#but it WASN'T!

[thelediz]

Sonic Underground Episode 21: The Jewel of the Crown

I’m watching Sonic Underground in search of inspiration to finish a fic I’ve been writing forever. It’s a sad state of affairs. See the recap of the first three episodes here, if you're interested!

The plot (for want of a better word): Legend says the jewel from Aleena’s crown will glow brighter as it comes closer to her, and Robotnik thinks he’s found it! Can the Sonic Underground find the jewel—and their mother—before their enemies, or is there more to this jewel than meets the eye?

Aleena starts off this episode talking about resilience (though she calls it determination), which is nice. I think that might have been better with last episode, but egh.

Manic has made an electronic bug to spy on Robotnik. Can I just say this is very impressive given that while I didn’t mention it, it was only episode 13 where he said something about how he’d never thought of himself as a mechanic. You’re not supposed to notice this evolution – the series never draws attention to Manic’s technical skillset (because he’s a Tails clone) but if you are a problem like I am, it’s a nice little bit of Manic growing as a member of the Resistance.

So once again, we have Robotnik technically engaging in his city country kingdom’s economy, by having a pawn broker offer to sell Aleena’s jewel to him. Robotnik instead wants Sleet to steal it. As a dictator, or indeed as any legitimate head of state, he could just confiscate it, but he doesn’t. I am a problem, so I take this as more political manoeuvring to make sure the aristocrats remain happy with him.

He also offers Sleet half the money the pawn broker wanted, which builds on something @shinymisty-blog draws attention to in other posts: Sleet is still acting as a bounty hunter with Robotnik. Dingo is the only one being a proper indentured servant… except when he isn’t. Stop questioning the character motivations.

Meanwhile, the Sonic Underground debates how they can get the jewel before Robotnik. Sonia points out that they’re broke, and Manic suggests they ‘liberate it’.

I am entirely on Manic’s side this time, but hey. +1 to Manic’s Thievery is a Problem.

Sonic, on the other hand, suggests that Aleena wouldn’t have sold something that could lead her enemies directly to her because that would be incredibly dumb valuable, so clearly the pawn broker stole it first, which Manic jumps on by saying they’re just recovering the stolen goods. Sonia is immediately on board now because she wants to wear a pretty jewel. We sigh.

Emporium, the town of today’s episode, is another not!Constantinople city. Furthering the comparison is the fact it’s basically empty.

Meanwhile, we discover that Aleena is actually working with the pawn broker! Apparently she’s set a trap!

You know, I feel like these things would work better if she found a way to communicate with her children about her little plots.

Somehow, despite talking about how hard it will be, the triplets find the right pawn shop without any issue. But when it comes down to it, Sonic refuses to steal even for the right reasons. Are all the kids in the audience paying attention to this lovely Sonic Says moment? Yes? Yes? Everyone paying attention to the lesson?

Before it can come to a head, the rug they’re standing on turns out to be Dingo. I am actually going to give the siblings this one, for once, because I also didn’t twig to it. Although in hindsight I should have – we saw Sleet earlier, but no Dingo, and they did mention the rug was an offer from Robotnik, but I absolutely didn’t notice the colour. Maybe I’m tired.

Anyway. Both the siblings and the jewel are now in Sleet and Dingo’s hold!

Except they leave the siblings behind.

THEY LEAVE THE SIBLINGS BEHIND.

THESE. TERRIBLE. VILLAINS.

The pawnbroker stops Sonic from chasing Sleet and Dingo down immediately, but can’t stop him properly. So it feels a little pointless to have that moment, especially when Sonic does still stop their van from escaping.

Sonic’s plan to get the jewel back is almost as dumb and convoluted as… honestly, Sonic.

For some reason, he chooses to flood Sleet and Dingo’s transport with olive oil. You’re the fastest thing alive and you can take on half a battalion of SWATbots single-handedly. When Sleet opens the hatch to look around, squirrel past him, grab the jewel, get away. It is THAT SIMPLE.

Idiot boy.

But it gets the same result, and he very clearly hasn’t stolen it from anyone because Dingo just dropped it. Totally different to some moral guardian or another, I’m sure.

The song: The Cosmic Dance. I… yep, I’m tired, I can think of no comparisons. It’s actually pretty good though, I don’t hate it. It’s quite cute, like the sort of thing you sing to three year olds to encourage them to play Imagination… except it’s using some stereotypical imagery about yoga, hot coals, turbans… what culture do you think you’re referencing, song, because right now I’m just getting ‘vaguely foreign’.

It also references MC Hammer pants, which is very funny.

