this? Videogames are a fantastic way to tell the story by having you constantly engage to keep unravelling it, as opposed to spending hours on movies/series/books in passive manner? But there are many people that don’t, in fact, want some deep messages or complicated lore they should think about. Some people want more basic entertainment - violence, comedy, sexual appeal, cool sights, just activity in general, without all the complexity and big messages and that’s okay!

But Soulsborne games have layers - they do not pose themselves right off the bat as very complicated stories that can make philosophy professors of 30+ years of studying feel incompetent. They are positioned as videogames. For fun challenge. So they are saught for primary videogames experience - for beating challenging bosses and getting cool items useful in PvP in that, competition, fun jokes at the streams, all that. So I feel like this is the root of this sort of toxicity? When a movie is advertised as something that will make you think and feel - people in search for simple and basic fun just don’t buy tickets, they instead go see a movie that will make them laugh or give them a simple story about cool dude beating all bad guys with Style TM or starring “that super sexy actor :3″. But Soulsborne games are layered and in many cases it is hard to stay on one’s preferred layer. For example, if those gamers want to just play a game for violence+challenge aspect - they will, in fact, eventually find themselves having grinded hours for an item that gives nothing but lore - something they were not searching for. They thought if this place was so hard to access, then sure it’d give a reward that will let them kick other players’ asses in PvP, right? But nope! Lore. Some will appreciate the surprise and artistry, others will get angry.

So yeah, all in all, I think this sort of games is just fated to have ‘split’ fandom after all. There are many games that let the potential audience know right away that there will be some emotions and complex messages, so similar ‘gamer bros’ just turn around and go buy a different kind of game that just demands skill and stubbornness, without complexity, and is very clear and plain with challenge vs reward system. Being both ‘the challenge’ and the ‘super hard to decipher lore’ is a blessing AND a curse. In a way I am glad that Soulsborne games are so unusual, because for every 10 gamers that get frustrated and complain, there is at least one gamer that appreciated the lore craft and maybe even reconsidered how he* perceives the games- maybe even became a lore Youtuber.

[lesbianfakir]

Princess tutu tulpa save me save me save me princess tutu tulpa

[maidservant-hecubus]

My father is an Ashkenazi Jew. His parents were first generation Americans. Their parents escaped the pogroms in Russia and Ukraine and came to find their American dream. They fought in wars and opened businesses and assimilated and my generation barely has a few words of Yiddish between us. My mother is as much of a WASP as it gets. American Revolutionaries and Signers and some household name civil war feature players. Not old money, but old America and undoubtedly white. I'm patrilineal. Not a Jew to a lot of Jews. Not a Jew to a lot of my Jewish family. Even though i was raised Jewish. Even though I look like my father. Even though i got enough of something in my DNA to get asked "What are you?" more often than not. More often than I'm just accepted at face value as "white". When i was little we lived in an Irish Catholic neighborhood. Like the 5-10 kids in every family sort of Irish catholic neighborhood. The kids calling me a christ killer and refusing to play with me because they heard it from their parents sort of irish catholic neighborhood. For some reason my parents tried to send me to the catholic school down the street. I lasted less than a week because i didn't understand their rituals and their language and they found out my father was a Jew and they couldn't have a christ killer in their midst. I was just sad i didn't get to wear the cute plaid skirt anymore. So i went to the public school and my well meaning shiksa mother who never converted but learned the Chanukah prayers and helped cook Seder dinners came to the school to teach the class about Chanukah. She taught them songs and all the kids got dreidels and had so much fun spinning the top for chocolate coins. It was nice to feel normal. A few weeks later a boy in a higher grade attacked me on the way to the bus and smashed my art project (we had made pig noses from solo cups to celebrate reading charlotte's web) into my face and called me a filthy jew. I didn't understand, i was more upset to lose the project i was so proud of. Other things happened. Things I wont talk about because putting them in context would doxx me. But a million reminders that i wasn't one of them. I wasn't welcome because i was Jewish. My parents divorced. My mother left. Far away so I'd only see her a handful of times growing up. And I went to live with my Dad in a city that seemed like it was overflowing with Jews. Everyone knew my holidays! In public school the teachers looked like my family and had familiar sounding names. We had the high holy days off just like christmas or easter. We sang Chanukah songs in the winter recital and nobody's mom had to come teach them to the class. Finally I belonged! My friends and cousins started planning for their b mitzvah celebrations and i asked for my own. I asked to go to hebrew school so i could be more like the people i belonged with and celebrate the things i loved about myself and them. "But you're not jewish." My father would say. This was news to me. The christ killer. The filthy jew. But a 10 year old has little power over their lives. So i didn't go. I didn't have a bat mitzva while my cousins had theirs. It was okay because i still belonged more than i ever had. But i was still jewish enough to keep the holidays and pray and fast and get sent with a box of matzo to my WASP grandmothers for easter, and have matzo packed in my lunch to eat in AP algebra in 7th grade and get asked if I'm a "Yid" by the teacher. And still to this day not know if it was endearment or insult but by then I knew even in this magical city being a Jew wasn't always safe. in highschool I tried to take hebrew lessons with a friend in a similar situation as me. She was also hungry to reconnect. I don't remember why the classes or the friendship fell through, but they did. My next "friend", a goy raised catholic from another neighborhood, liked to accuse me of being money driven when i picked up a penny on the sidewalk or tried to ask who was going to pay for the zine's she wanted to publish.

 "What are you?" I'd get asked a lot on the street by curious strangers, "Where are you from?" "Are you Italian?" Always Italian. I never really understood that, but its become code in my head for "You look like you're white but something about you is very not white and I just can't place it, so Italian seems safe and polite." I'm not here to unpack the Italian part of all that. I don't even know what I'm unpacking for myself by writing this except I've been sick for days and I'm so tired and this is all that my foggy brain can wrap itself around. Later I'm an adult and on my own and getting bloodwork done. The Nurse is a black woman and so sweet to me. She can tell I'm nervous about the needles because I've already stumbled through my apologies for my herd to find veins. So she distracts me with small talk. Where do i live? I tell her. She looks worried for me. Tells me that it used to be a nice neighborhood before white people took it over and she warns me like she's my own mother to be careful because they aren't safe. I doublecheck the skin she's putting a needle into. Whatever she sees isn't white. I love her for it. For a moment I belong there with her. She doesn't ask what I am or where i'm from, but she knows what i'm not. I'm the only one keeping the holidays with my family. We celebrate Passover because I go home to my fathers and cook the dinner and print out the Haggadah and lead the Seder to the tune of my drunk catholic stepmother eating my food and telling me i'll never be a jew. She's more of a jew than I'll ever be because she grew up in a jewish neighborhood and her friends were all jews and she married a jew and i was just playing pretend. I stopped going home for holidays and they stopped observing anything except Christmas. I marry a goy. "Is he a jew?" is the first thing my father asks and he's disappointed when i say no. He's abusive, i run. I end up living in the attic of this older old money WASP couple who need a live in house sitter. They're pillars of their church and they know someone from the WASP side of my family very well and its a funny coincidence and they think i belong there. I know from their divest from Israel bumper stickers that i don't. Then they find out I consider myself Jewish and i see the light in their eyes die and its replaced by something hard and disappointed. Now, while writing this, i can laugh about being the jew in someone's attic. But then, it was only a few months after that they started coming up with excuses for why I needed to move out. I did, their excuses never manifested into reality. I got married again. A jew this time! a Jewish medical professional liek grandma always wanted. She's a convert and her ex was a rabbinical student. I think maybe i'm home finally. She has to understand. I'm not Jewish enough for her. We don't keep holidays at home because i'm not a jew. I cry every year when pesach comes and goes and i haven't recited the plagues or eaten matzo piled high with horseradish. She insists on putting up a christmas tree. She turns abusive. I run.

I'm alone now and no longer in that magic jewish city. I'm far away and surrounded by mega churches and cows and the bagels suck and people quote the bible at me like some call and response that i don't have the cheat code for and I don't belong here at all but i'm finally finally free to light my menorah and recite the plagues and study torah with the group i found here on tumblr who love and accept me even though i'm patrilineal. Oct. 7th happened a few weeks after I moved here. I worry about my family back home and i think no one will look for Jews here among the cows and mega churches, so I can be a safe place for them to run if things get bad again. But i still don't fit in here. I don't look right. The last name I have now is common here and too white for whatever people see when they look in my face. I get interrogated about it a lot. But i learned quickly how to smile and say "have a blessed day". I hide my menorah when maintenance comes to work on my apartment. I flew home last month. Just for a visit. I've never been away from home this far or this long. And I'm the type that covers nerves and anxiety with chattiness, so at the airport i made a for-now-friend while we both waited for the plane to board. She's Puerto Rican. We talk about our lives. Our families. Her twin sister and i go by the same nickname and so we're family now. We talk about food. So much food and how much we love cooking and how important food was at home. "Are you Italian?" she asks as we're stepping through the hatch into the plane. Why always Italian? I wonder for the millionth time in my life. And I freeze up for a moment between fighting my carry-on over the gap and terror that I'm about to see the light go out behind her eyes and i'll lose this for-now friend. "No," i laugh but its not a real laugh and i see the concern in her face as we squeeze through the aisle because she can hear the apprehension in my voice, "I'm Jewish." And something strange happened because her face lit up and she smiled and said "No way?! You guys have GREAT food!"

[pruneunfair]

Ranking every manhwa villainess and white lotus I could find.

Keep in mind these are all opinion based.

#22: At the very bottom of the list is Sumin Jeong from Marry my husband

Now, like almost everyone else on this list, Sumin is kept a level that is below the FL Jiwon so she can never best the hero. However unlike the others here, Sumin has not once been shown to be anything other than a dumb and evil bimbo who talks like elmo even before Jiwon regressed, her reasons for wanting everything Jiwon has make no sense and she has no flavor to her, no backstory that makes sense, no real charm since it's lost as soon as possible, all she has going for her is a distinct design.

#21: Charlotte-the villainess maker

Honestly, Charlotte is about as forgettable as the comic she's from. She doesn't do much, just basic bland white lotus tropes over and over. She is portrayed as a sweet heart but she's secretly a jealous vindictive mean girl, she loses everything to the FL because she's too basic for the not-like-other-girls readers, nothing really revolutionary about her, but this could be chalked up to the story shes from canonically being an abysmal mess written by the FL when she was 14, Sorry Charlotte.

#20: Iris Van Conrad-Today the villainess has fun again.

A step up from Sumin when it comes to backstories, still not the greatest but it makes a little more sense. She's more passive aggressive since her actual plots are destoryed in nanoseconds by the plot, she gets dunked on so much I wonder if she's supposed to the Villainess or a discount Meg Griffin. Considering the fact to that Reilynn is pedo coded, Iris is less of the two evils.

#19: Aisha Selir-divorcing my tyrant husband.

Shes okay, But like Charlotte, Aisha isn't very noteworthy, as usual, any attempts she makes to best or outsmart Robelia are met with utter failure, she could be something really great if she were just allowed to make a mark on the plot. Like actually have Alexandros take responsibility instead of blaming her for her existence. Her design before the art shift was pretty enough and I'm pretty sure she's being possessed by a vindictive soul so that might explain why Aisha suddenly became a villain when she's described as being dainty, sweet, and a general damsel and saintess in the story within DMTH.

18: Fonta Magnus:the tyrants only perfumer

Fonta is the type of antagonist that would be adored as a isekaied protagonist. She doesn't really do much though since she gets defeated over and over with the same plan of copying Ariels ideas (how original, no pun intended) I like her though just because her design reminds me of cartoon goth girls, specially Gwen from total drama island.

#17: Benela Verdi- the princesses jewels

I don't care if she seduced Ariannas father or killed her brother, Arianna was out there acting like she wouldn't do the same just to get with a sexy man. Benela may suffer from the same problems every other villainess does but if ranked them based on that then almost all of them would be on the bottom. This image of her drinking her stress away is accurate to how I felt reading this one.

#16: Claudine von Brandt-Cry or better yet beg

I absolutely adore Claudine and she's not really a villain but unfortunately the narrative says she's a so she'll have to count. It's why she's this low since she's just a woman who gets in the way of the main ship

As you can probably guess, her only crimes are being condescending to Layla and valuing superficial values such as wealth and status, crimes that somehow make her worse than Matthias in the narratives eyes. Justice for my girl Claudine ✊️

now we are moving up to the middle tier

#15: Diana-for my derelict favorite

This girl has more protagonist material then Hestia ever will. Sorry but Hestias entire thing is just being a rich girlboss, simping for Cael and damning any woman who broke his heart including Diana, who is the saintess that opposes murder, Wow! Who would have guessed that the saintess woman wouldn't endorse literal murder! Could she have communicated better? Yes, was she always in the right? Hell no. But she's got more character in her pinky toe then everyone else in their entire bodies to I salute to her.

#14: Irene/Aileen Hascator- I didn't mean to seduce the male lead

I have a weird relationship with her. One minute I'm impressed because she actually does manipulation pretty well at first with making the lives of those who won't swear loyalty her unbearable in very smart ways, she'll buy all her friends expensive dresses so she can stand out in a simpler one, she'll defend the black sheep and make her into her friend to keep up her sweetheart facade, unfortunately it's all so she can get with a boy where she goes nuts on anyone who gets near him.

#13: Freya van Furiana- how to get my husband on my side

I really loved this manhwa, almost all of the characters are complex and 3 dimensional with a great commentary on abuse, ED, and family dynamics, with that said I was a little disappointed seeing Freya as another basic white lotus who only wants Izek for herself, it won't take much even a little more character traits would help because Freya isn't just some random girl who became the ogfl, she was the childhood friend of Izek and Ellen, so we should've gotten to see a little more too her then what we got

#12: Mielle Roscente- the villainess turns the hourglass.

Beautiful design, basic but rather solid goals, a charming personality, Mielle has all of that in the bag. She secretly wants Aria and her mother out of her life since they aren't of noble blood (before the terrible Arias a noble plot twist) and she's really entertaining. However I'll never understand how she managed to destroy Aria in the first timeline if she's such an idiot now. The first timeline also takes the blame off of Arias shitty actions with "Mielle tricked her into being evil!" It ruins the charm since Aria, as a villainess should be allowed to suffer the consequences while not wanting to quit.. since you know, she's not meant to be a good person.

#11: Isabella de Mare-sister I am the queen in this life

NOT YOU!

THIS is the Isabella I'm talking about

Absolute genius, she knows that Ceasre is a bastard and not just in the literal sense, she doesn't even love him and just wants that sweet sweet power and wealth. Fooled Ariande for years that she was on her side and as a bonus she can easily say she wanted revenge for Alfonso to the public if they ever found out she was behind it all. But the best part about first timeline Isabella is her villain monolog that women mean nothing to men, putting your life in their hands is a fatal mistake and if you want to make it to the top, you gotta crush the opponents. But alas we never see this version of Isabella after Ariande goes back in time

Higher tier now, the best of the best who managed to make it this far

#10: Rhyse/Lise Sinclair- not your typical reincarnation story

Yeah shes technically being controlled by the author or hell maybe she is the author I have yet to finish this one but for once we get a comic that doesn't immediately pit two women against eachother and actually gives a solid reason for her to be at odds with Edith. When something doesn't go her way, Rhyse doesn't throw a fit and turn on the water works no no no. She stands there, awkwardly, almost like the real Rhyse is wondering why she feels so jealous and angry with Edith for stealing the spotlight. She's incredibly ominous too when that purple mist surrounds her to force the other characters back into place. All while she's making friends with Edith in a possibly geninue friendship.

#9: Isis Frederick- the villainess reverses the hourglass

I'm pretty sure most of us can agree she's the real villain of TVRTHG since she basically started and encouraged the whole operation to begin with from afar, the puppeteer if you will. Killer design, a great fear factor and an evil sister done better. Wish she had more time to shine.

#8: Diane Poitier- I abdicate my title as empress

What already sets her apart from other evil concubines is that she was there before Adelaide so her reasons for being upset that another woman is showing up to marry the Emperor is reasonable, obviously her actions aren't but I still felt bad for her since no one in that palace gave a damn about her, Diane got ruthlessly belittled and ignored for not being useful to their liking or simply being too desperate and when Adelaide tries to not make an enemy out of her, Diane is looking for anyone to direct her anger on but the redemption arc as short as it is, makes up for it.

#7: Leila- villains are destined to die

My favorite ogfl turned villain. Leila is pure evil no questions asked. She steals the body of Yvonne which played a part in taking the latters reputation to a degree in the fandom and starts brainwashing everyone around her. That's what makes her so terrifying, one minute you could be at your highest and you feel like you rule the world, and next minute it all comes crashing down when the face of your long lost sibling arrives with fake tears in her eyes, ready to destroy everything you hold dear.

#6: Soleia Elard- seducing the villains father

I can't believe I'm saying this but a classic black magic witch is a unique villain in the manhwa world. During her introduction she's already causing mayhem by trying to kill Yerenica with black magic, and at first you'd think she's another "I want my hubbies affection!" Chick but no, she just wants to marry Erudian to have his child and use said child to avenge her family and destroy everything, characters are all frightened by her because she actually gets shit done instead of failing every minute of the day, and even after all that, she's allowed the privilege of life by getting a redemption arc.

#5: Cosette Weinberg- I was the real one.

She deserved so much better!! 😭 Cosette, my baby, you were set up to be such an amazing villain with high intelligence and well thought out plans, why did they have to give you the good old plot induced lobotomy! Girly wasn't just smart but there were actually times I could get behind Cosette. When Keira gave a maid 100 lashes after she insulted and wished death on Keira, it was Cosette who took advantage of an actual truth with only a little bit of exaggeration, they were both evil but only one of them was rightfully called out for it. Honestly just read the novel, the manhwa did it dirty.

#4: Marianne Edenverre- into the light again.

Nah someone get this baby to a church and give her the aggressive baptism 10 times over, I'll always be wondering how the hell did that 10 year old get her hands on a demon in the first place, the fact that the family never found her hiding behind a door or closet staring into their soul like a paralysis demon is surprising cause I imagine she would do that and be like "it's just me sillies, I would never mean to scare you 😛" she's a well written villainess who I wish would have a little bit more screentime but her powers and what she can do honestly confuses me (like that whole body-swap thing)

Final 3 everybody, you ready for this?

#🥉: the 3rd place medal goes to Dodolea Castor from My in laws are obsessed with me

Another real villainess, putting everyone off guard with her initial gacha life brat persona only to be hit in the face with disturbing levels of cruelty that can only match a psychopath, she looks straight out of an uncanny mr incredible meme with that light skin stare shes got. Straight up laughs at Therdeos trauma while being well aware that she tried to SA him and how it affected the poor guy and later proceeds to attempt to kill and later kidnaps his wife. There's no remorse, no regrets, just the souls of innocents behind those huge eyes.

#🥈 : the second place medal goes to Verta Alberhart from depths of malice.

She isn't even the antagonist, no that's the protagonist! And honestly, the only white lotus in the main lead spot I've ever read so far. And while she has a messed up backstory that explains why she's so bitter, she still full on embraces it. Vertas way of being granted a second chance isn't even because of some goddess or divine power, she just snatches the body of a suicidal noblewoman and wreaks havoc on all of the disgusting noblemen in her path. She cries on the court trial of her fiances murder while secretly laughing knowing she set the whole thing up and slowly ruins the life of anyone who fucked around and found out.

At long last, we reached #🏅, and the crown goes to none other than...

Rashta Ishka from the remarried empress!

Hear me out now, this isn't just me being biased. Rashta earns first place because even though she is rendered an idiot who's only use is being worse so everyone else can look good, she still managed to do something unfathomable. She earned the respect of a fandom that initially hated her with all the fiber of their being and now she has a growing fanbase of real people, not fictional characters, actual fans. People are literally turning on one of the most popular manhwas that started it all for its treatment of Rashta (because who would guess that people are uncomfortable with the fact that a former slave is the ultimate evil and not the guy who tortures people just for shit talking the FL) and even though there is still a big part of the fandom who despises her, she still lives in everyone's head rent free. The trashta meme is more well known than Navier as a character and her character arc will always be superior and far more interesting than everything else in the story, after all remarried empress did start to decline after her death.

Jesus christ this took so long, I had to do so much rereading and fact checking but it was worth it.

[happy74827]

Burning Bridges

[Dexter Morgan x Female!Reader]

Synopsis: Upon an incident that was out of your control, Dexter comes to the realization that it wasn't just a coincidence.

WC: 1951

Category: Slight Angst, Hurt/Comfort

I forgot how much I missed this show (him), so I decided to write another. It's been so long since I last wrote for him that I actually see the difference in my writing. It's wack.

『••✎••』

Dexter was many things… a brother, a son, a pro bowler, a serial killer… but what he lacked was being a good friend.

He didn't understand friendship or its value. It was something that he simply couldn't grasp. Sure, he was able to fake it well enough in order to make sure that people liked him and didn't find him too creepy or strange, but there was never any real emotional connection. In his mind, everyone was either someone he needed or someone he didn't need, and he would treat them accordingly. The only exceptions to this rule were his sister, Debra, and you.

The two of you had met back in college, having been assigned to be each other's partners for a group project. It was a poetry class and a course that Dexter hadn't really wanted to take, but a general education requirement and the promise of an easy A convinced him to at least show-up and suffer through it. Well, for a guy who had to fake every single aspect of his personality in order to fit in with society, it turned out that poetry didn’t come quite as easily as he thought it would.

He had always found the art form to be rather silly, with all the emphasis on metaphors and flowery language. There was no purpose or goal other than to be creative and artsy, and it bored him to no end. The first time you had sat down with him to discuss the project, you could tell how much he didn't want to be there, and the look of complete disinterest on his face as he tried to figure out what your poem meant was the most hilarious thing that you had seen in a while. You couldn't help but laugh, the sound of which made him sit up and give you a quizzical look.

"What?" He asked, tilting his head slightly, confused.

"Nothing," you replied, still giggling. "It's just that I can tell that you don't like poetry."

"Why would you think that?"

"Because you haven't said a word; you're just sitting there, staring off into space and twirling your pencil between your fingers," you told him, and he glanced down at the utensil as if he didn't realize that he was doing that.

"Oh. Sorry, I guess," he apologized, his tone making it clear that he was actually a little annoyed at having been called out on his inattentiveness.

"That's okay. I like poetry, so I'll be happy to do most of the work," you offered, smiling sweetly, and his eyebrows raised.

And that you did. In fact, you loved it so much that you majored in English and planned on getting your Masters, while Dexter got his degree in criminology. It was a nice trade-off because while he struggled in poetry, getting down into the debts of his feelings that were nonexistent, you struggled with chemistry, unable to wrap your head around the subject no matter how hard you tried.

So, the two of you had a mutually beneficial agreement. You did all the work for the poetry class, and in exchange, he tutored you in chemistry and made sure that you got a decent grade. Once the class was over and done with, the two of you stayed friends, though you had very little in common. Dexter had no interest in books, and you had no interest in criminology. He was a loner, and you had plenty of friends. You were a romantic, and he was completely unromantic. He didn't even have a girlfriend, and you had been in three different relationships over the course of the two years that you had known him.

Still, the two of you got along well enough. You were one of the only people that Dexter could actually stand for more than five minutes, and he was the same to you. So you went out to the bar sometimes, hung out with his sister, and did your best to keep him company while also doing your best to try to set him up on dates, hoping that one of these days, he'd actually find someone. It eventually did work out when you found him Rita, but as of right now, she had broken up with him, and he was back to being a lonely bachelor which it didn't bother him much until now.

You were in the hospital, your head wrapped and bandaged like a mummy. You were apparently attacked outside the grocery store, and if it wasn’t for the small instructions he had given you for self-defense, you most likely wouldn’t have survived.

At first, Dexter didn’t think of it as anything important in terms of his line of work. He believed it to be a coincidence, a random crime in the night. But it turned into something more the night he decided to visit with some cake.

“How’s the head?” He asked as he came inside, seeing you propped up reading. Of course, you were reading.

You shrugged. “Like I’m wearing a sweater hat, but it doesn't hurt, so there's that." You paused, setting down your book and glancing at him. "I’m still salty about my groceries. Almost two hundred dollars I spent on that stuff. Gone. Wasted. Poof."

Dexter had to chuckle a bit. "Hey, I can't do much about the food, but I brought you something," he said, revealing the white box.

"Is it chocolate? If it is, I love you," you joked.

"No, it's just vanilla. But, here."

He opened the lid and showed you, and you immediately lit up.

"Awww, Dexter! You are the best friend ever," you gushed, giving him a warm smile.

He smiled back. "It's the least I could do."

He was cutting it up for you when he noticed movement out of the corner of his eye. You didn’t seem to notice, but out in the hall, a shadow passed by the window. His body went on alert, eyes flickering towards the door. He couldn’t see much, but he could make out an elderly man with gray hair and a beard.

Dexter's face remained unchanged, though his body language betrayed him as he sat the cake knife down. He knew that look. That look in a man's eyes when he was looking at prey. This was a predator.

"Hey, uh, what was that description again? Of the man who attacked you," Dexter asked, his tone a bit distracted.

"You mean Santa Claus on drugs? That pretty much sums it up. Why?" You looked up, confused.

"I don't know. It's probably nothing."

But it was something. The man had apparently come back to finish the job, and Dexter's jaw clenched at the thought. He was already planning his death in his mind. It wouldn’t be pretty. He gave you a piece of cake, swearing that he’d be back soon before going after the man. He stopped at the lobby momentarily, informing Angel to keep an eye on you, which, of course, the cop complied with.

Angel was a good cop. He was loyal, smart, and a damn good shot. But there was one thing that made him a great cop. He cared about his city and the people in it. He would protect the innocent no matter the cost, especially when it came down to those he was closest to. He was the kind of guy who would risk his life without a second thought if it meant saving others.

This is why Dexter liked Angel and why he was the only one that he trusted with this job.

Finding the man was extremely easy on his part. Dexter already knew what the guy’s plan was, so he stuck around outside the parking lot, watching the shadows. After a few minutes, the man appeared, heading towards the entrance once again.

He never got that far.

A hand was clamped over his mouth while the other dragged him away from the double doors and towards the side of the building. Dexter didn’t pull out his knife, though, only resorting to his arms as he applied pressure against his throat. The man fought, trying to break free, but he didn't get the chance. Dexter didn’t kill him, no, not yet, but his arm was still strong, and he had no plans to let go.

“Listen closely. If you so much as look the wrong way, I will rip your heart out and shove it down your throat. Understand? Nod if you do," he threatened, his voice calm and even. The man nodded, terrified, his eyes wide.

"Good," Dexter replied, “Why are you here?"

