#but it also happens with the supporting characters & relationships and i love love LOVE analysis of this shit

[amorremanet]

seeing a post that has interesting canon analysis and wanting to reblog it until you get to the last paragraph and just

[tarotofhope]

PAC: ୧ How do you view Love? ୨

(Please Read My Pinned post *IMPORTANT NOTE* before selecting a Pile)

Pick an Image by meditating and selecting the image you feel called to. You can be attracted towards more than 1 image. If you are not able to select maybe this reading isn't for you.

࿚ Pile 1 ࿙

Cards: Knight of Pentacles, Devotion-Saturn in the 7th House in Libra, Alchemist.

Welcome to your reading, Pile 1. Love for you, is a slow and steady thing. It doesn't come like a gush of wind nor goes away easily. You believe it stays. You also believe that people fall out of love but it cannot happen easily if the feelings are very strong. You seem to have left/rejected toxic, shallow and flaky people, unreliable and untrustworthy people, people who are backbiters and cheaters, it doesn't matter who they were to you once. Because of this, those that you left/broke up with, and also other people might think that you're a person of questionable character and not reliable. They think your values/morals/beliefs are wrong and you're very demanding and uncompromising in relationships. But, you are loyal. They think it's very hard to impress you and also they cannot expect/ask you to give them a certain kind of love because you'd do as you please. For you, love is fixing things up rather than replacing them. You'd kill as well as die for your loved ones but you're not the ones to bow down to anybody in the name of love. You'll never beg for love neither you'd chase it. With Saturn in the 7th house in Libra -Devotion, you believe in equality in relationships, and you'd be a devoted and mature partner. You're the one to wait for the right person to come in, rather than jumping directly into any relationships or friendships. You believe that if love is given in the right manner, it can heal people, so you will never settle for anything less than you deserve.

That's all I got for you, my dear Pile 1.

Love, light, peace and hope to you..🌸🍁🌻🌼

࿚ Pile 2 ࿙

Cards: Strength, Isolation-Saturn in the 6th House in Virgo, Martyr.

Welcome to your reading, Pile 2. Some of you might also be attracted to Pile 1. You are of the belief that love makes people strong, that love is more of strength than weakness. Love can help people heal but for you, love can push people to become their best versions. Love can cheer people up. Love can make weak people shine with confidence. Love stands. Love endures. Love fights for their people's rights. Love is when one doesn't run away when life gets tough. Love is supporting your loved ones when they do not believe in themselves. Love means seeing all good and bad in your person but sticking to them no matter what because you chose them for a reason. You're also the one to talk and fix things up with your loved ones but if they still don't want to be with you, you'd never beg them to stay. Your love is fierce and bold. Eminem's Mockingbird comes to my mind. Just like pile 1, you'd never be with someone who doesn't respect you, your boundaries and your choices. You're goal oriented and independent, so you'd always choose people who'd never snatch your freedom away from you, be it any kind of relationship. You'd rather stay single than committing to the wrong person, to wrong friendships, so you take decisions after a lot of rational and emotional calculations and analysis. Most of the times, you may feel like you're better off staying single than handling the burden of sharing everything with another soul who might leave you someday. You mostly stay focused on your career.

That's all I got for you, my dear Pile 2.

Love, light, peace and hope to you..🌸🍁🌻🌼

࿚ Pile 3 ࿙

Cards: 6 of swords clarified by 4 of swords, Influence- Mercury in the 7th House in Libra, Student.

Welcome to your reading, Pile 3. The way you view love has largely been influenced either by your own bad experiences in love or due to other people's experiences, for some of you. You or someone close to you might have dealt with toxic friends, parents or partners. For the others of you, you do not even have time for relationships, you're either a student or you want to stay single for a while or you have false notions about love because maybe you overthink a lot or you've been brainwashed by others. You believe that love brings chaos and people have really falsified the meaning of love. You believe that people just get into relationships just for the fun of it, they just like the romantic part of love and they do not realize how beautiful and pure love is, in itself. You value your peace of mind more than anything. Some of you could also be taking a break from relationships and enjoying on their own while others of you might have recently gone through a breakup/divorce or even left your family/friends. Some of you, with Mercury in Libra in the 7th house, could be very good at flirting or you like to be in casual relationships and don't want anything serious. You might be indecisive in love and relationships too because you have commitment issues, you don't want to be trapped or get stuck by any chance. You also dislike very serious, slow, clingy and dependent people. Also, you would never sacrifice yours dreams for anybody.

That's all I got for you, my dear Pile 3.

Love, light, peace and hope to you..🌸🍁🌻🌼

࿚ Pile 4 ࿙

Cards: 6 of Cups, Harmony- Sun in the 7th House in Libra, Bully.

Welcome to your reading, Pile 4. You consider love as a beacon of hope and peace. You don't want love to destroy people and you also don't like unnecessary conflicts. Love is supporting and comforting for you. You might have faced a lot of bullies in your life. You might have a childhood trauma due to the bullying or you might have always been teased for how you look, dress and behave. You are of the opinion that if people cannot accept you for who you are and with all your good and bad habits, with all your quirks, then such kind of love is of no use. You value your peace of mind a lot. You are someone who would give their all and love with every ounce of your being, you've been hurt so bad but you never let the hurt turn you into something like your abusers. Your trauma could either be related to your family or school/college life. Life has not been fair with you earlier so you demand a better life with all the respect, confidence and self-esteem that you lost in the process. A very few of you could also belong to the rainbow group and people do not treat you well. You believe that love should involve equal give and take with the 6 of Cups here and with Harmony-Sun in the 7th house in Libra. You have a lot of love to give but you fear that you might fall prey to toxic people so you only be with people who give good vibes. You believe people cannot survive without love, as human beings we all crave love.

That's all I got for you, my dear Pile 4.

Love, light, peace and hope to you..🌸🍁🌻🌼

࿚ Pile 5 ࿙

Cards: 4 of Pentacles clarified by 5 of Pentacles, Health- Sun in the 6th House in Virgo, Fool.

Welcome to your reading, Pile 5. Some of you might also be attracted to pile 4. For you, love has always been about healing, something that cures you, nurses you back to health. You too, like pile 4, have a lot of trauma due to relationships(any kind). You might have been abandoned by someone you loved and respected so much, now it can be a parent, sibling, friend or even a romantic partner. You might have even dealt with narcissistic and toxic people. You don't want all that bs again in your life. You pray for good people to enter your life or you try to be that good person. Your whole view of love has not changed but rather polished, you've become more alert, maybe you ignored or excused people for their bad behaviour or you just tried to look at the bright side of people but then their dark side started to become so overwhelming that it ate you one day. You still believe in love like you did before but now, you've become more worried of people's intentions towards you. You might have even built large walls around you. You only talk to people when it's really required. Your experiences make you overthink and you think of worst case scenarios in love. You might also be a little possessive and clingy in love but you know you'd give your all. You're the one who'd even die for your loved ones. With the fool here, I think you want someone who's light-hearted and funny but also honest and assertive. Someone who would speak their heart out. Someone who would genuinely love you.

That's all I got for you, my dear Pile 5.

Love, light, peace and hope to you..🌸🍁🌻🌼

Thank you so much for being here. I post PAC readings every Tuesday and Friday. Do love and support by reblogging, liking or following.

——————————— ♡ ♡ ♡ ———————————

[mapoeggplant]

skip to loafer chapter 65 analysis // spoilers

the girl who's chasing the sun and the boy who's finding a way to walk by her side: how much kindness is needed for one to forgive themselves and finally listen to their heart?

for this month's review, i wanted to do something a little different: i'm going to divide it into two parts. the first part will be about the chapter, of course, and address some points that i think are worth discussing. the second part, i'd like to focus much more on the message of kindness that skip to loafer brings to its readers. so, here we go.

finally, the long-awaited date is here. i confess that i always felt a little uncomfortable when people demanded so much for this date to happen faster, to sensei “get over with it”. i know, i was also looking forward to it, but the whole build-up that led us to this moment made it even more impactful and even stronger. to build a story, you need not only a beginning and an end, but a middle that supports both events. the story of shima and mitsumi had its beginning and now we're facing the middle. no, the breakup didn't bring the end, it was just a complement. an event as big as this one needs to be sustained with enough strength to have the necessary impact. so yes, the “delay” that many complained was extremely well used and made their night together even more special.

now, about the actual date. it’s beautiful to see how they managed to find a space in all this confusion to make their friendship prevail and the discomfort that they both felt before dissipate. of course, their relationship didn’t go back to what it was before, but i don’t think that would ever be possible: relationships change, no matter if good or bad things happen. the way we relate to people grows at the same speed as we grow. and, to keep it alive, it takes a lot of humility, kindness and, of course, love.

since the chapter is slightly more focused on shima, his insecurity and fear are much clearer and more palpable. shima is a character who still carries a lot of regret for everything he did, even for things that weren’t his fault, like his past and the mistakes he made along the way, guided by people with ill intentions. the breakup with mitsumi left a huge scar on him, since he still firmly believes that he is the one most to blame for their friendship almost falling apart. mitsumi is one of the few people who genuinely wants to be with shima and he knows it — but that doesn't change the fact that he is still very afraid that she will never really get to know his "real self" and to like him for who he is, specially because shima himself doesn’t really know what all of this mean. shima feels disappointed that mitsumi has "fallen" for his false kindness because he feels that he is not only deceiving other people, but also one of the most important people in his life. lying to mitsumi not only brings a pain to his heart, but also an enormous insecurity that he will never be able to convey his feelings for her, because he will never be able to overcome this wall that he himself created. when he himself admits that his feelings for her are much deeper, he finally get in touch with the desire to be completely exposed to her, to be accepted by her and that he could finally stop using the facade he hates so much against her.

what he doesn't know yet is that mitsumi can see beyond his mask — and much more than he even imagines: mitsumi sees the real kindness within shima. as much as he insists on saying that this is just a way of protecting himself, mitsumi can indeed find in shima's actions a kindness and affection that are far from being fabricated. it saved her so many times before so, if what she felt was real and valid, why wouldn't his intentions be truthful as well? mitsumi sees shima for who he is, and respects all the past that he is still afraid to show, that’s why she never pressured him to open up and respected every time he changed the subject. there was no need for her to dive deep into something that didn’t involved her, so all she could do was show that she would be there for him when he needed and when he find the right time to tell her all about the little shima she never met. mitsumi sees the kindness he holds in his heart and all the good intentions he had when he helped her before, something he lies to himself and say it was “only a facade”. he still can’t see how much he wanted to protect her and be by her side all guided by his own heart and good faith, not the lie he made up. the real shima was the one who wanted to do all that, not the “fake�� he created. when mitsumi chooses to end their relationship, she’s truly thinking about his feelings and a way to save their friendship before both of them came out completely hurt by it (but i want to point out something very, very important: they are both teenagers. of course they will act impulsively and end up hurting each other without realizing it. shima doesn't know which of his actions hurt mitsumi, just as she doesn't know which of her words might end up hurting him. they are at the beginning of a long life and a long journey, so why not give them the kindness they so deserve?). 

shima finally manages to take a step forward, getting closer and closer to walking side by side with mitsumi. as he becomes more in touch with his own feelings, shima sees a huge need to change and start being more sincere. in order for him to become a better person, in his own eyes, he now needs to start putting the mask aside and embrace who he truly is. no longer listening to others or fulfilling desires that are not his: now is the time for him to look inside himself and, above all, listen to his own heart. from now on, the path he will follow is his and his alone.

now, for the second part: i really want to talk a little about how skip to loafer has an extremely delicate writing style that focuses so much on kindness, whether it is the kind we export to the world or the kind we internalize.

those who usually follow my analysis must be tired of hearing how much i talk about the message of “i love you for who you are” that skip to loafer values ​​and explores so much. but it’s no use: the more i talk about it, the more i admire the dedication that the sensei puts into writing completely real and human characters. it is always a great joy when people come to me and say how much they saw themselves in one character or two, and how that made them feel embraced. it warms my heart that people can see, thought these characters, the kindness they deserve. It’s very clear to me how sensei is always so worried with showing the reality of their journey of loving themselves in a way to bring the reader closer and learn from it. 

of course, shima and mitsumi's friendship and relationship could end with the breakup. or, from another angle, it is clear that they could have started a relationship much earlier and maintained it despite all the challenges they still have to face with themselves. but... is that valid? is that fair to them? is that kind to both the characters and the readers?

by opting for a gentler writing style and a story more focused their lives rather than taking a romantic road trip (after all, it is a slice of life), skip to loafer delves into a great lesson about compassion and acceptance that no one is perfect. we will all make mistakes during the course of our lives, but it is up to us to get up and move on, building other stories and sharing beauty with whoever is by our side. we may not see how kind we are to others, but there is certainly someone by our side who admires us and is grateful for everything we have done for them.

and i'm grateful for you for reading my analysis 💛 thank you. don't forget to support sensei and send her lots of kindness!!!! skip to loafer will be on break next month, so see you in december :)

[mare-sanguis]

The queercoding in Sangcheol's and Jeongwoo's relationship

Let me preface this by saying: everyone is still allowed to see them as whatever they want (a work related relationship, best friends, close friends, soulmates, lovers, and and and) but I think most (if not all at least here on tumblr) can agree it would be ignorant if we completely overshadow just how much queerness there is.