Okay, so everyone has the idiot ball today. The triplets are literally standing two metres back as Sleet loudly tells Dingo he’s put a tracking device on the van, and yet they happily jump in the van to run away from a bunch of snakes without removing said device. TRIPLETS.

So Aleena’s trap for the jewel has led the triplets (and therefore Sleet and Dingo) to a building that is actually a living plant. Dingo and Sleet are appropriately creeped out by this, and call Robotnik. For… some idiot monetary reason, Robotnik saying he’s going to come and catch Aleena himself bolsters Sleet’s confidence enough for him to be excited to go after Aleena again despite being creeped out.

Also, weird hoodoo magic, Aleena. Interesting. Sonic’s connection to Gaia says what

Sonia’s super strength +1

The tree goes after the triplets until Sonic cuts it off, but weirdly also doesn’t keep attacking Robotnik’s forces. What?

The episode ends with the triplets realising this was Aleena’s trap, and Aleena quietly standing on the sidelines as they leave, professing that someday they’ll be reunited.

Honestly, that ending feels VERY final. A bit of a downer ending, but there’s something bittersweet and hopeful that makes it feel like a proper ‘and the adventure continues’ that should have finished the series.

Basically I’m saying this should have been episode 40, but it wasn’t.

The counters:

Sonic implying less than 100% American heterosexuality: 5

Sonia in love with Bartleby: 4/37

Sonia in love with someone who is not Bartleby: 1/37

Sonia’s got super strength: 4

Manic’s thieving Is A Problem: 4

So come back tomorrow if you’re interested in the next 18 episodes that probably should have happened before this one!

[killerandhealerqueen]

Not me getting an email asking if I’m interested in being included in a first round of interview for a position that I applied for back in January out of 200 applicants. 

Oh my god, I’m so excited I’m literally jittering out of my skin

[weltonreject]

just reread a rewrite of Lost & Stolen i submitted during grad school and teared up because it was... kinda good? but i remember, when i was writing it, i thought everything i made at that time was horrible and worthless...

[lies]

Sometimes when I'm birdwatching

[skrunksthatwunk]

see 0 note flop posts aren't that bad when they're personal but 0 note fandom posts feel literally so bad. like if you don't wanna play toys with me anymore just say that. i'll pack up my super cool awesome things and go and i'll sit on the other side of the playground by myself and i won't even look at you. fuck

[seagiri]

when did this happen???

[problemnyatic]

the steven universe hate is insane bc people are (or at least were) more upset that fictional war criminals got fictional hugs than they recognize that it singlehandedly advanced queer rep in children's media by lightyears and then straight up ate heavy retaliation for the nerve.

It does have real flaws that are worth discussing, but it also put their male protagonist in dresses and skirts and played it straight and even empowering, they aired a lesbian wedding on television, it was a genuinely queer, genuinely diverse piece of media through and through. It did a lot of real good for the real world.

But also the fictional characters caused fictional harm to other fictional characters, and didn't get an onscreen firing squad sentence. So, you know, it's basically ontologically evil in real life.

[o0kawaii0o]

I'll tell you a secret... my name 'Sam' is short for 'Samson'.

[datcravat]

tetotetotetotetotetotetotetotetotetotetoteto!!!!!

[phantom-of-the-501st]

Remember that this is not the proof that they love each other

That was a last-ditch attempt from Crowley to get Aziraphale to stay

This is the proof that they love each other

Their love wasn't just made real because they kissed

It always existed

[runawaymarbles]

Reading Mockingjay as an adult is extra devastating because. Of course the plucky teenager and her ragtag friends aren't going to sneak into a government building to kill the president with a bow and arrow. That's absolutely ridiculous. It's the kind of thing that's only possible in the kind of propaganda that Coin developed. But she's so good at it that in some ways she tricks the reader into thinking that's the kind of story this is, too--even after 3 books reminding us that pretty much everything that Katniss does the second she volunteers is manipulated by adults pulling strings to make propaganda in some form or another.

[kianamaiart]

Pretty Pretty Please I Don't Want to be a Magical Girl: Villains

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.

[harocat]

I have a theory about gen z and millennials, so please help me out with this poll.

Please make sure to vote as to whether you got vaccinated as a child or not, if you did not get chicken pox. Take care, spread this around, and vaccinate your fucking kids. Poll is not exclusive to any country. Vote no matter where you're from.

[clumxy]

PINES. PINES. PINES. PINES.

[Image description: art of Mabel and Dipper from Gravity Falls. They're grinning, and they each have one eye glowing yellow. They have their arms around each other, and they make a triangle symbol together with their fingers.

[thetrekkiehasthephonebox]

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