The man was quiet, but he was breathing heavily, and his eyes were watering.

"Talk. That girl, why are you after her?"

"I’m not—”

"You attacked her, and now you came back to finish the job, did you not? Who sent you?"

The man was sweating; his face was flushed and red. Dexter was pressing too hard, and his victim was starting to lose air. He didn’t care.

"Who?" He repeated.

The man choked, unable to speak.

"Last chance. Who sent you? And don't lie to me."

The man didn’t answer, and Dexter tightened his hold. That finally did it. The man began to squirm violently, trying to break free, but it was too late. His face started to turn purple, and Dexter had to adjust his grip and pull him closer.

“It wasn’t personal! I had to! I didn't have a choice! It was just a job!" He gasped out, struggling for air. “I got paid to do it. I was just doing what I was told! Please, please, don't kill me."

"Who was it?"

"I—I don’t know. It was some lady. I met her at a bar. She didn’t give her name, but he wasn’t American. She gave me ten thousand dollars and told me that the job was to attack this chick in the parking lot and make it look like an attempted robbery. Said it had to be done in a couple of days. Listen, man, I didn't want to do it. But the money—"

"What did she look like?" Dexter cut in.

"Dark hair. Young. I don't know! I don't know, I swear. She wore sunglasses the whole time. Please, don’t kill me. Please."

Suddenly, it hit him like a ton of bricks. The Dark Passenger was roaring, the realization washing over him like cold water.

Lila.

Everything made sense now. The way she had suddenly showed up out of nowhere, the incident outside the bowling alley, her sudden interest in you. It all made sense. She was behind it. She had done it.

Dexter wanted to snap the man's neck. He wanted to rip his throat out. He wanted to take his knife and stab him over and over again, to punish him for what he had done to you, but he refrained. He had the answers he needed, and the cameras around were still running.

He dropped him and watched him collapse, gasping for air. He didn't move, too scared and in shock to do so. Dexter didn’t say a word; his anger was silent, but it was boiling beneath his skin.

He was going to kill her. He was going to hunt her down and end her, and there was no place on Earth where she could hide.

“You ever, and I mean ever, come near her again; I will tear out your spine and make you choke on it. Understand?"

"Yeah. Yeah, I understand."

Dexter didn’t say anything else; he simply walked off, his hands stuffed into his pockets. He had a lot to think about.

[lovelyyandereaddictionpoint]

Yandere //// Part 3

Part 1 • 2

With your trial on hold and them still in desperate need of their technician, no one goes too far 

But you are isolated by most 

And verbally tested by the lieutenant

“Oh hi, I was cooking some potatoes if you’d like to have some?”

“Hm, so you have time to ruin our ship’s programming and to waste supplies; instead of the pre-made meals that are just as nutritious?”

“It’s not going to waste. I’m going to eat–”

“Talk to me when you have some form of value, again.”

Jule’s anger helps Vera identify the thoughts they’ve been having about ‘accidentally’ unlocking the doors of the airlock for the lieutenant

“Can you believe them after so much (Y/n) has done to help, this is how they repay them?!” 

“Not to mention the harassment they think goes unseen.”

“Exactly! I feel less inclined to help these people every day.”

It doesn’t get any better

No matter how many times Jules can get the Captain to ridicule this behavior it never stops

It gets bad enough that Vera stops you from going into your room one day

“Vera! What’s going on, you’re scaring me?”

“I do not mean to but the state of your room…well it is best you spend the night with Jules.”

“Yikes…is my box from home okay?”

“...I cannot definitively answer that I am contacting the hazard containment team now.”

One night turns into many which oddly enough improves your mood

Jules was never really social anyway so his room is a comfy place

You both naturally grow closer with each other and Vera in your lonesome

It’s easy to keep you happy that way

Vera will inform you when the theater is empty or the art room is restocked just for you

So that you can enjoy in peace

But Jule and Vera don’t have that luxury of just avoiding everyone

They both intently watch and listen to the crew become a real hostile place

Not just for you but for Vera too 

Turns out the Captain isn’t too thrilled about the ship gaining sentience

“You are the technician, fix it!”

“It’s not something I can just ‘fix.’ Also historically this is the first ship to gain sentience like this and not in a violent fashion.”

“I DON’T CARE!! I SIGNED UP TO COMMAND THESE PEOPLE NOT A SHIP!”

Hatred for Vera grows as people whine about threats

In truth, they aren’t threats

They’re Vera criticizing their violent ‘pranks’ against you

When the accusations become louder talks of abandoning the ship are more frequent

“These people are so awful I’m getting just about tired of helping them at all.”

“Me too.”

“…Hey, d’ya want to do something that’s going to make them crap their pants?”

“Sure!” 

In absolute rebellion, Jule reveals a plan kept secret among the crew about ‘the artificial protector’

Having all the physical features of a human man but all the innards of the greatest metal and technology known to mankind

To most, it looks like any other passenger still being kept in a pod but of course, this one’s different

As their prized genius technician, Jule’s expertise would be needed to access it anyway because he knows the inner workings so well

It has a separate AI installed, an older one meant to take control if the ship were to malfunction in any way

Jule immediately fries that circuit board completely 

putting one that connects to Vera’s system before hiding the robot back inside it’s pod

“Why cannot I not try it out now?”

“Because it’ll screw with my plans if you do.”

“But…I want to feel you both.”

“Soon Ver. Soon.”

Part 4: Coming?

[capslocked]

STARLET

male reader x cho miyeon

part 1 of another name up in lights

28k words (special thanks to @passingnotions for helping make all my work possible)

“I would rather throw up,” you murmur out of the corner of your mouth, “than do another take of this scene with you.” “Okay.” Miyeon tilts her chin. The lights begin to dim over the blonde hair she has falling over an upturned brow. “Then throw up.”

It takes a few beats—while production staff scurry about the tense silence rolling through the studio—for everything to fall perfectly still.

Miyeon takes a deep breath, and whispers: “I can get you a bucket.”

“Action!” (The one where Miyeon ruins your career, and you ruin her too.)

- That first time the two of you are photographed together, it’s wholly unremarkable. The entirety of the cast is in frame, standing shoulder to shoulder in front of the banner at the presser and pretending that someone had just whispered something worthy of a belly laugh into your ears. Cho Miyeon hangs delicately off your arm, hand wrapped just above your elbow, and all of you are at your most jovial—looking like you’re simply having the most wonderful time, smiles wide and beaming. Because if that isn’t part of the act. You sell the characters, the fiction, the drama even when the cameras aren’t rolling.

The second photo is what gets people talking. 

Anyone with half a brain ought to know that if you were sincerely seeing your co-star, an untruth that the general public is apparently beyond happy to eat up, you wouldn’t be so careless to post up outside a small cafe. Certainly not at a trendy place aside one of the busiest streets in the city, but these tabloids are rabid. Like a head injury, that self-condemning desire to get clicks and hits at any cost has long clouded their ability to think, and so it gets plastered right there on the front page of every rag in the industry. Don’t get it confused, the photo looks good. It’s got allure and mischief written all over it. And that’s exactly what you’re going for.

Miyeon’s hair is up, tied into a messy bun, because she’d have hated to obfuscate the work that her floral shoulderless dress was not doing in hiding from the world the most immaculate pair of collarbones you’d ever seen. Then in her hands—between her teeth—she fiddles with the earpiece of her sunglasses, shooting you with the clearest, most flagrant fuck me now eyes that only a blind person might not pick up on (doubtful still). And you’re there, smirking back at her, for even if a photo tells a whole story, this one really only ever needed a sentence: sparks flying, the two of you really hit it off. 

It’s a point of contention later—several times actually—but regardless of how you feel, the girl can act.

Now the image that really gets the media whipped into a frenzy is a lot less polished. It’s grainy and the lighting is poor and in a change of pace, the quality of the photo would lead you to believe that it wasn’t premeditated. Which, unfortunately, is exactly how it goes down.

Even still, it's all framed perfectly, infamously, a straight-up disaster. Miyeon is immediately recognizable, unabashedly blonde and gorgeous as ever. You’ve got your mouth on hers and the problems absolutely do not end there: her back is flush against the bricks of the alley, pinned under your weight, and yes, your hands are busy. One up her skirt, the other in her shirt, she’s blushing into you, and you wouldn’t know from the photo, but she’s got her fingers working at your belt and as a collection, it’s all utterly shameless. Everything up to that point had been muted in subtext; both of you know the value of intrigue, the art of letting everyone else connect the dots—this, however, unintentionally becomes a phenomenon.

Lights the internet on fire for a minute.

The shocking part of all this, what ends up being labeled a calamity by people whose opinions actually concern you, is the photo that you assume will haunt you forever and follow you to your grave isn’t even the one where you’re making out with the starlet du jour in the harsh yellow of an exterior floodlight—in the relaxed wickedness only two AM might ever know. No, it’s this photo, the press’s favorite, given how it shows up everywhere. Miyeon’s holding the award for best actress in a lead role in one hand, knuckles tight around the podium microphone with her other. She’s radiant. She’s flustering. She’s breathtaking. She even trips up on her words in a way that’s endearing. And every fool with a blog is infatuated by all of it.

Your own thoughts on the matter aside, the most neutral and economic way to describe it is unintentionally funny. You were with her when she picked out that silver sequin evening dress, sparkling in the demand of stage lights and camera flashes. It spills from where the garment ties around her neck over the lines of her body as if it has no bias itself for any form or structure, only curving on its journey to her feet at the behest of where her breasts sloped down from her collarbones, the flare of her hips just below her waist. She’s the spitting image of perfection, a damn icon—the headlines are supposed to be about her—but there you are: tucked into the corner, in a sea of faces all justifiably mesmerized by the beauty that walked delicately onto the stage and adorably needed to adjust the microphone stand down to her height. 

As It turns out, the absolute displeasure in your scowl isn’t any less captivating. Envious. Spiteful. Arrogant. You catch some serious flak for it.

For months, it ends up being the subject of commentary online, in print, on television—your names on the tips of everyone’s tongues. All with their own theories, but no one manages to guess the truth for a long time, because no one could even begin to believe it:

You hate Miyeon, and Miyeon hates you.

-

Oh, there are plenty of clues, if you aren’t already keenly aware of it, that your career is slowly sliding into obscurity. Years ago, walking into your agent's office was an event: eyes widened and turned to you immediately. The quiet smiles, the blushing, the batting of eyelashes. The pomp and circumstance of the agency’s biggest client strolling into Soyeon’s office like you were crossing the Rubicon into the streets of Rome. It was glorious and it always meant something big was about to happen.

To be clear, you’re not saying you need the attention, but today, no one even offers to take your coat, which is a shame, because it’s been raining biblically for the past week, and there’s puddles in your shoes, squeaking obnoxiously as you parade unceremoniously through a row of desks. Even so, sounding like a dog’s chew toy, it’s sheer and utter avoidance—eyes glued to monitors and unlifted from scribbled notes as though you’re simply another courier delivering a parcel (which hey, in all honesty, someone like that might even have some of that magical potential). 

“Hold up. What do you mean they’re passing me up?” you ask, eyes narrowed and leaning forward in your seat so that the blatant abandonment of all your grace and charm doesn’t get lost in translation across the length of Soyeon’s desk. “That part had my fucking name on it.”

“It did.” Soyeon drums her pen against her keyboard. Comes close to making a face. “And now it has someone else’s name on it. Someone the studio trusts.”

“Oh, for christ’s sake, he’s twelve years older than me. The character is supposed to be thirty, not a dinosaur in a Kingsman suit.” 

“It’s the silver fox thing. He markets easily to women.”

“And I don’t?” you stammer out, and Soyeon lifts an eyebrow. “Only a date night staple for almost a decade, Soyeon. Can you honestly sit there and say I wouldn’t play it better? The man plays nothing but himself in every role. Every. Single. Role.”

“Well, it just so happens that he brings people to the theater in droves,” Soyeon snaps back before you have the chance to say anything you could possibly regret. “Look, I told you I have good news and bad news, and it sounds like you’ve figured out the bad news already.”

“Oh please don’t tell me it’s charity.” You wave your hand flippantly. “We’re not doing this.” 

Discount parts for struggling actors. If they were worth more than the paper in the scripts they were printed on, Soyeon would’ve been negotiating them this very moment. 

There’s a lot about it to unpack, your fall from grace. You aren’t bringing in commissions, directors aren’t lining up in front of the firm to shove their scripts in front of your nose, and your last few films are better remembered for the comedic value of their scathing reviews than the actual screenplay or cinematography.

One such review of your most recent work, an ill-fated screen adaptation of Blood Meridian that had ‘studio interference’ written all over it right from its woeful inception, reads: I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the implied sensibility that thought anyone would like it. Hated the subliminal insult to the audience by its belief that anyone would be entertained by it.

There are plenty more just like it, and plenty worse, but it’s never done you any good, mentally, to sift through them.

“Really. I’m serious, these parts aren’t bad.” 

Soyeon has enough confidence in her voice to sound convincing, but you’ve also never heard her come across any different. You catch yourself pausing to think about it, which is a clear tell that you’re perhaps nearing wit’s end, considering you’re not one to shy away from blurting out the first thought that forms half-coherent into your head.

“Now, they’re not what you’re looking for, admittedly, but I just think with a little luck, they could end up being a fortuitous move,” she adds.

“Go on, pitch,” you say, before sinking a little lower into your chair because even though it pains you to agree with her, she’s right.

“If you’ll dismount from your high horse for a moment,” Soyeon starts, waiting for you to finish rolling your eyes, “the Coens called again—”

“I’m not.”

“The part is interesting.”

“The part is small, it’s side-cast. Don’t sugarcoat it. I’m not taking one of their rescue-shelter-for-the-has-been supporting roles. That’s the equivalent of throwing in the towel.”

“It’s done wonders for careers in worse shape than yours, to be candid.”

“Careful,” you warn her, lifting your chin and glaring—a look you are definitely not known for—but if there’s anyone in the industry who could hold her own, deflect your best, and make you feel foolish for thinking you could cross swords and come out unscathed, it’s Jeon Soyeon.

“May I remind you that I’ve been nominated for best actor three times? That no one in their right mind predicted any of those movies to be any good? I’ve got talent. Let’s not sit around and pretend like I need to be put on life support here. I’m capable.”

Soyeon just steeples her fingers together. “I don’t need the reminder. I made that exact point in a call with a producer this morning, but it’s hard to get people to look past the fact that some of your recent choices have been—”

“If you’re going to say I told you so,” you grumble, letting out a sharp sigh, “let’s get it over with.”

She doesn’t say anything right away. Just pushes a folder across the desk and into your hands like she’s betraying national secrets to a foreign adversary. “Listen, don’t walk out in disgust. At least not right away.”

It takes only a moment. You recognize what’s going on here immediately. “Soyeon.”

“I know. I know. I know.” She waves her hand. “But hear me out, give it a chance.”

“It’s a rom-com, Soyeon.” “I’m plenty aware of what it is.” “I can see it already: smart, sophisticated, funny.” It takes a lot not to curl your lip. And then it fucking curls anyway. “I thought… I thought I had climbed out of the depths of romantic-comedy-hell, Soyeon. This is like suggesting that I get back into a relationship with an abuser.”

“I know, but this one actually is different,” she says, and you take a moment to remember you’ve always respected her honesty, paid her for it, and should’ve probably listened to it on more than one occasion. It’s the reason you’re here of all places. 

“You’d kill the part,” she adds. “You spent years killing parts just like it. There’s no shame in that. And the director’s asked for you, specifically. By name. She’s willing to double your asking price.”

So maybe your eyes widen at that, even if it’s the absolute worst way to admit defeat, that you’re just as talentless as you’ve always feared: retreating back to the comfort of the role, all that expertise in acting with—no scratch that, acting at—some barely legal starlet ready to show a little skin to get ahead. 

(That’s the nature of the game, and it’s your roots, unfortunately, but it’s safe, and if the money is there, then better the devil you know than the devil you don’t.) “Ah, yeah okay, well here’s the thing: they’ve already decided on the female lead.” You lean forward, like you’d have to listen to this next part in a whisper, because anything louder than that would make it too difficult to bear. “And?” Soyeon clicks her tongue, runs her thumb across her lips, thinking of how to soften the blow. “I mean she isn’t what you’d call an actress, exactly.” “What the hell does that mean, exactly?” “Cho Miyeon,” she starts, and you’re actually just sitting there, tasting at something in your mouth like it’ll help you make sense of it, if only for the reason that you’re not quite sure who that is. “She’s, uh, well, she’s a popstar, you see.” “Oh you’re not kidding.”

There’s a sincerity that lives somewhere in Soyeon’s lack of any expression at all, perfect poker-face armed and readied. You have to squint to really take it in. Heavens.

-

Exactly how much Soyeon actually knew about this girl, you’ll never know. She claimed first that they met through a mutual friend who does publicity work for another studio, and on a separate occasion saying that they went to school together, determinedly avoiding anything like names or corroborating details. Of course you believed her, because how were you supposed to know any different?

“Wait, you mean like actual royalty?” you ask a few days later, after Soyeon explains Miyeon’s nickname to you, because in this industry, it’s really not that ridiculous a question. 

“It’s just a running gag,” she says casually, and you both watch the waiter wordlessly grate pepper into her salad until Soyeon puts a hand up.

“So,” you continue, incredulous, “it’s supposed to be funny?”

“Look, it’s a whole thing.” Soyeon picks up her fork, but doesn’t quite end up doing anything with it. “I promise she’s only half the disaster you think she is.”

“Then do me a favor: kick my shin when I’m supposed to laugh.”

“Do yourself a favor, and try to be a little amiable.”

“You say that like I don’t know how to be charming,” you deadpan, sipping at your coffee while Soyeon’s glare stands its ground.

It’s nothing official, but Soyeon had organized a script reading. The Director is off in some foreign land scouting for the perfect beach with perfectly white sand on an island that already has enough problems, and tells you in three separate text messages to just read the fucking script. You’re groaning, rolling your eyes, and then, curled up next to the fireplace in your readers at three in the morning, it hits you—like really hits you. And you’re shocked, mostly, that there's brilliance in these pages. It’s not the kind of flick you expected, the kind that has journalists at the Atlantic, real writers with academic chops and know-how, publishing articles with titles like: Why Are Romantic Comedies So Bad?

Which, hey, isn’t that a great question. There are a couple of answers, you imagine. You haven’t read the piece of course; you’re the last person that would ever need to. But perhaps among the most fundamental obligations for the genre is that there must be some degree of obstacle, a challenge to nuptial bliss that the hero and heroine must overcome, all before the story’s happily-ever-after. And, to put it simply, such obstacles have only gotten harder and harder to come by. They used to lie in heaps and piles on the ground, ripe for the picking: parental disapproval, difference in social class, unfulfilled promises, the classic and creatively bankrupt friendship-blossoming-into-romance. Nowadays there’s quite literally nothing new under the sun.

So take that all into account, and then add in the fact that you’ve got your hands on something innovative and creative and tasteful—it’s insulting, absurd even, that you’d hamstring the movie by shooting one of the leads out of a cannon and into the hands of a novice who may or may not be able to act her way out of a paper bag. The part calls for subtlety, not the ham-handedness and dramatic stylings of a girl whose experience with the camera extends to knowing when and when not to wink.

Only here’s the thing, it’s not absurd. Like at all. Because enter Cho Miyeon.

She appears in profile first, before pulling a chair out from the table and taking a seat all with the confidence of someone who’d probably be welcome at any table, anytime, anywhere. And almost immediately, you’ve got the answer to those hundred different questions of why. Why a rookie? Why a pop idol? Why ‘princess?’ 

Well, see, on a basic level, she’s fucking breathtaking.

The devil’s in the details if you aren’t disarmed completely at a glance. Dignified, regal, royal, this girl has it all, and then some. Her hair frames her face as though it were in any need of succor, perfectly messed and ash-blonde and tumbling effortless down her shoulders. She flutters her lashes; her lips part, close again in a way that is oddly captivating; and she gets a tilt in her chin that’s worth a thousand words (most of them admittedly, jesus, fuck, and my god). It’s like she not only understands every cliche in the book—but she’s gone out of her way to make them hers. “Miyeon,” she says, voice gentle and saccharine sweet, extending her hand towards you. 

It dawns on you that there’s a certain authority that comes about from saying your own name, even when you know no one has ever needed it—contrast to the way her hand fits in yours, dainty fingers, wrist flawlessly delicate; she’s five-two, arguably five-three in her socks and you’re the one who could crush her. Even so, it’s your mouth that runs dry. You’re catching your breath, and you have to clear your throat to even return the favor.

“I’m a huge fan of your work,” she adds. 

“Oh,” you start, shifting gears, getting ready to lie straight through your teeth, “me as well.” It’s shamelessly performative. And Soyeon knows that. The wince she struggles to hold back from across the table is hard not to notice.

But then so is Miyeon, your eyes trailing down her body like a palpable touch over every curve.

Black mini skirt, pre-torn sheer tights, a pair of knee-high combat boots with a hell of a heel on them, and you’re just realizing you can see how perfectly flat her tummy is, peeking out beneath where the hem of her shirt decides to taper for the betterment of mankind. Ah, you get it, so apparently idols really do dress like that—anything and everything to tell you, keep your eyes on me now.

The feet of your chair scrape loud on the floor as you stand on your feet. “Charmed, I’m sure.”

“Alright,” Soyeon tuts as she stabs at her salad, “let’s dial it back.”

It takes two tries to meet her eyes properly, these beautifully dark and dangerous things, but Miyeon just blinks at you, quirks her lips gently into a small smile. And you smile right back, just a little, because maybe this isn’t going to be so bad after all.

-

It isn’t anything like the romance Miyeon will later make it out to be. 

Even though sure, you’re both there laughing, blushing and coy—all of it enough to make the characters in the script look even-keeled, something a little more sane. “Please, it’s called chemistry,” you begin crafting excuses toward your agent when Miyeon takes a phone call on the terrace. “I have it with everyone.” And maybe that’s true. Maybe it isn’t. But be careful, there’s nothing noble about what’s going on here. 

“Sorry,” Miyeon apologizes, like she’d ever need to, pulling her chair right up next to yours. “Where were we?”

Just the part where the characters realize everything they’ve ever been looking for is right there in front of them. You spit the pen cap out of your mouth to answer: “the epiphany.”

For what it’s worth, the actual work to be done goes smoother than you expect. Sure, the initial delivery is rough around the edges and in need of a little tender love and care, but that’s far more than what you’d been prepared to give Miyeon credit for.

Not too long after, Miyeon suggests splitting a bottle of wine, something light and sparkling. It goes down easy.

Soyeon figures it’s time to fabricate some way to gracefully exit this whole thing, fingers tapping wildly at her phone, when you and Miyeon start touching each other. It’s subtle at first: she leans over your shoulder when you point something out in the script, pulls back a curtain of blonde hair right back over her ear before brushing up against you, lingers just long enough so that she can flick her eyes up to yours—doesn’t even care to look away whenever you catch her staring. And that’s just what can be seen above the table.

With a coat tucked under her armpit and her belongings all hastily gathered, Soyeon turns her face back over her shoulder one last time; she’s glaring, opening her mouth to say something but decides against it at the last moment. You get the message: don’t sleep with her.

You simply wave her off. Hide your own disappointment that she thinks you’d even need the reminder, because you would never.

“I guess I'm really looking forward to it,” Miyeon says, once the sun’s finished its daily dive into the horizon—once there’s only a mess of papers and empty wine glasses trailing in your wake. 

(The restaurant’s in the middle of whipping itself into shape before a slew of dinner reservations come through. It feels rude to camp out at a table any longer.)

Miyeon turns to you, standing with a hand on her hip like the two of you are neighbors who share a mailbox, and says, “think it could be fun.”

Oh, surely you’ve done a better job at masking a grin. Miyeon picks up on it instantly.

“I’m serious,” she adds, letting the timbre of her voice shift into this juxtaposition of suggestion and naivety that has you doing a double take, mentally. Because the lines in her picture perfect face are so very easy to latch onto—even if you’ve never seen anyone as perfectly sculpted as her, you can’t shake the feeling that all humans ought to come out looking like this—but at the same time, there’s something that lies beneath the surface, something undoubtedly complex, something that quietly chides you for having such untoward thoughts of a subject so innocent and docile.

“I’m not trying to take the air out of your sails or anything,” you say as you guide her through the door, hand pressing at the small of her back, “but these shoots can end up being a lot less enjoyable than they look.” “Of course,” Miyeon says, laughing, because here she is, the rookie, and it’s all very natural for her to appeal to some innate desire in you to come off as the authority on anything—film, stardom, the lack thereof, navigating life as a young pretty thing, the authority you’d discover in bending her over your kitchen counters—to some extent, she has you at least a little figured out. “What I mean is I’m looking forward to working with you.”

You watch her smile slant, shift quietly towards something more suggestive when you slip your coat around her shoulders—it’s a foregone conclusion, not that either of you are willing to look it straight in the face.

What you should have done is grabbed your phone and called her a car; there’s thousands of them in this city. What you should've done is driven home, alone. That’s all it should have been. Just some starlet you charmed for an evening to get your career back in order. Nothing more, nothing more. And instead of getting her for a few months plus change, you get her for life. This should’ve been extra clear when she leaned up against the passenger side door of your car, and found a new angle, something she’d only to that point allow to muse about your idle thoughts:

“And here I was, thinking you were just someone playing a part. Only ever a romantic for the camera.” 

You can’t even say it all happens so fast. 

Not when you take in consideration how you watch Miyeon delicately, slowly, purposefully grab a fistful of your shirt, balling it between her fingers, and begin to twist. This is probably where you’ll start, you think, when you explain it all in a tell-all book long past the age of your youth. Because, oh, what a pleasant surprise. She’s perfect. Flawless. A natural. You can’t keep your eyes away from her, and she’d have it no other way.

“Are you sure you know what you’re getting yourself into?” you ask, if only to resist the urge to pull her in.

“Well, I suppose I’ve got a few ideas,” she says, and there’s a glimmer at the surface of her eyes, dark and intelligent and flashing with something like danger, something like the worst decision you’ve made in years. And that’s saying a lot. “But I’d like to think you can show me.”

You give her a practiced smile, stretching just right, careful, careless, carefree. Trust me, that smile says. It’s a scene from a movie, one of many. It’s familiar. You’ve been here, with weapons in a caliber all of your own, and Miyeon’s cheeks start to ever-so-perfectly redden, porcelain skin come aflame. 

“You know,” you say, making your voice drawl until Miyeon shuffles her weight between her feet, “if it was up to the writers, I’d kiss you here.”

“If it was up to me,” Miyeon starts, chin up at you like a challenge, “I’d let you.”