This analysis is brough to you by this thread (why JW is snow white and why SC is the prince) and @thedevildeer latest post. Its not structured and really just a ramble so excuse me if it might sound a little confusing at some points.

Let's start by looking at it through a heteronormative kdrama lense below the cut 

How often do most kdrama fans watch a drama, see the lead man and the lead woman and think "woah, they would look so hot as a couple" even when the drama isn't a romance? Quite often, that's right. That's because most M/F leads are designed to be shipped even outside of the stereotypical romance genre. If it's a crime drama, thriller, mystery etc. Where the focus should solely lie on the plot they will still most likely try to create an M/F duo so most kdrama fans will have something to latch into. It has happened so many times that people dropped a non romance drama because it had no M/F couple, but people apparently want it so badly because how else can they enjoy a non romance drama, right? And kdrama directors/writers know this- they see and read the reviews and work with them; That's why in kdrama land M/F ships are still the norm, still seen as the most canon- even if there is a 2nd ML who has insane chemistry with the 1st ML (perhaps even more than the FL, cuz let's also face it in a lot of kdramas women are written flat)

When the ML is near the FL, everyone immediately interprets all kinds of thoughts into it, even worse when they go as far as to look at each other and hold eye contact, when they worry about each other, support each other, visit each other or are just having a work related conversation. They dont need to confess their love or kiss for the viewer to know they are in love*

Those are all valid points for shipping, that's obivously not the issue- The issue starts when they genuinely can't see the FL as her own character, when they can't seem to understand that men and women can be platonic friends, the issue continues when the 2nd ML appears whos got way more chemistry with the 1st ML or even takes the place of where the FL should be. Its then where the issue peaks- their relationship will automatically treated differently (2nd ML get potentially hated by the M/F shippers even) and it creates rift within the fandom, its shipping and arguments about queerness as a whole (discrediting that queerness is a large spectrum) by cishet fans

Suddenly, if it's M/M those actions I mentioned earlier dont seem romantic anymore, suddenly it's just a simple bromance (and while the term per se isnt homophobic, in these circumstances it sure sounds like it which is why I personally dont like it and rarely use it), best friends caring about each other because homies are homies. ("why can't men stay friends?" we all know that argument) *if they don't confess to each other outright, don't kiss each other, then they aren't i love (last part especially is targeted towards specific BL fans who only think a relationship is valed if they kiss and maje out)

So, this out the way let take a look at SC, JW, HS and BO approach (intentionally or not) on queercoding and the importance of a strong man-woman friendship.

First, let's look at tropes commonly (but not exclusively) found in queer media or media that tries to imply queerness and the similarities they share with SCJW:

Found family (the most common trope in queer media, especially the media that emphasises on realness, as found family serves as a safe space for queer characters when they arent accepted at home)

A strong opposite gender friendship or a friendship that defies traditional views

Color coding (mostly a warm and a cold colour, often times its blue and red)

Language coding (do the characters say they are queer, do they use specific terms, do they confess or declare their love for each other through something deeper; just what are they saying?)

The character design (this is not just about how they look but the desgin as a whole: background story, family, friendships, career, driving force, are they representing something (like a specific color, a flower); what was the creators thought process while creating them)

How do they express love around the person they ador (for example, men express love with touches while women often times use words and actions)

Broken friendships (because old friends dont accept)

Then of course we have common tropes found in all media highlighting love

Clothes sharing

Intense eye contact

Personal space

Lingering

Caring

Hurt/Comfort

Touches

And what do we have here? That's right. Black out s well as SC, JW and HS fit right into the common tropes and the queercoding tropes and yet we see some totally discrediting its validity to exist within the universe because god forbid both JW and SC are queer or viewed as such cuz they both were with women prior and they can't possibly be one of them queers... right?

HS is a really well written female character who's got nuances, a great backstory with a fair share of suffering and the additional nosiness which makes her so special. She is sweet and caring to everyone who seems nice in her eyes. She cares about JW's mother (prior to knowng he's JW's mother so thers no point in saying she does it cuz of JW), cares about Suoh and is genuinely interested in his hobbies. Her character takes care of everyone because she's a med student (you can take a med's job away, but you can never take the job out of a med). This is what her character is about- taking care, worrying. Her purpose in Mucheon was (as we know by ep.13) to find what shes looking for, to find her way back. She is by no means not connected to eithe JW and SC but her story is canonically detached from both JW's and SC's- it takes part in a different pace, in a different setting and through a different lense and most of it happens off screen or throug her observig the people. We rarely get any of her POV's, unless it's either around Suoh or Geonoh. The other times when we do get a POV of her is when SC and JW and in the same frame. Then she is postitioned as the onlooker, the one who observes. When she is alone with JW she gets almost no POV, even less that focuses on her feelings towards him. But the most important thing I said already: her story is detached from SCJW. She grows alone unlike SCJW who grow together. She is that friendship JW needed to show him a part of humanity that got lost with his fake friends. She is to represent and tell that you do not need a large group of friends to feel at home. 

Then there is JW. Beautifully written full of nuances, a tragic yet amazing written backstory- easily to read as a story of someone being queer. A big group of friends, a beautiful home with loving parents and then you got the catalysator which sets the whole plot moving. While for JW it's murder, abuse, gaslighting by friends and people he thought were family, prison and finding new hope in humanity through one person- how can one not look at this and think "yeah it's somewhat reminiscent of someone coming out in a conservative country with traditional family values"? Family and friends ditching before the person can even stand up for themselves, people spreading venomous lies, all the guilt trips, that person shutting themselfs off retreating into their own little world. JW was obviously never meant to be read as such and some even might find this part weird, but it's undeniable he has those classic queercoding tropes. He finds true meaning in humanity again through HS and SC at the same time, yes, but it is SC alone who stands by his side the whole time- every single day. JW feels the safest around SC, falls asleep in his home (therefore also in his presence) and gives in to being taken care of only when SC is around, he also laughs at his dumbs jokes and makes sure to catch his reactions when he is sassy (handing out flyers scene or the scene at the scrapyard). JW is meant to not grow alone but together with someone else- and that someone is SC. who he shares the exact same pain with. He sees the good in people- he sees the good in SC so he keeps on pursuing him even when he would reject him. Because he can see himself in him. Because he feels he's different- just like him. (And isnt it like: Queer people know someone is queer when they see one?). We cannot forget him being a metaphor for Snow White which imo solidifies the queercoding in him even more and how he steps in to save SC and then again to support him by beating up those debt collectors. (Also, just a random little side note: I think it's funny how he's either loved or hated, there was no inbetween. BM and MS hated him, they were eaten up by jealousy; BY, NG, DE and the twins loved him (also again, random side note to me any anyone who cares: it's so easy to read the feelings GO felt towards JW prior and post time skip as more than just friendship tbh which again, adds to the queerness layer))

And then there is SC, just as complex and full of nuances like JW. Having an almost identical tragic backstory to hm even- losing the love of his life. While hes story is way more difficult to decipher as queercoding, his character is most definitely not. He is portrayed as rude and rough towards any criminal and at the beginning of the story we genuienly dont know where we stand with him with this ever fluxuating personality. He is hurt, struggles, doesn't even seem to know himself very well, has seen a lot and he also doesnt trust anyone (as seen when he immediately clocks BM as suspicious when the review the CCTV footage) except JW. How come he trusts him more, even after he had accused him of the hit and run accident, but is side eying everyone the moment the incident with the mother happens? When he should have more trust in his own people then defending and caring for a guy whos accused him of causing the car accident. Even when he finds out JW apparently killed the girls, his actions towards him are differet than the actions we see him taking against the guy he chases after in the beginning. We see him falter and struggle even more in the manhole when he's threatening to shoot JW, we see it again when they are at the shed and JW is reinacting the murder scene- he is reluctant. Even when using violence against JW. Because, just like him, SC feels they are the same. And it doesn't even take much time for him to switch side- we can see him questioning everything onwards from from episode 4 during their first team dinner. And when he switches side he suddenly becomes so soft and caring- completely taking on the role of a possible love interest in both drama, romance and fairytale. Because he has seen the good in JW, saw the same suffering, this unfair treatment. He is a character not meant to grow alone but together and this togethes is only JW. JW still has HS by his side but in SC's world there was only JW who shows him all aspects of what it means to be a good human being. It's through him he grows. 

Their shared journey:

To quote Leo Buscaglia again "Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around."

And isn't this what SC's and JW's shared bond is about? How they grow with and around each other- thanks to each other.

The little things SC does to make JW more comfortable, to show him love still exists? He takes him home without thinking twice because he's worried he might get sick when he could've taken him back to his house. He dresses him up in his clothes, let him sleep on his couch, in his blankets, gives him something warm to eat and drink (the glass of milk will never stop making me sob), showers him in touches and shows him warmth through them, always reaching after him because he's afraid something might happen to him, watches out for him, observes his reactions and waits for him. The little things JW does to SC- giving him a reality check that not everything is as it seems, graduately bringing back his old personality, stays by his side.

It's how SC brings JW's smile back and how JW brings SC's smile back. Its how SC not once but twice declares his worries, adoration and love towards JW: once when he's so worried sick JW might get hurt so he installs that app on his phone and the second time when they say their "goodbyes"- those words are so easy to read, so full of love. The "if you move" highlighting just how much he wants and hopes JW to stay in his life a little longer. It's longing and we can clearly hear it in his voice when he says "I'm sure you can" right after the monologue and then tilts his head. It's how JW doesn't know how to approach him after this, contemplating what to do and then goes on for the hug first. This is JW's way of showing his love. 

And yet, despite it all there are still people who only see it as a bromance. Those who think JW and HS will end up together because they are at the same uni, study the same. And are a man and a woman. If either SC or JW would be a woman, no one would even bat an eye to think they aren't in love- no one would even come up with the idea to even ship JW and HS. If one of them was a woman, every little gesture would be seen as romantic, betting on it the drama would perhaps even be a lot more popular as well as the ship. It's so disheartening to see how many deny an obvious queercoding between them just because they are men and for the sake of a straight, not well manouvred, ship because again apparenlty many kdrama fans don't dare to ship queer.