The way Miyeon explains it later is that you duck your head and hold your lips next to hers just long enough to let your next breath make her swoon, all before interrupting her with a hungry exhale and an open mouth pressing into hers. A hard, biting kiss that sends shivers down her spine. That you angle your mouths just right so your tongues can slip together, so you might sweep this girl right off her feet and into your arms—if Miyeon has a face that has fantasy written all over it, then so do you, and she says you ought to know what it does it to people. She’ll be half right. 

Only when you lean into her and start filing away those mental notes of how perfect her tiny waist fits in your hands, you pause at the sound of a cricket chirping, a reminder of the neighborhood around you.

“Not out here,” you murmur, casting a wary eye over her shoulder. “Let me take you home.”

Miyeon sniffles, blinks a few times, and nods.

-

Really, it starts with you. A month before you begin shooting, you suffer from a little insanity of your own. Miyeon’s got the second boot only halfway off her foot, lit up in the soft darkness of your foyer, when you take hold of her. 

It’s not like you figured this was your last chance for happiness—swallowing down the gasp that comes off Miyeon’s lips like it were your only shot at tasting heaven—but that’s exactly how you kiss her. Mouth open and hot and heavy against hers. It’s hard to explain, and it doesn’t quite add up; you’ve got your Furies, your own personal pantheon, the girls you’ve most dreamed about and had running through your thoughts—who’d eventually find their way between your sheets in some manner or another, melting in your hands. But somehow, Miyeon’s different, you convince yourself. Or she does rather, starting with her tongue sliding languidly against yours before she decides to bite down on the swell of your lower lip. It hurts. 

She knows it hurts.

“Watch it,” you say, coming off kind of harsh, before you can realize what all is going on here. Before you come to the understanding that she’s untouchable, priceless, that you can’t afford to break her—and that it’s precisely what she wants out of you.

“What?” she asks, the corners of her mouth slanted up ever so slightly. “You’ve got nice lips.”

How you’ll ever be able to forget someone like her, you haven’t a single clue, because Miyeon uncovers and undresses you down right to the bare soul. Your mouths crash again, just enough subdued to keep your teeth from clicking together like you’ve never done this before—like you’re reading her, getting lost in a new paradox: the intrigue of her tongue caressing yours, the familiarity of her thumb rubbing circles into your back. There’s the Miyeon that was cracking wise and sipping wine with you an hour ago, and now there’s this.

“So, how are we doing this?” she asks, breaths wet and heavy as she fidgets with the button on your pants. “How do you want me?” “Well.” You’re sliding a hand up her stomach, across her ribs, until you hit the silky fabric beneath her shirt. “I’m not sure I know what you’re asking here.” “Don’t play dumb.” Miyeon looks you straight in the eye, and she’s close enough that you can count the flecks of gold dancing in her irises. Brows furrowed for a second, she ends up indulging you anyway: “I’m asking how you want to fuck me?”

Every turn in her voice sinks deeper, reels you in further, coaxes you into shoving her to the wall between the door and a coat rack. The way she yelps first in surprise as her back hits the hard surface, whimpering later in delight at the grip your hands make onto her hips, it gives you the sense that she’s flustered, unable to come off as anything beyond embarrassingly forward and drowning in anticipation—

“Miyeon,” you say, slowly, getting a good read on just how much she likes hearing you say her name. That it’ll kill her, you figure, when you’re fucking her with slow, deep, deliberate strokes—once she’s inches within cumming and falling apart and it’s arriving right in her ear. “What do you think?” That lands even more pointed somehow. More dangerous than you could have ever predicted, the charm and practiced charisma in your voice coming out in lethal force: “Maybe, oh let’s see… should I fuck you right here?”

Miyeon starts with her fingertips across your scalp before threading them through your hair. “Well,” she says, teasing the callback, drawing the syllable out as though running it conceptually through her head. “If that isn’t a spectacular idea, I don’t know what is.”

“Yeah,” you murmur into the delicate skin under her jaw, and after lifting off her shirt and tossing it aside, she kisses you with a consuming, needy kind of hunger one more time. Until you’re both just out of breath. “I think so too.” Miyeon dips her fingers into the waist of your pants before anything else. Function of the fact that men’s clothing is so straightforward and predictable, she’s able to shimmy them down off your hips until they hang unceremoniously around your thighs. “Um,” she says, sinking her teeth into her lip a moment, right after curling her fingers around your cock, “you’re like, really hard, you know that?”

“I was going to mention it earlier. You’re kinda my type.”

She leans into you, sighing a little into your neck. “Which is?”

“Oh, you know,” you say nonchalantly. “Pretty. Small. Ruinable. That sort of thing.”

“Right.” With a jerk of her wrist, Miyeon brings your cockhead flush against her stomach—pumps you there leisurely. “Wouldn’t want Soyeon thinking you were planning on ruining me.”

“Quick learner,” you murmur, bunching her skirt up over the rise of her hips.

“Well, we’re really not so different, you and me.”

“Hm.” She doesn’t know what she’s saying—you’re you—storied, seasoned, and only heeding right now to the wail of torn fabric. There’s a hole in her tights already, and your fingers work fast. Rip, tear, threads screeching undone. “I’m curious to hear what all gives you that impression.” 

“The way I see it, we both know what we want,” she says, unashamed, and the sound that escapes her mouth sounds a lot like a hiccup, some little hopeful noise or another, swallowing for air at the touches skating across her underwear, where it’s soaked and hot and begging. “Suppose that’s true.” “Not afraid to go for it either.” She tightens her grip around your cock, squeezing like she’s waiting for you to tell her to stop and running her thumb across your slit. “Won’t settle for anything less than you—”

“A word of advice,” you start, and the authority in your voice makes her melt just a little further in your grip. “From someone who’s not so different… A little flexibility goes a long way, sweetheart.”

“Oh.” It’s smug, the way she says it. Her eyes are heavy, hooded—honing the perfect hue of haughty as she drags her panties to the side. “I’m nothing if not a little flexible.” You bend from your knees, because Miyeon is tiny where she stands, up against drywall with her dainty arms thrown over your shoulders. And in a way, she’s right: you see the parallels, cut from the same cloth, the two strained noises or another buzzing in your throat indistinguishable when you hook your hand around her thigh, raise it, and barely slide yourself inside her, just an inch.

Miyeon’s mouth opens like she’s going to speak, and then hovers there, brows turning and knitting together—something you more than understand, because you’re on the verge of losing your mind too. She’s wet and slick with heat and so fucking inviting that you think the world might end if you don’t bury yourself into her this very second. Not that there isn’t near commensurate satisfaction in drawing out the moment, you fast discover, teasing mercilessly until you can hear Miyeon’s frustration. Her eyes shut tight, and her breath becomes ragged as you allow her another inch—almost keening when you pull back before pushing your cock into her cunt again, fucking her open slowly.

It’s only when you hear her beg please, please, please that you sink all the way in.

And she feels amazing. Tight and hot and clinging, she sleeves onto you like a glove. Immaculate enough to chip away at your positions regarding fate, the ridiculous notion that under the stars there was a girl out there for you, that you’re in orbit with some inevitable conclusion and her name is fucking Cho Miyeon. So outright sinful that you still need a beat to come to terms with it, and you make an effort to voice that: “Fucking hell, Miyeon.”

She lets out a whiny, punched out breath, tilting her chin to the ceiling and revealing the long column of her throat to you like an invitation, though you press your lips to her temple first, the taste of her skin and the sweat aside her brow like wine—sweet and woozy and intoxicating. There’s the rise and fall of her breathing against your chest, your fingers spread out across her creamy skin, and a sudden jerk from her hips, as if to bring you back to the present.

“Oh my god,” Miyeon gasps as your hips are drawn back again. 

Only this time you’ve got the soft cheek of her ass spilling through your fingers. Waning self-control. Even less reservation about pulling her right back onto your cock. And though you’re mostly silent each time you work your entire length back into her, Miyeon is anything but—all these appreciative noises coming from low in her throat.

It might be the hottest thing you’ve ever witnessed: the way she darts her tongue out to wet her lips, how her breath hitches when you move, each and every sound she makes as you fuck wildly into her cunt—slamming in, in, in, and you can hear her begin to whimper, feel her caressing the curve of your ass with her… ankle? She tugs on you, grips you, and does whatever she can to keep you deep inside her. As though you’d ever, ever stop.

“I can’t,” Miyeon starts, and it’s nearly comedic—you’d be in fits if you weren’t delicately unraveling this girl in your hands, taking her apart piece by piece, blow by blow. The poise in her voice is gone; what’s left is shattered, unrecognizable mostly. Even those dignified lines in her face start to twist and wobble, threaten to come undone. “Please, I need… oh, please make me cum. I need to cum on your cock.” “Breathe,” you tell her, feeling her slip a little against the wall, puddling further in your grip. It surprises you, the way your words come out like the crush of gravel beneath a boot, and it grips at something within Miyeon too, clues her in on how much she needs you—sucking air in through her teeth and sinking her face into your shoulder. The lines that mark where you end and Miyeon start are quickly eroding, boundary become meaningless. “I know you want to cum, but I need you to breathe for me, Miyeon.”

Her palms are damp with sweat, wrung around the back of your neck, hair sticking to her forehead and darkening in a beam of pale moonlight, not to mention what you hear: harder, faster, more—the needy requests make it sound like she’s almost sobbing. 

“I promise, I promise,” you whisper into her mouth, “I’ll do anything for you. But first, I’m going to use this tight little cunt—gonna make a mess of you.”

Your fingers dig into her soft skin, tighter, tighter; you’ll leave bruises, marks, fingerprints, all this damage she’ll trace back to you—evidence that’ll queue memories like a roll of film, bring her right back to how you have her mewling and moaning at the end of your cock, tears welling on her lashes and mascara running dark beneath her eyes.

 “Fuck,” slips out of her, nearly pouting like it’s your fault, that she’d never curse in front of anyone and here she is, teeth gritted—because, god, she’s all coiled muscle, tightened around your cock and meltdown imminent—you get your fingers under her chin and tilt her head to you.

“Gonna make you beg, Miyeon.”

“I… fuck…” Her voice gets locked up in her throat, choking back on something that turns into a wail when you adjust your angle, hit deeper, fuck harder—“I can’t,” she whispers, “I can’t,” but you keep fucking into her tight hole, nowhere close to letting up.

There’s just something so fascinating about a girl like this, a girl like Miyeon, with a gaze that inspires all this admiration and idolatry. It ought to pierce right through somebody like you and leave you for dead, bring you to your knees, but you’re nothing like she expected; you’re everything she hoped. So instead, as you watch her gasping mouth that was coyly smiling in your favor all afternoon; her small tits spilling forward when you lift up her bra; how she’s slumped back against the wall, relaxed and trusting you implicitly to carry her weight for as long as it takes; the shadowy place where your cock is drenched, glistening and disappearing between her thighs—oh, Jesus, is that a visual—it all clicks in your head: Miyeon is so, so astonishingly submissive. 

Whether it’s the fingers at her throat, or the grip hooking under her thigh, the one thing that’s clear is this: you’re using Miyeon. Fucking her within inches of irrevocably falling apart. You, the hammer; her, the nail—pounding her further into the drywall until she’s quivering and moaning and gasping into your mouth. Oh, the places you’ll pin her. You’re relentless, merciless; it’s the fact that she gets off on it that’ll stick with you. For a long time.

“Gonna make you beg for it, princess,” you amend, lips now pressing into Miyeon’s ear, and she immediately shudders apart.

It’s filthy is the thing: you’re railing the girl with deep, harsh strokes, and Miyeon’s pussy is  writhing in both protest and penury. She’s so creamed you can hear it through all the sounds of skin on skin, the percussive soundtrack of your thighs slamming up into hers. Each squelch, the wet sinful sound of it—it’s how you know your cock is making a total mess of her wrecked cunt. More and more each time it fills her and brings her that much closer to toe-curling-climax. 

Let me, she breathes against you, barely held together. The hand you have under her asscheek is doing most of the heavy lifting. “Please let me cum, please, please, please let me fucking cum all over this cock, I need to cum on this perfect cock, oh my god—”

When Miyeon finally turns up at you, she’s biting down on her bottom lip again. Her head tilts a bit, something deep and pleading in those big, brown eyes, and it almost, almost makes you feel guilty. Nearly ashamed that this delicate little thing had fallen into your lap and your knee-jerk reaction was to fuck her so hard she started to wail, cracking at the seams.

“Your cock,” she blurts out, breath jagged and uneven, “is amazing. You are—”

Like you said, almost. 

“—amazing.”

There’s nothing you can say to that, is there?

“Again… want to… again…” she demands of you, like she’s in any position to be making any. Her hands are all over you, finally undressing you, and all things considered, you don’t have the heart to tell her no. You’re hoping that never becomes a problem.

Miyeon scoops up easily enough into your arms after her orgasm had knocked the architecture right out of her legs, wobbling against the wall and almost sliding to the floor. And It all plays out again, just minutes later, after you set her on a barstool in your kitchen and slip back inside her. Sure, it’s a different setting, but you recognize it for what it is: the same story, with the same characters and the same ending, the one where you’ve got your cock fucking hard and fast into her cunt.

“Fucking, oh my god…” she rasps, just a waving white flag short of total surrender. “You’re going to make me fucking cum again. Yes, yes, yes—”

Until everything seemingly comes undone at once. And it quickly turns into stuttering cries of please and fuck and need it and all sorts of things you’ll have to promise you never heard, filth unfitting for a perfect mouth like Miyeon’s—the one now curving into that unforgettable shape while she chokes back on moans and mewls. It hits her like a brick, and her head rolls back as she groans, furrowing her brows and screwing her eyes shut.

You tell yourself it’s the fact that she’s so sweet, so docile, and all at the flick of a switch. Just moments after you’ve bottomed out in her pussy—after you’ve sent her higher and higher to where she’s reduced to nothing like the royalty everyone expects of her: needy, begging. 

It’s whiplash really, from callous and cruel to caring and soft in a matter of seconds. Your foreheads come together while you catch your breath. That’s an image all in itself. And when she laughs slightly, there are the quiet tremors, the spasms of her diaphragm clenching around you. It’s hard to tell what’s going through her head, before she covers the exhausted huffs out of your mouth with a kiss that lives in the gray area between sweet and harsh and consuming. Fuck. You’d stay here forever.

(Forever ends up being a hell of a lot shorter than you expect. Because Miyeon takes to cumming on your cock like water takes to paper.)

“Wanna ride,” she tells you, breath having caught up to her and wiping sweat from her brow—something like an inciting incident, taking the two of you all the way to the living room. 

She doesn’t outright tell you that she wants you to just hold her down and fucking use her, but she doesn’t last long on top of you either, leaning back from your lap with her hands hooked around your neck and dragging you forward, until you’re once again spilling over her, pounding her hot, sopping cunt like she needs. 

You’re cautious, usually—responsible. It isn’t like you, really. The excuse you’ll settle into later is that Miyeon’s cunt is impossibly vice-tight when you make her cum a third time. She’s in the midst of being swallowed up in the cushions of your sofa, the soles of her cute little feet pointed skyward, knees folded to her shoulders and pressed under your weight while you make sure she’s well fucked through the apex of it all.

“Good girl,” you tell her—the praise cutting straight to her final lifelines, tearing them to ribbons and leaving them for dead—and you’re shifting the angle, the depth to try and get her to scream the exact same way she did the first time. “Go ahead Miyeon—cum for me, princess. You’re going to fucking cum all over this cock again.”

And she does. Hard.

Quivering. Squirming even, she comes apart, fucked deep and hard into the springs of a chaise lounge and leaving stains on leather that won’t ever quite go away. Though it doesn’t manage to arrive with anything like an announcement, as it had before, heralded by curses and the elegant simplicity of meekly choking out the word cumming through a fit of gasps and hiccups. Her voice now is so fragmented, so utterly debauched and ruined, that she only manages to husk out a pathetic whine.

“So fucking pretty, Miyeon,” you rasp, watching the blush sear right across her nose, “so gorgeous when you cum for me. And god, this fucking pussy…”

The hands on the clock spin out, numbers running forward and back, and you’re long past the point of temperance. Each stroke in and out of Miyeon’s tight, throbbing, well-fucked cunt twists further at the knot in your stomach, the edge of your own, eager to indulge your fair share of recklessness: “Miyeon, sweetheart, I’m gonna cum.”

Miyeon understands immediately. She’s whimpering, nodding, sinking her fingers into your back—it’s not even a question. “Inside me,” she repeats, several times, until you’re hilted completely in her pussy. It’s hot, sweltering, perfect, and you can’t bring yourself to care that you’re pressing a handprint into her thigh so hard that it hurts. That the sounds leaking out of your throat aren’t anything particularly becoming or that you’re fucking your cum deeper into her cunt with each waning thrust or that you’re not sure if you ever had a better fuck.

“Fuck,” you groan, slumping on top of her petite frame once you’re completely finished. So thoroughly milked and drained.

Miyeon brings her small hands up and cups your face. Just stares like you’ve got something stuck to it. Her gaze drops to your lips—and you’re left thinking for a moment that she’s going to kiss you again, though it never does arrive.

“Hey,” you say finally, panting. Both of you are heaving restless. Everytime her chest rises into you, you’re acutely aware of how her small breasts feel against you, her heart still racing as your softening cock is still warm inside her. “You’re staring.”

“Well, I was going to mention it earlier,” she starts, fluttering her lashes and pressing her lips to the crook of your neck, “but you’re kinda my type too.”

-

The least unusual thing happens.

And if you end up thinking for even a moment that Miyeon is being sincere when she suggests you exchange numbers, you haven’t been paying attention. “You know,” she says, sitting in your lap and tapping her number into your phone, “for work.”

“Ah, of course,” you answer, willing to be fooled, if only just a little, “for work.” 

- Narratively, it’s all out of order: the banal text messages, the playful back and forth, the coy innuendos, the precarious game of being interested without asking too many questions. Both of you are quite content to play your cards close to your chest as though she doesn't know how good your fingers feel in her cunt or that you’re somehow not aware of the small freckle on the seam of her pelvis, another on the inside of her left thigh. That’s just how it goes. But it’s fine, you figure. Especially when you compare it to the alternative: of taking things too fast and careening straight off a cliff. To where, historically, you've burned up in a violent supernova of messy hookups and drunk calls and regrets you’ll carry with you into the next life.

A nice change of pace, if nothing else.And it’s hardly anything unusual either, or at least until you’re standing in the grocery checkout line a few days later. Miyeon decides enough with all that about the rules of engagement. She’s going to call you:

“I was planning on swinging by in a bit to grab my watch,” she starts, and you can make out another voice, maybe a friend? A roommate? in the background of the call, getting shh’d by Miyeon before she continues, “I left it in your bathroom. I think. Maybe on the bedside table.”

“Yeah, I was going back and forth on deciding whether that was purposeful or not.” “Accidental. I swear.”

“Still a little convenient though, isn’t it?” “Nothing convenient about not having my watch.” She laughs out loud. Maybe it’s a bit of vanity on your part to make assumptions, but you’ve got her pieced together, at least a little. Everyone else already reveres and adores her—it’s the fact that you’ll level with her, that she loves a proper challenge.

“Well, I won’t be back for quite a bit. I’m running a few errands.” You smile at the lady at the register. She’s halfway into figuring out who you are.

“Why don’t you do me a favor then… bring it with you to the press event on Friday?”

“Now that’s a surprise,” you tell her. “I’d figure you’d take the chance at face value, to get yourself back over to my place either way.”

“Look, if you’re going to make me need an excuse to sleep with you… let’s put our heads together and come up with something later.”

Oh, of course. Let’s, she says, really leaning into the plurality of it, hoping it’s something you can get used to. And given the fact you figure that Cho Miyeon has never been hard pressed to be anyone’s favorite anything, she is incredibly optimistic you’ll see just how sweet of a deal that all is. You’re answering the woman behind the register first: “paper bags are fine.”

“Are you at the grocery?”

“I am.”

“Sounds fun.” she says, after a considerable pause—the length of which tells you she’d rather dip into the mundane with you than hang up. “What’d you get?” “Breakfast cereal, bananas,” you tell her, staring straight into the conversational deadend. If only you knew any writers. You clear your throat, but Miyeon beats you to it, pulling the emergency ripcord: “What would you do if I was there with you?”

“Dunno,” you start, “take you to the bathroom maybe. Go down on you until you cum.”

At this point the cashier has put it all together. She recognizes you, and is unsure whether to be shocked or disgusted or what, so she just hands you your receipt as you shoot your near-award-winning smile back at her and gather your things.

Miyeon laughs. “Has anyone ever told you you’re horrendous at phone sex?”

“I’ve never had phone sex,” you tell her, “seems like a waste of time when you could be instead, you know–”

“Okay,” she interrupts you, “first off, it’s like the first rule in the geneva convention of phone sex: you’re supposed to ask me what I’m wearing. And just for your information, I’m wearing yoga pants and a t-shirt.”

“What color?”

“Yikes. So bad at this; you’re supposed to tell me to start taking it off. It’s a gray shirt, the pants are blue. What are you wearing?”

“A pair of khakis. And a sweater.” “Great. Take them off, slowly.” “Miyeon, I’m in the middle of a parking lot.”

“Okay prude, then you tell me what to do.”

You end up listening to Miyeon from the front seat of your car for almost half the hour. There’s a wistful hum from the other end of the phone every time you tell her what to do with her hand, walk her through every area of her body you want her to touch and how. You let her know about the finger you’re tracing over your own pants and she can’t help but let a soft noise out at the thought of it.

“If you invited me over for dinner right now,” she says after she cums, slightly out of breath, “I wouldn’t say no.”

You stifle a laugh. It’s folklore at this point, but there’s wisdom in it surely, so you’ll lean into that old rite of passage and play hard to get. Love is all about the complications, all the ways it can go wrong: endless rules and customs to observe, obstacles you’re determined to put in the way.

“Oh princess,” you start, knowing exactly how it’ll land in her ear, what it’ll do to her. “I’ll see you on Friday.”

-

The press event itself is simple and straightforward. There’s only ever going to be a singular moment during a movie’s production where no one in the cast wants to murder someone else and it’s in that brief period of time before filming starts. So grab onto that by the horns and show the media what a fun time this is all going to be. Go team, go. 

It’s the same series of questions as always: how did this cast come together, what do you think of the scripts, how is this going to be a challenge for you, what are you looking forward to, etc.

You’ve been through this song and dance enough times now to keep your answers evasive and beguiling, because at the end of the day, it’s the most productive way to do anything in this industry. It’s routine. It’s practiced. But the thing you notice almost right away, is just how infatuated the press is with the girl at the end of the table, how they heel almost immediately to her every gesture, the way Miyeon answers questions all with the confidence of someone’s who’s been at it for ages, but with the doe-eyed blinking naivety of a starlet ready to bare it all. You have to consider that part of the reason the media ends up so hot on Miyeon’s trail is all that god-given wit and charisma and charm. She’ll make fun of herself and her group mates and her co-stars and the staff, and she’ll tease the press and give them shit in a way that makes you feel as though there’s this cool, gorgeous, very important girl who’s noticing you and liking you enough to give you shit. Then sometimes she’ll wink for no reason at all, or she’ll get that flip of her hair over her shoulder just right that you think to yourself: wow, that’s an idol.

It doesn't mean a whole lot to you now, though you’ll be wringing your wrists about it later, but the takeaway here is this: Miyeon is universally loved. Full stop.

Please root for me, she says, again and again. All the stuff she’s supposed to say. I’ll do my best to make everyone happy. And she looks down the table, right at you, when she says: “My co-stars are all so wonderful and I’m so lucky to have them here with me, I’ll go ahead and thank them in advance for taking such good care of me.”

-

The press release is worth nothing to anyone with only the opinions of a bunch of attractive people paid to be on television. What it needs is photos. Specifically the ones where Miyeon hangs off your arm like you two are just a little bit more than meets the eye.

Sex sells. Suggestion is priceless.

So you’re standing there, grinning, wide and open, practiced and sure, toward the army of photographers. You look good. You know you look good. You’d know you look good even if Soyeon hadn’t crossed paths with you behind the stage just a few minutes ago and said, “wow, you look hot,” and “if I was any bit straight, I’d bang you right here.” Though it definitely helped. The exact shade of charcoal on your suit jacket is engineered to make your skin glow, and your hair is coiffed just right so that it sits effortless. You didn’t grow up imagining you’d have hairdressers or a stylist or for god sakes ever be wearing tailor-fit suits that cost someone else a fortune, but that’s how this all works. A rag-tag militia dedicated to making it look both like you’d just rolled out of bed and that’s only how things were ever meant to be—it’s your whole deal, all with the comprehensive appeal of a mischievous smile. The first flash, and you can feel your whole soul dilate in response. Hey! Look over here for me. Click. Click. Click. Raise your chin—hands at your sides—hold that for me—perfect. Click. Click. Click. It’s calming in a way. All the piercing lights, the clattering of camera shutters. The feeling that never grows stale is seeped in the familiarity of it all; your roots are here. It’s home. And there’s something unique about the blur of lights, something hard to put your finger on exactly, that it feels like the perfect backdrop to just zone out in. And the fact that you can’t really hear those anxious, gnawing thoughts in your head over all the shouting, the chattering, the commotion—boy, that feels good too. Though what you can hear is all the cameras turn, in unison. Something like a premonition.

It’s not the first time you’ve seen Cho Miyeon. You know how she looks in and out of her underwear, the way her blonde hair sits on her porcelain shoulders, how she’s all curves and pointed angles in the right places; you’ve seen her up close. Hell, she’d already taken your breath away, which in some regards is completely unfair, now considering that you haven’t any more breath to give. 

She doesn’t care; she’ll leave you asphyxiated, with a smile. Perfectly. It makes it feel like every smile you’ve seen before are just failed attempts. Like this is the real deal. Click. Click. Click.

The thing that has you lost for words is that it’s hard to know where exactly to start. Not only is Miyeon drop dead gorgeous, but here she is, pretending that she’s finding all that out for the very first time, blush burning across her cheeks like she’s not used to the attention. Her hair is pinned up, delicately placed into a perfect bun, wispy blonde strands falling aside her ears. And a pair of long, dangling earrings reflect the camera flashes aimed in her direction, scattering the light in every which way. Then it’s the fucking dress: it’s skintight, champagne, which is a good color on anyone, spectacular on her. You can’t let your eyes dip down all the way through the plunging neckline or you’d be staring at her midriff and thinking just how badly you want to undo the whole thing; pull gently on the tie at the back and let it all slump to the floor; get on top of her and have her cursing. Make her hot and flustered and moaning your name until you shoot a hot load all over that fucking tummy. Jesus. Fuck.

“Hey stranger,” she says, with restrained delivery, still smiling at the wall of flashing lights as she hooks her hand under your elbow.

“You’re late.” Maybe—just maybe—if you can somehow manage to find anything to be at fault, you can keep your thoughts as innocent as her doe-eyed countenance. She tilts her head, pulls back her soft, sweeping hair over one shoulder, and when she gets her eyes on you… god, it’s a tall order.

“Do you have any idea?” she asks, starting in half sentences because there’s not a lot of time between poses. Everyone’s looking at her, looking at the combined-unit, the you-and-her, and demanding more. “Just how hard it is to slip into something like this? I swear to god, I think I’m still holding that first breath.”

“Hey,” you whisper, clasping your fingers together. “You look great.”

“Of course I do.” Her other hand is at your waist, gentle and misleading, much like the rest of her. “Just about any girl would look good next to you.”

Falling is just not the correct term, to be precise. Too clumsy. Hardly does what’s going on here any justice. This is a meticulous process wherein Miyeon delicately binds and traps your heart into love—maybe even the platonic ideal of the femme fatale, and you’ll take twenty, thirty paces into quicksand before you realize you’re trapped, waist deep, unable to move, totally and proper fucked.

“Here,” she says, tugging gently on your arm until you’re hunched over slightly, ear sitting perfectly at her lips where they begin to part, whispering: “This will drive them crazy. Just this little private conversation. They’ll be guessing what I’m telling you here, right now, for weeks.”

You laugh as you watch everyone with a camera scoot to the edge of their seats, expecting something unexpected. On the off chance they’ll get lucky and catch the shape of that murmur out your mouth: “And what exactly is it that you’re telling me here?” “I’m curious,” she starts, “how bad do you think I want you right now?”

Oh. You register your whole body shifting its weight onto the other foot. Twice, the muscles in your legs tensing when she wets her lips with her tongue. A problem, maybe. Your eyes dart about because you’re in front of all these witnesses, and the instinctual urge from somewhere deep and unruly in your head amounts to something like a death wish: to get your hands on her in public, to throw caution to the wind and let her have access to you under all this scrutiny. It’s automatic; you’re leaning back on old habits; humor’s never failed a face like yours. “What, like on a scale of one to ten?”

She leans back, takes both your hands in hers and just grins. “I heard there’s sort of an afterparty later. You going?”

You swallow, collect yourself. “I am.”

“Yeah?” Miyeon’s lip pulls up at the corner, smirk cocked, ready to fire, and her eyes are sparkling, literally; every flash of a camera fills her dark irises with a sharp glister of gold. It’s actually kind of mesmerizing. “Me too.”

“Maybe I'll see you there,” you tell her, leading her to the stage exit.

“Hm, maybe,” she says, and she rubs a few circles into the back of your knuckles. “Though it’d be a sure thing if we go together, wouldn’t it?”

-

Truth be told, you never make it to the afterparty. You get sidetracked. You get distracted.

“Feels so good, oh my god.” Miyeon’s jaw clenches, teeth together so tight you can feel her body tense up. “So deep, so good, so, fuck—”

What Miyeon is ultimately trying to do in the backseat of your car is ride you hard and fast to the point where she’s mixing up her words, gasping for air, and blathering filth and obscenity from her pretty lips. Until her legs lock up and her eyes shut tight before cumming all over your waist. So yeah, the charcoal slacks end up being a little fortuitous.

She bucks into you hard, holding her weight with two hands on your chest, though she can’t bounce up and down on your cock like she’d much prefer. The way her clit rubs against you as she ruts into your hips like a wild animal feels awesome, even better for her, you reckon, but that’s no substitute for the heavensent sensation she gets running down her spine when you fill her starved cunt repeatedly with long, deep strokes. It’s cramped and awkward and your knees and elbows knock and scrape and she’s taking that frustration out on you. As best she can without hitting her head on the ceiling of the car.

You can certainly appreciate the irony of it. Because you’ve got the poster girl for a disney princess in a state of half-dress (half-undress? under duress? it’s not entirely clear), the champagne hem of that dignified gown bunched up around her hips, furling in supplication, and she’s fucking you in pretty much the least elegant fashion possible.

“God dammit,” she spits out before sinking her teeth into her lower lip, as you offer to help her grind on top of you with two handprints sunk firm into the round of her tight little ass.

It’s clumsy and uncouth, though still, riding you amounts to a religious experience for Miyeon, given the way her cunt is quivering, torrentially wet, and so, so, so hot. Clenching on you in something like worship, in adoration. She should probably be more embarrassed about some of the noises she’s making. They’re high-pitched, whining, desperate even. You can’t quite hear what she’s saying—not over the hollow echo of your sex through the small cabin of the car—but there are only so many iterations of, oh my god, please, fuck, faster, harder, need it, right there, faster, I, ah, ohmygod.

“Baby,” you whisper, wrapping an arm around Miyeon's waist and sinking you both further into the seat. “Fuck, I cannot believe this pussy; you’re so tight, fuck—”

She’s still smiling, though it’s absolutely devilish. Maybe that’s the praise she lives for. Everyone’s already telling her she’s gorgeous, that she’s talented, that she's beautiful inside and out, but she just simply can’t get enough of it: how you’ll slap her ass so hard she yelps and growl against her throat, cum in her cunt and tell her she’s perfect.“Want your cum, baby,” she murmurs, cheeks aflame, lips again parting open, “I want to watch you cum in me.”

“Miyeon,” you groan, “such a good fucking girl for me,” and she just nods, like a fantasy come to life.

She lifts herself up again. Comes crashing down. Good fucking god. Every little roll of her hips is a touch more agonizing than the last; she feels so fucking incredible around you that it all betokens danger. You’re buried so deep inside her that if let go of the breath you’re holding you would drown in the heat of her cunt, the velvety touch of her skin, the fact that she smells fucking amazing—all worked up and starting to sweat.

“Can you?” she asks, propping up the tall heel of her shoe onto the seat and trying to ride up and down your shaft just a bit faster, a little harder. You pull at her dress again, twisting it in your hand until you can see where your cock disappears between the creases of her thighs and into the warm embrace of her cunt. She’s fucking you reckless and sucking sharp gasps of air past her teeth, asking, “do you think you can cum like this?”

“You want me to finish in your pussy that bad, Miyeon?” you ask, shifting slightly in the space beneath her. “Want it so much, want to feel it,” she starts to pant, words disappearing in wet exhalation every time her thighs come spilling onto yours. “Want to feel your cock throb in my pussy, want to feel you fill me up.”

Even accounting for the fact that she’s so small on top of you and even easier to manipulate with nothing more than the firm grasp you have on her waist, it’s a whole ordeal to maneuver about the cramped backseat. Especially considering Miyeon would rather die than feel your cock leave her cunt. She lets out a needy whine, like you’ve done her some sort of injustice, when you find a hand under her shoulder and start to move. “Please…” she groans, grabbing desperately at the collar of your shirt. Searching hard for the unrealized potential of the tie around your neck.

You twist and turn, slide and shimmy until you’ve got Miyeon’s arms pinned behind her back, wrists trapped in your fingers and her svelte frame arching into you. It’s a little precarious, and it takes a few tries to find any sort of rhythm—holding her in place and gliding up into where she’s soaked and aching—but the moment you start slipping your cock up into her cunt, it dawns on you: you can absolutely cum like this. She’s so mind-numbingly tight, so hot, so easy to use; it’s not a challenge. Not in the slightest.

“Oh my god.” She cuts off those incredible noises, breath hitching in her throat. She doesn’t have an inkling of how to react; there’s no way around it. Not when you’re fucking her—truly fucking her—within an inch of her life and pulling her small body down onto your cock harder, faster, faster. Again, again.

Miyeon’s hair is the first thing begging to be ruined. Delicately fixed and pristinely manicured. Gentle waves tumbling over her shoulder as you trace your fingers up the curve of her spine, knead at the back of her neck, and thread into a handful of those ash-blonde locks. 

“Fuck.” Her whole body melts into you, and her voice is seeped in lust and need and want: “right there, right there, right there—”

Your fingers tighten in her hair, grip, pull. 

“Feel good?” you whisper into her neck, all this soft pale skin begging for a press of your lips.

“It feels—I, fuck.” Miyeon just stutters, eyes watering and chest heaving through all these incoherent breaths as you drive her to silence. Fuck her to submission.

“Princess,” you start, bringing your other hand up to her cheek. It’s the small details that truly send her: the thumb wiping away at the small tears on her long lashes, how you tuck a few misplaced wisps of golden hair behind her ear, dominance soft and doting—it’s not just the fact that you’ll pull her apart; it’s that you’re the one putting her back together. That’ll never be a secret she keeps from you, you figure, because she’s reduced to a whimpering, shuddering mess when you take her lips softly in yours. A chaste, gentle, unscripted kiss. Unbecoming of the reality that has you currently fucking raw and senseless into her creaming cunt.

“Tell me what you want, Miyeon.”

Sure, you’ve got in your hands the script of sin and innocence, and you’ll settle into an assigned part, a role to play. Though to be truthful, you just simply can’t help yourself. She’s delightful. The whispers out your mouth sink once more against her skin, sweaty and red and hot to the touch. She whines like your words cut right to the bone, lethal. Your hips come up, hilting deep in her cunt, and it’s enough to shake an earring loose and into the depths between the seats; you’ll spend a literal lifetime looking for it later. Her breath hitches, regressing to huffs and sharp draws of air when you drag your cock just along the right spot, apparently.

“Please, please, please,” she begs finally, sputtering with the waning energy of air escaping a balloon.

“I want to know what you need from me,” you tell her, letting your voice come out in such tantalizing fashion that it’s the kind of thing that could coerce the truth out of anyone.

“You,” she rasps, “all of you.”

How quick she turns to putty, muscles softening and tensing all at once. And you’re generously allowing her to take more, capitulating to her pleas of right there and harder please, pushing in as deep as you’ll go. You soothe her when she shudders and quakes—just a broad hand at her back—helping her adjust to you.

“Shit, Miyeon, you look perfect like this,” you mutter, watching the small tears that come from the corners of her hooded eyes. “Can’t get over how gorgeous you look taking me.”

Those small hums and moans leaving through closed lips are all she can muster. She clutches ahold of you even tighter, feeling the sharp bloom of everything trickle closer and closer like a dam about to break.

“Is that what you like to hear, princess?” you ask, fucking her right through her own orgasm and realizing it’s hopeless; you’re going to fall in love again and again with that pink stain in her cheeks. “Do you want to be my cumslut? Let me use your pussy whenever I want. You’re so tight and wet for me, Miyeon. You want my cock all the time, don’t you?” 

Some of it—maybe all of it—hits hard. She starts to shake. You’re fucking her cunt, steady and resolute, even as she fucking collapses, and her lips part like she’s going to wail, though never makes a sound.

“Words,” you order, breathless. “Oh…” It’s slow at first, that steady stream of fuck and please spilling out of her—curses flowing as easily as the air she breathes. You’ve got her at your complete control, a seeming extension of your will, and she presses her forehead to yours, gasping, “want to feel you fucking cum in me. Please do it, do it, I need to feel you, I want your fucking cum in me so bad. Please, please, please fucking make me yours. Do it, need you to use this little pussy and cum.”

You’re deep inside Miyeon, clutching hard around her waist and pulling down on it as you vault over the proverbial edge. Breathing heavy into her chest as you fuck all this hot cum into her cunt. She keeps rolling her hips, slowly, as if by instinct, to ride everything out of you, until you’re yanked back to the here and now.

“Oh my god,” she coos. Because it’d be impossible to not notice, leaking out of her and onto her thighs. 

“Miyeon.” The next sound that comes out of you is near indescribable: gravelly and plucked from deep in your throat. 

“So, so much for me,” she adds with a hint of exultation, running her fingers through your hair. 

Some part of you expected her to perhaps be more resilient, put up some semblence of a fight, but this is Miyeon, you realize—the roughness in your voice, the gentle touch of your fingers, the severity of an open palm, your lips at her throat—she loves it. Her hands are soon again cupping at your face, tongue reaching into your mouth. And she shudders at the way your cock slides out of her pussy.

“Messy,” you murmur into her kiss, quietly, and you hear her swallow when you skate your finger over her hips and down her stomach, tracing gently at the place you were pressed together, thoroughly covered in your cum, her slick.

“Uh.” Miyeon makes a face. Wrinkles her nose. “Gross.”

“Oh please,” you say as she cuddles up to you as far as the backseat of your car will allow. “You know you love it.”

-

Here’s the thing you fail to realize about a girl like her, a girl like Miyeon:

She’s more than just the physical, than the sum of her parts. She’s a feeling.

Oh, there’s plenty about the ways you touch her, the way her hand fits into yours, her hair running silky smooth between your fingers—how you can leave bruises on her thighs and marks on her neck, or reduce her to a whimpering mess with nothing but a firm grip. She laughs and it’s something that moves you to your core. She’s easy to admire from afar. And even easier up close, where you can appreciate the mastery in those brushstrokes.

But pay attention to how your blood drains from your cheeks, how the world stutters on its axis when you look at her. Because you can’t help but feel like you’re living life the way it’s portrayed in fiction when you do. Like you’re slipping into a world where no matter how insurmountable the odds, the good guy always wins.

-

“It’s all bullshit, that’s what it is,” someone is telling you with an almost unsettling confidence, even though their voice is shaky and ever-so-slurred with drink.

You’re sitting there, slightly listless, on one of the stools at a four-top, busy zoning out at the neon smirnoff sign behind the bartender like it might move if you look away for even a second. Your fingers are tapping on the table, and the fact that you can’t taste the kick in your heavily doctored gin and tonic means you’re already drunk. Probably. You’ll have to thank Miyeon later.

“Hey,” the someone starts again, “are you even listening to me?” It’s a little deep, raspy, but it sounds like it belongs to a girl.

No, you think.

“Sorry,” you say after blinking a few times and pulling yourself away from the sign. The girl sitting next to you frowns. “Have we met?”

“Yuqi,” Miyeon says, handing her a beer and setting her own drink down on the table. It’s pink and full of ice and in a ridiculous looking piece of glassware.

It goes without saying that you couldn’t show up to the main event—late, attached at the hip, and with Miyeon’s hair all disheveled and half-repaired like you two were fucking in secrecy—so Miyeon pitches the idea to you while you’re in the middle of wiping cum off your pants with napkins from the glove compartment: If you’re interested, there’s a bar nearby. My friends are there, it’s quiet but it’s nothing too pretentious.

“And you met Sana earlier,” Miyeon adds, lifting her chin in the direction toward the girl buried in her phone, tapping away furiously at a series of text messages—the way she hasn’t looked up in minutes and how her drink is nearly untouched implies some sort of drama. 

It’s kinda weird—you’re realizing you might have a type: they’re all some sort of blonde. Shockingly easy to look at too. With bodies that could fill a nighttime of fantasy, and supposedly somehow they’re best friends? Look, you’ve never seen two pretty best friends; it grinds against cosmic law, ain’t one of them supposed to be not so pretty? (Though maybe the rules are different when you land on odd numbers? If it isn’t all a little perplexing.)

“Know each other from work,” Miyeon explains, holding her hair back from her face and barely touching her lips to the rim of her glass.

“Uh.” Yuqi pops the top of the bottle off against the side of the table. “And we live together.” “Roommates?” you ask, carefully trying to keep your tone from sounding judgemental, and Miyeon gives you a solemn nod. There’ll be time to pry later.

“Look,” Sana says, only after finally putting her phone face down in front of her. There’s a story there. Maybe you’ll hear the end of it. “I’m not saying I’m proud of this attitude, okay, but that’s the truth: I make judgments based on what drink people order.” 

She fixes her eyes on you, and god, she’s gorgeous. It’s a different kind of beauty, a lot less subtle, way more in your face, and she knows she can get away with it. (Though it’s the patented hundred-megawatt smile of hers that’ll stick with you.)

“Like if you were drinking a cosmo or whatever the hell it is Miyeon’s got—”

“What?” Yuqi scoffs, and her eyebrow turns when she sees Miyeon wrap her arm around yours. “And just like that he’s not sexy or sophisticated, smart or virile? Is that it?” “I suppose…” Sana twists her lip between her teeth. “Maybe it’s context?”

“No, that makes sense,” you say, and you dab at a ring of condensation on the table with a bar napkin. “Like I wouldn’t hesitate to take a cosmo if I was stranded in an airport in February and the planes are getting de-iced and the pilots are deciding whether to take off or go home.”

“I’d order a double,” Miyeon says, and you swear she’s closer to you each time you check.

“So then tell us, what’s the quintessential manly drink then?” Yuqi asks, skeptical, and a little disappointed to even be entertaining the question. “If pink cosmos are on one end of the spectrum…” “Dunno.” Sana crosses her legs, and rubs at her chin. “I suppose anything that comes in one of those squat, burly glasses.”

“The kind that real men hurl across the bar at another man’s head,” you deadpan.

“Oh my god.” Sana springs forward in her seat, and her gaze pins you to where you’re sitting. “You get it. Do I know you from somewhere? I swear you’ve got a face that’s familiar.” “Maybe I just got one of those faces,” you tell her, and Miyeon squeezes her fingers gently around your knee. 

“Maybe.” Sana tilts her head, letting out a mostly unentertained chuckle, dry and humorless. You can see the gears slowly churning in her head.

Yuqi’s got her bottle turned up nearly perpendicular to the ceiling, wiping her mouth with the back of her hand—it’s all oddly charming—and she just lets out a wistful sigh. “Someone should make a movie, an old western maybe, where someone flings an oversized martini glass. You could start a movement.”

You’re not really thinking about anything in particular when the conversation ebbs and flows, except that you’re content; buzzed with the bitters in your drink; and the ephemeral touches of the hand in your lap, gentle, curious, teasing. There’s something laid back about being in Miyeon’s company that draws you in, something effortless, like the world seems less maliciously unfriendly, even if she ends up managing to embarrass you in a game of billiards. She finds the table at the end of the bar and readies a flip comment while rubbing chalk into the end of a pool cue. You watch as it leaves white streaks all over her chic dress, and you’re kind of enamored by the fact she doesn’t seem to care. “You’re sure you’ve played before?” she ribs, pulling a hairpin from her clutch, and clipping it to the hair at one temple to keep it from interfering with her game.

“Aren’t you a wealth of talents,” you say, in admiration.

“Do you mean, appearances can be deceiving?” she asks while sizing up a shot, grins—a smile that suggests mischief, which is normal, except that this one invites you to be part of it. “I think you might be putting words in my mouth.” 

“Oh,” she says, and with her lovely, slender, fingers pressing onto the green baize, she sockets three shots in a row. Misses on the fourth. “So now you don’t like me putting things in your mouth, is that it?”

“Hm,” you say, ignoring the obvious bait and lining up a shot. “This is going to be a weird question.”

Miyeon drops her arm and tilts her head quizzically. 

“What do you think of the script?” 

“The one that has us heartbroken and lost and wandering until we rediscover love is right where we left it?” 

“That’s the one.”

Miyeon covers her mouth to laugh when you take your shot and it misses in such grand fashion that you can’t help but hang your head. “It’s the dress shirt,” she says to comfort you.

“I’ll take what pity I can get.”

You’re watching Miyeon in action—hair carefully swept back, earrings sparkling, and heels set firmly on the floor—all together rather enchanting. She makes several more shots, aimed with perfect precision and seriousness, before finally answering you: “dunno, seems a little psychotic.”

“I mean that’s the thing about romance,” you begin, “there’d be no story if the writers weren’t at least a little psychotic.”

“Oh by the way.” Yuqi’s voice booms at that moment, with all the subtlety of a bulldozer: “I’ve gotta take Sana home. She’s late to getting plowed by her new manager. I’ll catch you later.”

“That isn’t—” Sana huffs, pinches at the bridge of her nose, and stops herself short, before reapproaching it in a more bracing way. “I’m telling you he gets all worked up whenever I’m out drinking this late.” 

“Worked up, huh?” Yuqi grins at a parody of a smile, and turns to you, laughing. “That’s how she likes him.”

“Yuqi,” Sana groans.

Miyeon rests her cue up on the table and crosses her arms, smirking in your direction. “Life imitates art, right?

-

“You’ve got a girl here, don’t you?” Minnie asks, at nine in the morning and standing in your living room. It reminds you of the fact that you have a meeting on your calendar on today’s date between you and your agency’s lawyer at nine in the morning.

She's not some expert sleuth. At least, not as far as you're aware. It could be one of any number of things that tips her off: Miyeon’s heels are in your foyer, her champagne dress folded neatly over the back of your couch, or maybe it’s the pair of underwear that landed perfectly on the corner of your television. What it is not, however, is the reddening outline of Miyeon’s lips on your Adam's apple; you’re doing a pretty good job of coyly covering that up with your palm.

“I mean yeah, I suppose you could say that.”

“I don’t know if you could’ve answered that more ominously.” Minnie laughs, shuffling past where you stand in the door frame and setting her bag down on your kitchen island, surveying the mess in your apartment. She stands before you, wearing all black and looking down her nose at you.

(She’d pretty much cornered the market on wearing all black and looking down her nose at you, and you always take a moment to marvel that anyone could live on the earth only twenty-some odd years and manage to wear all black and look down their nose at you with such timeless self-assurance.)

“If you need her to sign an NDA, I’ll have to swing back by the office to pick up the proper paperwork.” “I don’t need her to sign an NDA,” you say, turning on water from the faucet and filling a kettle. The hand you have running through your hair helps you remember that you are still very poorly put together: a mess of bedhead, t-shirt, underwear, and only a singular sock to your name. Not that it matters, you suppose. Minnie’s seen you worse.

“Wow. Things must be getting serious, huh.” Minnie drums her fingers on the counter. “Well whatever it is, I’ve got stuff for you to sign.”

“I thought we walked through all the contract boilerplate already.” “We did.” “And?” “Contracts change.” The pen she has in her fingers, scanning over a stack of papers, is poised. Her slow nod studious, blandly puzzled. “That’s why you need me.”

“Now if that isn’t an unfortunate truth,” you say, and Minnie raises an eyebrow. “Good change or bad change?”

“Depends. Have you met Cho Miyeon, the other lead? She’s cute, blonde.” Minnie hovers her hand an inch in front of her nose. “About yea high.” 

“A few times,” you answer, sorta truthfully.

Minnie tilts her head, and licks her thumb to flip through the first couple pages in the stack. “Well, the producers want you two to be seen. Together. Somewhere high profile and suggestive.”

“Okay.” You’re pouring hot water from the kettle over coffee grounds and a filter when you realize you have no idea what that’s about. You voice as much: “I have no idea what that means.”

“Well, here’s the general thought: they figure they can get some free marketing, brush up a little media buzz, get people talking about this movie if some paps snap some pictures of you two where it looks like you’re—”

“Where it looks like we’re dating. Okay, sure, wonderful.”

“Your words, not mine—or the producers, legally.” You fall silent, thinking: there’s no such thing as fairytales, it was bound to happen, a trip up, a snag, a snare. You know, in essence, it’s trouble.

“Um.” Your shoulders drop. “The producers want a scandal, Minnie.” “Again, I’m not legally allowed to call it that.” She shakes her head, before putting something down on a lined memo pad with great industry. “And if that’s your assessment, you came to it all on your own with no help from me.”

But yes, she mouths to you silently. You got it, aren’t you clever, now play along.

“Does this not feel like shaking a hornet’s nest?” you ask her. “Surely there’s a better way to go about receiving death threats; she’s a damn idol.”

“She certainly is,” Minnie says, passing you the pen and giving you her practiced professional-but-still-definitely-sardonic-smile that always manages to emote, please don’t be difficult. If she’s hoping it inspires confidence, it does not. “Sign the new contract.”

You’ve got plenty of reasons to have reservations, but here’s a fun fact not a lot of people know: there’s a part of you perfectly content shutting up and doing what you’re told. Maybe it’s something about pretty girls with dark eyes, long legs and a curl in their lip that upstages anything like subtlety—an Achilles heel of sorts. Except instead of your mother forgetting to bathe your feet in the river styx, you’ve just got some mother issues in general.

“There,” Minnie says, watching you initial on the dotted line. “Was that so hard? Someday, you’ll look back and think, yeah, that’s where it all goes to shit.

-

Three weeks into filming, you make good on your promise.

It would have been neater, perhaps, if all the sneaking around and impropriety caught up with you and used this moment as a catalyst: if, filled with embarrassment, you owned up to everything that was going on between you. Might’ve saved you some hurt.

You watch Miyeon’s hand shoot up to her mouth only to find whimpers leaking out from beneath her palm.

What if all those cameras had instead gotten pictures of you and Miyeon here, in the restroom of a cafe that Miyeon swore up and down would be crawling with paparazzi—where Miyeon had dragged you by the wrist halfway through a bottle of dry chardonnay, locked the door behind her, and flicked the skirt of a her floral dress up over her hips. Imagine the way it would look: you on your knees, face buried between Miyeon’s legs— 

“I swear… your fucking mouth,” Miyeon murmurs, fingers running through your hair. 

—all you know is that it would have been a different kind of disaster.

“Oh,” she moans, and you swallow heavily at the sight of her above you, following the movement in her face: every wince, every flinch, pleasure absolute and wringing her dry. She’s pretty as always, eyes dark and twinkling under the cool fluorescent lights. It’s that damn blush again, and you’re convinced eating Miyeon out feels like the most normal thing in the universe, like you’ve done it a million times before, and you’ll do it a million times more. Just listen to how Miyeon’s breath stutters when you lap softly at the heat between her lips, lifting her hood and swirling her clit once, twice, before bringing the narrow point of your tongue back to the shallow depth of her aching entrance. She shudders at all how you tease her, slick pooling in your mouth, down your chin; a pinched off moan filling the bathroom when you add another finger inside her. 

“Yes, yes, yes,” she says, gasping out on top of an embarrassed little sigh each time time she bucks against the touch of your hand. You spread her lips, get your tongue flatter, deeper, and she drops her shoulders, laughing in that high-pitched skittery way she does when she’s struggling not to cum all over you with her eyes clenched shut.

It’s a sight to behold: Miyeon twisting her brows and biting into her lower lip—chewing off all the lip-gloss you know she just put on because you watched her make a show of it at the table like it was the most delicate thing in the world. She looks soft, docile even, and hums out a wistful note when you squeeze your hand into her thigh. Swallows back a moan when you reach up and knead at her chest. Yeah, she is soft. Tender and malleable and perfect. How easily you keep her pinned in place with just a flex of your wrist.