We know Black Out/Snow white must die is a fairytale because it very much is just one of many iterations of a snow white and exactly because is one of many nothing is impossible and queerness is allowed to exist within it.

[matan4il]

Buddie 613 meta

We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I��ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~

When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~

You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~

But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~

Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.

In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~

Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~

Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible). 

And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~

For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~

What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

~~ My tag list will follow in the reblog, please let me know  if you wanna be added/removed here.

~~ Thank you so much for reading and for any reblog, like, comment or supportive tag! Also, HUGE thank you to @whosoldherout​. On top of real life stuff, she makes her own amazing gifs AND helps make these posts so much better. She’s the one with the real superpowers!

[danielmolloyshole]

@ahubofreadersandmagicians:

Why would Daniel hate Marius? He’s already read the “forced prostitution” and “Marius de Romanus” folders from the Talamasca’s Armand file, we’ve seen them. His only response was to shame Armand for talking abt the Arun/Amadeo days and imply he was lying. Even knowing Armand was telling the truth. Daniel’s bad w/abuse victims generally and hates Armand. Sadly, I think he’ll be ok with Marius.

This got stupid long and also needs to broken into parts to try to minimize how all over the place I am so let's gooo. Friendly disclaimer that this is my opinion but I am literally trained in media analysis like this so I promise I am coming from a place of knowledge. I'm gonna start with my interpretation of Daniel's character and go from there.

RE; Daniel is bad with abuse victims

I'm assuming you are saying this because of how Daniel talks to Luis about his abuse. The way Daniel approaches this topic is, frankly, awful. Daniel is not good at it. However, he is not supportive of it. He calls Lestat out on how badly he was treating Luis, the racial dynamic (again, said in a really bad way but later we do see Lestat minimizing Luis's feelings about how he is treated as a black man so he wasn't wrong). I also think about the rent boy line, which to me was more directed as a snide remark at Luis and his assumption of what their relationship is. Not saying it wasn't also supposed to be a jab at Fake Rashid (by this point he is suspicious and annoyed and staring all the time and in general does not know what to make of him, which Daniel doesn't like), but Daniel was in active conversation with Luis and not Fake Rashid. Daniel is mean, this is not in contention. He is not a good person. But he does not ignore or get down with abuse and instead calls it out into the room, both explicitly and implied.

RE; Daniel's Past & Hating Armand

Now, what informs the fact that Daniel is such a bitch, especially when he is chasing the high of bringing out the truth? Working under the assumption of my previous post, Devil's Minion has happened. The evidence of such is, in my opinion, scattered throughout both seasons and would be a whole other post to detail. This, in my opinion, is supported by comments made by the actors and show runners that imply they have purposefully planted seeds. All I have to work with in terms of analysis right now is the book and these seeds and my last post stated that we are treating the Devil's Minion chapter as canon up until Daniel's turning, at which point Armand would have erased his memories. This implies that from 1973 until 1985, the ages of 20 and 35, Daniel's memories are incomplete. Imagine your most developmental years as an adult are now so full of holes that you wrote a memoir about how inconsistent your memory is. Your first love, your first heartbreak, the first time you debased yourself for someone's love, the first time you really fucked up with someone, countless mistakes now altered. Any self-actualization that would have made Daniel a better person is now incomplete. This includes the memory of Daniel fucking a girl with a bag on her head. It is a shameful memory, that's why Armand brings it out, but as a twenty year-old shitty kid from Modesto, Daniel might not have fully conceptualized how ashamed he is of it until it is used as weapon against him. Assuming the memories begin to return next season, either in partial or in full, this would mean that Daniel would suddenly have a much fuller context of his trauma and why he does what he does. Eric Bogosian mentioned in an interview that both he and Daniel have forgotten trauma and I do not believe San Francisco is the end of that trauma. A relationship as volatile as Armand and Daniel's, influenced by drugs and blood and danger, would hold just as much trauma if not more than the six days spent in that apartment. Bogosian went on to say that those traumas influence how someone acts and interacts without even being aware of it. I believe a lot of the development we're gonna see in Daniel is him reconciling the mean, tear-it-all-down journalist with the man he was at the height of his affair with Armand. We've already seen heightened emotion from his Paris memory (another tangent but I do not believe Alice is Armand but rather that this specific memory was altered. Daniel cares a lot less about the memory of Alice telling him she's pregnant so the inconsistency is odd).  Daniel is going to need character development moving forward. Does this mean he's going to stop being an asshole? No. He's still an asshole. I just think he'll be a different kind of asshole.

RE; Daniel Shaming Armand

I don't interpret that Arun/Amadeo line as shaming him, exactly. Asking where the lies start, implying the Arun dynamic was something of a sham (master when it's hot and convenient, etc), yeah. He's in the throes of bringing down the castle of lies, he's gotten his hit, he's basically high on exposing the truth. To me, especially given how he looks at Armand while he's on the floor, I don't think Daniel hates Armand. In book canon, it's said that he could only feel ravening desire and it is my opinion that that remains true. Daniel was gloating until the high wore off and then he was at the very least incredibly shook and definitely not making a move to rub it in Armand's face that he won.

RE; Daniel hating Marius

The show has set Marius up to be a pedophilic groomer. I don't even know if grooming was a widely-used term in the seventies but they dropped it in there and modern sensibilities make that very purposeful writing. Daniel, as stated before, does call out abusive behavior. Is he doing it in a way that reduces harm? Fuck no. Is he hurting everyone in the way he does it? Absolutely. But he has shown no evidence of being supportive of abusers and Marius has been set up explicitly as an abuser.

RE; Conclusion

Daniel Molloy is not a good person but he is not an abuser and there is no evidence that suggests he would love Marius or be in any way supportive of his actions. This is true in particular with Armand, since it is now well-established that they will have a romantic relationship in the future.

[dysfunctionalupsidedown]

An Analysis Of "STurn": My Turn

Hello, everyone! This is my first real post/analysis of anything Stranger Things related, so please keep that in mind while reading. I'm sure there are quite a few analyses about this playlist already (I'm definitely late to the party,) but I still wanted to add my two cents.

Feel free to let me know if any information I've provided is incorrect. My main source is Genius.com, which isn't at all the most reliable; even still, it'll help to give a clearer picture of each track's meaning and how the general public (which includes Finn) interprets them. I'm attempting to go by what I think Finn's intentions were.

Also, don't forget that this analysis was done under the assumption that the "STurn" playlist is a somewhat play-by-play outline of how specifically Mike Wheeler's S5 arcs might happen. The playlist could be entirely unrelated to ST5. It could be related to all the characters and arcs in ST5. It could be out of order, or based on vibes -- We really have no way of knowing until the full season comes out.

Finally, I tried my best to keep the analysis somewhat objective and reasonable, and I hope I've at least partly succeeded. This is all in good fun, in the end. Now that I've finished housekeeping, please enjoy my thoughts and feel free to chime in with your ideas in the comments! I'm always open to changing my perspective.

1. Ballad of the Texas King

Let's begin! This song starts with the lyrics, "No one saw / Nothing at all, no law was there to fight / All dressed down / Walkin' out in the California night". I believe this is a more surface-level vibe-setting song, considering where Mike ended in S4. It may also imply that the start of S5 begins where S4 left off. A lot of car imagery is also present throughout, which was a big part of Mike's S4 journey.

There are ideas of being separated as well, with lyrics like "My heart won't beat / 'Til we meet again together". This may allude to Mike's feelings towards the end of S4, having been separated from Hawkins/his family.

2. What You're Doing - Remastered 2009

Genius.com claims this song was written about Paul McCartney's then-rocky relationship at the time. The lyrics make this very clear, so there's really no alternate angle from which I can read. Let me know in the comments if you interpreted it differently.

In specific, the lyrics "You got me running / And there's no fun in it / Why should it be so much to ask of you / What you're doing to me?", "Please stop your lying / You got me crying, girl", and "I've been waiting here for you / Wondering what you're gonna do / And should you need a love that's true / It's me" really intrigue me. This could refer to Mike's relationship.

The song suggests that the partner may be withdrawing in multiple ways, with the singer grieving over it and attempting to prove their love. El may be starting to distance herself, and Mike could be struggling with it. At the end of S4, El was understandably focused on her failure, to the point where she hadn't really spoken to Mike in the days following it.

I don't think it would be surprising if everything was too much and she ends up pushing herself away from him. I wouldn't say it's implying a break-up, but maybe distancing issues.

3. After The Earthquake

Again, it's pretty surface-level in the beginning. There was a devastating earthquake in-universe, which supports the theory that "STurn" connects to ST5 in some way. The song tells a story, though, and I recommend looking up it's inspiration.

Despite the choice seeming surface-level at first, After The Earthquake may be implying more for Mike in ST5. Genius.com's contributors interpret the song's narrative as, "[Molly Rankin applying the] concept of post-catastrophe clarity to a couple that got into a major disagreement before one of them falls into a coma from a car crash... In a metaphorical sense, [the song] could describe a more mild situation in which Rankin must put their conflict on hold because something more important turns up." I don't think it's too far-fetched to say that Finn picked up on this. The idea of a disagreeing couple and coma is also prevalent in ST, but like I said in the beginning, I'm going to try to connect these songs to Mike Wheeler specifically.

Although this may be me reading too deeply into it, the metaphorical meaning of the track pairs pretty well with the implications of What You're Doing. It also fits in well narratively, considering that more important things are happening aside from the drama -- the earthquake being one of them. Mike could be putting all of his current issues (internal-conflict-related, relationship, or otherwise) on hold for the moment. He continues to struggle with suppressing his problems later on in the playlist, as well.

4. Promises I've Made

This song is about mourning a lost or ex-lover. The opening lyrics, "Ever since you have gone, the days don't seem so bright / And I wish I could forget you but I can't / Ever since you have gone, I haven't felt quite right / And I promised I'd forget all that you meant" address this quite directly.

At this point, it's possible that Mike has either been broken up with or the pair have gone their separate ways for some reason. It wouldn't be too crazy to say something like that will occur and he'll grieve it, keeping in mind that one of Mike's main fears is losing El. I just don't know why they'd continue to make it the subject of conflict in S5 (unless it hasn't been fully resolved yet.)

Physical distance between the two also makes sense when considering that Mike is, supposedly, teaming up with other characters next season. Personally, I'm leaning slightly more towards a break-up because of what the previous songs have set up, but, ultimately, it's up to interpretation. It's possible they've just been physically distanced while in a bad spot.

5. Angst In My Pants

This song is about a person attempting to be someone they're not, suppressing who they really are, and it ultimately leading to dissatisfaction. The lyrics, "You can dress nautical / Learn to tie knots / Take lots of Dramamine / Out on your yacht" describe a faux lifestyle one lives that only serves to hurt them in the end: The idea of putting on a self-harming persona. This could be what Mike is going through in S5, and his teased wardrobe change from S4 supports this.

The lyrics, "I hope it doesn't show / It'll go away / It's just a passing phase / It'll go away" and, "I hope it doesn't show / It'll go 'way / Give it a hundred years / It won't go 'way" are particularly fascinating and can have multiple interpretations.

For one, it could be Mike trying to hide his real personality following Eddie's death and the collective panic by acting out a more "normal" and "idealized" life -- painfully repressing his true self in the process. This is supported by the lyrics I first discussed. Hiding and embracing differences is a theme in Stranger Things, and I wouldn't be surprised if this is where they take Mike in S5.

Another interpretation involves the previous lyrics, as well as, "But when you think you made it disappear / It comes again, 'Hello, I'm here'". This sounds more like someone trying and failing to suppress a thought. Coupled with "It's just a passing phase", it appears to be a feeling or belief instead of someone's true personality, although I do believe that's a big part of it, too.