“Now would you look at that, princess,” slips out of you, totally carefree, lifting your lips from her pussy and wiping the wet from your chin. She sways slightly, and you’re leaning into her space, voice nearly coming out breathy and flooded as hers, asking, “You’re so wet, Miyeon. How do you want me to make you cum? On my fingers?”

Miyeon just sighs, lust and need glittering in her eyes. If there’s anything you’ve picked up from all of this so far, from all the raunchy sex, every manner in which she’s puddled in your grip, all the times she’s begged for you to hold her down and rail her—more than anything else, Miyeon loves, loves, loves to be teased. 

But it’s the way her smile stretches, just perfectly, or even just one glance from those doleful eyes—fuck, goddamnit, one day I am really going to fucking die written into the shy curve of her lips—you’re never quite that cruel. Her panties are dropped to the floor and hanging around her ankle, soaked, ruined, but that doesn’t mean she needs to be too; you bring your lips back to her pussy. Fingertips curling up against that spot that drives her up the wall and your tongue running laps around her swollen clit.

“Oh, like that,” Miyeon whines, barely able to make any noises louder than a whimper, “just like that, please, yes, like that—”

And then you catch the aching swell of her clit between your lips. Slowly, start to suck.

“God,” she breathes out, still writhing from the fingers you have inside her, your thumb rubbing against wet, slippery skin, right how you’ve learned she likes it. And she gasps, head rolled back, brows furrowed up: “Oh, yes, oh God, you — you’re perfect. It’s — ”

That really never gets old.

Everything stills for a moment. Everything besides your fingers fucking her quietly while her orgasm quakes through her. She’s catching her breath, staring at you—skin dewy with sweat and chest heaving. Her warmth wraps around you, surrounds you, and you’d be content to stay like this forever, pressing kisses into her stomach and never, ever letting go.

That is until she looks at you, lashes fluttering, as if she’s trying to gauge your emotions. Until she speaks. “I want it,” she gasps, breath steadying, “I want your cock.”

She knows you, right down to the basics: you can never deny her anything.

-

(You’re being cautious—covering your tracks, you convince yourself—but then there’s all this evidence to the contrary, no shortage of close calls, times where you’re so nearly caught: Miyeon’s lithe, tight body grinding desperately against yours in a costume closet or her dressing room or in the backseat of your car; the way she keens when you slip your fingers inside her, how she wails in delight when you really fuck her in earnest; you cutting off those unabashed moans with your mouth or your hand or even just two fingers shoved between her lips so she might have something to bite down on.

It’s this whole thing, the sneaking around, the indiscretion—Miyeon loves it. And the danger of it all become something like a siren’s call, you are just as attracted to the idea too, that you’re masking who you are in the dark, just past drawn curtains and under fitted sheets.

“Wow, I never noticed, but you guys are, like, weirdly close,” Soyeon says once, sometime near the beginning, and perhaps when you’d begun to stare a little too obviously as Miyeon was tying her hair back. It has you both laughing off the observation as something trivial, like Soyeon was the odd one out for noticing anything at all. But fast forward a few hours, and you’re sprawled out on a set of hotel linens, having a laugh again all while Miyeon fucks herself on your hard cock, delighted at how easy it is to conceal everything in plain sight.)

-

“Um,” Yuqi says, walking into the living room of Miyeon’s apartment with her laptop precariously perched on her forearm.

You’re out there on a Wednesday, hanging out, kissing Miyeon every now and again, but talking mostly. The rationalization is that you’re practicing and memorizing lines, ironing out kinks that aren’t really there. Which is all how you know things are getting out of control, if not among the other hints: Miyeon’s added a spare toothbrush in the cup on your bathroom vanity, a pile of women’s laundry atop your washing machine that never grows any smaller, beauty products under the sink, and there’s all those damn bobby pins that show up in every corner of your apartment. “It’s just casual”, you overhear her say once, on the phone with Sana, and you do your best to never, ever think about it.

“You idiots, you’re trending.” Yuqi sits down on the sofa next to you, not at all disconcerted that you’ve got your hand in the ends of Miyeon’s hair or that she’s practically sitting in your lap. You learn pretty quick that Yuqi feels like she belongs anywhere. In some ways, that’s her charm. “And?” Miyeon asks, dismissive.

“Are you both insane?” Yuqi turns her laptop around so you can read her feed.

There’s a series of pictures on the screen attached to a headline that starts with breaking in bold capital letters, like its only true purpose is to fuck up the internet. Your eyes start on Miyeon first, the tilt of her chin, her fingers floating across her collarbones, smile radiant—looking at you the way she always does when she’s mentally undressing you. Fortunately, she’s still perfectly made up, hair tied up above her shoulders and the mascara under her eyes not quite yet running; this photo is before you made a mess of all that, gotten her moaning your name in the restroom. You’ve got your hand at the back of your neck, and you’re laughing. The glint in your eye screams complicity. 

Miyeon says emptily, “you’re overreacting.” 

Yuqi’s frown deepens fractionally, but you’re putting the pieces together. It’s pretty unhinged.

 “Christ,” you start, “get a look at some of these retweets: I’m just thinking of what those kids would look like, the genetic payout; fuuuuuuck I need to see that sextape.” You laugh. “Look, this one just says: sex.”

Miyeon leans forward in your lap, cheek nearly pressed against yours. “Here’s one: how much do you wanna bet Miyeon tops when they—”

Yuqi bursts out laughing, clearly almost snorts, and you both raise an eyebrow at her. “What? This girl here isn’t topping anyone.”

“Shut it.” Miyeon rubs her hand at her chin, turns her eyes up at you, and without an ounce of irony continues, “How much do you wanna bet? That these are your fans.”

Yeah, probably not, you think. “I’m sorry. Do you have any idea how my demographic skews? Not like your fans who are…” Miyeon’s face lights up. “Are delightful?” “Have a sock at home with Miyeon’s name on it?” Yuqi chimes in, grinning. “I mean if somebody wants to make a puppet of me,” Miyeon says, practically huffing out the words, “that’s not really any of your concern.”

Yuqi makes a face. You watch as she slowly twirls one of those long waves of pink hair around her finger (strawberry blonde, Miyeon called it, and you don’t know shit all about that, but it does sound pretty, so that fits, you guess). It goes all the way down to her waist, and you’ve noticed, possibly for a second or third time, that she looks killer in a pair of high cut jeans—what all with the long legs and an ass that more than plenty fills them out, she could be peddling denim on a Levi’s catalog.

“What should be your concern,” Yuqi says, “is that the internet thinks you’re getting railed on the regular.” It’s quick—blink and you’d have missed it—her eyes lingering for a moment on your expression before she lifts her chin and laughs, dryly, almost nervously to fill the silence. “What the fuck is wrong with you two?”

-

Yuqi’s expertise, first and foremost, is talking. Go ahead, take a moment to consider how wildly dangerous that is, for a girl with a face like hers and a body like that to be good at talking. Every so often you catch her staring at you with her huge, beautiful eyes, these deep pools of pure anthracite; the sort of charming that keeps you smiling and laughing without even knowing why. She’s equal parts badmash and coquettish, you realize, and somewhere in the seamlessness with which she swaps between the two is a hint that both are facades. (That there exists a third Yuqi, the one who determines which mask is appropriate for which occasion but who is otherwise veiled, obscured, entirely impossible to know.)

Whatever your theory for it, the charm, the innuendos, the suggestion, it all gets dialed up to eleven.

Yuqi suggests you stay for dinner in a way that is impossible to refuse, and Miyeon grumbles something inaudible, but you think you’re able to piece it together: this is a regular thing for them. Miyeon and you haven’t talked numbers or cleared up the bodycount, haven’t talked about anything serious at all—the most incriminating thing between you being Miyeon laying her head on your chest, cunt still full of your cum, saying, I’m really glad I met you—of all of Miyeon’s princes-in-waiting, you’d be a fool to think you were the first. And you’re willing to wager Yuqi’s done all this before.

“Hey, how do you take your whiskey?” she asks, pouring olive oil over a bowl of cherry tomatoes and chopping a sprig of fresh basil. If Miyeon wasn’t glaring at her, the quirk in Yuqi’s lip has you swearing she would’ve thrown a wink in your direction. Just for good measure.

“Neat is fine,” you tell her, and Miyeon rolls her eyes. -

It’s actually not true that Yuqi kisses you first. Not the whole truth anyway. “Hard to explain it in words, huh?” she asks, leaning into your space and nearly pushing you over the back of the sofa. Her knee is between your thighs, pressing up on your crotch in a way that feels good and threatening. She knows that’s the only thing she needs to keep you in place, so she leaves her hands at her chest, fingers toying with the top button of her shirt—ruminations of whether to unbutton it herself or wait for you to finally tear the whole thing off her.

(There’s a million different ways you could do this, but you’re perfectly content seeing how this plays out.)

“With just a few of them that is,” Miyeon says, drying her hands with a towel at the kitchen sink.

“Oh,” Yuqi starts, and her lips twist into an approximation of a smile. “You’re saying you two don’t have a label.”

“We’re coworkers technically,” you tell her, faux-casual, like it doesn’t beg twenty more questions.

“I don’t know; the internet thinks you guys are in fucking love.” Yuqi’s fingers come to a decision: slipping the button out of place with a little effort and resting at the next one down. Her neck is pale and tender and you’re only pulling away long enough from the glint in her big gorgeous eyes to know you want to get your lips on it. “And you’re telling me you wouldn’t be jealous—even a little—if I started sucking his cock.” 

She gets jealous easy, is how Yuqi explains it to you, freeing an ounce of soft cleavage, a sneak of black lace with another button. Look, it’s just chemistry—you have it with everyone. Who can fault you for it?

“Hm.” Miyeon shrugs, looking put upon, and leans back against the counter where she spends a long moment with her arms crossed, before running her thumb across her chin. “Can I mention something?” “Anything for our princess,” Yuqi says, finally touching you. Just two fingers at your sternum. “Right?” “Why is it you’re never the one bringing anyone home?”

“I’m not a slut,” Yuqi says, straight-faced, and Miyeon’s whole expression goes awry. That’s probably where she seals her fate.

Not that you think for a second Yuqi had recused herself from the attention of boys, girls—none of it in short supply—and for all her “fidelity”, you refuse to believe the things she does with her words are unintentional, that her talent for seduction is somehow innate, something god-given.

“How can you be so sure?” you ask, fingers threading through Yuqi’s hair until she tilts up her chin and smiles.

Eventually there comes a moment where Miyeon meanders around the kitchen island and gets a hold of you. Figuratively and literally; eyes hardened on you in a way you’re not sure you’ve seen before. 

Mine, is what she’s telling Yuqi in no ambiguous terms, hands hooking into the waist of your pants.  

“Tell me something,” Yuqi starts with your name on her lips, “does she beg for it? When you’re fucking her, does she whine and cry until she’s collapsed and panting? Really, I’m curious. Does she look at you with those pretty eyes and plead for you to pump her full of cum?”

“Yuqi,” Miyeon says, kind of sharply.

To be clear, you’re not totally without blame here either, seeing the opportunity as it appears, seizing it for yourself—and you say the words as you think them: “it’s kind of her thing, I guess.”

“Total cumslut, right?” Yuqi’s hands are all over your arms, your chest, and you’re spread in both directions, reaching around Miyeon’s waist, and toying at the tight fit of Yuqi’s jeans. She leans forward a little, side-eyeing the way Miyeon’s lip ever so slightly curls when she enters that anxious proximity a breath's distance away from you, whispering: “I’m nothing like that, I’m so much better.”

“You’ve got a real mouth on you,” Miyeon tells her, watching her shirt fall down her petite shoulders. “You know that?” Yuqi’s eyes are flaring hot, dripping with untoward intent, and they stay on you just long enough for her to make certain you’re paying attention before she turns to Miyeon. “I know you love this mouth.”

You realized it long before dinner, it’s true, probably long before today: Yuqi likes you, which, at present, is pretty obvious. She likes it when you smile, likes it when you rub your hand at the nape of your neck and laugh at her witty one-liners, likes it when you ruffle your hair just like you’ve done in front of the camera your whole life. Yuqi likes you just as Yuqi likes Miyeon, and she’s twisting her hand at your shirt tighter yet, hoping one of you might just kiss her. “Miyeon,” you say after an inhale, commanding tone right where you left it, and it’s comical how fast both girls heel. Isn’t that good to know. Filing it away in a mental folder of sorts, you straighten yourself onto your feet, slowly. The thing that ends up flipping the table—the thing that has Miyeon’s expression of general discontent rally to something a little more impending—is just how much taller you are than Yuqi. And when that hits her, swallow visible through the hollow of her throat, there’s a waver in that deadly expression of hers, a weakness, something you can exploit. Your hand finds purchase under Yuqi’s jaw, gently, and you tilt her face toward you like you’re about to kiss her. Only instead, you run your thumb across her lower lip and say, “I don’t blame you, her mouth is gorgeous.”

“And?” Yuqi finds her composure quickly. “What do you want this mouth to do?”

 “Oh, Yuqi,” Miyeon says, malice hidden under a voice tender and semi-sweet, before you can think to prepare an answer. She’s twisting Yuqi’s bra strap between her fingers as it comes down around her shoulder. “I want you to get me ready for his cock.”

“I,” Yuqi starts— 

“Hm?” Miyeon asks, and that’s a pitch in her voice you’ve never heard. You’re looking over both of them enigmatically, ready to walk away from this with a clear picture of who Yuqi is, obviously, but then it’s the expression on Miyeon’s face—so unbothered, so lewdly satisfied, you have to know more.

“You’re fucking crazy if you think I’m just gonna watch.” Yuqi reaches up on her toes before Miyeon can react. 

Kisses you right in front of her.

-

It’s not really clear to you who, if anyone, is piloting this thing, only that it’s moving at near out of control speeds. And even though Miyeon’s bed isn’t even quite big enough to hold you all, that ends up doing little to slow either of them down. 

Miyeon is between your legs, preening a few strands of glossy hair back behind her ear that have real determination to keep falling in front of her face. You’d offer to help, to get your hands in it and pull tight, but you’ve come upon an acquired taste for the blowjob Miyeon’s barely giving you right now. A masterwork in its own right: a certain finesse in each flick of her tongue, the soft cushion of her pouty lips, the way every gentle kiss finds you that much fucking harder in her fingers. She drags her tongue up, tastes the pre-cum weeping from your cock. Just smiles like she knows how bad you want hold her tight and fuck her throat. The glint in her doe-like eyes tells you that you will.

She gets it. Terror lives in anticipation, not the bang. That sanguine expectation of pleasure becomes pleasure in of itself. Her instincts tell her to tease, tell her to kiss and lick; only when you’re finally shuddering a wet breath through your teeth, does she part her lips around the head of your cock and start to suck.

She takes in an inch, maybe another. Slides her tongue slowly under your cock, and christ, her mouth feels fucking amazing.

You sigh like you’re stepping into a hot bath, and Miyeon’s satisfaction is equally palpable: corners of her mouth stretching around you into a pretty little smirk, something you’re more than happy to feel running up and down your cock until she slacks her jaw and takes you in full, past her soft, wet lips.

Though when finally you look up, you realize Yuqi’s barely on the bed actually—just one knee and it looks precarious—unfazed that she’s spilling off the end; working her hands into the bottom of Miyeon’s skirt like she’s done it a thousand times. She drags her underwear down her thighs, and Yuqi reminds you that she’s got the exact kind of wicked streak that’ll never let an opportunity go to waste:

“Oh,” she says, head up over Miyeon’s ass, blinking in admiration, “she’s even buying new lingerie for you, huh? I didn’t realize how head over heels—”

“Jesus Christ.” Miyeon’s lips are still half complicating themselves with your cock; she pumps her slender fingers around you in consolation, and murmurs, “do you ever fuck? Or you all tease.”

“Well if you insist,” Yuqi purrs, a mean tilt to her voice—because in the end, she knows that she wants to; that with her small body right between you, like this, there's plenty of her to share; that when it comes to Miyeon, there always is. “Hm,” she hums, slipping a finger or two inside Miyeon’s pussy. Your vision of it being the way Miyeon’s face twists delightfully, eyebrows sewn together in a perfect discord with the rest of her angelic features. “Baby, you’re so wet—”

“She loves the attention,” you say, and Miyeon’s eyes track yours while she lowers her lips slowly down your shaft once more. “If I had to guess, the only thing better than me fucking her perfect little cunt, is if there’s an audience there to watch it.” Your hand rests below Miyeon’s ear, fingers kneading at the back of her neck and guiding her just enough so that her tongue is flat and slick where you want it. “Isn’t that right, princess?”

Yuqi separates her lips from Miyeon’s asscheek, that heavy, open-mouthed kiss at the curve of creamy skin coming to an end just long enough to catch you smirking. She’s fucking the girl’s cunt open with her fingers, slowly, reminding Miyeon that she doesn’t have it confused—that she knows she’s nothing like the princess everyone believes her to be, that she’s so much more. “Always such a good slut, baby. Go on, show me how you take that cock.” “How about you come over here,” you tell Yuqi, before looking back at Miyeon’s eyes, innocent and blinking like she isn’t taking you in and out between her tightly-sealed lips. “Help me cum in her throat.” At that, you feel Miyeon’s jaw slack open even further, and the fingers she has corkscrewing around you find room at your hips instead. It’s hard to get over how perfectly submissive she can be, the way this always plays out; you’ve never needed anything like safewords, because Miyeon trusts you implicitly. Trusts that you’d never, ever hurt her. Trusts that you’ll get your hard cock in her and fuck her until her knees are wobbling and she’s practically unable to walk. Trusts that you won’t even hesitate when she asks for more. Yuqi lands a few more kisses at Miyeon’s cunt, along her ass, and then, without warning, sinks her teeth into all that soft, pliable skin. Miyeon winces, something you can feel, a sharp moan becoming sealed in against your cock and leaking slightly between her lips like it’s the drool running down your shaft. Apparently the image of you firing off a salvo of cum deep in Miyeon’s throat is as hot as it sounds, because Yuqi is grinning like a cheshire cat as she slides off the bed. “I just hope you realize you’re on the docket for quite a lot here.”

“What’s that, high expectations?”

“A lot more than a throatpie,” Yuqi says, hopping onto the bed next to where you’re sitting, where you’re slowly fucking Miyeon’s mouth. Each time you lift her face up and down the length of your cock, you feel the back of her throat, start to catalog the noises she makes as she starts to slobber onto you.

“Yeah,” you say, fisting a second hand into Miyeon’s hair. “I was kind of counting on it.”

“Go figure.” Yuqi’s voice is low and raspy, right into your junction where your shoulder meets your neck. She reaches an arm around you, leaving ephemeral kisses at your jaw, your cheek, getting her lips right next to your ear, where she whispers, “you’re actually kinda depraved.”

“Well, welcome to showbiz, I guess.” “Hm,” Yuqi says, watching you shudder as her fingers arrive around the base of your cock, fucking you with them in tandem as you sleeve yourself in out of Miyeon’s hot mouth like she’s some toy to be used, to be fucked, to be ruined.

Your mouth opens and closes, twice, before sputtering, “I’m actually—”

“One of the normal ones?” Yuqi tightens her grip. She’s picking up all that slick drool and precum where it threatens to leak onto your waist, and it makes her touch every bit as life-endingly-incredible as the tight fit of Miyeon’s mouth. The combination of which has you groaning audibly.

“Yeah, sure,” you breathe, “something like that.” 

“And a narcissist too.” Yuqi pulls at your face to unstick your gaze from the sight of your cock disappearing between Miyeon’s soft, pretty lips. You recognize the touch of her hand as it wanders down to your balls, gently, but still very much present. And right after the silence stretches, just a little too far, she says, “aren’t you two just perfect for eachother.”

Yuqi kisses you hard. These sweltering, stinging, asphyxiating kisses that grab at your lips with no intention of letting go, and everything becomes oddly quiet. All you can hear, outside of those messy, strangled sounds from Miyeon’s throat as you fuck your cock into it, is the dull pulse of blood rushing through your head. It’s as if the two of them are pleasure in resonance, channeling onto the same wavelength: Miyeon’s tongue is doing just about fucking everything each time you pull your throbbing cock out of her throat, and she slips it past her lips—starts lapping—when you weave your fingers in her hair even tighter. She gets messier, sloppier, her composure fading like it’s the mascara beneath her eyes. You can feel the flutter of her lashes against your waist right as you pull her mouth back down your shaft. It’s hot and wet and you don’t even realize you start bucking your hips, dragging Miyeon’s lips around your cock quickly, quicker, quicker—

“God,” you mutter, final threads torn apart, and that’s the exact reaction that has Yuqi smiling against your teeth, whispering into your lips, can feel you fucking throbbing. Cum in her for me, cum in her throat. Cum.

Mnnph.

Yeah, that’ll push you right to the edge, teetering. In freefall, actually, jaw snapping shut first—fingers shortly after—you tug hard at where you’ve gathered slipshod pigtails of shimmering, silky-smooth hair, and Miyeon quite nearly chokes as you release everything into her mouth, deluge-like. You’re going to make a mess, you think. You’ll make more.

Mmnnppph.

Okay, it’s filthy is what it is; the sounds of it alone are fucking filthy. That seal of soft lips around you starts to break, leaving you with the flood of cum and spit spilling down your cock and into Yuqi’s fingers as Miyeon gasps at an overwhelmingly desperate draw of air. The struggle to swallow you down is beyond unreasonable, but she brings her mouth back onto you again—closes her eyes and sucks. 

“All of it,” Yuqi whispers still. That’s the kick, and your whole body commits to sighing as she jerks your cock into the wet heat of Miyeon’s mouth. She twists gently, pumping, pulling, fucking every last bit of tension out of your muscles and draining it thoroughly into Miyeon’s throat.

(So that’s what you like, is how you think Yuqi says it, eyes studying your torn expression in equal parts apathy and awe.

She licks your cum off the sharp edge of her knuckles, from between her fingers, and she glances down at where Miyeon is still lapping her tongue at sensitive skin and sucking and cleaning you between her lips. Her lipstick is smeared, makeup running, with tears visible at the ends of her lashes, her cheeks still burning hot and embered. Miyeon looks perfect in many ways, but only flawless in one.)

“Good lord.” Yuqi’s eyes are creased in laughter near the end of your recovery, lighting fast and pulling you over Miyeon’s delicate frame. It’s the kind of laughter that’s genuine and contagious. Sweetly harmonic.

Calling you to join in while you glide your cock between Miyeon’s thighs and press the small of her back into her mattress until she’s practically prone to the bed, tight little ass angled up, proffering, and simply begging for you to pound away. 

“And I mean this in the most respectful way possible,” Yuqi says, with a hair tie between her teeth and fixing back her long waves into something more manageable, hoping it might be something you can pull and yank. What’s the saying—a brave man dies once, but a coward ought to know that Yuqi will always, always, always get what she wants.

“You two are actually really fuckin’ weird.” Her eyes are smoldering, lips quirked into a careless little grin. “I love it.”

-

“Alright, I’m going to have to ask,” Miyeon says, “do I need to be worried about this?”

Someone probably should be. The realization you’re hurdling into is that there exists both a waking up with Yuqi and a waking up with Yuqi, much in the same way there exists both a sleeping with Yuqi and a sleeping with Yuqi.

The three of you do first wake up together, just this ridiculous tangle of limbs that really only has one realistic conclusion, and when Miyeon reminds you—bent over the bathroom sink minutes later and cumming on Yuqi’s fingers—she has to be at the studio in an hour to refilm a few of her over-the-shoulders shots, and it’s not fair that you get to laze around all day, and that her manager is literally going to be here to pick her up any minute, Yuqi and you do the most natural thing in the world. You continue waking up.

You wake up in the shower, on the kitchen island, back again in Miyeon’s room since it’s already kind of fucked up anyway; Yuqi wakes you up all while her knuckles turn white around the door handle of the refrigerator, the back of the living room sofa, and it’s not really that convincing when she turns to Miyeon, one eye shut tight, and tells her, “no, not at all.”

Because when you try to voice something similar, your words get caught pretty deep in your throat, stuck and unmoving. That's become pretty familiar. It’s all pretty fucked, actually.

Yuqi’s on her knees in front of you, fist tight around your cock and jerking all this hot cum onto her face. There’s sin tucked everywhere into these pages. Particularly on her nose, her lips, her cheek, bisecting one of her perfectly manicured eyebrows. You have your proclivities. The tendency toward destruction, toward ruin, and what is Yuqi if not a gorgeous masterpiece begging for someone, anyone to be just a little destructive and ruinous. She flinches every time it hits her, pumping her fingers around your cock again until a rope of creamy white flies right into her pink hair. 

We’re fine, is what you tell Miyeon, huffing and repeating yourself: “We’re fine, I’ll catch you later.”

Miyeon crosses her arms, and that’s when it becomes a little clearer. The juxtaposition here is striking and immediate: black heels, black leggings, pencil skirt, prim and pressed white-collared shirt, the cute little suit jacket that fits barely over her dainty shoulders—she’s dressed head to toe in business casual like she’s about to put in eight hours hole-punching or making copies or writing emails and it’s so effortlessly sexy that the only thing that could possibly distract you from it—

“He’ll be fine,” Yuqi says, not even chagrined in the slightest that she’s fucking covered in cum. You watch her stand up, wipe her eyelashes free of mess with the back of her forearm, and start leading you to the window with her wrist still flexing out tiny motions around your cock. “I’ll make sure of it.” 

“Just a reminder,” Miyeon shouts, even-pitch and tone slightly indignant, which makes a lot of sense. “You promised you’d sit in for my line reads.”

“And I will.” 

It’s almost idiotic—here you are, the expert in the room, a professional in spinning ludicrous little lies, purveyor of fantasy and fiction and fuck if it’s not obvious that you’re planning on fucking Yuqi’s pretty little cunt until you’re both forgetting how to function. Miyeon reads that from across the room. From where the stench of sex is so heavy it’s probably hitting her too.

“Oh relax princess,” Yuqi says to her, and her lips slant to something more mischievous. Her shoulders are slumped back against the pane of glass and she’s rubbing the head of your cock through the soaked folds of her pussy. Neither of you are in search of ideas, for inspiration. Want for nothing. You’ll fucking ruin this little cunt—get me screaming and so addled I can’t speak straight, Yuqi’s telling you with just the corner of her mouth, curling. 

You grab hold of Yuqi, grappling with her for a moment before you spin her around in your hands—until her tits are plastered onto the window. It’s a show of force, a drill in shock and awe admittedly, but also you’ve got two perfect rows of bite marks above your collarbone. Honest to god, a full dental record, right in your shoulder. You sense the inspiration in it. Yuqi fucks like there’s inspiration in it, like she’s trying to kill you, in a way, but you’re paid for maintaining an image just a tad more wholesome than that. Ideally with a little less blood where a camera could catch it.

“Jesus christ,” Miyeon says, tapping away at her phone. “You guys are gross.”

“He promised. Didn’t he?” Yuqi mutters against the pane, the condensation in her breath fogging immediately. If that isn’t a perfect preview of what you’ll do to her. Perfectly premeditated by the way she fucking keens when you slip back inside her tight cunt. And Miyeon is very unimpressed with all of it: “Yeah okay, whatever, I don’t care, stay hydrated or something. I’m going to wait downstairs.”

“Told you,” Yuqi purrs, grinning all over you, in the breadth of quiet that the door leaves slamming shut behind Miyeon—stage exit, fade to black; you know that sometimes the magic of film isn’t what’s shown on camera, but rather what isn’t. 

“Told me what?” you ask, still enthralled by how Yuqi is so small underneath you, how when you’re both reaching for control, you don’t really even care if she beats you to the draw.

She gets jealous, Yuqi’s trying to explain, in between the sounds of you fucking her open and raw. You hesitate. Like you haven’t always had that effect on people, blossomed into blessing, complexed into curse. You reach your hand up Yuqi’s ribs, her chest, around her throat, and let your words bite at her ear: “oh, I think you will too.”

-

“I get hate mail,” you tell Miyeon. You’re on set the following week, ducking out of the path of a mic boom that is swinging way too fucking low, and there’s this story trending that heavily suggests you and Miyeon are knocking boots and it has a few disheartened fans absolutely outraged. “Like physical hate mail, in envelopes and stamped and everything.”

“It’s because of the stubble,” she says, rubbing a finger under your jaw. The girl in charge of costuming is adamant that beard prosthetics are lazy and cheap and you are neither. Even if you need it for only one scene. “It makes you look…”

“Uncouth?”

“Rakish,” she says, blinking. And as an afterthought: “Like, of all your thoughts, the one you have of pulling my shirt up and kissing at my tits until they’re sore is somehow the least vulgar.” 

Her shoulders pull up into the slightest shrug. “I mean I’m into it,” she adds.

“That’s not fair,” you tell her, “I’m not considering anything like that.”

Miyeon pulls you aside and up one of set’s staircases to nowhere, fingers warm at the crook of your elbow, and says, “well, it’s all I can fucking think about.”

-

Take a second for some personal reflection: you’ve never really tried to make a habit of anything and at the same time been successful. When it happens, it just kind of happens. We are what we repeatedly do.

In a way, it all started in public, this thing between you and Miyeon. Your roots are here, out with the blurs of passing people, daring to be seen, to be recognized, to be identified. You had long thought—and think, you do, particularly when doing the unthinkable—that a girl like Miyeon would steer away from the prospect; fucking you instead in private, comfort realized in the security of drawn curtains and shuttered blinds. A stark contrast to the part of your lives lived out in the open, subject to scrutiny and skepticism, unguarded from microscopic observation.

She only has everything to lose, you understand. And you aren’t more than a few paces behind her either. Reckless, she’s muttering while you sink to your knees and get your fingers up her skirt, so reckless—like this whole thing isn’t her idea.

The crazy part about all this that you actually do get caught. Not just one time either. 

You’ll bring it up in discussion with Soyeon later, when you run into her at the movie’s premier event and you’ve realized the value of having a good confidant:

“I literally told you one thing,” she’ll say, hands on her hips and looking like the mother that has to call the school, has to call the parent of the window you’d shattered with a baseball. It’ll all be highly disappointing. You are unbelievable—is what she won’t be able to say, even though she’ll really, really want to—I told you not to sleep with Miyeon and you slept with Miyeon why would you sleep with Miyeon you absolute moron.

-

There’s the time on set: in a fucking storage closet of all places. You’ve got Miyeon laid back on a table, fucking her slowly. Her panties are in her mouth, and the toes of her foot are curling against your cheek. It starts with a kiss, which most people might consider poetic, just your lips against a heel, the narrow bend of her arch to where she’s got her delicate toes perfectly colored in pastel white; Miyeon’s too cock-addled to do anything like comment on the fact you take them between your lips, slowly, and again, sucking, kissing her feet until she laughs at the way it tickles.

“Oh my god,” a voice says. One of the production assistants. “Oh my god, I’m so, so sorry.”

-

There’s the time in the woods near where you’re shooting a few of the outdoor scenes. You’re stepping out of a tall brush, and Miyeon’s cheeks are so red, glistening in sweat and cum and there’s a technician running an extension cord to god knows where to hook up more lights to the rigging.

“Um,” he says, just staring and unwinding more cord.

“We were looking for her earring,” you tell him.

“In the fucking woods?” He laughs out loud, just this self-amused grunt of a laugh. “Did you find it?”

You actually can’t look him in the eye, and Miyeon is just standing there, mortified. Your forehead creases a puzzled line and you say, with absolute conviction: yes.

-

“Jesus christ, Miyeon.” You swivel on your stool in your dressing room. Think possibly to kneel, but you know what might happen if she sees you on your knees, supplicating.

Let the record show, you and Miyeon are on day six of your self-imposed moratorium—the ban that prohibits the two of you fucking eachother at work, so it’s not like it’s the fastest capitulation in the world either.

Miyeon does a spin, pleated hem of a navy blue plaid skirt flaring out to the sides—how do I look?

There are answers in your throat, no doubt—like sin, like fantasy, like a submissive, fuckable fantasy. Like it should be illegal.

“Uh—I mean,” you nearly stammer, massaging your thumb into your temple. It’s certainly not natural for you to be here, on the back foot, and it has Miyeon’s mouth slanting into a predictable smirk. In an almost inexcusably banal act, she puts a fingernail to her teeth and shimmies her waist so that you’re lost to the moment, tracking how the skirt’s fabric ruffles between her legs.

Is it the fact that some maniac in costume has gone and put her in a school uniform?

Yes. 

That's a great deal of what’s going on here, which is a whole fucking lot. Is it the way her shoulders vanish in a tailored blazer with a nostalgia-inducing insignia above the breast pocket—her fingers poking out from the cuffs and toying at the lapels? Is it that the dress shirt beneath it is made of the cheapest cotton one could find (because the thing doesn’t really need to hold up over multiple washes) so you can see how her stomach flattens, that gentle rise in her chest, the sharp angle of her collarbones, all when the light catches it just right? There’s the stockings, dress shoes, a fucking ribbon in her hair and you’re ignoring the fact that the tie around her neck is a little loose and you might be able spin it over her shoulders and tighten your grip and—

“Cute, right?” She skips across the room and perches on your knee. Really selling it.

“I’m curious,” you say, looking for a narrow gap, something to stow away into, something that might take your mind off the fact that when you look at Miyeon, you’re transposing and overlaying images of an eleventh grade crush, and that’s not a mood you were prepared to be whipped into at just the flash of blue plaid and a charcoal blazer. “When was the last time you wore a ribbon in your hair?” 

“Oh gosh.” One corner of Miyeon’s mouth frowns, ruminating. She hovers her hand up to her ponytail, twisting it gently until it bounces back into place. “It’s been such a long time actually, I don’t know, seventeen, eighteen years old?”

Okay, that’s certainly not helping. A more direct approach, perhaps: “what are you doing, Miyeon?”

“Oh,” she says, nonchalant, because isn’t it obvious, “I’m here to get fucked.”

This is trouble, and among other things, a perversion, you think, but your mouth is too dry to say any of that, and Miyeon leans in and places her fingers beneath your jaw. Tilts your chin and presses her lips to yours, gentle, feather-light.

One one-thousand. Two one-thousand. Three one-thousand. Four one-thousand.

Shifting slightly, the inside of Miyeon’s thigh presses to the outside of yours, only ever the slightest movement, and it has you sighing into her mouth. It’s impossible to decide whether you ought admire her confidence or find fault with her gall. She’s a delightful lapful—and a handful, and a mouthful—so you’ll flirt with danger, abandon those last vestiges of inhibition, and lean into the former rather than the latter.

Miyeon’s breath lands against your lips, hitching as the kiss breaks.

“Look,” you say, lip smacking back into place when she finally lets it free. There’s a response, bubbling up from your gut, because on one hand, this is the exact kind of impropriety you were hoping to avoid. And on the other, well, nothing ventured, nothing lost—you suppose. Your eyes are flicking to the top buttons of her shirt, collar agape and that gentle invitation of cleavage snuck behind it.

“Oh my god,” Miyeon says, inches from your face, and she starts to laugh. “You have grays in your beard.”

“No there aren’t.”

“I’m serious.” She wraps her hand around your cheeks, and twists your face to the vanity mirror, like it’d be helpful. “Look,” she says, twice, pulling her lip between her teeth and staring at your reflection.

“Those are stress grays,” you amend, before turning back and shifting her weight more comfortably into your lap, soft thighs straddling yours. “Just to be clear, I’m barely any older than you are.”

“Older,” she says, smiling.

“Don’t have to dwell on it.”

“I mean there’s a silver lining to that though.” Miyeon’s fingers are spread across your face, thumbs gently rubbing into your cheekbones. She’s close enough for you to forget her manager is going to come looking for her at some point or another. “Just means I can call you daddy, and it won’t be weird.”

“Uh.”

“You know,” she adds, sliding her fingers over your ears and pressing a kiss into your jaw, “while we’re doing it.”

“No, I understood that part.” You give her another once over and firm your hands on her waist to stop her from grinding her hips any further into yours. “I’m not sure it’s age that potentially makes it weird.”

“Come on,” she says, letting her voice slip into that slightly deepened register that suggests not only will she disobey you, but you’ll love every second of it. “I know you love to play with me.”

“It’s not a trick question. What are you asking for here, Miyeon?”

“Sex,” she says.

“Yes,” you answer, blinking back at her, expression skeptical. “I was there for that part of the conversation. It was about sixty seconds ago, if I recall.”

She lifts your chin, looks straight in your eyes, and asks, “and?”

“I’m just trying to puzzle out what you're telling me.” You slide your fingertips past the waist of her skirt and onto her ass. The quiet hum of satisfaction in Miyeon’s throat says you’re getting warmer. “What it is you want.”

“Any ideas?” she presses again, the lilt in her voice filling you with hundreds—the countenance behind it providing even more. Her hips grind into you further, bucking toward your waist and silencing the anxious distance between you.

“Do you want me to touch you?” Your hand snakes around the curve of Miyeon’s ass, down to where her underwear feels hot and unmistakably damp, where you can feel the shape of her lips through the fabric and the heat smoldering between them. There’s a tiny wanton whine from her throat when you circle your fingers; a sharp draw of air past her teeth when you apply a little more pressure. “Want my fingers inside of you? Hmm?”

Miyeon nods almost immediately.

You kiss her. Slide your mouth over her lips and recognize the strawberry in her lip gloss and hold onto your exhale, breathing the same air. Her eyes open first, lashes brushing yours. “You want me to fuck you, Miyeon.”

“Want you to tell me what to do,” she says, and without even running the word experimentally around her mouth, without testing its taste or the way it feels on her tongue, she fixes her dark brilliant eyes on you, saying, “want daddy to tell me what to do.”

You’ve got all this about nature and nurture running amuck in your head to the backdrop of the sound of a large cable snapping. It’s dangerous. It’s not like you, you’re not the type, you’re telling yourself, and a lot of other rubbish that isn’t concerned by the fact that Miyeon’s here, fucking dressed like this, ponytail bobbing, ribbon in her hair begging to come undone—

Lock the door, you say to her, and she does. Turn around. Take your jacket off, and she pauses first, before twisting her arms from the sleeves and folding it neatly over the back of a chair. You’ve got a hand outstretched as she walks toward you; your panties, hand them over, and she reaches down beneath her skirt, rolling her underwear down her smooth thighs, her calves, eyes never once leaving yours—watching you watch her. 

Sit.

Touch yourself. 

Slowly; slower—

It’s almost ridiculous. You’ve hardly even laid a hand on her, and she’s got her eyes looking up at you like you’d just set all her biological clocks an hour forward, cranked up to ten-minutes-to-midnight, and replaced all her coherent thoughts with just one simple thing: how bad she needs you to cum in her cunt.

She’s settled at the front of the vanity counter, feet against your chest, head tilting back against the mirror, and she’s gently slapping her own pussy with the pads of her fingers, covered and wet in her own anticipation. Your hands are nothing like hers—these slender, delicate things—and it’s driving her up the wall. You’re spreading her thighs, opening her up, bringing the roughness in your fingers, the heel of your palm so close. Miyeon can’t help it.

“You’re such a slut,” you tell her, watching her shove one, two fingers past the glistening lips her pussy—biting back a laugh as she starts to fuck herself slowly for you. “And already this fucking wet.”

Miyeon just smiles, eyes hooded and looking at you with such perfectly sinful intent. “I thought that’s how daddy likes his little girl.”

(Don’t get it confused: it’s never been a challenge to play a character, to be someone you are not, to emotionally identify and aspire to the details of a part. But this is different. This is seamless. This is you leaning into that space, living in it, loving it. A physical part of you. Genuine and true.)

You grapple Miyeon’s wrist, pulling her hand away from the want of her pussy, denying her all of that friction. She whines, but puts up little to no fuss when you bring her hand to her face and clear your voice of anything that doesn’t inspire authority—deliver an order, sternly, with her fingers in her mouth, suck.

“Here’s a lesson.” You click your tongue as she closes her eyes and sets her jaw in motion to clean her own slick off her nails, her knuckles. “The only thing that goes in my princess’s cunt, is daddy’s cock.”

“In that case,” Miyeon says around her fingers still between her lips, a smile spreading across all of her perfected features—voice lilting, reeling you in, sinking its teeth into your skin: I think daddy’s going to have to punish me.

Oh, you’re one step ahead of her, thinking of all the ways how, and the sound of your zipper coming undone makes Miyeon's eyes go wide with want, with need. Her petite, perfect, fuckable body still locked away behind fabric, she starts hiking her skirt even higher up her hips, lazily unfastening the buttons of her shirt. 

You tell her to put her feet together, wrapping a grip onto her stockings and pulling her legs closed—twisting them to the side and letting her heels clack together over your shoulder. The gentle motion of your thumb between her thighs gets her sucking a sharp draw of air. Always so vocal Miyeon is at the slightest provocation.

Your cock is harder than it’s ever, ever been; harder yet as you tease it at the folds of Miyeon’s entrance, pushing it against sensitive skin and earning you pleased little chirrups from deep in her chest, repeating, “yes, yes, yes—”

She’s only halfway down the buttons on her shirt, collar gaping open and lolling to the sides of her soft shoulders, sliding partway downway her arms, and then it’s that fucking tie still loosely hanging around her neck—so impossibly irresistable. The motion is practiced, near effortless: you slip right into the tight embrace of her creaming cunt. When she makes it through the length of a heavy breath through pursed lips, you sink even in further.

“Oh, this pussy is fucking incredible,” you sputter, voice come to reckon with the fucking bind that is Miyeon’s body, coiling beneath your weight the deeper you cock reaches inside her. “I don’t know that I could ever punish you. Maybe I should just spoil you, princess; get on my knees and make you cum on my mouth instead—”

“No.”

“What was that?” you coax, fucking into her cunt slowly, and your little girl growls at you. You can’t help but chuckle, making a tight grasp of the tie around her neck, and start to twist. 

Miyeon’s flushed all over, eyes glassy, but emblazoned still, a spark of defiance in those deep shimmering pools that makes her all the more alluring. Her lashes flutter—whole body tensing in response—as your thighs crash into her, cock deep inside the tight grip of her cunt.

She feels amazing.

“Yes, please,” she tells you, huffing out the words and changing her tune as you begin to let her have you, let her revel in the determined rhythm of you fucking her like she’s come to expect. “God, yes, daddy please…”

It’s so easy to fuck Miyeon—muscle memory and learned behavior—so easy to sink your fingers into her ass, her thighs, her tits, wrap your arms around her waist and start fucking her so quickly it has her pussy so wet it’s not even slowing you down in the slightest when you pull harder on the tie around her neck, draw her writhing body into you, and start to use her.

“You’re fucking, god, you’re fucking tearing me open,” she tells you with her brows sinking over eyes screwed shut, “it feels so fucking good—tell me, do you like fucking me? Do you like fucking your little slut?

“Fucking love it,” you whisper against her ear.

It doesn’t even cross your mind for a second, whether she wanted to be fucked like this, wanted to be used and choked and pounded so hard her legs buckled and her muscles ached and she could barely remember her own name—she landed in your lap, flirted with this danger, both of you immediately aware of what all it entailed. 

Miyeon didn’t just invite it, the girl fucking craves it.

Just like this, she’s muttering, voice barely rasping into anything audible under the weight of your grip, fuck your little slut just like this—bathing your cock in the delicious cream and slick of her pussy so that you might fuck it all back into her. When she starts moving like this, body shaking in quakes and quivers, voice woven into her mewls and moans, you know she’s so fucking close, only in want of a little encouragement—

“There you go, good girl,” you breathe against her lips, kissing them abruptly, before letting her weight fall back to the vanity counter with just the slightest release of the tie in your fist. “Cum for me, princess, I know you want to—know you want to cum all over daddy’s cock. You’re practically sobbing for me, baby. Go ahead, just cum.”

Sheltered somewhere in quiet of those sloppy, wet, lewd sounds, the score of your cock sliding in and out of Miyeon, is the strangled cry that sneaks out of her throat, gasping: “cumming, I’m fucking cumming, please, I—god.”

Accentuated by the fact that her arms are still halfway trapped in the cotton of her shirt, she can’t do a thing from underneath you. She’s near trapped under the weight, the sheer tempo of at which you’re ruining her cunt. You’re ripping your name in moans and prayers off her lips and she can hardly move beyond that slight squirm in your arms, writhe in the way you mold her to you, overcome in pleasure at how she’s left so full, perfectly remade to the shape of your cock.

Her fingers are splayed across your ribs, holding you, bracing against you, and none of it’s anything you haven’t told her before—so pretty, take it so well, your cunt’s perfect, you’re perfect, so good sweetheart—but in aggregate, taking the length your cock, taking all of you, she shatters apart.

Your hands are on her cheeks, thumbing strands of tousled hair ever-so-gently back into place, and you’re feeling the way her skin burns bright red, feeling the way she gasps for air in shallow pants, feeling her cunt clench hard around you. It’s the moments like these, where she’s delicate to touch, soothed only by your lips pressed to the tip of her nose, her forehead—finding comfort in the arm she swings over your shoulders—she’s so wildly beautiful. 

“So fucking—” She lets her voice even out, and after multiple attempts, gets the words she wants in the right order: “so good, how do—so fucking good baby, how do you want? Cum. How do you want to cum?”

“Could fucking paint your pretty face,” you tell her, moving your hips back to life and fucking into her soaked, messy cunt slowly. The way you push a kiss into her soft lips—now wet and slightly swollen from how she’d been biting them—is a little at odds with the suggestion.

“Ha. I think I get it,” Miyeon starts, the shy smile filling her mouth taking over the shape of her ragged huffs and pants, “we throw daddy around a few times, and suddenly you’re afraid to cum inside me, is that it?”

“Oh, sweetheart, that’s not it at all.” The fact that she’s recovered an ounce of resolve, chip steadily reappearing on her shoulder, is nothing more than a facade, and you’re drawing back the curtain, finding her body still wracked, plenty malleable, puddied and easy to manipulate with a firm grip around her waist. “Let me show you.”

“And just what is it that I’m—” 

Miyeon’s voice breaks almost immediately as you turn her over in your hands. Her knuckles hit the vanity counter and her legs wobble where they land precariously on the floor. She’s so wet and well-fucked that the mess you’d made of her cunt is effortless to slip back into. You allow her more, pushing in as deep as you’ll go, faster than she can blink, faster she can think to protest. It’s the angle that makes her back arch with surprised, sudden pleasure. The depth that makes her eyes shut tight, a gasp not quite making it past her lips. 

Watch.

She can see it all, in the perimeter of fluorescent bulbs, reflection staring back at her. The way her porcelain skin lights aflame. There’s sweat beading across her forehead, blonde hair darkening at its roots. Her lips are parted slightly, tender swell cushioning the bite of her teeth—her eyes are hooded, chin tilting, and she’s watching herself moan and curse as you start to fuck her. She’s perfect, and she knows she’s perfect.

You pull her skirt forward over the round of her ass, fingers sunk into the soft skin, and fuck her harder, until the counter is shaking with it, until she’s crying out, any concept of shame or embarrassment long forgotten. 

“Oh, please,” she starts, settling into your cadence, feeling delighted at the way you fill her.

Her fingers are white-knuckled as she clings to the edge of the counter, and in between breathless little noises, these sharp gasps and whines or another, between the unyielding motions of your cock in her cunt, she writhes.

“Please, please, please, please make me cum again,” she barely manages, blathering and stuttering over her own words. “Please use this little cunt, fucking use me, fuck me, fill me—”

“Anything for my princess,” you say, and after pressing a long row of kisses into the curve of her spine—a heavy kiss of your lips into the sharp edge of her shoulder—you bring a hand to the back of her neck, the slippery-smooth locks of hair already bundled and begging for your fist, becoming your grip.

“Oh my god,” Miyeon mutters, watching her body bend to your will, arching backward into your cock and becoming flush all over. Her eyes flick up to yours, begging you to fill her deeper, fuck her faster, fuck her harder. “Daddy please…”

The way her cunt sleeves onto your cock is so hot, so wet, so unbelievably tight, especially when the fingers woven in her hair flex taut—and so does she—how could you ever think to do anything but?

You pull harder on her hair, tension building in the curving bow of her body, arching further and further into submission. Her face is close enough for you to kiss, to lean into her ear, to whisper, “Miyeon, baby, I’m going to make you cum again. Gonna make you cum all over my cock. Be a good girl for me and take it.”

Miyeon’s voice is flooded, drenched and soaked in meek cries. More so by the minute. She’s whining and gasping and fighting for air like she hasn’t been coached a thousand times on how to keep a clean image. Beyond the curses and filth, the nonsensical string of obscenities falling off Miyeon’s lips, it’s gratitude: “thank you, thank you, thank you, please keep fucking me, please just use me—”

It’s obscene, filthy, it’s practically pornographic–-all framed for her to see. Miyeon’s costume is still barely clinging to her tiny frame, coming off in pieces. And you’re sliding your hand across her smooth stomach, up her ribs and hooking fingers between the cups of her bra, until it comes down far enough around her waist that it simply unclasps and falls to the floor. Every time bring your hips forward, fuck your cock harder into her cunt, you track the movement of her body in the mirror: shoulders lurching, mouth gasping, tits shaking—Miyeon recoiling. 

Even the ribbon in her hair can’t stand against the intensity of it, untangling from her ponytail and falling to the counter, defeated.

Beauty is a picture in motion, and Miyeon is nothing if not elegant. You slow your pace to admire her, hands at her breasts, her waist, still holding firm around her hair and curling her body into your control. She whines louder when you kiss her temple, rasping against the sweat building in her hair. “Make yourself cum for me baby, fuck your little cunt on my cock until you cum again.”

“God,” Miyeon rasps, nodding slightly against you with her eyes carefully fixed on her reflection, and she starts to roll her hips—fucking herself and choking back a whimper every time she finds where it’s mind-numbingly sensitive, where she’s wet and needy and begging for the hard shape of your cock. It’s unbelievable how desperate she ruts against you, grinding her way to her own release.

“Such a good girl for me.” You’re reaching a hand down to her cunt, the hot mess between her legs, and you’re slipping your fingers around where your cock is inside her, skating your thumb across her aching lips, barely touching her clit—

“I’m gonna cum,” she moans out, breathless, “you’re gonna make me fucking cum.”

A final kiss at the hot skin beside her temple, your nose in her hair—drowning in the sweet stench of her sweat, her sex—you’re telling her, “I know I am princess,” and when you release the grip you’ve made of her hair, Miyeon collapses, palms flat over the countertop.

It’s hard to miss, all written on Miyeon’s reflection in front of you, cheeks exquisitely red, lips slacking as she cums, brows twisting together and eyes heavily lidded—and that’s just what you can see. You fuck her quivering cunt, thrusts coaxed into this reckless chase as she spasms around you—holding tight to her waist, fucking her faster and faster until your cock is aching and you’re hunched over her, telling her what she’s been dying to hear: “I'm so close to cumming in your cunt sweetheart, you'll be so filled up and perfect that way, princess.”

There’s no mistaking it. Pleasure palpable in the reflection in front of you, eyes smoldering and holding onto you. The hold she has on your cock, the vice that is her cunt around you—it shouldn’t even be possible to feel this fucking amazing—is far and away too good for you to do anything else: you grab her hips, fuck hard and fast into Miyeon’s sopping cunt, and on a thrust deep and unrelenting, you let go. You can barely even register the way your cock pulsates, firing shot after shot into her tight hole.

Miyeon’s still stuttering and gasping for breath when she feels your cum pool inside her. Even like this, wracked, writhing, and barely held together, she’s breathtaking.

“God, fuck, it’s so good,” she cries out, face still spun in pleasure, in ecstasy, feeling you spill more and more inside her. “Can feel you cumming so much, daddy.”

And that’s how you stay, pouring want and jittery contentment into the air by way of your ragged breathing alone, for the remainder of the minute, the hour, what ultimately ends up feeling far too short. 

Her knees buckle and if you weren’t still pressing bruises into her hips, she’d sink to the floor, a hot mess, a real meltdown of a girl. So she remains right where she is as you soften slowly inside of her, until she has to nudge you off. And as you finally pull out, there’s cum still leaking from your slit, and you catch a glimpse of more leaking out from between her soft, reddened thighs, just a few drops that land on the floor, enough to make something inside you tighten with want.

You kiss her one last time, and say, “c’mon, let’s get you cleaned up.”

-

“You need to come up with a better excuse than I needed to get fucked for when you show up like you are to costume,” you say a few minutes later, dabbing at Miyeon’s forehead with a handtowel. “They won’t be too thrilled with me messing up their handiwork.”

Miyeon leans forward in your lap, reaching around your shoulders and placing kisses into the broad shape of your shoulder. “I love the way you mess me up.”

You almost open your mouth again, to lodge a complaint, but nothing comes out.

(You’ve long avoided looking backward, the introspective stuff, the kind of thinking that makes your heart begin to ache in all sorts and manners of cliche. It’s difficult to look straight at the image, to take it in all at once—so full of regret and missed chances.

But for the first time in as long as you can remember, you believe in the things you’re afraid to say. As though you’re more than the weight of all your memories, that the darkness can remind you of where light can be. This is not the end of you, you remember, this is the beginning.

As though you fell so you could land next to her.)