Whatever it may be, Mike is definitely struggling with something at this point. He's pushing it down, hiding it, and hoping "..it doesn't show" and that "It'll go away".

6. The Better Side - Audiotree Live Version

Half way through! This one gave me more of a challenge because there aren't any written lyrics to analyze. From what I can gather, the track is about a person yearning for someone who is a better fit(?) The lyrics that best support this interpretation are, "You're on the better side / You're always the better one for me" and "Don't make me do the falling when I'm drinking of you". Again, if you have any alternate interpretations, please let me know. I'd like to take all ideas into account.

The final lyrics are interesting, "And you're all that I need / I'm not gonna miss you anymore". This can be read as the narrator longing to accept a person into their life and bring them closer. I'm especially interested in the final line because it implies there was something to miss, as if an emotional rift or gap was there.

Mike has come to a realization about something, as shown in Angst In My Pants, and it might partly be about a new thought he's trying to push down, "It'll go away". It's possible the "thought" is about newly developing feelings he isn't ready to accept(?) I don't want to say for certain, though. Nonetheless, it seems like he recognizes this person's importance and "better fit" for him, despite trying to repress it. A fairly surface-level read, but it's the only conclusion I'm able to come to.

Alternatively, it might be about El. The distance apart could be what gets him to solidify how he feels about her. However, Angst In My Pants and multiple songs establishing a separation precede The Better Side. The track is about a better option, as well. Those facts alone make me think of this interpretation as unlikely, so it's not one I personally hold.

7. Don't Ask Me to Explain

Don't Ask Me to Explain is about two people who are afraid to confess their true feelings to one another, so instead they hide them; with one of the two seemingly more uncertain. It's also, from what I've researched, supposedly about two people of the same gender. There's a possibility that this is irrelevant to the track's purpose in the playlist, but I kept it in mind considering the other songs and my personal interpretation. It's also important to note that these "true feelings" could be about a multitude of things.

The lyrics, "How will I ever know you enough to love you / If you're hiding who you are?", "How am I supposed to let it show / When I don't even know?", and, "Besides, I don't want to be the one who's coming out first / I'd really like to but I'm just too shy" support this reading.

I interpreted the last line, "It's so easy to laugh to myself / And pretend that I could love you but I can't" in two different ways. Either it's the narrator doubting their feelings for someone else, or it's the narrator recognizing that they can't let themselves embrace their love for someone, for one reason or another.

As for Mike, his progression makes the most sense to me in the following interpretation. There are multiple and, again, please let me know your ideas in the comments. I narrowed it down to just the one so I don't start nit-picking.

Mike went from a realization, "It's just a passing phase / It'll go away" (Angst In My Pants) to a sort of acceptance, "You're always the better one for me" (The Better Side) to struggling to admit it out loud, "How am I supposed to let it show / When I don't even know?"

An LGBTQ+ or "new love interest" interpretation is what I'm able to gather from this. It could describe Mike falling for 'someone' and not knowing how to be open about it due to fear and doubt; with the other person feeling the same way. It may be a surface-level reading, and I'm sure there are several other ways to interpret the track, but that's what I've been able to conclude thus far.

8. What Do You Want Me To Do?

This one might be the most difficult for me to figure out, but I'm going to try.

The song and the lyrics, "You walked out, took your chance / You turned your back on our romance / You said you found somebody new / You said the change'd do you good" and "You never even gave me a thought / You figured that would be all right / I nevеr had a chance to persuade you / You nеver let me put up a fight" remind me a lot of What You're Doing.

One way to look at it is that it might have the same purpose as What You're Doing -- adding a sort of angsty frustration vibe. I don't know if it would be used to set up a "come crawling back" moment because I don't think that would make sense (especially in Stranger Things), but it's a random possibility I'm throwing out there.

Alternatively, the 'person' that Mike has feelings for could have rejected him for someone else(?) Again, I don't think this would make much narrative sense in Stranger Things, but we don't know what the next season's going to look like.

I'm personally reading it as the former because there are other songs in the playlist used to set the tone. Keeping What You're Doing and Promises I've Made in mind, an additional break-up song is on theme. There's still the possibility of another conflict, though. If anyone else has different thoughts on what the song could be implying, I'd appreciate the input.

9. Substitute - Live

This track is about an idealized version of someone being put in place of their true self. The narrator describes a scenario in which their partner sees a version of them, "I'm a substitute for another guy / I look pretty tall but my heels are high / The simple things you see are all complicated / I look bloody young, but I'm just back-dated, yeah", that is unrealistic and put on, as seen in the lyrics "Substitute your lies for fact / I see right through your plastic mac / I look all white, but my dad was black / My fine-looking suit is really made out of sack" The couple also seem to be having issues with this, or in general, that they're not addressing, "It's a genuine problem, you won't try / To work it out at all, just pass it by, pass it by"

The concept of a guise applies well to Mike, as referenced in Angst In My Pants. A recurring theme of hiding oneself really makes me think Mike is going to completely abandon his interests for a different lifestyle. I believe Finn has also mentioned that Mike wants to be as "normal" as possible, so I can't wait to see where they take that idea. It could also be him realizing how he's been acting, and admitting that this "romanticized" version isn't true to him. I have hope that Mike will eventually learn to embrace his differences and what he enjoys.

While this part is a bit nit-picky, I feel it's fun to mention that the song was inspired by a lyric in The Tracks of My Tears by Smokey Robinson; the lyric being, "Although she may be cute / She's just a substitute". The line following this (which is also referenced in Substitute's Genius.com entry) is, "Because you're the permanent one". Funnily enough, these lyrics also fit into the narrative the playlist is laying out. They remind me a lot of what The Better Side represents.

Out of context, the lines from The Tracks of My Tears may imply that someone is either using another person as a substitute for an ex, or that someone is realizing they've been using their previous partner as a substitute for someone better. Both routes have the potential to happen in ST5. Although, I don't know if the idea of a literal substitute fits with what The Who was going for. The Tracks of My Tears is also not on "STurn", so take this part as a fun fact with a grain of salt on the side.

At the end of the day, we don't know Finn's motivation for adding Substitute, so this is what we'll have to go off of for now. I feel as though the former interpretation, a less literal "substitute," holds the most merit considering the theme of personas.

10. The Rebel Kind

Like The Better Side, I couldn't find any lyrics, so I'm doing it by ear. Though, I'm happy to say that this song is about a desire to embrace differences and rebellion. "We'll be free to run with the rebel kind" and "It's not easy, but I don't mind / I just want to run with the rebel kind" establish that. The track appears to tie into Mike's insecurity struggles throughout the playlist.

The lyric "They call us the rebel kind" hints to the panic brewing at the end of S4. Mike might start to embrace and stand behind his true self at whatever point this is in the season. The line following, "But they don't understand / The things a man must do to prove that he's a man", can be taken in different ways depending on how the lyrics are read.

It could be the narrator's struggle to keep up with societal norms before finally giving in to their truth instead of trying to conform, read as "they call us rebels but don't get how hard it is to for us to keep up." On the other hand, it could be the narrator commenting on how society doesn't understand people like them, and, by embracing their true self, it proves more about who they are than conforming ever would; read as, "you think we're the rebellious ones, but you don't understand that we're more self-secure and strong than you'll ever be."

I can see both of these interpretations working for Mike and his connection to the Party. The progression of insecurity in Angst In My Pants and potential realization of this guise in Substitute is wrapped up by Mike's self-acceptance here. I really hope this is how it plays out in S5.

11. Block Rockin' Beats

There's not much to analyze because this track has one repeated line of lyrics, but it's definitely here to set a tone. The song may have a similar vibe-setting purpose as What Do You Want Me To Do? and Ballad of the Texas King. That's just my theory, though. (A ST5 theoryyy!)

Perhaps this is a climax of sorts where the cast fight the "big bad." The music's tone is intense and sort of aggressive. It's definitely a fun addition to the playlist, whatever the song's purpose in it may be.

12. Just What I Needed

Finally, we have Just What I Needed. I read this song in two different ways.

The first way I interpreted it was as a love song about the narrator not caring about who this person is, and realizing they need them in spite of it all. The lyrics, "It's not the perfume that you wear / It's not the ribbons in your hair / And I don't mind you comin' here / And wastin' all my time", "Cause when you're standin' oh so near / I kinda lose my mind, yeah", and "I needed someone to bleed / Yeah, yeah, so bleed me" support this.

The second possible reading is that the narrator realizes they were/are in a codependent relationship and they still love the person. The lyrics, "I guess you're just what I needed / I needed someone to feed / I guess you're just what I needed / I needed someone to bleed" and "I don't mind you hangin' out / And talkin' in your sleep / It doesn't matter where you've been / As long as it was deep, yeah", could be read as more of a "you're what I needed at the time, but I still love you and want you in my life." With this reading, it's unclear whether or not the love is romantic or platonic. Maybe I'm looking too far into it, but this is what some Genius.com contributors brought up, and it would feel wrong to not include this understanding of the song.

I'm just assuming, since The Rebel Kind seemed to tie up Mike's self-security problem, that this track is supposed to imply a resolution with his romantic issues. Under that impression, there are a few ways we can look at it.

It could be an acceptance for who he has feelings for. He went from mourning a loss in Promises I've Made, noticing something and hoping it goes away in Angst In My Pants, potentially coming to terms with the fact that this person is his "better" choice in The Better Side, wanting to admit a truth but feeling doubtful in Don't Ask Me to Explain, comprehending that he's able to embrace his authentic self in The Rebel Kind, to now admitting, possibly out loud, that this person was "just what [he] needed". That could be far-fetched, but it's just what I picked up on throughout the playlist.

However, it may also pertain to his self-identity struggle that's hinted at throughout (can you tell that I love this part of Mike?) while also tying into his romance issues. He went through a difficult separation with someone in What You're Doing and Promises I've Made, put on a persona and suppressed his true self in Angst In My Pants, realized he couldn't keep it going and needed to address it in Substitute, embraced himself in The Rebel Kind, and now recognizes that the relationship may have been codependent and holding him back from fully dropping the facade: "I guess you're just what I needed" -- in the moment. I don't know if that's too in-depth of a read, but it's a possibility.

While not relevant to the playlist in it's context, it's fun to bring up the fact that Just What I Needed was apparently also the final track listed on the 'official' "Will's Castle Byers Classics" playlist created by Spotify. It's not available anymore, so I can't really say it as a fact. Although, recreations of the playlist have been made long before "STurn" was a thing, and the song was added as the last track as far back as 2018. I suppose that's proof enough that it was at least on the playlist.

Finn listing it as the final track may be a reference to "Will's Castle Byers Classics", but it's also likely that there's no association. That's why I gave the song an equal amount of analysis instead of writing it off as a reference. As to how canon those playlists are, I don't think it particularly matters. It's true that Finn could've seen Just What I Needed in the Will playlist and put it on "STurn", thinking of it as a fun easter egg. There could or could not be implications for that and I'd be remiss to ignore it. I don't know if this rings true for any of the other songs on "STurn" as well -- if they're connected to any other character playlists. Feel free to let me know if they are!

TL;DR

This was really hefty post, and I apologize for that, so here's a summary/recap of what I think S5 may have in store for Mike Wheeler.

Summary:

The season likely starts off at the end of S4, with us seeing Mike react to everything that's happened in Hawkins and reuniting with his family. Tension or unresolved conflicts may be arising in his relationship(s) as well, but he puts it aside to focus on the more important tasks at hand. Either his relationship is put aside with this, or there's an eventual separation that occurs, and he mourns it. After, he tries to maintain normalcy and puts on a guise to appease others. During this time, he may start to have a realization about something that he attempts to repress. He eventually comes to terms with it, though, recognizing that there's someone (maybe something?) better for him. He wants to admit to these true feelings, but he'll struggle with hiding, doubting, and fearing them; thinking he can't allow himself to fully love this person or, at least, admit to whatever feelings or "truth" he possesses. Mike will most likely continue to struggle with mixed feelings and hiding his true personality after this, eventually admitting to not being fully authentic. He'll then accept his true self for what it is. This will lead into a climax, where the main conflict of the show will be resolved. Finally, he'll accept and admit his true feelings, realizing that all he needed to do in the end was be entirely honest with (and about) himself.