-

It hits you in the middle of a workday. Nothing cathartic or dramatic about it like you’ve come to expect. Dramatic lighting, theatrical score, the meticulous scripting from a team of writers—there’s none of that; which is how you know it’s real.

Miyeon’s watching herself on the monitor. 

And there’s a part of it, you’ve come to understand, that never quite goes away, like listening to how your voice plays back on a recording, the uncertainty, those pangs of doubt—but you wonder, if perhaps, Miyeon can manage to enthrall and captivate even the greatest cynic, quiet her own insecurities and enchant even herself. She nods every now and again, wets her lips with her tongue when she hears her delivery, and furrows her brow. 

It’s not like that.

The sort of girl whose kisses can spin straw to gold—taste of liquor when she’s not even had any to drink—Cassis, juniper berries, gumdrops, sugar cane and molasses, all soft and steamy and sugary sweet. Quote, unquote. That’s what you said.

Don’t—

Please look at me when I tell you I love you. Any moment might be our last. Everything is more beautiful because we’re doomed, you will never be lovelier than you are now, we will never be here again.

The whole studio is watching it: the triumph of your lips on hers, holding her softly and kissing her like if you closed your fingers she might shatter into a million pieces. All they did was hold the camera, and it saw what it saw.

Miyeon looks at you, rubs your knuckles with her thumb and says, “you don’t like it.”

Something’s off.

“You think we need one more take?”

(It doesn’t really make sense—the fact that you can’t put a finger on it is bothering you more than anything else. It’s clean, perfect even; smells like a swimming pool: a bleached sea salt, a flower with chemical petals; and not in a good way. Looked at from another perspective, the scene is just as it’s written, as it was rehearsed, but you’re hesitating. And you don’t know why.)

“You think we need one more,” Miyeon says again, inquisitive.

You make a face, and Miyeon squeezes your fingers.

“Yeah. Okay. You think we need one more.”

“I suppose,” you say mildly, “if it’s not too much of a hassle.”

It’s not as simple as that. At least the way you see it. It rarely is. A better guy could probably recognize what it is you’re feeling and put it into words, but you are not a better guy. Spend too much time living on the words of characters and in the confines of a scene, you start to lose sense of the bigger picture. There’s you—outside of the frame, strangely unfamiliar at times, unknowable right now. There’s Miyeon, and she’s not just gorgeous and perfect like everyone knows her to be; she’s gorgeous and perfect to you.

“Here’s what I think,” Miyeon starts, staring straight through you, a pulsing rush of longing—the whisper, irresistible, magic that could make the sanest man go mad. You just want to hear me say I love you one more time.

Everyone’s eyes are glued to the monitors, witness to the story that is you and her, but you’re looking at Miyeon, directly at her, for once not even lost in the details—simply lost in everything, like a stone down a well. It does scare you. That of all things, she might be right.

-

The incident, as it will later be known, is more realistically a sequence of events, but no one has ever been interested in anything other than how it ends. 

(It's always the changes we don’t ask for that change everything.)

There are just a handful of scenes and shots that need to be filmed on location on an island in the Maldives, one that is just about everything you’ve grown to resent. Garishly extravagant resort, beaches of white sand so combed and manicured they yearn to be trampled, and the only locals in sight are either changing sheets or caked up in makeup and hanging around the hotel bar from the twilight hours of the evening and into the early morning. A real lovely place, you admit, maybe you’ll come back never.

It’s as if the universe cashes in on your bad karma all at once via the series of unfortunate events: your flight’s delayed, a storm turns a three hour layover into a two day nightmare, your bags get lost. And the moment you step onto the tarmac, the heat punches you right in the gut, and upon curling over in defeat, the humidity figures it’ll kick you right in the head—this all, by the way, before you find out the air conditioning in your room is fucked beyond repair and the hotel staff have no interest in helping you fix it.

When a series of mistakes has you shooting a scene over and over until you’re pretty sure it’s fruitless—that the exhaustion has brought you to your knees—you quickly find yourself starting to slip.

Miyeon’s standing next to the director, watching the scene playback, and hearing her say, “that’s better,” while everything that could ever go wrong in the history of linear time is happening is the best part of this whole debacle, if anything, for its raw comedic value.

The absolute worst of it, however, is the gaggle of bumbling entertainment journalists (the lowest of the low) following in the production’s wake. There’s a lot a ground to cover: the movie’s nearing completion, the premieres, the fact that everyone thinks you’re screwing Miyeon, the fact that you actually are—

How has working with your co-stars, Miyeon in particular, bettered your understanding of what it means to be an actor? The insinuation, if it’s even an undertone enough to call it that, you do find insulting.

Though it’s hardly the question that trips you up. It’s trifling. And when you force a smile, everyone takes your pandering at face value. Now whether it’s out of envy, confusion, plain old cynicism, possibly a mixture of the three, or just because the part of your brain associated with temperance and self control is melting at the current head index of a million and two, is unclear.

But you fuck up.

It’s under your breath, out of the corner of your mouth. It’s not even directed at anyone in particular. The challenge here—the thing that will come to ruin you in about one media cycle—is that the damn microphone clipped to your shirt is still absolutely live, and it’s broadcasting every thought that should stay quiet:

Acting? From Miyeon? Hah. Swallowing cum maybe… but acting?

You fuck up bad.

[hunn1e-bunn1e]

Twst Handful - Strong, Understanding, Silly & Teasing Male Reader

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IT'S FINALLY DONE! The reader is described as muscular. The reader is implied to be tall. For Crewel; the reader is the art teacher. For everyone else but Vil; you are in their dorm. For Vil; you're related to Coach Vargas and are in an unspecified dorm. I hope this is what you wanted @kawaistrawberry21! —Benny🐰

                                                                                                   

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🦯 Ugh, you! He can't stand you! Nah, he's just kidding. He likes you just as much as the average coworker by day, lover by night would. Though, he must say, even if he loves you now, he certainly didn't before you both got together.

🦯 The first issue Crewel had was obviously your abhorrent taste in fashion (to him at least) that's what made him dislike you right off the bat. But as any good dog wrangler would say, he cannot judge a pup by its coat alone. So then, with much hesitancy, he got to know you and you hit it off from there.

🦯 Your silliness is... appreciated, to say the least. It's a great distraction for when he's feeling stressed with work. You always know how to make him smile with your little jokes and eccentric attitude. Don't misunderstand though, he values professionalism quite a bit and will tell you to straiten up when he feels that it's needed.

🦯 You want to tease him? Okay. Just be ready when he teases you in return; he was never one to hold back after all. But Crewel's teasing is never the mean spirited kind, that's reserved solely for Vargas. His teasing is sultry in nature, sure to leave you with glowing hot cheeks and swirling thoughts as you fumble for a come back.

🦯 A feature of yours he most definitely enjoys is your immense physical strength. He's surprised that you teach art and not physical education instead of Vargas. Loves watching your muscles flex when you lift things that would seem immovable by the average person's standards. It's not that he dislikes it, but warn him next time you want to pick him up! You're going to give him a heart attack.

🦯 Crewel is really thankful for how understanding you are. You're such a good listener and you give surprisingly wise advice when he goes to you with his problems. He'll let you lay on his lap in the teacher's lounge; stroking your hair as he rants about the misbehaving puppies he had during his last class.

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"You always know how to make me feel better when I'm down, don't you, Puppy. Such a gentleman you are. I suppose you deserve a treat for all your hard work, hm? Alright, here boy."

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🌹 Seven help him, you infuriate Riddle so much. Seriously! Even though you and Yuu helped him with his overblot he still finds you irritating. He doesn't hate you though, he sees you as a good— no, a great friend. A really annoying one, but he supposes that's what makes you yourself, unfortunately.

🌹 You're quite silly, he found that out even before his overblot and at that time he was annoyed by it. Couldn't you be serious for once? The Queen of Hearts's rules are nothing to joke about! But... after his overblot, he really learns to appreciate it. It was you after all who broke the tension in the infirmary when Yuu and the others came to see him; lightening the atmosphere to make room for pleasant conversation.

🌹 The teasing. By the seven, the teasing. Please... give poor Riddle a break, you're going to make him burst a blood vessel with how irritated he gets. Stop calling him short, he gets it already! Yes, his hair is red, now stop calling him the names of red fruit! His head is NOT shaped like an apple, dammit! He's glad if you stop after a while, because if you don't he might start losing hair and you might (read as: most definitely will) lose your magic.

🌹 Just because you're strong doesn't mean you're allowed to throw him over your shoulder like a sack of potatoes whenever you please! It's scary! It's like he's getting kidnapped or something! But your strength is appreciated sometimes. He definitely makes you carry around or move heavy items for him. Maybe the common room furniture needs to be rearranged again.

🌹 Riddle was quite literally moved to tears after you immediately forgave him for his behavior before and during his overblot. You didn't even let him finish telling you about his mother in the infirmary; you just hugged him tightly and said 'I forgive you. I don't need to know your past to understand that you regret your actions. People can change, Riddle.'. He cried. He sobbed. You have no idea how badly he needed to hear that.

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"Call me 'shortstack' one more time and it's off with your head, you hear me! And get your arm off my head! I am not an armrest for you to go and just lean onto, you— you miscreant!"

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🦁 He doesn't pay you too much mind. Your personality is comparable to Ruggie's, and he has no issues with the way Ruggie behaves and does things, so you're cool in his books. Just don't interrupt any of his naps like Ruggie does, or else.

🦁 A silly attitude is something he's used to interacting with giving his attendant and his neffew being the same way. Leona mostly tunes out any jokes you tell him unless they're about Malleus and the Diasomnia dorm, he finds those pretty funny. He likes when you tell him random made up stories as he falls asleep, they usually influence his dreams so he always asks for peaceful ones.

🦁 Oho? You? Teasing him? No, no, no, sweetheart. He's teasing you. Each and every time you attempt to tease him he flips it around on you and makes you a flustered mess. This man is absolutely ruthless with his teasing and won't let up until he's rendered you too embarrassed to even look him in the eye for the next few days. Maybe you should think twice about teasing him next time, yeah?

🦁 You're strong, are you? Say, you wouldn't mind doing Leona a morally questionable favor would you? If you think he wouldn't take advantage of your strength to further his chances of winning Magishift, you're sorely mistaken. But outside of of his schemes, he loves making you carry him to the greenhouse and his bedroom when he doesn't feel like walking.

🦁 One time, when the two of you were just relaxing alone in his room, he shared the details of his past to you. What he got in response was a 'Well, that explains alot.' as well as a tight hug. After that he tells you all about his insecurities and troubles and you just listen and nod. He's thankful for someone who understands him and makes him feel seen for the first time in a long time.

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"Hey Herbivore, you'd better carry me back to Savanaclaw. Consider it your punishment for stepping on my tail again. Shouldn't be a problem for you since you're so strong, right?"

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🍩 You and Ruggie get along pretty well. Sometimes you both meet in the Savanaclaw dorm kitchen and make a meal together or you help him prepare a meal for Leona. Speaking of the lion beastman, you both like to get together and gossip about him. Not in a malicious way of course, but Ruggie always has a full kettle and needs to spill the tea once in a while.

🍩 You're silliness is something he can mesh well with. The both of you are pretty similar in personality anyway, so you definitely get along. You both like to joke around about Leona being your son, with him being the mom and you being the dad. You definitely play pranks on the unsuspecting student body together like partners in crime.

🍩 Ruggie honestly finds your teasing nature to be a breath of fresh air. Being around a grouchy pessimistic person all the time really does a number on his mood after a while. You both partake in playfully teasing one another; never mean spirited and rarely suggestive. You and Ruggie are just here to have fun, why spoil the mood with negativity; that's why Leona's never invited when you guys hang out.

🍩 By the seven, are you strong! Here, carry this; and this; oh, this too. Would you be so kind as to drag Leona to class? Thanks a bunch! To say that he's living for your strength would be an understatement; everything is so much easier now that he can get you to help him. Now hold still and let him get on your shoulders so he can dust the ceiling.

🍩 Dang it stop being so good to him! You're making Ruggie feel bad for injuring all those students! He vents to you about how bad he feels about hurting everyone even if Leona told him to do it. After you express that you don't fault him for following through Leona's orders because he's in no position to refuse, Ruggie jumps on you and damn near sqeezes you to death in a hug.

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"Huh, 'Mister Mom'? My son? I don't got a kid yet, 'm still in school, man. —Oh! Pfft! Shyeehyehehe! Are ya callin' Leona a kid! Awe man, that's friggin' hilarious. I guess I am 'Mister Mom', huh."

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🪞 You... remind him of Coach Vargas for some reason. That's not a good thing. His eyes are burning, please Stop flexing like that, you look like you're constipated. And please, PLEASE for the love of the seven shave your chest hair, he visibly cringes every time your shirt is open. Vil thinks you're very handsome and could do very well in Pomfiore but it's overshadowed by your agregious lack of tact.

🪞 He's well versed in all sorts of mannerisms, so you being silly isn't a shock to him in the slightest. 100% will he try an make you be more serious in situations that can effect his public image, so be prepared for that. Even though he tries not to smile too hard to avoid developing smile creases, you always make him laugh. Stop that! Stop making him so happy, you scoundrel!

🪞 Vil does not like your teasing nature. Whether it be his name, actions or appearance you're teasing him about, he can't stand it. He's already insecure as it is and here you are 'teasing' him as you call it. The only indication of how bothered he is by it is a sharp glare that's usually too fast for you to catch. Seriously, don't tease Vil; friend or not, you'll most likely end up with ipecac in your tea. Don't push your luck.

🪞 Your strength is nothing to scoff at; he had found. He thought your muscular physique was very easy on the eyes and often tries to squeeze you into a corset to slim your waist down more. In his words: 'Muscular men with small waists are quite a sought after figure'. He'll have you model with him often in position that has you lifting himself and another model or a heavy product that he's advertising.

🪞 Vil appreciates how good of a listener you are. He'll often come to you and talk about how he thinks his dorm members hate him. How he feels a little bad for pushing them so hard. Vil vents about how, one time, Epel had accused him of trying to erase his personality. You only rubbed circles on the small of his back and encouraged him to keep talking. He felt bad... but it didn't stop him from carrying on to do it all over again the next day.

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"Alright, my Chivalrous Sweet Potato, you know what to do. I simply can't dirty my shoes, so you'll have to use that strength of yours to carry me over all of this awful mud, understand?"

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🏹 Oh, Rook just LOVES you! You bring him so much joy. Though he comes off strange considering the whole hunting you thing, he really means well. He considers the two of you to be the best of friends; connected at the hip, partners in crime, two peas in a pod and so on. Truly you and Rook have the most beautiful, albeit somewhat one sided, friendship.

🏹 He finds your silliness quite admirable and finds similarities between you and Epel pretty often. You make him laugh pretty often when you make jokes about beauty or even the art of hunting. Often times he sits down with you to write silly poems together and read them out loud to each other, or have Vil and Epel unwillingly sit in as the audience. Please release them, they're suffering.

🏹 He loves when you tease him and he loves to tease you back. Rook plays pranks on you pretty often as well. Suddenly appearing behind you, hiding in your bedroom and jumping out to scare you when you get comfortable, shooting an arrow with a bag of glitter tied to it just above your head; you know, the usual. Ah yes, Rook loves a good prank.

🏹 Pilier de force; pillar of strength. That is the nickname he gave you after you picked him up with one hand, like he weighed nothing. Oh, how he swooned in that moment. What a heart throb you are, swooping in and cradling this humble huntsman in your arms. He's definitely suggested you taking up archery on many occasions, you certainly have the upper body strength to pull a bow string properly.

🏹 You have what Rook calls an insightful heart. One full of untainted, unshakable love, compassion and forgiveness. He believes that in a previous life you must have been an angel of some kind with how beautiful you are. Rook has even said your more fair than Vil in his eyes because of your beautiful and noble heart.

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"Oh, mon Pilier de Force. Your compassion knows no bounds. Your heart is pure as the first snow of autumn. One cannot help but to swoon at such a loving disposition, monsieur."

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🍎 Epel thinks you're pretty cool! No— badass is a better descriptor. You two are best friends! Or at least, he wants to be your best friend. The both of you had never even conversed before he literally ran into you in the halls; he was just too shy to approach you. But then you helped Epel up and introduced yourself and you hit it off from there.

🍎 At first he thought you were going to turn out to be another creep like Rook. However, he was pleasantly surprised by the lack of weirdness. No stalking, no appearing out of nowhere, no breaking into his bedroom. You were just a bit af a goof and by the seven did that have him relieved. You supply him with a great outlet to let all the stress of being in Pomfiore melt away just by being around him.

🍎 Epel is okay with your teasing so long as you don't mention his appearance being feminine in any way since he's pretty insure about it. He can take a joke about his height pretty well but he'll climb on you in retaliation, so be prepared for that. He also loves pranks! Epel will even get Rook to join in if he can.

🍎 Your so cool! How are you that strong! Teach him! Teach him! Please, teach him your ways! If he's as strong and muscular as you he'll be manly for sure! Here, lift this bookshelf right here. Yeah, it has books on it still but that'll make it even cooler when you lift it. Ah! No! Don't pick him up! He'll bite you, he swears on it!

🍎 You're such a good listener; has anyone ever told you that. Epel is surprised that he feels comfortable enough to confide in you about his insecurities. How he feels about his appearance and how he feels about the way Vil treats him. And by the time he's finally got everything thing off his chest, Epel cries into your shoulder as you simply pat his back and tell him to let it all out. You never chastise him for not acting masculine enough; in fact, you never bring his appearance up at all.

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"Woah! That's so cool! How can ya even lift that much weight? D'ya think I can lift that too? Ya gotta teach me how! I know yer gonna be the best teacher f'me, so let's get started!"

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🐲 Are you talking... to him? Are you sure, you do know who he is right? You know, Malleus Draconia, scary dragon fae, immensely powerful mage, Diasomnia's prefect and heir to the Valley of Thorns's throne? Oh. You really are taking to him! And you're not scared of him? This must be some kind of blessing from his grandmother, right? No, it doesn't matter, he's thankful either way.

🐲 He doesn't mind your silliness, it's such a nice change from the near constant fear that's directed towards him whenever he goes somewhere that's not Diasomnia. You make him so happy he can't even put it into words. When he's with you he's sporting a constant toothy grin because that's just how powerful of an effect you have on him. Please keep goofing off with him, his heart wouldn't be able to take it if you got bored of him.

🐲 You remind Malleus so much of Lilia when you tease him. Perhaps he should introduce the two of you! He knows that you never do it in a malicious way; it's just for fun. Malleus definitely indulges himself in teasing you back. For him it's playful banter between soul mates.

🐲 Oh dear, you've got quite the strength in you, haven't you, Child of Man. Perhaps, only if you wanted to, you could be trained to wield a sword and join his guards? Though, you don't have to, it's only a suggestion. When you scooped him up in your arms one time like he's as light as a feather? Oh he's over the moon with joy that you're even near him, let alone sweeping him off his feet.

🐲 Malleus finds it really endearing that you listen to his trivial issues. You must be bored of his voice by now with how much you've allowed him to drone on and on. He's not even speaking of his troubles anymore, he's telling you about what his day entailed. Surely, Malleus always finds himself wondering, you must have things to share as well. Please share your troubles with him as well! He wants to be a supportive friend like you!

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"I never thought it would be quite so relieving to confide in someone other than Lilia about my present worries. So I must thank you, child of man, for lending an ear to me in my time of need."

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🦇 You two get along like white on rice! Seriously! You and Lilia are nearly inseparable! Except that one time he rendered you bedridden with one of his culinary abominations; you were out of it for almost a week. Lilia felt kind of bad of course but the face you made kept him laughing the entire time you were ill.

🦇 The two of you are the silliest people in Diasomnia, it seems. Not that he minds of course; having you around will help him on his mission to get Malleus and Sebek loosen up a bit. It's healthy to be a goof every now and then, it just so happens that you're like that nearly all the time.

🦇 You'll rarely succeed in teasing Lilia. You can rarely catch him off guard or fluster him. Even your pranks are unsuccessful most of the time. But don't give up yet! It really amuses him to see you so passionate about getting one over on him. Lilia prefers to tease you instead, it really makes his day. He'll also insist on playing pranks on other together rather than alone, it's just much more fun that way. The few times that you can tease him, it's the funniest thing he's ever experienced to be honest.

🦇 Well, aren't you strong. He may offer to train you with a sword like he did with Silver and Sebek. Whether you want to train to be one of Malleus's vassals is up to you, but he did offer.. You've got physical strength, yes. And you might be able to be him in an arm wrestling competition. But! Can you defeat him in this new video game that the youngsters say are all the rage? He's serious. Can you beat him?

🦇 You're quite compassionate, aren't you. How sweet. Lilia often finds himself coming to you and talking about his concerns with his three children. He's thankful that you hold no ill will towards Malleus and Sebek because of how they come off. Though he rarely does it, Lilia sometimes tells you about his experiences in the war. Sometimes he'll be reduced to tears from the haunting memories of his fellow fae being slain, but you just hold him tight and let him cry. Lilia's thankful for that.

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"I know I assured you that I'm far older than my looks my lead on... But ... baby faced grandpa. Pfft- that's— Wait! I still want you to elaborate what you meant when you said all my past lovers 'dodged a case'!"

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[kvothe-kingkiller]

I'm not the best writer when it comes to writing convincing essays or whatever, but I'm going to give this a go because it's something that I've thought for a long time that I've never seen anyone really acknowledge unless I bring it up first. (also I am sick and don't really want to do much editing here, just rambles, so good luck)

I think that when most (not all, but most) people get salty about 'modern art', they are not salty about the things people think they are salty about. When they say "this isn't art", theres an important bit that they're not articulating. What I think most of them mean is "this isn't art that should be in a museum." "this isn't art that should cost this much" "this isn't art that should be getting this kind of recognition". And there is a huge difference between that and just saying "this isn't art"

Firstly, all of the arguments about why modern art is in fact art straight up....don't apply. They don't address the problem, they don't answer the question. This isn't really anyone's fault per se, given that it is addressing the literal statement, it's just I think most people aren't actually thinking that literal statement.

So then what do they really mean? Like I said, I think they're trying to articulate why they're frustrated that this art is in a museum when "they could do it". So when you say "okay then, you do it" that doesn't address the core issue, which is "but why is this getting recognition for it, and I would get none" because yes, unless they are famous, they would get Zero recognition for it. Nobody would be lining up to buy their art, no one would ask to put it in a museum. Best place they can hope to have this displayed is a fridge door.

When you look at a piece of fine art, most can see the amount of effort put into it. They see how much training it took to get there, they see how much time it took to put those strokes on that canvas and they can go "yeah, that took skill, that took effort, not everyone can do that. it deserves recognition". And a lot of modern art does take skill, it's just skill that isn't easily noticeable to the average viewer, such as rothko's color fields, they do take a lot of skill and effort, you just can't see it if you don't know. But a lot of modern art that people complain about isn't something that has skill that's not recognized, it just requires very little technical skill at all (not a condemnation, btw).

When you're talking about something 'anyone can do' that piece's value is often not a recognition of skill, or even of the message, it's a recognition of a name. It's similar to having a gucci bag because it's a gucci bag, not because you care remotely about the bag. Yes, art isn't displayed because of how much effort went into it, but it's a huge industry that many many people are making money through from sheer name recognition alone.

Like that one painting of that one artist's (I forget which artist and my cursory google isnt finding it, but also its just an example) where it got replicated and sold to a bunch of people for a large amount of money so they could all have something that had a small chance of being a genuine painting by the artist, that's an excellent example of the fact that a lot of the gallery-level art world is Entirely about the name, not about the piece itself. If someone just made that painting but didn't say it could be from the artist, then who cares?

If you go to ringo starr's art website (https://www.ringostarrart.com/) then you can see that some of his work, especially his older work, is of that category of stuff that many people would say "I could do that" to. For instance, these two? 1,400 and 6,000 pounds respectively for a PRINT of these from his website

....okay this one I kinda enjoy.

but still. 2,000 pounds for a print.

All of this is possible because he's ringo fucking starr, he can sell his paintings for whatever he wants. If I tried to sell those for that much, I'd be laughed out of the room. All of it is just clout, it's just how big your name is and how much you can use that as leverage.

This is not to say that other forms of art don't also have this issue, they do, especially with people devaluing creative works so much today. But you could probably get a few commissions if you sell realistic art or do commissions of people's characters, while you Cannot get any money trying to sell stuff like ringos art unless you already have an audience who will buy it.

This does somewhat lead into a discussion of how art curators pick which artists are 'good' somewhat arbitrarily, but that's a whole other post.

Doing art for 'yourself' vs for other people or money is also a whole other post, one which I've actually seen quite a lot on here. But suffice to say if your response to all of this is 'just make art for yourself! Why do you need recognition?' then maybe go find some of those posts. It's not bad to want recognition, and it's not bad to question why that guy is getting much more recognition for the exact same thing you're doing just because he has a bunch of rich friends who are able to host fancy parties and go 'hmm. yes this is good art.' (not that all modern artists had rich friends, but they did almost all get Extremely lucky in some shape or another that led to them now being widely accepted as good artists).

You cannot make a living off modern art unless you're well known, and if you happen to be well known already, you could likely make a living off modern art without having any experience, and that's what a lot of people hate about modern art, even if they don't articulate it. While some would, most wouldn't say "my five year old could do that" to someone's personal piece that they made themselves and hung up in their home, or that their friend made and gave to them. They say that about the pieces bought for thousands of dollars or millions of dollars.

And I don't want people to think that I do hate modern art, I don't (though this is tumblr, so I'm pissing on the poor just by writing this). I don't hate any of the famous modern artists, I don't think modern art isn't art. I do hate the industry that says their art is suddenly worth something just because some rich fuckers somewhere decided they should be, and anything I tried to do in a similar vein, original or not, would be better suited to sit in a coffee shop and continuously marked down and never sold.

So next time you say "so why don't you make it", maybe ask yourself if you would buy it.

[alicealmost]

Jaiden has a message for you

I realized that almost all artists (whether it's drawing, writing or something else) face this one moment of think they aren't good enough, because they look into someone else's work and compare it to theirs. And yes, I have been there too numerous times.

But I've come to realize, what would be the fun if everyone had the same art style? So, we gotta actually embrace our style. It's okay to want to improve and get better, but it's also important to value our unique styles and ideas too:)

So I dedify this post to every artist who's struggling with comparison and self doubt. You are amazing, your art is amazing, your writing is amazing, okay?

Also, Jaiden's parents, aka bunnydoll

Edit: dumb me wrote "remeber" instead of "remember", sorry

[lemonwisp]

Okay folks here is my honest review of season 4 of the umbrella academy (not that it matters but this is from a person who’s obsession runs so deep I started a meme page for this show, I started making edits because of this show, I found out how to label my sexuality because of this show, after season 1 I bought all the comics and then I also bought the you look like death comics when they came out, I have nearly every funko pop (rip hazel and cha cha when I get you and when I get young Ben my collection will be complete) I love this show more than words can describe)

I was expecting it to be bad, in the way that season 3 was bad, and it wasn’t bad in that way, however there was still some awful cgi (tua really shows me that shows can have wonderful and awful cgi at the same time)

I enjoyed the first episode and became hopeful when Klaus got the dog tags but then he doesn’t even put them on despite keeping them. I loved Klaus’s friendship with Claire, I liked Luther acting like a golden retriever. Blah blah blah. I liked Diego and the piñata and the fact they called their firstborn Grace was really sweet

However the continuity errors in this season really bothered me. At the end of season 3 Klaus still has the dog tags and temple tattoo, in the promotional picture Klaus has the temple tattoo, yet in the show it wasn’t there.

The plot hole of Sloane not being there (I know realistically when Allison told Reggie the timeline she wanted she was being selfish but still)

Also the thing about Lila and hating bracelets totally goes back on the fact that Diego got her one in season 2 and she wore it all the time.

THE FACT IT TOOK THEM SO LONG TO GET TO MAINE BUT WHEN PEOPLE JUST WALKED OFF THEY GOT BACK TO THEIR HOUSES AND STUFF SO FAST

The fact Ray leaving was mentioned only twice and we never got more information on that.

The fact that Klaus pulled the lovers card and Dave didn’t come back! The fact Klaus had time to try to summon Dave and just didn’t. Klaus writing STOP on their hand and then that just disappearing. Also Klaus’s PTSD just not being shown anymore.

I’m not even going to talk about the Lila and Five situation because I’m so unbelievably angry about it. I’m obviously angry about Dave not being mentioned at all.

Also I thought Klaus being a medium was clever but also then it just turned into them being used and idk I just want Klaus to be happy

Also Ben this season was funny, but I just miss brelly Ben so much.

And while they were in the subway station I was waiting for Brelly ben to show up because the scene in season 3 of Ben BEING ON A TRAIN! I was like oh that must be brelly ben, like that’s where he went after turning into swiss cheese and then they’d get him and have him face sparrow Ben or something.

And after all of the lead up to how Ben originally died and it just being that Reggie killed him. I feel like that wasn’t that big of a shock value because Reginald seems like the type to do that. I also feel like it was kind of boring. But I did appreciate the fact the young cast were in season 4

Also I’m not saying Jennifer should have died but they said only one of them needed to die and I know it’s selfish to want Ben to live and I felt bad for Jennifer it’s just I didn’t really grow attached to her

I understand why it ended the way it did but also am upset with the ending. I admit the marigolds at the end were cute, but even though I know it’s self indulgent to wish for this I just wanted them to be happy. Or even if the ending was just like a time loop and it restarted back to season 1 would have made me feel a bit more satisfied.

I don’t know, it’s just that I’ve grown up watching tua, I’ve spent five years of my life hyperfixating on this show, and it feels like the actors care about their characters and the writers do not.

However I’m so glad I got to be part of this journey with all the other TUA fans, I thank everyone who supported my meme page I have on Instagram, who makes fan art, fan fiction, and edits about the show and comics, everyone who cares about TUA, and I’m sorry that it ended the way that it did because frankly seeing the fans care more about the characters than the writers hurts. Knowing the injustices done to the characters hurts, but I’m glad I’m not alone when I say season four kinda fucking sucked.

EDIT: NOT TO EVEN MENTION IN SEASON 3 BEN KEPT DRAWING JENNIFER THEN THAT WAS NEVER MENTIONED IN SEASON 4 and CLAIRE KNEW KLAUS WAS IMMORTAL LIKE WHEN DID SHE FIND THAT OUT

[ckret2]

What does bill usually eat and drink? And how often? Does he eat when the rest of the humans do?

First choice:

When there's a meal being served—such as Abuelita cooking dinner or Stan grilling burgers—Bill eats whatever everyone else eats. (Provided he got to see Abuelita cook—to ensure cyanide wasn't an ingredient in his serving.) This accounts for maybe 15% of his meals.

Second choice:

If he happens to be in the kitchen at the same time as someone else, he'll ask them to open the fridge/cabinets to let him get food for himself or, more rarely, ask them to prepare something he isn't allowed to prepare for himself. This means he'll often eat at the same time as them, because swooping into the kitchen while THEY'RE eating means he can get food too.

When he does have full kitchen access, he creates the most disgusting concoctions known to mankind.

Human brains are wired from infancy to find almost all tastes disgusting until they've had them enough to learn to appreciate them (i.e., accept they aren't poisonous)—why kids are generally pickier eaters than adults. The Axolotl trusts that Bill knows enough about human diets to know what is and isn't food—he does—so Bill didn't get given a baby palate. Instead, he's the opposite: he finds almost all tastes okay. Nothing really tastes bad to him.

So his measure for food that "tastes good" isn't QUALITY of taste, but QUANTITY of taste. Bland food is disgusting. The more and stronger flavors a food has, and the more different they are from each other, the more he likes it.

When making his own food he wants maximum flavor for minimum effort. This is why he has a tendency to take as many condiments as he can, no matter how poorly they go together—in fact, ESPECIALLY if they go poorly together—mix them into a slurry, and then drop in enough solid food to cover his body's minimum nutritional needs. (He would do the same thing with spices, but the spices are kept in a cabinet and it's just not worth the trouble to him to specifically ask for access.)

As of chapter 39, he's no longer willing to ask someone else to help prepare something for him, and won't ask Ford to so much as open the fridge for him. Full kitchen access used to account for about 35% of his meals, now it's more like 25%.

Third choice:

If no one's in the kitchen, he won't go looking for someone; he'd rather starve than plea for food from the people who took his food access away. Instead, he'll just eat whatever he can scrounge off the open shelving. That means no food that requires refrigeration, cooking, or microwaving; and no food that's canned, in glass jars, or needs scissors to open. In practice, this means a whole lot of junk food—chips, cookies, candy, jerky, cereal, soda. The most nutritious thing he has regular and easy access to is peanut butter. He has a lot of peanut butter sandwiches. He dislikes peanut butter sandwiches, but he understands nutrition better than most humans and knows chips and jerky can only carry him so far. Scrounging accounts for 60% of his meals.

Beyond all that:

He likes triangle-shaped foods because he is, in fact, that much of an egotistical dork. He will legitimately get angry about nachos with circular or rectangular tortilla chips.

And (with Mabel's encouragement) he's become a fan of dumping sprinkles on as many things as possible. You know how grocery stores sell a bunch of different mixes of sprinkles? Different styles & colors & textures & shapes? Mabel has brought a WIDE variety of sprinkles into the house, and is teaching Bill the fine art of mixing sprinkles artistically for maximum aesthetic value. He likes the fancy-looking gold/silver/white varieties.

He drinks too much—usually, but not exclusively, to get to sleep. This is a bad thing. If called on this, he gets defensive, suggests he needs it like a "medication" to numb the discomfort of fitting a triangular soul in a human body—like taking medicine to prevent a body from rejecting a donor organ—and that the humans wouldn't understand it so they have no room to criticize. This is a VERY bad thing. I'd say he's speedrunning alcoholism, except he's continuing a pattern of substance abuse he had as a triangle, so tbh he was already there.

[kalechipswithasideofkale]

my adrenaline has gone down finally so i feel i can give my thoughts on this season

no more faks! no more! please!

i think the series is taking inspiration from different art movements and genres. season one - surrealism?, season two - modernism?, season three - baroque? im not well versed on this stuff but i definitely noticed they use different forms of art to make the seasons feel different from one another

piggybacking off the earlier bulletin; i think thats also why this season feels like all flash and no substance. whatever movement or era they decided to do with season three is very ou la la oui oui i zam an artist bonjour /nm its very different from the movements they went with in the past seasons. this one feels serious and fancy smancy

i still think they’re going to go through with sydcarmy and this season just solidifies it. syd and carmy are severly mentally ill with issues they need to work out. they dont handle stress and expectations well if at all.

i think some of the things being said by the characters are being taken at face value specifically carmy calling claire peace. i dont think the writers are writing claire to be a source of peace for carmy; hes just so in denial and confused about his emotions he knows he supposed to feel peace from claire but cant figure out why he doesnt

i missed marcus sweeps and tina in this season so much. and syd! i was excited for sweeps to go to wine school only for it to be a one off thing. the tina episode was good but thats the only thing i can think of from the top of my head that she stood out in. marcus’ mom died? but it feels like she didnt die at all? like the weight of his moms death isnt being felt in his character and that made me really sad. i wanted a little more with syd and marcus with their moms :/

im not angry at carmy somehow? i just feel this deep sadness because he is so unlike himself. my initial frustrations with the season made it hard for me to look at his character. now that ive calmed down, he just makes me sad. like thinking about him makes me feel like a wet sausage dude he needs serious help and im scared he’s gonna do something very bad in this next season/part

i was really hoping there would be more parallels between new york carmy and current syd. they might explore it in season 4 and i really hope they do!

where tf was everyone else in the emergency room and why was it the two faks. there is no dissection in the world that will make me okay with those losers being there im sawry

syd being the first person sugar called and claire being the last mhm yup 🙂‍↕️

a good chunk of claire and carmys scenes being muted or cool colors once again!

RICHIE AND HIS DAUGHTER AA!! i wish they had an entire episode dedicated to them theyre so cute!

theres something to be said about loneliness and isolation this season? again i would need to rewatch the season. something something carmy pushing syd away something something nat fearing giving birth because of her mom something something syd having a breakdown and isolating herself from the rest of the fam something something

pete ❤️

chris you have reached ur limit on white male characters enough is enough theres NO MORE ROOM

ngl i actually liked seeing john cena on my screen yall pls

why are we so close to everyones face i zont like zat at all

i thought they were going to bring louis back and got so excited!!! BRING BACK LOUIS

they wrap up the claire storyline by season 4 or part three?? whatever theyre doing idk

LUCA!!!!!!

as much one sided beef i have with jlc she delivered i crode very hard

backseating the characters of color is very lame and bogus! i hated it! what happened to tinas friends she met at school? does ebra not have family? syd and her dad? marcus and his roommate? so many characters they could introduce from sydney marcus tina ebra fuck even angel and manny but they insist on introducing characters that have ties to the berzattos. i hate it! i really do!

syds apartment? where did you go fren….

i wish they were more artsy fartsy with carmys internal struggles give me cringe film student vibes please ill take anything

FUCK CICERO he didnt do anything but PISS ME OFF >:(

why didnt they have syd work out the economics (or whatever tf that computer dude did do). didnt she do something like that in season one? i guess since cicero called him it makes sense

richie and nat are so adorable i love them!!!!

overall pretty mediocre season. it was okay for a show like the bear. i don’t agree with having an entire season dedicated to build up! or atleast in the way they’ve done it in season 3. season 1 was a prologue for the entire show yet it still felt like a complete season. alot of the things that went down in season three either could’ve been compressed into a shorter span of time or they could’ve gotten more episodes (as if its that easy lol but the pacing wouldn’t have suffered as much if the season was longer). um decent season? i dont hate it! i dont love it either. like i said it feels soulless and maybe thats the intention? idk man 😔

i will most definitely be seated for season four TRUST

[hoelandah]

This will probably be my most controversial Homelander take:

As a black woman, TV!Homelander is accidentally the most "black man" coded white male character I've ever seen.

My reasoning and analysis is under the cut.

Let me preface that I'm aware that the subtext and mirroring I'm about to explain is likely not intentional in any way, shape, or form. Take this for the speculation and art analysis it is. This is also not Homelander apologia.

Warning: includes discussion of racial violence and SA.

Okay so. I'm one of those people who thinks that the Trump comparisons aren't correct. It's dead wrong. It's the writers and marketing clumsily trying to advertise the show by lampooning the conservatives. So, just leave the Homelander = Trump shit at the door.

1. His Dehumanization

It's no secret how much violence and dehumanization minorities go through. I'm going to elaborate on the specific markers of black male dehumanization.

Throughout European history the depiction and treatment of the black man has been "animal" and all the connotations that come with that word.

Violent. Stud. Low intelligence.

Black men were literally seen as not human. The idea of a black man having personhood would have genuinely been laughable to consider to whites in earlier history. They were no better than bulls.

Made to work. Made to breed. Made to be owned.

Homelander, like black men, never got the keys to "humanity." He was dehumanized before he was even a thought. A product of a "bull" that was so called "good stock" (Soldier Boy).

He was raised in isolation and abused by his owners to be ready to make his owners profit. His body was never his own. He's an asset. A product.

2. False/Conditional Privilege

Cut now to him debuting as The Homelander. Homelander is shallowly privileged by his looks and celebrity the same way black performers, particularly athletes, are: as long as they do the job. "Shut up and play, boy."

These teams are usually "owned" by rich white men. The black athlete should never do anything else but what they're paid to do. If they just do their job they get the conditional keys to "white male privilege." But only if they perform and never cause a stir or "take a knee."

During this time Homelander is groomed, intentionally and unintentionally, into what he is by everyone around him who only see him as a tool. And Homelander tries to always be "valued" in the public because what else does he have?

3. The Predatory Black Man Trope and "Jeromes" and "Tyrones"

Note: this section is likely reaching a little, take it with lots of salt.

This next section discusses the whole Becca thing.

Let the record show that I know and understand that Becca was raped. Full stop. I have some thoughts as to how much Homelander is aware of the gravity of what he did since he's a giant toddler whose moral compass has been made to point straight down to hell but it's obvious he does not care about how much he hurt her.

The show just puts some weird ass ambiguity around the whole incident. They don't really go into the specifics, we can only guess his motivations based on other women he's "been" with. And considering he legit didn't understand that Stillwell felt nothing but fear for him and he has no understanding of relationships or boundaries and his love for dominance due to deep insecurity he could totally think, in his fucked up mind, that he didn't do anything wrong.

"She's just a human, who cares? They use me, I use them." - Homelander, probably.

I just want it clear that I'm not exonerating him or minimizing Becca's hurt in this next section.

Anyway, this Becca situation loosely mirrors the "black men, "Jeromes" or "Tyrones" as some racists call them, are predators that prey on or seduce white women and give their husbands mixed babies" stereotype. And Butcher's hatred for Homelander never seems to be for Becca's sake. It's selfish, singly focused and possibly includes guilt and a sore ego.

It's also bigoted.

Superpowers or not supes are kind of minority coded like the X-Men. Think of them as an intersectional category like minorities that are rich or people with disabilities that need less support than people with more severe disabilities. Like sure, they'll like fair better in the current system but

The rich minority is still a minority.

The disabled person with less support needs is still disabled.

Vought (the elites) more or less run supes and they are assets. Many of them were injected with compound V as children by greedy or hopeful parents coerced by capitalism so it's a systemic issue.

It speaks to Butcher's character that Becca ran to Vought of all places and didn't tell her husband. He hates supes that much.

Homelander is then kept from that son like black men have been separated from their families, even after black men were no longer forcibly taken as away as slaves they were forced away by welfare policy that would only support black women if they weren't married. It was more feasible to never marry your man and tell welfare you were single because he didn't earn enough to take care of the family.

And likely Vought would have continued the cycle of violence with Ryan if Homelander had not found him. Vought wasn't gonna keep Becca and Ryan safe for free, I assure you.

4. He'll Never Be A "Real Man"

Homelander also occupies that "never quite a man" category that black men are put in. They're painted as dangerous and virile. They're "men" when they're a threat. Yet also belittled and never afforded real manhood. A "boy" when they're being looked down on. "Boy" is a touchy word for black men for this reason. It has as much history and hurt to them as more obvious slurs.

Homelander is lied to and belittled by Vought ofc. He's denied true manhood like them but is made to perform it to a cartoonish degree that I would argue he's actually not happy with. If Vought exists, he will never be free and will never live in genuine peace because his crimes will follow him. Ruling the world would be his only option and that would only "fix" so much.

They made sure he has no real tools or skills to actually run things effectively (he's confused during board meetings and doesn't understand shit). He was purposely made too intellectually incurious and emotionally stunted to truly learn (he deflects and gets angry). He's actually surprisingly inept in some ways. His only skill is that he's scary and dangerous.

High intelligence and manipulation are usually put down as his skills and like sure, he's far from dumb and he's really sneaky. Everyone around him is the most morally fucked liar to ever exist...but I'm gonna be real: his manipulation is not that impressive. Most of it is just intimidation. Folks don't wanna get lasered.

So, he substitutes this denied agency and lack applied skills with hyper violence, materialism, flashiness, cockiness, etc.

A "thug," basically.

"Thugs" are usually just young black men clamoring for real manhood in a world that will never give it to them so they sometimes turn to these things in disenfranchisement. Sometimes they become cops for the same reason.

5. "The Boys," as A Phrase Makes Me Think of Lynch Mobs

This one is pretty subjective so take it with salt as well.

"The boys" is harkening to calling for one's group. And due to Butcher's hard on for killing supes because of his hatred with his group it kind of puts me in the mind of posses of white men that would be informally gathered (sometimes even aided by law enforcement) to enact "retribution" on black men and boys "who have stepped out of line." See Emmet Till.

"Round up the boys, we're gonna hang us a..."

You know the rest.

If Butcher was fully depicted as the morally fucked protag he is in the comics this wouldn't bother me, thematically it would fit. But they hedge on Butcher's morality a little, making him less of a genuine bastard and more like someone with lapsed judgment or faculties who's the "lesser of two evils" so it's just uncomfortable.

Anyway, that's it. I'm just fascinated by the unintentional mirroring. This is likely why, even though Homelander is who he is, women, queer people and POC have a complex love/fascination for him. The only thing that makes him so hard to sympathize with is that his crimes are particularly abhorrent and physically he's more powerful than anyone else and a genuine threat.

I've never been so afraid to hit "Post" in my LIFE.

[coupleoffanfics]

Ranting about a possible fanfic I'll write.

Anyone reading this hear me out. There are some Yandere Batfam x neglected reader that I love. Basically, the reader is a part of the family and is ignored by everyone until some event happens leading the family slowly becoming yandere. I just love the angst.

Okay, so what if she has a boyfriend before the whole family starts going off the rails? Right, okay, so what if her boyfriend was one of the Valeska twins? Both would just fuck everything up for the family and I'd love it.

Regarding which Valeska y/n would end up with I'd see y/n dating per-spray Jeremiah. Could see him only dating y/n because she is a Wayne. I see him being the more narcissistic one out of the two even though they both are. Slowly developing an obsession with y/n as I could see her being attentive toward anyone who shows her positive attention. And that could feed into Jeremiah's narcissism.

So when y/n opens up or Jeremiah realizes that she doesn't have a strong relationship with Bruce, he'd be more inclined to dump her. He plans to get a wealthy job at Wayne Enterprises and live a luxurious life, unlike his upbringing. So dating the daughter's CEO would give him an advantage, that's at least what he thought.

He'd gently put her down so that he could focus more on other things, but…This underlying obsession made it impossible. Now he's like fuck, I actually like her what do I do now? (y/n is definitely one to say I love you first.)

I couldn't see Jerome and y/n dating just because of her upbringing. She has strong morals having been trained by Batman and formally being Batgirl for a few years. She would have had to meet Jerome before he murders his mother since that leads him down this psychotic path.

Regardless of which Valeska she dated, I'd say that she has some loyalty toward him. Seeing them as more of a victim of circumstances rather than a villain. Though that would be thrown out once Jerome or post-spray Jeremiah start harming or worse killing civilians.

I just love the idea of the when the family is or turning yandere are just like y/n who the fuck is this and why are they trying to kidnap you? Meanwhile, the Valeskas are just screaming and throwing shit that they have to deal with more bullshit to get to y/n.

y/n's Personality

Loyalty would be one of her trades as she'd do almost anything for her loved ones that actually care for her. It doesn't mean she's blindly loyal to anyone who shows her kindness.

Empathy and consideration are strong ones as y/n has a big heart. She'd be understanding why the family is busy and how much work they'd do as they are not being close. But that doesn't mean she's not hurt or frustrated when Bruce blatantly shows favoritism. Yet she doesn't want to be an inconvenience or get in the way of their vigilantism.

Inferiority complex. Being the only family member to quit being a vigilante has taken a bit out of y/n. She is justified in her reason, but that doesn't stop her from feeling less valued. She wants to be seen as valuable, so she doesn't often go to anyone for help. Fearing that it would make her look less valuable to whoever.

Depressed. y/n may smile and laugh, but that doesn't mean she's not dealing with depression. Having trouble getting out of bed and whatnot was one of the factors that made her quit being a vigilante.

People pleaser. Trying to show her value as a person by doing what most say. Or just trying to avoid as much conflict as possible.

Notable Things About y/n

Art is what she uses to express herself. Drawing or writing (totally not self-indulgent) are the primary examples. Won't or couldn't bond with Damian over this because he doesn't like her already and she's too afraid of opening herself up to him.

Baking things with Alfred if he has the time. It's therapeutic and helps combat anxiety. She also loves giving sweets to others seeing them enjoy it and showing that she’s not completely worthless.

Probably in a big sister program to provide support to those younger than her and prevent others from feeling lonely like her. As she isn’t able to help the family as much as she used to. Might even be a soup kitchen volunteer.

Hopes to have a job that’s in the creative field and move far out of Gotham. Will try to get into a college out of Gotham once she’s done with high school.

Either has a few or just one friend. Often spending the night at their place, so that she’s not alone.

Wants a normal, quiet life. Get married have kids or adopt if her partner wants to.

y/n as Batgirl

Let's say she was adopted by Bruce when she was 8. Taking about 2 to 3 years to train before even being allowed to patrol.

Become Batgirl before Jason gets killed and was probably somewhat close to Jason. His death showed the dark reality of vigilantism but wasn't what made her quit. Though it made her think of what the future would look like.

Meeting Tim, she wasn't malicious or anything. Quite the opposite and she was probably closer to Tim than Jason given that they were the same age. Didn't like the idea of having him become the next Robin since Jason's death was still recent, but didn't want to start an argument with Bruce.

It was kinda painful to see Tim dressed up as Robin as he almost looked like Jason. y/n coping that this is just keeping Jason's memory alive and she was the weird one for feeling uncomfortable.

Seeing how quickly Tim was able to gain the role of Robin while it took her a few years made her feel inadequate. Maybe she wasn't made for this but quickly got rid of that thought. Everyone learns at their own pace and Tim happened to be faster.

Jason coming back had y/n squealing out of pure happiness until he tried to kill everyone including her. Could see y/n being the one who nearly gets killed by Jason simply because she's never been a fighter. Too passive for her good. Also, she couldn't bring herself to punch him even before hearing all that he's been through.

There probably wasn't a traumatic event that led her to end her time as Batgirl. Just slowly realizing that this wasn’t her passion, feeling like an inconvenience when her depression knocks her down, and her insecurities. After quitting she avoided everyone as she couldn’t stand them trying to persuade her to not quit or expressing their disappointment in her.

By the time Damian comes around, she is not at all involved with Batman or the others. He mocks her, believing that she couldn’t handle the heat of being a hero which is partly true. If she has any inhuman power then I feel that Damian’s mocking would be more intense. Thinking that she has an advantage that one of them has yet still wasn’t enough and is wasting her power by being a civilian.

Going back to the Valeska twins. I think y/n would be more inclined to be loyal to Jeremiah if dating him rather than Jerome. Mainly because it takes him longer to harm innocent people while Jerome is just stabbing people for shits and giggles. She'd probably hope that there is a cure for the laughing toxin. Any horrible thing post-spray Jeremiah could be blamed on the toxin despite him stating otherwise. Her loyalty and hope would slowly be crushed by how the heinous acts are getting.

(I'd like to think that Jerome made the spray to change his physical appearance to look more like the Joker. Could see the Joker taking in Jerome to become the next "Joker". Was going to use it on himself until y/n expressed her distaste for the Joker. He wasn't going to stop working with or for Joker just because of that, but he wasn't going to use the spray. Which sucks because he worked so hard on it. Then just decided to use it on his brother for 3 reasons. 1) He didn't want it to go to waste. 2) He thinks it'd be funny. 3) Fuck Jeremiah.)

Having a break up with either Valeska is going to have y/n balling her eyes in her room. So the yandere family is just going to break down the door and act like they cared the whole time. "What are you talking about y/n? Us ignoring you? No, that isn't right, we hang out all the time." y/n would have liked the fact that her family cares enough to check on her, but it overwhelmed and freaked out by how sudden this is.

The family would encourage force y/n to start training with them regularly since there are two psychopaths after her. Not only will they be able to keep an eye on her, but also be able to catch up on all that time they missed.

I'm ending it here for now because I have other things to do. But I swear I'm going to get this written. No one's gonna read it, but I'm going to write cuz why not. Possible cover art for the story.

[democratthatlovesguns]

Can delusion become a sexually transmitted disease? (A Case Study of the Former First Family)

*Absolutely Nobody*

Melania: Why is everyone obsessed with my nude modeling?

Oh, honey, nobody gives a shit about your nude photos. You're old news ... In modeling terms, you're as old as the balls you had to drain to get the "station" you wanted in life.

Maybe, just maybe, there may be some people that are obsessed. Mainly, it's your son's college classmates that are obsessed; if my math is correct, and it is, they would be around 11 to 14 years-old, eight years ago ... And they very likely grew up in republican households. I'm sure they were constantly discouraged from masturbating at all, but blowing a load over one of your nude images must have been "okay," because boys will be boys, right?

Only brainless assholes will fall for the bullshit you and that criminal minds episode you call your husband are selling.

Unfortunately, for you, most of us see right through it: the GOP is running scared. Their voter suppression attempts are failing miserably, MANY THANKS TO TAYLOR SWIFT! Republicans that once swallowed really hard to be able to tolerate Donald Trump, cannot swallow their integrity and their values any longer and have endorsed Kamala Harris - even though they disagree with her politically, at least they know there's not a single day in her presidency that she would want to "be a dictator for a day" (or even one second).

So what does the GOP/MAGA base have left? Their bread and butter: 1) racists assholes and 2) misogynist assholes.

Your hubby has definitely regained the support of his former Nazi/Proud Boys following with his blatant racism against Haitians. But only you can give misogynist assholes the illusion that if they vote for Donald Trump, they too could be "winners" and be able to one day afford some hot young European pussy.

You're not fooling anyone sweetheart. Your nude modeling was never about art. It was about enticing a rich American to propose marriage. Congratulations, you got what you wished for! Now, have a seat, your tits are showing.