In Conclusion

I really want this to be where they take Mike in ST5. It would be such a satisfying thing to watch, especially with how he's acted the past two seasons. I think he deserves to have a self-love/acceptance arc because the show has made it clear he's insecure and inauthentic.

Thank you so much for reading, and I hope you enjoyed! Please let me know your thoughts and interpretations in the comments, as well as if there's anything you think I should add/fix. I'd love to hear what others have to say about "STurn" and it's connections to ST :)!

[tumblingxelian]

Thoughts on Stephanie Brown, Crime & Community

A lot of the posts I’ve been reading lately about Bruce’s brutality towards low level criminals and whether Jason betraying his own community or not, the double standards and meta analysis has all been very interesting. 

And it has also left me musing on Stephanie Brown’s character. 

Specifically how she operates in a really fascinating position that was likely not intended by the writers but one can reach anyway. 

So a quick primer: 

Stephanie Brown came up in a low income (at best) family in Gotham. Her father was consistently in and out of prison only briefly holding down a steady job and when he was home he was violent towards both Stephanie and her mother.

Crystal was neglectful and a substance abusing addict until Stephanie was about 15 and even then their relationship was quite messy with Stephanie still forced into a parental role. 

(She also escaped sexual assault as a child and was clearly traumatized by the event and given her ‘boyfriend’ who got her pregnant looed significantly older than her one could argue she was a victim of grooming.)

Her first team up with Batgirl (long before she receives any training) Shows she has an intimate and immediate understanding of criminal operations that can only come from either self study or experience. One of her earlier team ups with Robin & the then Green Arrow (Investigating gun runners selling to kids) had her note she felt her community was neglected by the heroes. Her first team up with Batgirl also had them basically steal money that would have gone to evidence to donate it to charity and she also reveal hinted at different times a dislike or lack of faith in the police. 

Now, not everything was hunky dory, as there were some writers who basically decided her motive was “Impress Robin”. Fortunately this only cropped up every now and again and she’d often try and seek out team ups and mentors elsewhere. And given it doesn’t line up well with her initial character I am content to view it as an artifact of the writer. 

But I digress, how does this go into her relationship with her community and criminals in general? 

Well, suffice to say her relationship with them is bad. 

Her first time out as Spoiler she tries to murder her father and has to be talked down by Batman. She later reveals to Crystal she was doing this to protect her because she was tired of seeing Arthur come back and ruin their lives over and over again. She also used visitation rights when he was in prison to beat the hell out of him because he orchestrated her kidnapping and near missed murder for money, while the guards just let it happen. 

In one of her first team ups with Robin they fight criminals in a snow covered building and his cutting of support beams leads them all to be buries. Robin insists on finding him and saving him, while Stephanie suggests leaving him to die, dismissing his motives along the lines of, “I was poor, daddy never loved me, ETC.” She only agreed trying to save him was a good idea when they accidently found a homeless woman and her child also buried. 

later on she also didn’t want to save a villain who managed to kidnap both herself and Robin. We also see her shrug off the prospect of accidentally killing a serial killer she was in combat with. She also has a violent exchange with Penguin after he started using children as gun runners which hinted at wanting to wipe people like him off the map. When he was dismissive of even facing charges because “I've got people for that” she legit scared and injured him and Batgirl needed to stop her from going further. 

(She also shrugged off Dick killing Joker while everyone else was freaking out but like, come on. Joker fills literal graveyards in universe and had been terrorizing the world minutes before, he’s not a ‘normal criminals’ by any stretch.)

Overall, her relationship to criminals in general was varying degree of contemptuous and she was quite comfortable with the prospect of doling out lethal punishment to criminals, though she never got the on screen opportunity. I think her general attitude is best summed up as “yes trauma sucks but its no excuse to take it out on your community” while holding those who profit off those circumstances in utter contempt. IE, she disdains petty criminals for victimizing their fellows and she hates the kingpins who run everything. 

(Though I doubt this was intended by the writers.) 

But I digress, I’m not expert enough to say whether this is a realistic or positive response to her circumstances, but I do find it an interesting one. I also think its a lot more nuanced than Batman’s brutality even if one could argue its problematic. Though that also broached the “Are we discussing in universe or out of universe” and so on. Really not sure where I was going with this. I maybe just wanted the chance to discuss Stephanie cos I think she’s really interesting. 

So uh, yeah. 

[lej222]

Hlw! Would love to see your analysis on if jisu likes miae romantically or not. Hope u'll do that sometimes😊don't feel pressured tho it’s just my wish❤️

Sorry for the late reply, but here is a long post about my thoughts about Jisu's character arc, including spoilers from episode 147 (these are just my ramblings, my word is not gospel :D)

Does Jisu like Miae romantically?

Now, this is a hard question to answer. And I will try my best to break down what we know about him so far.

We only have two fragments of the time when Jisu and Miae were classmates. The first one is when Miae called out Jisu's bullies and she asked him the same question Jisu repeated years later to her (important!) about scolding the bullies. The other memory was Jisu's transfer to another elementary school. He was forced to write a letter and mentions how he liked Miae the most and the whole class, including Miae, cry their heart out. Jisu remembers how hard Miae sobbed and Miae can also recall someone telling her they liked her, but doesn't remember the boy's face or name.

Years later after moving around, Jisu ends up in the same school with her again in the spring semester in 1998. He is surprised, even more so when they become classmates in the following year, but doesn't care enough to interact with Miae. Coincidences keep happening - her pencil landing at his chair, they get sent out to the corridor, they become folk dance partners, he finds her name tag and uses it to avoid punishment, they get detention the same time. And Jisu still doesn't care about the whole situation, not until their actual detention week starts when he initiates conversation for the first time. This is when Jisu concludes their random encounters are fun and Miae is an interesting person. (Edit:: I'm rereading the story, and actually the turning point of their relationship is when Miae tries to save him from the teacher when they ruined the plant. It's possible Jisu doesn't let anyone close to himself and was intentionally petty towards Miae in the beginning until she decided to help him. We see that Jisu is greatly speechless in that scene and decides to flip over the plant. My best guess is that he might have realized Miae is still the same person as she was back then and she's still brave so Jisu becomes active for the first time for her and takes the blame. It is probably also the moment he concludes being around Miae is fun)

Based on these alone, I'm inclined to believe that even if Jisu loves her romantically at this point of the story, he's not aware of it. For him, being around Miae is exciting because she is fun. She doesn't remember him at all, but she's still the same person as she was years ago in elementary school so Jisu feels comfortable around her which didn't go unnoticed by their homeroom teacher or Jisu's mother. Miae probably doesn't understand why people keep emphasizing his unique personality and connect the dots, but we readers can easily assume Jisu was bullied because of his difference. And it is something he shares with Miae so he might feel like she understands him, or rather, she doesn't treat him differently because of it. It's a situation that can easily bloom into love with time, even if he's not there yet.

But why is Jisu is important in this story?

One thing I always see people complaining about is Jisu's plot relevance. However, it is a much more complex narrative choice than just a simple love triangle.

I have said this before, but memories and fate are intertwined in this story. There are just too many clues that support this. Miae doesn't remember Cheol at the beginning of the story, she even has trouble recalling his name. As the plot progresses and we see more of her memories, fate keeps throwing them together and they develop a friendship that turns into romantic love. In fact, it's a recurring point in the story that Miae keeps forgetting important things. Her dreams, things she must do, Jisu's entire presence in the past.

Which takes me to my next point, the unidentified higher power in the story. It's been always present, at first only giving small signs of its existence in the form of phone calls or changing the weather. Let's remember that lots of times Miae and Cheol had a moment it started raining (Miae's dream about Cheol, when he helped changing the light bulb, when they wanted to take a photo together). However, the unknown presence's voice gets more and more active as thes tory goes on. Not only it starts interacting with Miae in her dreams, she can also hear it in certain situations and wonders where it came from. In fact, when she is talking to Cheol's shoe in one of the very first chapters, she has a weird feeling for a second and we get a close up on the shoe. This supernatural (?) power has always been involved with Miae, but it starts to be more aggressive.

Not only it tells Miae that she's too late and it tried to warn her, in the newest chapter it floods every scene with car ads that are about changing one's car. So the mysterious entity clearly tries to intervene, giving chance encounters to Miae and Jisu while preventing Miae and Cheol's relationship (like how they cannot have a photo together).

Okay, so what does it mean?

It is something I obviously cannot answer as I'm not the writer.

BUT let's not forget that someone like Jisu in this story, who was shown to have exceptional cognitive skills (like knowing every person's name whom he's ever met, being first in the school and likely is on the spectrum), also has excellent memory. And what did I say about memories and fate? That they are seemingly intertwined! Jisu is writing his own fate, he appeared later in the story because he chose to not get involved until that point! He is the character who is aware of everything in the past and present. While Miae has trouble with her memories, and what do we see? Fate aggressively trying to steer her.

At the end of the day, we have two routes that are possible:

Miae is fated to be with Jisu, fate/the stone deity/the universe knows it and tries to warn Miae her time with Cheol is short so she shouldn't have any regrets. In this case, the story is about how Cheol and Miae helped each other in a certain period of their lives, but had different fates set in stone.

Miae was fated to be with Jisu, and the higher power knows it, but Miae will change her own fate to be with Cheol instead. In this case, in the remaining chapters we will see her fighting against her own destiny and win in the end.

At this point, I feel like I have to mention I've studied philosophy for quite a few years, and I highly doubt we can get a satisfactory explanation of any of these possibilities. But rather, it will be a simple:

even though we were not fated together, I cherished our time together

or love overcomes destiny itself

Other interesting idea

This is just for fun, but the comic Miae reads is a clear symbol of her relationship with Cheol. They have almost every cliche in the book (with sometimes a little twist) like troubled boy meeting childhood friend, becoming neighbours with their windows facing each other, accidentally seeing the other's body, falling on each other first kiss, etc. This is your typical 90s shoujo manga which makes sense because the story takes place in the 90s.

On the other hand, we have the chaotic meetings of Jisu and Miae who bond over trash, don't get the accidental kiss trope, etc. And whether it's meant to illustrate that they will only remain friends or it's meant to be a contrast to Miae and Cheol's comic book romance, I don't know. Depends on the ending the author wants to convey. I would be fine with either possibilities as long as Jisu won't be used as a plot device.

Plus, Miae&Jisu and Cheol&Miae parallel each other a lot. Just coming from the latest chapters, Miae has interacted with Jisu's mom, but not really Cheol's parents. Cheol has interacted with Miae's parents. Miae is bothered by Jisu. Cheol was bothered by her. Cheol saying the same thing Miae said to Jisu. These are all definitely intentional.

As usual, please don't take my words seriously, this is just all for fun.

Edit: there's one other interesting thing to consider:

Jisu is aware of the coincidences and thinks they are fun. He's been saying this for a while. Which means if there's indeed a higher power in the story, Jisu is accepting of fate.

Miae, on the other hand, willfully rejects her own fate. Let's say Miae and Cheol's meeting was bound to happen - it was also their destiny. She acknowledged those coincidences and even wondered how strange they were. So the higher power was content. But what if, according to their fate, their time together is indeed short? Because Miae rejects her coincidental meetings with Jisu, saying how she hopes she won't meet him again, only for the higher power to be more aggressive and take on an active voice. In the last chapter, she even kicked the flyer away about changing one's car, only for her to end up with a bubble gum in her hair so she was forced to get a haircut from Jisu's mother. Jisu's question last chapter is more than just him asking to play together - it's a chance for Miae to go into the direction the higher power wants her to be.

The real questions:

Is fate something one can overcome? Are certain things bound to happen and we can only decide how to deal with them emotionally? Is the narrator/higher power omnipotent and omniscient? Because if it is, can Miae still decide what's the best for her? These are the truly complicated questions that we cannot answer because there are no answers. So I'm excited to see what Soonkki will come up as the resolution.

[iamfitzwilliamdarcy]

As a coda to my post from last night, this goes both ways for Zuko and Katara. We see Katara tell different boys about what happened to her mom - Haru is sympathetic and he gets it, but his dad is alive and he is, frankly, a pretty undeveloped background character, Jet is sympathetic too-- "Katara I'm so sorry"-- but then uses that to manipulate her into hurting innocent people, Aang is very dismissive (I'm sorry! he is! it's not his fault he had bad writers) and Zuko-- is the one to say exactly what she needed to hear.

In the Southern Air Temple:

Katara [Close-up of Katara.] Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. [Sadly.] They killed my mother, and they could have done the same to your people. Aang [Ponders over her words for a bit. Hopefully.] Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

This is the first time Katara has mentioned her mother to Aang, and he just completely skips over that comment. Obviously Katara's intent is to try to warn him, and Aang is optimistic because that is a pretty big horror, to think of your entire nation wiped out -- but he doesn't even offer a word of acknowledgment to her before skipping to his optimism.

The other time this is brought up with Aang specifically is the Southern Raiders. I'm linking to @catie-does-things 's excellent analysis here of how Aang's moralizing is both dismissive and immature.

Meanwhile, the first time Katara tells Zuko about her mother, they are still enemies, and he offers an olive branch -- "I'm sorry, that's something we have in common" -- and they're able to tentatively build up a trust around each other. That's of course betrayed, and leads to him trying to make amends in the Southern Raiders episode. This is when she tells him about how her mother dies (something, notably, she never tells anyone else in detail in the series), and he, very intuitively, says the exact thing she needs to hear:

Katara: But we were too late. When we got there, the man was gone. [Voice begins breaking.] And so was she. Zuko Your mother was a brave woman. Katara [Clutches her necklace.] I know.

Katara doesn't get this level of consolation from literally anyone else in the entire series. Her grief and anger isn't taken seriously by anyone else, not in this way.

So it's not only Katara doing the work in her relationship with Zuko-- Zuko is also very supportive of her, in a way that she needs and her canonical love interests are not

[closetsof-backlogged-dreams]

what would’ve happened if azula was the one who had an iroh and zuko stayed back? (their characters and personalities would be the exact same as in canon, but their roles would be reversed)

love u<33

TAKING A BREAK FROM STUDYING = azula breakdown time <333

im ngl, we're prob gonna be looking at a longer post today bc this is a lot to breakdown😭 so buckle up chickies we're going IN

THINGS WE HAVE TO COVER IN THIS ANALYSIS:

how Zuko leaving did affect Azula

how being forced to leave did affect Zuko

how being forced to leave would effect Azula

how Azula leaving would effect Zuko

how Iroh's effect on Zuko would translate to Azula

the literal changes this would have had on canon

so let's get into it!!

Zuko leaving and it's effect on Azula

So, we know Azula has a problem with abandonment, starting with her mother and ending with Zuko. To try and keep this as short and readable as possible, I'm just going to say that this obviously resulted in a constant need for control over the people she loves, very obviously shown in her relationships with Mai and Ty Lee and even Zuko in season three.

She also just has a very convoluted perception of love (obligatory azula love-fear-control analysis plug), that largely stems from never having it readily accessible to her. Now, even when Zuko was around, they never had a good relationship and she was always his tormenter, but what if they had reconciled? What if they had been able to heal that broken relationship? We'll never know if that could have been a possibility, but Zuko leaving ensured all true familial had been removed from her life.

How being forced to leave affected Zuko

We all know that being forced to leave his home and his family had a huge impact on Zuko as a person. It made him rash, angry, and determined to find the Avatar so he could return home at the cost of anything—even his own life.

Iroh became his anchor, guiding him through the worst of his turmoil and always steering him in the right direction. Iroh kept him human, and stopped him from killing himself trying to capture Aang.

Pre-banishment, we did still see that Zuko was snippy, and still had a temper that could be brought out at times. But post-banishment, all his childhood sweetness was abandoned. Anger became his default setting and his source of power. He was definitely struggling with at least some level of self-resentment and a simultaneous lack of confidence (never being good enough) and over-confidence (required to believe that he could find a man that had eluded the world for a hundred years)

Overall, his banishment made him fueled by anger and constantly at war with himself

How being forced to leave would affect Azula

Azula is a very validation-motivated creature. She has to be perfect, at all times, at all costs. There is never a misstep with her, never a miscalculation. So much as a negative word from her father could destroy her and push her off the edge.

So, imagine this girl, this super-perfectionist, messing up so badly that she is banished from her entire nation? Her father disapproves so much that he disowns her and threatens death in the event that she ever came back?

In the (honestly unlikely) event that she doesn't immediately kill him/overthrow him or try to harm herself in any way, and follows Zuko's storyline of leaving to find the Avatar... yikes. However angry and obsessed Zuko became with finding the Avatar, Azula would be a hundred times worse. The psychological breakdown she had at the end of the show? Yep, that.

She would tear through research and the entire world, leaving death and destruction in her wake. She would become a monster. (Of course, having a support system like Iroh with her would help immensely, but we'll get to that in a bit.)

There is also the question of: would Mai and Ty Lee come with her? If we're following Zuko's banishment to a T, then she should be banished at age thirteen, around a year before we meet her in canon. I'm not going to lie, that's a whole other analysis in and of itself, so maybe I can do a separate post on that later?? Send me an ask if you're interested😭😭

How Azula leaving would affect Zuko

There are two things we have to remember here: despite being the oldest sibling, Azula was always the favorite and most accomplished of the two. He was always ridiculed and looked down on due to being so far behind his sister, in raw power and cunning both.

But at the same time, this means that all the pressure to succeed was put on Azula's shoulders. It's why she became such a perfectionist. She always was perfect, so now she had to perfect enough for both of them. Now, where Zuko had been mostly given up on, they would be pushing for him to step up as heir and become the perfect one.

This is a pressure he's never had to experience before. Azula was the way she was for a reason—she became a perfectionist because of that pressure, and Zuko would probably become the same way.

Of course, I still think he would keep his sympathy and genuine humanity that Azula often lacked, but he would be forced to push it down most of the time. Where he had been grounded by Iroh in the show? Gone. He would have absolutely no one to turn to, absolutely no one to support him. If we're sticking to canon, maybe he would have Mai, but that's where it stops. And he would probably be the over-controlling POS he was in the first half of season three, maybe even worse.

Overall, Azula being banished would absolutely destroy Zuko, and probably push him to that same psychological brink Azula was teetering on the entire series. It wouldn't be pretty, that's for sure.

Zuko & Iroh -> translated for Azula & a mother figure

Okay, in order to fully answer this question, we have to take note of all the things that made Iroh and Zuko work:

Iroh losing his own son, and Zuko filling that cavity in his life

Zuko having an abusive father and Iroh becoming his father figure

Zuko needing and Iroh being an anchor in Zuko's life to keep him human

Zuko being given up on his entire childhood and Iroh being the first person with genuine faith in him and willing to help him

So, let's translate these things into Azula, and a hypothetical mother figure (disclaimer!! no hate to Ursa; this is just all from Azula's perspective and how she views her relationship w her mother <3):

Azula's mother figure potentially having once had a daughter that she was too hard on/did not treat well and wanting the chance to do right with Azula

Azula having a mother that believed she was a monster, and her mother figure reassuring her that she is human and does have the capacity for good

this mother figure also being an anchor in Azula's life, and saving her from absolutely destroying the world trying to go home

Azula being forced to be perfect her entire childhood and her mother figure being the first person to genuinely help her and allow her the space to make mistakes and reassuring her that it was okay

(Okay, not gonna lie here, this idea of a mother figure for Azula is really getting to me—the urge to write a fic I'll never finish is STRONG)

Overall, a mother figure that would support Azula and genuinely care for her would have had a colossal effect on her. I really believe that Azula would have been able to have a happy ending. idk this is really getting to me😭

AND FINALLY:

the literal changes this would have on canon

For one, I genuinely think Azula would have succeeded. Azula has always been a prodigy, and while Zuko was able to become powerful with the guidance of Iroh, Azula started out that way. I also think that while Azula's mother figure may have been able to steady her and keep her from the brink, she never would have been able to quell Azula's ambition. Her ambition is just too much a part of her, the same way Iroh was never able to quell Zuko's fury.

Also, Zuko did have Aang a few times! But he also had the sympathy to let him go, or was just not powerful to stop him from getting away. Azula was different. Genuinely nothing could of stopped her from capturing season one, inexperienced, little kid Aang. It may have taken a few shots, but she would have done it.

I really think Azula would have succeeded and returned home as a new woman, with the support of her mother figure, and now with the capacity to genuinely love people (at least to some degree.) I think Azula and Zuko would have been able to repair their broken relationship. Azula would have become Firelord with Zuko as her advisor, and the Fire Nation would have reigned in a new era. The Fire Nation also most likely would have been successful in conquering the world, now.

So, happy ending for Zuko and Azula and most of the Fire Nation, but... no one else lol.

wow! this was actually such a fun idea to play with. probably one of my favorite asks you've ever sent me<3 i love u sm we are unstoppable

[the5n00k]

An observation about TGAMM The End

Big big spoilers ahead, click away if you aren't caught up

This is also my first NEGATIVE TGAMM analysis post! Wowie! So if you don't want to see me bitch, also click off now

The End and how Molly McGee's character was disrespected

The End is. An episode. I have many MANY thoughts about it but it would be far too long to put in one post so I'm going to explore one of my more reoccurring opinions. This episode recontextualized a lot of things but I'm going to talk about how it recontextualized Molly as a character. Most importantly as a MAIN character. A TITLE character. A character with her own past and personality and feelings. All of which this episode completely stomped all over, handed her the check, and said "figure it out"

I want to apologize to my friend who called this so SO much earlier into the series and that he had to listen to me watch this show on lethal amounts of copium. You were right but I knew neither of us wanted you to be.

Now let's get into the meat of it, shall we?

All throughout season 1, Molly's history and relationship with the concept of friends is always treated with complete sincerity and the emotional pause it needs to sink in with the audience that she's been through it. Moving away and leaving friends is why she put so much importance on the "forever home" in the first place because she's had to leave so many people she loved. She had a rocky beginning with Scratch during the early season but quickly became on equal footing with him as they began to understand each other and their boundaries. Because she genuinely cares about him. Similarly, season 2 explores the boundaries of their friendship and shows Scratch more willing to participate in whatever Molly is doing, even begging sometimes to be included. And Molly is very patient and kind with him all throughout trying to help him regain memories of his past. And Scratch actually reciprocated a few times like helping her learn Thai and working with Libby to set her up with Ollie. They're the closest they've ever been and something I can confidently call true best friends, possibly the closest and healthiest friendship I've seen portrayed in media. Season 2 showcases how far either of them are willing to go to help each other.

Then The End happened.

Molly is the same understanding and supportive friend as she had been all season, almost to a fault. She encourages scratch to go back to his life, knowing the risks that come with it. Why did there need to be the risk of forgetting her when his spirit didn't immediately forget his living life? Don't know. Something to do with an unreleased episode although I doubt the rest of season 3 would have sweetened my opinion of this episode. Only she knew he was about to do this, she didn't talk to any of his other friends or family before he went out to Todd's house. They only found out after the fact and the next morning is when he left. None of them had any time to process that they just lost a family member, especially not Molly.

The scene where he's talking to her on the bench breaks my heart. Knowing your friend is no longer there and is replaced with this stranger. So much of this episode would have been fixed to just let him keep his memories. Considering how hard it was to pull his living memories out of his spirit, it's very likely that even the small fragments of her he remembers will slowly fade away. She had to do the one thing she never wanted to do again and repeat the same pain that's plagued her for the entire series. And it sucks! Why doesn't she get a happy ending? Hell, I'm not even convinced this was a "happy ending" for scratch since he can't remember any of the people he just spent the last two years with.

The biggest slap to the face is when Libby, Geoff, and the McGees come up behind Molly and just act like all of this is fine? They're treating scratch like this wild animal that deserved to be released into the wild because he could never fit in with society when he was PERFECTLY HAPPY with the McGees. He proudly displayed to the entire ghost world that he was an "honorary McGee" and told a ghost hunter to his face that him and Molly would do anything for each other despite their differences. Was all of that completely pointless? Because it sure feels that way. He had this entire new "life" he just completely abandoned because oh I guess I'm not really dead. Guess I better go reconnect with my childhood friend I haven't seen in person or had any meaningful conversations with in decades!!! See ya, chumps, hope you weren't attached to me or anything!

It's so disrespectful to the audience's investment in Molly and Scratch's friendship, the themes of friendship overcoming all odds and lasting forever, and Molly as a character. And to a lesser degree, it's even disrespectful to Scratch since most of the season he spent brooding over the fact that he didn't remember his past! Now he's forgotten a large portion of his "life" all over again. Now he's going to have to live with this nagging itch at the back of his mind that he's forgetting something until he manages to completely repress it too. And to rub salt in the wound, the credits don't have near sight nor mention of Molly McGee outside of a painted portrait of her and (spirit) scratch. All this does is tell me a LONG time has passed and neither of them have managed to successfully contact each other. The dream team is gone, this is a story about a girl and a ghost and none of it meant anything.

"he'll remember when he dies again!" Where does it say that

"he didn't forget, he said Moll! That means something!" The longer he spends away from the McGees and Brighton, the more likely he is to completely forget them altogether. The vague memories will eventually fade away and every "forever memory" will be worthless.

"it doesn't matter, this is Scratch's story" then why isn't it called 'scratch and the human girl'? Or 'the scratch show'? Why is Molly a title character if she's nothing but a plot device for his character development.

"Molly had to learn how to say goodbye." No she didn't. She's been doing that her entire life. She's pretty well aware of how to say goodbye. Making her relive 13 years of trauma from the other side of the vehicle doors is not a useful life skill. Pain is not necessary to grow up.

I don't care what the excuse is. This was a terrible ending for both characters and no amount of "he's happy now!" coping from both the fans and the writers is going to get me to see this any other way. If you enjoy the episode, great! I'm happy for you, there's a lot to love in the music and voice acting and breathtaking animation. But none of that could save me from this abysmal attempt at a series finale. I was so viscerally disgusting by this as a finale that I spent a good two days completely nauseous thinking about it. What a disaster. The sad part is I like the story potential! Him reuniting with Adia is what I've wanted for him all season so he could get closure. Molly and Scratch having to say goodbye is heartbreaking but understandable, a lot of shows nowadays end that way and I half expected it. But him completely forgetting the girl he owes his new lease on life to? My gosh it's just a deal breaker. It is such a cruel end for these characters and I cannot wrap my head around why they thought it was a good idea outside of cheap angst.

I wanted to like this episode and I still do. But they just did so much wrong when one thing could change and it would have completely flipped my opinion on the episode and series in general. But what do I know, I'm just a negative nancy.

Anyway idk how to end this off, justice for Molly McGee, Scratch deserved to be called Scratch McGee, kill Todd Mortenson, peace out

[love-byers]

Hi!! I binge-read some of your byler analysis, along with other users', and I can't help but STILL feel on the fence about hoping for byler endgame. I guess I just don't want to get my hopes super high only for them to be crushed by whatever CGI fest the düff3rs got in store to "go out with a bang" (while, obvs, sticking to the status quo and what they think the GA wants to see). I've seen so many intelligent people write media criticism pieces and analysis in support of the ship, but I still dread that the writers cry plausible deniability on all the clues they DID lay, that the people behind the N*f1ix social media accs confess that they've willingly posted queerbait to boost their engagement and thus get a bigger paycheck (I wouldn't blame them if they did, obvs; besides, it still means that some higher-up approved those misleading posts) and, worst of all, that this whole thing may end up blowing up negatively like the JohnLock conspiracy or the Voltron shenanigans or, y'know, the Supernatural fandom after Castiel's introduction and up until that lame ass final season. In your opinion, what makes byler different? Is there real hope for a satisfying mlm relationship from a show made by het men that capitalizes on 80s nerd culture nostalgia?

Sorry for coming off so jaded: I do wish for a byler ending, but it's been hard to keep my hopes aflame against these worries :c

i think everyone has some amount of doubt, which is totally understandable.

lgbt representation has come a long way, but a lot of us fans who are a bit older grew up consuming media that either had no representation or shitty representation. we sought ourselves in the media we loved and never found it, and corporations exploited that. nowadays there's way more representation that isn't left up to interpretation or censored, but a lot of the time that's in shows that are about romance and drama, high school a lot of the time. which is great, but stranger things is a sci fi show with romantic sub plots. it's easy for queer characters to end up being left out of a show like ST, but they haven't been at all.

one of the big messages of ST is embracing weirdness and being different. loving whatever it is you love, unashamed. when a character strays from being their true self or pushes away the things they love, there are consequences for the character. they become less likable to the audience. the entire theme of s4 is living in the truth, not hiding things, embracing love, being misunderstood simply because you're different. all of that is very queer coded. and it happens to be the season where will's love for mike fully comes into light.

there has been so much thought put into stranger things. the duffers have said there are no coincidences. they put thought into everything, thats why it takes so long to make a season, because they care so much. there are endless details i could point out not related to romance. they've also said they've been set on the ending for a while and will not be changing it to please people. i believe they said some people might not like the ending, but they don't care because they're making the story THEY want. which so far has uplifted queer people and promoted being different. so some antis may call be stupid for trusting them, but im choosing to. i believe they'll do these characters justice.

and my favorite quote from them is "The best plot twists don't make the audience say "wow I never saw that coming!", it makes you say "I should have seen that coming."

as a writer and a creative writing major, i definitely look up to the writers of ST. they are all incredibly talented and i hope one day i can put this much thought and love into a project. and, as a writer, i cannot see them throwing mike and will's relationship down the drain.

so, what makes byler different? there's very few shows where this much thought is put into everything. its not debatable that they do that, they've said it and its evident if you watch the show. so i refuse to believe all of these things between mike and will are just coincidences or accidents. there's just no possible way. i definitely had a klance phase and i can confidently say voltron writing is nowhere near the level of ST, and neither is supernatural. supernatural is one of those shows that has a lot of seasons and has gone all over the place in terms of writing and plot. the duffers have known the ending to this story since season 1. and unlike those shows with lots of seasons, ST only has 5. it won't be dragged on and beaten like a dead horse like some shows.

you don't have to completely eliminate your doubt. even i have doubt even after all i've said and posted. there is simply no way to confirm what'll happen before s5 releases, and they want it that way. just hold on until s5 friend

[thelunarfairy]

Thinking about how the type of relationship between Amane and Tsukasa is written and shown, like Aidairo they really like to play and, evidently, they do it on purpose: is it just something brotherly or is there something more? (Always interpreting the content they give us and never affirming [or denying] something)

It can also be said (and from what I have seen, it is something that does happen) that part of the jshk fandom rejects and ignores the theories that the interactions between the twins hide something beyond the fraternal because they're brothers and shouldn't be seen as such.

So,

Using the analogy of "If character A were the opposite gender of character B, then everyone would support their romantic relationship, but since A and B are the same gender that makes them just good friends and 'romantic' is just a thing." part of the community", one could deduce that if instead of brothers, Aidairo had chosen to be childhood friends, would the majority of the fandom more easily accept their interaction as something more than brotherly?

If they were just childhood friends who grew up together and their relationship is the same as it is currently in the manga, perhaps the entire fandom would say, and it wouldn't be something crazy or misplaced, that there's not just friendship between the two; perhaps a one-sided love, or a childhood love that ended badly. Maybe there would even be more posts of parallels between hananene and amane and tsukasa.

I would like to know your opinion ^ . ^

Just thoughts derived from insomnia and how I love to find three feet for the cat. And since I love to see the relationships of some characters in another light to see if it's just my interpretation or if there is something more.

P.D.: ilove your theories and analysis.

Do you want me to be completely honest?

I have been very cautious when talking about this subject precisely because it is such a taboo.

It's not about gender, but about being brothers, it's not something natural or accepted, it's strange to think or talk about it in a general context, most people have brothers and know that the love they feel for them is fraternal.

So this forbidden love causes a lot of strangeness, even if it is in fiction.

But yes, I'm happy that the fandom is finally seeing that there is SOMETHING STRANGE in their relationship, it's not just brotherly love, right?

It does not seem.

Tsukasa blushes when he is with Amane, when he talks about him. Hanako also blushes when he is around Tsukasa. The way Tsukasa touches Hanako, panels where they are almost kissing, Hanako under Tsukasa in a suggestive position while Tsukasa puts his hands on Hanako's lips. The way Hanako looks at Tsukasa, whether when he was pointing at the stars or when he ran to hug Amane.

There is more evidence of romance than of a healthy sibling relationship. The way Tsukasa didn't care about anything other than fulfilling Amane's wishes…

But what about Hanako, what must he have been like with Tsukasa?

The general idea that goes through my head sometimes is that the twins fell in love with each other. For Tsukasa, in a more innocent way, that kind of love that he still doesn't understand and doesn't know how to differentiate from brotherly love, everything for him is just love.

For Hanako…. this is more problematic, Hanako is not innocent, he knows what kind of love he feels for Tsukasa, and maybe because he realizes that it is wrong, forbidden, he just buried this feeling inside his chest. Even though he felt love and desires, he seemed to want to be the "perfect" brother, as we saw in the PP arc.

Most analyzes of JSHK symbolism point to a romantic love between them, and in some cases, unilateral. An innocent twin and a pervert, opposites but with similar desires.

I always wonder why Hanako has such a latent sexual desire, as if he was repressing an old desire, and when Kako revealed this in front of Tsukasa, Hanako blushed intensely!

He literally wanted to die again, so why was he so blushing because of Tsukasa? It doesn't make sense if we don't think about the desires he might feel about Tsukasa, and because it's something shameful and forbidden, he feels bad.

"I want Tsukasa, but he's my brother, we can't! It's wrong…."

He blushed more with Tsukasa than with Nene, even when Nene kissed him on the cheek, the moment he blushed the most with her, it didn't surpass the way he blushed with Tsukasa, even his HANDS were blushed.

Think with me, Hanako wants to stop time to do any kind of perverted things, who could he stop time with so he could do whatever he wanted without anyone knowing?

He already did perverted things with Nene without needing to stop time, he can even try to do perverted things with random people, since no one sees Hanako because he's a ghost

But he couldn't touch these people even if time stopped, because in order for him to touch them the other person must be supernatural, have a sixth sense or a bond with Hanako, as in the case of Nene, Kou.

So WHO was the person he was talking about?

Touching Tsukasa with time stopped… Would it lessen Amane's guilt if Tsukasa didn't know? Hmm…..

He likes to do things in secret because he doesn't like to feel guilty, he does things knowing it's wrong, and that's why he does them in secret.

This would also explain why he was so embarrassed when Tsukasa found out that he wants to do perverted things, it was as if Kako had revealed to Tsukasa that Amane had this type of desire towards him.

A forbidden desire that Amane hides, touching Tsukasa, but he can't, so would he wish time would stop so he could do what he wants, because he believed Tsukasa would never know, would it be the only way to alleviate his desire?

When the secret was revealed, Amane felt the guilt and shame for his desires strongly.

Should I also mention the sexual connotation between eating and being devoured? Hakubo and Sumire? It was explicitly a sexual scene between the two, and well, Hanako will probably have to devour Tsukasa in the same way, so sexual connotations continue here.

So, let's go to the scene of Hanako's intense crying when he sees Tsukasa kissing Nene.

Did he see the two people he is in love with kissing? And him being left out of it?

So, let's conclude, maybe this will all lead to a three-way relationship, if Nene accepts, of course. Hanako seems to be in love with both of them, and with the way things are going, we're going to see more of Amane showing love for Tsukasa.

See his look in these two situations:

It's the same look…. in one panel he tells Nene that he's happy because she was the first girl who said she liked him, in the other panel he's talking about Tsukasa.

Same tender look, same look, SAME LOOK

BUT

It's just ONE of the possibilities, maybe it's just another one of those things that some manga authors put in, you know, to tease and give false clues, maybe it's just "ah, that's just a joke, they're just very close brothers" and nothing happens.

Aidairo created a game in which there were twins in love with the same girl, they also had a suggestive relationship between them, but nothing explicitly romantic was shown between them.

This is what I think will happen in JSHK, there is all this evidence that their relationship is romantic, but in the end it won't be anything canon, just suggestive moments.

I don't think Aidairo will have enough courage to put a romantic relationship between canonical brothers???? I doubt it, I would challenge her if I could, because I definitely don't believe she would put that on! Because it would be very brave of her to do that!!

Neither the romantic relationship between the twins nor the relationship between three. Tsukasa will probably disappear, Nene will stay with Hanako for a while and Amane will disappear too, Nene (if she survives) will be sad for a while and then forget.

It will be?

Everything is still hazy, I'm wandering between the two paths, do they love each other romantically or is it just Aidairo's joke?

I have no idea the answer, because the evidence is getting stronger and harder to ignore….

Anyway, remembering that I don't ship the twins and I'm not saying that this is what will happen, it's just an analysis based on their behavior.

[auberge13]

These two moments are taken from the conversations Jon has with each of his parents before joining the Legion of Superheroes. There is one particularly interesting difference between how Lois and Clark each view the decision.

(Lois Lane 2019 issue #4 and Superman 2018 issue #16)

"doesn't leave you much of a choice, does it?" vs. "I am jealous of... the choices in front of you"

Now, if you're like me, this is the kind of thing that makes you very excited about characterization and storytelling so let's get into it.

Clark is a character who never really felt like being good was a choice that needed to be made. He was raised to be good by Ma and Pa and he is so inherently good that he can't imagine being anything else, let alone choosing to be anything else. Meanwhile, Lois intimately understands that being good is a choice that you have to make over and over again, even when it's hard. Doing good the way she does is constantly challenged, particularly by her father. Her choice to do good costs her that relationship with him, and she isn't able to fully reconcile with him before his death, which is explored intimately in this book (read Lois Lane).

As my friend @fae-morrigan put it while we were discussing this, "I feel you could easily read it in a way where Clark is jealous that Jon's been shown he could be Other Than Good and make an informed choice about Being Good. Where Lois knows that choosing to be good often comes at the expense of other good things (in her case, her relationship with her father)"

There's a key moment in the issue after the above screenshot that really showcases this.

(Lois Lane 2019 issue #5)

It's important to acknowledge that there is no part of Clark that would choose not to be Superman. They're the same guy. Clark would do good anyway in whatever capacity he could, he just happens to have a really large capacity. When he says he is jealous of the choices in front of Jon, it is less about doing or not doing good, but rather about how he's going to do it.

(Superman 2024 issue #1)

My friend @ultfreakme explained this really well. "comparing LOSH to college works like that because Jon's going to college (learning to be a hero), but he gets to pick from a million different majors and fuck around for a bit with a support system to fall back on if he fails. Clark went from high school (regular dude) and straight into a job (being a hero) with no ability to like....try something different."

So that's what we can learn about Lois and Clark from this, but what about Jon? The comics do a really cool thing where they break up Jon's complex thoughts about this choice into multiple conversations with different people. With Lois, Jon expresses the sense of obligation he feels. With Damian, he's able to share his hesitance, even telling him that he doesn't think he wants to accept the invitation at first. Finally, with Clark and Imra, he's able to feel his excitement about this new step in his life. It is all very college! I felt all of these things before I left too! But beyond that, this is also a great example of the way Jon will compartmentalize his issues and limit his vulnerability depending on who he's talking to. He has a tendency to minimize his own feelings in order to make other people more comfortable, which you can really see in the different things he's willing to express with each person.

Anyway, I think there's more to be said here and I'd love to hear what other people think about these moments, but I'll call it here. Moral of the story, read Lois Lane 2019 and then create something for the Jon Kent Week Mama's boy prompt- the Jon and Lois in that book are top tier. Also, if you've gotten this far you clearly like this kind of analysis so here's my post about why they aged up Jon. When I posted it Tumblr had put me in jail and turned me into a robot (wow Absolute Power is so immersive!) so it didn't show up in the tag. Sorry for the plug but I'm a little bitter about it lol.

[vasito-de-leche]

(pulls up to your asks like a mcdonalds drivethrough) yo can i get uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh matilda. reltaitonshiop headcnaon

thanmk

;R1999 MATILDA - Relationship Headcanons

Compilation of headcanons about Matilda in a romantic relationship.

(through the most robotic, crunchy voiceover ever) got it, please come right up to the window for your order

sorry this post was shorter than usual! i have so many thoughts about matilda but they're mostly for just character analysis rather than HCs

Matilda is very young, so relationships are a brand new experience for her, lacking all the seriousness and weight of a proper relationship, while being full of wonder and excitement.

One only needs to look at the way she interacts with Sonetto to figure out how she'd act with any other crush of hers. Matilda, whose medium is "competitiveness", sees crushes and love as a game - whoever admits their feelings first, loses. And she's the great Matilda, she can't possibly lose to something so trivial!

I'd argue that there's some depth about this aspect of her, outside of her arcanum and her medium. Her 01 Story gives insight into her competitive nature: from young age, she understood that she had to earn her parents' affection through academic achievements or any other worthwhile merits. And in the main story, we see how she willingly joins the Foundation, how most of her voicelines are about becoming the best at whatever role she sets her sights to, etc.

So with this in mind, whenever Matilda speaks about making Sonetto her assistant, she's truly talking about earning a position of authority and power through her hard work, all to justify receiving affection and adoration from those she cares for. Because this is the only way she knows how to be loved.

I think this would continue to happen, regardless of who she's crushing on, and the game already gives so much info as to how she'd act while crushing on someone, so I'll focus on other headcanons instead!

It takes her a long time to stop acting so flustered.

Because of how confident and one-track minded Matilda is, I genuinely don't know if she's aware of how she tends to come across whenever she trails after the object of her affections like a lost puppy, unconsciously glaring at you from afar because she's trying so hard to prove herself in front of you and what not.

So she would need a lot of time to get over that initial wave of emotions and nervousness, until she can confront you without stuttering, fumbling over her words or just running away.

Once she does, Matilda will become bolder and directly challenge you - her one and only rival! - to all these little things. I imagine it's a very healthy and wholesome rivalry, one that allows the two of you to be kids and stop worrying about the "Storm" for a few hours at least.

I like to think that this rivalry would also help in making Matilda grow used to the idea of losing, since there's no horrible repercussions for doing so.

If she loses to you whenever you two race to see who can reach the library first, to see who can finish a book faster, who can recite the most complex incantation and so on and so forth, well... She can just try again! There's always a next time! There are no downsides to losing, because even though she's lost time and time again, you're still there smiling and laughing along with her. Competitiveness will still remain a big part of who she is, but it loses that edge from before - she's not fighting to be worthy of people's attention.

Eventually, as she grows more comfortable around you, she'll promote you from assistant and/or rival to her closest friend and partner in crime. Matilda starts to include you in her plans for world domination, treating you as her equal.

Matilda is extremely supportive. She loves to be helpful when she's not being competitive.

I'm 100% certain that Matilda's first and foremost love language is acts of service - just take a look at her voicelines. Even though her words are coated with this air of superiority and that slightly condescending and gloating filter, Matilda has many, many quotes that are all about her offering help. Both of her "Morning" quotes, the "Hat and Hair" one, her "Praise" and "Intimacy" quotes... Take a moment to listen to them, really.

Matilda is at her best when she's able to help others, and the fact that her skills in divination and foresight are her biggest pride also hint towards that. It's a skill that's usually associated with easing people's anxieties about the future or the unknown.

The one moment in the main story that sold me on this portrayal of Matilda is her divination scene with Sonetto - once Matilda sees that her friend is in serious need of help and guidance, she pushes her feelings aside just to help on the spot. This is the most serious she's been, and she's gentle and calm, nothing like the Matilda we've seen whenever Sonetto was involved.

When it comes to you, it's no different. While she might've gotten over her initial flustered feelings and whatnot, Matilda would continue to consult her divination orb - if only to know that you'll be okay. And you can always, always come to her if you need a little peek into your future. You might be the only person in the world with that luxury, actually.

This aspect of Matilda also extends to smaller things, of course! If you ever struggle with anything, especially when it comes to academics, she'll step in right away - more than often, she'll do it without even knowing what she signed up for, so forgive her if she suddenly realizes she has no idea what subject you're even talking about. Still, the great Matilda is no quitter, and will research in her free time just so she can help you during study sessions.

People tend to assume Matilda is a horrible listener just because of that pompous and confident attitude she carries herself with - but this is far from the truth! Again, her skill relies in divination, a type of arcanum that relies entirely on seeing what's already there, on being perceptive to one's surroundings and the person seeking her help.

Whenever you need to vent or ramble to her about whatever might've been bothering you, Matilda always sits there, holding your hands, listening intently to every word. It's the same look she has during exams, only softer.

And once you're done, she always gives the most sound and solid advice - should you want it! She always makes sure to ask first! If there's one thing she hates is unsolicited advice! And even if she cannot help you in finding a solution for your troubles, she can still offer her support by loudly complaining with you!

On the subject of Matilda and romance.

To loop back to the very beginning of this post, romance as a whole is still very new to Matilda. Whether you've been her partner in crime for a handful of months or many years, I think any displays of affection will render her speechless, red as a tomato and flustered to the moon and back.

It doesn't matter if all you did was hold her hand, pat her head or give her a surprise hug - Matilda always, always reacts the same way. She squeaks and complains, but never pulls away.

As clingy as she is, following you around and insisting on being seated together all the time, etc etc, Matilda struggles with being on the receiving end of physical affection - at least whenever they're done in a romantic context. She has no problem dragging you around, arms linked together and all, but the second she notices the romantic context of the situation, she'll go back to being a flustered mess. It's yet another thing that will take her some time to get used to.

Make sure not to tease her or make it obvious that you've noticed whenever she tries to hold your hand while walking! That's the one thign that will absolutely get her to retreat right away! She's doing her very best and gather the courage to show you she cares for you!

That aside, I do think Matilda loves being complimented just as much - appealing to her ego is extremely easy, after all. And considering you're the one complimenting her, whatever you say will inevitably get to her head.